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00:01As you can see, we've just finished planting some hidden surveillance cameras around Smiley
00:08McCarthy's property.
00:10Sorry, mate.
00:11Very, very quiet.
00:14It's odd.
00:15Yeah.
00:15Where's your hand?
00:17Oh, yeah, mate.
00:18I've got him back there.
00:19There's a dog.
00:22Shh.
00:22Oh, no, he's going to the toilet.
00:24Keep it quiet, mate.
00:25I think he's going out.
00:26Ah!
00:26He's got me off!
00:28Ah!
00:28I'm gone.
00:29Oh, my God.
00:30You can't shoot it, boys.
00:31You can't shoot it.
00:32Do something, guys.
00:33Come on.
00:33Get on the talkie.
00:35We need a dog handler and a medic.
00:39It's got some muscle on it, hasn't it?
00:40It's gone down to the bone.
01:08The good guy.
01:10The good guy.
01:16The good guy.
01:30Okay, everyone, excuse me, pay attention please, Mark, please, or listen up, as they say in the U.S. of
01:37A.
01:38We've got a visitor with us today, as you know, Lou Ferrino, or Lou Frisco Ferrino, as he's more commonly
01:44known, from NYPD.
01:46And he's over here from the States to tell us how they do things over there.
01:51So please, make him feel at home, give a welcome to New York's finest Lou Ferrino.
01:59Gary.
02:11I can show you right now, we've got a book here.
02:15Frisco, can you get that on the camera?
02:18A bit of glow from the light, but it's Frisco by Lou Ferrino, and I'm very impressed by this man.
02:25I'm glad to have him here from the United States.
02:27I think he's going to show our troop here, a few home troops, and also a bit of extras as
02:34well.
02:54I like the American way of doing things. I like the way we do things too, but I think we
02:58can learn from what happens across the pond, across the water.
03:01This exercise is a hands-across-the-water thing. I hope he learns something too, I'm sure he will. We've
03:05got a lot to offer as well.
03:08But we need a little bit of punch in our exercise, and I think Lou's going to bring that to
03:12this operation.
03:20You're not allowed.
03:22I'm sorry.
03:25Come on, sir.
03:29In New York, that's how we get your undivided attention.
03:35Yeah, that's why we live here.
03:37Stupid.
03:38We're in London.
03:41Yes, it's true, the Americans do things a little differently than we do.
03:46But we've got to embrace that and learn from it.
03:48But it isn't like the movies. I mean, they don't run charging in there.
03:51It's not the streets of San Francisco, you know.
03:53It's not all freeze, buddy, don't even breathe.
03:56It's not quite like that.
03:58But whatever they've got to offer, we've got to take that on board,
04:01use it, and see where he gets us.
04:04And I welcome Lou for, you know, being here.
04:07I've apologised to him upstairs, but, you know, quite rightly,
04:11they've got the well-up.
04:12The bullet went into that.
04:13You know the nice lady's desk. I enjoyed it.
04:15Yeah, I liked it.
04:16But she's claiming they have her handbag in context,
04:18which, to be honest, a bunch of people went through.
04:20Oh, he's right.
04:21So they have another desk, haven't they?
04:22Yeah.
04:23Are we in short for that?
04:24I mean, how can I call him that?
04:28So what are their names, then, these three?
04:30Well, this one is Flossie, and this is Julian,
04:33and this is Bob Tell.
04:34Uh-huh.
04:34Flossie's the mother of all of them.
04:36Oh.
04:36Flossie's my favourite because she's been with me, well, the longest.
04:39Is she?
04:40Yeah, but...
04:40Are they any particular breed?
04:41Rabbit breed.
04:42There is $500,000 in this bag.
04:49This is what we're going to use to nab Smiler McCarthy.
04:55Are you not going to take it to the Bureau de Charge first?
04:58On no account, and I must stress this, on no account does anybody open this bag.
05:08And I'll tell you why.
05:10This money, this half million dollars, will go to Smiler McCarthy to buy 20 million pounds English sterling UK money.
05:25All right?
05:26Counterfeit money.
05:27Counterfeit money.
05:29Now, inside the bag is aluminum dye.
05:36Silver aluminum dye.
05:38Now, when he opens this bag, baboo!
05:41It's all over him.
05:42He can't get away from it.
05:44We got him with the dye.
05:46We got him with the dye on the money.
05:49And he's in the slammer.
05:50Oh, yeah!
05:51Yeah, yeah!
05:52You understand?
05:53Yeah!
05:56Don't get me wrong.
05:57They seem like really nice guys, but I don't know if they can cut the mustard.
06:01Whoa, whoa, whoa.
06:01Just let me stop you there for a second.
06:03I don't know how you do things in the U.S. of A, mister.
06:06But we take great pride in recruiting the elite.
06:10What you see out there is the top three percent.
06:17So why did you open the bag?
06:19I opened the bag because I just wanted to see half a million dollars, you know?
06:22I mean, it's just, when am I ever going to have the chance to open a bag and see all
06:27that money?
06:27So I just thought, bosh.
06:29And then, you know, now I look like the geese without the Wizard of Oz, you know what I mean?
06:33It's a mistake anyone could have made, but we've got everything under control.
06:37All right?
06:38Sir, look.
06:38Sir, can you pick these off the floor, please?
06:41Sir, mate.
06:41All right?
06:41Look, if you stick them on the wall like that, when they're dry, they drop off.
06:46Please.
06:47Please.
06:48Can you get out?
06:49Out.
06:50Out.
06:51Wait.
06:51You've got one stuck to your foot.
06:53I think we probably spoke earlier about the sort of qualities that are required for a crack elite unit such
07:01as this.
07:03I'd like to add something to that.
07:05I think the people I've chosen for this job have a rather unique ability in that they don't just leave
07:12their work in their locker and they're able to divorce that when they go home.
07:16But equally importantly, they don't bring their personal problems into work with them.
07:22And that makes them very, very special indeed.
07:26Where am I?
07:27I'll tell you where I am.
07:28I'm standing looking right up in the window right now.
07:31So why don't you come and give me a little wave?
07:35Gary?
07:36Can you hear me?
07:37I said, why don't you come over to the window?
07:39Because I've got a pair of your pants.
07:43Baby.
07:44Darling.
07:45Listen.
07:46Um, listen.
07:48Do you know what's the funny thing I've got?
07:49You sure?
07:49Yeah, just find me.
07:50Just find me.
07:51No problem.
07:52No problems at all.
07:53You sure?
07:53No, it's fine.
08:02You know, we all have our own personal problems.
08:05My mother might be angry with me.
08:07But I don't bring it into work.
08:09Because I'm a professional.
08:11And so are these guys too.
08:12They're all professionals.
08:13They're like G-men.
08:15He would have been very proud of us.
08:18Yeah, die that.
08:20Where do you guys go?
08:21Put your hands in the back pocket or something.
08:23What is this?
08:24It's a surveillance camera.
08:26Do you know, they make cameras now that are so small that you can't even see them.
08:33He can't go into the pub with this under his arm.
08:37The suspect's going to see it.
08:40Come on guys, you know.
08:41Don't take a living.
08:42Why don't you use this camera?
08:43Let him walk in.
08:44Look.
08:44Look, I'm on the cover guys.
08:45Look.
08:46Hey, I'm on the cover.
08:47Hey, I'm on the cover.
08:49You're abusing the-
08:49What are you, idiot?
08:51The freedom I've given you now, sir.
08:52If you don't mind.
08:59What's that, sir?
09:00I don't mind.
09:01It's a theatrical term for not being seen.
09:04Blocked.
09:05Blocked.
09:06Let me explain what's going on.
09:07You got me there.
09:09We can't use the silver money, of course.
09:10You know, the died money, because that's for obvious reasons.
09:13But what we have got at the moment is the opportunity to get the information of when Smiler McCarthy
09:18is going to take delivery of the counterfeit money.
09:20And we've got Gary inside the pub now, who's going to get it out of one of Smiler's men.
09:25You've got all your state-of-the-art high-tech equipment.
09:28Nothing wrong with the equipment.
09:30Okay.
09:33It's a bit like James Bond, isn't it?
09:35Some of these have two sunroofs.
09:37They call it dual.
09:43Can I have a whiskey, please?
09:46A large one.
09:48Yeah, cheers.
09:50No, just straight up.
10:00Yeah, um, basically what I wanted to know was, um, was, um, when do you think the cash
10:11is going to arrive, then?
10:13Can I have another one, please?
10:16Whipped that down a bit quick, didn't he, sir?
10:18So, um, anyway, did you see the football last night?
10:22Yeah.
10:22What a match, yeah?
10:23Yeah, the Arsenal.
10:24Do you really think the back four are over 30?
10:26Do you know what I mean?
10:27Do you reckon they're going to win the championship now, do you?
10:29Yes.
10:29So, can I have another one of these, please?
10:31Cheers.
10:32What can you drink?
10:32You think he's drinking too much?
10:34Go on, have another one.
10:36So, my wife, right?
10:37My wife.
10:39Silly cow.
10:41I don't know, I pay with a decorator, right?
10:43I work all the hours God sends.
10:44Do you know what I mean?
10:45That's brilliant.
10:46Brilliant.
10:46Yeah, you know, they just don't stop nagging.
10:48Do you know what I mean?
10:49It's like, she wants money with it, she wants money with that.
10:50She's not doing what he's supposed to be doing.
10:53What he's doing, he's behaving as any other drunk one at a bar, naturally.
10:58Yeah, I'll see that.
10:59Love her though.
11:00No, I do.
11:01I love her.
11:01I love her.
11:02I love her.
11:02I love her cause she's a silly cow.
11:05He's doing what a drunk would do because he's drunk.
11:09Do you know what I mean?
11:10Yeah?
11:11No, no, no.
11:11He's putting it on.
11:13Yeah.
11:14He's had about ten scotches.
11:16What do you mean he's putting it on?
11:17No, he's got hollow legs, mate.
11:20You!
11:20Oi!
11:22Shut it!
11:25Right?
11:25Who's your bird?
11:26Where'd you find her?
11:28Could I have a go?
11:29Oh, Jesus Christ!
11:32Right.
11:33You want information?
11:34John!
11:35I'm gonna show you how to get information and then I'm gonna put a cap right in that sorry
11:40bastard's ass!
11:41Please put the gun...
11:42What's the door?
11:43Would you sit down?
11:44Come back in!
11:45Don't slam the door!
11:46He's a furry violent man, sir.
11:49You!
11:50Hands on the bar!
11:51Get away!
11:51Now, I know your smile at McCarthy's boy.
11:57You're gonna tell me what I wanna know or I'm gonna blow your goddamn head off.
12:01Just wait there.
12:03Don't scratch it!
12:04That's how we do things back home.
12:06You oughta read my book again.
12:09Oh, you bloody animal!
12:11Get off of my brand new car!
12:14I think in this business you really have to have the ability to be able to cut out emotion
12:19completely.
12:20We remain icy cool, calm, collected.
12:24People might call us not very human, but it's the way we get the job done.
12:30It's hard-hitting, action-packed, starting off when I was a young guy.
12:34Morning.
12:35Morning.
12:37What's going on here?
12:39I'm giving a minute here.
12:40This is my office.
12:42It's my private office.
12:44For my private use.
12:46What are you doing here?
12:48It's 7.45 in the f***ing morning.
12:50What are you doing here?
12:51Who let you in?
12:53Where do you get keys?
12:55You're comfortable, eh?
12:57Make yourself at home, why don't you?
13:00Ray!
13:01Ray!
13:02Yeah?
13:03Come here!
13:04You sonny jimp are out of order.
13:06Barging in my office, my private office, and using it to promote your bloody book.
13:11Well, I've got a book too, you know, about this operation.
13:13My operation!
13:14And it's not some cheap, trashy novel called Friscom.
13:17It's a proper book!
13:18We've got some, er, let's see what we've got.
13:22Er, fresh lemons.
13:23Oh, hello.
13:24Er, what I'm doing, I've made a concoction that I believe will take the indelible diet from
13:31our faces.
13:31I'll show you what's in it, shall I?
13:34We've got some granulated sugar, about two ounces.
13:38Like that, you can see that.
13:40Some extra virgin olive oil, very important, very good for moisturising the skin.
13:46Just a little drop of that there.
13:48Just a super salt.
13:50Some Worcester salt, a few drops of Worcester.
13:54Oh!
13:55It was too much, let's just tip a little bit.
13:57How about that?
13:58Not too much.
13:59I've got some secret chemical ingredient, which is Ash's tip of the day.
14:04And, to finish it off, some ordinary concentrated household bleach.
14:09Just dab a little, starting at the edges, working your way in.
14:14Yeah.
14:14Circular motions, I find, are usually the best thing in it.
14:17And, that's fine.
14:19I want to see a little bit of pressure.
14:21Are you all right?
14:22Are you all right?
14:22I'm just trying to work it through.
14:24It's bubbling a bit, isn't it?
14:25I'm trying to get this.
14:26Hey, what's that smell?
14:28What's that?
14:29What's that?
14:30What's that?
14:31What's that?
14:31What's that?
14:32It's burning.
14:33You're all right, mate.
14:34It's burning, Sarge.
14:35Is it?
14:36Yeah.
14:37Come over here.
14:39It's all right.
14:39Come over here.
14:40Oh!
14:42It's burning, Sarge.
14:43You all right?
14:45It's burning, Sarge.
14:46You all right?
14:47Oh!
14:47Uh, someone get me some water, please.
14:50No, go on.
14:50Get some water.
14:51Get me some water, please.
14:53Yeah, all right.
14:53It's coming.
14:54Jesus Christ.
14:55Leave the smoke.
14:56Now, we now know that £20 million worth of counterfeit notes are going to be on Smiley
15:02McCarthy's premises on Wednesday the 5th.
15:05Smiley McCarthy's house, by the way, is West London.
15:09It's...
15:10This is the A4DM.
15:13But it's here.
15:15And, uh, we know that we've got a small window of opportunity to work in, about half an hour.
15:21Um, but we're going to be there.
15:23And we're going to surround that place.
15:26Very quietly.
15:27Under the cover of darkness, will we be?
15:29And wait.
15:30It's just that I'm very pleased, because in a quiet moment the Governor has said that,
15:34um, that he's going to give us, well, me personally, the means to protect myself,
15:41which, uh, means for the first time that I'll be issued with a firearm.
15:59That's it.
16:00Bang, bang.
16:05All right, then.
16:06Now, uh, there's just one more thing.
16:09Something's quite personal to me, actually.
16:11I don't know whether you know this, but, uh, Ray, you certainly know, but there's a bit
16:14of the gypsy in me.
16:15I've got my mother's side, going back about a thousand or so years.
16:18And, um, I'd like to do an old Romany custom here, which is to give you each one of these,
16:23which is, uh, a charm to, uh, ward off anything unpleasant that might come your way, Holmes.
16:29There's one for you.
16:30Father Malali.
16:31Sir, I'll pull the shoulder holster, sir.
16:33And we'll talk about...
16:35Where can we lay tonight?
16:35Mark, one for you.
16:36Thanks, sir.
16:37Father Malali.
16:38What's the...
16:38What's the furry thing, sir?
16:40It's a rabbit's one.
16:41It's a rabbit.
16:41It's a rabbit.
16:43It's a rabbit.
16:44It's a rabbit.
16:45It's a rabbit.
16:46Gary, take it, please.
16:47Put it on.
16:47It's an order.
16:48Shall we wear them later, sir?
16:50Father Malali, wear them.
16:52That's for you, mate.
16:53Oh, thank you very much.
16:55Alrighty.
16:55So, there we go.
16:58Now, as the Americans say, you be careful out there.
17:02Alright.
17:02Good luck, everyone.
17:04It's not quite what you're expecting now, is it?
17:06Well, compared to what I have to wear, this is nothing.
17:09Now you all know what I feel like a little bit, yeah?
17:11Well, anything could change your luck for me.
17:13I don't mind.
17:13I want to take you to see the communication one more.
17:17Where, before breaking, you always make sure everything's A-OK.
17:21Alright, mate?
17:21Alright, Chad.
17:23Alright, Judge.
17:24Alright, Judge.
17:25Oh.
17:26Look on the bright side, boys.
17:28You'll never get lost up a mountain, will ya?
17:35No, no, it's not that they don't like them, sir.
17:38I mean, they're lovely.
17:39They love them.
17:40Look, they're works of art.
17:41They're bloody ingrates, is what they are.
17:43No, it's the noise.
17:45That's the general consensus.
17:46It's the noise.
17:47Very difficult to move about on.
17:49Without making the rig, sir, you know?
17:52Alright.
17:55It's not going to go around my neck,
17:56because rabbit's feet weren't made to hang around my neck,
17:59as far as I'm concerned.
18:01You know, rabbit's feet.
18:03Well, they were made for walking.
18:05You know?
18:06And that was a beautiful animal once.
18:08That's all there is to show for it.
18:11No, it's an order, Ray.
18:12You bloody well tell them they're wearing them.
18:14And it's an order from me, not from fancy pants forino.
18:27Okay, we've now established headquarters here in this van.
18:31This is the HQ van.
18:32We're positioned outside Smiley McCarthy's house,
18:35that you can see over my left-hand shoulder here.
18:41You've always got to be prepared on these things.
18:43It gets long.
18:44It gets tiring.
18:45It gets tedious.
18:45It gets boring even sometimes.
18:47And it certainly gets cold.
18:48And I always wear a pair of tights, women's tights, ladies' tights.
18:53Keeps you warm at night.
18:54It's a layer against the skin.
18:55It's essential.
18:57And, alright, may look a little daft.
18:59A little silly.
18:59Bit of a Nora Batty going on here.
19:01Straighten that out.
19:02But it keeps you warm.
19:03Does the trick.
19:04Great tip, Max.
19:06Welcome to Fairyland.
19:13Shall I order a pizza, sir?
19:15On petties?
19:17Mr. Farino, would you like a pizza?
19:24This is what we call a classic piece of misinformation.
19:30No disrespect to Lou Farino, but this happens sometimes.
19:35We've got the wrong date.
19:37Wrong time.
19:37It's quite clear that the money isn't going to turn up now.
19:41So perhaps the strong arm tactics that Mr. Farino used in the pub
19:46weren't necessarily the best ones.
19:50American hard-hitting way.
19:53Doesn't always hit the target.
20:03Stay where you are, Bo.
20:05Back on!
20:07Leave him.
20:08Don't approach him.
20:10The Farino is approaching the drive.
20:12Oh.
20:12Beech to all units.
20:14Do not approach.
20:15Repeat.
20:15Do not approach.
20:17Come on!
20:18Move it!
20:19Quick!
20:21Get him up!
20:23Up!
20:24Up!
20:25Up!
20:27Get over there!
20:28Get over there!
20:29Get down on the ground!
20:30On your knees!
20:31He is armed and has McCarthy in custody.
20:34Over.
20:35There you go.
20:36I want to tell you you've got a hostage situation now.
20:38Right.
20:39This is my bag, lads.
20:40You stay here.
20:41I'll sort this out.
20:42Should I come with you, sir?
20:43No, no, Bo, I'm trying to do this.
20:44Lou.
20:45Lou, I want you to listen to me very carefully.
20:47Shut up!
20:51Stop it!
20:52Stop it!
20:53Lou, please!
20:55Listen, we need to get some communications going here.
20:57Just nothing I can do, son.
20:58I can't get you a landline or nothing.
20:59What else can I do?
21:00Well, you have to get me something.
21:02Ray!
21:02Yeah?
21:02Ray?
21:03Yes, sir?
21:03I think it might be best if you let me do the talking, Ray.
21:07So...
21:07But...
21:08Are you sure, sir?
21:09A brazier situation, Ray.
21:11Shut up!
21:11I'll talk to him!
21:12Hey!
21:13Did he get my pizza yet?
21:15Did you get his pizza?
21:17Get the bloody pizza!
21:18It's coming, sir.
21:19It's coming.
21:20Lou, I want to talk to you about your mother.
21:23What about my own mother?
21:24Well, I want to go back to those tender, caring, carefree days when...
21:32Were you best breastfed or bottle-fed?
21:35That's what the experts are saying there.
21:36If you were breastfed, you're a better person.
21:38Your personality is better.
21:39More rounded and all that.
21:40Really?
21:42I was tinned myself.
21:44Sir?
21:47Sir?
21:47Sir, do you...
21:48Do you remember that song that we all used to sing?
21:51Sir, do I dare sing?
21:52Keep your chin up, sir.
21:55Remember Rolfy, sir?
21:57Do you think I would leave you lying?
22:02Everybody come.
22:03When there's room on my horse for two...
22:08Climb up here, keep it up, sir.
22:10Keep it up, sir.
22:11Don't be dying.
22:14Or you're going to go to Christmas class with two.
22:18When we grow up we'll burn the beans, our oranges.
22:24And our horses will not be toys.
22:28And I think it's that I remember...
22:32When we were two little boys...
22:38Well, gentlemen, as you've seen, this thing has exploded out of all proportions.
22:43And the world's attention is upon us now.
22:46So I think it's very important that we create an exclusion zone.
22:50A ring of steel.
22:52I want a nice emote of man-eating sharks.
22:55And above all, I want the press kept out, OK?
22:58Give him an order.
22:59Luke, I could order you to put that gun down.
23:01You know that, don't you?
23:02What?
23:03But I'm not...
23:03What do you mean you're going to order me?
23:04You mean like you ordered me a pizza?
23:06No, I'm not going to.
23:07Because I know you've got a problem.
23:09And I know what your problem is, Luke.
23:12What's my problem?
23:12Your problem is that you think you're the only one with problems.
23:16That's what your problem is.
23:17Yeah, I don't give a damn.
23:20Yeah.
23:21That's the sum.
23:21Got it.
23:22Yeah.
23:24Do you mind your swimming bridge, aren't you?
23:25Yeah, I do, yeah.
23:27Number one, wasn't it?
23:28No.
23:29Well, in the indie charts.
23:30Yeah.
23:33It's a mobile phone.
23:34Yeah, it's the best I can do.
23:35He's got one as well.
23:36Just press the button too.
23:37Be careful, Sarge.
23:38My phone bill.
23:39Yeah, but it was the Bootleg Angels.
23:41Bootleg Angels.
23:41What a band.
23:42You remember them?
23:43No, it's on the same bill.
23:45Froving Gristle, Gones, Bootleg Angels.
23:46That's right.
23:47And they were supporting us.
23:52Hello?
23:54Hello?
23:56Hello?
23:57Lou?
23:58Lou?
23:59Lou, it's Ash.
24:01Listen, mate.
24:01I can't hear you.
24:03It's Ash.
24:04We've got to talk.
24:06And listen to me, Lou.
24:07Is there anything I can get you?
24:09Anything to make you a little bit more comfortable?
24:11Where are you?
24:13Hey.
24:13I'm over here.
24:18What the hell are you talking to me on the telephone for?
24:22Hey, hey.
24:24Get me some mineral water.
24:26And get me the French stuff.
24:28Don't give me any of that Irish crap.
24:29I'm much more partial for the French stuff, okay?
24:32I'll get something in return now, yeah?
24:33Yeah.
24:34Give me Beatty's hat in return, Lou.
24:36No, no.
24:37Something bigger.
24:38Bigger, bigger.
24:38And his trousers.
24:41No.
24:42No.
24:42I haven't done this before.
24:44Okay, okay.
24:45You've got a deal.
24:47You've got a deal.
24:48But whoever brings the water over here, you're coming over unarmed, or I'll pop them.
24:52We're going to take our gloves here.
24:55Got him.
24:56Got his hat.
24:57Tie.
24:58Trousers.
25:01Oh, Christ.
25:02It's a bit smaller.
25:03It's a bit little.
25:04It'll be alright.
25:05It's deep pan.
25:06It'll be alright.
25:07That's all we've got.
25:08Let's go.
25:08You've got the pills?
25:09Yeah, but I mean, the pills are nearly as big as that.
25:12I don't know.
25:12That'd be fine.
25:13Don't ever do it.
25:15Don't overfeed him.
25:16We might get sick.
25:18Oh.
25:20He's meant to be, er, crushing it.
25:22You've got to crush him up.
25:22Look, he looks like smart, doesn't he?
25:23No, we've got to crush him up.
25:24I can't pull him up.
25:25No, that'd be alright.
25:26He won't know.
25:26He looks like smarties.
25:28No, it'd be alright.
25:29Oh, I can't give him.
25:29I'm not putting myself in jeopardy, giving him that.
25:33Let's crush him up.
25:33Let's crush him in.
25:36Don't overdo it.
25:37No.
25:37Double portions.
25:39Alright, mate.
25:40Nowhere.
25:40So, how long will that take tonight, then?
25:42Do your stuff, boys.
25:44Good luck.
25:45So, how long do you have life done then?
25:46No.
25:47Just sit it out and see.
25:50You're quite hungry myself, actually.
25:54I don't want to show you something, I've got it.
25:56It sounds like that one.
25:58It's amazing.
25:58I can't remember that.
25:59What are the small ones like?
26:01Fine apple?
26:02Oh, I don't.
26:03You don't want it.
26:06Be my guest.
26:11I said, who?
26:14Hey.
26:15Your boss is eating a pizza.
26:16He seems very, very happy.
26:19Did you put a little Prozac in the pepperoni or something?
26:23Goddamn assholes.
26:24Do you think you are?
26:25Do you think you are?
26:28The siege in the West London home of business magnate Hugo McCarthy has come to an end.
26:33It appears the gun carried by rogue New York policeman Lou Friscom Farino has turned out to be a fake.
26:40Farino, whose autobiography Friscom has become an overnight bestseller, is now receiving psychological evaluation and a reported $1 million for
26:48the sale of his film rights.
26:49Mr McCarthy is also understood to be suing the police for a similar sum.
26:53Don't forget to buy my book.
26:56$17.50 in the shops for Monday.
26:59Shut it.
26:59It's a really good read.
27:01Shut up your mitts.
27:01Get in there.
27:02Get in there.
27:04It'll be a paperback soon.
27:08Shut that door.
27:15It's been a busy day.
27:18Listen, I've got to call this to a conclusion because he's had a hard day.
27:23Thanks.
27:23Hey.
27:24Fire to the lallies, Greg.
27:26Fire to the lallies, baby.
27:28That's me in the corner.
27:30That's me in the spotlight.
27:33Losing my religion.
27:35Thank you again.
27:38Ready or not, here I come.
27:41I'm gonna get you.
27:52Ready or not, here I come.
27:54Ready or not, here I come.
27:55I'm gonna get you, get you, get you.
28:03I'm gonna get you, get you
28:09Another one of Ashley's top tips of the day is simply wash the money
28:16Sarge, the money's breaking up, Sarge
28:18He's disintegrating
28:19He is, it's right
28:20Open the door
28:22You can't, it's on a cycle
28:25Open the door
28:26Oh no
28:30Open the door
28:30Open the door
28:31Open the door
28:31Open the door
28:31Open the door
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