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00:27Thanks for watching the video
00:57Thanks for watching the video
01:27Thanks for watching the video
01:57Thanks for watching the video
02:25Thanks for watching the video
02:31Thanks for watching the video
02:51Pepe, I only have one free hour and I'm starving.
02:54Everything will work out, have you ever gone without eating?
02:56No, you're just acting like you own the place, aren't you?
02:59How can you say that to me, a woman?
03:01Look, everyone here has waited as long as they had to, right?
03:04This isn't Maxims.
03:06Pepe says this isn't Maxims, what's that based on?
03:08In the price
03:38No, don't tell anyone.
03:39New acquisition, few details
03:41Well, teach him manners.
03:42Well, she is a free woman
03:44And who says so?
03:45She
03:45And I have a lot of respect for other people's opinions.
03:47Well, you, for your part, should respect the institutions.
03:50Or you will be expelled from the brotherhood
03:51You don't know who that man is, as you call him.
03:54And because it's important to know.
03:55It doesn't appear in the newspapers, I think.
03:57Yes, it's out, but not his photo.
04:00But his signature did.
04:02Apparently, your purchase only looks at saints, right?
04:05He doesn't read
04:06But hey, what's going on?
04:07Are you going to stay with me in the end?
04:08No, certainly not.
04:10And you?
04:11Can't you say anything to him?
04:12I don't like making long-term plans
04:14I say to this
04:14You could at least defend me
04:16But why?
04:17If he doesn't mess with you
04:18It just says you don't read
04:19Do you read?
04:21Of course I read
04:22Javier, who reads
04:22Oh, really?
04:23Do you read?
04:24And what are you reading?
04:24Go away.
04:26So, what are you going to eat?
04:27First course: calamari
04:28Mine, apparently
04:29And fries
04:31Oh, but you're not charging me for any of that, are you?
04:33Okay, so what do I charge you?
04:34Bring me
04:35A steak with peppers
04:37But a steak like the ones you buy for yourself
04:38Not the ones you give to these people
04:39Came?
04:40Yes, bring him wine, bread, and tobacco.
04:42Bring him everything
04:43What dessert?
04:45Anyone who stays in the house?
04:47You've got quite a face, girl.
04:49Well, and finally
04:51Who is that man?
04:52It's Alberto Barrera
04:53Like telling him he's Christopher Columbus
04:55Don't you know who he is?
04:56I know very well who Christopher Columbus is.
04:58Oh, really? You know who that is?
04:59He is a very good novelist.
05:00Who? Christopher Columbus?
05:05Hello
05:06Pepe, I'm starving
05:08I'll get to you right away.
05:11What a terrible day!
05:13I haven't stopped since I left home
05:15That six hours
05:15So you've done a lot of things
05:17Lots of things, what's up?
05:19I've made the photocopies for you
05:20I bought you the socks
05:21The pages
05:21And I went to the bank
05:22They explained to me about the phone bill
05:24The rest of the time
05:25I've spent time with him while traveling by bus.
05:26From one side to the other
05:26Nobody can stand this city
05:29It's hot.
05:30You've been waiting a long time.
05:32What's for lunch?
05:34What does the newspaper say?
05:35If you ask me just one question at a time
05:37I might be able to answer them for you.
05:41And what's wrong with that?
05:43Does he not respect institutions either?
05:45But what does he have to respect?
05:47Didn't you say that nobody sat at that table?
05:50What was in store for that man and his wife?
05:53It shouldn't be taken into account.
05:54It doesn't even occur to him.
05:55But she couldn't care less.
05:56I can't think of what
05:58That she is his wife
06:00What is his wife?
06:02That girl?
06:05Come on, man, you're drunk
06:07We're always drunk
06:08But she's his wife
06:21No, no
06:23I love them
06:25But those of the others
06:26It's like with children.
06:28Don't say that, it makes me sad.
06:30The fact that?
06:32If you weren't married to an old man
06:36You would have liked to have children
06:38He put anything and everything.
06:40You would lose
06:43Besides
06:44You're not old at all.
06:50And the same goes for the dog, right?
06:52Don't show up at my door just any day.
06:53With a surprise that I don't want
06:56Alberto, can you hear me?
06:57Yeah
06:59Don't come to me one day with a puppy
07:00Because I know you
07:01Don't tell me that
07:03It's you who likes them
07:04I already told you.
07:05Those of the others
07:06Ah, yes
07:07If you like other people's
07:09You'd prefer one of your own.
07:10No, I don't want to suffer.
07:12Suffer?
07:13Clear
07:14You grow fond of them
07:15And because they live less
07:16Then they die on you and turn you to dust
07:22You go next.
07:36Man
07:37Here they are
07:39What I can't get for you, teacher
07:40Come in, come in
07:42And the treatment is ugly once and for all
07:44Want?
07:44Hi Elsa, beautiful
07:45Hello
07:46Hey
07:47How many things do you do?
07:49Tomorrow
07:49The bookseller swore to me.
07:51Mmm, this smells delicious
07:53What is it?
07:53Water
07:54It's because you are very grateful.
07:56Let's see, is my novel there?
07:58No
07:59Wow, Javi, you're so handsome!
08:01Look, I'll treat you to some tea.
08:02Oh, how kind.
08:03But I drink serious stuff
08:05Besides, I can't stay
08:07But don't cry
08:07I'll come back another day
08:09I have to split myself in two.
08:11Everyone wants me to be with them
08:12We need to understand
08:14I'll bring you the book tomorrow.
08:16That?
08:17I'll bring you Francesc's book tomorrow
08:18Or I'll take you to Pepe's dive.
08:20But you're sure to get it.
08:22Hey?
08:23To the
08:23Enjoy the water!
08:26And don't let it go to your head.
08:31Oh, a whirlwind
08:38And it's always the same.
08:40The truth is that it requires
08:41Yeah
08:42And sometimes that pest can be unbearable.
08:45But it's true that he's endearing, yes.
08:47The first day you brought it
08:48It hit me like a ton of bricks.
08:50But then, little by little
08:53Do you think they'll give him the professorship?
08:55I will support him, of course.
09:09Elsa
09:11Yeah?
09:13I want you to be happy
09:17What's that about?
09:18I am happy
09:20I want you to always be that way
09:23I'm very happy, Alberto
09:26What's happening?
09:28I don't want you to give up anything
09:30Or to nothing you wish to have
09:33I wouldn't mind.
09:36Nothing that makes you happy
09:40OK
09:47Are you saying that because of the dog?
09:49Clear
09:50Why else?
10:16What do you think?
10:19I'm telling you, Alberto wouldn't mind.
10:22The fact that?
10:23Alberto is not like other people
10:25Everyone is like everyone else
10:27What nonsense.
10:28Let's see if other people are like me, for example.
10:30I speak of humble mortals
10:33He wants to play
10:37Oh really
10:37Do you think he would care?
10:38I don't think so.
10:41For him
10:43Elsa is something like a daughter to me.
10:46What you have to hear
10:47You look like a kid
10:48But why?
10:49Just because
10:52How should I know?
10:52What do you want me to say?
10:54Hey, ask her for her hand in marriage.
10:55If you think it's so normal
10:58And play
10:59Well, you haven't said anything silly.
11:01But no nonsense.
11:02And what could have made you believe?
11:04Can Elsa be like a daughter to me?
11:07Do I look that old to you?
11:09Of course not
11:10I'm talking about the kind of feelings
11:12The relationship between couples
11:14It is in many ways
11:14I thought that
11:15Ours is of a traditional model
11:19Very traditional
11:22Then I'm offending you
11:23I'm an idiot
11:24No, certainly not
11:25Neither one nor the other
11:27I regret having told you that
11:29Because?
11:32Do you think he might miss me?
11:33That you fell in love with Elsa?
11:36Didn't I fall in love?
11:37As soon as I met her?
11:40And sometimes
11:42Have
11:44Remorse
11:45Because they gave in to temptation
11:47That we got married
11:50She is so young
11:54I
11:56Some day
11:57I will be absent
12:01Then she
12:05Sometimes I get the feeling
12:07Of stealing something
12:08To be
12:10Usurping
12:11So to speak
12:13Another's assets
12:17Either way
12:18She is free
12:19I've told him many times.
12:20Are you trying to say?
12:22I'm not trying to tell you anything.
12:27Oh yes
12:29Perhaps.
12:33Look
12:35Elsa is not just a funny object
12:39Know?
12:43What right do you and I have?
12:45Just to be here talking
12:46Who does she keep it from?
12:48As if she had no opinion to offer
12:52It's an illusion
12:53And very natural
12:54Besides
12:55You see, I'm talking to you
12:56In all sincerity
12:57You admire my husband a lot
12:58You try to follow him in everything
12:59Unconsciously
13:00You wanted to follow him too
13:01His feelings towards me
13:02My feelings towards you
13:03They have nothing to do with yours.
13:05I am 30 years old
13:06That is also true
13:08He is much deeper.
13:09Much more sensitive
13:10Will you stop talking like you're my grandmother?
13:12Do you want to stop sparing my life?
13:13He wouldn't mind
13:14You understand?
13:15He told me very clearly.
13:16Me too
13:18But that's because he's afraid.
13:19Ah, yes
13:20What does it say?
13:20Because he's scared, isn't he?
13:21Naturally, without fear of getting lost
13:23He thinks I can fall in love.
13:24From some random person
13:25Let it show up here
13:26In a conquering manner
13:27Believing that he can take
13:28Anything he likes
13:28Just by saying it
13:30My husband is very naive
13:31You've already said it twice.
13:33What thing?
13:33My husband
13:35That's just how it is, you know?
13:36Yes, but you don't normally call it that.
13:38It's a magic formula
13:39A spell
13:40It gives you security
13:41It protects you from yourself
13:43Don't be silly, Javi
13:44You don't understand what's happening
13:46I don't need to defend myself against anything.
13:48Okay, don't worry.
13:49That's fine by me.
13:50I won't bother the lady again.
13:52Not even her husband
13:52Say goodbye to him for me
13:53Xavier
13:57Xavier
13:57Xavier
13:58The lady's husband loves you very much
14:01And the lady will not consent
14:02That he be deprived of absolutely nothing
14:04That makes him happy
14:05Is that clear?
14:05Yes, but you'll have to forgive me because...
14:07No, no, no, no
14:07Sit down and have your drink
14:13Well, this might seem like nonsense to you.
14:15Well, it relaxes me a lot
14:17It's like a sedative, really.
14:19And besides, well, I consider it a small art.
14:21Combining colors has its secrets, don't you think?
14:24And besides, well, then...
14:27Hello, teacher
14:29What's up, kid?
14:31Hello
14:40It has honey
14:41And lemon
14:42It has honey and lemon
14:44And you?
14:46What about me?
14:47What do you have?
14:48Did it put you in a bad mood?
14:50The fact that?
14:52Ah, in any case the question would be
14:53Who?
14:55I'm referring to Javier
14:56In a bad mood?
14:58No
14:58Because?
15:05And him?
15:08The fact that?
15:10Has he become moody?
15:11Oh well, it'll pass.
15:12He's a kid
15:14A child
15:16Do you have someone older than you?
15:17Yes, but I am a woman
15:22An extraordinary being
15:25Magical
15:26Yeah
15:26No, you don't have it, Ronald.
15:30Your teeth are going to get ruined
15:31Better yet, don't I like the ones I have?
15:35What is arsenite?
15:37What is what?
15:39Arsenite
15:39Does it say so here?
15:41Ah, I think it's a mineral
15:44Do you just believe it?
15:47I can do two things
15:49Go look it up in the dictionary
15:51Or answer you like Jorge Llopis
15:53The dictionary thing is a consultation.
15:55What would Jorge Llopis have said?
15:59What is arsenite?
16:02You say this while staring into my pupil
16:04Your blue pupil
16:05What is arsenite?
16:09And you ask me that?
16:10Are you Arsenita?
16:17You know what?
16:18That?
16:19Almost everyone is incredibly boring
16:21Who are almost all the people?
16:22Everyone except you and me
16:34That?
16:34That?
16:34That?
16:35That?
16:35That?
16:35That?
16:42That?
16:45No
16:53It's been a long time since we've gone on that trip.
16:55Do we have enough money for the trip?
16:56How are we going to have the trip?
16:59A trip...
17:01Excellent
17:01Ah, yes, that's why.
17:02And we put it in the basin, Toledo.
17:05Even Saint Diego of Posterity
17:06What kind of madness are you, Breno?
17:09Why don't we go to the checkout?
17:11Again?
17:12Ah, it's been a long time since we've gone.
17:14Okay, fine.
17:15Well, let's go, Cuenca, Toledo, Aladu
17:17No, no, no, no, no
17:19No, no, no, no, no
17:20We don't have enough money for that.
17:21We have our health.
17:22No, no, no, no
17:23No, no, no, no
17:24No, no, no, no
17:25Are we leaving tomorrow?
17:26Tomorrow?
17:28He's a bit cautious.
17:29Past
17:32I love it, I love it
17:34Not you?
17:35I loved it
17:39Isn't it wonderful that we have monsters?
18:12No, no, no, no
18:17No, no, no, no, no, no, no, no
18:44Thank you so much
18:45Welcome everyone
18:45Salt my church
18:46Don Alberto
18:48Thank you so much
18:59Thanks a lot
19:00No, no, no
19:01No, no, no
19:01Thank you, brother.
19:02Thank you.
19:04Juan, the 514, by the gentlemen.
19:06Welcome.
19:06Child.
19:07Join us on 614.
19:55Thank you, brother.
20:13Thank you, brother.
20:52Thank you, brother.
21:18Thank you, brother.
21:38Thank you, brother.
22:25Thank you, brother.
22:28Thank you, brother.
23:01Thank you, brother.
23:19Thank you, brother.
23:20Hello, teacher.
23:21What's up, kid?
23:23Please, gentlemen.
23:24He would tell me to let him rest.
23:27Well, Alberto, get well soon.
23:29Thank you.
23:30Thank you.
23:30Maestro, I hope to see you again soon at the restaurant.
23:33This time everything is on me.
23:35Champagne, caviar, whatever.
23:36I'm not going to forget it, okay?
23:38Bye bye.
23:39See you later.
23:39See you later.
23:39Hey, thanks for coming.
23:46I want to stay with you.
23:48No.
23:49No.
23:50No, you go and rest.
23:51I'm doing very well, can't you see?
23:53Come on.
23:55Anda está mal.
23:58Good.
24:01Bye bye.
24:06Bye bye.
24:36Thank you!
24:41Don't you really want us to keep you company for a while?
24:43No, I'm fine. Good night.
24:45Bye bye.
24:52Well, get some rest.
24:55See you tomorrow.
24:56See you tomorrow.
25:36Thank you!
26:06Thank you!
26:36Thank you!
27:05Thank you!
27:13I couldn't stay home. I really couldn't.
27:19I am here as I could be anywhere else.
27:22The point is, you haven't gone anywhere else.
27:26Death horrifies me.
27:29I am horrified by illness. I cannot stand suffering. I find it indecent.
27:39I'm terrified, Javier.
27:47I would have gone to hell itself rather than be alone.
27:51Do you want to understand it once and for all?
27:55And you?
27:57Why don't you want to understand once and for all?
28:01Elsa, do you love me?
28:04Deal with that once and for all.
28:06It's not the end of the world.
28:09Admit it.
28:14You love me.
28:21I want you to know one thing.
28:26The person I love most in this world is Alberto.
28:32Whatever happens, you know?
28:36Whatever happens.
28:43Whatever happens.
28:44Whatever happens.
28:59Thank you!
29:22Okay, let me, let me hold your arm, let me
29:25Yes I'm fine
29:29Are you okay? Are you sure?
29:30Clear
29:36Normal people would say I shouldn't have told you this now.
29:42That I should have deceived you
29:43Or at least wait until you were completely well
29:48What normal people would probably say
29:51This shouldn't have happened.
29:56It's not a reproach
29:59It was a joke
30:01I don't think you deserve this lack of...
30:04I don't know, it's something to consider.
30:08I have always believed that people are not lied to out of pity, but out of fear.
30:12Or because they lose respect for them
30:16Completely agree
30:21What I do want you to know
30:25It wasn't premeditated.
30:29Neither for me nor for him
30:33I know
30:37It seems impossible that it can be done
30:40Loving two men at the same time
30:41AND...
30:43And yet
30:47I understand from that phrase
30:50That the situation
30:55It is irreversible
30:58I will do whatever you want
31:03I've told you that many times.
31:06What I want is for you to be happy
31:09But if you expect you to be honest
31:12I'll tell you that...
31:16Please continue to save the best of yourself for me
31:19Your friendship
31:24And your company
31:30Stay with me
31:40No one in the world could separate me from you, Alberto
31:44You know that, don't you?
31:47Nobody
31:47Stay with me
32:16Stay with me
32:27Stay with me
32:29Stay with me
32:30Stay with me
32:33Stay with me
32:35Stay with me
32:35Stay with me
32:35Stay with me
32:36Stay with me
32:37Stay with me
32:38Stay with me
32:40Stay with me
33:07Thank you!
33:26Thank you!
34:02Thank you!
34:17Goodbye, see you later, sweetheart, goodbye, see you at the cafe.
34:23Goodbye, farewell, goodbye.
34:29Let him take it, let him take it.
34:34Goodbye, goodbye.
34:35See you later.
34:39Well...
34:40What's happening?
34:45So, is the award he received important?
34:47A lot
34:48Paste?
34:49No, regular pasta
34:51Prestige, above all prestige
34:53Hey, can I give you a ride?
34:54I have the motorcycle there.
34:55The bar's closed today, isn't it?
34:56Yes, we're free today.
34:59It seems unbelievable that some things can work well, doesn't it?
35:02And do you think it works well?
35:04Man, they seem to be in heaven
35:06Yes, apparently.
35:18I can't take it anymore.
35:19Me neither, what a day
35:20I wouldn't do it again, not even for
35:22I'm sorry, I can't take it anymore.
35:24I've tried, but
35:25There are things that cannot be
35:26I'm not made of iron, sorry.
35:29Nobody is made of iron
35:31Simply
35:31Simply nothing, this is over, it's finished
35:33I can't stand it, is that clear?
35:35He's ashamed and is coming with me right now.
35:37Go away, Javi
35:40And come back when you've calmed down
35:43But you don't understand that no matter how much we want to invent movies
35:46This is destroying us
35:47It's rotting us.
35:49I think you're right, Elsa
35:51Of course I'm right
35:52I told you to come back when you've calmed down!
35:54I'm not going to calm down
35:58Then don't come back
36:01OK
36:15This kid makes quite a racket, doesn't he?
36:17I'm not going to calm down
36:21I'm not going to calm down
36:28I'm not going to calm down
36:47Two hundred...
36:48Seventy-eight.
36:51Very good.
36:52So we agreed that...
36:53Excuse me.
36:56Yeah.
37:05Yeah.
37:06He's not in the office right now, but...
37:09Yes, it's me.
37:11Oh, how are you?
37:11How are you?
37:12Yes, I can inform you, I can inform you.
37:14We already have the provisional measures.
37:17Anyway, uh...
37:19Yeah.
37:20Ramón intended to contact you, so as soon as I arrive I'll tell him he called.
37:24OK.
37:26It doesn't matter.
37:26Bye bye.
37:31Well, I think that's everything.
37:33In any case, how will we be in touch with you?
37:35There won't be any problem, right?
37:37In what sense?
37:39Well...
37:40I don't understand much about these things.
37:42Since I'm filing this lawsuit alone, is there no possibility that they will deny me the divorce?
37:48I can't really guarantee it.
37:50The judge may find his reasons somewhat ambiguous.
37:54It all depends on the court we get, of course.
37:56And how the procedures unfold.
37:58I want it to be safe.
38:00If I file my claim with a more concrete, more... compelling reason, there would be no doubt, right?
38:08They would grant it to me.
38:10What reason, for example?
38:14Adultery.
38:16Yeah.
38:17Can you try it?
38:20Yeah.
38:23We would have won the case.
38:26Change that, then.
38:30Put adultery.
38:37Adultery.
39:24Hello good.
39:25Hello. A friend of yours was here. Since I didn't know what time you were coming, I served him.
39:30I.
39:31I know, I've already seen it downstairs.
39:32He told me you weren't expecting him.
39:34And I wasn't expecting him.
39:37Well, let me tell you. I found it funny. He has the same name as the writer.
39:41His name isn't the same. He's the writer.
39:43I already thought I'd spotted him recently.
39:49He's been given an award, right?
39:51And it was on television.
39:54Well, you know, it never even crossed my mind that it could be him. I pictured him as younger.
39:59A case of adultery. The kind you like.
40:02Oh my God. And she even says she likes them.
40:05Well, I don't like this one.
40:08And besides, it's not a case of adultery.
40:11No?
40:13It is a case of resignation.
40:15About what?
40:18By resignation, Mrs. Trini.
40:22The greatest proof of love.
40:35Hello.
40:37Hello.
40:38I have a gift for you.
40:40Let's see it.
40:41Where is?
40:42Where have you hidden it?
40:43Patience, patience.
40:44It's edible.
40:45To put it on.
40:46It's something to hear.
40:49Sit there.
40:52Sit there and listen.
40:54Well.
40:55Heard.
40:58Elsa.
41:00You and I are going to get a divorce.
41:05What are you saying?
41:06Because?
41:14Because I want you to be happy.
41:33Because?
41:36Three.
41:37Nighttime!
41:39Three.
41:49You're in sync.
41:51Three.
41:53On the other hand.
41:54Name.
41:57Three.
41:59Three.
42:00Three.
42:01Three.
42:02Three.
42:04Three.
42:33Thank you!
43:04Thank you!
43:34Thank you!
43:39Thank you!
44:06You want it, sir. We'll sell it to you cheap.
44:09I wanted him for myself, but if he wants him, he can have him. He's a male.
44:14Poor!
44:15We're not going to argue about the price.
44:17Go ahead, take it, sir. It's called whisky.
44:21Because of its color, you know?
44:22Whiskey?
44:24What's this about whisky?
44:27Because?
44:31We'll find you something better.
44:34Where are you going?
44:36Where are you going, little one?
44:38Where are you going?
44:40Aren't you going to let me read?
44:44Hey, I need to give you a name.
44:47What should I call you?
44:50What should I call you?
44:52If you're like a candy.
44:56Candy? Do you like it?
44:58Can I call you Caramelo?
45:02Your name will be Caramelo. Do you want it?
45:05Would you like some milk?
45:06Yeah?
45:07Wait.
45:07That?
45:13No?
45:15Three little corners.
45:15Do you remember?
45:15PLI enough?
45:22No?
45:28Is this Caramelo?
45:31Because?
45:31No?
45:31Is this Caramelo?
45:43What's wrong, little one?
45:45Oh, sweetie.
45:47Oh, sweetie.
46:21Ma'am, ma'am, I'm going to work.
46:25That?
46:26I'm going to work.
46:28Will you pick me up there?
46:29Shall we grab a burger anywhere and go to the movies?
46:32I hate hamburgers.
46:33And where do they make them?
46:35Yes, but if we want to get to the movies...
46:37You can have dinner afterwards.
46:39Somewhere beautiful, quiet, ancient.
46:42At the Archaeological Museum, for example?
46:47Okay, are you picking me up or not?
46:51Hey, Alberto has published another book.
46:53Yes, I saw it in the newspaper.
46:55Buy it if you go out. I think it's wonderful.
46:57I suppose it's not yet on sale.
46:59Does it have to be there?
47:00The prime example is this afternoon.
47:02Also, I think there's a presentation somewhere.
47:05Could you go?
47:06Does it have to be there?
47:16I'm back, it will be on sale.
47:23I'm back, and it will be on sale!
47:28I returned!
47:30I returned!
47:33I returned!
47:50Today, Alberto Barrera writes in solitude.
47:55And although we shouldn't be surprised, given the level of his career and his successes, that he has written a good
48:02book,
48:03I, at least, am very surprised that he wrote a book at such a young age.
48:17Dear friends, I suppose you will understand the difference that exists between the possible merits of my book,
48:25That's for you to judge, and the honors that are being granted to him a priori.
48:31On the one hand, the patience of my editor, on the other hand, the presence of my dear friend Ángel María de
48:40Lera,
48:40who has lent himself, he says without kindness, I think with generosity, to the official presentation of my
48:47book.
48:47The only thing I can add is that in it I tell you about the latest thing I've experienced.
48:53my latest experiences, my latest feelings, the last thing I felt inside me,
48:58which has been translated into my brain. I await your verdict with real anxiety,
49:04And naturally, I hope it's favorable. I hope you like it.
49:18We hope the next one will be better than this one.
49:21I don't know if I'll be able to do it.
49:23How could I not want to?
49:23You too.
49:27If we add an extra success to the others.
49:30Thank you.
49:32Thank you so much.
49:34Thank you so much.
49:36Let him be seen, let him be seen.
49:38Thank you.
49:59Congratulations.
50:02Where do you sign it?
50:05Clear.
50:09Can I put whatever I want?
50:12That would be good.
50:15Thank you.
50:37Mr. Barrera.
50:38Just a moment, please.
50:39Now.
50:42Why didn't you print it like that?
50:45I won't dare.
50:49What a pity.
50:52Excuse me, Mr. Barrera.
50:54A question for National Radio.
50:55Yes, tell me.
50:56What does it feel like after experiencing a new success?
51:01Well, let's not get ahead of ourselves.
51:04That success has not yet been achieved.
51:06The first part is by my author.
51:08Well, it's about love.
51:10The name racism.
51:15The
51:22A microphone!
51:23What does it feel like after having tests?
51:25seven
51:25the
51:26No
51:26the
51:26the
51:26No
51:26the
51:27and
51:28No
51:54Subscribe to the channel!
52:20Thank you!
52:29It's as good as they say.
52:33Marvelous
52:35Alberto is the best
52:36I've always said it
52:47Thank you!
52:51Thank you!
53:04Thank you!
53:12Thank you!
53:27Thank you!
53:41Thank you!
53:42Thank you!
53:54Thank you!
53:56Thank you!
54:09Thank you!
54:23Thank you!
54:37Thank you!
54:43Thank you!
54:44You did very well.
54:47I was looking for you yesterday after...
54:50And this?
54:51This?
54:51My candy friend
54:53Candy?
54:54Yes, well, because of the color, you know?
54:55Candy?
54:56Come here!
54:58You finally made up your mind
55:00That?
55:01Did you want a dog?
55:02What about me?
55:03No!
55:04You were the one who wanted it and you denied it to yourself!
55:06No!
55:08I don't remember why.
55:09Candy?
55:10No, I never wanted a dog
55:13I loved this
55:14And I brought it with me.
55:15When I bought it, it was like a little ball.
55:17And with me he has become a man
55:19Oh, sweetie?
55:22Would you... would you... would you like some tea?
55:24Of course
55:25Can I do it?
55:26Clear
55:27Of course
55:29Happens
55:36That?
55:38Candy
55:38Come here
55:39Come here, come, take
55:41Take!
55:48And Javier?
55:50He left
55:56I'm being very indiscreet if I ask you
55:58Why didn't you go out with him?
56:08Because I'm bored
56:20Can I stay with you, Alberto?
56:27Elsa
56:28What's happening?
56:32Javier and I have nothing to do with each other
56:35We don't know how to live together.
56:37It's so difficult to live together
56:40The hardest part, right?
56:46I...
56:50I want to be with you
56:55Are you sure?
57:00Because?
57:03Because?
57:04Just because
57:05I've already told you that, haven't I?
57:10Yes, I can still choose.
57:13I prefer your company
57:15Company?
57:18Holy God
57:19And what is that?
57:22What is company, you ask?
57:26While you fix your gaze on my pupil
57:28Your blue pupil
57:31What is a company?
57:35And you're asking me that?
57:36Thank you!
57:36Thank you!
57:37Thank you!
57:49Thank you!
57:50Thank you!
57:52Thank you!
57:52Thank you!
57:53Thank you!