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00:04The Rifleman
00:12Starring Chuck Connors
00:36Good morning, Mr. Hayden.
00:38Good morning.
00:40Your very beautiful house, most charming.
00:43Thank you.
00:44However, that isn't why I brought you here.
00:46That is.
00:48There's your man, Orsatti.
00:50Lucas McCain.
00:52I keep that there to remind me every minute of every day
00:56that a slug from his rifle put me in this wheelchair for the rest of my life.
01:00I've died a thousand deaths since that shootout with McCain.
01:03But I'll settle for one fast finish for him.
01:08You'll have it.
01:09Here's everything I've dug up on him.
01:11Going back to when he lived in Enid, Oklahoma.
01:14Now, if you want more...
01:16If I do, Mr. Hayden, I can manage it myself.
01:19Remember.
01:20Remember this.
01:22Before he dies, he's got to know I arranged it.
01:25I went to a lot of trouble to bring you here from New Orleans.
01:27I don't want it to be for nothing.
01:29I never fail, Mr. Hayden.
01:31I take pride and pleasure in my work.
01:34McCain's fast with that rifle.
01:36The more pride for me.
01:37And he's shrewd.
01:39The more pleasure for me.
01:41You'll get only one chance.
01:43Don't make a mistake.
01:45There'll be no mistake.
01:47How can I be sure?
01:49I have ways.
01:51I'm different.
01:53What do you mean you're different?
02:01Is that the way you'll do it?
02:04It will depend upon my mood.
02:35It's the other side of the room.
02:35It's the other side of the hill on the South 40.
02:37Well, how many posts are down?
02:38Oh, about three or four.
02:40It looks like they rotted off at the base.
02:42Well, there's only ten head grazing over there.
02:44We'll round them up and put them in the east pasture
02:46so we can put up some new posts.
02:47Well, there's only ten heads of the woods.
02:51Well, there's only ten heads and surcharọstaink.
03:44¡Gracias!
04:09¡Gracias!
04:37¡Gracias!
04:57¡Gracias!
04:58¿Lucky for something, mister?
05:01¿What are you doing here?
05:02The door was unlocked.
05:04I took the liberty of entering.
05:09I was just about to leave a note to let you know that I called Mr. McCain.
05:13You are Lucas McCain.
05:17That's right.
05:18Who are you?
05:19My name is Mario Sati.
05:21I'm sure you never heard of me, but I've certainly heard of you.
05:24Oh, how's that?
05:25In your hometown, Enid, Oklahoma.
05:30I think this will explain.
05:35Johnny Morgan.
05:37And the other side?
05:39Johnny Morgan said he was a good friend of yours.
05:41That's right. The oldest and the best.
05:43On my journey west, I stopped in Oklahoma.
05:45I needed some legal advice, and Johnny Morgan was most gracious and helpful.
05:49He's a man with a great heart.
05:51That's Johnny, all right.
05:52I'm pleased to meet you, Mr. Orsatti.
05:54Pleasure is mine.
05:55You sit down, I'll get you a cup of coffee.
05:57I'm on my way to San Francisco, and Johnny suggested that I stop to say hello to you
06:01during my two-day layover in North Fork.
06:04So here I am, and hello for Johnny.
06:07Hello.
06:08The name is Orsatti, you say?
06:10Yes, Mario Orsatti.
06:12Oh, I'm sorry about that greeting I gave you, but...
06:15I understand.
06:17One can't be too careful about strangers.
06:19Well, any friend of Johnny's is no stranger to me.
06:22Thank you.
06:22Oh, Mr. Orsatti, this is my son.
06:25Oh, yes, Mark.
06:26Well, it seems like Mr. Orsatti knows a little bit about us, son.
06:29How do you do, Mark?
06:30Hi, Mr. Orsatti.
06:31Mr. Orsatti's staying at North Fork a few days.
06:33He's a very good friend of...
06:34A friend of Johnny Morgan's.
06:36Well, it seems like Mark knows a little bit about you, too.
06:39Well, I sort of saddled up to the door.
06:41Where's your baggage?
06:43I left it with the stationmaster.
06:44I came here directly from the train, rented a horse, and rode out.
06:48Well, Mark, do you mind sidling to town and picking up Mr. Orsatti's baggage?
06:51He'll be staying with us.
06:53Oh, no, no, no, please.
06:54Please, you'll be our guest.
06:56And we don't take no for an answer.
06:58See what I mean?
06:59All right, son, get going.
07:02We'll set up a cot for you here in the living room.
07:04But please believe me, Mr. McCain.
07:06Now, look.
07:07You call me Lucas, I'll call you Mario.
07:09All right?
07:10Thank you, Lucas.
07:11But please believe me, I wasn't planning on anything like this.
07:14No, who said you were?
07:15It was strictly my idea.
07:16You finish your coffee, I'll put your horse away.
07:18You've had a pretty long ride.
07:20Lucas.
07:22How can I repay you for all this?
07:25Just make yourself at home.
07:42Mario?
07:45I was thinking.
07:47It sure is hard to believe.
07:51What?
07:53Your reason for coming here.
07:57Hard to believe?
07:58Yeah.
07:59What you were telling Pa and me at supper.
08:01About the way things are in your country.
08:04Oh.
08:07Sit down, Mark.
08:12All those people working the land from the time they're young until the time they die and
08:17then just to have someone come in and take it all away from them.
08:21To always live in such fear.
08:24Society is something to fear.
08:26Never knowing when or where is going to strike.
08:29Yeah, but they're just a bunch of bandits.
08:31Much more.
08:32It's an organization which spreads far and wide like the tentacles of an octopus.
08:38And no one tries to stop them?
08:42Fear paralyzes most men, Mark.
08:45But at least a few brave ones have spoken up.
08:47And?
08:49Unfortunately, for the most part, their voices were stilled either by a bullet through the
08:53heart, a stiletto through the throat, or the garrota.
08:58Garrota?
08:59Yes.
09:00It's a weapon of strangulation prized by the society's trained professional assassins.
09:06They come in the middle of the night where the victim is sleeping, and with one heart
09:10pulled, life is snuffed out.
09:16Well, anyhow, that's all behind you now.
09:19The wound heals, Mark.
09:21But there is always the scar to remind one of the pain.
09:26You'll forget.
09:27In this country, a man keeps what he works for.
09:32I guess I'll have to get used to that.
09:35Well, like my Pa says, with hard work, there's nothing you set your mind to that you can't
09:40get.
09:41And there's nothing to fear either.
09:44Of course, I'm not saying that we never run into any trouble.
09:46But then my Pa, why, he stands up and fights.
09:50And he usually wins?
09:52Oh, he always wins.
09:53Against all comers.
09:59Lucas, I envy you.
10:00Hmm?
10:02You're the passionate champion.
10:04Oh, I wouldn't say he's exactly a fair judge.
10:07Well, I'd like to know who there is around here or anywhere who can get the better of you.
10:11There must be somebody.
10:13I don't think so.
10:15I agree with Mark.
10:16That's exactly the way I felt about my father.
10:18So it must be true.
10:21Well, a big day tomorrow, son.
10:23Let's turn it, huh?
10:23Good night, Mario.
10:24Good night, Lucas.
10:25Night.
10:25Night, Mark.
10:54All right.
11:01¡Gracias!
11:54¡Gracias!
12:24¡Gracias!
12:54¡Gracias!
13:09¡Gracias!
13:09¡Gracias!
13:10¡Gracias!
13:10Oh, Mario, I didn't hear you come up.
13:12I'm sorry, Lucas, but I guess I have the old country habit of walking too quietly.
13:16That's all right. I was just checking my rifle.
13:18Say, how would you like to take a ride with me?
13:19I'll show you some of our country.
13:21No, thank you. I don't want you to trouble yourself.
13:23Oh, that's no trouble. Besides, it must be pretty dull for you around here.
13:27Dull?
13:28I mean, nothing very exciting to do.
13:30On the contrary, what you would consider commonplace, I find quite exciting.
13:34Well, then we ought to ride up the Twin Peaks. You'd really enjoy it up there.
13:38I just remembered I can't.
13:40I promised to help Mark as soon as he came back from town.
13:43Oh, he's been working on you, has he?
13:45Well, he's been working on me too.
13:47He wants you to stay a while longer.
13:49You know, Mario, he's taken more than an ordinary shine to you.
13:52He's never quite met anybody like you.
13:54Why don't you stay a few extra days?
13:58No, I'm sorry. There are things to be done.
14:00I must be on the train tomorrow night.
14:03What are you doing?
14:04I'm sorry, too.
14:09I might be on the train now.
14:09You know what?
14:10You know, I'll be getting some time.
14:10Hello?
14:10I'm sorry.
14:11I have been waiting on the train tomorrow night.
14:13I want to be on the train now, right?
14:19You will be on the train tomorrow night.
15:00¡Suscríbete al canal!
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17:39¡Suscríbete al canal!
17:40¡Suscríbete al canal!
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17:43My father was such a wonderful man.
17:49I buried him there.
17:53Then I set out to avenge him.
17:57Find his murderer.
18:02Mariel?
18:06Yes.
18:09Did you find the man who killed your poor?
18:15I found him.
18:17Did you kill him?
18:21Many times.
18:31Many times.
18:47I don't understand, Pa.
18:49The way Mariel got up and went out after supper without even saying anything.
18:53Well, he said he was going for a walk.
18:55That's something.
18:56No, that's not what I mean.
18:58He didn't say why.
19:00There's nothing mysterious about a man wanting to be by himself for a bit, son.
19:03Yeah, but that was a couple of hours ago.
19:06Mark, let him be.
19:07He'll come back when he's ready.
19:13Many times.
19:14Hmm?
19:15What Mario said about killing the man who murdered his pa.
19:19Maybe you misunderstood him.
19:21No, I heard him clear, Pa.
19:23Many times, he said.
19:26What could that mean?
19:28Well, it could mean he's lived it over and over again.
19:30A thing like that's not easy to forget.
19:35Well, I'm going to bed, Pa.
19:37Ah, I guess I will too.
20:01I guess I will too.
20:02I guess I will.
20:03I can't eat.
20:19Oh, no, I guess I couldn't leave it
20:34Amén.
21:02Amén.
21:34Amén.
21:52What is this, Mario?
21:55Time for me to leave.
21:56Leave? It's not even noon yet!
21:59Nevertheless, it's time for me to go.
22:01¿Qué es lo que pasa?
22:01No, no, no.
22:03No voy a San Francisco.
22:05Me he cambiado.
22:06¿Qué es lo que pasa?
22:07Es mi camino.
22:09¿Qué es Mark?
22:10¿Vas a esperar hasta que llegue a la mañana?
22:12No, no, no, no.
22:14Lo mejor para mí, como para él.
22:16¿Qué estás hablando?
22:22¿Qué haces, Mario?
22:24Lo que yo era para hacer.
22:25¿Para hacer?
22:26Lo que yo vine aquí para.
22:28Quiero matar.
22:29Yo iba a estar aquí porque ha tenido un problema.
22:33Pero en mi negocio, no puedo tener personales.
22:36Y un trabajo es un trabajo.
22:38Como ahora mismo.
22:42No te voy a buscar tu arma, Lucas.
22:44No tienes que tener la oportunidad.
22:47¿Por qué?
22:49Ralf Hayden.
22:51Hayden, mi cliente.
22:53Y él quería que te encontré antes de que morir.
22:57Esa es su opinión. Las cosas son solo de negocio.
23:02Ahora...
23:04¡Pol!
23:37¿Qué piensas de ti, hijo?
23:41All along, Mariel had planned to kill you.
23:45Something happened to change his plans.
23:49¿Qué piensas?
23:50Bueno, en ese momento,
23:52en ese momento,
23:52en ese momento,
23:53en ese momento,
23:54en ese momento,
23:55en ese momento,
23:58Cuando me trajo el arma,
23:59él era un profesional,
24:02era un profesional.
24:03Me tenía mi son,
24:04pero no le pude el trigo.
24:06¿Y que quería que se quiera?
24:08En ese momento,
24:11no tenía nada para vivir.
24:13Se encontró un camino para ir a casa,
24:15para bien.
24:20Me...
24:21¿Qué piensas?
24:22¿Qué piensas?
24:23me...
24:24me...
24:24me...
24:26me parece que me parece que lo tengo.
24:29Pero creo que lo tengo.
24:33¿Qué piensas?
24:37¿Qué piensas?
24:39¿Qué piensas?
24:41¡Pasas!
24:42¿Qué piensas?
24:45¡Pasas!
25:00¡Gracias!
25:25¡Gracias!
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