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00:00:14For me?
00:00:15Clear.
00:00:16Did you notice the medallion?
00:00:18The horror we've been searching for appears.
00:00:20Except that it had other stones, it was exactly the same.
00:00:22It is clear that it was made by the same hand.
00:00:26Nuño!
00:00:28Nuño!
00:00:29All the money in that chest is stolen from the people's labor and sweat.
00:00:40Hey, sister! Hey!
00:00:43When they return my brother to us, not even God will leave here alive.
00:00:46The old woman in the medallion was none other than the Duchess of Balmayor.
00:00:49This money does not belong to the Almighty, it belongs to the people.
00:00:51And he will return to the village.
00:00:53Order my brother released immediately, commissioner!
00:00:56I do not accept blackmail.
00:01:03They're sending me to the front in two days.
00:01:07What's wrong with my son, Hernán?
00:01:09I can't move my legs.
00:01:11I want to spend the night with Juan.
00:01:15He could become disabled.
00:01:19They've sent Juan to war.
00:01:21I didn't know you had such high-level contacts in the military.
00:01:24I asked my mother for it.
00:01:26If I can't walk, I don't want to live.
00:01:29I know you love me and that you will wait for me.
00:01:31That's a good reason to come back, don't you think?
00:01:44What are you doing?
00:01:46What are you doing?
00:01:46Jetina!
00:01:47I'm burning!
00:01:49Get out of my house right now.
00:01:52Never come back.
00:01:59It has a secret combination.
00:02:01TRUE?
00:02:03Who would have thought a commissioner like you and a nobody like me would come together?
00:02:06We were going to wait for death shoulder to shoulder, huh?
00:02:17Brother!
00:02:26No!
00:02:30Have you moved your foot?
00:02:31But I can only do a little bit.
00:02:32But from my old man!
00:02:38Give me back my money.
00:02:40Forget your dreams of grandeur.
00:02:45Why did you save my life?
00:02:53Who is he?
00:02:54The real father of my son.
00:03:17Hey, handsome, where are you going?
00:03:20Will you come with me?
00:03:21That?
00:03:22I'm going to show you things you never imagined existed.
00:03:28Do you have smallpox?
00:03:29No, no, no, I'm fine, I'm fine.
00:03:30Stay away!
00:03:31Go away!
00:03:31No, I'll do whatever you want, which is whatever you want, whatever it is.
00:03:33Go away!
00:03:34Let me go!
00:03:34Let me go!
00:03:38Let him go, woman, another one will come along.
00:03:41There's not going to be another one, you understand?
00:03:43Since this happened to me, nobody wants to come near me.
00:03:47I haven't eaten for two days, two days.
00:03:49I take the bread out of my mouth to give it to my son.
00:03:51I don't know what we're going to do anymore.
00:04:03The Cid takes up his shield, nocks his lance, spurs on Babieca, breaks through the front ranks, knocks down seven and kills
00:04:14four.
00:04:14Someday someone will write something about the Red Eagle, you'll see.
00:04:19Come on.
00:04:20Look at that picture.
00:04:22I know he's going to deny it, but he's so eager to have a child.
00:04:26Let's not start, she's engaged.
00:04:30There you would see so many war lances rising, so many knights breaking on the battlefield.
00:04:40Well, to break down, not to break down either, poets are very exaggerated.
00:04:48Go to bed, Alonso.
00:04:51You have to get up early tomorrow.
00:05:02Good night.
00:05:04Juana is fine.
00:05:07You'll see how soon you'll hear from him.
00:05:09Clear.
00:05:11He is strong.
00:05:13I'm sure he'll be back.
00:05:16Good night.
00:05:20It was a case of getting engaged and the groom going off to war.
00:05:24Eating from the topic we know about the goldsmith.
00:05:29I don't know where to look anymore, Saturn.
00:05:31I don't know anymore.
00:05:33I may never find my brother.
00:05:36Don't worry.
00:05:37Sooner or later the bagpipes will appear.
00:05:41And then...
00:05:49There's nobody here.
00:05:50They must have made a mistake...
00:05:55Blessed Christ.
00:05:58With the monks and the apparitions.
00:06:05I come on behalf of Agustín.
00:06:08Amen.
00:06:16Amen.
00:06:20Amen.
00:06:22Amen.
00:06:27Amen.
00:06:28Thank you!
00:07:02Thank you!
00:07:18I'm done. I don't want to continue with this.
00:07:22Not at all. You'll do what I tell you.
00:07:25No. This is a slaughterhouse.
00:07:28Find someone else.
00:07:34Agustín and I, as I was saying,
00:07:36We have shared many experiences in India with the Jesuits.
00:07:41He was already talking about you back then. That's why I've come to see you.
00:07:46Look, I recently returned to those lands.
00:07:48And it's an experience...
00:07:49Of course, Father. Of course.
00:07:51By the way, have you seen the new church bell?
00:07:53You should see it, you know what you're talking about. Beautiful. With its new clapper and...
00:08:00So you didn't know that Augustine had died?
00:08:04May God have him in his glory.
00:08:06He always told me that he wanted to have a peaceful death.
00:08:13He died crucified on a tree, following in the footsteps of Jesus Christ.
00:08:18He died peacefully.
00:08:20In his bed.
00:08:20Praise be.
00:08:22Praise be.
00:08:23Well.
00:08:23I have to go.
00:08:26It's been a joy to meet you, Gonzalo.
00:08:28This way, Father.
00:08:30Thank you.
00:08:34Augustine was a good man.
00:08:37He went out of his way to help those who had nothing.
00:08:40Especially because of the three young orphans in his care.
00:08:44Three orphans?
00:08:45Yeah.
00:08:46One was you and the older one was Hernán.
00:08:50And the other one, the third one?
00:08:53Agustín was handed over by a family of flour millers in Brunete.
00:08:57What was his name?
00:09:00Sancho.
00:09:00His name was Sancho, yes.
00:09:03Well.
00:09:04I have to go.
00:09:08Thanks for everything.
00:09:09Thank you so much.
00:09:11Bye bye.
00:09:12Bye bye.
00:09:14Yes, wait, Father.
00:09:18To be with God.
00:09:20God be with you.
00:09:24We've found your brother!
00:09:26He lives there, in Brunete, we're neighbors, so to speak.
00:09:30Sancho.
00:09:32Sancho.
00:09:40Sancho.
00:09:51How's the fight going?
00:09:54That?
00:09:55The struggle you're having with the set.
00:09:58Do you want to try?
00:10:00Isn't it unseemly that you work like that?
00:10:02As well as?
00:10:05It's hot.
00:10:06Does it bother you?
00:10:11I was hoping to find Nuño.
00:10:14He's still asleep.
00:10:16He can now take a few steps with the help of a crutch.
00:10:21Hernán, you know why I called you.
00:10:24They almost killed you, and one of those bandits is still at large.
00:10:28I've been doing my job for many years.
00:10:30I know how to take care of myself.
00:10:33If you don't want to stay in the palace, at least reinforce your security detail.
00:10:38Lucrecia.
00:10:40Since when do you care so much about me?
00:10:43It's not because of you, darling.
00:10:45If you were to die, I wouldn't know how to break the news to Nuño.
00:10:48Don't worry, that's not going to happen.
00:10:51Let's focus on our business.
00:10:53There are some matters that are experiencing delays.
00:10:56Oh.
00:10:57They've beaten you to it again.
00:11:00Irene.
00:11:02What a coincidence to find you here.
00:11:05Will you walk with us?
00:11:11Get dressed.
00:11:25And what are you doing?
00:11:31Gaby!
00:11:37You're stealing from me.
00:11:40These things belonged to my father, but how can you be so despicable?
00:11:44You're my best friend, Gaby.
00:11:47Give it back to me!
00:12:07This, my love, I'm not trying to be a pessimist, but...
00:12:10that monk spoke a long time ago.
00:12:14Maybe we got our hopes up too high and we might not find it.
00:12:18Don't worry, Satur, I already know.
00:12:20But if this helps me find my brother, it will have been worth it, right?
00:12:23Well, that goes without saying.
00:12:25With all the twists and turns we've been through, from the convent to the orphanage to the asylum...
00:12:30Because let me tell you one thing, his family wasn't very close.
00:12:35Because I'll tell you something else too.
00:12:37I have a feeling we're going to find him.
00:12:39Then you're going to give him a hug that will make his chest burst, you'll see.
00:12:42Ha ha ha!
00:12:50What do they want?
00:12:52We are looking for a young man named Sancho.
00:12:55Did they give it to you when it was small?
00:12:57Yes, a monk named Augustine.
00:12:59Looking so handsome, with a beard.
00:13:00That appeared when you least expected it.
00:13:02Sancho is not here.
00:13:04Leave me alone.
00:13:05I don't know anything about him, he left a long time ago.
00:13:11He went away?
00:13:14We just can't get anything right.
00:13:15First time, love.
00:13:18Perhaps...
00:13:18Perhaps I have some reference to find it.
00:13:20I've already told you that he's gone.
00:13:22It's just my wife and me living here.
00:13:25And now go away.
00:13:27OK.
00:13:29We are sorry to have bothered you.
00:13:35Has he left, you say?
00:13:38Where has he gone?
00:13:40If you're a traveler like yourself, you've probably gone to China.
00:13:43I can see myself there eating rice every day.
00:13:46Have you noticed the table?
00:13:48Which table?
00:13:50The table was set for three people.
00:13:52And the old man said that only he and his wife lived here.
00:13:56AND?
00:13:57That man was afraid.
00:13:58He was hiding something.
00:14:00We'll find out again tonight.
00:14:02Damn it, the table and I was staring at a chip in the wall.
00:14:07I have nowhere to turn to you.
00:14:10What a brain.
00:14:20Are you going to write to your mother?
00:14:23Tell him you eat well and are healthy.
00:14:25Oh, and we get paid next week.
00:14:27We'll send you something.
00:14:28Okay, okay, we haven't even started yet.
00:14:31What are you doing?
00:14:32You're ruining Faisal for me.
00:14:34Go on, pull. Let's get another one.
00:14:48Love, you go and night.
00:14:51I didn't know you knew how to write.
00:14:55Not all poor people are ignorant.
00:14:59Is it for your girlfriend?
00:15:00It's for my mother.
00:15:03I don't have a boyfriend.
00:15:04I haven't found the girl yet.
00:15:05Perfect.
00:15:06I can help you if you want.
00:15:10To write the letter.
00:15:27Are you crazy or are you stupid?
00:15:30How many times have I told you to forget about her already, Martín? Just forget about her!
00:15:34Can't.
00:15:39The mother who bore them?
00:15:41That he was robbing us.
00:15:42He was going to leave us with nothing.
00:15:44Well, maybe you thought I was doing one thing, but I was actually doing something else.
00:15:47I know.
00:15:49He was carrying the sack and, look, he hit me.
00:15:50Have you spoken to him?
00:15:52No, I don't want to talk to him anymore.
00:15:54Besides, I don't know where it is.
00:15:56Okay, Alonso, that's enough.
00:15:57We're going to talk to Gaby, to her mother, like other people.
00:15:59Understood?
00:16:03Meal!
00:16:04There's trash for the cat.
00:16:07You're going to make me sick!
00:16:10This stroke is mine!
00:16:12Let me go!
00:16:13Let me go!
00:16:14Let me go!
00:16:16Isn't that Gaby's mother?
00:16:19Let me go!
00:16:25Alonso, come home.
00:16:28Come on.
00:16:38Come on.
00:16:42Let me go!
00:17:11The key to my room.
00:17:12I'll wait for you tomorrow to write that letter, Irene.
00:17:36The habit you have of not telling things.
00:17:38It's not that embarrassing, not that embarrassing.
00:17:40Do you have a problem? What are friends for?
00:17:43Catalina is right, Estuerda.
00:17:45That there is trust.
00:17:47And I appreciate it, Cipri.
00:17:48But what can you do?
00:17:49You can feed me one day,
00:17:51But here the house pays me, right?
00:17:53You won't be able to stay together forever.
00:17:55Sorrel!
00:17:56You should talk to Satur, he's the father of the child, after all, I say.
00:17:59No, no, Sátur has enough on his plate.
00:18:01I don't want him to know, please.
00:18:03Neither did my son.
00:18:07Am I going to Alonso to get food from the trash?
00:18:13No.
00:18:15Don't worry about that now.
00:18:17Go on, eat.
00:18:17We'll find a solution, don't worry.
00:18:20It's true that we don't have anything, but...
00:18:24You'll see, we'll find something.
00:18:30I do have something.
00:18:38Is he your friend from Fiancée?
00:18:41No, no, I can't accept it.
00:18:43Please take it.
00:18:45Estuerda.
00:18:48Take.
00:18:50You're going to make a lot of money with it.
00:18:53Thank you.
00:18:59Daisy.
00:19:01It's a lovely gesture.
00:19:03But have you seen what you've done?
00:19:05It's just a ring.
00:19:07Woman, just one ring.
00:19:11It is a ring from the lineage of John.
00:19:12And it has been in his family for many generations.
00:19:15You can save an entire family.
00:19:17You would have done the same.
00:19:21Look, Juan is a very good person.
00:19:23He'll understand.
00:19:25But your in-laws...
00:19:27You know they won't forgive you for that in life, right?
00:19:36Did you enjoy the dinner?
00:19:38I ate so fast that I didn't even taste it.
00:19:43I was eager to see your gift.
00:19:46My gift?
00:19:48And how do you know I have a gift for you?
00:19:52Well, tomorrow is my saint's day.
00:19:54You do it every year.
00:19:58Eminence.
00:19:59Yeah.
00:20:00A message for you.
00:20:07Tomorrow at nine o'clock at night, in front of the door of the Salamanca cathedral.
00:20:12If you want to recover the other part of the medallion, don't miss it.
00:20:16Goldsmith.
00:20:19Have my carriage ready.
00:20:20We left immediately.
00:20:22Is something wrong, man?
00:20:23No no.
00:20:24Nothing serious.
00:20:25Just work-related matters.
00:20:27Well, I'll give you my gift when I get back.
00:20:30You're going to like it.
00:20:31It's something very special.
00:20:34I will send my men to take you to the Marquis's palace.
00:20:57I will send my men to take you.
00:21:06Well, I thought nothing was wrong.
00:21:08No, holy shit.
00:21:09They were nervous.
00:21:11Scared.
00:21:12And how do you expect two elderly people to be?
00:21:15Two strangers arrive and simply ask what they want them to do.
00:21:17No.
00:21:18I think it's time to find out what's really going on here.
00:21:21It doesn't matter if you go to a castle, a mill, or wherever you go.
00:21:25That kind of face of a person doesn't exactly command respect.
00:21:27They don't open their mouths, of course.
00:21:28It's another thing entirely if it's flying like a bird.
00:21:31Because the uniform commands respect.
00:21:54What happened to them?
00:21:55Nothing.
00:21:56They found us there in the middle of the forest.
00:22:02Dead.
00:22:04Who knows what happened?
00:22:09Peruda cabechina, amor.
00:22:11You can't walk around safely anywhere anymore with so much insecurity.
00:22:20What is that?
00:22:24Bites.
00:22:25About what?
00:22:27From some animal.
00:22:30But the arrows were not shot at any animal.
00:22:37I told you.
00:22:39This should never have happened.
00:22:41That's enough, Lucrecia.
00:22:42The last thing I need right now is a salmon.
00:22:46Careful.
00:22:47It's going to hurt.
00:22:58Did you see who attacked you?
00:22:59I don't need it.
00:23:01It's Manuel Sánchez, the bandit.
00:23:03You won't stop killing me.
00:23:09Erna.
00:23:13Stay at the palace tonight.
00:23:18We will open the guard.
00:23:21We will ask for more soldiers.
00:23:25Please, Erna.
00:23:27Let me take care of you.
00:23:49I've missed you so much.
00:23:55I'm sorry, Lucrecia.
00:23:59It was a mistake.
00:24:15Everything seems very calm, doesn't it, love?
00:24:19Maybe the old man was right and they had set the table for a neighbor.
00:24:23That's what we're going to find out.
00:24:25Yes, well, if she wakes up and sees him dressed like that, she'll stay put.
00:24:53Meal.
00:25:07Who could be so heartless as to kill poor old people?
00:25:15Not a trace of my brother.
00:25:19Satur! The well!
00:25:21Good heavens!
00:25:23Satur!
00:25:38He's alive!
00:25:43He's alive!
00:26:00The great Manuel Sánchez.
00:26:05You look very unwell, commissioner.
00:26:08That's nothing compared to how you'll end up when you go through my hands.
00:26:12You had me at your mercy, I still don't understand how you failed.
00:26:16What happened, Manuel? Did you lack courage?
00:26:20I don't know who you're talking about.
00:26:26Attack me from behind in the Marchioness's palace.
00:26:30Coward.
00:26:30If I had had that opportunity, I would be dead, commissioner.
00:26:34I didn't attack him.
00:26:37Sir, a tavern owner from Soto says he saw Manuel drinking in his bar all night.
00:26:44I didn't attack him.
00:26:47Vivaoslo.
00:26:49Come on!
00:26:56If it wasn't him who attacked you, Hernán, then it was him who entered my palace.
00:27:18Hey, you, help me!
00:27:20Come on, kid, I don't have all day.
00:27:27Hey, I don't know you.
00:27:38There's no need to worry.
00:27:40They are all asleep.
00:27:49He remains unconscious.
00:27:52This boy has been reborn, master.
00:27:55The truth is that many similarities are not preserved.
00:27:58Of course, you and the commissioner are as different as chalk and cheese.
00:28:01This is assuming he is my brother.
00:28:03You just have to ask him what his name is.
00:28:05If his name is Sancho, then it's him.
00:28:13She has a bracelet.
00:28:22Sato.
00:28:26I have one very similar.
00:28:28I've had it since I was little.
00:28:34Spout!
00:28:36Relax, don't be afraid.
00:28:38My name is Gonzalo de Montalvo.
00:28:39You're in my house.
00:28:41My parents.
00:28:43Have they been killed?
00:28:44We couldn't do anything for them.
00:28:48You're lucky you're out of trouble.
00:28:50Now what you have to do is get well.
00:28:54Hey, and how are you...
00:28:58What is your name?
00:29:01Sancho.
00:29:02Sancho.
00:29:03My name is Sancho.
00:29:05Hey, I have to go, okay?
00:29:07No, no.
00:29:08You're very weak.
00:29:10It's not tiring.
00:29:12No no.
00:29:13No no.
00:29:13Look, I'm grateful that they saved me and all that.
00:29:16But I don't know them at all.
00:29:19And neither do you.
00:29:22You were in the village orphanage.
00:29:25Until a monk named Augustine took you in.
00:29:28He visited you often.
00:29:30He guided you like a teacher.
00:29:31And when you needed it, it was there.
00:29:37How do you do all that?
00:29:44Because he did the same to me.
00:29:49I am your brother.
00:29:57I am not your brother, I am Saturn.
00:30:00Delighted.
00:30:04Good.
00:30:15Why are you avoiding me all the time?
00:30:27I'm ashamed of having stolen from you.
00:30:31Why don't you tell me?
00:30:35Why don't you tell me that you and your mother are doing so badly?
00:30:40Let's see.
00:30:43Always when we wage wars.
00:30:44You cover me and I cover you.
00:30:47But if you don't tell me what's wrong, I can't help you.
00:30:54I've arranged to meet Murillo and the others.
00:30:56You're coming, right?
00:31:26How much will you give me?
00:31:36150 reales.
00:31:37Not one more.
00:31:40Made.
00:31:50What's happening?
00:31:52What's happening?
00:31:53Where are you going?
00:31:54What are you going to do with this?
00:31:56It's mine.
00:31:56Who did you steal it from?
00:31:57You didn't steal it, give it to me.
00:31:58Whore and thief.
00:31:59You didn't steal it.
00:32:00You have everything, beautiful, come on.
00:32:01Let me go!
00:32:02Strip!
00:32:03Let me go!
00:32:03Strip!
00:32:05Come on.
00:32:07And to give me an idea, what are we going to do about his brother?
00:32:10For now, he's staying put.
00:32:12If the same people who attacked him are the ones looking for the medallion, he is still in danger.
00:32:16I think he's forgetting one small detail.
00:32:19What are you going to say to Alonso and Margarita?
00:32:22Because he can't keep his brother hidden away in the bedroom for the rest of his life.
00:32:26We'll have to introduce it to society, I say.
00:32:29That's another thing.
00:32:31As he starts to drag out his family's story, they're going to fall flat on their faces.
00:32:35We won't say anything about the other one, okay?
00:32:37No.
00:32:38Of course not.
00:32:41Much, much better.
00:32:42So what?
00:32:44When your brother recovers, or what?
00:32:48That's no longer up to me.
00:32:52But I would like her to stay and live with us.
00:32:55Of course, love.
00:32:57Family comes first.
00:32:59I'm telling you this as someone who has barely seen mine.
00:33:02He has wasted a lot of time chasing ghosts.
00:33:06Satur.
00:33:08Look at that.
00:33:15The bodies were found here.
00:33:24Poor people.
00:33:26Why would they have been killed?
00:33:28Did they get caught stealing or something?
00:33:39What the hell?
00:33:40Is he Martial?
00:33:42Do you know him?
00:33:43But.
00:33:44Well, a little.
00:33:45A poor devil who has always been drunk at the inn.
00:33:48I love that he has wives and children.
00:33:51Well, the poor things, a widow and an orphan.
00:33:54We'll have to talk to her.
00:33:56Let's see what he knows.
00:34:01And tell her that her husband isn't coming back?
00:34:06Since I've been in your service, the dead have been piling up.
00:34:11Among its mysteries and those we encounter,
00:34:14This is godless.
00:34:18Wait!
00:34:37I notice you're restless, Catalina.
00:34:38Something wrong?
00:34:39No, yes.
00:34:42Well, yes.
00:34:43You can talk to me with complete confidence, you know that.
00:34:49Miss Irene,
00:34:50I have to ask you a very important favor.
00:34:52Sure, whatever you want.
00:34:55With all due respect, miss,
00:34:58I would like him to stop seeing my nephew, Martin.
00:35:05That's going to be a little difficult, especially since he works here at the Palace.
00:35:10I apologize for expressing myself so poorly.
00:35:17I want to end any personal relationship I may have with my nephew.
00:35:24Have you spoken to him?
00:35:26Yes, but he doesn't listen to reason.
00:35:29Let's see if you can bring some sanity to this matter because...
00:35:34I appreciate you very much, Catalina, but that's not your business.
00:35:37Excuse me, miss, but it is.
00:35:39These are my people.
00:35:42You have everything you could wish for,
00:35:44But this is the only job he has left.
00:35:46And his family eats what he brings.
00:35:50You can leave.
00:36:04You are still very young and don't understand.
00:36:06But those who are born rich die rich.
00:36:09And those of us who are born poor die poor.
00:36:12If they keep seeing each other, sooner or later they're going to kill him.
00:36:16And that will be something that weighs on my conscience.
00:36:20And about yours, miss.
00:36:47Margarita, what are you doing here?
00:36:48What have I told him?
00:36:49I'll take care of the girl's clothes.
00:36:50Please, can you leave here?
00:36:52What do you have against him?
00:36:53What a question!
00:36:55Well, this is a...
00:36:57He is someone distant and yet close.
00:37:00I don't know.
00:37:01It's blue, so stop guessing and tell me who it is.
00:37:04I don't know if I'm authorized to tell you.
00:37:07Furthermore, I don't think so, I'm very clear about it.
00:37:10Who did have it clear?
00:37:11He was a monk named Augustine.
00:37:14But since the poor thing has died, well...
00:37:16Gonzalo.
00:37:20Can you tell me who that boy in your bed is?
00:37:25That...
00:37:25Who is it? Who is it?
00:37:26Well, nobody.
00:37:28Well, nobody, no, because it's there.
00:37:30He's a guy we found lying in the street and nobody knows who he is, right, boss?
00:37:35He's my brother.
00:37:37No, no, that's not how it's done, love, right?
00:37:39What do you mean he's your brother?
00:37:41Yeah.
00:37:42I have nothing.
00:37:44What's happening?
00:37:44Shh!
00:37:46And who is this?
00:37:48Okay, the one we were missing.
00:37:49We're all here now.
00:37:49Well, according to your father, his brother.
00:37:51That?
00:37:58Nothing much, just hanging around here.
00:38:06The family often gathers here.
00:38:08He'll get used to it.
00:38:09So?
00:38:10If you are his brother...
00:38:14Are you my uncle?
00:38:15Yeah.
00:38:17I suppose so.
00:38:20The little boy.
00:38:22It's because I've been missing family members.
00:38:50It's because I've been missing family members.
00:39:03No, it's not me.
00:39:07Sorry, don't say anything that might upset me...
00:39:20There they are, let's go.
00:39:21There they are.
00:39:22That?
00:39:22Contact.
00:39:24I'll give him the news.
00:39:35She is Petra, the martial artist's wife.
00:39:37Good morning, ma'am.
00:39:38I am Saturn and he is my master.
00:39:40Gonzalo.
00:39:43We'd like to talk to you for a moment.
00:39:46We've already started.
00:39:47What has my brute of a husband done now?
00:39:50What's going on, does he owe them money or what?
00:39:52Or something hot, because this is going to be complicated.
00:39:54Okay, what happened?
00:39:57When was the last time you saw your husband?
00:39:59He hasn't been home for two nights.
00:40:01He'll see when I catch him.
00:40:03You won't see much.
00:40:04If anything, Ángeles...
00:40:05Did he tell her where he was going?
00:40:07No.
00:40:08Well, he told me he had a career where he was going to earn a lot of money,
00:40:12But you try believing that guy.
00:40:15Do you know where it was?
00:40:16Do you remember?
00:40:18No.
00:40:19It is very important that you tell me exactly what your husband told you about the race.
00:40:24He told me I had to be in the forest towards Segovia before nightfall.
00:40:29Do you know where or who told you about the career?
00:40:31No, no, sir.
00:40:37Vera.
00:40:41We found Marcial in the forest.
00:40:43Dead.
00:40:46Well, dead.
00:40:52I'm sorry.
00:40:54Could be.
00:40:56It just can't be.
00:40:58Martial.
00:40:59My God, Martial.
00:41:02Martial.
00:41:03Don't look at me like that.
00:41:05What did he want me to say?
00:41:07That he was a little bit dead.
00:41:09It's better to say these things bluntly.
00:41:15What career were they talking about?
00:41:18Because they all arrived, they all reached the finish line, but we have to see how.
00:41:24Clear.
00:41:25It's not a race, it's a hunt.
00:41:30A hunt?
00:41:32They are not fooled into hunting them.
00:41:37People who hunt, people.
00:41:41What was that going to do?
00:42:05What was that going to do?
00:42:08It's not because of her, okay?
00:42:09It's not because of you.
00:42:18But I don't understand it.
00:42:25I need to go get some flowers.
00:42:28There's nothing to understand.
00:42:30It's pretty clear, isn't it?
00:42:35Wait.
00:42:39Tell her I want to talk to her.
00:42:42I'm expecting her tonight.
00:42:43In the labyrinth.
00:42:45Around eleven o'clock.
00:42:47Please.
00:42:48I don't take orders from anyone.
00:42:50Who do you think you are?
00:42:58Martin.
00:43:00Are you going to explain to me once and for all what all this is?
00:43:05Irene, who doesn't want to see me anymore.
00:43:08Man!
00:43:09Blessed be God.
00:43:10Finally, someone is bringing him to justice.
00:43:12Let's see, Martin.
00:43:13Get it into your head.
00:43:15He who does not make suckling pig, dies a pig.
00:43:17And what you need to do is find yourself a robust young woman,
00:43:20wide-hipped, may she fill you with children.
00:43:22And that's it.
00:43:30Let's see.
00:43:32I already told you I would be here,
00:43:34burying his parents.
00:43:36Poor boy.
00:43:38Come on.
00:43:45Why didn't you wait for me?
00:43:47Hey?
00:43:48It's dangerous for you to be here alone.
00:43:49Those who attacked you could return.
00:43:51I needed to bury them.
00:43:55Sancho.
00:43:57Why were they killed?
00:44:01Were they looking for you?
00:44:05Did you owe someone anything?
00:44:06No.
00:44:08Your father told us that it had been a long time since you had set foot in this house.
00:44:10Why did he lie to us?
00:44:11I don't know, Gonzalo, I don't know.
00:44:14Please let me be alone with them for a while.
00:44:24Sorry.
00:44:31Do you think they are the same ones who are looking for the medallion?
00:44:34I don't know yet.
00:44:35But it could be.
00:44:38With all the questions that keep coming up and the few answers we have,
00:44:41And you're not unmoved?
00:44:44What cold blood, master!
00:44:48Well, the news has already spread.
00:44:51Now everyone will come to offer their condolences.
00:44:53What's left for the poor man?
00:44:58Shh!
00:44:59If you put on a show, I'll leave you high and dry.
00:45:02Hey?
00:45:03And I don't care at all that these two are here.
00:45:08We agreed that you would bring me six prey.
00:45:10And there have only been five.
00:45:12So you owe me one, huh?
00:45:15Have they killed my family?
00:45:17The next hunt will be this afternoon.
00:45:19I want it at the usual six o'clock and...
00:45:22something special.
00:45:23They want a boy.
00:45:25I've told you I don't want to continue with this.
00:45:27It seems to me that you don't realize you can't quit, do you?
00:45:32Bring me the child.
00:45:33If you want to keep living.
00:45:35Hey?
00:45:48They must have been good people.
00:45:51That man looks distressed.
00:46:06I was looking for you.
00:46:08If you want, I can show you around the neighborhood so you can learn a little about everything.
00:46:12Well, if you stay with us.
00:46:14Well.
00:46:16I haven't decided yet whether to stay or not.
00:46:18Yes, but at least until we get to know each other.
00:46:20It's just that it's the first time I've had an uncle, you know?
00:46:26Why don't you introduce me to your friends?
00:46:28It's a good way to start getting to know each other, you and I.
00:46:30Yes, but...
00:46:32But they're going to start asking you questions.
00:46:34First, I'll show you the neighborhood.
00:46:38The one who greeted you.
00:46:39Who is it?
00:46:40That's Murillo.
00:46:41He is the son of Catalina.
00:46:43She is a friend of my father and my aunt.
00:46:47And the other child?
00:46:48The one who is next to him.
00:46:49That's Paco.
00:46:50He is the blacksmith's son.
00:46:52She has no mother, but she has two aunts and a grandmother.
00:46:55It's a bit of my shower.
00:46:57Look, this is Gaby.
00:46:58My best friend.
00:46:59Gaby, this is my uncle.
00:47:01What's happening?
00:47:03My mother.
00:47:04She has been arrested.
00:47:05Because?
00:47:07I don't know.
00:47:08They say he stole.
00:47:11Gaby, wait.
00:47:13Wait.
00:47:36Where do you think you're going?
00:47:39Do not touch me.
00:47:42What did you say?
00:47:43Leave him alone, he's just very nervous.
00:47:47Gonzalo, please.
00:47:47We have come here to rescue Estuarda.
00:47:49Let me speak.
00:47:50Daisy.
00:47:51Margarita, they don't believe me.
00:47:52They say I stole your ring.
00:47:54Don't worry, we'll get you out of here, Estuarda.
00:47:57Was it necessary to treat her like that?
00:47:59Until proven otherwise.
00:48:01Anyone who comes in here has committed a crime.
00:48:05And yes, that's how we treat criminals here.
00:48:08This is not a cloistered convent.
00:48:09Here we deliver justice.
00:48:11Commissioner, she hasn't stolen anything.
00:48:13I gave her the ring.
00:48:14I gave it to him because I wanted to.
00:48:16She didn't steal anything.
00:48:18I gave it to him.
00:48:20I beg for mercy for the sake of what you hold most dear.
00:48:22He's innocent, believe me.
00:48:28That's more like it.
00:48:37Okay, that's enough.
00:48:38Now leave.
00:48:40We'll leave when we have the ring.
00:48:42Which ring?
00:48:45My engagement ring.
00:48:49Have you seen any rings?
00:48:53Come on, leave.
00:48:54Out!
00:48:55Let's go.
00:48:56Let's go, Gonzalo.
00:48:57Leave it.
00:48:58Leave it.
00:49:05My dark image.
00:49:08How is it possible that you're the last to find out?
00:49:16Gabi, for better or for worse, I am your father.
00:49:19You should have told me, otherwise I can't help you.
00:49:23They didn't want to worry you.
00:49:29Did you know that too?
00:49:30Yes, well, I found out a little earlier.
00:49:33This is godless.
00:49:35Now it turns out that everyone is ignoring me.
00:49:38What were you going to do?
00:49:39You have no money.
00:49:42I shit on the damn money and the stupid Lava who invented it.
00:49:50Calm down, son.
00:49:50You'll see how everything works out.
00:49:52I swear on my holy name that your mother will return.
00:49:55I'm telling you.
00:49:56What if not?
00:49:56And if not, well...
00:49:58Otherwise, I'll shit a tunnel with my bare hands all the way to the dungeon.
00:50:08Are you hungry?
00:50:14I'm going to get something to eat, Cipri's donation.
00:50:18I'm not leaving here.
00:50:19Is that clear?
00:50:21If anything happens, I want to be the first to know.
00:50:26We are?
00:50:28Let that be perfectly clear.
00:50:34That's it.
00:50:41Even if my mother gets out of jail, we still have no money.
00:50:46Don't worry.
00:50:48Everything will be alright, you'll see.
00:51:01I know how you can easily make a lot of money.
00:51:04Really?
00:51:05As?
00:51:05No.
00:51:16What's happening?
00:51:43What's happening?
00:52:04What's happening?
00:52:07No, no, no. I'm happy for you.
00:52:09What's the matter?
00:52:10Nothing, I'm just a little tired today, that's all.
00:52:16Taking.
00:52:16It's for you.
00:52:19He'll be waiting for you tonight in the labyrinth.
00:52:21At 11.
00:52:22But I don't understand you, Irene, if he's just a commoner.
00:52:24So you haven't caught it yet
00:52:26You don't even know who attacked you.
00:52:28Your enemies inside and outside the village, Lucencia
00:52:30When you try again, I'll be waiting, don't worry.
00:52:33Put them there
00:52:34When you're done with this, empty my son's room
00:52:36And keep only what is essential.
00:52:37I don't want Nuño to stumble.
00:52:39Nuño, do your homework
00:52:41Irene, my dear, will you accompany him, please?
00:52:44Come on, Martin, I'll tell you when he leaves the room.
00:52:46What remains?
00:52:50The next time I see you with her
00:52:53I kill you
00:53:16Thank God
00:53:18Thank you, I love you
00:53:21What have they done to you, Stuart?
00:53:22Tell me you're okay.
00:53:23I'm fine, I'm fine, Sato
00:53:25If it weren't for...
00:53:26I don't know how I'm going to be able to repay you for everything you've done for me.
00:53:30You don't have to pay anything
00:53:32We haven't done what anyone would do.
00:53:33No, ma'am
00:53:34You have been...
00:53:36I'm speechless.
00:53:37I have something here that...
00:53:39Perudo susto
00:53:41Go on, Sato
00:53:41Prepare something for him to eat
00:53:42I'm going to make the bed for him.
00:53:44We would like you to stay the night with us
00:53:48I'm looking for Gaby
00:53:49Do you know where it is?
00:53:50He's there playing with Alonso
00:53:51Don't worry, everything is fine.
00:53:53I'm going to find you a shirt.
00:53:54You're staying over tonight
00:53:55Enough said
00:53:56Thank you
00:54:08A hug
00:54:11Don't deny it to me, I need it
00:54:12Stuart, for God's sake.
00:54:14Don't do this to me
00:54:16Don't do it to me again
00:54:18Count on me.
00:54:19Let me help you
00:54:24You are not alone
00:54:26Just because I live doesn't mean you're alone.
00:54:27Get that through your head
00:54:31I'm going to respect all your decisions.
00:54:34I'm not going to interfere in your life
00:54:35But count me in.
00:54:37Listen to me, Sato
00:54:37I don't want to be a burden to anyone.
00:54:39I've never been
00:54:40She always pulled my chestnuts out for me on her own.
00:54:43And I've always come out on top.
00:54:44Always
00:54:44Now you have me
00:54:46When I had Gaby I was alone
00:54:48I had to leave home and we got through it
00:54:51And now I want to do the same
00:54:53To get ahead with my son
00:54:56Stuart
00:55:00Please thank Gonzalo and Margarita.
00:55:28Other
00:55:30Come on
00:55:30Other
00:55:31No, no, no
00:55:32Let's see
00:55:34I know it's a secret
00:55:35And that you can't tell me anything
00:55:37But I'm not moving from here
00:55:38If you don't explain to me why we've been running all day
00:55:41I already told you.
00:55:43I need to train
00:55:44But why?
00:55:44And what for?
00:55:47Promise me
00:55:48I swear
00:55:50There is a race
00:55:52If I win, I'll get a lot of money
00:55:54Do they pay you to run?
00:55:56They give you money for winning.
00:55:59When?
00:56:01This afternoon
00:56:02In the forest
00:56:06Well, when I go
00:56:08Okay?
00:56:17Okay
00:56:20Bye
00:56:21Bye
00:56:21Bye
00:56:21Bye
00:56:22Are you OK?
00:56:27I need that money, Alonso
00:56:30I need that money
00:56:41Take
00:56:42You'll do well
00:56:45Thank you, Gonzalo.
00:56:46But I am unable to eat anything
00:56:48Come on
00:56:49Try just a little bit
00:56:50I'll throw it at you.
00:56:55Come on
00:56:58Let's see
00:57:04That?
00:57:04Gonzalo, that's really bad.
00:57:07Uma?
00:57:09Are you eating?
00:57:12So you know that
00:57:13This recipe almost got me kicked out of the army.
00:57:16Take
00:57:18Don't do me a favor
00:57:18No
00:57:24What a day, isn't it?
00:57:28One thing, Gonzalo
00:57:31How come you have a brother?
00:57:37It's complicated.
00:57:40There are many things about me that you don't know.
00:57:42Yes, but what?
00:57:44I've known you since you were a child
00:57:46To you and your family
00:57:48Is it from the father's or the mother's side?
00:57:56The important thing is that he's my brother.
00:57:58It doesn't matter where it comes from
00:58:00No?
00:58:01Alright
00:58:04Sometimes I feel like I know nothing about you
00:58:08It's like you're a different person.
00:58:15I'm just a teacher
00:58:38What's happening?
00:58:58No, no, no, no.
00:59:13No, no, no, no.
00:59:43Alonso, is Alonso in the woods?
00:59:44Yes, he told me he was coming to pick me up.
00:59:47With my fucking life!
00:59:52Sancho!
00:59:54What's wrong, Gaby?
00:59:59We're already dealing with cover-ups.
01:00:00What's wrong, son?
01:00:01What's happening?
01:00:02Gaby, look, it's okay.
01:00:04Don't be afraid?
01:00:05What happened?
01:00:07I don't know.
01:00:13What's wrong, Gaby?
01:00:39When did he leave?
01:00:40A long time ago.
01:00:44Don't move from here, do you hear me?
01:00:45Don't move from here.
01:00:46But all he has to do is run.
01:00:48Stay there, Gaby!
01:00:50Yes, yes, he just has to run.
01:01:16Run, child, don't let them put shoes on you.
01:01:18What are they doing?
01:01:19What are you saying?
01:01:19Come on, come on.
01:01:45But what's happening?
01:01:46Why are they shooting?
01:01:47No, no, no, no, no, no.
01:02:18No, no, no, no, no, no, no.
01:02:52No, no, no, no, no, no, no, no, no.
01:03:17No, no, no, no, no, no, no, no, no.
01:03:46Eagle.
01:04:02The vases?
01:04:03Full, without a place to sit.
01:04:05Very good.
01:04:05And the firewood?
01:04:06There it is, stacked up.
01:04:08Auntie, I'm leaving because I don't want to be late.
01:04:10You have to see how you organize yourself when you want to.
01:04:12Can someone tell me where this breeze is going?
01:04:13Martin, why didn't you pick up the furniture from my son's bedroom, like I told you to?
01:04:18Nuñoz has tripped, useless, get up right now.
01:04:21Now.
01:04:23Now.
01:04:23Go on, throw it.
01:04:24Throw it away and don't heat it up anymore.
01:04:27Auntie, please go to the maze.
01:04:28Irene is waiting for me.
01:04:29As?
01:04:30I can't believe it.
01:04:31Auntie, please tell him I can't go.
01:04:32Look, Martin.
01:04:33That's enough.
01:04:34Go about your business and forget about that girl, okay?
01:04:40Alright.
01:04:42I'll go and give him the message, but you go do what you have to do and that's a fact.
01:04:49Aren't you going?
01:04:51I.
01:04:52Not on your life.
01:04:54The best thing that could happen to all of us is for that girl to finally get disillusioned with this jerk.
01:04:57And let's put an end to this issue that's driving me crazy.
01:05:00But, woman.
01:05:01Don't you start getting me all worked up.
01:05:04Man, the annoying thing is that you're all going on about love and emotions.
01:05:09Throughout history, a person has married the person who suits them, not the person they want.
01:05:13Can you believe that you're the one telling me this?
01:05:47No, no, no, no, no, no, no.
01:06:00I wanted to quit.
01:06:03They forced me.
01:06:05And it had to be a child you sent to certain death, huh?
01:06:15Satua, bring hot water.
01:06:17I'll bring it boiling hot.
01:06:21How are you doing?
01:06:22Is he going to die?
01:06:31Do you think... that he knew?
01:06:34Did he know they were going to hunt us down?
01:06:39No, I didn't know that.
01:06:48Please leave.
01:07:13I haven't even had time to get to know him.
01:07:18He would have been greatly disappointed, master.
01:07:22God was right.
01:07:24In your family, you are the only normal one.
01:07:26The only one.
01:07:29Get people to hunt her.
01:07:30What an abomination.
01:07:32We know about his life.
01:07:44Doesn't it say Sancho here?
01:07:47It says Ana here.
01:07:50What was your mother's name?
01:07:52Laura.
01:08:03So why is he wearing a necklace with a woman's name on it?
01:08:07I don't know.
01:08:32Martin.
01:08:34Martin.
01:08:46Do you want to play?
01:09:01Do you want to play?
01:09:11Martin, please, now.
01:09:12That's enough.
01:09:13Martin.
01:09:43No!
01:10:21No!
01:10:31Tell me about this chain.
01:10:35You take care of the ocelinate for the child who was carrying it.
01:10:38I don't know anything about this.
01:10:40Leave me alone, I beg you.
01:10:42Tell me what I want to know and I'll let you go in peace.
01:10:48A little girl had that chain.
01:10:59A man came looking for her and took her away.
01:11:06He asked me to put the chain on another baby and I did.
01:11:10I gave it to a child.
01:11:12Who was that man?
01:11:14Don't know.
01:11:16I swear I don't know.
01:11:18Alright.
01:11:31So?
01:11:33Agustín picked up the wrong baby.
01:11:36So another man, who was not Agustin, took the girl who is his sister.
01:11:42Therefore...
01:11:48Go away.
01:11:50Agustín could have read the chain letter by now.
01:11:53If people in this country don't read, I love you, they don't read.
01:11:56And that's not how things work.
01:11:59So now we have to find a girl.
01:12:01That's not how it is, love.
01:12:04But now I follow or pursue this man.
01:12:07What's the idea?
01:12:17Come on, I know who can tell us where her sister is.
01:12:19The breastfeeding woman.
01:12:21No, no, Irene, no.
01:12:22She was wearing this bracelet.
01:12:24I remember the girl.
01:12:25I'd rather die of hunger than sell it to my son.
01:12:27A battalion is arriving from the front.
01:12:28Yeah.
01:12:29They are very badly injured.
01:12:30Did you leave it there?
01:12:32Waiting for me alone?
01:12:36Arrested!
01:12:37Let me go!
01:12:38Does anyone know Juan de Galatrava?
01:12:40You can't deny that this is yours.
01:12:41If I qualify for today's donkey race,
01:12:43I still managed to win the grand final prize.
01:12:45Well, run, Francisco Pulido.
01:12:46Nobody can beat him.
01:12:47Where is Irene?
01:12:48I don't know where it is.
01:12:51If you have nothing to do.
01:12:53He had it, rich champion.
01:12:54Gonzalo.
01:12:55It's there.
01:13:01No.
01:13:03Aid!
01:13:06No!
01:13:08Nobody is looking for a living person among the dead.
01:13:11No!
01:13:12No!
01:13:13No!
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