(Re)vivez les nouvelles aventures légendaires de Zorro (1958-1959) avec Guy Williams, dans cette deuxième saison disponible en version française 🇫🇷. Toujours vêtu de noir et armé de son épée légendaire, Don Diego de la Vega poursuit son combat contre l’injustice et la corruption, sous l’identité secrète du justicier masqué Zorro.
Dans cette saison palpitante, Zorro fait face à de nouveaux ennemis, des complots plus dangereux et des missions toujours plus risquées à Monterey. Entre duels, trahisons, humour et bravoure, chaque épisode offre un mélange unique d’action et de suspense.
Une série culte produite par Disney, symbole de courage et d’honneur, qui continue de captiver toutes les générations. ⚔️
#Zorro #ZorroFR #ZorroVF #Zorro1958 #ZorroSaison2 #GuyWilliams #ZorroDisney #SérieZorro #ZorroCulte #ZorroEnFrancais #ZorroComplet #ZorroClassique #ZorroEpisodes #ZorroStreaming #ZorroSerie #SérieAnnées50 #ZorroMasqué #ZorroHistoire #ZorroLegende #ZorroAventures
Dans cette saison palpitante, Zorro fait face à de nouveaux ennemis, des complots plus dangereux et des missions toujours plus risquées à Monterey. Entre duels, trahisons, humour et bravoure, chaque épisode offre un mélange unique d’action et de suspense.
Une série culte produite par Disney, symbole de courage et d’honneur, qui continue de captiver toutes les générations. ⚔️
#Zorro #ZorroFR #ZorroVF #Zorro1958 #ZorroSaison2 #GuyWilliams #ZorroDisney #SérieZorro #ZorroCulte #ZorroEnFrancais #ZorroComplet #ZorroClassique #ZorroEpisodes #ZorroStreaming #ZorroSerie #SérieAnnées50 #ZorroMasqué #ZorroHistoire #ZorroLegende #ZorroAventures
Catégorie
🎥
Court métrageTranscription
00:00Zorro
00:30Zorro
00:32Zorro
00:34My friend, you get them every time
00:36Zorro
00:38Zorro
00:40Zorro
00:42Zorro
00:44Zorro
00:46Zorro
00:48Zorro
00:50Zorro
00:52Zorro
00:54Zorro
00:56Zorro
00:58Zorro
01:00Zorro
01:02Zorro
01:04Zorro
01:06Zorro
01:08Zorro
01:10Zorro
01:12Zorro
01:14Zorro
01:16Zorro
01:18Zorro
01:20Zorro
01:22Zorro
01:24Zorro
01:26Why am I a vulture?
01:29You are... you are like the other savages.
01:31You want to chase that poor girl out of Los Angeles.
01:34Well, I'm just looking for his trunk, that's all.
01:36And Sergeant Garcia told me he was going to wait for me here. Is he here?
01:39He is in the room with Don Diego and Don Alexandro.
01:42If I were you, I wouldn't be in such a hurry to grab the trunk, anyway.
01:45Don Diego does not want the señorita to return to Spain.
01:49But I thought it was settled.
01:50I disagree, and so does Don Diego.
01:52Okay, so what do you say, Crescencia? Should I go get the trunk, yes or no?
01:59It's up to you to decide. I certainly won't advise you.
02:12I'm sorry, Don Diego, but you haven't said anything that could make me change my mind.
02:16So I'll explain.
02:18No, it's pointless. She's going to Spain and will take today's stagecoach, that's all.
02:21That's a cruel decision, Father.
02:23Sergeant Garcia is acting legally and I agree.
02:27If you chase her away, she will never be able to find her father.
02:29Don Diego, Señorita Anita has no father, at least not here in Los Angeles.
02:33I'm telling you that it is.
02:34It was from here that he wrote to her, and sent her several gifts.
02:37Gifts that don't exist, letters that have disappeared.
02:40From the beginning, it's all been lies and a price.
02:43Those are very harsh words you are using.
02:45I'm sorry, Diego.
02:46But those words are accurate.
02:48There is no evidence to support what she has been insisting on since the first day of her arrival.
02:53Don Diego, if only for her own safety, she must return to Spain.
02:57Since she's been here, 100 euros, she would have already died twice.
03:01A mysterious person doesn't want Alita to be able to find her father.
03:04And the two of you start playing along with him.
03:07A person who, Don Diego, gives his name so that we can believe all this nonsense.
03:11Sergeant Garcia, all my luggage is ready. I will leave whenever you wish.
03:26Thank you, Señorita Cabrillo.
03:28Don Alessandro, I want to thank you for your hospitality.
03:32I was a stranger and you welcomed me. That's all I want to remember.
03:36Are your bags already packed?
03:37Yes.
03:38But the stagecoach only loses time at four o'clock.
03:39Yes, but I prefer to leave right away and wait for him in Los Angeles.
03:44Anita, where did this brooch come from?
03:47But it's mine.
03:48But where did you get it?
03:49What's going on, father?
03:50Wait a minute, Diego. Anita, tell me where this brooch came from. I need to know.
03:54Do you want the truth or something you can believe?
03:59I got what I deserved.
04:01No, and I regret having said such a thing.
04:05My father gave it to me for my twelfth birthday.
04:07He bought it at a church charity sale.
04:09Why do you attach importance to this piece of jewelry?
04:13It belonged to your mother.
04:15I donated it a few years ago for a church charity sale.
04:18It was a party for the Los Angeles foundation.
04:21The padre needed to redo the church roof.
04:24You were in Spain at the time.
04:26You can see that my father is in Los Angeles.
04:28That proves it!
04:29Yes, indeed.
04:30Sergeant Garcia, you wanted proof?
04:32Here they are.
04:33So, she's staying?
04:35She's staying, Don Diego.
04:36Oh, Anita.
04:40I apologize for being hurtful at times.
04:43Please forgive me.
04:47THANKS.
04:48Señorita.
04:50I apologize as well.
04:55Who bought the brush?
04:56Ah, I don't know.
04:57I wasn't in sales four years ago.
05:00I'm sure Padre Vicente must have the name in a register.
05:03Yes, of course, Diego.
05:04I'll take a shawl.
05:07No, Anita, stay here.
05:09If we find your father, we will bring him here to you.
05:15Come on.
05:23Don Diego.
05:24I came to collect the señorita's trunk.
05:27Oh, I'm sorry, lord, but there's no more luggage to take now.
05:30The señorita remains here.
05:31Oh.
05:32Oh.
05:33We're going to find Anita's father this time.
05:44First, we go to the village to look at Padre Vicente's register and at his house.
05:49No, no, no.
05:50You stay here and you watch over Anita.
05:52I believe it will all end today and she may be in more danger than ever.
05:55No, no, no, no.
06:25Hey, he went into the church.
06:30Did you find gold?
06:31Not a single peso.
06:32Okay, let's go quickly then.
06:33Wait a minute.
06:35Why so fast?
06:36He will return home.
06:37I hope he comes back soon.
06:42I don't really like waiting.
06:44What do you mean?
06:45I don't understand anything.
06:46What is this package?
06:49Lots of pesos.
06:51Perhaps as much as ten thousand pesos.
06:54What ?
06:55These letters?
06:55We will be paid to have them.
06:57These are the letters from little Cabrillo to her father.
07:01And the letters that the father wrote to his poor daughter, to Señorita Cabrillo.
07:05How ?
07:06So he's her father?
07:07Yes, that's his father.
07:10Ah, well, there you have it.
07:12The Señorita will pay a high price to find her mysterious father.
07:16Let's take these letters to De La Vega right away to try and sell them.
07:20Later, we know.
07:21For now, let's wait for the father.
07:35I know he keeps his ledger in the office.
07:37Let's go in that way.
07:48I'll be back in an hour, Padre Vicente.
07:51We're out of luck.
07:53The padre would not object to his register being consulted.
07:56No, of course not.
07:57He leaves his door open.
08:02He puts it on the second shelf.
08:13There you go, father.
08:14He's here.
08:15Ah good ?
08:16Not so good after all.
08:20The Vega was uprooted.
08:22The one from October 12th, which we specifically wanted to see.
08:24But who could have done this?
08:25I don't know.
08:38Enter, Lord Avila.
08:39Everyone is welcome, this is the padre.
08:41Unless you'd rather stay outside and listen.
08:43I was about to hit, Dan Diego.
08:47So I would have spared you this trouble.
08:48Move forward.
08:49Move forward.
08:49What are you doing here instead of being at the store?
08:59And you at the barracks, Sergeant?
09:01Ah, say!
09:01I asked for the first one.
09:02If you want to know, I was looking for you.
09:04I saw you go into the priest's house.
09:05Are you looking for me? Why?
09:07Because the store was almost burglarized this morning.
09:10These two vagrants who started working for you.
09:13They tried to break into my shop.
09:14And you didn't go and tell the barracks?
09:17Sergeant, search him.
09:18If he tore up Urger's page, he would be head over heels for him.
09:21Sergeant Garcia, don't touch me.
09:23Stay still or I'll arrest you.
09:26Sergeant, look.
09:29It's all stained.
09:30It's filth.
09:32He was the one who tore up the page.
09:34certainly placed his hand like that
09:35so that the book is preserved and...
09:38The marks are those of very dirty hands.
09:40Lord Avila serves customers
09:44which require clean hands.
09:48Oh !
09:49So, what we have to do, Don Diego,
09:50it's searching the village
09:52and the men at the massal will be as soon as God...
09:54Lord Avila, we have unjustly suspected you.
10:00Oh, it doesn't matter, Don Diego.
10:02Can I leave, Sergeant?
10:04Oh, yes, of course.
10:05If you'll excuse me,
10:07I need to go back to the barracks for a little while.
10:09Yes yes.
10:12Goodbye.
10:18There is in the village of Los Angeles
10:19many people with dirty hands, Diego,
10:22Sergeant Garcia included.
10:24Padre Vincente is known to have a remarkable memory.
10:28But this memory of the man
10:29who bought this brooch at a sale four years ago,
10:33That seems impossible to me.
10:35Good.
10:36Let's wait and see.
10:39Here it comes.
10:49Here it comes.
11:09I thought you wanted to talk to him.
11:28I have a better idea.
11:30Eh ?
11:30If the rich señorita is willing to pay
11:32thousands of pesos for the letters,
11:34She's going to pay even more for her dad.
11:46I'm discouraged, Diego.
11:47Ready to abandon this case.
11:49Every lead we follow leads to a dead end.
11:51I understand how you feel.
11:52And if by chance we don't get it right this time,
11:54Everything is ruined.
12:03We were sure.
12:11What is this ?
12:12It's the missing page, the page from the church register.
12:17You were right.
12:18But why did he leave so quickly?
12:20I don't know.
12:21I'm afraid this is all going to end rather badly.
12:25The most urgent thing is to go and see if Anita is healthy and well.
12:32Señorita Cabrillo, you have taken off your beautiful dress.
12:35For what ?
12:36Are you going horseback riding?
12:37It's almost dark.
12:38Don Diego and Don Alexandro did not return.
12:41And I'm going to Los Angeles to pick them up myself.
12:43You can't do that.
12:44Oh yes, you think so?
12:46But there is a man who is asking for you.
12:48What does he want?
12:49He didn't say anything to me, Señorita.
12:50He wants only you.
12:52Where is he?
12:52He's waiting for you in the patio.
13:19Do you want to talk to me, little one?
13:24Are you Señorita Cabrillo?
13:25If.
13:27I need to speak to you alone, Señorita.
13:29Say what you have to say.
13:31Bernardo is deaf and mute.
13:33Excuse me, Señorita.
13:35I was told to speak only to you.
13:36Perfect.
13:37So, come into the living room.
13:38Well, muchacho, nobody can say.
14:08We are alone.
14:09What secret do you have to tell me?
14:11The man said I'll give this to you, Señorita.
14:13And that I will have a silver coin.
14:19This is a letter I wrote to my father.
14:22Who gave it to you?
14:23The man I'm talking about.
14:24He said I would get a small silver coin.
14:26He said...?
14:27Ah, yes, of course.
14:28It's made of silver.
14:38That will earn you about a hundred coins.
14:40Oh, no, no, Señorita.
14:41Keep it.
14:42It's your turn.
14:43Take.
14:45So, who was this man?
14:48Who gave you the letter?
14:49I don't know.
14:50All I know is that it was a man.
14:52But what did he look like?
14:53Of a man.
14:54Did he say anything?
14:56Is there a message?
14:57Yes, Señorita.
14:59He said you were coming alone with the money.
15:01What else?
15:02Nothing else.
15:04Muchacho, you'd better go home now.
15:13Goodbye, muchacho.
15:14And thank you.
15:24No, no, Bernardo.
15:52You can't come with me.
15:54I have to go alone.
15:54I have to go alone.
16:24Subtitling by Radio-Canada
16:54Subtitling by Radio-Canada
17:24Subtitling by Radio-Canada
17:25Subtitling by Radio-Canada
17:26Subtitling by Radio-Canada
17:27Subtitling by Radio-Canada
17:30Subtitling by Radio-Canada
17:31Subtitling by Radio-Canada
17:32Subtitling by Radio-Canada
17:33Subtitling by Radio-Canada
17:35Subtitling by Radio-Canada
17:36Subtitling by Radio-Canada
17:38Subtitling by Radio-Canada
17:39Subtitling by Radio-Canada
17:41Subtitling by Radio-Canada
17:42Subtitling by Radio-Canada
17:44Subtitling by Radio-Canada
17:45Subtitling by Radio-Canada
17:46Subtitling by Radio-Canada
17:47Subtitling by Radio-Canada
17:48Subtitling by Radio-Canada
17:49Subtitling by Radio-Canada
17:50Subtitling by Radio-Canada
17:51Subtitling by Radio-Canada
17:52Subtitling by Radio-Canada
17:53Subtitling by Radio-Canada
17:54We'll see if she wasn't followed, Rosset.
18:07Come on.
18:13Is that you, my father?
18:15I didn't want you to dry it.
18:19So, signorita, is it worth the money?
18:22Here.
18:26Do not detach it.
18:28But I paid for him.
18:30He has no ill intention of letting us leave.
18:33Your father doesn't seem very intelligent.
18:36But he understood perfectly.
18:41What's gotten into you, signorita?
18:44Let us go right now or I'll shoot.
18:49Louise, what is it?
18:51Stay where you are, Rosset.
18:52The cutie pulled out a gun.
18:55It's not very big, either.
18:58Throw away your knife.
19:01As you wish.
19:02So, Louise, I'm holding the gun.
19:27You're no longer dealing with a young girl.
19:28You only have a pistol, you filthy pale-faced fool.
19:31And there are two of us.
19:33You're right, you scoundrel.
19:34We have no bullets.
19:36But you two are leaving, the woman.
19:38I'm going to climb up there and get behind them.
19:41Stable boy.
19:43You have one minute left to live.
19:45You will die with your daughter.
19:47It's my fault, Anita.
19:53I would have preferred to have succeeded in scaring you and forcing you to leave.
19:57But why did you want that?
19:59You heard what he told me.
20:02A stable boy.
20:04Is that what you think of yourself?
20:05No, but I was afraid you might think that.
20:10Oh, come on.
20:11That's what you think of yourself.
20:35That's what you think of yourself.
20:41That's what you think of yourself.
21:11That's what you think of yourself.
21:41That's what you think of yourself.
22:11That's what you think of yourself.
22:41So, señorita, I told you that you would soon be returning to Spain.
22:51Yes yes.
22:51But you wanted her to leave, Sergeant.
22:53And you too, Señor Caprio.
22:54Indeed, but I am still glad that she has stayed with us until this day.
23:01Señorita, we will miss you terribly.
23:06You too, give it to me.
23:07Is that you?
23:08Is that you?
23:09Oh, excuse me, Sergeant Eliassine, the same.
23:14It takes years to become a true cabalière.
23:17He never ceased to be so during all that time.
23:19Ah, is that it?
23:21Oh, is that it?
23:23French subtitles?
23:53...
Recommandations
24:17
|
À suivre
24:18
24:13
24:16
24:00
24:01
24:19
24:16
24:15
24:17
24:16
24:14
1:23:05
24:01
23:59
23:59
23:59
24:00
24:00
24:16
24:00
24:00
24:00
Écris le tout premier commentaire