- hace 2 días
Categoría
📺
TVTranscripción
00:00:24Fear
00:00:30Because they have no explanation
00:00:33That's why it's cursed
00:00:34Everyone knows that whoever enters doesn't leave.
00:00:35Thank you, sir.
00:00:36Let's go! Let's go!
00:00:38I'm going to include you in my next experiment
00:00:41Where am I?
00:00:42On one of the punishment nets in the asylum
00:00:45Swallow the head of the bastard who dared to touch my niece alive.
00:00:50Adub!
00:00:51My research will revolutionize medical science
00:00:56You have endangered my niece's life
00:00:59For what reason?
00:01:00I am looking for whoever dared to attack the Marchioness of Santillana
00:01:03And to Cardinal Mendoza's niece
00:01:04I'd like something like this, but simpler, without so much flair.
00:01:08Like your sister's
00:01:09But not all the women in my family have gotten married
00:01:13This is yours
00:01:14Your mother gave it to you first.
00:01:15To marry you
00:01:17Does it hurt a lot?
00:01:18It's not the neck wound that hurts, Martin
00:01:21Your father and I were just friends
00:01:23Are you dating?
00:01:25You two were boyfriend and girlfriend before he married my mother
00:01:28I know everything
00:01:29Yeah
00:01:31Your father and I were boyfriend and girlfriend
00:01:33Swear to me that you don't love him like you used to.
00:02:01You can't love your first love again.
00:02:05It was him
00:02:06He attacked Irene
00:02:08Who ordered you to attack my niece?
00:02:10Answer!
00:02:11Whoever gets both parts will be able to open the medallion and see what it hides inside
00:02:15I cut out the letter
00:02:26I've come across a giant
00:02:28Big, big, big
00:02:29Like a mountain
00:02:31Since you're here, good sir
00:02:32When you cut someone's tongue, it's so they can't speak.
00:02:35I can't think of any other reason
00:02:36Are you still conscious?
00:02:47Most should say it first.
00:02:51He deserved it
00:02:56I haven't caught your master
00:03:00Don't worry
00:03:01You will hear from me
00:03:05Come on
00:03:07That's awesome!
00:03:08But lately you've been
00:03:09He can't get anything right.
00:03:11It's been so hard to find that darn medallion
00:03:15The only clue we had
00:03:16That crazy guy was walking by
00:03:17And we are being robbed.
00:03:18I don't think that goldsmith was that crazy
00:03:20Someone has had it closed there for over 20 years
00:03:23And I still don't know why.
00:03:25Whatever you say
00:03:27But in the end, we are back to the beginning of time.
00:03:29I wasn't even going to find out where that goldsmith was.
00:03:36I usually imagine the next mess we're going to get ourselves into.
00:03:39And put it in my hands
00:03:39Now we have to start all over again, Sato
00:03:42But I assure you I will find out who I am
00:03:45Sure?
00:03:47But before that I have to go to the doctor
00:03:51It's because of the herbs he gave me
00:03:52I don't know if I was supposed to rub them or drink them
00:03:54The thing is, I tried it, you and...
00:03:57Nobody does
00:03:59Thank you very much, Father José
00:04:01And don't worry, my son will be there for the eight dives.
00:04:05Good evening, Catalina
00:04:06Good night, with God, Father
00:04:08So I did it right, Mom?
00:04:10As?
00:04:10But you've had me on the edge of my seat the whole mass!
00:04:13You looked like a little angel up there.
00:04:15Come on, give me a kiss
00:04:18My son, smell that goat that throws you backwards
00:04:20Go on, pull it out and bring it to me so I can wash it.
00:04:22That one must go to mass, but that it be very clean
00:04:24And hurry up, we have to get up early tomorrow.
00:04:42The Virgin
00:04:43But what are you doing here?
00:04:47Nothing, I just came to see if the doctor was there
00:04:49You should leave?
00:04:51I haven't seen anything at all.
00:04:52But get out of here, you pig, pull from here
00:04:54I've come to see the doctor about...
00:04:58The Blessed Virgin Mary
00:05:02Thank you, Catalina
00:05:02Pull from here, you pig
00:05:03Strip
00:05:05Pig
00:05:08I love
00:05:10I love that I'm cured, look
00:05:12Holy, Holy
00:05:13What a day we're washing up there by province
00:05:15He doesn't know what that woman is hiding, love
00:05:17What a mountain range, look!
00:05:19Holy, no, don't go in like that
00:05:20Look, don't go in.
00:05:23I love it, it feels too small inside
00:05:24Look
00:05:25That I have healed
00:05:41Majesty
00:05:42I came as soon as I received your letter
00:05:45Has something happened?
00:05:47I have something for you, Marchioness
00:05:49Let's say it's a reward
00:05:51For the favors rendered to the crown
00:05:57Serving Her Majesty has always been a great pleasure
00:06:00Of course, if His Majesty wishes to reward me
00:06:02I will not be the one to impose their desires on me.
00:06:06I'm going to give you a husband
00:06:11A husband
00:06:13I want you to marry Don Fernando de Orduña
00:06:15I have managed
00:06:18But
00:06:19Your Majesty, I barely know you
00:06:21And when has that ever been a problem for you?
00:06:26You've been alone for many years, and a woman needs a man by her side.
00:06:29My favorite is one of the most important men in the kingdom
00:06:33He possesses titles and a considerable fortune.
00:06:36Of course, Your Majesty
00:06:38We have already started the procedures for the connection
00:06:44All that's missing is your signature
00:06:48I hope you do not dare to contradict your king
00:06:51As you wish, Your Majesty
00:06:55You may leave
00:06:56It's getting late and the queen is waiting for me
00:06:58Of course, Your Majesty
00:07:11God be with you.
00:07:12Good night
00:07:12Good evening, Father
00:07:20Why have you come back?
00:07:22What do you want?
00:07:22Where is?
00:07:24Don't know
00:07:26Leave
00:07:26Leave or call the guards
00:07:28Tell me
00:07:29Tell me where they are and I won't hurt them
00:07:31Don't know
00:07:32Where are they?
00:07:33Don't know
00:07:40What happened?
00:07:43Is anyone there?
00:07:44Is anyone there?
00:07:46That guard doesn't move
00:07:48Hey! Hey!
00:07:50Call to the guard!
00:07:51It's my father, José! Oh my God! Help!
00:07:53Call to the guard!
00:07:54It's my father, José! Oh my God! Help!
00:07:56Guard!
00:07:56Call to the guard!
00:07:57Help! Help! Please! Help!
00:07:59Aid!
00:08:01Guard!
00:08:02Help! Help! Please!
00:08:03Aid!
00:08:06Poor father, Joseph
00:08:10Nothing to be done
00:08:11He has died
00:08:11Very cool!
00:08:13But who could have done something like that?
00:08:14He was a Moor
00:08:15I've seen it
00:08:16A Moor!
00:08:17Okay, okay
00:08:18Are you sure?
00:08:19I'm sure
00:08:20May God have mercy on them, confess your sins
00:08:21They start by killing priests
00:08:23And they end up winning us back.
00:08:25Take one step at a time!
00:08:26Come on!
00:08:27Just now!
00:08:28We're on our way back!
00:08:33What happened here?
00:08:34He was a Moor
00:08:36He was killed by a mule
00:08:38Let them search everywhere for him
00:08:39Don't let it escape
00:08:39Yes sir
00:08:47That's not right, man.
00:08:48For God's sake
00:08:49Father José was such a good person.
00:08:50We are in a Catholic kingdom
00:08:52Nothing is respected anymore.
00:08:53With this commotion
00:08:57I pay you to work
00:08:59Not for telling neighborhood gossip
00:09:02Catalina, what's in the pot?
00:09:04Chicken, ma'am
00:09:04We were going to cook it with some vegetables
00:09:07Today we have a very important visitor.
00:09:09Throw it away
00:09:10Let them prepare something else.
00:09:14Chicken, don't throw it away, okay?
00:09:16I'm not going to throw away the chicken
00:09:18Or I wouldn't even mention it
00:09:20And whose business is this so important to?
00:09:22Chicken, yes, daughter
00:09:22Between inquisitors and cardinals
00:09:24Since it's not the Pope
00:09:26Good morning, princess
00:09:29Okay, okay, okay
00:09:30Where are you going dressed like that?
00:09:33Are
00:09:34Well, you look like a...
00:09:35Well, what the heck are you?
00:09:37You seem like a great man from Spain.
00:09:39Listen to this
00:09:41I'm going to ask for your hand in marriage.
00:09:42Before the king
00:09:45How to appear before the king?
00:09:46Do we have to ask the king for permission?
00:09:48To get married?
00:09:49It's a procedure
00:09:50Because all the nobles passed through
00:09:51Tranquita
00:09:53Come on, come
00:09:57Catalina
00:09:57And if he doesn't grant it to us, what do we do?
00:09:59Girl, how could he not grant it to you?
00:10:01If he's your cousin
00:10:02What are families for?
00:10:03For these things
00:10:06They've caught the Moor
00:10:08The commissioner's guards
00:10:09They've caught the Moor
00:10:10And they take him to the dungeons.
00:10:11I'm coming there right now.
00:10:12I want to see that bastard's face.
00:10:18It's because of this son of yours
00:10:19He has to see everything
00:10:21Now, let me tell you something.
00:10:23As soon as we find it
00:10:24I'm leaving
00:10:24These things aren't for me.
00:10:27Come, come
00:10:30And you?
00:10:31What are you doing here?
00:10:32We are waiting for them to bring the Moor.
00:10:34They're throwing him in the dungeon.
00:10:35Let him rot there
00:10:36Have you seen Alonso?
00:10:39I'll see if I can find it.
00:10:41A Moor
00:10:42Yeah
00:10:43A Moor
00:10:44A dungeon
00:10:45Sure, sure
00:10:46Come to this land!
00:10:50Come on!
00:10:51Dog!
00:10:54Ready!
00:10:55Blackbird.
00:10:57Blackbird, I Christian!
00:11:01Assassins!
00:11:04Blackbird to Spain!
00:11:10Blackbird!
00:11:11Blackbird!
00:11:12Blackbird, I Christian!
00:11:14Blackbird, I Christian!
00:11:22Here's the killer!
00:11:25You're not going to kill any more priests!
00:11:27Go back to Africa!
00:11:28Spain is ours!
00:11:31For acts of conspiracy, heresy, and murder,
00:11:36The Moor is condemned to die by stoning,
00:11:38for public ridicule and as an example of behavior.
00:11:41Sir, you will accept the laws!
00:11:43Come on, let's go.
00:11:45Come on, come on, let's go.
00:11:47What are you?
00:11:53Why is he looking at you like that? It seems like he knows you.
00:11:55Me? That Moor?
00:11:57He's not going to know me.
00:11:58Well, no, it's not something to stop looking at.
00:11:59He must have mistaken her for someone else, right?
00:12:02Come on, Eddie!
00:12:03Broncho, do what you say to yourself.
00:12:04This is no show.
00:12:41Good morning, mother.
00:12:42Good day, son.
00:12:44How did you sleep? Well?
00:12:45Yes, I'm glad.
00:12:47Come, sit down.
00:12:49There's something I'd like to tell you.
00:12:51What, mother?
00:12:52You see, child,
00:12:54I...
00:12:55I have some good news to tell you.
00:12:59I'm getting married.
00:13:01Really?
00:13:02Yeah.
00:13:05Finally, finally, finally.
00:13:08Mother, do you know how many times I've dreamed about this?
00:13:10It's just that I...
00:13:11I always saw the commissioner as a father figure.
00:13:14Nuño, no.
00:13:15I'm not going to marry the commissioner.
00:13:18is...
00:13:19with someone much more important.
00:13:22With the king's favorite.
00:13:26Yes, but...
00:13:27Why do you have to marry that man?
00:13:29I prefer the commissioner.
00:13:30Forget about the commissioner, kid.
00:13:32Yes, but I don't want that man to become my father.
00:13:34I don't want any father who isn't the commissioner.
00:13:36Nuño.
00:13:39Lady,
00:13:40Don Fernando Orduña wishes to see her.
00:13:47Comfortate.
00:13:50How nice.
00:13:52Marquise.
00:13:53I present to you my dear son, Nuño.
00:13:59Nuño.
00:14:00Say hello.
00:14:02I'm going to school.
00:14:07Don't worry.
00:14:08It's normal that it needs its time.
00:14:11I have something for you, Lucrecia.
00:14:24Is...
00:14:25a precious, exquisite jewel.
00:14:29It's the only piece of jewelry that wouldn't look out of place on you.
00:14:31No.
00:14:35No.
00:14:57Thank you!
00:15:33Thank you!
00:15:45Thank you!
00:16:23Thank you!
00:16:38So, does anyone know who the Moriscos are?
00:16:40Well, some are very dark because they are never washed.
00:16:43A very scientific explanation, Gaby.
00:16:45The Moriscos are Muslims who were born in Spain.
00:16:48and that they were forced to become Christians
00:16:50and that they were later expelled from this kingdom.
00:16:52But if they were expelled, why have they returned?
00:16:54Because they want to take away what belongs to us.
00:16:56Nuño!
00:16:57But the Spanish empire is ours and they're not going to steal it.
00:16:59They too were born here
00:17:00and they have the same right as all of us to live on this land.
00:17:04Or do you think you are superior to them?
00:17:06I don't like those people, Father.
00:17:08I don't know, they're not trustworthy.
00:17:11I don't want to live with Moriscos.
00:17:13Well, for someone who doesn't want to live with them, you use a lot of their things.
00:17:16The fact that?
00:17:17Well, for example, the calendar, the number zero,
00:17:21our way of counting, the mills, the paper
00:17:23and many advances in medicine and geometry.
00:17:26But apart from all that, they're all murderers.
00:17:30Alonso, bad people who make mistakes, and in all races.
00:17:33But that doesn't mean all Moriscos are murderers.
00:17:40Some Moors have entered the monastery where my little Murillo is watching over Father José.
00:17:44They're going to kill him.
00:17:46They're going to kill him.
00:17:56I didn't know you were in love, Lucrecia.
00:17:59She has been very discreet.
00:18:02And who's been talking about love?
00:18:04This is nothing more than a business.
00:18:05Although, to be honest, I think I could fall in love with him.
00:18:11What do you want, Lucrecia? I have a lot of work to do.
00:18:14Well, that's it. I'd prefer you find out from me.
00:18:17But if you have so much work, you'll find out soon enough.
00:18:19What's happening?
00:18:21The next time you come to the palace, there will be another man.
00:18:27Excuse me, ma'am.
00:18:32I'm getting married.
00:18:34I'm marrying the king's favorite.
00:18:36We have already started the procedures for the marriage.
00:18:39Can anyone tell us why there's so much urgency?
00:18:42Hernán, you've already made your plans with Irene.
00:18:44I don't see how this could affect you.
00:18:46I didn't say it affects me.
00:18:48Yeah.
00:18:49It's clear that my life stopped mattering to you a long time ago.
00:18:51People change, Lucrecia.
00:19:00If you ever feel the same way again,
00:19:04You know that when the Marquis was alive,
00:19:08I didn't have any problems either.
00:19:14I told you I wouldn't share you with even the king himself.
00:19:18I won't do it with the valid one.
00:19:22Fernando.
00:19:24I think you already know each other.
00:19:26Fernando de Orduña, my fiancé,
00:19:28Hernán Mejías, a good friend.
00:19:31Mister.
00:19:32You must be a very good friend of my fiancée.
00:19:34when they receive his alcove.
00:19:37Commissar.
00:19:39A group of Moriscos has taken over the monastery of San Esteban.
00:19:45Come on!
00:19:46Out!
00:19:48Come on, you restless ones!
00:19:49Come on, you restless ones!
00:19:52Come on, you restless ones!
00:19:55Come on, you restless ones!
00:19:55Come on, you restless ones!
00:19:56Silence!
00:19:58Silence!
00:19:58Where is!
00:19:59Where is?
00:20:00Where is?
00:20:01I don't know anything.
00:20:02Where is?
00:20:03I don't know anything.
00:20:04Nemi!
00:20:04You have no idea!
00:20:05No, let it go!
00:20:07No, let it go!
00:20:20No, let it go!
00:20:25No, let it go!
00:20:30No, let it go!
00:20:31No, let it go!
00:20:32No, let it go!
00:20:34No, let it go!
00:20:35No, let it go!
00:20:37No, let it go!
00:20:39We just want them to tell us where they are.
00:20:45Don't give them back
00:20:50What should they give you back?
00:20:53What are you looking for?
00:21:00Hello!
00:21:16Kill them all! Shoot!
00:22:05A gift?
00:22:06Whose?
00:22:07I don't know, Your Majesty
00:22:19I remind you that all I need is your support.
00:22:22To begin the life that is meant for me in the Vatican
00:22:31Don Juan de Calatrava
00:22:33Duke of Velasco and Fonseca
00:22:38Majesty
00:22:42I've been seeing you around the Palace a lot lately
00:22:44What brings you here this time?
00:22:48I come to pledge my loyalty.
00:22:50And to request your blessing to marry my fiancée
00:22:53Margarita Hernando
00:22:54We would like, if possible, to begin the life that is rightfully ours as soon as possible.
00:23:01Before signing your permission
00:23:04I would have to meet your fiancée.
00:23:08To meet her?
00:23:09As you will understand
00:23:10We Austrians cannot allow our family to be settled by just any stranger.
00:23:17As you wish, Your Majesty
00:23:46With my skull
00:23:52What happened?
00:23:54Hey?
00:23:54No, a plate that I dropped
00:23:57I drop things, love, I'm a short-haired guy
00:24:00You know this world isn't made for short people, love
00:24:05Satur
00:24:06I think we should free the Moor.
00:24:11What Moorish?
00:24:12The one who killed Father Jose
00:24:13As?
00:24:14Why do you want to release that man?
00:24:17A priest has been killed
00:24:18No, I'm not going under any circumstances, I love
00:24:20Satur, there's something very strange here.
00:24:22And that man is the only one who can tell us why the Moriscos have returned.
00:24:25We need to talk to him
00:24:25And give it to him
00:24:27I don't need to talk to any Moor.
00:24:29I know perfectly well what they've come for.
00:24:32They've come to nothing good.
00:24:33No, Satur, they're looking for something.
00:24:35The Moors in the monastery seemed desperate.
00:24:37I need to know why.
00:24:38You leave that Moorish TAC guy alone
00:24:40That's fine
00:24:42Are you listening to yourself?
00:24:44What's happening?
00:24:45I agree with him.
00:24:47No
00:24:47And I don't recognize you, Satur
00:24:50Don't you think they deserve at least the benefit of the doubt?
00:24:52Neither the benefit of doubt nor any other benefit
00:24:55He is a Moor
00:25:38Where are your people hiding?
00:25:40He doesn't hide
00:25:46Continue
00:25:52We cannot allow events like those of this morning to be repeated.
00:25:56You have to make him confess before he is stoned.
00:25:59Eminence
00:26:01I've tortured many men in my life and I know when they won't talk
00:26:05This hell will betray its own even if we tear its skin to shreds.
00:26:08Well, tear it off if necessary.
00:26:12We must preserve our position vis-à-vis the Vatican
00:26:15I will not tolerate further attacks on members of the clergy.
00:26:26As some of you know
00:26:28Fernando de Orduña and I are going to get married soon.
00:26:33And that means he will now be the master of the house
00:26:38I hope you know how to treat him as he deserves.
00:26:41Mister
00:26:42It will be a pleasure to serve you in any way we can.
00:26:45The pleasure will be mine to have you at my service.
00:26:48Come here, dear.
00:26:49I will continue showing you my palace
00:26:50Here
00:26:52Ladies and gentlemen
00:26:54Delighted
00:27:02Okay, okay, okay, okay
00:27:03What a man, what bearing, what class
00:27:06My daughter, for God's sake
00:27:07Tall, handsome, educated
00:27:08I thought there weren't any of these left.
00:27:09Daisy
00:27:10Juan
00:27:12What did the king tell you?
00:27:14Did he say yes?
00:27:15No
00:27:16Well, he hasn't said yes or no.
00:27:18He said that before
00:27:19He wants to meet you
00:27:20But, but, why would the king want to meet me?
00:27:23I'd say that man has more important things to do, wouldn't you say?
00:27:26My daughter, for God's sake
00:27:27This wedding is an obstacle every single day.
00:27:30But, let's see, Juan
00:27:31Is it normal that I have to go?
00:27:34Or are these things for nobles?
00:27:35Don't worry, everything will be alright, okay?
00:27:37Peaceful
00:27:40Mister
00:27:42You're Catalina, right?
00:27:43Yes sir
00:27:44I wanted to ask you something
00:27:45Whatever you wish, sir
00:27:47Does my future wife receive many visitors?
00:27:50Oh, visits
00:27:51Well yes
00:27:52Every other day
00:27:53Come on, she's really into inviting people to dinners and parties.
00:27:56She is very splendid, my lady.
00:27:57Already
00:27:58I don't think you're understanding me, Catalina
00:28:01I was referring to visits in her bedroom
00:28:07Mister
00:28:09With all due respect
00:28:11The lady's bedroom belongings stay in her bedroom.
00:28:15That's to your credit.
00:28:17Just don't forget that from now on, her bedroom is also my bedroom.
00:28:21Yes sir
00:28:22Oh, yes, and one more thing
00:28:24I want the key to all the doors of the palace
00:28:27Well sir, you should talk to the lady about it because I have orders.
00:28:29From now on, I am the master of this house, and it is I whom you must obey.
00:28:34Yes sir
00:28:35The keys
00:28:42I like you
00:28:44You're one of those who learns quickly
00:29:02Come on, try to give him the eyes
00:29:05Lonzo
00:29:06Can you tell me what you're doing?
00:29:09Justice, we are doing justice.
00:29:12Justice
00:29:12We cannot let the dead get away with it
00:29:15You haven't listened to anything I've told you at school.
00:29:18Of course we've heard you
00:29:20But these are not as you say
00:29:21These are killing people
00:29:23To innocent people
00:29:24And you're going to fix it by throwing stones at them?
00:29:26We must defend ourselves
00:29:27We cannot stand idly by.
00:29:29Because being good is one thing.
00:29:31And it's quite another thing to let them kill your own people.
00:29:33Come on
00:29:35Come on
00:30:04Subscribe to the channel!
00:30:34Subscribe to the channel!
00:30:41How similar is the sound of a rattlesnake
00:30:44To the one with the gold coins falling
00:30:48Bring me the gold you promised me
00:30:49And I will give him the medallion.
00:30:52I'll be waiting for you in two nights
00:30:55In front of the church of San Felipe
00:31:05You can't say we haven't given you the opportunity to speak
00:31:08I want you to stay put
00:31:09No food or drink
00:31:10Until I give the order in your city
00:31:12And you keep searching
00:31:14Car flights
00:31:15And you keep looking for them
00:31:16And you will have to be
00:31:16Yes sir
00:31:17Come on
00:31:24Subscribe to the channel!
00:31:35Subscribe to the channel!
00:31:44Subscribe to the channel!
00:32:14Subscribe to the channel!
00:32:17I am nobody
00:32:19I don't know what you're talking about.
00:32:20Come on
00:32:20We all thought you were dead
00:32:22Do not touch me
00:32:24You don't know me at all
00:32:25Come on
00:32:27Come on
00:32:28Don't come back
00:32:53Forward
00:32:54Do you have her permission, ma'am?
00:32:56Yeah
00:32:57Happens
00:33:00Leave it there
00:33:00And then the other one
00:33:01What's wrong, Catalina?
00:33:03What is all this?
00:33:05Your new dresses, ma'am
00:33:08My new dresses?
00:33:10Yeah
00:33:10The Lord commanded us
00:33:12Remove your old suits
00:33:13And put in the new wardrobe
00:33:17I had forgotten
00:33:18They were arriving today.
00:33:20Come back later
00:33:22I want to finish breakfast
00:33:23Very good
00:33:24Come on
00:33:28Ma'am, with your permission
00:33:53Good morning, dear
00:33:54Good morning
00:33:58Didn't you like my outfit, darling?
00:34:01I don't think it was entirely appropriate
00:34:03Don't you like dresses?
00:34:05What did I ask you to do?
00:34:05They are from the best tailor in the court
00:34:08I know that tailor
00:34:10It is very popular among novices
00:34:12And the pious women
00:34:13You're going to be the wife of the king's favorite.
00:34:16You can't strut
00:34:17As if you were a courtesan
00:34:19There is a big difference
00:34:21Between a courtesan and me
00:34:23Is there one?
00:34:27I'm going to take a bath
00:34:30Not yet
00:34:35I am your fiancé
00:34:36And as a future husband
00:34:38I have some rights
00:35:00Don't move
00:35:03Ask the man who was with you yesterday
00:35:05We will not forget him
00:35:06You understand?
00:35:08You understand?
00:35:09No, no, no, don't forget me
00:35:30If you keep rubbing like that
00:35:31We're going to have to re-varnish the table
00:35:33You don't like how I rub, do you?
00:35:35Well, here, take the cloth and give it to him.
00:35:37Is something wrong?
00:36:05Not me?
00:36:07What you have to do is wait for him to ask you.
00:36:10Not even if you're honest
00:36:11Even if you're honest
00:36:12We're already here
00:36:13With sincerity and by being yourself
00:36:15Gonzalo, these are not Juan's parents.
00:36:17Who is the king?
00:36:19And the king, well, it's not like...
00:36:22Well, I'm off, I'm running late
00:36:31Where is Saturn?
00:36:32And so?
00:36:34That the Moor
00:36:35Moorish man who has escaped
00:36:38They are looking for Saturn and want to kill him.
00:36:40He told me to tell him that they haven't forgotten him.
00:36:44And it gave me this
00:36:46Okay, okay, calm down.
00:36:47I'll take care of it
00:36:47OK?
00:36:50Alonso
00:36:55Saturn, Saturn
00:36:57What wants to kill you?
00:36:58Me?
00:36:59I'm already dead
00:37:02Alonso, leave us alone
00:37:03Go to your room
00:37:12You're drunk
00:37:15What kind of person are you?
00:37:17He doesn't miss a thing
00:37:19What's happening?
00:37:20Can't I have a few glasses of wine?
00:37:22Of course, because you're so perfect.
00:37:24No?
00:37:25Yeah, yeah, Sato
00:37:27You know that if you have any problems
00:37:28You can trust me
00:37:29Me outside of my working hours
00:37:31I can do whatever I want, let's go
00:37:32So, why is this happening to you?
00:37:35You're not like that.
00:37:36What do you know about me?
00:37:39You know nothing about me
00:37:42Okay, very good.
00:37:43You take a while
00:37:44And then we'll talk.
00:37:45You are not at peace now.
00:37:51Mind your own business
00:37:53He has enough to deal with.
00:38:16Good morning, ma'am
00:38:19I haven't had time to...
00:38:21Come on, I wanted to
00:38:23If you'll allow me
00:38:24Congratulations on your marriage
00:38:25With the valid
00:38:26You can see he's a man
00:38:27As God intended
00:38:29Leave me alone
00:38:31Don't you want me to soap you up, ma'am?
00:38:32Get out of here
00:38:34Yes, ma'am
00:38:37With your permission
00:38:46How are you this morning?
00:38:48Not even with the piece of valid
00:38:50He's taken that woman for a husband
00:38:51His character softens.
00:38:52Well, I have to take her the dress.
00:38:53Well, you're not laughing at the profits.
00:39:02Go away
00:39:02Get out of here right now.
00:39:03Excuse me, Marchioness
00:39:10With your permission, Madam Marchioness
00:39:13She shouldn't let anyone treat her like that.
00:39:15However powerful the king may be
00:39:18If you let him put his hand on you
00:39:20Only once
00:39:21He's never going to stop doing it
00:39:23Believe me, what I'm talking about will happen.
00:39:28That man, my...
00:39:31Future husband
00:39:34He has simply taken by force something that already belongs to him.
00:39:36And there's nothing I can do about it.
00:39:39Please go away
00:39:41Is there anything I can do?
00:39:44What do you want me to do?
00:39:48Confront the king?
00:39:51He has imposed this marriage.
00:39:54You are the Marchioness of Santillana
00:40:01I'm just a woman
00:40:04And a woman is nothing.
00:40:08Noble
00:40:10Commoner
00:40:13We are all the same, Margarita
00:40:28Leave me alone, please
00:40:29What do you want me to do?
00:40:31No, no, no.
00:41:15No, no, no.
00:41:51No, no, no.
00:42:21No, no, no.
00:42:27No, no, no.
00:42:58I said I was going to stone a Moor and I'm going to stone him.
00:43:01We'll search high and low if necessary. They have to be somewhere.
00:43:04Tamir! Let me go, commissioner! Commissioner!
00:43:07No! Let me go!
00:43:09Let it pass!
00:43:13What are you doing here, Nuño?
00:43:15You have to help me. It's because of my husband.
00:43:17Nuño.
00:43:19Your mother is free to marry whomever she chooses.
00:43:21You have to be strong and face this like a man.
00:43:23No, that's not it.
00:43:25This morning I saw my mother in the bathtub and...
00:43:27And his body was covered in bruises. He did it to himself.
00:43:33You have to help us, please.
00:43:35Please.
00:43:59You have to help us, please.
00:44:03You have to help us, please.
00:44:04You have to help us, please.
00:44:32You have to help us, please.
00:44:35He is my father.
00:44:40He's my uncle.
00:44:45And she...
00:44:48She is my mother.
00:44:51Your mother?
00:44:58And what are they doing here?
00:45:01You were right.
00:45:03They've come for a reason.
00:45:04They have come for their children.
00:45:07When they were expelled, they left the babies with two priests.
00:45:12And they promised that they would take care of them.
00:45:16Father José and Father Ramón.
00:45:20Yesterday they went to look for them at the monastery, but...
00:45:26Well, you already know what happened.
00:45:28They have stolen our children and they won't tell us where they are.
00:45:34They just want to get them back and leave.
00:45:36They don't want anything else.
00:45:41Commissioner, the Marchioness cannot see you at this time.
00:45:44Stop, please.
00:45:47Commissioner, the new boss has ordered that no one be allowed to enter.
00:45:51And even more so as not to upset him.
00:45:54For God's sake, stop.
00:45:55Please.
00:45:56The gentleman has said that no one can see the marchioness tonight.
00:45:59Well, tell the gentleman to tell me personally.
00:46:02Commissar!
00:46:15For God's sake, commissioner, go away.
00:46:19Go away, for God's sake.
00:46:22Go away.
00:46:24Go away, for God's sake, go away.
00:46:34Go away!
00:46:43Go away!
00:46:45of the Palace.
00:47:11All good?
00:47:13Yeah.
00:47:17So you're a Moor?
00:47:21No, no, I don't really love.
00:47:24When I had been in the orphanage for six years,
00:47:26Tuesday, sleeping with your hands tied
00:47:28and that they would beat me up,
00:47:31One day I said, well, I'm leaving here.
00:47:34And so it was done.
00:47:37I spent some time on the street
00:47:38that not even the dogs would look at me.
00:47:42Until one fine day
00:47:44A woman appeared
00:47:45who offered me some food.
00:47:49But, love,
00:47:52I still remember the smile
00:47:53of that woman.
00:47:55No one had ever smiled at me like that in my life.
00:47:58Your mother?
00:48:00Because he wants us to say yes.
00:48:02She wasn't my mother, but she might as well have been.
00:48:05He would take me to his house and I would immediately become one of them.
00:48:10But you had to live in hiding.
00:48:13You have no idea what anguish it is.
00:48:16They caught one every day.
00:48:17and we never knew who was next.
00:48:21It was inhuman.
00:48:23And if they fled to Africa,
00:48:25Why did you stay?
00:48:27Well, because I enlisted in the army when I was 15.
00:48:30As a drummer, you see.
00:48:33The troops were at a minimum.
00:48:34and they'd take anyone.
00:48:38And one day, while battling in Flanders
00:48:40against the French,
00:48:41a colleague of mine,
00:48:43a lad like me,
00:48:44He died burned alive.
00:48:46The poor man's face was a mess.
00:48:48to recognize him.
00:48:50So I didn't hesitate,
00:48:51I put my suit on him,
00:48:53I changed my chain to one with my name on it
00:48:55and I even put the drum with the drumsticks on it,
00:48:57who doesn't see what it cost me.
00:49:03I don't know if it was the best decision of my life
00:49:06or the most cowardly, master.
00:49:12But I knew that from that moment on
00:49:16My life was starting anew.
00:49:19And I never had to hide again.
00:49:22You were 15 years old.
00:49:24You can't blame yourself for that.
00:49:28But I made my family believe it
00:49:30that she was dead.
00:49:35And there is something even harder for a mother
00:49:39to hand over his son.
00:49:45I ended up with a smile
00:49:46of that woman forever, I love.
00:49:58You have to help me
00:49:59to find those children.
00:50:01I know that's been going on with me lately
00:50:02It's a constant cycle of asking him for things,
00:50:03But after what they did for me
00:50:06the least I can do
00:50:07It's about giving their children back to them.
00:50:11At least you've paid them back.
00:50:13to one of them.
00:50:56Commissioner, are you alright? What happened to you?
00:51:00Gather your best men first thing in the morning.
00:51:04We are going to enter the palace of the Marchioness of Santillana.
00:51:23Good morning, Artur. How are you? Are you okay?
00:51:28Of course, you can't see me. I'm perfectly fine.
00:51:31Hey, Artur. If you ever needed me to help you with anything, you'd just tell me, right?
00:51:41Of course, Alonso. You'd be the first.
00:51:46Go on, head to school. Your father told me he's waiting for you there. Come on, go.
00:51:48Okay.
00:51:49Here. For the road.
00:51:52Come on, Alonso, I'll go with you.
00:51:55How beautiful.
00:51:56Good heavens. Excuse me, but you look like the Venus of...
00:52:02Well, the one who will paint Venus.
00:52:04Thank you very much, Artur. I'm going to the royal palace.
00:52:07In the end, the king has to give us permission to get married.
00:52:10The king?
00:52:11Yeah.
00:52:13So, if they give us permission, can you marry us?
00:52:19Well, let's hope he gives it to us.
00:52:21Come on, let's go to school, you're going to be late.
00:52:25Bye bye.
00:52:26Bye bye.
00:52:32Bye bye.
00:52:40Mother.
00:52:42Mother, what are you doing here?
00:52:45No, it's just that he can't go through the street.
00:52:47Does he really think that just because he's wearing this on his head people won't notice?
00:52:50that you Moorish.
00:52:51I've only come to say goodbye, Artur.
00:52:55We're leaving.
00:52:57Are you leaving?
00:53:00And the children?
00:53:02We don't know where else to look for them.
00:53:07They're surely dead.
00:53:13Forgive me, mother.
00:53:17Forgive me for everything I've done to you.
00:53:18Artur, Artur.
00:53:20You can't imagine how happy it made me to see you again.
00:53:23And to know that at least you are alive.
00:53:26That alone makes me realize that everything else has been worth it.
00:53:37My little one, Artur.
00:53:40My little one.
00:53:41My little one.
00:53:56He must have a lot to atone for when he charges with such force.
00:54:03Who are you?
00:54:05What do you want from me?
00:54:06He knows perfectly well why I've come here.
00:54:09Tell me where the children of the Moriscos are.
00:54:13We were just following orders.
00:54:15Father, don't try to cleanse your conscience with me.
00:54:18And tell me where I can find them.
00:54:21I didn't want to.
00:54:22I didn't want to.
00:54:24But we couldn't do anything else.
00:54:26They were orders from the Inquisition.
00:54:32Tell me where those children ended up.
00:54:34Or I assure you I will finish you off right here.
00:54:37No.
00:55:07Well, goodbye.
00:55:11Little girl, Lucrecia, how are you?
00:55:14He told me, child...
00:55:20I will not allow anyone to hurt you.
00:55:22I'm fine, Hernán.
00:55:23But mother...
00:55:24I said I'm fine.
00:55:26I don't need anything.
00:55:28Hey, commissioner, how long has it been?
00:55:32Fair.
00:55:32Fair.
00:55:33I was telling the commissioner that we were about to go hunting.
00:55:36What if she comes with us, Mother?
00:55:38I'm sorry, but it's a hunt for nobles only.
00:55:47Have a good hunt.
00:55:52A pleasure as always, sir.
00:55:54You know you're always welcome at the palace.
00:55:58Lucrecia.
00:56:02We're leaving.
00:56:12Murillo is very sad since what happened at the monastery.
00:56:16We have to do something to cheer him up.
00:56:19We would have to stone a real Moor.
00:56:22That would definitely cheer him up.
00:56:24I don't know, Gaby.
00:56:27Don't say anything about the Morescos, okay?
00:56:32Ah, look at that rock.
00:56:39Look.
00:56:41The stone that Gaby has found.
00:56:43Here, it's all yours.
00:56:44Teacher.
00:56:45Look.
00:56:47It has an engraving.
00:56:49Where was I?
00:56:51Well, here, with the other stones.
00:57:12What's the matter?
00:57:14What's up, Juan?
00:57:14That?
00:57:15Are you experiencing a feeling of overheating?
00:57:17No, no, don't worry.
00:57:18You look gorgeous, gorgeous.
00:57:20Peaceful.
00:57:27Don Juan de Calatrava.
00:57:29You who are from Velasco and Fonseca.
00:57:31and Margarita Hernández.
00:57:37Majesty.
00:57:38Come closer.
00:57:41What do you think?
00:57:44Holy Virgin, but it really does look like her.
00:57:48I think that's enough.
00:57:50Thank you, Diego.
00:57:51Come on, maybe.
00:57:57Come, Margarita.
00:57:58Let me look at you.
00:58:08I see you have very good taste,
00:58:10Duke of Velasco.
00:58:11Now that I know you,
00:58:13I'm sure
00:58:13about what
00:58:14my family
00:58:15It will improve with your beauty.
00:58:19I will sign your permission.
00:58:21Thank you, Your Majesty.
00:58:22Thank you so much.
00:58:25Before you leave,
00:58:28I assume you're aware
00:58:29of our problem with Portugal.
00:58:32I am familiar with your military career
00:58:33And I need trustworthy men
00:58:35on the front lines of battle.
00:58:38But, Your Majesty,
00:58:40I don't...
00:58:41Years ago
00:58:41I laid down my weapons to save lives.
00:58:43You will go to war.
00:58:47And when you return,
00:58:49You will be able to get married.
00:58:51That?
00:58:54As you wish, Your Majesty.
00:59:11Cane!
00:59:36You're going to be an excellent wife,
00:59:37Without a doubt, Lucrecia.
00:59:42Mister?
00:59:46Are you okay, Mom?
00:59:48Yeah.
00:59:49I'm fine.
01:00:11Fire.
01:00:14The drawing on the stone,
01:00:15which is a fire.
01:00:16Do you recognize this symbol?
01:00:18It's an Arabic sign
01:00:19to ask for help.
01:00:22Where did that stone come from, master?
01:00:24They come from the youth academy
01:00:25which is next to the monastery.
01:00:31What is she doing here?
01:00:35He has come to say goodbye.
01:00:37I've been thinking about leaving.
01:00:40No, it's too risky.
01:00:41He'd better hide in my bedroom
01:00:42until we return.
01:01:03No, it's too risky.
01:01:22that it never happens again.
01:01:36Don't worry, Murillo
01:01:37You'll see, my father has kept your skin in his bedroom
01:01:44It's a molisca
01:01:46No, I'm not going to hurt you.
01:01:48Mother! Mother!
01:01:50Do not move
01:01:52Guáñez! Guáñez!
01:01:53Mother! Mother! Don't move!
01:01:56Mother!
01:02:21You sons of bitches!
01:02:23They've had them working like animals all these years.
01:02:26What a mother!
01:02:27What a mother!
01:02:28What a mother!
01:02:28Subscribe to the piano!
01:02:48Come on! I said get up!
01:03:16I am free!
01:03:18Come on!
01:03:19Still!
01:03:19Come on!
01:03:25Still!
01:03:26Still!
01:03:31Come on!
01:03:47Come on!
01:04:12Come on!
01:04:14Come on!
01:04:15Come on!
01:04:16Come on!
01:04:18Out!
01:04:24Look at them.
01:04:26Poor things.
01:04:27They've been tied up for so long they don't even know how to run.
01:04:31So, I'm going to look for your mother.
01:04:33I'll take them to their parents.
01:04:35My suit is clean.
01:04:36Come on, run!
01:04:37Pazorroso.
01:04:38Come on!
01:04:39Come on!
01:04:40I'm free!
01:04:41Come on!
01:04:45Come on!
01:04:56Come on!
01:05:05Come on!
01:05:10Come on!
01:05:15Come on!
01:05:18Come on!
01:05:22Come on!
01:05:23Come on!
01:05:38What are you going to do?
01:05:52You're going to shoot me!
01:05:54Bitch!
01:05:57You're going to shoot me!
01:05:58Come on!
01:06:00Come on!
01:06:30Come on!
01:06:31Come on!
01:06:33Come on!
01:06:34Come on!
01:06:35Satur!
01:06:38Aluncillo!
01:06:39Are you here?
01:06:41Go on, go.
01:06:43Go get some water.
01:06:44Run, son.
01:06:45No no.
01:06:47Satur.
01:06:49You don't have to worry about them anymore.
01:06:53That...
01:06:54They won't hurt you anymore.
01:06:56That?
01:06:58Who are they?
01:06:59The Moriscos, those guys.
01:07:04They wanted to kill you.
01:07:06Gaby, I...
01:07:07You?
01:07:08What have you done?
01:07:15No...
01:07:15We found a Moorish woman in my father's room.
01:07:21We called the guard.
01:07:24We thought they wanted to kill you.
01:07:26Meat to me.
01:07:30That's my mother, Alonso.
01:07:33She is my mother.
01:07:46It's coming out, it's coming out.
01:07:48Let him see that Moorish woman's face.
01:07:52Murderess.
01:07:53Emissions!
01:08:00More etema.
01:08:03Have you done it?
01:08:04Is the company aTS aftermarket?
01:08:07Mystery!
01:08:09He kept his share!
01:08:10Aubis!
01:08:11To the chalk!
01:08:13To a murderer!
01:08:16What are you going to do?
01:08:18A dirty one!
01:08:19At a close!
01:08:34Guards! Retreat!
01:08:36Back!
01:08:41Kill her!
01:09:10Kill her!
01:09:11Kill her!
01:09:13Kill her!
01:09:16Kill her!
01:09:17Kill her!
01:09:18Kill her!
01:09:21Thank God.
01:09:29My son and I...
01:09:31It will take us a while to recover from this loss.
01:09:34You are undoubtedly unlucky with your husbands, Marchioness.
01:09:39Go home and rest.
01:09:41You must be exhausted.
01:09:44Thank you, Your Majesty.
01:09:55Your Majesty, I regret the death of your favorite.
01:09:58Not really. He had a suspicious relationship with the Kingdom of France.
01:10:03Did he have him killed?
01:10:04No.
01:10:06I just wanted to have it under control.
01:10:09His death has been...
01:10:10lucky accident.
01:10:12with the kingdom of France...
01:10:23Kill her, not in V.C.!
01:10:40C.
01:10:51No, no, no.
01:11:17Good night.
01:11:20Good night.
01:11:24Are you OK?
01:11:31What's wrong? Why are you crying?
01:11:34The king...
01:11:40Why is Juan sending me to war, Gonzalo?
01:11:42No, no, no.
01:11:49No, no, no.
01:11:56No, no, no.
01:12:45No, no, no.
01:13:10No, no, no.
01:13:25No, no, no.
01:13:54What's wrong with my son, Renan?
01:13:56Order my brother released immediately, commissioner.
01:13:59I can't move my legs.
01:14:01He could become disabled.
01:14:05It has a secret combination.
01:14:07Really?
01:14:11I can't walk.
01:14:13I don't want to live.
01:14:15Get out of my house right now.
01:14:17Never come back.
01:14:19Take them to the store.
01:14:20Until their time comes.
01:14:26What time?
01:14:27What does it say?
01:14:28What time is it?
01:14:28No, come here.
01:14:29Whose time?
01:14:32Whose time?
Comentarios