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09:42Let's see if it's here... right? Well, it's not here.
09:46Oh, what a head!
09:48It must be in this other one.
09:51Here. Ah! Here it is.
09:54There. There it is.
09:57My aunt Matilde.
09:59And her husband. There they are.
10:03He was a pharmacist.
10:05And the other one...
10:08the teacher's wife.
10:10So that you can trust it?
10:12The other one.
10:13Of course, woman. The bad one, huh?
10:15Would you have thought that my aunt was the bad one?
10:18It wouldn't be anything out of the ordinary. Every family has its problems.
10:21Not in mine.
10:22In my house, nothing has ever been cooked that shouldn't have been cooked.
10:26Well, that's what we know.
10:28What, am I supposed to say no? Come on, she's so stubborn.
10:31Okay, so what was it that gave us goosebumps?
10:33Oh, so what...
10:35What makes him laugh?
10:37He looks a lot like Ramón. Just look at him.
10:39Clear.
10:40Oh, yes.
10:43It has a certain look. Yes, yes.
10:46Well, on the other hand, I don't know what his name was, the poor man.
10:51I mean, by first name.
10:53She always called him Vaquer.
10:56Cowboy?
10:57Yeah.
10:58Because of the last name.
10:59I'm familiar with you, but I'm using your last name.
11:01How intimate.
11:03Yeah.
11:04And it was very much her own.
11:05Very sweet, I imagine.
11:07Oh, a woman for once.
11:15He went away?
11:18He went away.
11:20I suppose he's found some friend to continue crying to and talking about his wife.
11:23Look.
11:26What is this?
11:27Look at her closely.
11:29Because?
11:29What's going on, am I going to see Saint Rita on the wall next?
11:31Don't you find anything curious about it?
11:36Yes, she looks like you.
11:38Me?
11:39You're crazy.
11:40This woman looks a lot like you.
11:41I'm not an aunt.
11:43And that sergeant doesn't look like me.
11:44Horrors?
11:45What did you want, for me to kill you?
11:48That he looks like you.
11:51Yeah.
11:52Word?
11:53Let's see.
12:02Stay still?
12:03Stay still?
12:04And you?
12:05Stay still?
12:07That's it.
12:11It's going to look very appropriate.
12:13Very appropriate.
12:14How much do the gentlemen want me to bring it to them?
12:17We gentlemen want her to bring it to us as soon as possible, but it has to be in good condition.
12:20Not like last year's, which I had to break.
12:22Yes, ma'am.
12:23Don't worry about that.
12:25Can?
12:26Can.
12:27I'm careless, but you shouldn't be careless with the price because if it goes way too high, I won't pay you.
12:32The lady didn't pay me last year either.
12:34I just reminded her that last year the lady had to tear up the photograph.
12:38And now you pretend otherwise, but we're in a hurry.
12:41But, if it's me who's in a hurry to leave.
12:43That's precisely my point.
12:45Frasquita!
12:47Frasquita!
12:49Lady?
12:50Yes, ma'am.
12:52Tell my husband that lunch will be served in an hour and a half.
12:55Yes, ma'am.
12:56Tell him not to come to the table wearing his vest, as there's no one here to clean it for him.
12:59in the stains.
13:00Yes, ma'am.
13:01And remind him that he has to scold the young master, who has missed the novena of Saint Hilary again.
13:05Yes, ma'am.
13:07Well, sir.
13:08The gentleman has heard.
13:11Yes, daughter, yes.
13:13Go ahead.
13:14Well, well.
13:16Excuse me.
13:26It seems unbelievable.
13:27Well, it's true.
13:30Every year I come I am amazed.
13:33You are amazed year after year.
13:35I'm getting more and more amazed every day.
13:38May I interfere where I'm not wanted?
13:41Yes, for God's sake, please.
13:43It's always a relief to talk to someone.
13:46He's never thought about...
13:49escape.
13:54Ah, but...
13:55Don't you know?
13:57No, no, sir.
13:58I don't know.
14:00Haven't they told you in the village?
14:04Please note that I only come once a year.
14:07Or in case they call me for a wedding.
14:10Although the bride and groom usually come to the capital to have their photograph taken.
14:20The gentleman gives no further orders.
14:26Do you have a little free time?
14:30Taking advantage of the fact that I have an hour and a half of provisional freedom,
14:34I'd like to treat you to a few drinks at the casino.
14:36Good, very good, sir.
14:38Thank you so much.
14:41Thank you very much, sir.
14:42Pass, pass, pass.
14:43Come in, thank you very much.
14:45It's very nice.
15:03Note that the first time I confessed my feelings, she said no.
15:07Well, as it should be if you're going to watch.
15:10A decent woman isn't going to say yes right away.
15:12And why not?
15:14Well, I don't know.
15:15That's what's always been said.
15:18The thing is, she said yes the second time.
15:20Why didn't I bite my tongue before insisting, don't you think?
15:24Men do a lot of stupid things.
15:26You don't know that well.
15:32Good morning.
15:36Wine for two.
15:38Sit down, sit down.
15:43The thing is, I liked that woman.
15:46I liked to rage.
15:49And since she was a decent girl, from a good family and everything, what was I going to do to
15:55Get it?
15:56Well, I got married, that's all there was to it.
15:59That's true, that's how things are.
16:01To have that type of woman, there's no other option than to go through marriage.
16:05That's the bad part.
16:06No, the bad thing was that, to make matters worse, I got married so I wouldn't have to have her.
16:16As?
16:19Thank you so much!
16:52Thank you!
17:22Thank you!
17:43Thank you!
18:15Thank you!
18:32And one thing, my daughter, is not to take pleasure in the act, and another, to deny it in Rondón.
18:39The use of marriage is a right of the man, but it is also a duty of the wife.
18:46Note that I say a duty, but also note that I say use, not abuse.
18:54Ego teso!
19:33Thank you!
19:36Package
19:41Package
19:57Package
19:58Package
20:04Package
20:07Package
20:10Was the lady calling?
20:11Yes, but to my husband. Is your name Paquete?
20:15The gentleman hasn't come back from the pharmacy yet, but he'll be here soon because he sent word that he wanted
20:19paella for lunch and it's almost ready.
20:22Paella?
20:23Yes, ma'am.
20:24Is it ready?
20:24Yes, ma'am.
20:25Well, as soon as he comes, tell him that I'm almost there too.
20:29Yes, ma'am.
20:53But Matilde, my love, it's not like that. We have to add a little romance.
21:00It's not the right time for the paella to be ready.
21:10But there was no way.
21:12For her it was an obligation and she fulfilled it strictly once a week.
21:18Even if Troy were to burn.
21:20However, it was never more than once a week and only when he considered it appropriate.
21:24Needless to say, by "opportune" I mean that any dead quarter between occupations should present itself
21:31and occupation.
21:33My poor friend.
21:34Poor, you say.
21:36But if that was nothing, then I could consider myself fortunate.
21:42The bad part came later, when what happened, happened.
21:46And what happened?
21:48Sir, would you be so kind as to inform the person accompanying you that I need them to prepare this recipe for me?
22:06Tell Don Justo, if you would be so kind, that tonight the macebo will take her to the
22:11home.
22:12Oh, thank you, sir. Good morning.
22:18But, the thing is, nobody here talks to you.
22:22In the house, the service, and for practical reasons, includes.
22:26Someone has to relay the orders to me.
22:29Nobody in the street.
22:30Well, you see.
22:33Directly, no one.
22:34But, man of God, get out of here.
22:37I've already told him I can't.
22:39Why? Why can't he?
22:41For her.
22:42For his wife.
22:48Ah, but...
22:50It's here.
22:54AND...
22:55Can you see yourselves?
22:57No.
23:00So...
23:01May I explain it to you?
23:04What should I leave him?
23:05I'm really looking forward to it.
23:08Look, the thing was...
23:10Although you won't believe it, he had to go all out with the locals.
23:14That in this town there has always been a teacher.
23:17And when the poor man died...
23:20From old age, from desperation, I never knew for sure...
23:24The city council, instead of eliminating an expense that it clearly considered useless...
23:29He decided to bring another one.
23:31I say as a decorative element.
23:33No.
23:52...
23:52New horizons, Ernestina.
23:55You realize it.
23:58Don't make that sad face, my love.
24:01You'll see, we're happy here.
24:03What you need is this
24:05A life, a peaceful, quiet life
24:08The hustle and bustle of the capital city upsets you.
24:12And you, my poor little dove, who are so innocent
24:16Too innocent
24:17You let yourself be influenced by that whirlwind
24:19And then what happens, happens.
24:20That you find yourself embroiled in slander
24:22That unjustly tarnish your good name
24:24Which is mine
24:25And I, Ernestina, can emerge unscathed from a duel
24:28Thanks to divine mercy
24:31But on the other hand, dear Ernestina
24:33I don't think I'd get out of another one.
24:36Because I've never known how to handle a weapon in my life.
24:38As you well know
24:39When I had to go and serve the king
24:41My mother arranged for me to serve in the quartermaster's office
24:44And what would become of you, my little girl?
24:47If I had to fight a second time
24:49To safeguard your honor
24:50Which is mine, as I tell you
24:52And succumbed in the endeavor
24:54What would become of you, huh?
24:56What would become of you, dishonored and alone in life?
24:58Look, do you want to tell me what would become of you?
25:00You want to tell me!
25:02Oh no!
25:03I don't want to tell you.
25:05Besides, what for?
25:06You already tell yourself everything.
25:08No, no, no, no
25:09Don't get upset, queen
25:10If all I intend is...
25:23Don Eugenio Vidal
25:25And lady
25:26Don Justo Villamayor
25:28Mayor of this municipality
25:32Mrs. Via
25:33Do you weigh your feet?
25:37Whenever you like
25:52How was the trip?
25:54Extremely tiring
25:55The train has stopped at every station
25:57No, Rof
25:58Oh my God
26:22Be careful, Justo, you're tickling me.
26:25If I laugh, they'll hear me.
26:27Careful, I'm fed up with being careful
26:29What I want is to do crazy things, absurd things, insane things.
26:32What a pity!
26:34Hey?
26:34Because if you just wanted to do stupid things
26:37Many years ago you would feel completely fulfilled.
26:40Sometimes, my Damien, I don't understand you
26:44Alleluia!
26:45Alleluia?
26:48That means there's another one, but you don't understand me.
26:52Who could have told me
26:54That morning at the station
26:55That one day, not too far away
26:57You were going to have the key to this refuge of mine, huh?
27:00I
27:01Hey?
27:02I could have told you myself.
27:05I must understand then
27:06That you felt attracted to me
27:08From the first moment we met
27:10No
27:11Oh, daughter, how monosyllabic you are
27:13So what am I to understand then?
27:15I have to look out for myself
27:18That a school teacher's salary is a joke
27:22Maximum in a small town like this
27:23Which it is
27:24Say what you want, no matter how important the mayor is.
27:28And when you sent me those flowers
27:31I said to myself
27:34Ernestina
27:34Next up is a diamond brooch
27:37Or you're not a man
27:39Oh
27:41What I feel is that you can't show it off
27:43What would my taste be like?
27:45Well, don't feel bad about it.
27:47I didn't want it to show it off.
27:49But to take him to the mountain
27:50You're stepping on my cow
27:52Sorry
27:52To the pawnshop?
27:55It's not going to be a day trip.
27:58But my darling daughter
27:59I'd rather just give you the money directly.
28:01And it works out better for both of us.
28:04Around there
28:06You're on the right track.
28:07But you can't talk like that
28:10You don't know the damage you're doing to me
28:12Couldn't you just address the issue?
28:14A little bit of tenderness
28:15Feelings?
28:17The precise nonsense
28:19But Ernestina
28:20You are a monster
28:22Let's get started, it's twelve o'clock.
28:28You feel
28:30And you feel
28:43Anxiety
28:49Tuicated
28:52You
29:07Monsters, my friend, what for?
29:08Women are monsters, I'm telling you.
29:11What are you going to tell me?
29:12That?
29:14Well, why not?
29:15I have read, Don Justo.
29:18When?
29:19A long time ago.
29:20In my youth, in Madrid, you know.
29:22No, you said so.
29:24I had been worried for a moment.
29:26For a moment I thought he was calling your wife a monster.
29:28To my wife?
29:29No, no, for God's sake.
29:30She missed me because Matilde is what you would call a mirror of virtues.
29:35A mirror?
29:37A role model for mothers and wives.
29:39Model?
29:39Pride of her husband and her town hall.
29:42What are you proud of?
29:44Husband.
29:44No, I already know that, the other thing.
29:47Town hall, priest, place of origin, hometown.
29:50She reminds me so much of my poor Teresa, may she rest in peace.
29:55What a success, Mr. Mayor, what a success.
29:58Not a single ticket remains unsold.
30:00Naturally, with such saleswomen, Matildita.
30:03You don't know that well.
30:04Ernestina has been a huge hit here.
30:05They were snatched out of their hands.
30:07She has a very good attitude.
30:09And he always takes great interest in everything he sets out to do.
30:13You have a jewel at home, Don Eugenio, a jewel.
30:16No, not me.
30:18How modest this girl is.
30:21You don't have to be like that, my daughter, you have to stand up for yourself.
30:24Did you know Don Eugenio, his wife, Vaquer?
30:29Vaquer, is something wrong?
30:31No.
30:32If you knew these gentlemen, I'm asking you.
30:34Well no.
30:38I didn't have that pleasure.
30:46But I did have it, my friend.
30:48I had it.
30:50Although it would have been more accurate to say that he had had it.
30:54You don't love me.
30:56The problem with you is that you don't love me.
30:58But, Ernestina, I haven't proven that to you in a thousand ways.
31:01There's only one way to show love to a decent girl.
31:04And it's by marrying her.
31:05Yes, Ernestina, but you're not a decent girl.
31:08What about me?
31:10What about me?
31:11Woman, do you have a lover?
31:14Yes of course.
31:15But it's you.
31:17And what does that have to do with anything?
31:18What does that have to do with anything?
31:20You know perfectly well that you were the first and the only one.
31:22But, woman, doesn't that negate the fact that you happily gave yourself to a man without being married to him?
31:26he?
31:27So, how should I have done it?
31:29Sadly?
31:30No.
31:31You shouldn't have done it at all.
31:33But you were begging me.
31:35You even cried.
31:38What was I going to do?
31:39Denying you.
31:40So that I would have respected you.
31:42Mister.
31:44Does that mean you don't respect me now?
31:47I love you, Ernestina.
31:49But do you respect me?
31:51I'd like to help you.
31:53I would do anything for your happiness.
31:55But do you respect me or not?
31:58Well, no.
32:00No, that's not it.
32:01In that case, one of us is redundant.
32:05But, Ernestina!
32:06And I never saw her again.
32:08And didn't you get the feeling that he had drowned?
32:13Man, we got her out of the pond.
32:15What I want to tell you is that I never saw her again after that day.
32:21The poor thing floated to the surface immediately because her skirts acted as a life preserver.
32:26Then we took it out with one of those nets they use to clean the pond.
32:32Water is dripping everywhere.
32:34Her hair was full of vines and she was making a noise that said she had gone crazy.
32:41What a stupid life!
32:43The poor woman kept repeating.
32:45What a stupid life!
32:47And so it went, over and over again.
32:54Of course, I forgot about the incident right away.
32:56That's also true.
32:58That summer, on the beach, I was introduced to the woman who is now my wife.
33:03And back then I was very obsessed with her.
33:07That she had already rejected him once.
33:09Exact.
33:11I wanted nothing more than to go home at Christmas to ask for her hand in marriage for the second time.
33:16That second time she said yes?
33:20That one. That one.
33:22Damn.
33:23And he has never asked himself why he would give it to her, given her little, let's say, little predisposition.
33:31which she later showed towards marriage.
33:34And why did I have to ask myself that?
33:37No, no man, no.
33:39I asked her.
34:09Look.
34:11No, nothing.
34:17Matilde.
34:18Yeah.
34:20Do you know how to do voodoo?
34:22Naturally.
34:24Naturally?
34:26And who taught you?
34:27The nuns.
34:29What have the nuns taught you about doing voodoo?
34:31Yes, but you don't say voodoo.
34:33It's called bodoques.
34:36Ah.
34:43Matilde.
34:45Can I ask you a very personal question?
34:48You are my husband, Vaquer.
34:50You have the right to ask me as many questions as you want.
34:54Why did you marry me?
34:59Matilde.
35:00Yeah.
35:01Have I asked you why you married me?
35:04Yeah.
35:06Yes, what?
35:08Yes, you did ask me.
35:10So you heard me?
35:12Of course, I'm not deaf.
35:14Since you didn't answer me and you told me I could ask you whatever I wanted.
35:19And you can.
35:20That doesn't mean I'll answer you.
35:32Because a woman's career is marriage, daughter.
35:36No matter how you react.
35:38And give thanks.
35:39Be thankful that Don Eugenio's proposal has been like a blessing from God.
35:45Oh, and you look so pretty there.
35:49Throw a virgin.
35:50Yes, and what is that?
35:52Don't tell me that, or I'll throw you down the stairs.
35:54I'd rather go to the river.
35:55For the life that awaits me.
35:56No.
35:57And on top of that, he wants to be right.
35:59Eugenio doesn't have a penny.
36:01But he does have a better position than us.
36:03And he's from a better family.
36:06Besides, he's not bad-looking.
36:08And he is a blessed man of God.
36:10That is true.
36:11There's no one dumber than this cat's tail.
36:12But he has manners, he has an education, and he has a good upbringing.
36:16And above all, daughter, he wants to marry you.
36:20You know what that's worth.
36:21Nothing, I don't love him at all.
36:24But what's with this obsession with loving each other?
36:25What does one have to do with the other?
36:27Look, mother, just leave it be.
36:29I've said amen to everything, haven't I?
36:30Don't ask me to understand it and be very happy about it too.
36:32Because all it's going to do is drive me crazy.
36:35Oh no, my darling, don't say that.
36:37I don't want to see you again with those lost eyes.
36:40And that silence and that consumption.
36:44Daughter, everyone is made this way.
36:47What can we do?
36:48And since women are not allowed to choose or decide anything,
36:53What we need to do is be smarter.
36:55And pretend that...
36:57Like what?
36:57What is it like?
36:59It's like we do what men want.
37:02Get married and have a man by your side who will support you.
37:06That's the first thing.
37:08And then...
37:10Well...
37:11Ernestina, daughter...
37:13What can I say?
37:14That you don't know.
37:16That you haven't seen.
37:18Then...
37:19You'll figure out how to be left-handed...
37:23And get your revenge.
37:24How does the one who does the most and the one who does the least?
37:28Ernesta.
37:30Ernesta, I already have the girl's corset.
37:32Go ahead and try it on.
37:34Go.
37:36You hear me.
37:38No, mother.
37:38Not now.
37:39I don't feel like tests or conversation.
37:41Come in too and I'll give you a little bit of marzipan.
37:44Right now.
37:47I'll walk by and say you have the queca.
37:50But tomorrow I'll iron the dress and we'll see you wearing it all.
38:08Left hand!
38:11I'll give you the left hand.
38:13You'll see me more supported than a scaffold.
38:16Left hand!
38:18Left hand!
38:20Left hand!
38:22Left hand!
38:23Left hand!
38:24Left hand!
38:33What if I asked you as a personal favor, outside of your duties as a wife?
38:38Understand me.
38:39What will you answer me?
38:40The fact that?
38:42Oh, why did I marry you?
38:45What do you want?
38:46To have your ears flattered?
38:48So be it to me.
38:51As you can understand, there comes a time when a woman has to settle down.
38:56Gather.
38:57And it's a matter that requires a lot of thought.
38:59And in which it is necessary to choose very carefully.
39:01Because it's for life.
39:03So you have to choose between the proportions that one has around
39:06to see which one offers the best guarantees.
39:11Guarantees.
39:11It's kind of like choosing a dress.
39:15How to choose a dress?
39:16Precisely.
39:18When a woman needs a dance toilet for just one night,
39:22She who was ethereal, fragile, daring,
39:28spectacular, even if it's uncomfortable.
39:31But if what you want to do is make everyday clothes for being at home.
39:34Battle-ready, you understand?
39:36I'm afraid so.
39:38Then he'll choose something bland, something that won't bother him.
39:43Short-sighted, but durable.
40:02What are you thinking about, love of my life?
40:04That?
40:05I ask you, what are you thinking about so engrossedly?
40:08Me, by chance?
40:10No.
40:12So, what is my queen thinking?
40:13I want to know.
40:16In a ball gown.
40:18In a ball gown?
40:20But you did get a really nice black one when you got here.
40:24I'm already tired of him.
40:26I want a new one.
40:31New?
40:33New.
40:38That?
40:39New.
40:39That?
40:39That?
40:51That?
41:08Give me one more study, Doña Matilde.
41:11That is.
41:12Eugenio, and good luck, like last year when he won the María Antonieta award.
41:15I hope so, Doña Matilde, I hope so.
41:17Because I collect them, you know?
41:19The Chinese woman, she has to get the Chinese woman.
41:22And it's going to be his turn...
41:24That?
41:25Nothing, he's going to get unlucky.
41:29Well, I collect things too, my daughter.
41:31Compermia, kind.
41:36No no.
41:39No, no, no.
41:42No no.
41:43No no.
41:45No, no, no.
41:48Already.
41:51No.
42:21Thank you!
42:33Thank you!
42:53Thank you!
42:54Well, at first, yes. A little.
42:59Then...
43:00Ah, then!
43:02The ashes were there.
43:04There, there it was.
43:06And temptation, and danger,
43:08And the opportune moment. Everything was there.
43:11All.
43:12And did you fall?
43:15Imagine.
43:16No.
43:18I can't imagine that.
43:20You can tell me that right now.
43:37My life.
43:39My love.
43:41I love you.
43:42I love you too.
43:43But I love you more.
43:45Further.
43:47Impossible.
43:49No, nothing is impossible.
43:52Nothing.
43:54By the way, when are we going to hear?
43:56We've been hiding from everyone for a year.
44:00Oh!
44:01Oh, but it's still very early.
44:04The discovery of the gravestone is at one o'clock.
44:07And we're practically there.
44:10No.
44:11I'm not referring to that.
44:13I mean escaping.
44:14Let's run away together.
44:16To start a new life anywhere innocuous.
44:18But woman, how are we going to do that?
44:21Well, like that.
44:22But you don't understand that that wouldn't be right, Ernestina.
44:25And this, yes?
44:26This is something else.
44:29What thing?
44:30This is a force of nature.
44:33A vicious flame against which we cannot fight.
44:36And the other thing?
44:38The other option would be very rude.
44:40And also very impractical.
44:42Okay, so how do I get to the pharmacy?
44:44How can you think about the pharmacy at a time like this?
44:47And how can you even think about escaping at such a moment?
44:51But then, what will become of us?
44:55Well, that's it, daughter.
44:57Here.
44:58Such a rich mind.
45:00It's horrible.
45:02For the second time you let me fall into the mud.
45:05Come on, Ernestina, my love, this isn't mud.
45:09This is a very nice, very welcoming place.
45:13Don't dramatize.
45:18But you don't know the despair your abandonment plunged me into.
45:21The one who threw me into Eugenio's arms.
45:23I know, Palomita, I know.
45:24And the despair of seeing myself married to Eugenio.
45:27The one who threw me into the arms of a lieutenant of halberdiers.
45:29Of what?
45:30The poor man died in a duel.
45:33And was it the despair over his death that threw you back into my arms?
45:38No.
45:39No?
45:40That desperation threw me into Don Justo's arms.
45:44Into yours I threw myself alone.
45:47I love you.
45:51Ma'am, it's been a pleasure.
45:53Are you leaving?
45:54Naturally.
45:56Let's see what I'm doing here.
45:58You, my lady, are a lost cause.
46:01A loss!
46:05Did you hear a scream?
46:07A muffled, distant voice, as if pleading for help.
46:12What an imagination you have, Isidora.
46:15A voice as if pleading for help, no less.
46:18Matilde's husband is not coming.
46:20I told him to leave the pharmacy with the young man, but he probably wanted to close it himself before coming.
46:25That said, they are fulfilled.
46:27Exactly.
46:28And while he was fulfilling his duties, he must have been completely distracted.
46:37Have you heard?
46:43Take my word for it, Don Eugenio.
46:45Did you just hear a voice that sounded like it was from beyond the grave?
46:48From beyond the grave?
46:51I will tell him no a thousand times over.
46:54My Ernestino is an angel.
46:56Fallen. Take my word for it. Fallen.
46:58Mr. Mayor, if you insist, and with all due respect, I will have to challenge you to a duel.
47:06Stop talking nonsense!
47:08What he needs to do is get his own house in order, because in this municipality I will not tolerate collusion...
47:14Contubellos!
47:15Let me go, lady!
47:17You have to listen to me, you have to listen to me because you're all going to drive me crazy.
47:21When I gave myself to you, you decided that I was immediately no longer worthy of marrying you.
47:26Of course.
47:27And now you don't want to run away with me because you say it wouldn't be right?
47:31I'm not saying it wouldn't be right, I'm saying it would be an outrage.
47:35On the other hand, did you think it was perfectly fine for you to continue being your own darling?
47:39You said it well, in the past tense. I thought so!
47:42Because of course, if I cheat on my husband with you, I'm an overwhelming force.
47:47But if I cheat on him with another man, I'm a lost cause!
47:51It seems obvious to me!
47:54Because the bad thing isn't that I'm not faithful to my husband. The bad thing is that I'm not faithful to you.
47:58faithful to you!
47:59Exactly.
48:00Excuse me, Mr. Mayor. It's getting late. Would you mind if we closed the doors and started the event?
48:06That sounds like a great idea. Announce it! Come on! Come with me!
48:12Ladies and gentlemen, the event is about to begin.
48:15And you, who loved me a second and a half ago, don't love me anymore. Isn't that right?
48:23Naturally, my lady, my confidence has suffered a severe blow that has forced him to strangle my love.
48:31What a stupid life!
48:33What is his honor?
48:34Yes, yes, yes. Go ahead, go ahead.
48:37And if you don't strangle her right now, it's out of respect!
48:41For causing a scene in this place where we are!
48:44Scandal! Scandal! Help!
49:02Help! Help!
49:05Help!
49:08Help!
49:21Help!
49:22Help!
49:24Help!
49:25Help!
49:29Help!
49:31Help!
49:33Help!
49:37Noor to the ocean that has been misses in Spanish!
49:41Audio!
49:42Help!
49:43Help!
49:43Help!
49:44Help!
49:450, vo SU...
49:57First she was in the repentant ones, but she didn't last long there.
50:01Didn't he regret it?
50:03Not even close.
50:04Ah, that's love.
50:06Or stubbornness.
50:08Because when things go against you, it's better to give in a little.
50:12Don't you think so?
50:13And what has become of her?
50:15A torment, my friend.
50:17A true ordeal.
50:20There has been no vexation, humiliation, or cruelty to which that monster has not subjected him in his zeal.
50:26of revenge.
50:27His wife, of course.
50:31My lady?
50:32My wife is the only one who has any decency towards the poor woman.
50:36And he brings her food and clothes from time to time.
50:40Why do you think I put up with her, with the life she gives me?
50:43But then, who subjects her to all those things you say?
50:48Who has that thirst for revenge?
50:49Her husband's animal?
50:51Who's it going to be?
50:52Her husband.
50:54But I didn't love her that much.
50:57I thought he would have taken refuge in any corner.
51:02Devastated by grief.
51:03Not at all.
51:05As soon as he became convinced that Ernestina didn't love him...
51:19And it was difficult for him.
51:23It must be acknowledged that it was difficult for him.
51:27He dedicated all his energy to making her life impossible.
51:30To take revenge on her with all the means at his disposal.
51:33That's right, they were all there.
51:36The law protects him.
51:37And where is that poor little girl now?
51:40In a mental hospital.
51:42In a straitjacket.
51:45Hail Mary, most pure.
51:47Granted without sin.
51:54That's awful.
51:59Yesterday when I told her, she didn't want to believe it.
52:01He told me that I was exaggerating.
52:02Ah, well, that's how it was, that's how it was.
52:04He never left the asylum.
52:06And what about my aunt...
52:08She never spoke to her husband again...
52:11Not even on his deathbed.
52:13In his or in hers?
52:15The bed, as you will understand, belonged to both of us.
52:19What a beast.
52:20Well, don't think I'm okay with those extremes, okay?
52:23Neither too much nor too little.
52:26Are you then convinced that laws are needed to prohibit such atrocities?
52:29Damn the need for those laws that only serve to relax customs.
52:34As you will understand, there is no longer any need to protect anyone from those things.
52:38People are more civilized now.
52:41Too much, if you want me to tell you.
52:44Some even cry, like that client of yours.
52:47They're calling.
52:52Where did I leave my lighter again?
52:54Don't tell me I can't legally get revenge.
52:56If I can't get revenge, what options do I have?
52:58Something can be done, right?
53:00Sit down.
53:00What I want is for you to ruin her, to destroy her, to shatter her life.
53:04Just look how silly she's been.
53:05If he had agreed to come back with me, here is peace and then glory.
53:08But that's how she's going to find out.
53:11No, no, no.
53:12I don't care what it costs, you understand?
53:14What I want is to make his life miserable until he jumps off a balcony.
53:18And the only thing I feel, damn it,
53:20It's that four unscrupulous people got it into their heads to decriminalize all of this.
53:23Because I swear I put her in jail until she rotted away.
53:26Until it rotted from disgust!
53:30Excuse me, I was looking for my lighter.
53:32But listening to you all makes me doubt that they were invented.
53:35Here, Lola.
53:36You make fire by rubbing two stones together, don't you understand?
53:39Or do you think we're in the 20th century?
53:41No, for God's sake, I had my doubts, but not anymore.
53:45Go on.
53:46We were talking about the dungeons.
53:47Ah.
53:51There is no doubt.
53:54They are still needed.
53:58The laws?
54:00The laws.
54:02The laws.