- hace 11 meses
Una pitonisa ambulante le echa mal de ojo a Emilio y las desgracias se suceden en la comunidad de vecinos. Todos están convencidos de que Emilio es gafe, y para solucionarlo Juan Cuesta celebra una junta de vecinos extraordinaria donde acuerdan una derrama para curar el mal de ojo. Roberto intenta sin éxito vender sus caricaturas a los vecinos y Lucía, a sugerencia de Alicia, le ofrece el restaurante para que exponga allí sus dibujos. Por otra parte, Andrés, ya reconciliado con Isabel, se preocupa por Juan y le busca una amiga de yoga de Isabel para una cita: una cena en su casa los cuatro juntos.
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TVTranscripción
00:00:00Here! Here! Here! No one lives! Not here! Not here! Not here!
00:00:27I told you not to do me the favor!
00:00:30Take it easy, we're made for each other. With sex, life looks different.
00:00:34Excuse me, but I don't need sex to live.
00:00:36You say that because you haven't tried it.
00:00:38Yes, I have tried it!
00:00:39But that's bad! I'll give you a no-obligation demonstration, like salespeople do with slingshots.
00:00:46So, what? Do you like them? Ten euros a caricature.
00:00:49This is a botched job! I'm not like that!
00:00:52Mine, however, has a little something.
00:00:54That's Lucia, damn. This is hers.
00:00:56I was already saying that it turned out really cool.
00:00:58If you had painted us like the ones in the pictures, with Valentina at our feet...
00:01:02You'd have to pay us for this. We want image rights.
00:01:06What are you saying? Come on, give me back the cartoons.
00:01:09No way! I don't want this circulating around.
00:01:12Well, yours is the one that most resembles it.
00:01:15And you, Mauri, what? Come on, I'll let you have it for eight euros.
00:01:18I don't have any room to hang it.
00:01:20The bedroom is impossible, the living room is full and the child's room is not either because we don't have one.
00:01:24I could only put it in the kitchen and the bathroom and I think it's very respectful of your art.
00:01:27I'll leave you, I have a little pimp.
00:01:29Hey, are you selling cartoons to the neighbors?
00:01:32What's up? Picasso also started drawing on the street.
00:01:35They won't pay me, but the proof that the neighbors like my drawings is that they keep them.
00:01:38Oh, what a mistake.
00:01:44Come on, okay, have fun. Everything's going great for you, but it's terrible for me.
00:01:47Do you know how long I've been without sex?
00:01:49Well, the same as me, Roberto, and it's not that serious either.
00:01:51Vicenta, neither of us has gotten wet.
00:01:53Let's see, ma'am, let's turn off the radio patio.
00:01:56Because you don't see the point of there being a bed without going out.
00:01:59Well no, but if you need a job I'll find you a spot.
00:02:01No, thank you very much. I don't need your charity.
00:02:04Hey, why don't you display your drawings in the restaurant?
00:02:07Well, it's very popular now.
00:02:09That's great, it hadn't occurred to me.
00:02:11Would you do that for me?
00:02:12Well, yes, you can think.
00:02:15These things add class, Lucía. Your place needs a more fashionable touch.
00:02:19Of course, this is how I present my new collection of children's stories.
00:02:22I'll bring you the drawings this afternoon.
00:02:24Okay.
00:02:25Thank you.
00:02:27Couldn't you come up with ideas in the bathroom like everyone else?
00:02:30What do I know, he's your ex.
00:02:31Here, here, here there is no one who lives.
00:02:34Not here, not here.
00:02:36Every day is like this.
00:02:38I couldn't imagine it when I came here.
00:02:40I was just looking for some peace.
00:02:43I wake up every day in the middle of a hurricane.
00:02:45Here, here, here there is no one who lives.
00:02:48Not here, not here.
00:02:49No, no, no.
00:02:50Here, here, here there is no one who lives.
00:02:52Not here, not here.
00:02:53No no.
00:02:54No, no, no.
00:02:55The house falls on him and collapses.
00:02:57I can't find the goalkeeper.
00:02:59The neighbors visit me and listen.
00:03:01I can't stand this place.
00:03:04The neighbors have all my neighbors.
00:03:05If not, come to my apartment.
00:03:06Come to the neighborhood, cousin, I love you and I'll teach you.
00:03:09Where the thieving clowns cry, they steal from us and the stones collapse into something to tell.
00:03:13Come in a shaker.
00:03:16Come in a shaker.
00:03:18Come in an earthquake and a volcano.
00:03:21Yeah.
00:03:22And you will have this ladder.
00:03:26Here, here, here there is no one who lives.
00:03:29Not here, not here.
00:03:31Here, here, here there is no one who lives.
00:03:33Here, here, here there is no one who lives.
00:03:34I can't imagine it when I came here.
00:03:37I'm just looking for peace.
00:03:40And I wake up your cheek in the chop.
00:03:42Here, here, here, here there is no one who lives.
00:03:45Here, here, here, here, there is no one living.
00:03:47Here, here, here there is no one who lives.
00:03:49No.
00:03:52Well, that's it.
00:03:55Of course, I recommend that you start thinking about changing the pulley,
00:03:58pulley, the motor gears and the box tracks that rub against the height of the second.
00:04:03See you soon. How do you mean see you soon? Mr. John, this elevator is for sports lovers.
00:04:08irrigation, huh? I'd make it a garbage dump or rent it out to some homeless person. Ma'am,
00:04:12Really, sir, I don't believe in that stuff. I see you're very successful in your field. Go on. You love
00:04:16children, you're going to have three. And your heart line is very deep. It shows that you are a woman of
00:04:21just one man and he loves you very much. Yes, thank you very much. Good luck, darling. Boy,
00:04:27I can read your palm, beautiful. And who's that? I don't know, but I wouldn't have three kids. Emilio,
00:04:33We cannot allow this kind of charlatans to wander through the doors of this community of ours,
00:04:37promoting the underground economy that's so damaging to the country. Of course not, it's a disgrace.
00:04:43Emilio. Oh, let her go. And I'll take the fall for it. Come on, ma'am, let's clear the sidewalk.
00:04:51Come on, kid, let me read your palm. No, no, no. Off to the library to read.
00:04:55It's free. Come on, lady, move along. You know what I'm saying? What bad luck for
00:05:01you and all your loved ones. And may misfortune follow you wherever you go.
00:05:04What are you saying? Get out of here! Emilio, I've put the evil eye on you.
00:05:09Well, you've messed up, man, because the park is good. But that doesn't work, does it?
00:05:13Here I want to give you the fact one and he has not sold a supplement again.
00:05:15You're missing the point, Emilio. It's all cheap nonsense that lacks any scientific basis.
00:05:20That's it. Come on, Charlie's Angels, on a shopping mission.
00:05:22Hey, what about the heating? Should we turn it on or not?
00:05:26This one wants to freeze us like Disney Water.
00:05:29But, Emilio, the heating hasn't been turned on yet.
00:05:31But he told me the other day to hold on until...
00:05:33I'm turning it on right now.
00:05:37Hey, horns for Iron Maiden concerts?
00:05:39Ladies, please, I can't believe that at this point you still think such things exist.
00:05:44They exist, they exist.
00:05:49Mr. Juan, could you come here for a moment? I don't know what's wrong with the boiler.
00:05:52Don't you see how it exists, huh? This one hasn't screwed you up yet.
00:05:56Sorry.
00:05:59Tropical paradises.
00:06:01Damn, you have to write this when it's so cold.
00:06:06Good morning.
00:06:07Good morning.
00:06:13It's good that you're happy now, huh?
00:06:15Because after a week of not talking to me I was starting to think you were mad at me.
00:06:19First you make me look like your girlfriend.
00:06:21And now it turns out I'm sleeping with you.
00:06:23In short, I'm cheating on you with a married guy whose wife I'm supposedly friends with, and I'm also pregnant.
00:06:28And what was I complaining about not getting any?
00:06:29I'm the whore of the building!
00:06:30When Alba appeared, Diego got very nervous and said the first thing that came to mind.
00:06:34No, Mauri, no.
00:06:35One thing is our friendship and another is having to go to Gerachani for life.
00:06:38Either you talk to her or I'll tell her.
00:06:39No, we tell you.
00:06:41That is, he tells him, he is the one who has to tell him.
00:06:43You give him time.
00:06:4424 hours.
00:06:45Wow!
00:06:45If he hasn't told Alba he's with you by tomorrow, I'll tell her.
00:06:49Okay, okay.
00:06:49I talk to him.
00:06:50And ask Emilio what the hell is going on with the heating.
00:06:52Okay, but don't get angry, that will go to the child later.
00:06:55Well, my love.
00:06:59The Canary Islands are a paradise.
00:07:01I really don't know what we're doing here anymore.
00:07:03Dude, tell mom the truth.
00:07:04Aren't you ashamed of traveling for free at their expense?
00:07:06No, not really.
00:07:10Alex, son!
00:07:13What a nice color you have!
00:07:14Well, it's just that in Poland at this time of year, you can't imagine how bad it is.
00:07:17Well, how are you?
00:07:19Have you met your father?
00:07:20It turns out he emigrated and now lives in New York.
00:07:22And of course, I don't have the money to go meet him.
00:07:24Regales, I gave you my last name.
00:07:27You know you'll always be my son.
00:07:29Yeah, Dad, but these things stay inside you and torture you.
00:07:32Why are they torturing you?
00:07:34Well, we'll see what can be done.
00:07:36Come on, let's go.
00:07:37Here I take you.
00:07:39Here.
00:07:40Thanks, Dad.
00:07:41Mom, the sooner we decide, the cheaper the ticket I can get.
00:07:45Well, very well.
00:07:48You have a nerve that you can step on.
00:07:50Illegitimate child, what can we do?
00:07:53Juanito, what's up with the heating?
00:07:55Isabel and I were about to get out of bed, weren't we, honey?
00:07:59Andrés, please.
00:08:01Hey, woman, there is trust.
00:08:02We are a happy couple.
00:08:04You can be seen, you can be seen.
00:08:05Tonight I'm going to take her to dinner at the place where we met.
00:08:09It was the first time we left without paying and ever since...
00:08:12And you, Juan?
00:08:13How's that mood going?
00:08:14Great.
00:08:15The boiler is broken, the elevator isn't working, the community has no budget, and our doorman is a jinx.
00:08:20But hey, I have the consolation of seeing my neighbors happy.
00:08:23Have a good time.
00:08:24It's bad, huh?
00:08:29What's up?
00:08:30I see him well.
00:08:31Celibacy is increasingly giving him the appearance of a Franciscan.
00:08:35Hey, your friend Yolanda, the one from yoga, hasn't just gotten divorced.
00:08:39Andrés, don't even think about it.
00:08:41Call her.
00:08:42We organize a little dinner at home and see what happens.
00:08:44No?
00:08:45That Yolanda is going through a very critical stage.
00:08:47Are you depressed?
00:08:48She's unleashed.
00:08:49It goes man per week.
00:08:50Yoga has moved on to the Kamasutra.
00:08:51Well, that's exactly what Juan needs.
00:08:54No?
00:08:55But why don't you want to help him?
00:08:57Did something happen to you?
00:08:59But we had dinner early.
00:09:00Am I getting up early tomorrow?
00:09:04Really, Ancha, it's a shame you're leaving now.
00:09:07How little time you have been with us.
00:09:08Yes, but I've found an apartment and I'm going to live with a friend.
00:09:12I spent three wonderful years here with Alicia.
00:09:16Well, we're not going to bother you anymore, okay?
00:09:18If Emilio and I have to study, we'll meet at my house.
00:09:21No, I mean, come here and keep me company.
00:09:26Well, nothing, see you later.
00:09:28Hey, call me from time to time, so we can have a coffee or something.
00:09:31Okay, I'll call you.
00:09:35Arantxa has left.
00:09:36That's great, isn't it?
00:09:37Yeah.
00:09:40But what's wrong with you?
00:09:42I'm late, my period hasn't come yet.
00:09:44Oh my God, what if you said it Emilio?
00:09:46What's up?
00:09:47I'm 30 years old, I work as a waitress, and I'm going to have a child with the doorman.
00:09:52I would call my parents to give them the news.
00:09:54But I don't talk to them.
00:09:56How disgusting it all is.
00:10:00Calm down, calm down, Belén, it's probably a false alarm, right?
00:10:03And don't be unfair either.
00:10:04Think that there are always people much worse than you.
00:10:07Carias, please leave me alone.
00:10:08Alice, for example.
00:10:10I just don't understand why you want to break up with me if I drive you crazy.
00:10:12I said it without thinking.
00:10:13There it is.
00:10:13You said it without thinking because it came from within.
00:10:15Alicia is a very bad actress.
00:10:16That has to be love.
00:10:17Look, I understand that you've been treated like an object all your life, but I'm different.
00:10:21I don't care about physical appearance.
00:10:23I am someone who will love you for who you are.
00:10:25That will always be with you, by your side, taking care of you.
00:10:28A traveling companion.
00:10:30Think about it.
00:10:39Well, I don't know what's so funny about it.
00:10:40You both went out with him.
00:10:43Alicia, when I think my life is shit, I look at yours.
00:10:47Well, you should know that I auditioned for a movie and it turned out amazing.
00:10:51And do you have a phrase or are you just moving your ass?
00:10:54I'm the co-star.
00:10:56A nurse who has an affair with the husband of the accident-stricken, nonconformist girl.
00:11:00But she's also involved with a plastic surgeon who gives her a price on liposuction.
00:11:04He is a very complex character.
00:11:07And do you have nude scenes?
00:11:09Nine.
00:11:09But very justified.
00:11:10Come on, the script asks for it.
00:11:14To clarify a point.
00:11:15If you just want sex, I'll adapt too.
00:11:21He is the casting director.
00:11:25Yeah?
00:11:26What will wait for the next ice age to light the boiler?
00:11:28At this rate, instead of an umbilical cord, they're going to use a scarf.
00:11:31Sorry, my brother already gave the order, but if someone else breaks the boiler...
00:11:35If I haven't done anything.
00:11:36What do you mean no?
00:11:37Ashen.
00:11:37Let's not confuse things.
00:11:39This was an unfortunate accident that has nothing to do with Emilio's evil eye.
00:11:42What evil eye?
00:11:42If the boiler has broken, the rules.
00:11:44That I pay the community for something.
00:11:46If I pay for it?
00:11:47The technical tide.
00:11:49The problem is that we just used the special funds to fix the elevator.
00:11:53Juan, you have to be warned.
00:11:55Don't complain, that way you'll lower your cartridge belt.
00:11:57How exciting!
00:11:59We already have an elevator.
00:12:01Yes, there's a lot of complaining here, but when Mr. Juan does things right, no one...
00:12:07Wow, it works like a charm.
00:12:11It was the jinx.
00:12:12The Lord has touched him.
00:12:13No, but you've looked at it.
00:12:15Look, this is nothing more than a chain of misfortunes that happen to revolve around Emilio.
00:12:19Juan, go home.
00:12:21Don't expose yourself to the jinx, because tomorrow you'll play tennis with the director to see if you're going to win.
00:12:25Come.
00:12:25Well, that's enough, huh?
00:12:26Don't close your eyes to poor Emilio.
00:12:28Thanks, Mauro.
00:12:28Careful.
00:12:29They got me, they got me!
00:12:31So that?
00:12:31For the movie, Emilio.
00:12:33The role of the nurse.
00:12:34It's my first line in the cinema.
00:12:35Don't touch me!
00:12:36I'm going to the adventure test!
00:12:42This is still that chain of misfortunes, isn't it?
00:12:45Damn, Emilio, you're a jinx.
00:12:48Wait, let me burn.
00:12:52Sorry, Mariano, but I only made food for two.
00:12:58I'm going to think a little about Emilio, okay?
00:13:01What have you made, a broth?
00:13:02Hey, go to a soup kitchen.
00:13:04They give away free food at the town hall.
00:13:05Yes, but you have to queue.
00:13:09Emilio, tell your father not to be so cheeky.
00:13:11Leave it, I'm not hungry.
00:13:12They've put the evil eye on me and I'm jinxed.
00:13:14Matter resolved.
00:13:15I'm starting to get unemployed.
00:13:16What do you mean you're jinxed?
00:13:17What are you saying?
00:13:17Yes, an old woman has cast an evil eye on me and everything I touch now becomes a spill.
00:13:21Don't tell me you believe that nonsense.
00:13:22And why do you mess with a witch?
00:13:27But what do I know, you didn't have any ID or anything.
00:13:29Well, you're going to have to go somewhere to get that removed, huh?
00:13:31Of course, it's a bitch, isn't it?
00:13:32Because you are an evil eye.
00:13:33Well, I don't know, but don't go into the kitchen, the microwave is new.
00:13:37Dad, what do I do now?
00:13:38Look here fixedly.
00:13:40Concentrate.
00:13:40So that?
00:13:41Damn, let's see if you dub it and we go to the TV.
00:13:47Hi there.
00:13:48Can you tell where you're going?
00:13:48I'm hysterical.
00:13:49I've already brought other coffees.
00:13:51I don't know what I'm doing reading obituaries.
00:13:52Well, excuse me, I was arguing with Alba, but things are going well, huh?
00:13:54Has he forgiven you?
00:13:55No, not yet, but today he only called me a son of a bitch four times.
00:13:58I think we fixed it.
00:13:59But why do you insist on saving your marriage if Alba isn't good for you at all?
00:14:01Why not?
00:14:02Because he doesn't have a penis.
00:14:06Forgive me, but Alba is a very attractive woman.
00:14:08Are you sleeping with her?
00:14:09No, don't tell me.
00:14:11I went to bed.
00:14:12Now it's getting harder and harder, I've been sleeping in the living room for a week now.
00:14:14And what if it lasts, huh?
00:14:16Hey, give me an ultimatum.
00:14:17Do you tell your wife the truth or will she tell her tomorrow?
00:14:20Don't fuck with me.
00:14:22Well, maybe he doesn't believe it.
00:14:24I can tell you that Bea is completely crazy with jealousy and that...
00:14:27Look, don't waste any more of my time.
00:14:29Who do you love, your wife or me?
00:14:30To both of them.
00:14:31If you tell me about different loves again, I'll throw my coffee on your head.
00:14:34Mauri, I want to be with you.
00:14:35So what are you playing at?
00:14:37Are you so terrible like the gay?
00:14:38Do you want to spend your whole life pretending to be someone you're not?
00:14:41No, I just need a little time.
00:14:43Well, I can't wait for you.
00:14:44Okay, fine.
00:14:45Okay?
00:14:46Okay, there's no turning back now.
00:14:48I'm going to tell Alba everything.
00:14:50Of course, man.
00:14:52Tell him.
00:14:53Excuse me, are you very interested in our conversation?
00:14:55Quite a bit more than this.
00:14:57And why don't you sell the exclusive?
00:15:02No, Andrés, don't insist.
00:15:03I don't have the body for blind dates.
00:15:05But why not?
00:15:06Isabel and I want to help you.
00:15:08But Isabel agrees.
00:15:09Of course, if she's the one who called Yolanda.
00:15:12Oh yeah?
00:15:13Well, in the end I'm going to go.
00:15:14You'll see what a woman.
00:15:16Have you seen the Playboy girls?
00:15:17At the kiosk?
00:15:18But because they put it right next to the art history magazines.
00:15:21Well, Yolanda is like that, but in three dimensions.
00:15:24Oh really?
00:15:25And he's removed his floating ribs, I'll tell you no more.
00:15:28Oh, and that's good?
00:15:30Think.
00:15:31Why does a woman remove her floating ribs?
00:15:33Oh, yeah, sure.
00:15:37Juan, shall we start or what's up?
00:15:39Yeah.
00:15:40Let's see what excuse I give my sister now.
00:15:42We'll see you at ten.
00:15:43Aren't you coming to the meeting?
00:15:44No, it's just that I have to wash the car.
00:15:48Mr. Juan, the henhouse is getting impatient.
00:15:50Hey, do you know why a woman removes her floating ribs?
00:15:53I don't know.
00:15:54To go to the bathroom better?
00:15:55It has to be for something else.
00:15:56Well, come on, come on, come on, that...
00:15:57Please turn off your cell phones and do not smoke.
00:16:04To speak, they raise their hand.
00:16:06Why do you have to say that looking at me?
00:16:08I don't look at you, I look at all of you.
00:16:10But hey, what's going on?
00:16:11Emilio is gaffe.
00:16:12They have put the evil eye on him.
00:16:14Well, it is undeniable that our community is facing a problem that is difficult to explain.
00:16:18No, no, no, no, not difficult at all.
00:16:19That boiler is a thousand years old.
00:16:20We approve a levy, it is changed and that's it.
00:16:22So that?
00:16:23Why would this guy touch it and ruin it again?
00:16:25This girl always looks so cute.
00:16:27But anyway, let's see, what's this about Emilio being a gaffe?
00:16:29Yes, it is proven.
00:16:31Bad things are happening to all of us.
00:16:33We were caught stealing at the supermarket.
00:16:36Valentín has been dumped by his girlfriend.
00:16:38Andrés has asked for a loan and they have given it to him.
00:16:41Emilio, it's obvious something is going on here.
00:16:43So while you overcome this bitter trance,
00:16:45Have you ever considered spending a few days with your family or taking a trip?
00:16:49He gets on a plane and crashes it.
00:16:50Well, let them do it by taking the Camino de Santiago.
00:16:52Why don't we fire him?
00:16:53Which is easier.
00:16:54Ah, yes, I'll start spreading the evil eye to everyone.
00:16:56Emilio, please don't use your powers.
00:17:00We're not going to burn him alive.
00:17:01Fortunately, many years have passed since the dark days of the Inquisition.
00:17:04Concha, why don't you tell us something about that time?
00:17:07Let's see, I suggest, why don't you look for that lady with the evil eye?
00:17:09and what cleans it for us, poor thing?
00:17:11Yes, yes, that's very nice, but I'm broke.
00:17:12Considering the seriousness of the situation,
00:17:14I propose a preventive levy
00:17:16to obtain the necessary funds for such a cure.
00:17:18Votes in favor.
00:17:19Yeah.
00:17:20And if it doesn't work, we kick him out.
00:17:22But let's try a spill to remove the evil eye.
00:17:25Approved by majority.
00:17:27You have said before that this divine one is usually in a park.
00:17:29Is it far away?
00:17:30No, right next door.
00:17:31Two cigarettes.
00:17:32And in meters, please?
00:17:33Oh, yeah, I can't tell you.
00:17:34Lucia, we have some problems with Roberto's presentation.
00:17:51What's happening?
00:17:51Listen, this is disrespectful, it's offensive.
00:17:54Don't you realize that children see this?
00:17:56No way, woman, but this might encourage you to read.
00:17:59You'll see how your child will read the book now.
00:18:01I want to see the manager.
00:18:02Carlos, it's for you.
00:18:08But, for God's sake, this isn't a sex shop.
00:18:10Wouldn't it occur to you to hang these paintings in my restaurant?
00:18:13Are you censoring me?
00:18:14It is a current vision of the stories of a lifetime.
00:18:16Roberto, our army is having an orgy.
00:18:19Of course, think about it.
00:18:20What were they doing all day in a cabin in the middle of the mountains?
00:18:23No, no, they weren't in a cabin.
00:18:25They were fleeing from the wolf because...
00:18:26Well, look, please take them out of here.
00:18:28That's it, say it.
00:18:29You don't like my paintings.
00:18:30No problem.
00:18:31Well, I'll take them and that's it.
00:18:32But, Roberto, it really isn't that.
00:18:34The thing is, they've already closed our restaurant once, and it took us a long time to get our license back.
00:18:37Specifically, 6,000 euros in bribes that I had to pay.
00:18:40Why don't you put something else...
00:18:42Well, less...
00:18:44You're asking me to betray my artistic principles.
00:18:47No, I'm telling you to stop interpreting stories and go do something more modern, more aesthetic, more avant-garde.
00:18:52Hey, don't bring me any filth here.
00:18:54Okay.
00:18:54What do you want?
00:18:55Modern art?
00:18:56Well, I bring you modern art.
00:18:57I don't care anymore, I paint everything.
00:18:59Can I keep the Peter Pan one?
00:19:01It's just that my first erotic fantasies were with Tinker Bell.
00:19:05I dreamed that I grabbed her and we flew away there.
00:19:09And with a coce...
00:19:11Kids' stuff.
00:19:16Hey, Alicia and Belén?
00:19:17Look, what do I know?
00:19:18This is a joke.
00:19:22Alicia, you can't walk on crutches and move your butt at the same time.
00:19:25And take off your boot or you're going to break your other leg.
00:19:27Bring.
00:19:28What bothers you is that even with crutches he's sexier than you.
00:19:31Look.
00:19:32You see?
00:19:33It's not that difficult.
00:19:35Belén, you too?
00:19:36No, man, no.
00:19:37If this is from Alicia, she has sprained her foot.
00:19:39Because of you, I'm not going to be the nurse in the movie anymore.
00:19:40Well, maybe you'll get your picture taken at an orthopedic store.
00:19:44I'm going now.
00:19:45You should do the same.
00:19:49Thank you for opening the door for me.
00:19:50Oh, sorry.
00:19:55Honey, I love you so much, but wouldn't you mind sleeping in the goal tonight?
00:20:00But what are you saying?
00:20:00If this is removed with love, it is sure.
00:20:01I looked on the internet and it says that the evil eye is transmitted through sexual relations.
00:20:06Maybe not.
00:20:07You're on the pill.
00:20:08The pill.
00:20:10It's just that I'm late.
00:20:12How a delay?
00:20:12Belén, don't fuck with me.
00:20:13It's just that my period was supposed to have come five days ago and it hasn't come yet.
00:20:16Maybe I haven't taken the...
00:20:17Look, I'll kill her if she falls, okay?
00:20:18Well, but you didn't want to have children.
00:20:20Yes, but not now.
00:20:21You're going to come out with three heads.
00:20:22Well, calm down.
00:20:23That maybe it's a false alarm.
00:20:24Well, I'd better sleep downstairs, okay?
00:20:25Otherwise, you might not come as a con artist.
00:20:27Yeah.
00:20:27But mom, Juan Cuesta has a blind date.
00:20:40We can't miss that.
00:20:41Really?
00:20:42For once we feel like having dinner as a family?
00:20:43Come on, please, and here we go.
00:20:45Hey, in our house too.
00:20:46If we haven't met anyone, what are we doing for these three hours?
00:20:48No, you are young and rebellious.
00:20:49I'm sure you can think of something.
00:20:53Hey, what about my trip to New York?
00:20:55How's it going?
00:20:56Juan needed an appointment.
00:20:58It was falling apart for us.
00:21:00You should have seen how his face changed when I told him.
00:21:03Yeah, I can imagine.
00:21:04Helping others makes me feel like a better person.
00:21:09That's the beauty of these things for me too.
00:21:12Damn, Juan.
00:21:13You're going all out, huh?
00:21:15Not all for it, just for one.
00:21:17So, with a sense of humor.
00:21:19That's what makes us women fall in love.
00:21:21Oh yeah?
00:21:21Did I make you fall in love like that?
00:21:23Seven foreclosures in ten years is hilarious.
00:21:27A little wine?
00:21:28Yes please.
00:21:32Thank you so much.
00:21:33You didn't need to play Celestina.
00:21:34I can manage on my own.
00:21:35I know.
00:21:37You seem to love dating.
00:21:38What do you want me to do?
00:21:39You are with Andrés and you are happy.
00:21:41Because you're happy, aren't you?
00:21:44Go!
00:21:45Juanito, you'll see what a woman, what curves.
00:21:49Hello, I'm Carla.
00:21:50Oh, sorry, you got confused.
00:21:52No!
00:21:52This is Carla, my yoga partner.
00:21:55I left a message for Yolanda and she didn't return it.
00:21:57And I said, well Carla, too, she's really cute.
00:21:59Are you single?
00:22:00Let him come to dinner.
00:22:01Well, I was about to not come.
00:22:02Why am I cleansing with maple syrup?
00:22:05I'm going to do a colon cleanse.
00:22:08Ah, very good.
00:22:09Meet Andrés, my husband.
00:22:10Hello.
00:22:11Hello.
00:22:11And to Juan, who is looking forward to meeting you.
00:22:14Hello.
00:22:14Well, I'm going to pour the wine we're going to need.
00:22:18And if you have a glass of syrup, I'll toast too.
00:22:24Isabel, have you gone too far?
00:22:25Well wait, let him tell you his problems with him, Coxis.
00:22:28You'll see how much fun we had.
00:22:30Yes, especially you.
00:22:34Hello.
00:22:35We need to talk.
00:22:36Alba, I was about to leave.
00:22:40To throw out the trash.
00:22:41It's just that here, as soon as you put a pin on the landing, you don't know when you'll come back.
00:22:44Don't worry, it'll just be a moment.
00:22:46I have to go to the bathroom.
00:22:47Yes, of course, in the background on the left.
00:22:48That's the advantage of such a small house, you can't get lost.
00:22:51I think it's here now.
00:22:53Two.
00:22:56Diego, have you told your wife yet?
00:22:58Damn, why is he here?
00:23:00Oh, and what do I know?
00:23:02Mauri, can you come here for a moment?
00:23:05Yeah.
00:23:06I'll call you back later.
00:23:08Don't tell me the paper is out.
00:23:13Come here.
00:23:15We're going to get revenge on them.
00:23:17Daughter of my life, what are you doing?
00:23:19Yes, I know you like me.
00:23:21I notice when a man looks at me with desire.
00:23:23Well, check your sixth sense, because...
00:23:25Come on, we're grown-ups now.
00:23:29Let's talk, grab your clothes and get dressed.
00:23:30No, no, I haven't brought anything.
00:23:32I only have the coat and the boots.
00:23:33Wait, I'll lend you Bea's bathrobe.
00:23:35No!
00:23:36You stay there.
00:23:37I'll bring it myself.
00:23:42What's happening?
00:23:43Don't you find me attractive?
00:23:45Of course, Alba.
00:23:46But this is not the case.
00:23:48With an eye for an eye, in the end, everyone is blind.
00:23:49Come, sit down.
00:23:51Look, what you have to do is talk to Diego.
00:23:54Hey?
00:23:55And let him tell you, because he surely has a lot to tell you.
00:23:58What's happening?
00:23:59Do you know something I don't know?
00:24:01Better if he tells you.
00:24:02Bea's baby is hers!
00:24:03No!
00:24:04It's mine.
00:24:04It's mine, checked.
00:24:07Alba, you talk to him.
00:24:09With love and understanding.
00:24:10These are very difficult times for both of us.
00:24:13Damn, I look like a priest.
00:24:14You're right.
00:24:15If you have forgiven Bea, I can forgive Diego too.
00:24:18Man, don't forgive him either, he's really messed you up.
00:24:20You are married.
00:24:22My thing with Bea is a little adventure.
00:24:23With a child involved, but a little adventure.
00:24:25Well, that relationship is more open.
00:24:27Sorry about what happened in the room earlier.
00:24:31I'm having a really bad time.
00:24:33Peaceful.
00:24:34Me too.
00:24:36Of course, if you insist on going to see shooting movies and the kid doesn't kiss you in peace, then...
00:24:44Bea, come on, come on, let's go to my house where we'll be more relaxed.
00:24:47Don't wait, this isn't what it seems.
00:24:48I'm sorry, Bea.
00:24:49Where are they given?
00:24:50But don't tell him that.
00:24:52Now you don't have to feel guilty anymore.
00:24:54We can do it calmly.
00:24:55Alba, no.
00:24:56Oh, you don't find me attractive!
00:24:59Oh, the Virgin!
00:25:01I'm jinxed, but really jinxed, eh?
00:25:02Now it turns out that Belén is delayed.
00:25:04Well, she's not very smart, but if you love each other...
00:25:06Filipollas, who might be pregnant.
00:25:07Come on, he caught you.
00:25:09Hey, man, but you haven't learned anything from the advice of the wise.
00:25:13Lucia has removed my drawings from the restaurant.
00:25:15They say my art is for perverts.
00:25:17Man, it helps to understand your universe.
00:25:18Now he wants modern paintings.
00:25:20You offended me, damn, I'm an artist.
00:25:22Roberto, you can't be a true artist if you haven't suffered in life.
00:25:25Paquito, then your films are going to be works of art.
00:25:28Look, Van Gogh cut off his ear.
00:25:30Modigliani's wife died of consumption.
00:25:32Toulouse-Lautrec was yours.
00:25:33Manet had syphilis.
00:25:35What's your drama?
00:25:36Not having passed the fifth screen of Final Fantasy.
00:25:38Hey, I suffer a lot, huh?
00:25:40Hey, if what you want to do is contemporary art, I can help you.
00:25:43You?
00:25:43What do you have in the fridge?
00:25:45I'm thinking of copying this one.
00:25:47But it still sounds a bit like that, doesn't it?
00:25:48Don't make it complicated.
00:25:49If now there is no need to be Velázquez.
00:25:51Take it away.
00:25:51Trunk?
00:25:53Nothing's happening.
00:25:56Look.
00:25:58That's it.
00:25:59If the difficult thing is not painting, it is finding the name.
00:26:02This one is called...
00:26:03Photosynthesis.
00:26:05Let me see.
00:26:10Careful.
00:26:11Loneliness.
00:26:19There it is, man.
00:26:20Did you nail it?
00:26:21Of course, damn it.
00:26:22Modern art.
00:26:23Let's give it a go and we'll get twenty or thirty.
00:26:25TRUE!
00:26:28TRUE!
00:26:38TRUE!
00:26:40TRUE!
00:26:41How cold, the father who gave birth to me!
00:27:04Come here, my feet are freezing.
00:27:06Dad, do I not care if I bring you bad luck?
00:27:09Not me, life can't get any worse for me.
00:27:11It is also true.
00:27:12Let's see if it happens tomorrow, because poor Mr. Juan, I'll give him a lot of trouble.
00:27:16How poor? If he lives like God.
00:27:18Mr. John?
00:27:19Your relative is in a coma. What more could you want?
00:27:21I'm sure he'll take advantage of the opportunity to go out and get involved in love.
00:27:25Oh, damn it, get your feet off!
00:27:27Damn, you have like ice cubes.
00:27:30Come on, move over there.
00:27:37Here, here.
00:27:38On this portal.
00:27:40Look, I fell on that step.
00:27:42And my ordeal began.
00:27:44Well.
00:27:46I had a great time.
00:27:47Yes, me too.
00:27:53Do you feel like going up?
00:27:54No. I mean, yes, I would love to.
00:27:56But tomorrow morning I have an evaluation exam.
00:27:58and I have to be fresh to intercept chops.
00:28:01Besides, I think it's better if we go slowly.
00:28:04Ah, you're traditional.
00:28:06Very, very, very traditional.
00:28:09Well, then we'll call each other.
00:28:12Yes, that's it. Yeah, good night.
00:28:14Bye bye.
00:28:21Bye bye.
00:28:22Bye bye.
00:28:22Juan, Juan, Juan, Juan waits for the coat.
00:28:29Juan, he, he, wait, holds back his tailbone.
00:28:33Yes, I'll call you, yes.
00:28:34John, John, John, John, John, John, John, John.
00:28:41Ah, man, sorry about the mess last night.
00:28:44I don't know what was going through Isabel's head.
00:28:46Yolanda must have failed her and she pulled out the first thing she found.
00:28:49No, the other way around.
00:28:50You tell him thank you very much.
00:28:51I have been introduced to a wonderful woman.
00:28:53I am delighted.
00:28:53You drank a lot, didn't you?
00:28:54What's up?
00:28:55Carla is an intelligent, fun and very athletic girl.
00:28:58He went for a jog before going up to the house.
00:28:59But there was trouble.
00:29:00Was there a problem?
00:29:02She's quite a lady in bed.
00:29:04You don't need to remove the floating ribs for that.
00:29:06Juanito, you're no Adonis, but I think you can aim higher.
00:29:10You tell her, Isabel, that I'm very happy and that I see a great future in that relationship.
00:29:13Well, well, I'll tell you.
00:29:15Hey, are you mixing medications?
00:29:28There it is, Mr. Juan, that's it.
00:29:30Well, I've already accompanied you here.
00:29:32From now on it's up to you.
00:29:33Dad!
00:29:34Look, well, I'll get a good price, okay?
00:29:37We only have 200 euros.
00:29:38But you're not going with me.
00:29:40Come on, don't back down here.
00:29:41Maybe the fat man of the village won't blow.
00:29:45Hello good morning.
00:29:50Juan Cuesta, president of the community.
00:29:52You are a successful man.
00:29:53And not only in the professional field.
00:29:55You have a very sinuous heart line.
00:29:58You've suffered a loss recently, haven't you?
00:30:00Yeah.
00:30:01My wife...
00:30:02But don't worry, I see more women.
00:30:04How many?
00:30:04Mr. Juan, we have come to solve my problem.
00:30:07Ah, yes.
00:30:08Look, we came to ask you to free our goalkeeper from the evil eye you cast on him.
00:30:12And it is bringing dire consequences for all the residents.
00:30:15I didn't want to offend the crazy people.
00:30:17When I saw Snow White I always went with the witch.
00:30:19I can cure your evil eye.
00:30:21But the remedy is expensive.
00:30:22How expensive?
00:30:22Man, we have 200 euros.
00:30:24Arrives?
00:30:26Arrives!
00:30:27Oh, sticking, son!
00:30:28You are the Ronaldinho of finance.
00:30:30Could you make me an invoice?
00:30:31That's how I include it in the community expenses.
00:30:33This is only for extreme cases like yours.
00:30:36As soon as you drink it,
00:30:37Your luck and that of those around you will change.
00:30:39But what does that entail?
00:30:40If it is a colony pelasco.
00:30:42He carries a lot of things.
00:30:43The formula is secret.
00:30:44It doesn't matter, I'll drink it.
00:30:47Hey?
00:30:48Haven't you paid me for the hand?
00:30:49If I just gave him 200 euros.
00:30:51You know what I'm telling you?
00:30:52Bad luck for you!
00:30:53Okay, okay, okay.
00:30:55Okay.
00:30:56Come on.
00:30:58Hey, how many women see me?
00:31:00To you, none.
00:31:02But if it's not worth going to the hand.
00:31:03It's not necessary.
00:31:10Well, Mauri, what's up with you and my family?
00:31:12First you hook up with my brother, then with my sister-in-law.
00:31:14If you want, I can introduce you to my father, who is divorced.
00:31:16Well I'm saying it was her.
00:31:17If I was here...
00:31:18No, because not.
00:31:19I prefer not to know anything.
00:31:20But how am I going to sleep with a woman, girls?
00:31:21Please.
00:31:22Okay, but then what was I doing with my bathrobe on?
00:31:24Covering himself, he came naked.
00:31:26My sister-in-law, who is so posh, came here naked to sleep with you?
00:31:29Come on, hungry.
00:31:29Well, I'd be washing the designer lingerie, what do I know?
00:31:32Mauri, this is getting out of hand, huh?
00:31:34What do you mean he got into your bed?
00:31:36Aren't we in the mood for prank calls?
00:31:37Yes, your wife came with a coat and boots, without panties, out of basic instinct.
00:31:41He got into my bed and called me, claiming to be a cheater and showing me his butt.
00:31:44By the way, you have a bit of cellulite.
00:31:46Well, this is the milk, huh?
00:31:47What I was missing.
00:31:48No, that's what I was missing.
00:31:48What's wrong, are you jealous?
00:31:49No, I'm pissed off.
00:31:51But what kind of wife cheats like that, man?
00:31:53Where are we going to end up?
00:31:54Well, divorce is a head-first decision, Diego.
00:31:55I see this as a very bad arrangement.
00:31:57Well, I see it as very easy.
00:31:58What you have to do is talk to Alba and tell her the truth.
00:32:00But I've already told Mauri that I'm going to do it.
00:32:01Well, wait, that's what he says.
00:32:03What's wrong, you don't think I'm capable?
00:32:05I'll tell you here tonight, man.
00:32:07In front of all of you.
00:32:08No, not in front of me, please.
00:32:09The only thing I ask of you is that...
00:32:11Let's not get you involved in this.
00:32:12That.
00:32:13Well, I think it would be better if I told him privately.
00:32:15Tonight I'm here with her, 10 o'clock.
00:32:17Well, look how good, we already have a plan for tonight.
00:32:22Yes, a great plan.
00:32:25I don't know what this lady has come over me, but I'm having cramps.
00:32:30Yeah.
00:32:31Emilio, false alarm, I've become ill.
00:32:34Mr. Juan, Belén's period has come.
00:32:36Ah, congratulations.
00:32:39Juan, letter from the city council.
00:32:41Oh, I didn't tell you to stay away from the coffee.
00:32:44It's definitely a fine.
00:32:47We have been awarded the grant I requested two years ago to renovate the building.
00:32:50How much, how much?
00:32:5112,000 euros.
00:32:52Dude, but that's good news.
00:32:54You stay there.
00:32:55Hey, I'm cured now, huh?
00:32:56They gave it to me, they gave it to me.
00:32:59I've been given the role of the troubled nonconformist.
00:33:01I'm the protagonist.
00:33:02But you weren't the nurse.
00:33:04It was, but Penelope was offered Alien 5 and she went back to Hollywood and the casting director adores me.
00:33:09Oh, this paper smells like Goya.
00:33:11Take it away, they go.
00:33:12And now the jinx brings good luck.
00:33:15Come here.
00:33:15What are you doing now?
00:33:17If we win the lottery, we'll increase your salary by 2%.
00:33:20Roberto, do you really expect someone to pay 50 euros for that thing?
00:33:27They are horrible.
00:33:28Man, man, man.
00:33:29In this art business you never know.
00:33:31Hey, what do I do with this?
00:33:32What's happening?
00:33:33Do you want to buy it?
00:33:33Too bad, they told me to remove it because it gives them a bad feeling.
00:33:37How are you?
00:33:38How's it going?
00:33:41Fabulous.
00:33:43Don't tell me they bought an autumn treat.
00:33:46I knew it.
00:33:47Have any more been sold?
00:33:48Look, Roberto, that's precisely what I wanted to talk to you about.
00:33:51Then we talk about percentages.
00:33:53First I want to thank you.
00:33:54Whatever it is here, I eat all month and pay the rent.
00:33:56But we are in the middle.
00:33:58Yes, I already owe two months.
00:33:59Plus, I'll buy more material this way because you'll want more paintings, right?
00:34:03Man, look.
00:34:04Yes, yes, no problem.
00:34:06I already knew I had talent.
00:34:08Thank you for trusting me.
00:34:10I want you to know one thing.
00:34:12You are more than my ex.
00:34:13You are my friend.
00:34:17Well, what did you want to tell me?
00:34:19Well, that...
00:34:20That anguish and women and shadows on the beach have been sold.
00:34:24What have been sold?
00:34:25What are you saying?
00:34:25Yes, yes, yes, yes.
00:34:26The man from twelve.
00:34:28The French executive?
00:34:30Clear.
00:34:31If I am a universal artist.
00:34:32Also, the French are sensitive people.
00:34:35They invented the croissant.
00:34:37I'll give you the money at home, okay?
00:34:39Don't you mind?
00:34:39Yes, yes, yes, yes.
00:34:40I'm going to work, I'm inspired.
00:34:43See you.
00:34:45I'm about to buy some.
00:34:47Let's see if they're going to be any good.
00:34:51How are you?
00:34:54With Juan a success, right?
00:34:56I've already been told that you've connected.
00:34:58I don't know, I'm getting really excited.
00:34:59Then it will be worse.
00:35:00One night I get hives, so I can go to the emergency room.
00:35:02Don't worry, Juan is a sweetheart.
00:35:05It's a pity he has a wife.
00:35:07But you knew that, didn't you?
00:35:09Yes, but he told me he's in a coma.
00:35:11At any moment he wakes her up.
00:35:13Often they are the social security ones,
00:35:14as long as there is a free bed.
00:35:17What was I going to tell you?
00:35:19And how was sex?
00:35:20No, it's not very traditional yet.
00:35:22But there was a tension in the car,
00:35:24because we had our seat belts on.
00:35:27You know what they say about bald people in bed, right?
00:35:30They don't leave hairs.
00:35:31No, they are machines.
00:35:33Hello, sorry for the delay.
00:35:35What are you doing here?
00:35:36My guest is coming to class.
00:35:38Yes, I said.
00:35:39Let's see if I reach Nirvana,
00:35:40I've been told that it's very nice there.
00:35:41Well, I didn't know you liked yoga.
00:35:43Carla is revealing many things to me.
00:35:45But many.
00:35:46Come on, let's start the class with the sun salutation.
00:35:56We inspire.
00:36:00We expire.
00:36:03Natalia, I want you home at 12 o'clock sharp, okay?
00:36:06In the morning or at night.
00:36:07Of the night.
00:36:08Hello.
00:36:09What's up, artist?
00:36:10My brother told me that you are now dedicated to painting.
00:36:13Yes, and I'm doing very well.
00:36:14At some point I had to exploit my talent, of course.
00:36:17Well, let's see if you can draw a portrait of me, okay?
00:36:19No, it's just that the portrait doesn't work.
00:36:21In a realistic way, I only paint nude.
00:36:25Okay.
00:36:25When do you want it to go up?
00:36:26Hey?
00:36:28I don't know, whenever you want.
00:36:29Is tomorrow good for you?
00:36:30Yes, yes, yes, it suits me.
00:36:32Come on, I have a lot of work, but I'll make time for you, yes.
00:36:34Okay, well, see you tomorrow.
00:36:36Okay.
00:36:39You're good, aren't you?
00:36:40Will it be worth it?
00:36:41Yes, yes, yes, yes, it's worth it, yes.
00:36:44Juan, may I know where you are?
00:36:54What have we four guessed right in the primitive?
00:36:56I don't care.
00:36:57I'm at the massage parlor, I've been to a yoga class, and I've had a minor lower back problem.
00:37:01Hey, take care, take care!
00:37:02This goalkeeper is a talisman.
00:37:04If I had rubbed the ticket more against his hump, we would have gotten all six.
00:37:08A little bit looser, maybe?
00:37:09Yeah.
00:37:10Thank you.
00:37:11Now I'm going down to get more tickets and I'll throw them away tomorrow.
00:37:13Okay.
00:37:14If I'm home soon, I'm right here next door.
00:37:16Hey, no one's saying a word about this, huh?
00:37:19Emilio all to ourselves.
00:37:20Yes, yes, just for you.
00:37:22This little fool still hasn't tuned into Radio Patio.
00:37:25What's the deal?
00:37:26Is Emilio jinxed or lucky?
00:37:28Oh, come on, we have to get ahead of the bad news!
00:37:32Luis, back injuries are really bad, huh?
00:37:35I'm telling you, I've had scoliosis since I was little.
00:37:37They signed me up for swimming to correct it.
00:37:39I ordered some mushrooms.
00:37:40Look at doing the plow pose on the first day.
00:37:43But you told me that nothing was happening.
00:37:44Well, that's it, huh?
00:37:46I'm going to wash my hands.
00:37:47Thank you very much, Carla.
00:37:48I'm much better.
00:37:52Well, you look good, don't you?
00:37:54When is the wedding?
00:37:55Oh, Paloma won't be able to sign the papers for you.
00:37:58Isabel, that's enough.
00:37:59Carla, I don't like it at all.
00:38:02What do you mean no?
00:38:03So why are you dating her?
00:38:05Are you a fool or a masochist?
00:38:06I wanted to get revenge on you, to make you jealous.
00:38:08But now I have to break up with her.
00:38:10Let's see what I say.
00:38:12But look how twisted you are, huh?
00:38:14And you, what?
00:38:15Didn't you have any weirder friends?
00:38:16One, but she doesn't leave the house because of the germs.
00:38:19I called her, but no...
00:38:20Isabel, we can't go on like this.
00:38:21We are adults now.
00:38:22Everyone has to continue with their life.
00:38:24and we have to accept...
00:38:26Come on, fuck off.
00:38:30I knew it!
00:38:32I knew you were going to hurt me.
00:38:33No, no, no, it's Carla...
00:38:34Don't jump to conclusions.
00:38:36No, Andrés will draw the conclusions.
00:38:38I'm going to tell him right now.
00:38:39Hey, we weren't kissing, were we?
00:38:41Your viewing angle was not ideal.
00:38:43Carla, Carla, we are friends.
00:38:46Friends?
00:38:46You are manipulators.
00:38:48You two are having a relationship
00:38:49and you have used me
00:38:51as an excuse.
00:38:53Look, my hands are already sweating.
00:38:55and I just washed them.
00:38:57Please work it out with her.
00:38:59Fix it, fix it.
00:39:00What a mess.
00:39:05Carla, wait.
00:39:07Carla.
00:39:07Carla.
00:39:09You don't need to take things out of here.
00:39:10Do you know why I'm 43 years old?
00:39:12and I'm single?
00:39:13It's an interesting debate, but...
00:39:14Because you men are all bastards.
00:39:17Correct.
00:39:17Now let me explain.
00:39:18You were kissing Isabel.
00:39:20Poor Andrew.
00:39:21No, no, no.
00:39:22It's that I have a lot of confidence in her.
00:39:23and I wanted to practice a little
00:39:24for our first kiss.
00:39:26Because I'm a little out of training now.
00:39:27and I wanted it to be something special.
00:39:30It's just that I'm very nervous.
00:39:31I like you a lot.
00:39:32What have you done?
00:39:33I'm very nervous.
00:39:34Not the other.
00:39:35That I like you a lot.
00:39:37You see?
00:39:45It's very easy.
00:39:46You just have to let it go.
00:39:48I can't take the pill,
00:39:49It comes out beautiful on me.
00:39:50Peaceful.
00:39:51Everything in its own time.
00:39:53Well.
00:39:54I'll call you back later.
00:39:57Goodbye, thief.
00:39:58Bye bye.
00:39:59Bye bye.
00:39:59Bye bye.
00:39:59Bye bye.
00:39:59Bye bye.
00:39:59Bye bye.
00:39:59Bye bye.
00:39:59Bye bye.
00:39:59Bye bye.
00:40:00Bye bye.
00:40:00Bye bye.
00:40:00Bye bye.
00:40:01Bye bye.
00:40:01Bye bye.
00:40:01Bye bye.
00:40:01Bye bye.
00:40:02Bye bye.
00:40:03Bye bye.
00:40:03Bye bye.
00:40:04Bye bye.
00:40:05Bye bye.
00:40:06Bye bye.
00:40:06Bye bye.
00:40:07Paquito, I bless you
00:40:13that all the women in the world
00:40:14they start to look at you with different eyes.
00:40:16Will you leave me alone?
00:40:17But man, what are you up to?
00:40:18Enlightened by life?
00:40:19Yes, I am like the bald guy.
00:40:20of the Christmas lottery.
00:40:21Now I distribute luck.
00:40:23Hey, who said I was a loser?
00:40:25I.
00:40:26Yeah?
00:40:26Well, look, I've sold three paintings.
00:40:29One of them to a French executive.
00:40:31Since the foreigners get drunk on sangria
00:40:33and they buy anything.
00:40:34And which ones have they bought from you?
00:40:35Autumn whim.
00:40:36Anguish and a woman without a shadow on the beach.
00:40:37I'm a genius.
00:40:38Hey, wait a minute.
00:40:39What a whim of autumn and anguish I painted them.
00:40:41Yes, but the names are mine.
00:40:42What do you sell?
00:40:43Oh, you're not going to give me any money.
00:40:44You are my disciple, man.
00:40:45You're still learning.
00:40:46Roberto, I bless you.
00:40:47May art be with you.
00:40:48But what are you doing?
00:40:49Oh, and Natalia has commissioned a painting from me.
00:40:52Tomorrow will be spent naked for me.
00:40:53No.
00:40:55Emilio, we also want your luck.
00:40:59Ma'am, they're going to screw me over and I have exams soon.
00:41:01But let's see.
00:41:02They didn't say it was a jinx.
00:41:03Yes, but Nibel had a lottery ticket slipped under his shoulder and has four correct answers.
00:41:07Run your hand over my knee, see if you can cure my arthritis.
00:41:10Yes, that's what I'll be thinking about.
00:41:11You do anything as long as a man touches you.
00:41:13Take it away, take it away, take it away.
00:41:14But Emilio, where are you going?
00:41:17Are you coming to bingo with us?
00:41:19Hey, don't bother me, I bought a Christmas lottery ticket.
00:41:22Come on, turn around.
00:41:23Mrs. Nieves, I'm exhausted.
00:41:24I'm going to bed.
00:41:24Come here, Emilio.
00:41:26We all pay Emilio.
00:41:27It must be shared.
00:41:29Nieves, we come first.
00:41:31This looks like a fish market.
00:41:33Well, we are gathered here to clarify as civilized people that we are what is happening among us.
00:41:39It is quite clear to us.
00:41:40I don't give enough to Diego.
00:41:42And here is a person who has not hesitated to give it to him.
00:41:45And you couldn't think of anything else to do but get into Mauri's bed?
00:41:48Yes, I reject myself.
00:41:49It's pathetic.
00:41:50But I didn't reject you because I didn't like you, Alba.
00:41:53It's that I'm gay.
00:41:54And I'm a lesbian.
00:41:55And I'm not with Bea, but with Mauri.
00:41:57And I discovered that I like men.
00:42:01That?
00:42:02Let's start from the beginning.
00:42:03Alba, I'm gay.
00:42:05And I'm a lesbian.
00:42:06And I'm with Mauri.
00:42:07And I discovered that I like men.
00:42:11That?
00:42:12We're not making any progress, are we?
00:42:13I would try something else.
00:42:14Look, honey, I know this might seem surprising to you at first.
00:42:17But we have only been married for a very short time.
00:42:19And I want you to know that this is no one's fault.
00:42:21These are things that happen and I couldn't keep hiding it from you any longer.
00:42:27Honey, you're going to be around for a long time.
00:42:28So I get scared.
00:42:30Son of a bitch!
00:42:31Son of a bitch!
00:42:32You've had me fooled all this time!
00:42:34All I wanted was to get rid of my husband.
00:42:37You see how it's better to have said it at home?
00:42:39Yeah, Alba, yeah, calm down.
00:42:39There, there, there, there.
00:42:40Okay, okay, okay, okay.
00:42:42Very good.
00:42:44No problem.
00:42:45No problem.
00:42:47The world is not ending.
00:42:49Well, be very happy.
00:42:52And may you have a great family now that you can finally adopt.
00:42:56Oh, what nonsense!
00:42:57You already have the other one for that.
00:43:00You see the joke, otherwise we have to end badly.
00:43:02You shut up, faggot.
00:43:10Well, it didn't go too badly, did it?
00:43:12No, the truth is that he has taken it quite well.
00:43:15I have something here.
00:43:16Let's see, yes, a little bit of blood.
00:43:18He's given me the ring right away.
00:43:19Mauricio, you shouldn't get involved with married people.
00:43:21Do you want some ice?
00:43:22With whiskey, please.
00:43:24Okay.
00:43:24Carlos, may I know what this means?
00:43:30The fact that?
00:43:30Do you think I'm so shallow as to go out with you just because you give me some flowers?
00:43:33Don't you like them?
00:43:35Jewels, Carlos, think.
00:43:38What do you think?
00:43:39It's a family jewel.
00:43:41Oh yeah?
00:43:41Yes, my father paid for it.
00:43:42But I chose her.
00:43:44It is a replica of the one that Brad Pitt gave to Jennifer Aniston.
00:43:47Let's go out.
00:43:48Yeah.
00:43:49But without stress, okay?
00:43:49Okay, let's go to the movies.
00:43:51My head hurts.
00:43:51My head hurts.
00:43:53But I really wanted to hear that again, please.
00:43:57No, no, no, no.
00:43:58I'll bring it to you, my love.
00:44:02Yeah?
00:44:03Hello?
00:44:05Yes, yes, yes, yes, whenever you want.
00:44:06Who is it?
00:44:07The director of the film.
00:44:09Okay, perfect.
00:44:10I'll be there.
00:44:11Bye.
00:44:13Would you like to have lunch with me tomorrow to get to know me better?
00:44:16But how am I going to sleep with him in this position?
00:44:18I have to take it off.
00:44:20A question.
00:44:21Aren't we dating?
00:44:22Yeah.
00:44:23AND?
00:44:24Another question.
00:44:25Usually people sleep with the director to get a role, but you already have it.
00:44:29Carlos, if you don't accept my profession, we can't go out together.
00:44:32Are you telling me that all actresses sleep with the director?
00:44:34No, man, no.
00:44:35Not all of them.
00:44:35Only a few privileged ones.
00:44:37At the beginning of your career you need a little push.
00:44:39And it couldn't be better said.
00:44:40It is a way to close the contract.
00:44:41I didn't invent it.
00:44:43Look, let's do something.
00:44:44I'm going to be your manager.
00:44:46So I'll go to lunch tomorrow and we'll settle things there.
00:44:48Good idea.
00:44:49That will give me cachet.
00:44:51Honey, remember your head.
00:44:54Oh, okay, then we'll leave it for tomorrow.
00:45:00Emilio!
00:45:01Open the door!
00:45:02Ladies, please go home.
00:45:04This is not the time to make a fuss on the stairs.
00:45:06What you want is to keep the enlightened one for yourself.
00:45:08Sausage!
00:45:08And why do you want anything to happen to you at your age?
00:45:11If not, they'll enjoy it.
00:45:13And you?
00:45:13Because not even God can take away that bitter face you have.
00:45:16Juan, I speak to them politely and look how they respond.
00:45:20Hey, either you get out of here now or I'll call the police.
00:45:22Tell him to come out, silly.
00:45:24I'll lower your rent.
00:45:26But how are you not going to take it away from him?
00:45:27Bethlehem, you see?
00:45:28How come we no longer hear faith?
00:45:29What do you mean no?
00:45:29If we have all the neighbors banging on the door.
00:45:32That's what's in the house, the misfortune.
00:45:34And why don't you go down to the goal?
00:45:35Well, me, because I don't have God, Belén.
00:45:37Let's see, a little please, I've already closed, okay?
00:45:39I'll share my luck tomorrow.
00:45:40I'm the first to spend that.
00:45:42Let me rub the coupon in your face.
00:45:44Oh, madam, you're hurting me.
00:45:45Oh, let him go!
00:45:47Look!
00:45:47Marisa, I have a relic.
00:45:49Mr. Juan, they pulled my hair.
00:45:51All right, everyone go to bed.
00:45:52Tomorrow at nine, neighborhood meeting.
00:45:54Damn, what an early morning.
00:46:02No, a Roberto would never wear those colors.
00:46:05Not a Roberto, but a José Miguel, yes.
00:46:06A José Miguel?
00:46:08It sounds terrible.
00:46:09You're going to have to find a pseudonym.
00:46:11Hey, man, Lesslie, you've changed.
00:46:12You weren't like this before.
00:46:14With you I drown creatively.
00:46:15I want to continue my solo career.
00:46:17Oh yeah?
00:46:17Well, you're finished, kid.
00:46:19Without me you are nobody.
00:46:20We'll see.
00:46:20Let's see what sells more paintings in the restaurant tomorrow.
00:46:23There, there!
00:46:24Chop, chop!
00:46:31Hello.
00:46:33What are you doing here?
00:46:34Hey, I was interested in buying some paintings from you.
00:46:37As an investment.
00:46:38I want to start my little Thyssen collection.
00:46:40With the success of the exhibition, they have raised their prices a little.
00:46:43Well, I'm sure we can understand each other.
00:46:45Fixed.
00:46:48How cold and how sleepy, my God.
00:46:50It may already be important.
00:46:51This is the planning that I have made in six colors
00:46:53and in which I have tried to be as even-handed as possible.
00:46:56From nine to ten, Emilio will accompany me to stamp the primitive ticket,
00:46:59as well as the lottery.
00:47:00And why do you have to take it first?
00:47:02Because he is the president.
00:47:04Forgive me, let's see, I just wanted to put myself in the picture.
00:47:06That at this time I am still not a person.
00:47:07Are we talking about who you spend the day with, Emilio?
00:47:09If the girl doesn't want her turn, she goes to us below.
00:47:12This goes like clockwork.
00:47:14Do the clock hands go backwards?
00:47:15What she was missing, dyslexic.
00:47:17Note that my commission as a talisman is 10%.
00:47:20This is all very nice, but meanwhile the staircase is smelling.
00:47:23Does anyone give those tasks anymore?
00:47:25Emilio is now much more profitable for the community in this.
00:47:27Cleaning the trash cans also wears me out a lot.
00:47:29Don't go too far.
00:47:30If it's true that Emilio brings good luck, why should we share it?
00:47:33Let's all go to the casino, it's the fastest way.
00:47:36Of course, in the casino if you play wisely you always win.
00:47:39Then you better not go.
00:47:40And what money are we playing with, darling?
00:47:42The grass is bothering the monkey, as if the ginseng hasn't been taken.
00:47:45Juan, the grant! The two million!
00:47:48What subsidy?
00:47:48No, no, no, the grant is to change the boiler.
00:47:50And that's what it's going to be, if this is investing.
00:47:53We play roulette with Emilio and with the winnings we put an elevator, marble, and a jacuzzi in each house.
00:47:59Hell, of course! A jacuzzi! Warmth of life!
00:48:02How are you going to gamble with the subsidy, please? That's public money!
00:48:04And where does it come from? Our taxes!
00:48:07Could it be because of what you pay to the Treasury?
00:48:08I tell you that in just a few runs, we multiply those 12,000 euros by 10.
00:48:14You vote in favor.
00:48:15Approved.
00:48:16I don't even know why we came, Mauri.
00:48:18Well, to exercise our democratic right to not be given a damn.
00:48:21Tonight, to the casino.
00:48:23You have to look elegant, right? So get dressed up.
00:48:25Or at least try. I bless you all.
00:48:27For me, the Goya, for best new director, has no importance.
00:48:33In fact, I left it in the taxi.
00:48:35I thought the movie was wonderful.
00:48:40Really.
00:48:41Well, and me, huh?
00:48:42I started crying my head off.
00:48:44But it was terrifying.
00:48:46That's why, from anguish.
00:48:48Tears fell from my anguish.
00:48:50Oh yeah?
00:48:50Well, whenever you want, come to my house and I'll show you the director's cut.
00:48:56Sure, whenever you want.
00:48:58They call me.
00:49:00I'll be right back.
00:49:04What a relief, huh?
00:49:05He's clearly gay. Aren't you going to have to sleep with him?
00:49:08No.
00:49:09You're going to have to go to bed.
00:49:11Hey?
00:49:12Haven't you seen how he looks at you?
00:49:14He wants to take you home and show you the director's cut.
00:49:16Between the lines.
00:49:18Look, Alicia, I already realized that that thing doesn't suit me.
00:49:21Carlos, you told me you'd do anything for me, that you were my traveling companion.
00:49:24But this transfer was not planned.
00:49:27Hey, my career is very important to me and I can't miss this opportunity.
00:49:31What do you think?
00:49:31Do I like seeing my boyfriend and my manager having to do this for me?
00:49:35The producer who wants to meet you.
00:49:37Hey, one at a time.
00:49:39Well, I'll leave you alone.
00:49:41I want to start preparing for the character as soon as possible.
00:49:43But if it doesn't start shooting for six months.
00:49:45Ah, yes, you're having something to drink.
00:49:47And speaking of my contract.
00:49:49See you tomorrow.
00:49:50Bye.
00:49:51Well.
00:49:53A little more serve?
00:49:54No.
00:49:56Well.
00:49:57Yeah.
00:49:58Up to the top.
00:50:03Hey, Diego, I'm not answering the phone.
00:50:04Do you know anything?
00:50:05He has not yet given any signs of life.
00:50:07Well, very strange, huh?
00:50:07Look what time it is.
00:50:08Let's see if Alba has murdered him, cut him into little pieces, and is dissolving him with acid in the bathtub.
00:50:12Mauri, please, don't say stupid things.
00:50:13Look, it's a good idea for when I argue with Alice.
00:50:16Oh, oh.
00:50:19Oh, how are you? How did everything go?
00:50:21Good.
00:50:22Well, he wouldn't let me into the house. I had to sleep in the car.
00:50:24And then he threw my laptop out the window.
00:50:27Of course, since it's a seventh floor, imagine the state it's in.
00:50:30And then I saw black smoke coming out of the terrace.
00:50:32So he must be burning my clothes or something.
00:50:34But anyway, it's just a normal breakup.
00:50:36The important thing is that you did what you had to do.
00:50:39Or not, maybe it's the biggest mistake of his life, Mauri.
00:50:41No, I got it right.
00:50:44Oh, what a joy, a gay brother.
00:50:46So, what are you going to do? How are you going to organize yourselves?
00:50:48Oh, no, no, no, for me, please don't worry.
00:50:50I know that I stay up late, pick up my things, go to my sister's house, and then you'll be together.
00:50:54No, woman, you can't stand your nephews.
00:50:56No, no, really, I don't mind.
00:50:57I don't...
00:50:58No, I've been hasty once and I'm not going to make the same mistake.
00:51:01I'm going to rent a wonderful little bachelor pad.
00:51:03And you and I will calmly see what happens with our situation.
00:51:06Ah, but we're not going to live together.
00:51:09Mauri, please, little by little, okay?
00:51:10Okay, okay, you're right, little by little, that's right.
00:51:13And until you find something, where are you going to live?
00:51:18From my house?
00:51:19You don't care, do you?
00:51:21No, no, no, no, no, no, no, no.
00:51:23If you please be so kind, sir, bring the luggage this way.
00:51:27Well no, with what I'm wearing.
00:51:28And will you be staying for a long time?
00:51:30As little as possible.
00:51:31That's right, but because we're short on beds.
00:51:34Well, Mauri, it seems that for once something related to your love life is going well for you.
00:51:39Wait, don't sing victory.
00:51:45I'm free, the first one is, let's see why they don't go down.
00:51:47Again, I've been told they're getting pretty and this is going to take a long time.
00:51:50We go ahead, so we can pick up the chips.
00:51:53Be careful with your bag, it has a lot of money in it.
00:51:55As if to take it away from this one.
00:51:56What about the ladies? Do they go down or not?
00:52:04If you can't get them out of the house.
00:52:06These people think they're going to the Oscars.
00:52:09Hey, haven't you called Carla to come with you?
00:52:11What, Carla?
00:52:12I'll tell you good luck, don't tell me you've got a date.
00:52:14Don't bring that up with me, I have a big problem.
00:52:17Well, leave her alone, man, don't make things complicated.
00:52:19Look, it's not that easy.
00:52:22I have a hard time saying no to a woman.
00:52:23Of course, now I understand why he married Doña Paloma.
00:52:25That was love.
00:52:27I haven't broken up with anyone since I was 19.
00:52:30And she left me, which is always more comfortable.
00:52:32Man, there are some phrases that come in very handy.
00:52:35It's not your fault, it's me.
00:52:37I have a lot of affection, but I'm not in love.
00:52:40Oh, you're so boring in bed, it hits you hard, but you finish faster.
00:52:43I have to break up with her, but now.
00:52:45Well, look at it, here it is.
00:52:46Hello, Juan.
00:52:47Hello, Carla. What are you doing here?
00:52:49I'm going to get the car, I'll be right back.
00:52:51I went to the dermatologist to have a mole checked.
00:52:53And since I'm right next door, well...
00:52:55Wow, how elegant.
00:52:56Where are you going?
00:52:57To a funeral.
00:52:58Your wife?
00:52:58No, no, Emilio.
00:52:59That is, his father.
00:53:01It's that his father died in a tragedy.
00:53:03Very sorry.
00:53:04We are sunk.
00:53:06Do you want me to accompany you?
00:53:07No, because it's going to be something intimate.
00:53:08Only the family and the president of the community.
00:53:11Son, I'm signing up for the sarauno.
00:53:13Are we going or what?
00:53:14Yes, Dad, we're leaving now.
00:53:16This is Mariano, my father.
00:53:17Dad, meet Carla.
00:53:19Oh, hello.
00:53:20Please take off that bow tie, we're going to a funeral.
00:53:23What is love?
00:53:24My father, may he rest in peace.
00:53:26Ah, well, nothing.
00:53:28Let's see if you give me a grandson.
00:53:29But if Juan has two children.
00:53:31Yes, but that has already been lost.
00:53:32Well, well, take off that bow tie, okay?
00:53:34I won't repeat it to you again.
00:53:36What are you laughing at, Juan?
00:53:37Are you kidding me?
00:53:39Carla, enough of the lies.
00:53:40Look, we have to leave it.
00:53:42Hey, hey, hey, hey!
00:53:44Hey, hey, hey!
00:53:44Let the air fly!
00:53:45But it's not your fault, it's me.
00:53:46I love you very much, but I'm not in love.
00:53:48Not from me, but from Isabel, yes?
00:53:50Andrés, what are you up to?
00:53:51And come on, we can still be friends.
00:53:53No, I already have a dog.
00:54:00Attention, the viral sensation of the Spanish drag queen championship.
00:54:04Sorry for the delay, but these are until they come out of chopa and paint.
00:54:08Come on, let's make some money.
00:54:10Come on, let's go.
00:54:10Can?
00:54:19Uh, yeah, yeah, yeah, come in, come in, come in.
00:54:22This place is depressing, I love it.
00:54:25Well, how do we do it?
00:54:26Uh, well no, I don't know, you beat there in the...
00:54:29Careful.
00:54:30Yes, yes.
00:54:32Eh, well, nothing, that's it, that you, you, you, go lie down in bed and I, well, I don't know, put yourself however you want.
00:54:39What, I don't know, I'll give it to you.
00:54:40Okay.
00:54:45Hey, I was going to tell you that I put a heater on just in case.
00:54:50Don't worry, I'm not a cold person.
00:54:52Oh, okay, then I'll close the door so there's no draft.
00:54:59But what are you doing here?
00:55:01Nothing, I've brought you the latest news from UberX, they're very interesting.
00:55:05Come on, out, we'll talk later, you and I.
00:55:06Hey, loser, I've painted more pictures, I'm going to the restaurant, you see what you do.
00:55:12Hey, no, no, no, no, no, you wait.
00:55:15Of course, this smart guy wants to get the good spots.
00:55:17But where are you going? Are you going to leave me here?
00:55:19Hey, Josemi, I've reserved the entrance wall for you, right?
00:55:24Oh well.
00:55:25Hey, if you want, I'll paint you.
00:55:27Okay.
00:55:28Oh really?
00:55:29No.
00:55:32Good night.
00:55:33Hello good.
00:55:34Ma'am, good evening.
00:55:35Good night.
00:55:36Good night.
00:55:36Good night.
00:55:38Good night.
00:55:42Guys, welcome to paradise.
00:55:50I'm nervous, I've never been in a casino before.
00:55:52This is like the hyper reunion games, but beastly.
00:55:55We can find out where you were, we already have the files.
00:55:58Have you changed everything?
00:55:58If this is done, we have Emilio.
00:56:00We were at Black Jack and a Japanese guy wanted to join me.
00:56:04Richer!
00:56:05I'm going to order a glass.
00:56:07I'm going to the slot machines, there's a soundtrack there.
00:56:10Marisa.
00:56:11Me too.
00:56:13But they will be like those in the bar.
00:56:14Please don't waste them on me.
00:56:16This seems to be a matter of insertion.
00:56:18Come on, let's go to roulette.
00:56:19Emilio, choose the numbers and we'll bet.
00:56:22And as soon as we earn 100,000 euros, we'll take it home, right?
00:56:24Is that clear?
00:56:24With head.
00:56:25Go ahead, teacher.
00:56:27Yes, come on, let's go there.
00:56:27We are like the skunks who lie behind those who play.
00:56:3618, red, pair and fault.
00:56:38Hello, we came to play.
00:56:44But, Juanito, that's pretty clear.
00:56:46Come on, where do we bet?
00:56:48Well, I don't know, we're going to bet a little bit on each box and that way we'll win for sure, right?
00:56:52Choose a number.
00:56:5417 is fine.
00:56:55Don't you have it in red?
00:56:56No, that one is always black.
00:56:58Let's play, gentlemen.
00:56:59I remember a number.
00:57:00The 36th.
00:57:01Sure?
00:57:02No, no, no, no.
00:57:03On the 17th, yes.
00:57:0436 or 17?
00:57:06The 21st.
00:57:07Well, put more chips in, man.
00:57:08No, no, no, no, let's take it slow.
00:57:10No more.
00:57:12Yeah?
00:57:13What Carla?
00:57:15Well, Andrés, turn it off on my cell phone.
00:57:16We are what we are.
00:57:1721.
00:57:18Red and a pair.
00:57:19We've won, Andrés!
00:57:20We've won, we've won!
00:57:21Hey, but what was I talking about?
00:57:23Stop using your cell phones, man.
00:57:24Enjoy the moment, Andrés.
00:57:25What an enlightened one!
00:57:26Have you come?
00:57:27Congratulations.
00:57:28What the fuck does it give?
00:57:29Still, no touching, eh?
00:57:30Damn, how twisted some of them are.
00:57:32Can you believe that Carla told me that you left her because you're having an affair with Isabel?
00:57:42Oh, poor chair.
00:57:43With so much medication, the side effects.
00:57:46You have to read the prospectuses.
00:57:48What do you see, Emilio?
00:57:49What do you see?
00:57:50The 10th.
00:57:51Carlos, one of the tuna carpaccio and some croquettes.
00:58:01It's coming.
00:58:02The thing is, everyone here comes to work whenever they feel like it.
00:58:04This looks like Congress.
00:58:07Weren't you on sick leave?
00:58:08Look, they just called telling me I'm not doing the movie.
00:58:11May I know what you did to the director?
00:58:12Well, what you told me.
00:58:14We went to his house, we were on the couch and I kissed him.
00:58:15AND?
00:58:16Well, his wife, his four-year-old daughter, and his mother-in-law caught us coming back from the cinema.
00:58:20Because he obviously wasn't gay.
00:58:22Maybe I can fix it.
00:58:23I call him and sleep with him.
00:58:24Alicia, as incredible as it may seem, there are people who get jobs without resorting to sex.
00:58:31It's clear that we have nothing to do with it.
00:58:33We're done.
00:58:34Hello, hello, I'm Carlos.
00:58:42Hey, did you have matching earrings and a choker with the ring?
00:58:48Yes, you put it on dad's account.
00:58:51Come on, thank you.
00:58:52Thank you.
00:59:00Alice, come.
00:59:03We have a little problem with Dalí.
00:59:05And what happens now?
00:59:06Well, he's stupid.
00:59:07How do you sell paintings?
00:59:08Well, I bought them all because I felt sorry for them.
00:59:10Oh, oh, oh, Marisa and Vicenta called him, they are sick.
00:59:13But deep down it's called that we're bitch-swallowing.
00:59:15Well, what nerve these ladies have.
00:59:17No, not here.
00:59:18Why not?
00:59:19Well, because there isn't good light here.
00:59:20This is not the right place to view my work.
00:59:22Roberto, what's wrong?
00:59:23Why are you changing my painting's location?
00:59:24Then there is nothing that is not sold.
00:59:25Miguel, José Miguel, come here.
00:59:27But if you don't arrive.
00:59:28May I?
00:59:29Well, what is this?
00:59:30Manager, please.
00:59:31You less entrecote and more art.
00:59:33It's about stopping making a fool of yourself.
00:59:35You should thank me for putting this in your restaurant.
00:59:37I could be on Google, Jaime.
00:59:39Yes, as a security guard.
00:59:40Do you know what's wrong with you?
00:59:41That you can't stand that I'm more successful than you.
00:59:43And he's going to want to take you back with me.
00:59:45Roberto, if you put the paintings at 600 euros, you won't sell a single one.
00:59:48That's why Carlos bought me seven.
00:59:50It has been an investment plan.
00:59:51Look, I'm sorry, but nobody wants your paintings.
00:59:53What do you mean no?
00:59:54What do you mean no?
00:59:55And what about yesterday's French executive?
00:59:56The French executive is me.
00:59:58I bought all the paintings because I felt sorry for you.
00:59:59Well, well, well, well, well.
01:00:01What a country of envious people.
01:00:03Of course, that's why Julio Iglesias lives in Miami.
01:00:05Well then, can I get this out of the kitchen or what?
01:00:07I'm coming from the wine boxes.
01:00:09And not the site.
01:00:10Not the site.
01:00:12I'm sorry honey.
01:00:13I bought them for you so you could make ends meet.
01:00:15Well, just so you know.
01:00:16I don't live off anyone's charity.
01:00:17Take your money.
01:00:18I don't want your money.
01:00:20Well, I don't have it with me anyway, but I'll give it to you.
01:00:22Don't you have to give it back to me?
01:00:24Maybe in four or five centuries these paintings will be worth something.
01:00:27Hey, I'd rather have it back.
01:00:29But what do you say?
01:00:30She bought them for me as a favor.
01:00:32Why did you want to?
01:00:33Are you coming?
01:00:35Hey, half the pasta, right?
01:00:36Have you never been one of those people who do things for the love of art?
01:00:38Well no.
01:00:39But why be the only one who always loses money?
01:00:42Because you got it, man.
01:00:43A bitch is just like a man.
01:00:49It only gives you something when it's hot.
01:00:51This is more fun than sex.
01:00:53But what do you know?
01:00:54I'm more hooked than crowned yogurts.
01:00:57What's up, girls?
01:00:58How's it going?
01:00:59Here, giving it fiber to see if it comes loose.
01:01:02And you?
01:01:03Very good.
01:01:04We're losing everything, huh?
01:01:06If they can't be left alone.
01:01:09Marisa, come on.
01:01:10No, if I leave it now the next loser will take it.
01:01:14Fuck the subsidy, fuck the boiler.
01:01:16You go get your unemployment papers ready.
01:01:18You don't know how to play!
01:01:19Maybe luck is like deodorant that leaves you when you least expect it.
01:01:23Yes, yes, sir, it's a gaffe.
01:01:25Since he touched Emilio, he hasn't given a single one.
01:01:27Don't worry, I did it right away.
01:01:31Hi, I noticed you were looking at me.
01:01:33Will you buy me a drink?
01:01:35Yeah.
01:01:37Holy shit!
01:01:38Play games, gentlemen.
01:01:41Go free, Emilio, calm down, okay? Visualize.
01:01:44If only I see myself in the INEM office now.
01:01:46And how many people are in the queue?
01:01:49Fourteen.
01:01:50That's the number.
01:01:51Well, come on, what's left, to the fourteenth.
01:01:53No more.
01:01:54But it would be a coincidence if it came out at fourteen.
01:01:56There are many more.
01:01:57Vicente, please.
01:01:59Anyway, the beauty of it is participating, right?
01:02:01Fourteen, fourteen, fourteen.
01:02:11Seventeen.
01:02:12Black and...
01:02:13But it's the one I said before.
01:02:14Seventeen, ours.
01:02:15Your bet was on fourteen, sir.
01:02:17I don't know this man at all and I bet on seventeen.
01:02:21If you have any complaints, the play is reflected in the video.
01:02:23No, no, no, no.
01:02:24Nothing, get in.
01:02:25Please.
01:02:26We've been waiting for her for two years.
01:02:27Little brother, what are they giving us?
01:02:29Look, I said it wasn't a good idea to gamble the money.
01:02:32But if you voted in favor, because you didn't listen to me, I'm too old.
01:02:36Marisa, we're leaving.
01:02:38We have lost everything.
01:02:39Oh, fuck, what a mess!
01:02:47This is what heaven should sound like when you walk in.
01:02:50Oh my God, what a prize, what a prize!
01:02:57A round of bumps for the whole casino!
01:03:01Eighteen thousand euros.
01:03:02The casino special has gotten up the aunt.
01:03:05What an injustice!
01:03:06It's just that I get sick.
01:03:07But has he already said what he was going to do with the money?
01:03:08And I think yes, yes, we haven't seen it.
01:03:10She took a taxi alone, she didn't wait for us.
01:03:12And I'm worried, my father hasn't come back either.
01:03:14He must have had a good night.
01:03:16Marisa is a reasonable woman and knows very well the needs of our community.
01:03:20I trust that he will finance the boiler.
01:03:21After all, with its low body fat percentage,
01:03:25It has to be the one that is the coldest.
01:03:27For me, no longer.
01:03:28What's happening?
01:03:29What a beautiful night, huh?
01:03:31Have you already spent all your money on a risón coat?
01:03:33No, it's just that I went to a Star Wars casting.
01:03:36Come on, see you later.
01:03:37And you don't plan to do anything for your fellow citizens?
01:03:40Yeah, man.
01:03:42There's a selection of radiators in the Chinese store.
01:03:45Haven't you remembered me?
01:03:47Yes, that's why you haven't bought anything.
01:03:49What are you laughing at?
01:03:50No, I was just remembering that crazy girl's call.
01:03:53Isabel and you.
01:03:56It's just that it's so good.
01:03:59Yes, we're going home, honey.
01:04:03Well then, what about me?
01:04:04I'm a jinx, I bring luck, I'm a jinx that brings luck.
01:04:07This is an identity crisis.
01:04:09Emilio, that doesn't exist.
01:04:09Yes, it exists, it just gets in the way.
01:04:12They are vestiges of superstitions and ancestral beliefs rooted in the collective unconscious.
01:04:17I think the one who gave the key with this was Marisol.
01:04:19Life is a silly tombola.
01:04:21Also?
01:04:21Good night.
01:04:22Dad, may I know where it comes from?
01:04:24Don't worry, we've become friends.
01:04:26But the divine was wrong, the liver.
01:04:28But what are you saying?
01:04:29If he was a man.
01:04:29Well, don't think there's that much difference between your mother and that man.
01:04:33You're always talking bad about mom for all the good things she's given you.
01:04:35Me?
01:04:35The fact that?
01:04:35Well, me, for example.
01:04:37Your Honor, there are no further questions.
01:04:38There are no further questions.
01:04:39Go on, remember.
01:04:39Remember.
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