- 5 months ago
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00:00:00talking about? An anonymous letter? That's not my way. If I did that, the first thing you'd do
00:00:08is open your mouth wide. What'd be the point in it? The point would be that I know too much about
00:00:14you. But if you discredited me, then maybe no one would listen to what I say. You haven't thought
00:00:22this out. Who'd come off worse in the end, eh? I would. Don't be so bloody, Jim. Look about you,
00:00:32Musgrave. I'm a businessman. This is what I build up. It makes my business colleagues happy to forget
00:00:41my past. And you know another reason why they're happy to? Because each one of them's got their own
00:00:46skeleton in the cupboard. I know that. Quite right. No one wants the bones of their secrets rattled.
00:00:54We all know too much about each other. I'd have a post bag full of anonymous letters to stand out
00:01:00once to start it down that road. I take the point. Now these gems, I'm keen to see them. Of course I
00:01:09am. But they're nothing compared to the weight of my reputation as a solid burgher of this city.
00:01:15With half the council in his pocket. Oh, more than half. More than half. Besides, I'm not in the
00:01:24habit of making enemies I don't need to, Musgrave. It takes ten times more energy dealing with an
00:01:29enemy than a friend. There's somebody else behind this. I've heard of men not knowing who the friends
00:01:37are, but enemies. What about the Wheatleys? Gallagher's old servants. They're back up hurt. I suppose
00:01:48they'd know something about it. Have you made enemies there? Not as far as I know. Listen, Musgrave.
00:01:56Tell me the truth now. You haven't seen those jewels, have you? Huh? Heard nothing about them?
00:02:08I'll let bygones be bygones, but just tell me. What good would they be to me knowing you wanted them?
00:02:19Well, I'm not in the habit of making enemies where I don't need to, Mr. Freeman. Fair enough.
00:02:35Freddie Musgrave. Have a drink. No, thanks. I've just come in to tell you that this fella
00:02:40Freeman knows your back. He only mentioned you in person, but I knew he was interested.
00:02:45He'd better come through. Some bastards gave him a going over. He'd been blabbing in the
00:02:55pub. I thought they might get something out of him. This is how he came back. I think
00:03:02he must have had a stroke. He'd been boasting that he knew all about this. Whatever he knows,
00:03:12about the jewels or about the way Gallagher got done in. It's all lost now. He's like a baby again.
00:03:24Any idea where those fellas were looking for me, da? Freeman's lot, I'd say. He's a dangerous sod.
00:03:30Tell a lie sooner than do himself a favour. If you get anything out of you, da, Connie,
00:03:36you tell it to Freeman, eh? More to me. Nobody else, for your own sake now.
00:03:44Look after yourself. Aye. Tower.
00:03:49By the way, I hear your bells getting married. To the towers and all. What you might call ironic.
00:03:57Are you pleased for her?
00:03:58You should hear me.
00:03:59You should hear me.
00:04:03Come on.
00:04:05Come on.
00:04:13Cummings, housekeeper. Benedict, butler. Andrews, simply a lady's maid. Grant, my valet. Chambers,
00:04:20lady's maid. Chambers will be your maid, as a matter of fact. Isn't that right, Mrs. Cummings?
00:04:23The chambers will be your maid, as a matter of fact. Isn't that right, Mrs. Collins?
00:04:27That's what we had in mind, sir.
00:04:29There you are, Belle. Your maid.
00:04:33And, well, the rest of them are all... housemaids, I suppose.
00:04:38Come on, let's show you the rest.
00:04:41Back to work.
00:04:45This is not much used now.
00:04:47Grandmama obtains all her reading from the circulating library.
00:04:51And father hardly used it, so...
00:04:54And you?
00:04:56Most of the books seem to be in Latin or Greek,
00:04:58and I didn't exactly excel at Latin or Greek.
00:05:01Or much else, to tell you the truth.
00:05:05It's a shame, don't you think?
00:05:12What meaning?
00:05:14I don't understand.
00:05:16Are you saying my education was lacking?
00:05:18No.
00:05:19I just meant it was rather quiet and...
00:05:22unused and untouched.
00:05:24A bit sad, perhaps.
00:05:27Because you don't use it.
00:05:33Right.
00:05:34Come on.
00:05:35I've been saving this next room until last.
00:05:37I've always loved this room.
00:05:39It catches the sun in the morning.
00:05:40What do you think?
00:05:41It's lovely.
00:05:42This is our room.
00:05:43This will be our room for the rest of our life together.
00:05:46You will fill it with beauty.
00:05:47She walks in beauty like the night of cloudless climbs and starry skies.
00:05:57What is it, my dearest?
00:05:58The poem is lovely.
00:05:59Do you know more of it?
00:06:00Something I learned in school.
00:06:01I don't know.
00:06:02I don't know.
00:06:03Perhaps.
00:06:04All that's best of dark and bright.
00:06:05Me too.
00:06:06I don't know.
00:06:07I don't know.
00:06:08I don't know.
00:06:09I don't know.
00:06:10I don't know.
00:06:11I don't know.
00:06:12I don't know.
00:06:13I don't know.
00:06:14I don't know.
00:06:15I don't know.
00:06:16I don't know.
00:06:17I don't know.
00:06:18I don't know.
00:06:19I don't know.
00:06:20I don't know.
00:06:21I don't know.
00:06:22I don't know.
00:06:23What is it, my dearest?
00:06:24The poem is lovely.
00:06:25Do you know more of it?
00:06:26Something I learned in school.
00:06:27I don't know.
00:06:28Perhaps.
00:06:29All that's best of dark and bright.
00:06:33Meet in her aspect and her eyes.
00:06:37He didn't want his own son.
00:06:40Once Gallagher had convinced himself that Marcel, by being born, had caused his wife's death,
00:06:47he wanted nothing more to do with him.
00:06:49Madness.
00:06:50Well, it was my gain.
00:06:53Marcel came to live with me and proved a great joy.
00:06:56I can imagine.
00:06:57I love my grandson very much, Miss Hewitt.
00:07:01He has been my life's spring.
00:07:03I'm so pleased he has chosen you.
00:07:06I didn't feel happy with any of the others.
00:07:09He is very precious.
00:07:12I want you to promise me that you will always love and care for him.
00:07:16Of course.
00:07:18Of course I will.
00:07:20In sickness and in health?
00:07:22I will.
00:07:23I know I will.
00:07:24Good.
00:07:25That is very good to hear.
00:07:28He adores you, you see.
00:07:30How are you, Jones?
00:07:31Ah, here he is.
00:07:33Has he told you that he will be going away for a week or two?
00:07:37No, he hasn't.
00:07:38He looks after my business for me.
00:07:40Land, rents, my other houses.
00:07:43It takes up a great deal of his time, I fear, and means that he is away more often than either you or I would like.
00:07:49Will you find that very hard?
00:07:50No.
00:07:51I love him.
00:07:52And as long as he continues to love me.
00:07:53You need have no fears on that account.
00:07:55Believe me.
00:07:56Freddy?
00:07:57Hi.
00:07:58How is it?
00:07:59Oh, I'll live for a bit.
00:08:16Don't joke about it for God's sake.
00:08:21I can't do without you.
00:08:23Oh, come on, man. Everyone can be done without.
00:08:26There was never a good, but there was a better.
00:08:29I can do without Belle, because I've got to.
00:08:33But I can't...
00:08:36I can't...
00:08:37Hey, hey, hey, hey, stop it.
00:08:39I won't stop it.
00:08:41I've got to say this.
00:08:43It's got to be said.
00:08:45What has?
00:08:47If it's got to be said, you'd better say it. What?
00:08:49What I feel for you.
00:08:53God knows I've got a feeling for you. I can't explain.
00:08:56Even to myself.
00:08:58I had it the first day you took me in.
00:09:01I was just a nipper, ten, but I felt it then.
00:09:05What were you?
00:09:06Too old.
00:09:09Oh, maybe.
00:09:12But it's not like you're my mother or an older sister.
00:09:16It's like...
00:09:17We were meant to be together.
00:09:21But we were born at the wrong time for each other.
00:09:25Because I love you.
00:09:27There's no other way of putting it.
00:09:28Perhaps it doesn't need explaining.
00:09:32I love you, Maggie.
00:09:35I love you.
00:09:37But don't cry now.
00:09:38Already.
00:09:51I'm sorry, babe.
00:09:56That's good.
00:10:07Well, I'm sorry, Belle.
00:10:09I'm afraid Freddie will have to take me home.
00:10:11Oh, Maggie.
00:10:13But the celebrations...
00:10:14You don't want me causing an upheaval like you had in breakfast, do you?
00:10:17Not at the towers.
00:10:19I feel I must go home and rest.
00:10:22Send me a letter, hmm?
00:10:24I don't want to leave you like this.
00:10:26Go on.
00:10:27Go on and enjoy yourself.
00:10:31Go.
00:10:41You won't come after.
00:10:43No.
00:10:46There'll be nobody else there.
00:10:49No.
00:10:50I see.
00:10:51Oh, my God.
00:10:59Belle?
00:11:05That's right.
00:11:06Be happy, that's all I ask.
00:11:11Be happy.
00:11:12Be happy.
00:11:12Oh, Maggie.
00:11:35Sorry, Freddie.
00:11:36Get me a whiskey, will you?
00:11:43What about your pills?
00:11:45A whiskey?
00:11:51Why have I got an awful feeling about this?
00:11:54She's making a mistake and you know it.
00:11:58You know where it should have been.
00:12:00Oh, I know what you've been going through these past weeks.
00:12:05But it wasn't to be.
00:12:09Come here, Freddie.
00:12:10I'm not going to pop off today or tomorrow.
00:12:19I'll have good days and bad, but I could go on for months.
00:12:21Oh, don't, Maggie.
00:12:22Please.
00:12:23Not today.
00:12:24Well, we've got to face it, lad.
00:12:26And I want you to know I've left everything in order.
00:12:29Everything I have is yours.
00:12:32Money, businesses, the lot.
00:12:35Belle will have money enough settled into that lot.
00:12:55Mr. Musgrave?
00:13:06Frederick Musgrave.
00:13:07Aye.
00:13:08What can I do for you?
00:13:09My name is Inspector Mitchum of the Newcastle Police.
00:13:12A word in private.
00:13:15All right.
00:13:16We're investigating the death of Mr. Roderick Gallagher.
00:13:19Oh, you are, are you?
00:13:21What's that got to do with me?
00:13:22Mr. Musgrave, please.
00:13:23We know that you were just a lad when Gallagher died,
00:13:26but we believe you may have important information.
00:13:29It was a long time ago, Inspector.
00:13:31I can't help you.
00:13:32I'm afraid you have no choice, Mr. Musgrave.
00:13:35Ten o'clock tomorrow morning at the Newcastle Police Station.
00:13:39I'd advise you to be here.
00:13:51What's going on?
00:13:52Who the hell's got it in for me?
00:13:54They know nothing.
00:13:56They can't know anything.
00:13:58Old Man Wheatley's the only one who might know something,
00:14:00and you tell me he's lost his mind.
00:14:03I reckon there's money behind this.
00:14:05Someone with influence who can make things awkward for them.
00:14:08Why else would they bother?
00:14:09Who?
00:14:09Oh, God knows.
00:14:13I remember one thing.
00:14:15You've got money as well.
00:14:17Not riches, but you're solidly based.
00:14:21You've got influence too.
00:14:24Thanks, Maggie.
00:14:25I know.
00:14:26No.
00:14:34They'll be in London now, I suppose.
00:14:36Don't think about it.
00:14:41Don't.
00:14:41No.
00:14:59No.
00:15:00No.
00:15:00Be happy, that's all I ask.
00:15:21Be happy.
00:15:24Be happy.
00:15:54No, nothing from Belle.
00:16:08Well, she must be enjoying herself then.
00:16:12It isn't like her.
00:16:15Anyway.
00:16:20Good luck.
00:16:22Tor, see you this evening.
00:16:27They could have changed hotels, I suppose.
00:16:32Here, drink.
00:16:36They could be staying at Buckingham Palace, wouldn't prevent the last putting a letter
00:16:40in the post.
00:16:41Well, something's preventing her.
00:16:42Or someone.
00:16:43I'll go to Broderick's later, get you another bottle.
00:16:50Now, Mr. Musgrave, I won't beat about the bush.
00:17:04We've been informed that you were in Gallagher's house on the night he died.
00:17:09And we've been led to believe that you left the house with Gallagher's child in your arms.
00:17:14Is that true?
00:17:16And did you bring that child back over the river the same night?
00:17:20I'm not answering any of your questions, dear.
00:17:22Tell me what this is about.
00:17:23You know what it's about.
00:17:25It's about robbery.
00:17:26And it's about murder.
00:17:28Roger Gallagher was viciously murdered.
00:17:31And a package of viable jewels went missing.
00:17:35I think you know what happened.
00:17:36Well, you think wrong.
00:17:38I had nothing to do with it.
00:17:40I was 12 years old for God's sake.
00:17:42But you'd worked for Gallagher before, hadn't you?
00:17:44Running contraband, was it?
00:17:46And if you could steal a child, then who knows what else you could steal.
00:17:50Do you really think I killed him?
00:17:53I was four foot nothing.
00:17:55What, did he die of a bite on the ankle?
00:17:57This is no laughing matter, Mr. Musgrave.
00:17:59It's ridiculous, and you know it.
00:18:02I'll tell you what this is about.
00:18:04It's about an advertisement in the newspaper.
00:18:06And an anonymous letter.
00:18:08Somebody trying to put me in it.
00:18:10You think so?
00:18:11I know it.
00:18:14You weren't alone that night, were you?
00:18:18You had an accomplice, didn't you?
00:18:20Someone you've been involved with ever since.
00:18:25Maggie Hewitt.
00:18:27Isn't that right?
00:18:29I've got nothing to say.
00:18:31Then I'm afraid you'll leave me no option.
00:18:34Frederick Musgrave.
00:18:36I hereby arrest you on suspicion of the murder of Roger Gallagher.
00:18:40Take him away.
00:18:46Come on to see a solicitor.
00:18:51It's my right!
00:18:52Oh, Maggie.
00:19:08Maggie.
00:19:11Come in.
00:19:14Come in.
00:19:18Sweetie.
00:19:20Who are you?
00:19:22I'm Freddie Musgrave's brother.
00:19:24I've come from Maggie Hewitt.
00:19:26She needs your help.
00:19:28Freddie's been arrested.
00:19:30She's in her bedroom, John.
00:19:44Right, Ma.
00:19:45She's been waiting for you.
00:19:50I'm dying, did they tell you that?
00:19:53So I'll be able to clear him of one part of the accusation.
00:19:56I'll be dead before they touch me.
00:19:58What I don't want to happen
00:20:00is for him to be cleared by the authorities
00:20:02and then find himself hounded by another sort.
00:20:04I mean Freeman and his lot,
00:20:06who were just criminals in top hats.
00:20:08The jewels, you mean?
00:20:10Freddie doesn't know anything about them.
00:20:13And so...
00:20:15we were wondering...
00:20:16Aye, I know about them.
00:20:18I wish to God I didn't.
00:20:20I reckon me da took them.
00:20:22Me and me Ma were never certain, but
00:20:24last week he as good as told me he'd had them all along.
00:20:28Finding them's the problem though.
00:20:30He's had a stroke.
00:20:32Dumb as a bell without a clangour.
00:20:34He couldn't even tell me if he wanted to.
00:20:37He doesn't even know who I am.
00:20:41You'll try and find them though, won't you?
00:20:43Aye, I'll try.
00:20:44I'm not promising results though.
00:20:46What'll you do?
00:20:49Tell the truth.
00:20:51Only the truth will save him now.
00:20:53How's your hand at writing?
00:20:55Not bad.
00:20:56Well, you'd better do it then.
00:20:58After all, you're part of the story too.
00:21:01Aye.
00:21:03I was part of it.
00:21:05I'll kill the lot of you!
00:21:10To whom it may concern,
00:21:12I wish to confess to the murder of Roderick Gallagher.
00:21:16Freddie Musgrave is innocent of the charges you have brought against him.
00:21:20On the night in question all those years ago,
00:21:23he was saving a life, not taking one.
00:21:26Oh, Freddie!
00:21:27I've been looking for you half the bloody night!
00:21:29What have you got there?
00:21:31A child!
00:21:32Dear God, Freddie!
00:21:33Whose is it?
00:21:34It's Gallagher's burn!
00:21:35He wants to kill her!
00:21:37You know the one he was gonna dump when I couldn't tell you?
00:21:40Well, he wants that date.
00:21:42And me and Norm now, I shouldn't wonder.
00:21:44I've got a boat further down!
00:21:45Quickly!
00:21:46Quickly!
00:21:50Give me that child!
00:21:52Gallagher was acting like a madman that night.
00:21:54He was desperate, almost insane.
00:22:00At first, I thought we could get away.
00:22:03I knew it!
00:22:05Aye!
00:22:06What are you to do with this?
00:22:07But when he pulled a knife,
00:22:08I knew he intended to use it.
00:22:10When he went for bail,
00:22:12I hit him with a cutcher.
00:22:13I had no choice.
00:22:14In the end, it was him or me.
00:22:19My God!
00:22:20You've scared him!
00:22:21You've had us both!
00:22:23His money would have seen us rotten in prison for the rest of our lives!
00:22:29Come on!
00:22:30It's nearly the ebb!
00:22:34We left him lying face down in the tine.
00:22:37I kept quiet,
00:22:38because I didn't want any more lives to be ruined on Gallagher's account.
00:22:41What is it?
00:22:42The bag split when I fell, miss.
00:22:44She knows a good thing when she sees it.
00:22:45She does.
00:22:46Yes, she does.
00:22:47I must be getting home, lad.
00:22:48Come on.
00:22:49Come on.
00:22:50Come on.
00:22:51She knows a good thing when she sees it.
00:22:52She does.
00:22:53Yes, she does.
00:22:54I must be getting home, lad.
00:22:56Come on.
00:22:57Come on.
00:22:58This is the statement of a dying woman.
00:23:02God alone will be my judge.
00:23:03Maggie Hewitt.
00:23:04Maggie Hewitt.
00:23:05Read all about it.
00:23:06Dying woman.
00:23:07I must be getting home, lad.
00:23:08Come on.
00:23:09This is the statement of a dying woman.
00:23:12God alone will be my judge.
00:23:14Maggie Hewitt.
00:23:15Read all about it.
00:23:16Dying woman confesses to murder.
00:23:20Maggie Hewitt.
00:23:32Read all about it.
00:23:34Dying woman confesses to murder.
00:23:40Fresh mother, tell your legs, sir.
00:23:43Fresh mother, tell your legs, sir.
00:23:45Read all about it.
00:23:46Dying woman confesses to murder.
00:23:50Dying woman confesses to murder.
00:24:10Freddy!
00:24:11Freddy!
00:24:16You shouldn't have done it.
00:24:18I can't make me pay now.
00:24:20And, you know, I thought of writing something of the kind years ago,
00:24:24but I was too frightened.
00:24:26I shouldn't have put it off.
00:24:27Suppose I'd had a stroke like Connie's father.
00:24:29What might have happened then?
00:24:32The thought has made me sick all day.
00:24:35But they should leave you alone now.
00:24:38There's no news from Connie, I'm afraid.
00:24:41Have you heard from Belle?
00:24:43No, it's strange.
00:24:45How's the pain?
00:24:47Not to worry.
00:24:47I want it to pull a face when your mother pours more laudanum into me.
00:24:53Now, go on.
00:24:55Ginny's making you a meal.
00:24:57And it could do with a wash by the look of you.
00:25:16Welcome home, my dear.
00:25:18How was London?
00:25:20Like London, Grandmama.
00:25:33It's good to be home.
00:25:35I have to go away soon.
00:25:37Almost immediately.
00:25:38What's wrong?
00:25:40What's wrong?
00:25:41Wrong?
00:25:43Nothing's wrong.
00:25:44Why should anything be wrong?
00:25:45Please, da, try.
00:26:00Come on.
00:26:02You can do it.
00:26:04I have to find them, da.
00:26:06Come on, that's it.
00:26:11Come on.
00:26:13Oh, God.
00:26:14I'm sorry, Freddie, but I didn't get the letter.
00:26:23We wrote three letters.
00:26:25Three.
00:26:26Well, I wrote to you both on Sunday.
00:26:27Aye.
00:26:28And we got it.
00:26:29All I'm saying is that not many letters get lost in the post these days.
00:26:33Three.
00:26:34On the trot.
00:26:35If you didn't get them, then who did?
00:26:37I know what you're insinuating.
00:26:38But I'm not going to quarrel with you at a time like this.
00:26:40I'm just not.
00:26:42The point is, I'd have come straight home if I had known Maggie was in danger.
00:26:45And you know it.
00:26:46You know it.
00:26:48I can see you're angry with me for not being here.
00:26:50All right?
00:26:51Be angry.
00:26:53I'm not going to defend myself or Marcel.
00:26:58You've changed.
00:26:59I'm a married woman.
00:27:01And where is your husband at the moment?
00:27:05He's had to go away on family business.
00:27:08To Harrogate.
00:27:09There seems to be a lot of family business in Harrogate.
00:27:13I believe there is.
00:27:17Freddie, please.
00:27:21Tell me.
00:27:24How much longer has she got?
00:27:29I don't know.
00:27:32Days.
00:27:34Hours.
00:27:35I don't know.
00:27:39God forgive me for saying it, but the sooner the better.
00:27:43The Lord never isn't touching the pain anymore.
00:27:47I know it's worse for you.
00:27:51Maggie loves me, of course, but it's a kind of everyday love.
00:27:57With you, it's something different.
00:27:59It goes so deep.
00:28:01Freddie, please don't be angry.
00:28:15I miss you so much.
00:28:20What does that mean?
00:28:21What the devil does that mean?
00:28:23You should have thought about that before you married him.
00:28:26Freddie, I didn't mean that...
00:28:27Well, what did you mean?
00:28:29You know what I could do right now?
00:28:30I could take this hand and swipe you from the face of the earth with it.
00:28:36I'm going to lose Maggie.
00:28:38But I want to lose you as well.
00:28:41Do you hear?
00:28:41Do you hear?
00:28:41Do you seeish the quiz?
00:28:43Do you hear?
00:28:55No?
00:29:01No.
00:29:02No.
00:29:05I don't know.
00:29:08No.
00:29:09No.
00:29:09No.
00:29:11Bye, Maggie.
00:29:41She's gone.
00:29:58I'll go and find Ma.
00:30:11You all right?
00:30:18Reckon.
00:30:20You seen Belle back home.
00:30:21What?
00:30:23Steady on, lad.
00:30:24You said you'd see her back home.
00:30:26Oh, aye.
00:30:30Glad you're doing that.
00:30:32She looks very low in church just now.
00:30:36Got anywhere finding out what sort of business that husband of hers is up to?
00:30:40No.
00:30:41I'm still trying.
00:30:43Any luck on your end?
00:30:45Nah.
00:30:46Nobody seemed to have heard of any sort of business he's involved with.
00:30:50I wondered if he might have a little, little tart set up in a love nest somewhere.
00:30:56My God, I hadn't thought of that.
00:31:00Maybe.
00:31:01Maybe.
00:31:05Not sure I'd want to know if he has, mind.
00:31:07That's what you might call poisonous knowledge, isn't it?
00:31:09You won't abandon her, will you, Freddie?
00:31:15What the hell does he want now?
00:31:17Sir, it was your Maggie Hewitt all the time.
00:31:32And nobody pointed a finger until that anonymous letter.
00:31:35After all these years.
00:31:36Very discreet of the party concerned, wouldn't you say?
00:31:40Clear off, Freeman.
00:31:42This isn't the time or the place.
00:31:43I beg to differ, Musgrave.
00:31:46Maggie's dead, and Wheatley's blown his boiler, and that leaves you.
00:31:49And don't tell me you were only a lad.
00:31:51I knew that lad.
00:31:52And he was smarter than half the skippers on the river.
00:31:55So I want to know what happened to that consignment, do you?
00:31:59We'll find somebody who knows, then.
00:32:02Maybe you should visit Taylor in hospital sometime.
00:32:06He tried lying to me in all.
00:32:07Freddy.
00:32:25What?
00:32:27Please don't be angry with me.
00:32:30Please.
00:32:31I beg you.
00:32:34I'm so unhappy at the moment.
00:32:35Why is that?
00:32:38I think it's just that everything is so unfamiliar.
00:32:40It's so strange.
00:32:42I feel as if I'm on trial in that house all the time.
00:32:45The only person I can talk to is my maid.
00:32:47And now that Aunt Maggie's gone.
00:32:49What about your husband?
00:32:50He's the one that matters, isn't he?
00:32:52Yes, of course.
00:32:54It's just he's not there.
00:32:57You see, if only I could know that I was still welcome across the river.
00:33:00As if Aunt Maggie was still there.
00:33:02I think I would feel much happier.
00:33:05If that's all that's worrying you, you're out of trouble.
00:33:11Do you mean that?
00:33:13There'll always be a welcome there for you.
00:33:16It's Maggie's house.
00:33:17She took us both in.
00:33:19So, in our different ways, we're both her children.
00:33:23Not of her body, but her soul.
00:33:25Well, sometimes I think ties like that are stronger than any other.
00:33:30Yes, they are.
00:33:34Maggie's house is your home whenever you want it to be.
00:33:37I'll not let go of it.
00:33:38It means too much to me.
00:33:41Because of Maggie and because...
00:33:44Well, it was me that brought you to that house.
00:33:48Me that held you while Maggie had to commit murder to save us both.
00:33:52So, in a way, you belong to me.
00:33:54I've never told you this before, but that's how I feel about you.
00:34:01That you belong to me.
00:34:06So, that's for you to put in the bank whenever you're feeling like this.
00:34:11Whatever happens, I'm there over the river.
00:34:13Arnott, come with you.
00:34:28All right.
00:34:33I feel better now.
00:34:34The towers.
00:34:49So, you have buried her, have you?
00:34:51The woman who murdered my son-in-law?
00:34:53Self-defence, madam.
00:34:54Have you seen what the papers say?
00:34:57It is quite disgusting.
00:34:59I don't know how Marcel is going to take this.
00:35:01He knew all about it.
00:35:02Mr. Musgrave insisted that he should know everything
00:35:04in case the facts were made public.
00:35:06Marcel can be no more embarrassed than I am, madam.
00:35:09Believe me.
00:35:10I dare say not.
00:35:12So, what has she left you?
00:35:13I understand she left a considerable amount.
00:35:16She left it all to Freddie.
00:35:18Mr. Musgrave.
00:35:20She left me nothing.
00:35:21Nothing?
00:35:22But you were her ward.
00:35:24How can you be so indifferent about it?
00:35:26She thought that being married, I would be provided for.
00:35:29Well, that is hardly the point.
00:35:31She has denied you in favour of this young fellow
00:35:34she plucked from nowhere,
00:35:36whom Marcel tells me is a very common fellow indeed.
00:35:39He is not.
00:35:40He is nothing of the kind.
00:35:42Please remember to whom you are speaking.
00:35:45If Marcel tells me he is a common fellow,
00:35:48then he is.
00:35:49And it is not right that he should have come into that fortune.
00:35:52As I see it, he has every right.
00:35:54For years, he loved and cared for her,
00:35:56as he did for me.
00:35:57Hey, you were looking good.
00:36:06Well, helps keep your mind off things.
00:36:08Belle.
00:36:09Belle.
00:36:10Maggie.
00:36:11Any news on Birkstead?
00:36:13No, me contacts in Harrogate came up with nothing.
00:36:15Oh, well.
00:36:16You'll just have to ask him then.
00:36:18Now, why didn't I ask you for that?
00:36:19So when are you and I doing it?
00:36:45What do you mean?
00:36:48So, what's he like then?
00:36:50Oh, he takes us off to heaven.
00:36:55Can only wait till we're wed,
00:36:56because then we can do it whenever we want, can't we?
00:36:59He's lovely.
00:37:01Can only keep my hands off him.
00:37:02Oh, she's freaking me.
00:37:04Dearest, you should not have come back so soon.
00:37:32you know you shouldn't. I had to. It was torture being away. She is so beautiful.
00:37:38Come here, my darling. And she is truly fond of you. She loves you. Well, who would not?
00:37:50But I'm not sure about your being here. I'm all right, Nana, truly. You should have given yourself
00:37:56more time. He said it was all right. Honestly, he did. Nevertheless, my dearest boy,
00:38:02you must be very careful with yourself. Really, you must. I know. I know. Belle?
00:38:10Where are you? Belle, my love? Belle?
00:38:28Not here. What's the matter? The servants.
00:38:30Are you in servants? What do they care? Have you missed me?
00:38:34Yes, I have. Was your business very pressing?
00:38:38Certainly it was. Hateful. It does go on.
00:38:40You look pale. You're not ill.
00:38:42No. Harassed. The whole thing is very harassing.
00:38:54Marcel. You're hurting me.
00:38:57Oh, come now. You're not so delicate.
00:39:04What is it?
00:39:07You know Aunt Maggie died.
00:39:09Oh, yes. Yes, I do.
00:39:13Just as well, don't you think?
00:39:15That she was too ill to suffer the consequences of being a confessed murderer.
00:39:18She wasn't a murderer, Marcel. She saved my life.
00:39:21She killed my father.
00:39:22He was going to kill me and Freddy.
00:39:23Oh, yes. Freddy is, of course, the other witness.
00:39:25Well, how very convenient.
00:39:27No wonder they went into business together.
00:39:30Freddy wouldn't have lied about it.
00:39:31He's always told the truth.
00:39:33Always.
00:39:34He is the most truthful person I have ever met.
00:39:35No. Don't quarrel with me.
00:39:37I can't breathe when you quarrel with me.
00:39:39I've missed you so much, and I come back, and you start quarreling.
00:39:41Please. Please.
00:39:49I need you to be gentle and sweet.
00:39:53And then I can be too.
00:39:58I can truly be myself.
00:40:03My darling, I don't want to quarrel.
00:40:07I want to understand.
00:40:08But I don't.
00:40:12Why do you have to go away so much?
00:40:16Couldn't I come with you?
00:40:19You obviously hate doing it.
00:40:26Perhaps I could make it easier for you.
00:40:30I feel sometimes that there's something very sad at the heart of you.
00:40:36Would you tell me what it is?
00:40:37Or so.
00:40:43My love.
00:40:47I know what we must do.
00:40:51We must teach you to ride.
00:40:54The tailor must come over and make you the prettiest riding habit ever seen.
00:40:58And I shall teach you how to be elegant in it.
00:41:00Yes.
00:41:02That's it.
00:41:03Come on.
00:41:05Come on.
00:41:05Come on.
00:41:07All right, da.
00:41:23All right, da.
00:41:29Come on, da.
00:41:30Doc!
00:41:35Doc!
00:41:39Doc!
00:41:47Doc!
00:41:50Doc!
00:41:51Oh, my God.
00:42:21Oh, my God.
00:42:27Oh, my God.
00:42:37Oh, my God.
00:42:43I maligned you, Musgrave, for which I'm sorry.
00:42:48I never meant to make an enemy of you.
00:42:49You see, once I knew an item from that consignment was around, I couldn't believe you didn't
00:42:56have the rest.
00:42:57I couldn't see someone as astute as you passing up the opportunity.
00:43:01So what's me cut?
00:43:03Your cut?
00:43:03I'll tell you what your cut is.
00:43:08It's come to my ears that you've been inquiring about a certain party's business activities.
00:43:13Is that so?
00:43:14Maybe.
00:43:15So.
00:43:16There's an address on that, in Harrogate.
00:43:21You asked there about a Mr. Marcel Berkstead.
00:43:25I don't think you'll be disappointed.
00:43:27You look so beautiful.
00:43:46Tell me you'll always love me.
00:43:48Of course I will.
00:43:49Then tell me.
00:43:53Say it.
00:43:54Go on.
00:43:56You're hurting me.
00:43:59Sorry.
00:44:00Sorry.
00:44:02Just tell me you'll always love me.
00:44:04Say it.
00:44:05Say it.
00:44:06I want to hear you say it.
00:44:08Always is a long time.
00:44:11We've only just begun our life together.
00:44:12I hope I shall.
00:44:15It depends on how...
00:44:16I don't want philosophy.
00:44:20I want love.
00:44:26Forgive me.
00:44:29Forgive me.
00:44:31I'd do anything not to hurt you.
00:44:34I love you so much.
00:44:37That's what aggravates me.
00:44:38Believe me.
00:44:39It's love.
00:44:40It's love.
00:44:42Always.
00:44:42And you have my love too.
00:44:48Good.
00:45:01You're looking surly.
00:45:03Why do you look surly?
00:45:05I didn't know I looked surly.
00:45:07Have we not made you comfortable?
00:45:10Yes, of course.
00:45:11It's just that I'm a little bored.
00:45:15I understood I would be seen to the household.
00:45:20Let me make things quite clear.
00:45:23This is my establishment.
00:45:25I order it.
00:45:26I have always ordered it and I shall go on doing so.
00:45:29Do we understand each other?
00:45:31Yes, madam.
00:45:32I think we understand each other very well.
00:45:37In which case, perhaps you could advise me what I'm supposed to do with my time.
00:45:41Well, you could start by being a good wife to my grandson.
00:45:43You have upset him.
00:45:45You have upset him.
00:45:46Did you know that?
00:45:47I don't know what he told you, but he upset himself.
00:45:51In fact, I managed to calm him down and then he went away.
00:45:55That is not what I heard.
00:45:58You must handle him most carefully.
00:46:01I don't need to be told these things.
00:46:03Clearly, you do.
00:46:05It is a wife's duty to offer companionship and support and to sublimate her own interests in those of her husband.
00:46:11That is not why I'm married.
00:46:13It is.
00:46:14You took vows.
00:46:15Marriage is a contract.
00:46:16Your grandson took vows, too, with my body IV worship.
00:46:22There is nothing holy or sacred about what he does to me.
00:46:25Let me tell you.
00:46:26How dare you.
00:46:29Leave me.
00:46:30Leave.
00:46:32Go on.
00:46:32Get out.
00:46:33Get out.
00:46:46You've upset Grandmama.
00:46:52Your Grandmama upset me.
00:46:55Can't you understand?
00:46:57She's an old lady.
00:47:00I'm quite a grand old lady at that.
00:47:03She's been used to running her own establishment since she was a young woman.
00:47:06She's not used to being contradicted and bullied.
00:47:09Nor am I.
00:47:10The way she spoke to me was outrageous.
00:47:12She is in a position to be as outrageous as she likes.
00:47:15Yes, you are not.
00:47:18So as long as you are in this house, you will be subservient to her.
00:47:21What?
00:47:22You're lucky that she received you into this house at all.
00:47:24Am I?
00:47:25And why is that?
00:47:27Because you are a nobody.
00:47:28You are a bastard.
00:47:29Do you realize that?
00:47:30You are a bastard.
00:47:33Oh, my God.
00:47:33You're upsetting me.
00:47:34I'm sorry.
00:47:36You're making me say these things.
00:47:38You've changed.
00:47:40You were so sweet and docile.
00:47:43You've changed.
00:47:44I have.
00:47:46Have you seen yourself?
00:47:55And today I had an argument.
00:47:56A serious one.
00:47:58With the old lady.
00:48:00She's very pathetic in some ways, but she is also frightening and used to her own way in all things.
00:48:05To be honest, I do not know how we are to continue in the same house.
00:48:16Yes, Mary, what is it?
00:48:18I haven't quite finished the letter yet.
00:48:20No, it's not that.
00:48:22I brought Janie to see you.
00:48:24You see, it's her duty to clean in here and do the desk.
00:48:27It was here when you talk about Mr. Freddie Musgrave.
00:48:31What's all this about, Mary?
00:48:32Can I show her in, please?
00:48:34Yes, all right.
00:48:35You've got to.
00:48:42You can't back out now.
00:48:43Where does that put me?
00:48:44All right, all right.
00:48:45Well, first thing is, I saw Mr. Marcel come out of this room.
00:48:51I think Mrs. B had called for him.
00:48:53He was in a hurry anyway.
00:48:54So I come in to clean.
00:48:56It was the time that I usually clean in here, so I don't think there was any harm in it.
00:48:59I'm sure there wasn't.
00:49:01When was this, Janie?
00:49:02A few months ago.
00:49:04Long before you come here, madam.
00:49:05Very well.
00:49:05Well, I'm supposed to change the paper and the blotter every day, so I come over to do
00:49:13it, and I see this letter line on the blotter.
00:49:16So I read it, see?
00:49:18Well, it was there, and I had only meant to glance at it, but then I saw it was for the
00:49:22police, so I got interested.
00:49:25What did it say?
00:49:25It said the police should question Mr. Musgrave regarding the murder of Mr. Gallagher, because
00:49:34Mr. Musgrave was there.
00:49:35Janie, you must be mistaken.
00:49:41No, miss.
00:49:43Look, this is what I took from the blotter.
00:50:03Does anyone else know about this?
00:50:05No, madam.
00:50:05Why did you keep this?
00:50:07It's a very strange thing to do.
00:50:09In case?
00:50:10In case what?
00:50:12Mr. Marcel can be, well...
00:50:14Unkind.
00:50:16Very unkind.
00:50:17And sometimes he says things.
00:50:19He makes things out as if they're true and aren't.
00:50:22I didn't want to be accused of something I hadn't done and then get stuck with it.
00:50:26I thought if I had that...
00:50:27I see.
00:50:27Then you had better keep it.
00:50:31Thank you, madam.
00:50:33You won't tell, madam?
00:50:37No.
00:50:39No, of course not.
00:50:41I'm sorry, madam.
00:50:44Indeed.
00:50:45Business.
00:51:02No, Mr. Musgrave.
00:51:03No, no, no, no.
00:51:04Marcel's visits to us, how shall I put it, keep him on an even keel.
00:51:11I'm not with you.
00:51:12Barclay House is a sanatorium for those who have difficulties with life in the outside world.
00:51:20Difficulties?
00:51:22Well, you've seen him.
00:51:23He's a very plausible young man.
00:51:25Quite charming, really.
00:51:27That's how he thinks of himself and how the world takes him.
00:51:30The problem is, Marcel's not really in control.
00:51:34It's impossible to predict his violence, and those who are close to him are most at risk.
00:51:39That's why I find it hard to believe that Mrs. Burkstead allowed him to marry.
00:51:43So Bill could be in danger?
00:51:45Oh, I'd be lying to you if I said no.
00:51:48I understand your concern, though.
00:51:49That shouldn't have been allowed to happen.
00:51:51I'll write to Mrs. Burkstead today.
00:51:57Whoa.
00:51:58Whoa.
00:52:00You are late for your riding lesson.
00:52:02But I'm...
00:52:02This is the time for your riding lesson.
00:52:06I want your acknowledgement that this is the time for your riding lesson.
00:52:10Very well.
00:52:12Since it means so much to you, this is the time for my riding lesson.
00:52:14Good.
00:52:15You're learning.
00:52:16Get on the horse.
00:52:17But Marcel, I'm not dressed for riding.
00:52:19Get on the horse.
00:52:20Marcel!
00:52:20Get on it!
00:52:22Go on!
00:52:23No!
00:52:26Marcel, I can't!
00:52:30Please stop yourself.
00:52:37There.
00:52:38You see?
00:52:39It's simple.
00:52:40Another couple of hours and you'll get the hang of it.
00:52:42Yeah!
00:52:47Marcel, no!
00:52:48Marcel, no!
00:52:48No!
00:52:49No!
00:52:49No!
00:52:49No!
00:52:49No!
00:52:50No!
00:52:50No!
00:52:50No!
00:52:50No!
00:52:50No!
00:52:51No!
00:52:51No!
00:52:51No!
00:52:52No!
00:52:52No!
00:52:53No!
00:52:53No!
00:52:54No!
00:52:54No!
00:52:55No!
00:52:55No!
00:52:56No!
00:52:56No!
00:52:57No!
00:52:58No!
00:52:59You were gone for such a time, Liz.
00:53:24I thought you might like a hot bath.
00:53:33Well, Cummings?
00:53:35Your Mrs. Berkstad says please to excuse her.
00:53:37She's tired and unwell and doesn't wish to take dinner, Mom.
00:53:42Not good enough.
00:53:44Not good enough by any means.
00:53:45Benedict!
00:53:46Oh, for God's sake!
00:53:59I thought you were unwell.
00:54:01Get into bed!
00:54:02Oh, for God's sake! I thought you were unwell. Get into bed!
00:54:14I am unwell. I can hardly move. I'm afraid all that riding was too much for me.
00:54:21Nonsense! You've got to learn, and the sooner the better! I am very disappointed.
00:54:27If you are going to insult Grandmama by not coming down for supper, you could at least have a decent excuse.
00:54:32Now get into bed!
00:54:36Marcel, would you do something for me?
00:54:40What do you want?
00:54:42Would you mind if I slept alone tonight?
00:54:46Who the hell do you think you are? My wife telling me where to sleep! Come on, get in bed!
00:54:52No, Marcel, I won't! How dare you!
00:54:55Filthy whore!
00:55:02I'm leaving! I'm going home!
00:55:04Are you really?
00:55:10This is your home.
00:55:14And don't you forget it.
00:55:16Good evening, Mrs Cummings!
00:55:22Good evening, sir.
00:55:24He's mad.
00:55:30I can't stay here.
00:55:38Will you help me?
00:55:40How, Miss?
00:55:41I'm going to write to Mr Musgrave. Will you send it as before?
00:55:44All right, Miss.
00:55:46It is urgent.
00:55:47Can't you see how urgent it is?
00:55:49Yes, Miss.
00:55:50Mary, if you get into trouble for helping me, Mr Musgrave will make sure you've found a post. I promise you.
00:55:56But, begging your pardon, Miss. How do you know he will?
00:56:06Because he loves me.
00:56:12My dearest Freddy, things have gone from bad to worse.
00:56:16I beg you to come and take me away from this place.
00:56:19As you love me, come here soon.
00:56:22My husband is so cruel and violent, I doubt his sanity.
00:56:25Yesterday he assaulted me.
00:56:27I beg you to...
00:56:28Well!
00:56:30What have you got to say for yourself, you silly girl?
00:56:33All that nonsense about not coming down for supper and sleeping by yourself?
00:56:38But don't worry.
00:56:39You're too beautiful to be angry with for long.
00:56:45Good Lord.
00:56:51What have you done to your face?
00:56:55Come on. Cheer up.
00:56:58It's a perfect morning.
00:57:04What are you writing?
00:57:06I hope it's an apology to Grandmama for your behaviour yesterday.
00:57:11You'd better read it to me.
00:57:13You really have no idea about these things.
00:57:14Come on.
00:57:16My dear Grandmama.
00:57:17No, no, no, no, no, no.
00:57:19Dear Mrs Berkstead.
00:57:22You can't be intimate when you've upset her.
00:57:26Dear Mrs Berkstead.
00:57:28I hope you will forgive me for my absence from your dinner table last evening.
00:57:41So...
00:57:43Where would you like to meet him?
00:57:46What?
00:57:48You find it surprising that I should allow him to come and fetch you.
00:57:51I told you, Belle, I want your love.
00:57:54There is nothing improper between Freddy and me.
00:57:57All of it.
00:57:59I won't share it. It's not in my nature.
00:58:00It is better that Freddy should come and take you away.
00:58:03Until you can find it within yourself to love me as I want.
00:58:09Come.
00:58:13Right.
00:58:17Yesterday he assaulted me.
00:58:20I beg you to...
00:58:22To come to the towers tonight.
00:58:24Meet me by the lake at midnight.
00:58:30You really are prepared to let me go?
00:58:34Of course I am.
00:58:36I've explained.
00:58:38I just don't want that man in my house, that's all.
00:58:41You can take a bag and meet him there.
00:58:46Do you doubt me?
00:58:48No, Marcel, of course not.
00:58:50Sign it.
00:58:52Sign it.
00:58:58Good.
00:59:00There we are.
00:59:02We'll get that off soon.
00:59:04Now.
00:59:05I want to show you something.
00:59:09Do you remember you once said to me...
00:59:12Actually, no.
00:59:13I don't want to spoil it for you.
00:59:15Marcel, I'm not sure.
00:59:16No.
00:59:17Shouldn't we go downstairs and talk to your Grandmama?
00:59:20Yeah, silly.
00:59:21Grandmama doesn't want to be bothered with us at this time of day.
00:59:24Come on.
00:59:32You are going to love this place.
00:59:37Get off.
00:59:39Get off.
00:59:40Get off.
00:59:53You little bitch!
00:59:55You thought you could make a fool of me, did you?
01:00:04I'll see to your precious Freddy.
01:00:05Don't you worry.
01:00:06I'll see to him all right.
01:00:26You see this room, you filthy whore?
01:00:29No one knows about it except me.
01:00:32It's my secret.
01:00:33No one will hear you.
01:00:36No one will find you.
01:00:38No one will find you.
01:00:40Ever.
01:00:42Only me.
01:00:44When I choose.
01:00:46When I choose.
01:01:03When I choose.
01:01:16cortar, who can you know you?
01:01:17It's so sorry to keep pieces werde.
01:01:18Gonna do that.
01:01:22Do I see?
01:01:28No!
01:01:30No one is here.
01:01:33It is.
01:01:34I thought I was not ready to do this for the moment...
01:01:36My way...
01:01:38Real sáŧą angry!
01:01:39Cummings, my wife is unwell.
01:01:48Oh, I'm sorry to hear that, sir.
01:01:51Yes, it is a war, but there we are.
01:01:52I'd be obliged if you'd tell the mace not to disturb her on any account.
01:01:56She's taken an analgesic and she needs to sleep.
01:01:59Very well, sir.
01:02:00I'll tell them.
01:02:09Nana, I'm just going to ride down to the quay with some letters.
01:02:23You're very tense, my dearest.
01:02:25What is it?
01:02:26I'm fine.
01:02:27Nothing that a good ride won't cure.
01:02:32Can we take luncheon a little late?
01:02:34Yes, of course.
01:02:35I'll wait for you.
01:02:37Bella has a bad headache, by the way.
01:02:46She won't be joining us.
01:02:49I shall enjoy having you to myself.
01:03:04Gallo.
01:03:05Aye.
01:03:06I want this delivered, Callum.
01:03:12That's the address.
01:03:13Can you read it?
01:03:14I can't, sir.
01:03:15Good.
01:03:17This must be delivered to Mr. Musgrave in person.
01:03:20If he's not at home, you will wait.
01:03:22But it must be delivered to him personally.
01:03:25Do you understand?
01:03:26Aye, sir.
01:03:27Thank you, sir.
01:03:28If he asks who gave you this commission, you will say it was one of the servants from the tower.
01:03:36John!
01:03:37John!
01:03:38John!
01:03:39John!
01:03:40Well's in trouble.
01:03:42Well's in trouble.
01:03:44What kind of trouble?
01:03:45Need you ask.
01:03:46That husband of hers.
01:03:48I'm going to the towers.
01:03:50She wants me to fetch you.
01:03:51Oh, that's crazy.
01:03:53What the hell's she thinking of?
01:03:55Freddie, don't go.
01:03:56If it's that bad, send for the police.
01:03:57I'm all she's got, Nancy.
01:03:59It's me she needs.
01:04:12Do want some company?
01:04:13I know, but thanks for the offer.
01:04:15If I'm not back in the morning, call for the police.
01:04:17Oh, Freddie.
01:04:18Be careful.
01:04:19Aye.
01:04:20I will.
01:04:22Pal!
01:04:38Pal!
01:04:52Good-bye, Mr. Musgrave. And good bloody riddance.
01:05:22Oh!
01:05:29Oh!
01:05:34Oh!
01:05:37Oh!
01:05:42Oh!
01:05:47Oh!
01:05:50Oh!
01:05:53Oh!
01:05:58Why isn't she here?
01:06:15Where is she?
01:06:18Where?
01:06:19Where?
01:06:22Where?
01:06:25Somewhere you will never find her.
01:06:29You shouldn't have told me that.
01:06:31I know where you mean.
01:06:33The attic, you bloody madman.
01:06:37Oh!
01:06:39Oh!
01:06:43Oh!
01:06:45Oh!
01:06:47Oh!
01:06:49Oh!
01:06:51Oh!
01:07:01Oh!
01:07:03Oh!
01:07:04Oh!
01:07:05Oh!
01:07:06Oh!
01:07:07Oh!
01:07:08Oh!
01:07:09Oh!
01:07:10Oh!
01:07:11Oh!
01:07:12Oh!
01:07:13Oh!
01:07:15Hey, hey!
01:07:16It's all right.
01:07:17It's Freddy.
01:07:18Up here now.
01:07:19No one's gonna hurt you.
01:07:20No one's gonna hurt you.
01:07:21Yes.
01:07:22It fell already.
01:07:23I thought you were dead.
01:07:25It fell already.
01:07:26It fell already.
01:07:27It fell already.
01:07:28I thought you were dead.
01:07:31It was my son.
01:07:33You don't need to worry about him.
01:07:34He won't be troubling you again.
01:07:35Come on, let's get you out of here.
01:07:53Get all onto the roof!
01:08:03Get her under the roof!
01:08:15Brittany!
01:08:17Go!
01:08:33Don't!
01:08:35Uh!
01:08:36Uh!
01:08:38Uh!
01:08:39Get her!
01:08:41Jesus!
01:08:42Uh!
01:08:45No!
01:09:03Who are you?
01:09:11Where are you going?
01:09:23Oh, where is the bold man, my born ye?
01:09:30Oh, where is the bold man, bring him to me
01:09:37To ferry me over the time to my honey
01:09:44And I will remember the bold man and thee
01:09:53Oh, bring me a bold man, I'll give any money
01:10:00And you for your trouble rewarded shall bleed
01:10:09To ferry me over the time to my honey
01:10:17Oh, scull him across that rough river to me
01:10:27Oh, scull him across that rough river to me
01:10:37Oh, scull him across that rough river to me
01:10:42Oh, scull him across that rough river to me
01:10:46You
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