- 4 months ago
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00:00The End
00:02The End
00:04The End
00:06The End
00:08The End
00:10The End
00:12The End
00:14The End
00:16The End
00:18The End
00:20Patrick!
00:22Patrick!
00:23Hang on, Patrick!
00:25Chris, you're late. How did it go with the account?
00:27Okay. We do need the buoy, John.
00:29Listen, we're gonna get the Bowie job. Don't worry.
00:31Corky Taylor's been on the phone.
00:33No way, Chris. Absolutely no way. It's out of the question.
00:36We're guaranteed the job. It's a £75,000 budget
00:39and UB40 is still in the international ban.
00:41Hi, Derek. Oh, hello. How are you?
00:43Listen, we're gonna get this job.
00:45It's a £300,000 budget and Bowie is my ticket to a first feature.
00:59We're gonna do this.
01:01We're gonna take care of it.
01:03We're gonna do this.
01:06That's a great job.
01:20So a thousand dead Vietnamese children bowing a Chevrolet doing some mime shit and then
01:48It's what Bowie wants, you know, it's what Bowie needs, for Christ's sake. I wish these guys would hurry up, Chris.
01:58Corky Taylor's just the right.
02:01Oh, God, no.
02:05Corky, nice, nice, nice. How you doing, Guy?
02:08Hi, Chris. Corky. Not good, Pat. I've been trying to get you all morning.
02:12No way, Corky. I'm just too busy.
02:14Oh, come on, Pat. We really need you for this.
02:16No way, Guy.
02:18Look, between me and you, the new single's not quite what it should be.
02:22The band Badden need a change of image. It's gonna take a really brilliant video to sell it.
02:26I'd love to help you out, Corky. I really would, but I can't.
02:29Excuse me, sir. Oh, thank you.
02:31I mean, I love UB40, yeah? One of my favourite bands.
02:33Barry!
02:34I grew up with it.
02:35Where are you?
02:36Can you think of anybody else that might be able to do it?
02:38A complete image change, yeah?
02:40Yeah, the record company, one of them as far away from the street as possible.
02:44Got it. See these two guys over here behind me?
02:47Yeah.
02:48They've got a little production company called Style House, something like that.
02:51They're very enthusiastic, young, new ideas, Corky. Go and give those guys a break, yeah?
02:55Cheers, Pat. I owe you one.
02:57We see.
02:59Well, I find that very surprising.
03:02I was under the impression David liked the ideas.
03:05Oh, no, I'm not upset.
03:08I just said convenience, that's all.
03:10Okay, Barry, yes, see you.
03:13Oh, love to the kids.
03:16What's that all about? What's happening?
03:19David's changed title of the song.
03:22Oh, God almighty, no. What's it called now, Chris?
03:26Money Hurts.
03:29That is brilliant.
03:31Check it out.
03:33That is gonna fit the burning dollar shop, Chris. Money Hurts.
03:36He's shooting it in black and white on Super A's for £75,000.
03:41£75,000?
03:43There is absolutely no way that I am gonna shoot David Bowie in Vietnam on £75,000, man.
03:48There is absolutely no way. It's out of the question.
03:51You're not doing it, Patrick.
03:53What?
03:54You're not doing it.
03:56Why?
03:57I don't know.
03:58All I do know is we need another job.
04:01Cheers, Pat. Thanks for the tip.
04:03Corky.
04:05They gonna do it?
04:06Uh, no, no, they're too busy.
04:08They're doing the Bowie video.
04:13Corky!
04:20Corky!
04:23Corky!
04:27Corky!
04:29Corky!
04:31Jesus Christ.
04:33Oh.
04:36Oh.
04:37You all right?
04:38Fine.
04:39Hit me, Corky. Hit me.
04:42Why?
04:43Because you're looking at an idiot.
04:46I've been too long listening to Chris, you know.
04:48Big names, big bands, big money.
04:50Forget fame, Corky. That's not what this game's about.
04:54This game's about integrity. It's about your integrity, my integrity.
04:58It's about the band's integrity, yeah?
05:01You're gonna do it?
05:02Corky, you try and stop me, man.
05:04And it was something you said that made me change my mind.
05:07Wicked scene!
05:09To be a good character, C.
05:11B körs.
05:12Ah.
05:14Oh.
05:16No.
05:18No.
05:19No.
05:20No.
05:21No.
05:22Mm.
05:23No.
05:24No.
05:25No.
05:26No.
05:27OOOH!
05:28No.
05:29No!
05:30No!
05:31No!
05:32No!
05:33No!
05:34No!
05:35Ladies from the Role Band in the world, UB40!
06:02UB40!
06:05We could be in Georgiou's by now.
06:07Yeah, well, we need the money, Lucy, you know.
06:11It's on the church bell and count.
06:18This is Barney, Barney!
06:20This is you, Barney!
06:21This is you!
06:22Yes!
06:23This is Barney!
06:24This is Barney!
06:25This is Barney!
06:26This is Barney!
06:27Barney!
06:28Barney!
06:29Barney!
06:30Barney!
06:31Barney!
06:32Barney!
06:33Barney!
06:34You!
06:35You!
06:36What?
06:37A smell!
06:38I'll take this.
06:39I'll take this.
06:40I'll take it.
06:41Cullx!
06:50Patrick Church, church bell production.
06:56Oh, for God's sake, hurry up.
06:57Church.
06:57Patrick Church, plus one.
06:59there's no church down here I'm not paying well you won't get in then will
07:07you
07:09excuse me about six pounds each 12 bloody quid that's a lot of money you know
07:23you're lucky I had it aren't you
07:29see that's when you need a super eight camera for that kind of thing Patrick the gigs going great
07:37nice nice just one of us uh no on your boy anyway did you get in all right yeah no we weren't on the
07:47guest list oh I'm sorry it's okay it's okay it's all right what was uh scene wisdom
07:56listen have the band done their number yet no about 20 minutes yet okay cool I'm gonna go to
08:06the toilet yet the toilet do you want a drink
08:13the cool boy what a my boy what a baby who yeah it's a guy tell you what a cool boy what a my boy what a baby who
08:28what a baby who yeah it's a guy tell you can't I feel some worry outside
08:4510 closing
08:4814
08:5014
08:5014
08:5214
08:5314
08:5414
08:5614
08:5751
08:5815
09:0015
09:0115
09:0316
09:0517
09:12slaves
09:12came
09:1313
09:14now
09:1410
09:15Do you have to drink?
09:22I'm nervous.
09:24Yeah.
09:26So am I.
09:28We're going to have to account for the voltage.
09:32Contact.
09:45If Dr. Matthias finds out we're dabbling in this...
09:56We are not dabbling, Michael.
09:58We are exploring the possibility of cerebral teleportation.
10:03Probably won't work, anyway.
10:05Well, in a way, I hope it doesn't.
10:07It's only a test.
10:15My, um...
10:39My flatmate, Clive, has gone on a Yugoslavian exchange.
10:44Preset to level four.
10:47And, uh, the Yugoslavian he's exchanged with, uh, doesn't like our flat, and he's left.
10:55Take part one to stand by.
10:57So it gets pretty low.
10:59Take part two to stand by.
11:01I was wondering whether you'd fancy, you know, um...
11:05Part two to stand by, Michael.
11:11Lights.
11:14It's...
11:17It's quite romantic, isn't it?
11:20Concentrate.
11:24Doors.
11:31Michael.
11:33Vanessa.
11:36Stand by, Master.
11:37And activate.
11:50Oh!
11:50Oh!
11:51Oh!
11:51No!
11:52No!
11:53Oh!
11:53No!
11:53No!
11:54No!
11:57Oh, no!
12:01No!
12:02Hang on!
12:05No!
12:06The system seems to work.
12:29Success! Success!
12:31Let's go back to my flat and celebrate.
12:34Computer check.
12:36We could pick up some wine on the way.
13:02No. No.
13:05That can't be right.
13:10It works.
13:12Shh.
13:12If you're very good, I'll cook you breakfast.
13:27No. No. No.
13:34No.
13:35No. No. No. No. No. Nothing.
13:41We'd better get a cat tray.
13:43Arse! Arse! Arse!
13:49No. No, nothing.
13:54We'd better get a cat tray.
13:58We're doing the Jules Poirot collection to the music of Janet Lutton.
14:03Of course, what we should have been doing was the Jules Poirot collection to the music of...
14:08UB40.
14:09Right.
14:10Who the hell's Jules Palermont?
14:12Jules Poirot.
14:14Who's Corky?
14:15Talking stuff like that.
14:17I see.
14:19I thought you were more...
14:21This man is a genius.
14:23Nice. Nice to see you guys.
14:25Tell them what you told me, Patrick.
14:27That's an amazing number.
14:29I see dog cleanse, yeah?
14:31Desolation and a whole lot of danger.
14:35See him!
14:37Someone's well-hiery, boss.
14:39Yeah, wicked.
14:41We're gonna make this for cheap.
14:43No.
14:44We're gonna make it for £75,000.
14:49But the genius is...
14:51We're gonna make it look cheap.
14:53Yeah?
14:54I thought you said we'd only spend £60,000.
14:56Yeah, well, Patrick needs to get some £15,000 to get that really horrible grainy effect.
15:01I've seen.
15:02Well, brilliant.
15:03Now we'll lift up to Patrick, right?
15:05I think it's actually good.
15:15Patrick Church.
15:16Hi.
15:17Hi.
15:18Hey, listen.
15:19Good luck tomorrow night with your wars, yeah?
15:20What?
15:21Oh, that. Nice.
15:22Yeah.
15:23And good luck next week with the Bowie shoot, yeah?
15:25I turned it down.
15:27Why?
15:28What?
15:29Why not you turn the Bowie shoot down, eh?
15:33Who needs it, Leonard, you know?
15:35Oh, yeah.
15:36Good for you, eh?
15:38Hey, listen.
15:39Have you got my new number?
15:41Uh...
15:42No, hang on.
15:44It's 497.
15:45Mm-hm.
15:460096.
15:47You should give me a ring, yeah?
15:48Nice.
15:49I'll check you later, Leonard.
15:50Yeah, great.
15:51It's a lovely suit you got on.
16:14A$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
16:44Hey! Ghost town!
16:46Give her one for me, son.
16:48Good Scott. The sooner you change your audience, the better.
16:57What's he doing in there?
16:59Oh, he ain't plumbed in yet.
17:02Oh, yeah. Just a bit of paper.
17:06Here you are. This ain't no one's.
17:08Put it back.
17:10What's been left here, innit?
17:12It's mine, but I haven't finished reading it yet.
17:15What are you reading that shit for?
17:19Good sports page.
17:21There's only one picture!
17:24Yeah, well, there ain't any on the letters page of Playboy, is there?
17:29Are you all right? Pissed, I think.
17:33And track.
17:35Okay, stand by, everybody!
17:40And false positions, please!
17:45Do we have to wear these stupid hats?
17:48Looks great, boys. Just stay with it. Looks just right.
17:52Who's that twat?
17:53Record company.
17:54See you later. Sounds like a idiot, mate.
17:57See you later.
17:58Right, is everybody ready?
18:00Stand by.
18:01Stand by.
18:02And action!
18:10And cue the water.
18:15And go Lucy!
18:16Longer strides, Lucy.
18:21Longer strides, Lucy. Come on, love.
18:26And cue the old lady.
18:31What a wrinkled old bag, man. Look at him.
18:34And cut!
18:36Oh, what a prep.
18:37Lovely, thank you.
18:39Oh.
18:40Because last Cater Street's had Thousand Island and mayonnaise and things.
18:46Have you got any custard for the crumble?
18:48We've got some homemade.
18:49Oh, lovely, yeah.
18:51With cream, you say?
18:52Yes.
18:54What, the custard's made with cream?
18:55Yeah, Patrick, over here, man.
18:57Okay, guys, we serve the director first, okay?
19:01Hey, Patrick, I'd go easy on the crumble if I were you.
19:03You putting a bit of flab on here, son?
19:04I've seen yesterday's footage, Patrick.
19:06Looks superb.
19:07You like it, yeah? Nice.
19:08I always thought that the Charlie Parker back-projection, you know, with the band.
19:12You were right.
19:13Oh, he always is.
19:15Aren't you, darling?
19:17My God, Patrick, what have you done?
19:21Oh, it's nothing, you know.
19:22It's like I fell over on the gravel at the back there.
19:25It's, um...
19:27Yeah, Letitia Putnam, please.
19:29Yeah, can we get some glasses over here, Patrick?
19:32What would you like for sweet?
19:34Oh, the blackcurrant sorbet.
19:35Good way.
19:36Looks fantastic.
19:37And what would you like?
19:38It's okay, I'll have cheese and biscuits.
19:39Thanks.
19:40The director's just asked for a plate of whelks.
19:43Uh, we haven't got any whelks, but we do have sea bass, pot o' foe with cherries and garlic, if you like seafood.
19:50Yeah, nice, I'll have the pot o' foe, that would be lovely, thank you.
19:53Somebody said what they've been doing down there, trying to make me a living.
20:00All I want is to get my fresh air, freedom that nobody gave it.
20:07Freedom that nobody gave it.
20:11Baby, I promise I know she says, yeah, but I know I won't breathe after all these years.
20:15I'll get back to the baby, and I'll take it, yeah.
20:19Take it down, push it, I'm gonna work it.
20:22Keep it right until I eat it, I'm gonna push it, I'm gonna work it.
20:26Keep it right until I eat it, push it, I'm gonna work it.
20:30Keep it right until I eat it, I'm gonna push it, I'm gonna work it.
20:35And cut.
20:39All right for you, Nigel.
20:41Fine.
20:42And for you, Corky?
20:44Yeah, I'm happy.
20:45How about you, Dave?
20:47Yeah, I was really happy.
20:49It was very smooth past the tramps, nice on the scaffolding.
20:53I got nice framing on the band, and ended up on the bass player.
21:01Sorry, everybody, we're gonna have to go again, I'm afraid.
21:03Bit more energy in the middle, please, thank you.
21:05Sorry, Dave.
21:06Do you have to keep these stupid guys in?
21:08It's that?
21:09Stay with it, boys, it's looking brilliant, just stay with it!
21:12Listen, Dave, same as before, yeah, but don't finish on the sooty.
21:18What?
21:19Same shot as before, but don't finish on the bass player, yeah?
21:24Finish mostly on the white guy, on the singer, on the lead singer, yeah?
21:28Exactly the same shot.
21:29Thank you very much, everybody.
21:30Last shot of the day, yeah?
21:31Weekend ahead, please, come along.
21:33Yes!
21:34Yes!
21:35Yes!
21:36Yes!
21:37Yes!
21:38Pretty good, I'd say.
21:39You captured everything we asked for.
21:40It's off the street.
21:41And the black and white Super 8 endorsed with the Charlie Parker back projection is just colossal.
21:46It's got a sort of jazz reptile feel.
21:47I just know the kids are going to go for it.
21:48I think it's great, Patrick.
21:49Listen, I got a lot of fun.
21:50I got a lot of fun, but I'm going to have fun.
21:51Yes!
21:52Yes!
21:53Yes!
21:54Yes!
21:55Yes!
21:56Yes!
21:57Yes!
21:58Yes!
21:59Yes!
22:00Yes!
22:01Yes!
22:02Pretty good, I'd say.
22:03You captured everything we asked for.
22:04It's off the street.
22:05And the black and white Super 8 endorsed with the Charlie Parker back projection is just colossal.
22:07It's got a sort of jazz reptile feel.
22:08I just know the kids are going to go for it.
22:11I think it's great, Patrick.
22:12Listen.
22:13I got a lunch.
22:21Me too.
22:22Yeah, well, uh, I've got to stay behind and do a little bit of tweaking on the shots, you
22:27know, tightening the whole thing up, you know what I'm saying?
22:30You're the genius.
22:31Yeah, nice, nice.
22:33I'll check you later, yeah?
22:36What's that?
22:37It's a pile of shit, that's what it is.
22:43Yeah, hello.
22:44Can you, um, can you get me the, uh, BBC picture library, please?
22:48Thank you very...
22:59Hello.
23:00Yeah, I want some footage of, uh, Charlie George long-haired geezer scoring the winning goal
23:04for Arsenal against Liverpool 1971, please?
23:07And, uh, any stuff you've got of, uh, Henry Cooper knocking out the black geezer?
23:11Mm.
23:12Yeah, yeah, Cassius.
23:13No, not Muhammad Ali.
23:14Cassius Clay.
23:15That's his bleeding name, innit?
23:17Yeah.
23:18Yeah.
23:19Yeah.
23:21Mm.
23:22OK.
23:23Yeah.
23:24No.
23:25No, no.
23:26No.
23:27Yeah.
23:28Yeah.
23:29Yeah.
23:30And they're not a good one.
23:31No.
23:32No, no.
23:33No?
23:34Well, a girl can only take so little.
23:36A drink, Patrick.
23:37A drink, Patrick!
23:39Bitter!
23:41Pint!
23:44Why he insists on drinking this rubbish, I don't know.
23:48It's all he's drunk for the past few days.
23:51I'm sure there's something wrong with him.
23:54You said he knew. See, lots of people drink bitter.
23:58Maybe.
24:00But this morning, he did something very odd.
24:03Go on.
24:05This morning, he got up really early, which is unlike him.
24:09And I asked him what he was doing, and he said the strangest thing.
24:13What?
24:15He said he was going out to work on the motor.
24:19What?
24:21What?
24:23What?
24:25What?
24:27What?
24:29What?
24:31What?
24:33What?
24:35What?
24:37What?
24:39What?
24:41What?
24:43What?
24:44What?
24:45What?
24:46What?
24:47What?
24:48What?
24:49What?
24:50What?
24:51What?
24:52What?
24:53What?!
24:54What?
24:55What?
24:56I'll win for you on a two dollar.
24:57Who wants it?
24:58Who wants it?
24:59Who wants it?
25:00Who?
25:01Who?
25:02Who?
25:03Who?
25:04Who am I?
25:06I'm Patrick Church.
25:07I'm Patrick.
25:08Patrick Church.
25:10Oh, my God.
25:11Are you sure, you slag?
25:15You, watch, you nonsense, would you ha' upon some...
25:18Oh, my God, what's happening to me? What's happening to you?
25:22Ooh.
25:26Oh, my God.
25:28No.
25:31No.
25:35Oh, my God.
25:38You're all right. You're okay.
25:41You're all right, Buckford.
25:43You're all right, Buckford.
25:46Just hold yourself together, Patrick.
25:49Be all right.
25:51Be all right.
25:53All right, now.
25:55All right.
25:57All right.
25:59Hurry up, Patrick.
26:01Yeah, come in, love. Be down in just a minute.
26:05Cheat.
26:07I've never known him like it before.
26:09Really?
26:10Oh.
26:11Coming up in the lift, he stops in between floors
26:15and goes absolutely berserk.
26:18I'm serious, you know.
26:20You know that, um, Pierre Cardin's skirt on top?
26:23The black one.
26:24Blue.
26:26Shredded in.
26:27His hands all over my arse, grabbing.
26:29For Christ's sake, I've got a swimwear session next week.
26:32My Janet Raider nicks ripped to pieces.
26:34What?
26:35And I'm wrapped back up against the wall.
26:37Ah!
26:38And then he said the strangest thing.
26:40Go on.
26:42He said,
26:43You love it, don't you?
26:45You dirty cow.
26:49Somehow it didn't sound like Patrick.
26:51No, it doesn't.
27:14What are you doing?
27:15Getting some cigarettes, yeah.
27:16Patrick, darling, can you get me 20 siltan?
27:18No, make it 40 and I'll pay you later.
27:21Thanks, sweetheart.
27:22Oh, for Christ's sake, hurry up, Patrick.
27:26Look, there's Timmy Conrad.
27:28That pigtail.
27:29God, what a prat.
27:30We're going to be late.
27:40Come on, boys, boys.
27:42It's a loveless place.
27:43Excuse me.
27:44Sorry.
27:45Have you booked?
27:46Don't be a prat.
27:47Enjoy your meal, then.
27:48Nigel.
27:49Patrick.
27:51If you're not careful, Patrick, I'm sorry.
27:53I'm going to give you a great slobbery wet kiss.
27:55Did they like it?
27:56Did they like it?
27:57We got this week's top of the box.
27:58Yay!
27:59You're a wacky, spunky, happy genius, and I love you.
28:02Can you buy you to the B, Patrick?
28:04Yeah.
28:05Yeah, I'll do that.
28:06Champagne!
28:07The band's here!
28:08Yay!
28:09OK, Jerome!
28:10Jerome!
28:11We're going to be so big together.
28:12Park your kilt over there, all right?
28:16Meet Jerome.
28:17Jerome?
28:18Patrick.
28:19Hi, Jerome.
28:20Nice to meet you, Patrick Church.
28:22You're a very, very lucky man, Jerome.
28:24I think so.
28:26Get her moist, do you?
28:28What the heck was the matter with you?
28:32Get her moist.
28:45More tea, Vicar?
28:47What a cry.
28:48What a future we got.
28:50Come on, everybody.
28:51Let's have some champagne.
28:52Champagne!
28:53Champagne!
28:54Champagne!
28:55It's all going to get bloody outrageous.
28:56All right.
28:57See you.
28:58I beg your pardon?
28:59See you.
29:00Here we go.
29:01Oh!
29:02Oh!
29:03Oh!
29:04Oh!
29:05Patrick!
29:06Oh!
29:07I'm sorry.
29:08I'm sorry.
29:09I'm sorry.
29:10I'm sorry.
29:11I'm really sorry.
29:12Are you all right?
29:13Blood coming out of your ears.
29:15For Christ's sake, what's the matter with you?
29:17Nothing!
29:18Do you know him or something?
29:19Yeah, well, I know he's kind, don't I?
29:21Oh!
29:25Sorry, Simone.
29:26That's all right.
29:27I'm sure it was just an accident.
29:28I don't know what's the matter with you.
29:30Do you want me to go and see if he's all right?
29:32Yes.
29:33Yes, all right.
29:51No, yes, no.
29:54No.
29:55No.
29:56No.
29:57No.
29:58No.
30:06Patrick?
30:08Patrick?
30:09Patrick?
30:15Paul.
30:16Paul.
30:18Patrick? Patrick, it's me, Simone.
30:26Patrick?
30:29Patrick?
30:41What sort of problem?
30:43Patrick?
30:46Patrick?
30:48Patrick?
30:50Patrick?
30:53Shit!
30:57Taxi!
30:59Bustard!
31:14Oh, God, you've got to be with us.
31:20Oh, my God.
31:24Oh, God.
31:27Oh, my God.
31:30Oh, my God.
31:32Oh.
31:35Oh!
31:37Ah! Ah! Ah! Ah! Ah!
31:45Juicy Lucy there.
31:50All right, Lucy? All right, girl?
31:57Get rid of her, Patrick.
31:59I'll give you a belt tomorrow, Deb. It's all right.
32:02Yeah. You come in pictures?
32:05No, I'll phone the boys later.
32:08Yeah. I see you.
32:11Yeah. Take care.
32:14Oh! Aren't you lucky?
32:21Come for a bit, girl.
32:28You're angry, aren't you?
32:31Don't be. She don't mean nothing.
32:34Saucy little butt, nice tits. Not like yours, are they?
32:44I'll tell you what.
32:46How about...
32:47Don't go all soft and softy or nothing like that, right?
32:49But how about me and you, none of the boys, nothing like that nip out for Tandoori?
32:54Patrick, I'm nipping out of your life forever.
32:57Come on.
32:58Get off!
32:59Come on, you love it!
33:00I've just given you six and a half of the best months of my life. Why? Because I fell hopelessly in love with you. I gave you everything!
33:10Not on the first night, you never.
33:12Oh, my God. You've let us all down. Me, Chris.
33:16So what?
33:17He's your partner!
33:18He's a packy.
33:19Oh, my God. You're a joke.
33:21The entire Soho community is laughing at you!
33:26You were once a penniless young man with brave ideas.
33:30It took weeks for your father to give you the money for your first project.
33:34You worked hard. You were better.
33:36You struggle, Patrick!
33:38You struggle to become this... this thing, this creature, this yop!
33:45Well, you don't think you're so bloody smart!
33:47Well, Patrick, bloody church!
33:49On the Robert Palmer shoot, I had an affair with a lighting cameraman!
33:53Ah!
34:00What's this?
34:02I thought you'd be pleased.
34:04See, I was thinking about you.
34:06Go on, try it on, love.
34:07You've got the legs for gear like that, haven't you?
34:13They were...
34:14They were my clothes, Patrick.
34:18They were my clothes, Patrick!
34:23I hate you, Patrick.
34:25I really hate you.
34:27I hate you.
34:32Take it!
34:34Oh, God!
34:36You're so crutched!
34:38Take it!
34:41Take it!
34:42Take it!
34:44Take it!
34:46Oh, God!
34:48Oh!
34:50Take it!
34:51Take it!
34:53Take it!
34:54Take it!
34:55to
35:08the
35:17my
35:22my
35:25For Christ's sake, what's going on?
35:31No, no.
35:33I love you, Lucy.
35:44Run.
35:45Run, Lucy.
35:46Why?
35:47Because.
35:48Why?
35:49Because, Lucy.
35:50You're going to get your fucking head kicked, eh?
36:03Sorry, old son.
36:04Stone me.
36:05I'm off.
36:09What?
36:15You're going to get your fucking head kicked.
36:20You're going to get your fucking head.
36:23You're going to get your fucking head.
36:27The first clue was the bone structure.
36:32Indented forehead, slightly in the anital brain casing, squarish jaw.
36:35All hereditary signs of the introduction of Norman blood into the Anglo-Saxon strain.
36:391066 were in the Conqueror.
36:41They settled in London.
36:42They were the first modern Londoners, really.
36:44After that, it was relatively simple.
36:46By scraping the faeces that were left in the pod and taking samples from the London sewage plant,
36:51we were able to discern the exact district that he came from.
36:55Barnet.
36:56So we knew we were looking for a yard from Barnet.
36:58Brilliant.
36:59Not really.
37:00Just the, um, appliance of science.
37:02And how did you find Patrick?
37:03Oh, we saw his picture in Vogue magazine.
37:08Oh, when scored you've come.
37:09You're from the social services.
37:11Stephen Kendall.
37:12It's got worse.
37:13Bill, is that the psychiatrist from the SS?
37:16It's stepdad.
37:17Don't be so worried about him.
37:18Can we see Stephen, please?
37:20Best go down, eh?
37:23For God's sake, be careful.
37:28I have to talk to him.
37:32I'm going in.
37:33Well, wait here.
37:34If there's any indication that the change is out of control.
37:37Then it's goodbye to my research grant.
37:39Then we'll come in.
37:41Good luck.
37:41I've been expecting you.
38:08Expecting me?
38:09I didn't think it would be him.
38:14You know what happened?
38:15I know.
38:17Something happened.
38:19I know I've assumed the identity of somebody else.
38:23Somebody with a very beautiful girlfriend.
38:28I just can't believe that that thing back there, that...
38:33Me?
38:35Yes.
38:36That's really you.
38:38No.
38:40That's really Patrick.
38:42Oh.
38:44Patrick.
38:45Patrick.
38:45Patrick.
38:47What's he offering you, Lucy?
38:50Think about it.
38:51Spencer Count Meals with fading rock stars.
38:55Overpriced cocaine.
38:57No, Lucy.
38:59There's more.
39:01Much, much more.
39:05Don't you realise what's happened over the last week?
39:08I've done things the kids on this estate don't even dream about.
39:13I started hiring videos with subtitles.
39:17Truffaut, Goddard, Breton.
39:19Then I had this uncontrollable urge to join the Communist Party.
39:23And sleep with well-spoken black elves.
39:28But it was the meals, Lucy.
39:33The meals.
39:36Chinese.
39:39Indian.
39:42Italian.
39:44And the seafood.
39:47Oh, my God, Lucy.
39:50The seafood.
39:53King-sized prawns in garlic sauce.
39:59Sea bass.
40:00Oh, gratta.
40:01Thine.
40:03And cherries.
40:06All delivered to the dog.
40:09I think it's all right.
40:10There's a slight increase in pretension, but it's basically Patrick's brain pattern.
40:14Thank God for that.
40:16And that's another thing.
40:17I've come to question my relationship with my parents.
40:20I don't like them.
40:21At least these that call themselves my parents.
40:25What do you mean?
40:27Well, don't you see, Lucy?
40:28They are of this earth.
40:29I am not.
40:31In one week, he created the earth.
40:33In one week, he created me.
40:36He is my father.
40:38Oh, my God, it's out of control.
40:40We have to go in.
40:41The second coming, Lucy, and he shall pass among you.
40:45Steve, we've come to help you.
40:49It's the beginning of the new age, Lucy.
40:52Compassion through fashion.
40:55Move away slowly, Lucy.
40:57He's as mad as a hat.
40:58He that is not with me is against me.
41:01This is happening to him.
41:02What the hell is happening to Patrick?
41:04We've got to find him soon.
41:05Let us do a little bit of evil.
41:10The good may come.
41:12Oh, God.
41:15No.
41:16This night before the cop grows.
41:19Crows, you shall deny me.
41:24Three times.
41:25Where would Steve normally go tonight, Mr. Kendall?
41:31Imperial Crown, regular as clockwork, every Thursday.
41:47Oh, how are you doing, Lucy?
41:49All right, Nick?
41:49All right, all right?
41:51All right, A.P.?
41:52Here, you look a bit browned off.
41:58Steve coming down, is he?
41:59I don't think so, no.
42:01Steve?
42:02Well, no, he's a bit, um...
42:04He's a bit under the weather.
42:06Oh, yeah.
42:06Oh, he's going to miss a terrific night.
42:09Is Steve not coming?
42:10I want a drink, Jackie.
42:11Unusual.
42:12What about you, Lucy?
42:14Yes, fine.
42:17Who's she?
42:18You're a lovely-looking girl, Lucy.
42:21Hey, you're a lovely-looking girl.
42:23Hey.
42:24Lucy.
42:25Oh, yeah.
42:28Smash.
42:35All right, Mrs. Kane?
42:37You all right for drinks?
42:38You are for sorting it out.
42:40That is blithing, ladies.
42:52It's a trimming outfit, Steve.
42:54Here, tone.
42:55Don't.
42:55Kendall's come as a pun.
42:57You sod!
42:58That brilliant head, you friend!
43:00Enough, Mr. Steve.
43:03I've just come to realise what I was like.
43:05He's got no voice at all!
43:08What are you thinking, Steve?
43:11Spritzer.
43:11A spritz!
43:14My slag!
43:16He's going to walk in!
43:18Go on, now.
43:18Settle down.
43:21We'll have the jukebox off, Tony, please.
43:24It's prize time!
43:26Let's have it up!
43:27But with my missus, you don't!
43:29You don't!
43:29Don't!
43:30Don't!
43:30Too late, Sandy!
43:34Yeah!
43:35Come on, now.
43:36Settle down.
43:38In turn place!
43:40Hey, for half a bottle of bells, let's hear it for Bobby the Bears!
43:47Nice, man, Bobby!
43:53All right, you, you slags!
43:55It's second place for a whole bottle of vodka!
44:06Put your hands together for Dolly Parton, better known round the estate as Mad Mickey Benson!
44:13Yeah!
44:18Show up the prize, you to-raise!
44:21All right, Danny!
44:25Take it over me tonight!
44:27A bottle of scotch, a crate of his choice, and a ten-pound voucher for millets!
44:34Ooh!
44:35Yeah, that ain't fair, is it?
44:38First prize, put your hands together.
44:41He's here tonight as a right, stuck-up ponce, and he does the voice!
44:46Blinded by blinded!
44:48Ladies and gentlemen, Steve Kendall!
44:54Yay!
44:55Yay!
45:01Couple of words, Steve.
45:04Sebastian.
45:05Sebastian.
45:07Sebastian!
45:07What you see before you here on stage is, I suppose, the essential difference between
45:17the NF and the NFT.
45:21NFT?
45:22What's that?
45:23They still film fair, innit?
45:24Oh, yeah?
45:26How'd you know that, then?
45:27Done the box office, didn't I?
45:28I think it'll be easier if I draw you an analogy.
45:31You what?
45:33You what?
45:34You what?
45:35You what?
45:35You what?
45:35You what?
45:39Alan, settle down!
45:41Settle down!
45:42Oh, my God, the possibilities are endless.
45:44No, no, Vanessa, we can't.
45:47Michael, we've got to find Patrick.
45:51Ash!
45:52Ash!
45:52Go on!
45:54Stop that!
45:55Stop that!
45:58Oh, my God, it's out of control.
46:12I know.
46:13That's not just a yob.
46:15It's a frigging red boy.
46:21I want to draw an analogy.
46:28I love it, Star Wars!
46:30I love it, Star Wars!
46:31Angle the cortex!
47:01Quickly, put Stephen in part two.
47:04And God's sake, let there be light.
47:07Wow, there are lots. They're all nice.
47:09This guy's a day in the pod.
47:21Come on, come on, let's get moving!
47:27Stay close to me and watch the movie.
47:29Stay close to me and watch the monitor.
47:32I don't want nothing to go wrong, right?
47:34He might be a puns, but he's still my boy.
47:36Be quiet, Lil! These people are even cleverer than you.
47:38They're trying to think what they're trying, so let them think.
47:41Look, Vanessa, I think we might have a problem.
47:44Everything all right? Oh, yes.
47:46No!
47:47I want my Stephen back. Come back. You go on, my dear.
47:50Um, Patrick's original brain pattern has remained perfectly intact.
47:54Thank you for that.
47:56However, I've lost my Stephen's brain pattern, A.B.
48:00No, no, we still have Stevie's original brain pattern.
48:03Unfortunately, it's rather minimal, however,
48:06and it might be rather difficult to transmute.
48:09What's that all mean, A.B.?
48:10It means that your Steve is a bit backward in that department
48:14from his very first fitting.
48:16However, if we're all agreed,
48:18there is a possibility that we confuse the two
48:22and make the perfect man.
48:25The perfect son.
48:28My Steve. Perfect.
48:32Our Steve. Lil.
48:35And he'll play better football, huh?
48:38Yes.
48:40Go on. Go on. Go on. You do it.
48:46Activate pod three to level four.
49:16Activate pod three to level four.
49:18Contact.
49:22Take pod one to stand by.
49:28Take pod two to stand by.
49:30See, it's not nice houses.
49:32It's not nice cars.
49:34It's not nice food.
49:35Lights.
49:37Stylish houses.
49:39Stylish cars.
49:46Tune in.
49:47He's waking up!
49:49Doors!
49:50This car, the Corbusier.
49:52Julio Temple is home.
49:56Doors!
49:59Doors are jammed!
50:01Do some.
50:02I'm trying.
50:05Akira Kurosawa, who is remind...
50:08Naa. Naa. Naa. Naa. Naa. Naa. Naa.
50:12Ah! Ah!
50:14Ah!
50:16Ah! You snakes!
50:18Let me out!
50:20Let me out!
50:22Let me out!
50:24Let me out!
50:26Let me out!
50:28Stand by, Master!
50:30And activate!
50:36Master!
50:38Why?
50:42It's alright! It's alright!
50:44It's for the best!
50:46Take it to level eight!
50:48Are you sure?
50:50Do it!
50:54Wake up!
50:56Wake up!
50:58Wake up!
51:04It's breaking out!
51:06You won't!
51:08Quick!
51:10Quick!
51:12Quick!
51:14Quick!
51:15It's alright, Mrs. Kendall!
51:18Activate pod three!
51:20Release input!
51:22Dean, activate pod three!
51:24Activate pod three!
51:26Release input!
51:30Dean, activate pod three!
51:54Open the door!
52:04Whoever you are!
52:06Whatever you are!
52:08Step forth!
52:10Step forth!
52:16Patrick!
52:22Intellect!
52:24Power!
52:25Control!
52:26Superb!
52:27Athleticism!
52:28Oh, my God!
52:42What a beautiful boy!
52:44He's magnificent!
52:46I think this is what we can call a major success!
53:00Nothing!
53:01No!
53:02Charlie!
53:03He's perfect!
53:05Dog noming play!
53:06He says oh no, burnfen!
53:07Get a chance, but MARK
53:08Be ダデュード
53:09One would!
53:10entrar to find your place!
53:11The best friend
53:12Power!
53:14Moving on,
53:15the best friend
53:16Within the layers
53:17As well...
53:18As well...
53:20Can he have anyìž… Of...
53:21I can also!
53:22Part Two may
53:23Have I made an access to...
53:24Allen!
53:25family member
53:25Hallold fan
53:25I want to go down there!
53:27Maybe he'll have a help
53:28guitar solo
53:58Terry David Hyde, lovely to see you
54:02I want you in the toilet, Sam
54:05Louise, lovely to see you, darling
54:11Like a drink, I'll just pull the waiter over
54:14I'll just pull the waiter over
54:16I'll just pull the waiter over
54:28Oh, I'll have a quarter of a grab
54:29Thank you very much, Jasmine
54:30Big ball job
54:32Well, of course, I've found this absolutely marvelous job done
54:38Making popcorn
54:39Oh, terrific
54:40Well, all you do is
54:43Yes, I'll have another one
54:43All you do
54:45Is you listen to the record
54:47And whenever you hear the drummer
54:49Banging the snare drum
54:51You just cut a piece of film together
54:53And join it to another piece
54:55At exactly the same time
54:57And you get paid an absolute bloody fortune
55:00Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
55:03Don't leave me in the middle of your pocket
55:06I'll be having an affair with an A and R
55:21I'll be having an affair with an A and R
55:35You don't let them slip
55:35Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha
55:39I know, seriously
55:41How could you think about it, David?
55:46You could call yourself a socialist
55:47And you're blue in the face, mate
55:48But at the end of the day
55:49If you haven't got the money for the mortgage
55:50And the car
55:51Well, you might as well
55:52Move to Ethiopia
55:52Ha, ha, ha, ha, ha, ha, ha, ha
55:5570 churches
55:57Well, it's not bad, isn't it?
55:58I mean, seriously
56:00Could you think
56:00How much a good deal could do it?
56:02Ha, ha, ha, ha, ha, ha, ha, ha, ha
56:03I need a new wife, I need a new life, I need something.
56:30Anything, get me out of this, die.
56:45I need understanding.
56:51I need operating on, I need operating on now.
57:13I need as much help as I can possibly get.
57:22Amen.
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