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00:00:00Yago? What are you doing here?
00:00:03I'm here for an interview for a position in pediatrics.
00:00:06So why don't you hire Yago?
00:00:07I don't know him. I don't know him!
00:00:10Either you hire him, if you know him, then you go out to dinner with him.
00:00:12I would love to, Gostone, I would love to come live with you.
00:00:16I am absolutely delighted with him.
00:00:18I mean, I... I've won the lottery.
00:00:21Look, the dirty cop wants to set you up with him.
00:00:24That?
00:00:24If what I want to do is buy the motorcycle.
00:00:26Are you talking about...?
00:00:27Arancha, how are you? We'll give it to you whenever you want.
00:00:30Don't worry, these guys...
00:00:32You really don't care, do you? Because just anyone wouldn't have forgiven me.
00:00:34Having told that woman that you went out with Arancha.
00:00:38What did you say to my wife?
00:00:40That?
00:00:41And I decree provisional imprisonment for Cristóbal, Bejubea and Dos Sicilias.
00:00:45No, no, let's see, I'm innocent, okay? Innocent, your honor, let's see.
00:00:48Bring the accused out of the courtroom.
00:00:50No, no, it's this woman who's the one to blame for the whole store, she's a scoundrel.
00:00:52It's inside here.
00:00:53Look, Marichu, you're ungrateful.
00:00:54Look, all I've done is help.
00:00:56Helping to amortize Spanish prisons will be.
00:00:58Heal me for your life, you had nothing to do with Christopher and Benedict being in this mess now.
00:01:02jail.
00:01:02Look, the only thing I'm guilty of is trying to help them.
00:01:05What gift do I see, are they locking me up in jail?
00:01:08I need you to return the favor.
00:01:10We have to do what I believe we have to do.
00:01:15We have to kill a person.
00:01:17No, no, no, no, no, no, no, no, no.
00:01:49Hang in there, Anxonito, hang in there.
00:01:52Regulon.
00:02:07Anxon, don't you know how to knock on the door?
00:02:10Excuse me, Ochone, but you could have given us a heads-up too, you know? I mean.
00:02:12Sure, yes. Next time, before I shower, I'll send you a registered letter.
00:02:17Look, I know it's Iñaki's house, but the three of us can't share it.
00:02:21We need a little privacy.
00:02:23Privacy? You have all the privacy you want.
00:02:27I know perfectly well the days you have eaten legumes.
00:02:30Oh, really?
00:02:31Okay, Ochone, it'll only be a few days. Until Inua gets over his anger.
00:02:35And what if it doesn't go away?
00:02:37Anchón, and I'm saying this for you too, it can't be easy living with a partner.
00:02:41Don't worry about me.
00:02:43I'm delighted.
00:02:44Because I have a little affection for my wife.
00:02:46Otherwise, I'll stay with you forever.
00:02:51Come on.
00:02:55Fuck!
00:02:56Wow!
00:02:57Okay, well, come here.
00:03:00I'm going to have to call Coldo to see if he'll let me stay at his house because...
00:03:04That's not the plan.
00:03:06That's not the plan.
00:03:07Wow!
00:03:09You two are ruining my day.
00:03:10No.
00:03:22Yeah?
00:03:24Oh, sorry, I didn't see you, boss. What's wrong?
00:03:26That's what I say.
00:03:28What's happening?
00:03:29That which does not get stuck.
00:03:30Nothing's wrong. What's going to happen?
00:03:31Come on, José, I know you like the back of my hand.
00:03:33What's wrong that you don't want to tell me?
00:03:35Nothing, just Málaga, they're driving me crazy.
00:03:37Malaga?
00:03:38I was doing terribly this year, huh.
00:03:40I took one of them to get a stitch and I told him to save me three in Malaga.
00:03:43She has lost her ability to perform well again and I am sad.
00:03:45If there hasn't been a match.
00:03:47How do you know?
00:03:47José, I live with you.
00:03:49When Málaga plays, I find out, and so does the whole of Triana.
00:03:51Yes, I'm going to get myself into trouble with that, yes.
00:03:54I'm going to tell you, but sit down, you pee-pee-er.
00:03:57What do you mean you feel me, José?
00:03:58What's wrong? You're scaring me.
00:04:00Is something wrong with my daughter?
00:04:01No, sit down.
00:04:02To my father?
00:04:02No, no, sit down.
00:04:03To Ñaki?
00:04:03No, don't go telling your whole family.
00:04:06The thing is...
00:04:07Look, I didn't want to tell you before so as not to worry you.
00:04:09But the thing is, it scares me.
00:04:12Don Mejomea is in jail.
00:04:14Oh, what is that?
00:04:16Oh, what is that?
00:04:17You think it's nothing, little girl, but he's in jail as a prisoner, not as a visitor.
00:04:20I already knew that, darling.
00:04:21Yes, I already knew that.
00:04:23And why didn't you tell me before Don Mejomea, as if he were my father?
00:04:26That's precisely why.
00:04:26Because you're like his son, he didn't want me to tell you.
00:04:29The man didn't want to worry you.
00:04:31Is everything all right?
00:04:32Yes, everything is fine, everything is fine.
00:04:34And what is that man accused of?
00:04:35What is he accused of?
00:04:36If he's a good one, he's like a little boy, he doesn't make a fuss.
00:04:39Yes, he is not accused of anything.
00:04:40He accuses himself of saving Christopher's ass.
00:04:43As you can see, it wasn't a good idea, but all this will surely be sorted out.
00:04:46What if it's not resolved?
00:04:48They give you a pincho there for being one year younger, and it's not a tortilla pincho, you know?
00:04:51You just can't get used to dealing with those people, huh?
00:04:53I need to lend a hand, give me two days off.
00:04:55You're taking him away from my vacation IV drip, I have to go see him.
00:04:57Honey, look, as a friend I would give you a week.
00:04:59Honestly, but as a boss I can't, honey, I can't.
00:05:03Whenever something important happens, I'm not there, really.
00:05:07Baptism of the already and now this.
00:05:09Oh, look, I can do the video conference too.
00:05:11I'm sorry, my love, but you can't bring electronic devices into the house either.
00:05:15Are electronic devices not allowed?
00:05:17No.
00:05:18None?
00:05:18No.
00:05:19None whatsoever?
00:05:21Not even with a battery?
00:05:30He doesn't hesitate to watch my back, assuring me that nothing will happen to me.
00:05:32Well, you shouldn't have insisted that we leave the cell, man, this is playing with death.
00:05:36We might run into Don Luca or his henchmen.
00:05:40Please, these people are like dogs, they can smell fear.
00:05:43Will we have to leave the cell to throw our legs out?
00:05:45Yes, before he takes it away from us.
00:05:46But you realize that we still owe Don Luca what we owe him.
00:05:50Don't worry, just call them and ask José, he'll help us.
00:05:53Did you tell him, José, that I'm here?
00:05:55I didn't tell you not to say anything to him, that I didn't want to worry him.
00:05:59Sorry for doing everything possible to avoid being killed.
00:06:01Or what better than a slum to help us with prison problems?
00:06:04But José hasn't been to jail since he stopped playing Monopoly.
00:06:08Yes, but a cousin of his spent two years in jail, and that's ethical.
00:06:11Look at my cousin Borja, who is going into his.
00:06:15What's wrong with you guys?
00:06:17I'm just strolling around here like a gentleman instead of getting rid of the notary.
00:06:21Because many lawyers come to the prison, but none of the notaries.
00:06:24Are you messing with me?
00:06:24No no.
00:06:25The notary is the one at the bar.
00:06:30And do you know why they call it that?
00:06:32Because he loves stamping his signature on people's faces.
00:06:34And I'm going to stamp my pretty punch on your pretty face, because you don't comply with Don Lucas.
00:06:39Understood?
00:06:42You have until the end of the day to get rid of them.
00:06:44We are?
00:06:50I think it has made me feel alive.
00:06:53Me too.
00:06:57Well, if you don't have any more questions for me, we're finished.
00:07:02I have one.
00:07:05Please.
00:07:06My question is for Yago.
00:07:08When are you inviting her?
00:07:09Because here it's customary for the newcomer to treat.
00:07:12Hey?
00:07:12Combining means you have to invite someone new.
00:07:14Yes, "convidar" is also said in Galician.
00:07:16No, I'm just kidding, I didn't pay any attention to him.
00:07:18He's just messing with you, it's a typical hazing ritual.
00:07:21As?
00:07:21Hazing.
00:07:23Typical.
00:07:24You didn't tell me anything.
00:07:25I spent all morning paying.
00:07:30But I'm delighted, you know?
00:07:31Customs are sacred.
00:07:32If you'd like a queimada one day, or, well, if you don't like aguardiente, a coffee liqueur or a coffee.
00:07:38I'd be delighted.
00:07:40Oh, really, huh?
00:07:42Carmen, you were right when you said he was a sweetheart.
00:07:45Yes, she's lovely with children.
00:07:50Hey, Yago, I have a question.
00:07:52Look, over there in Galicia, you just call Galician-style octopus octopus or...
00:07:56Dust?
00:07:57Dust?
00:07:58Polvo con B, polvo a feira.
00:07:59Polvo a feira?
00:08:00Hey, Celia, I'm sorry.
00:08:01Let's see if you can do this for me.
00:08:03Look.
00:08:04Carmen, what?
00:08:05You have no idea how glad I am that I've finally taken action.
00:08:10But what are you saying, Dolores?
00:08:11I've been hiring people for a few months now.
00:08:14Yes, man, don't play dumb, you know perfectly well what I'm talking about.
00:08:17Those glances you two exchanged, huh?
00:08:18No?
00:08:19The little kicks under the table that I've received.
00:08:21No, no, that was me; I accidentally gave it to you when the pain crossed my mind.
00:08:25Look, I hired Yago simply because I had to cover for someone who was out sick.
00:08:29No more, no less.
00:08:30Yes, yes.
00:08:31Yes, yes.
00:08:32Yes, yes.
00:08:34Time will tell.
00:08:35Oh, Dolores.
00:08:36That?
00:08:37Okay, explain this Yago thing to me.
00:08:42Apa, Iñaki.
00:08:43How are you?
00:08:44Well, and above all, how are those two Basque pimpinellas doing?
00:08:47If you're referring to Peyo and Anchón, I've only managed to get them to say it.
00:08:51And you even more.
00:08:52Let's see, something has to be done about these two cenotes.
00:08:54I know, the crew can't be like this.
00:08:56Yeah.
00:08:56Well, as if it doesn't get them drunk and make them feel exalted in friendship.
00:08:59But anyway, how are you?
00:09:01How's it going down south?
00:09:02And most importantly, how is my little one?
00:09:04Well, gorgeous, she looks beautiful.
00:09:06If you see it, you'll eat it.
00:09:08The only thing is, I think you'll soon have to share it with someone else.
00:09:14Look, Koldo, he's months old.
00:09:16That will take at least 20 years.
00:09:17And 30, if that's better.
00:09:19Well, that's abnormal, man.
00:09:20I mean, Carmen has hired a new pediatrician there; I think she hired him herself.
00:09:24But he's the one who wants to get involved.
00:09:26As?
00:09:27Let's see, but what...
00:09:28Look, you're with Gochón and you're doing well, right?
00:09:30Well, she has the same right as you to rebuild her life.
00:09:33Yes, yes, yes, yes.
00:09:34Of course he has the right to rebuild his life,
00:09:36But if someone is going to be with my little girl for that long,
00:09:38I want to know even what brand of underwear he wears.
00:09:40It has flagged.
00:09:41Hey?
00:09:41The struggle has taught me.
00:09:44I mean, I want to tell you...
00:09:44No, look, don't get the wrong idea.
00:09:46I mean, he bent down and I saw him.
00:09:47Come on, and put up a flag...
00:09:48Okay, leave it to me, alright?
00:09:51I'll find out if this guy has a valid point or not.
00:09:54So that I can be close to your daughter, okay?
00:09:56Come on.
00:09:57Well, from sourdough.
00:09:59Goodbye.
00:10:02Hey, babe, by the way, this Tallago guy is really cool, huh?
00:10:05Let me tell you something, you can tell he's Galician, come on.
00:10:07if it didn't take 20 minutes to decide which tapa to eat,
00:10:10He didn't take any.
00:10:11But nice, huh?
00:10:12It's the same, then.
00:10:13Hey?
00:10:13Hello, Auntie, good morning.
00:10:14Hello, good morning, darling.
00:10:15Hey, Dad, I've been looking for a while.
00:10:17No, the tortilla from number three is coming out now.
00:10:18Eh, no, no, it's for me.
00:10:19What, the tortilla?
00:10:20No, the money.
00:10:21What money?
00:10:21The money is for studying a plumbing module.
00:10:23Oh my God, she wants to study!
00:10:25No, no, I want to fix faucets.
00:10:27But for that you have to study, man, come on.
00:10:28No, no, that's the best part of all.
00:10:30This is all about practice; I don't need to study for a degree.
00:10:32No, no, darling, she has to study.
00:10:35Or you'll see when he flatters Antonio, who's the one who got me into this mess.
00:10:37But what do you want to study, plumbing?
00:10:38Why did your colleague Antonio tell you that?
00:10:39No, no, no, not at all, I've always liked plumbing, besides,
00:10:42that more than one musosa madizo than I with blue, has not taken me ganos.
00:10:45Uh, the thing is, it costs two thousand euros.
00:10:47Two thousand euros?
00:10:49But please, what they teach you is how to fix a pipe or make a time machine.
00:10:53No, no, no, you can count on it.
00:10:54Oh really?
00:10:55I see it, I see it, yes, yes, yes, yes.
00:10:57Isabel and I have an investment fund for this kind of thing.
00:10:59And apart from Rosita's accordion lessons, which she no longer gave,
00:11:02The girl has one ear here and the other in the Canary Islands, no, no, no, no, I've done it.
00:11:05Hey?
00:11:05How lucky!
00:11:07Thanks a lot, bro!
00:11:08That's going to wrinkle my shirt.
00:11:09Take that to be recycled, I've already done my time for the day.
00:11:11And listen, you won't regret it, I'm serious, Dad.
00:11:16Come on, it's better that I'm a plumber than a bullfighter, like I wanted two months ago.
00:11:22Hey, Bebo!
00:11:23Hey, cool guy!
00:11:25Hey, Iñeki!
00:11:27Uh, no, I was coming.
00:11:29What time are we going to see Don Benjumea tomorrow?
00:11:31Weren't you going to come with me?
00:11:33Clear.
00:11:34The three of us are going.
00:11:35And when did you ever think I'd like to go with...
00:11:38With this one?
00:11:40And what about me with this one?
00:11:42Look, when I thought you'd be mature enough to sort things out.
00:11:47Hey Anchón, you've already sorted things out with Coldo, right?
00:11:49Well, Peyo, it's your turn.
00:11:51I am very mature, but I ordered the first one to go see Don Benjumea.
00:11:54Lie!
00:11:55I was the first one to ask Iñaki for it.
00:11:57I was there before you, ever since they went to jail.
00:12:00And me before the oral hearing.
00:12:02So I was the first, period.
00:12:04Me too, period.
00:12:05That's great.
00:12:06Okay, that's more than good.
00:12:07Okay, I'm leaving.
00:12:08No, no, no.
00:12:09I'm leaving now.
00:12:09No, I'll leave first.
00:12:10No, no, no.
00:12:10That's it, I've already left.
00:12:12I've already been.
00:12:13No, let two of them go, farting like two children.
00:12:16As if they were five years old.
00:12:17I'm telling you.
00:12:19Oh, that's all we needed.
00:12:20Take care of your child.
00:12:22Lest it bite me.
00:12:23Okay, Aunt Bego, this is Calla, alright?
00:12:24Not Chiqui Park.
00:12:26Ama, how are you?
00:12:28A chamomile tea, son.
00:12:31Tazano.
00:12:32Mug.
00:12:33They've already been assigned a judge for these people, maitía.
00:12:35Okay, judge.
00:12:36A certain Marisa Iturriaga.
00:12:38Marisa Iturriaga, but she's one of my own.
00:12:40A bad one.
00:12:41As?
00:12:42A tough woman.
00:12:44Very nice.
00:12:45Well, that law has put more than 90% of the defendants who have fallen into its jurisdiction in jail.
00:12:50hands.
00:12:50I won't say any more.
00:12:51With a bit of luck, Marichu, you'll celebrate your platinum wedding anniversary in prison.
00:12:551.20, Rosa Mari.
00:12:572.50 with your son's wine.
00:12:59Yes, man.
00:12:59No no.
00:13:00Hey, everyone pays for their own vices.
00:13:02Cheer up, Marichu.
00:13:03What a joke, woman.
00:13:06Now.
00:13:07Come on, love, love, love.
00:13:08Look on the bright side, okay?
00:13:10At least he's not dead like last time.
00:13:15It was to cheer them up.
00:13:17I'm going for a walk.
00:13:19No, love, love.
00:13:31Oh, thank you so much, Dolores, for the pork rinds.
00:13:36Yes, it's because I'm not eating anymore, I'm cutting back.
00:13:39Auntie, but I haven't gotten any garlic here.
00:13:41Attention, you birdbrain, at a quarter to six, at half past five, at twenty to eight, right there in front.
00:13:48Hey Trini, what are you doing here, what have you lost, huh?
00:13:52Oh no, please, how disgusting.
00:13:54What, are you here to do something re?
00:13:56Oh, don't make me laugh, it'll give me wrinkles, okay?
00:13:59I've come to see Christopher.
00:14:00I've received a couple of fines from the two times he impounded my car, because, of course,
00:14:03The young gentleman decided to park in the disabled access area of the golf club.
00:14:07Oh my God.
00:14:08Well, Christopher isn't here.
00:14:10Neither here, nor at the clinic, nor in Seville, while notifying.
00:14:12Oh, well, he'll hear from the DGT when they take away his license for running out of points.
00:14:17Well, wow, they've taken away so many points, just for two fines.
00:14:20And they're going to take even more away from him.
00:14:21I'll take care of it.
00:14:23Go on.
00:14:23Well, don't stress her out.
00:14:25No matter how far you go, its poison always reaches you.
00:14:28It's like a cobra with Wi-Fi.
00:14:29As?
00:14:31What do you mean I can't talk to Mr. Bejumea?
00:14:33What's wrong? Has he escaped?
00:14:36Excuse me.
00:14:37No, man, between visiting hours and phone hours it's more complicated to talk to him than to...
00:14:41a politician.
00:14:43More than one of them is going to end up there, huh?
00:14:45You don't find jokes funny.
00:14:46Yes, excuse me, huh?
00:14:47Okay, see you later.
00:14:48Come on, let's see if I understand everything.
00:14:51Hey, don't give me these juice boxes, okay?
00:14:53Really.
00:14:53Hello, José.
00:14:54I'm glad to see you too, you know?
00:14:55So when I worked here, what were you doing to not say hello to me?
00:14:58I came to see Christopher.
00:14:59But anyway, Carmen already told me, where is she?
00:15:02Did she tell it to you?
00:15:04Yes, why not?
00:15:05After all, I am responsible.
00:15:08What a disgrace, old man.
00:15:10So...
00:15:10The thing about throwing things on the altar and throwing them in jail because of you.
00:15:13As?
00:15:14What does he love?
00:15:15What does he love?
00:15:16Seriously, how disgusting, man, really, huh?
00:15:19Thank you, José.
00:15:20Thank you.
00:15:24You are welcome.
00:15:30Fly, pork rind.
00:15:39Isabel, are you here yet?
00:15:40Yeah.
00:15:40Look, you have no idea how much I wanted to tell you about the joy Juan has given me.
00:15:43Have you served a table without making a mistake?
00:15:45No, daughter, no.
00:15:46He told me he wants to study plumbing.
00:15:50Juan the Plumber?
00:15:50Someone who, after a year as a waiter, hasn't learned how to wait on a table?
00:15:55Hey, Isabel, people are given opportunities.
00:15:58Besides, the poor guy was a bit worried about money, and I told him not to worry.
00:16:01that we, from the background of the studies, can turn it off.
00:16:04Oh, not for free?
00:16:05No, it's not going to be free, they don't even give you mint for free anymore.
00:16:07Well, I don't know, it could be one of those courses run by the town hall or something.
00:16:11And how much does it cost?
00:16:13Two thousand euros.
00:16:14Huh?
00:16:15Ah, two thousand euros.
00:16:16Huh?
00:16:16Two thousand euros.
00:16:19Two thousand euros?
00:16:20Minutiae?
00:16:21No, Rafi, we're not about to lose two thousand euros.
00:16:24Hey, that's not losing money, is it?
00:16:25That's investing it, investing it in a child's education, right?
00:16:28Let's see, Rafi, what is Juan?
00:16:29And?
00:16:30What about someone being Juan?
00:16:31If it were Rosita, no, but since it's Juan, yes.
00:16:34No, darling, that's not why I'm saying it.
00:16:36Why does he say that?
00:16:37Let me explain it to you.
00:16:38You see, in this world there are people of letters, people of science, and then there's Juan.
00:16:46I propose something to you.
00:16:47If Juan manages to get a 7 on the entrance exam for the module, we'll pay him.
00:16:51A 7?
00:16:51Deal done.
00:16:576 and a half?
00:16:587.
00:17:00Okay, go ahead.
00:17:05Hey, John!
00:17:06Damn, look, I'm eating a sandwich and I was just about to call you.
00:17:10Are you having a sandwich?
00:17:11But what are we, Boy Scouts?
00:17:12As?
00:17:13We're losing our roots, aren't we?
00:17:15Look, excuse me.
00:17:16You and Pello are losing your roots.
00:17:18Damn, you guys can't even bring your whole crew down over something so trivial.
00:17:22Look, it's because of them that I've been rejected.
00:17:24And you know what I'm talking about, because you got kicked out too.
00:17:26Oh, no, no, sorry.
00:17:28Don't compare, okay?
00:17:29Look, it was you who wore liters of cologne, changed your jacket every day to show off there
00:17:33with aracho.
00:17:34Well, Pello too, but Pello isn't married like you.
00:17:36Okay, look, I'm not going to argue with you, I have to ask you a favor.
00:17:39Tell me.
00:17:39Well, fuck.
00:17:41You are my friend, Koldo.
00:17:43No, the issue, the issue with your house, is really damaging the floor, isn't it?
00:17:50But that's over now, or what's the situation with that right now?
00:17:53That's where it ended, why?
00:17:56No, I'm telling you because I've been thinking, I don't know, what do you think, maybe I should go live there myself.
00:18:01Okay, okay, with Inyaki at Inyaki's house I'm doing very well, huh?
00:18:04Well, Chone is going to miss me, but you know what, Koldo?
00:18:07They are young.
00:18:08And give them a little privacy too, okay?
00:18:10So they can do their thing, don't you think?
00:18:12Okay.
00:18:13Okay, let's do one thing, look.
00:18:15I'll let you have my apartment on one condition.
00:18:17As?
00:18:18Are we going to put conditions on friendship now?
00:18:21I'm talking to you about friendship, that's exactly what I'm talking about.
00:18:22If you talk to Peyo and make peace, my apartment is yours.
00:18:25If not, I feel sorry for Gochona and Inyaki.
00:18:28Look, all I have to say to Peyo is that he should give me back the Oscurri and... records.
00:18:31What a pajunquera.
00:18:32Ah, well, that's bad, then there's no flat, Anchón.
00:18:38Okay.
00:18:39I'm talking to Peyo.
00:18:40And I'm begging you for God's sake, okay?
00:18:42Koldo eats something with a knife and fork for dinner.
00:18:44Also, sots!
00:18:50Let's see, darling.
00:18:52What does monotubular mean?
00:18:54Uh, monotubular.
00:18:55Uh, yes, yes, yes, single-tube, single-tube.
00:18:57Uh, monotubular is...
00:18:59Hey, can you give me a hint?
00:19:00Okay, kid, let me think for a bit.
00:19:02The word itself says it.
00:19:05Monotubular.
00:19:07What does "mono" mean?
00:19:09Man, monkey can mean many things.
00:19:10It could be the animal, it could be that a person is attractive, the clothes at work, a person who is...
00:19:15With that...
00:19:16Yes, I mean as a prefix.
00:19:46Hey?
00:19:48Yes, how would you like it?
00:19:49Don't ask.
00:19:50Because?
00:19:51What a Galician.
00:19:52Alone, man, alone.
00:19:53The American.
00:19:54Give me a decaf coffee, otherwise I won't be able to sleep afterwards.
00:19:56Okay, okay.
00:19:56Hey Iago, would you mind if I had a coffee with you?
00:19:59Better off alone.
00:20:00Oh, well, never mind, sorry, okay?
00:20:02Sure?
00:20:02No, no, sorry, Col, about the coffee, yes, I want it by itself.
00:20:05Ah, ah, give me another one, Isa.
00:20:07Come closer, after a whole day of consultations, a conversation without lollipops in between is much appreciated.
00:20:12Okay, I believe you now, yes, yes.
00:20:14Ugh, I'm so sleepy.
00:20:15Oh, look at that face, watch out, this...
00:20:17Yesterday was a wild party, I'm sure of it.
00:20:19No way, no way.
00:20:20I was in bed by 11.
00:20:22The only times I stay up late are to do guard duty.
00:20:25Ah, okay, okay, what's up?
00:20:28They keep you on a short leash at home, huh?
00:20:30No, not at all, yes, I'm single, too.
00:20:32You know what? I'm a really laid-back guy, and...
00:20:34Between not drinking and being more of a couch potato, sofa and movies or series kind of person.
00:20:39Blankets...
00:20:40Well, let's see, but I don't drink, I don't drink, I mean, you will drink wine.
00:20:43So, it can't be that healthy, right?
00:20:45I'm more into drugs.
00:20:47Sorry?
00:20:48Good stuff, huh? Coke, good, good.
00:20:51What are you kidding, damn it?
00:20:52No, no, well, if you were following the...
00:20:55I got you on the first try, come on.
00:20:57I am very healthy.
00:20:58Yeah, horny, you know?
00:20:59Yes, yes.
00:21:01Well, you must have some unconfessed vice, what is that?
00:21:04The knives.
00:21:06A good clam.
00:21:07Scallop.
00:21:08Mollusk.
00:21:08Long live the bo.
00:21:11If you go to Noia, go to hell.
00:21:13And in Ferrol I think it's called Casa Casqueiro.
00:21:16Casqueiro?
00:21:16Very good long-necked squid.
00:21:17Oh, Casqueiro, okay, I'll make a note of it, I'll make a note of it, yes, yes, yes.
00:21:20So, you're from Ferrol, right?
00:21:23You're from Familia de Maderos, aren't you?
00:21:25Sorry?
00:21:26You ask some pretty crazy questions, don't you?
00:21:28Ah, yes.
00:21:29More than a lawyer.
00:21:30It's my guilty pleasure, my only one.
00:21:33Health.
00:21:34Health.
00:21:38What? Aren't you going to say anything?
00:21:40Yeah.
00:21:41My skewer is getting cold.
00:21:45I don't intend to heat it up until you talk amongst yourselves.
00:21:48Ah.
00:21:53Damn, you guys look like two cryodics, seriously.
00:21:56Look, this doesn't even happen here, does it?
00:21:57And we're playing mus right now.
00:21:59Not one game, three.
00:22:01Let's see, Sabino.
00:22:02Last.
00:22:03Yeah.
00:22:04You're not part of the crew.
00:22:07Anchovy?
00:22:08No, no, no.
00:22:09I'm sorry, Sabino.
00:22:10I know it's very hard.
00:22:11But the crew is unique.
00:22:14Indivisible.
00:22:15That's true.
00:22:18Nephew, may I?
00:22:20Eunuchs.
00:22:29Give me a hug.
00:22:31Calf.
00:22:32Bye bye.
00:22:34What a big-headed guy.
00:22:37What a big-headed guy.
00:22:38I'm sorry, Bello.
00:22:39Give it to me, give it to me, give it to me.
00:22:40I deserve it.
00:22:41I'm sorry.
00:22:42I have blamed Inoa for all the problems I have had.
00:22:45And who is to blame?
00:22:46It's me.
00:22:47No, no, no, no, no, no, no, no, no, no, no, no, I, I, who, who hid from you, who was
00:22:52I'm the one who told Inoa.
00:22:53Ah, you guys, it wasn't that difficult.
00:22:55Yes, I know.
00:22:57I thought it would be harder for him to admit that he's a blunderer.
00:23:02No, sorry, look, I wouldn't have been a blunder either if you hadn't lied to him first.
00:23:07your wife.
00:23:07So, are you saying that it's my fault you're a loudmouth, Espello?
00:23:10No.
00:23:10Look, I wouldn't be a loudmouth if you weren't a liar, that's just who I am.
00:23:31What's wrong, Diego?
00:23:42What's up, Diego?
00:23:45How's it going? Is this your second day here at the clinic?
00:23:48Second day?
00:23:49Yeah.
00:23:50My mom, I think I've been here a week, at least. This is a nightmare, huh?
00:23:53Yeah?
00:23:54Just kidding.
00:23:56She's my mom.
00:23:59I'm delighted.
00:24:00Yeah.
00:24:00Yeah.
00:24:01Well, one little thing, Carmen, next time you want to know something about me, on a personal level, just ask me.
00:24:07directly, you don't need to send intermediaries.
00:24:09As?
00:24:11Forgive me, Diego, but I haven't sent anyone pain.
00:24:15Hey, it wasn't me, okay? I mean, I mean...
00:24:18Carmen, the only thing I've asked this man is if he'll be the one at Galician weddings.
00:24:22Yes, I want to, or if I don't know, I don't answer, right?
00:24:25Look, I swear on my daughter's life that I...
00:24:27Get out of there and don't swear on your daughter, don't even think about it, okay? It's not that important. If it is
00:24:31Koldo came in asking a lot of questions, and I thought it was you. But never mind, next time you see him, just tell him.
00:24:37If medicine doesn't work out for him, he should go into journalism.
00:24:41He's spotted it, he's spotted it.
00:24:42A spark.
00:24:48Koldo?
00:24:49Look, Koldo is in a so-so situation, far from his friends, the man has to keep himself busy somehow.
00:24:54And besides, criticism boosts the immune system. Look at me.
00:25:01So this is the famous Calla. It's like the bar in Hispalis, but if it had been built in
00:25:07a cave.
00:25:08Why have you come here?
00:25:09I was expecting a hello, but I guess it's different in the north.
00:25:16Oh!
00:25:18What are you doing here?
00:25:19See? It must be a Basque greeting.
00:25:22Hello, Marichu.
00:25:24Well, I just found out that Cristóbal is in jail.
00:25:28And I've come to see it.
00:25:32Sure, sure. To clear your conscience, right?
00:25:36Well, I don't think it's going to be possible.
00:25:37Among other things, why don't you have one?
00:25:40You're not giving it to me, sweetheart.
00:25:42Marichu, we all make mistakes sometimes.
00:25:45You, choosing your hairdresser.
00:25:47And I was leaving Christopher like that.
00:25:50But after all the mess they made me make,
00:25:53Please let this be my way of asking for your forgiveness.
00:25:57Love.
00:26:01You're not going to be fooled by that innocent face, are you?
00:26:04No, no, no, no, no.
00:26:06Forget it, Trini.
00:26:07I'm going to give your first and last name to access control right now.
00:26:10so they don't let you in.
00:26:12I'm so sorry you don't believe me, Marichu.
00:26:15But don't worry.
00:26:17If you don't want me to see Christopher,
00:26:20I won't do it.
00:26:22Hi Christopher, how are you? I'm Trini.
00:26:25Which Trini?
00:26:26My Trini?
00:26:27I mean, the Trini who lives in Seville, whom I prefer not to talk to.
00:26:31Oh, Christopher, I'm sorry, but...
00:26:32Look, I just can't right now, honey.
00:26:34I'm playing golf, you know?
00:26:36Do you have golf in prison?
00:26:38How do you know I'm in jail?
00:26:40Because I'm calling you there.
00:26:43Being locked up here for so long is starting to affect me a little, honey.
00:26:46I know, Cristóbal, I know, and that's why I've come to see you, to give you all my support.
00:26:50It's my way of making up for all the harm I did to you.
00:26:53Look, all the damage you did to me can't be compensated even by giving me two yachts, you know?
00:26:58Well, maybe by giving me two yachts, maybe so.
00:27:01Christopher, do you know how scared I am of flying?
00:27:03Well, I took a plane just to come and see you.
00:27:07Oh really?
00:27:08Man, I'm telling you.
00:27:09And in economy class, come on, if you want I'll show you the tickets.
00:27:12Do you think I would do something like that if I didn't care about you?
00:27:15No, no, the truth is no.
00:27:19Okay, look, I'm going to put you on my list so you can come see me, okay?
00:27:24Oh, thank you so much, Christopher.
00:27:26Hey, but one thing, don't tell your father anything, okay?
00:27:28That he is not as good and understanding as you.
00:27:31Let's see how I can do this, so he doesn't find out.
00:27:33But you're in jail, kid.
00:27:35I'd like to do it with him.
00:27:36That?
00:27:38You know, you know, honey, what it cost us to get us together.
00:27:41But as you know, I have a way with words that can sell a penguin-shaped ice cream cone, and in the end I got him.
00:27:45Yes, yes, of course.
00:27:46Okay, look, since I'm going to see you, you can tell me about it now, okay?
00:27:50Hey, fatty!
00:27:54Well, this is a real two-for-one deal, unlike the supermarket.
00:28:02On top of that, you know?
00:28:03Don't you see if I'm having bad luck, fine.
00:28:04Why bad luck?
00:28:05Why did Málaga lose?
00:28:06Why isn't Irene talking to you?
00:28:07Why is Don Bejume in jail?
00:28:09Yes, you really are unlucky, darling.
00:28:12Forgive me.
00:28:13Tell me, Iñaki.
00:28:14Guess who's come to Alcaya?
00:28:16Well, if they don't ask me about the girl first thing, it must be important.
00:28:19A Michelin critic?
00:28:21A food journalist?
00:28:24The Pope?
00:28:25No.
00:28:26Worse.
00:28:27Trini.
00:28:28Trini?
00:28:29Iñaki, tell me that Trini is there doing some sightseeing.
00:28:31It's not because he found out about Christopher.
00:28:34But you told him.
00:28:35I haven't said anything.
00:28:36But she told me so.
00:28:38Carmen.
00:28:40Iñaki, forgive me for a moment, I'll call you later.
00:28:43Hey.
00:28:45Let's see, José.
00:28:47Have you spoken to Trini?
00:28:49And what the hell did you say to him?
00:28:51Or what you told him.
00:28:52Or what she told me you told her.
00:28:55Or what I thought I had told you, but in truth...
00:28:58Oh, old man.
00:28:59No, no, no, no, he's messed up again.
00:29:01Do you see it?
00:29:02On top of everything, I let my best friend down.
00:29:04Am I unlucky or not?
00:29:07On.
00:29:11Well, goodbye.
00:29:13Marichu.
00:29:15Look.
00:29:16I know we've had our issues lately,
00:29:19But I see that bad look on your face and I can't help but worry.
00:29:24Well, I'm doing very well.
00:29:27Could it be that I didn't put on makeup this morning?
00:29:29That was it.
00:29:30You know, I had thought that it might have something to do with it.
00:29:33that your husband and your stepfather are in jail under death threats
00:29:37And to top it all off, they got stuck with a twisted judge.
00:29:39I don't know.
00:29:43Oh, Marichu.
00:29:44Come on, no, no, no, calm down.
00:29:46Yes, yes, yes.
00:29:47Don't get like that, come on, now.
00:29:49I just don't know how we got to this point.
00:29:53My husband is in jail for being too nice.
00:29:57And my son for being too stupid.
00:30:01Look, do you know what you can do?
00:30:03Why don't you steal a car?
00:30:06And you grow a big mustache?
00:30:08And that way they might put you in the same module as them.
00:30:12Come on, cheer up, Marichu.
00:30:14See?
00:30:14That's it, that's it, smile a little.
00:30:16Much better this way.
00:30:18Come on.
00:30:22Daughter, I'm like this all day.
00:30:24See?
00:30:24I just can't put on makeup.
00:30:26Come here, sister.
00:30:27Oh, I'm leaving, Chua.
00:30:40Jose, would you mind leaving the nurses' room?
00:30:42First of all, because you're not a nurse.
00:30:45And secondly, because I have to make a call.
00:30:47So please, if you don't mind, air.
00:30:54Oh, José, forgive me.
00:30:56Maybe I went a little overboard, didn't I?
00:30:57You really let all that Granadan bad temper come out at once, huh?
00:31:01Sorry, sorry.
00:31:03Hey, are you okay? Is something wrong?
00:31:05Yes, I'm fine.
00:31:06Okay, so close it when you leave, alright?
00:31:09Don Benjumea.
00:31:10That?
00:31:11Don Benjumea passes me.
00:31:13Oh, don't tell me he's died again.
00:31:17Awesome.
00:31:18Okay, okay, what I'm about to tell you can't leave these four walls, alright?
00:31:23Okay?
00:31:24Oh, look at him.
00:31:25Okay, it's a secret, alright?
00:31:27Okay, okay, okay.
00:31:29You've put her in jail, in prison, in San Sebastián.
00:31:31How is that possible?
00:31:33But Don Benjumea is a really good person.
00:31:35Because life sucks, huh?
00:31:37Same as me.
00:31:38I do nothing but let my colleagues down.
00:31:40No, José, don't say that because that's not true.
00:31:43Yes, man, to you with my hands, to Carmen, with Trini, to...
00:31:46Don Benjumea, I don't know how to help you.
00:31:47Why don't I have more friends if I don't...?
00:31:49Yeah, but you're no piece of shit, José.
00:31:51Those assholes don't try to help the people they care about, and you do.
00:31:54Okay, so then you're clumsy, you're very rough, you end up messing things up, you take what you're on.
00:31:58Thanks for the encouragement.
00:32:00Oh no, look, what I want to tell you is that what matters is the intention, José.
00:32:04What? And you always have very good intentions?
00:32:07In fact, I know that you had very good intentions towards me the other day.
00:32:12The thing is, I got flustered and didn't appreciate it, and I became very rude and
00:32:17I wanted to apologize.
00:32:18No, I apologize to you because it's going the same for me.
00:32:20I ask for your forgiveness more.
00:32:21No, and I sincerely apologize, I insist.
00:32:24Okay.
00:32:25Really, yes.
00:32:28Hey, how are these Don Benjumea people doing?
00:32:31Did she get a tattoo?
00:32:33How funny you are.
00:32:34Can you imagine, Marquis's love?
00:32:37If I don't know, if I can't go or help him.
00:32:40There are four or five orderlies on sick leave and Carmen can't give me time off.
00:32:44No, but why didn't you tell me before?
00:32:46Because he wouldn't talk to me.
00:32:47Yes, that's also true.
00:32:49But okay, now it's happening.
00:32:49And you know what?
00:32:50I'll take care of everything.
00:32:51Really?
00:32:53Well, look, it's just four little things.
00:32:55You don't really believe that either...
00:32:56Oh, so I like to write it down by hand.
00:32:59Look, the one from 102 is lightning,
00:33:00the one from the 116th to the priest,
00:33:02This whole topic.
00:33:03Come on, this is what I have to do this morning.
00:33:05Then there's another paper for the afternoon.
00:33:06I'll write down for you what you have to do every day.
00:33:09Because I'm going away for several days, okay?
00:33:10Ah, okay.
00:33:11Come on.
00:33:12Okay.
00:33:12Bye bye.
00:33:13Bye bye.
00:33:21Your bag and mobile phone, please.
00:33:24The mobile phone too?
00:33:32One question, sir.
00:33:34So the visiting room was on the left, right?
00:33:38No, miss.
00:33:39No?
00:33:39You have to go all the way to the end, straight ahead.
00:33:41and then turn left.
00:33:43A colleague already has it.
00:33:44Okay, thank you very much.
00:33:45Well, it's because it's delicious.
00:33:57Yeah?
00:33:58Martú Tede Prison.
00:33:59Please wait to be served.
00:34:00Yes, yes, here I am.
00:34:01I have no escape.
00:34:02I'm waiting.
00:34:03José.
00:34:04Oh, please,
00:34:04What a joy to hear you, Mr. Behumé.
00:34:06That means you're alive.
00:34:07Yes, José.
00:34:08For now, yes.
00:34:09But I didn't want you to know I was here.
00:34:12Hey,
00:34:14Were you able to talk to your cousin?
00:34:16Yes, that's what I was going to tell him,
00:34:17who told me how long until the trial.
00:34:19Ah, well,
00:34:20a week.
00:34:22That's the amount of time you have to be in the infirmary.
00:34:24Son, that's precisely what I don't want.
00:34:26to end up there.
00:34:27Listen to my cousin,
00:34:29that he knows what he's talking about,
00:34:30who has two convictions for theft
00:34:31and another for vandalizing street furniture
00:34:32and from which he is exempt.
00:34:33You just have to pretend you're sick, that's all.
00:34:35Yes, of course.
00:34:36Man,
00:34:37It will be easier for Christopher.
00:34:39The other day he accidentally drank tap water
00:34:41and said he had cholera.
00:34:43Me,
00:34:43It's going to cost me more.
00:34:45Well,
00:34:46look,
00:34:46Did you catch a link somewhere in the hustling business?
00:34:48If I were there with you,
00:34:49I was asking for it.
00:34:50And he drinks half a bottle.
00:34:52Well,
00:34:53or else,
00:34:53by eating a double portion of ranch.
00:34:56That is,
00:34:56Above all, good humor.
00:34:57If you came from the Amazon,
00:34:58You'll get out of this and more.
00:34:59I'm going,
00:35:00Hey?
00:35:01I'm going.
00:35:02Come on,
00:35:02come on,
00:35:02Wait for me.
00:35:03Hey,
00:35:04that I'm going to pay him,
00:35:04about the sentences
00:35:05And that was my cousin,
00:35:06It was a joke.
00:35:07To the airport, which costs 5 or 6 euros.
00:35:08not anymore?
00:35:09We'll see.
00:35:10Let's see.
00:35:20Lini!
00:35:21Hello.
00:35:23How are you?
00:35:25How are you?
00:35:26Well,
00:35:26From what I can see
00:35:28better than you,
00:35:29Hey?
00:35:32Oh,
00:35:32Gordi,
00:35:33How awful,
00:35:33Hey?
00:35:34In jail.
00:35:35I'm fine,
00:35:36I'm fine,
00:35:36I'm fine.
00:35:37I'm used to it.
00:35:38to make me suffer.
00:35:40I'm truly sorry.
00:35:42Really,
00:35:42I know what I did
00:35:43It was awful.
00:35:44The truth is that it wasn't
00:35:44the tasty dish.
00:35:46And I've tried the food here,
00:35:47come on,
00:35:47I know what I'm saying.
00:35:48But I'm here
00:35:49to compensate you.
00:35:52Christopher,
00:35:53I know that prison
00:35:54It's very hard
00:35:54And I know there are many things
00:35:56that are missed.
00:35:58And that's why
00:36:00I'm going to give you
00:36:02whatever you need most.
00:36:04Man,
00:36:04Well, the truth is
00:36:04It's that of things
00:36:05What else is that? That's a heart attack.
00:36:06And look who was out there
00:36:07It's not like that either
00:36:07I want to eat myself
00:36:08lots of threads,
00:36:09You know?
00:36:09Don't worry,
00:36:10that today you are going to eat
00:36:11a fritter,
00:36:12that I know you love.
00:36:13Gordi,
00:36:14We just don't have time
00:36:14to deliver
00:36:15some fritters on the chest.
00:36:16Come on,
00:36:16lie down,
00:36:16lie down,
00:36:17lie down.
00:36:17Oh,
00:36:17look,
00:36:18look,
00:36:19dear,
00:36:19really,
00:36:20really,
00:36:21which I would love
00:36:22not here
00:36:23in a place
00:36:24so...
00:36:25with a man
00:36:28so dangerous
00:36:28like you.
00:36:29It has its morbid appeal.
00:36:31I'm not going to tell you
00:36:31no.
00:36:33But, Christopher,
00:36:33is that the site
00:36:34It's so ordinary.
00:36:34Gordi,
00:36:35Listen to me,
00:36:35no problem.
00:36:36I'll put it on right now.
00:36:36my shirt
00:36:37cotton exercise
00:36:38on top of the bed
00:36:38And to this we give the mu.
00:36:39No problem,
00:36:40Gordi.
00:36:40Look,
00:36:41I've thought of a better idea.
00:36:43When you leave,
00:36:45I'm going to book
00:36:45a room.
00:36:46Well,
00:36:46What am I saying, a room?
00:36:47The best room
00:36:49in that little hotel downtown
00:36:50that you like so much
00:36:51And we're going to do things
00:36:52as they should
00:36:55or how they shouldn't be.
00:36:58Again.
00:36:59You're the one who brought me here
00:37:01to Javi's room
00:37:02and he tells me
00:37:03What are you going to give me?
00:37:03what I need most.
00:37:04Darling, Christopher,
00:37:05Love is what you need
00:37:06And that's why
00:37:07I've brought you a latch.
00:37:08from your favorite bakery.
00:37:11Oh, look,
00:37:12stay there
00:37:12I'm going to take your picture.
00:37:14As?
00:37:14What am I going to do to you?
00:37:15a little photo
00:37:16You look very handsome.
00:37:17But what for?
00:37:17What would it be for?
00:37:18to put you on a pedestal
00:37:20which is what you deserve.
00:37:21A little altar there
00:37:22with candle
00:37:22so that you, Trini,
00:37:23I will go and pray to you day and night.
00:37:25and declare you innocent.
00:37:26You're more detail-oriented, Trini.
00:37:28With what you and I
00:37:29we have passed.
00:37:30Have you seen?
00:37:30Come here to the jail
00:37:31to get a latch.
00:37:32Yes, yes, yes.
00:37:33Where are you going?
00:37:34Where am I going to go, Christopher?
00:37:35Where am I going to go?
00:37:36Time is up.
00:37:37That was fast, wasn't it?
00:37:38But there's still half an hour left.
00:37:39Give me a little bit of conversation.
00:37:41I'm with my mother all day.
00:37:42I can't, Christopher.
00:37:44Really, really,
00:37:45Christopher,
00:37:45It's too hard for me to see you like this.
00:37:47Hope things go really well for you, okay?
00:37:48And eat the whole latch.
00:37:51Okay, see you later.
00:37:53Oh!
00:37:56Poor thing.
00:37:57He can't forget me, that's for sure.
00:38:05The access grade.
00:38:06The access grade.
00:38:07Oh, really,
00:38:08I wasn't that nervous
00:38:09ever since I received that fine
00:38:10because he's drinking in the street.
00:38:10Well, that was a long time ago, Tata.
00:38:12But, kid,
00:38:13How could you bring this up?
00:38:14Well, I've gotten really nervous
00:38:15And I've crumpled it up, and well, yes.
00:38:17Okay, so what did he pull out?
00:38:18I don't know,
00:38:18wait until he comes here with you.
00:38:19Look, that never happens to me
00:38:21with my children.
00:38:23Let's see what's there.
00:38:25I got an infinity symbol.
00:38:29That's how it is, darling.
00:38:30Hey?
00:38:31What is it?
00:38:32He drew an eight.
00:38:33An eight.
00:38:34Ole!
00:38:34An eight.
00:38:37And not this either?
00:38:38Damn that kid.
00:38:40So the kid wasn't so stupid after all, was he?
00:38:43Oh well,
00:38:43How do you make people think?
00:38:44Am I stupid?
00:38:45No, no, I don't think so.
00:38:46It's a matter of...
00:38:48Congratulations, you deserve it.
00:38:49Congratulations, nephew, darling.
00:38:51I know who I'm going to call.
00:38:51when my shower gets clogged
00:38:52by a hair.
00:38:53Not even a purfón passes,
00:38:54an anti-hair loss shampoo.
00:38:56Come on, that's how you're going to run your business.
00:38:58Okay, see you later.
00:39:00Okay, okay,
00:39:01Dad, can I have a sandwich?
00:39:02To close it, right?
00:39:02Sure, and it's with a small bottle.
00:39:04Ole, ole!
00:39:06Good Ramoncito.
00:39:13Isabel.
00:39:14What an enthusiastic celebration, right?
00:39:15Looks like you've won the lottery.
00:39:18When the child's module is approved,
00:39:19Are you going to offer your condolences?
00:39:20Look, I'm sorry, Rafi,
00:39:21But I'm not going to give the money
00:39:22from Rosita's studies.
00:39:24I'm not going to sacrifice
00:39:25my son's future.
00:39:26For my son's, right?
00:39:26Come on, say it.
00:39:27Look, don't make me stay.
00:39:28like the bad one.
00:39:29I didn't ask to have an extra child.
00:39:31We are?
00:39:52What's wrong, Christopher?
00:39:54What's happening?
00:39:54Nothing, I've been robbed.
00:39:56the cervical pillow.
00:39:57No, son, no,
00:39:58that it hasn't been stolen from you.
00:39:59I changed it.
00:40:01to the prisoner facing forward
00:40:02by some lassoers.
00:40:03But why are you doing that?
00:40:04If you are having trouble having a bowel movement,
00:40:05Don't eat
00:40:06And I'll save you two tortures.
00:40:08No,
00:40:09which is part
00:40:10of the plan of Jose's cousin
00:40:11to get rid of the boss.
00:40:13If we succeed
00:40:13that they pay us
00:40:14due to indisposition
00:40:15until the day of the trial,
00:40:17We are safe.
00:40:19Wasn't there a less vulgar plan?
00:40:21Yeah,
00:40:22but it includes a trip
00:40:23to the other side.
00:40:25It's this way.
00:40:31Don't insist.
00:40:32They do not need to be admitted.
00:40:34With this medication
00:40:35And a soft diet is fine for them.
00:40:36This is professional negligence.
00:40:38Are they eating?
00:40:39Why don't they grow?
00:40:40Half dead?
00:40:40No way, man.
00:40:41With a wound
00:40:42three centimeters
00:40:43depth
00:40:44That works for us.
00:40:47Hey,
00:40:48I'm going to fall.
00:40:57Hey, Dad,
00:40:57I wanted to talk to you
00:40:58one little thing.
00:40:59Man,
00:40:59if you're going to tell me
00:41:00that you eat the leftovers
00:41:01of the skewers
00:41:01from the customers,
00:41:02It's not necessary
00:41:02because I saw you yesterday.
00:41:03No, no, no, that's it.
00:41:04Look,
00:41:05that it is not necessary
00:41:05pay for my studies.
00:41:06No way,
00:41:07I'll pay for that.
00:41:07Come on,
00:41:07even though I have
00:41:08that she unloads trucks
00:41:09when the bar closes.
00:41:09No, no, no,
00:41:10You see,
00:41:11They won't let me enroll
00:41:11because they have discovered
00:41:14that I copied on the exam
00:41:15and...
00:41:16What did you copy?
00:41:17Yes, yes, I copied it.
00:41:18But it's not necessary
00:41:19Let all of Spain know.
00:41:20And you're ashamed, aren't you?
00:41:21Do you know why that is?
00:41:22Because you don't have
00:41:22a clear conscience.
00:41:23Oh, and what about you?
00:41:24Should I copy the recipe?
00:41:24in ñaqui?
00:41:25No, no, no, no.
00:41:26What I do
00:41:26It's a culinary tribute
00:41:27to the little creatures of the north,
00:41:28which is different.
00:41:29You, however,
00:41:30You cheated on an exam.
00:41:31What did you copy?
00:41:34Yes, I copied it.
00:41:35oh well,
00:41:36Look on the bright side,
00:41:37So I scrape together a little money,
00:41:38Hey?
00:41:39And well, that's it, please.
00:41:40Let's try
00:41:41don't let anyone else find out
00:41:42that they copy the exam,
00:41:43please.
00:41:43What did you copy?
00:41:45But, kid,
00:41:46How can you do that?
00:41:48Better,
00:41:48It's not very mysterious,
00:41:49what I do,
00:41:49I pick up the pen,
00:41:50I take out what's inside,
00:41:51I put the little piece of paper in...
00:41:52I know perfectly well
00:41:52how it's done.
00:41:53Look, huh?
00:41:54I've seen it a lot.
00:41:55at the institute,
00:41:56to my colleagues.
00:41:58What is your worth?
00:41:59in copy?
00:41:59Well, look,
00:42:00Yes, I'm sorry, okay?
00:42:01And now, please,
00:42:02we're going to try to leave
00:42:03The topic is closed, okay?
00:42:05Well, what about me?
00:42:05What about the pork chops?
00:42:09I'm going to recycle myself.
00:42:10because for one thing
00:42:11that I do well,
00:42:11I'd better put in the effort.
00:42:19What are you doing here?
00:42:20Uh, if it happens to me,
00:42:21However it happens to me,
00:42:22I'll shout and warn you
00:42:22I was a tenor, you know?
00:42:23Careful, okay?
00:42:23What if I kill you?
00:42:24What are they going to do to me, huh?
00:42:25Put me in jail.
00:42:26Don Lucas wants to know
00:42:27Why haven't you complied?
00:42:28the deal,
00:42:28Your time is running out.
00:42:29No, no, no, you'll see,
00:42:31No, no, it's not that we don't want to,
00:42:32We just can't
00:42:33because we have diarrhea.
00:42:35You don't say.
00:42:36Damn, poor things.
00:42:39Okay, fine.
00:42:39Well, we'll leave it at that.
00:42:40for another day.
00:42:41Oh really?
00:42:41What do you think, clown?
00:42:42This is the final warning.
00:42:44or get rid of us
00:42:45the notary
00:42:45or you leave here
00:42:46feet first.
00:42:47Really,
00:42:47that we cannot
00:42:47because we're taking a dump
00:42:48more than a little bird
00:42:49on a rag
00:42:49because of the food
00:42:50Disgusting stuff they put here.
00:42:51If so,
00:42:52if indeed
00:42:53Oh,
00:42:54if indeed
00:42:54If you don't get it,
00:42:56if you don't get it.
00:42:56If instead of arguing
00:42:58among you
00:42:58you would join your forces,
00:43:00well no,
00:43:01You would achieve a lot of things.
00:43:02The thing is,
00:43:03Oh,
00:43:03He's right.
00:43:04He's absolutely right.
00:43:05Clear,
00:43:06It's true.
00:43:06The posh guy is right.
00:43:07I think there
00:43:08The posh guy is right.
00:43:09You're right,
00:43:09clear.
00:43:15Please,
00:43:16Because of your stubbornness
00:43:18I'm not going to work twice as hard.
00:43:19Come on,
00:43:19sit at the same table.
00:43:20Come on,
00:43:22let him come
00:43:22to my table.
00:43:23Come on.
00:43:23Or he can come to my place.
00:43:25Hey,
00:43:25and when we go now
00:43:26visiting the prison,
00:43:27You're going to get too
00:43:28Separate tables or what?
00:43:30Thank goodness it was with Sabino
00:43:31I have developed patience,
00:43:32Otherwise,
00:43:33go on,
00:43:33take,
00:43:34pigheaded.
00:43:35You guys look like children.
00:43:37Hey,
00:43:37And speaking of patience,
00:43:38Where is José?
00:43:39That's been half an hour ago
00:43:40has been at the airport.
00:43:41Oh,
00:43:41my aunt,
00:43:42He is Andalusian,
00:43:43They operate on a different timescale.
00:43:44This one doesn't handle
00:43:45neither space nor time,
00:43:46I'm telling you.
00:43:46Look at him,
00:43:47There it is.
00:43:48What do you mean, can you hear me?
00:43:48as if I were here?
00:43:51Because I'm here,
00:43:52Mr. Beumea,
00:43:53Hey?
00:43:53Yeah,
00:43:54How could he have left him there?
00:43:55Before he missed it
00:43:56Not one for you,
00:43:57Hey?
00:43:58Oh,
00:43:58José,
00:43:58What a joy to hear from you,
00:43:59son.
00:44:00Although,
00:44:01Let's see if we get lucky.
00:44:02and it is not found whole,
00:44:03because,
00:44:04because I'm sorry to tell you
00:44:06that,
00:44:07that when your cousin
00:44:08It hasn't worked.
00:44:10No,
00:44:10they have taken effect
00:44:11the lashes that last for you,
00:44:12man.
00:44:13Put a boat
00:44:14of mayonnaise
00:44:14in the window.
00:44:15No,
00:44:16what they say
00:44:16than a simple indisposition
00:44:18It is not a reason for admission.
00:44:20Or look,
00:44:21old,
00:44:21And why do they go there?
00:44:23Is it because of an open wound or what?
00:44:24That's exactly what the doctor said.
00:44:27Well,
00:44:28don't worry,
00:44:29that on the way there
00:44:29I'll call my cousin
00:44:30And I'm sure he'll think of something.
00:44:31that a chalauras
00:44:32And this...
00:44:32He has to go back to his cell now.
00:44:34But it's not over yet.
00:44:35my time.
00:44:36He should strike immediately.
00:44:39How rude.
00:44:42Don Beumea,
00:44:43Don Beumea,
00:44:45Did he cut me off?
00:44:47The same goes for the lancets
00:44:48They have already taken effect.
00:44:50You're right,
00:44:50They treat us like shit.
00:44:51I don't know about you.
00:44:52Why don't I know you?
00:44:53But I certainly
00:44:54I deserve better
00:44:55than these filthy walls.
00:44:56And me too.
00:44:57Well,
00:44:58Well,
00:44:58so,
00:44:59so,
00:45:00Why do you leave?
00:45:00that they treat you like this?
00:45:01Don't you realize,
00:45:02smarty pants,
00:45:02that these people
00:45:02Does he have a baton and a gun?
00:45:03Very good,
00:45:04and I have a dukedom
00:45:05of three farmhouses
00:45:05And everyone's messing with me.
00:45:07But you,
00:45:08that you are dangerous people
00:45:09and that everyone
00:45:09He's afraid of you...
00:45:10Well,
00:45:10I don't,
00:45:11I don't,
00:45:11I am not afraid of you,
00:45:16colleague...
00:45:16Well,
00:45:17fellow prisoner.
00:45:18This man...
00:45:19Go up,
00:45:20go up,
00:45:20goes up.
00:45:21No,
00:45:21go up,
00:45:21goes up.
00:45:22This man...
00:45:24This man has taught me
00:45:25everything I know in life.
00:45:27He has taught me
00:45:28that he who does not cry
00:45:29no mama.
00:45:30Don't worry, I'm not going that way.
00:45:31who is my father,
00:45:32Hey?
00:45:32I to this man
00:45:33I've asked him for everything.
00:45:35I've asked him for a house.
00:45:37I asked him for a horse.
00:45:38I've asked him for a yacht.
00:45:40And he always told me no.
00:45:41But in the end I managed it.
00:45:42Because?
00:45:43By pig.
00:45:44Because if you believe something is yours,
00:45:46You have to stand up for yourself
00:45:48and don't move until they give it to you.
00:45:53Return to your cells.
00:45:54Now,
00:45:55that you have.
00:45:56Block the doors.
00:45:58Well, it gives us what we want.
00:45:59We all come out here
00:46:00feet first.
00:46:03What have you done?
00:46:04What is everything?
00:46:05They respect me, Dad.
00:46:06They respect me.
00:46:08I don't want you,
00:46:09But we're not going.
00:46:19Can I enter wearing tights and white?
00:46:21What are they going to do now, search us or what?
00:46:23I don't know about these,
00:46:24But I do,
00:46:24José,
00:46:25that we know each other.
00:46:25You didn't bring him a little bottle of some under-the-shoulder concoction, did you?
00:46:29Yes, and you, that flat iron I'm asking you to get.
00:46:33Come on, come on, let's go
00:46:34This scares me a lot.
00:46:36Iñaki, tell your friend not to tell us about his mama's boy paranoia.
00:46:39Iñaki, tell the...
00:46:42Tell him to leave us alone
00:46:43My mother and I are very happy.
00:46:45Iñaki, look, okay, okay
00:46:47I preferred you when you weren't talking to each other, okay?
00:46:50Okay, professor
00:46:50I have nothing to say to that person.
00:46:52Oh dear, this is a heavy, old topic, let's be quiet now
00:46:55Look, you're not going to put him in here for a little while because he's so annoying.
00:47:03Okay, received, I'll be right there.
00:47:06Will they know how to get out of here?
00:47:07Yes, what's up, what's up
00:47:09No, no, no, they have to leave here, now.
00:47:11I'm going there, four are leaving
00:47:12And what about the visit?
00:47:13We'll have to leave it for another day.
00:47:14Iñaki, tell Pillo
00:47:16Stop messing around and let's get out of here, right now!
00:47:28No, no, Pillo, no, no
00:47:30Field!
00:47:32Here's to the lame man!
00:47:35Here's to the lame man!
00:47:37Here's to the lame man!
00:47:38Here's to the lame man!
00:47:43Here's to the lame man!
00:48:00Oh, look at that, it was meant to rain on you!
00:48:01Oh, Carmen, if you'd like, we can eat together.
00:48:04Yes, hey, can you tell me why you gave Iago the third degree?
00:48:08Oh, eat, I told you.
00:48:09No, impossible.
00:48:10I just remembered I have a defrosted ribeye steak there
00:48:13No, no, no, don't change that subject.
00:48:15Because?
00:48:16Look, I haven't done anything to Iago, man.
00:48:17I had a coffee with him and we talked about our things, period.
00:48:20Yes, more of theirs than yours, why?
00:48:23Excuse me, I'm calling Dolores
00:48:26I'm a neurosurgeon, and I'm very interested in what's in people's heads.
00:48:29Well, unless you tell me why
00:48:31I'm not going to tell you why you're going to have to do all the shifts.
00:48:36I am Iñaki
00:48:37As?
00:48:38Iñaki asked me to.
00:48:39Iñaki?
00:48:40Yeah
00:48:40But Iñaki, what's the point?
00:48:41Okay, let's see, look
00:48:42Carmen, I'm sorry, but it's best if you call him and talk it out yourselves.
00:48:46Because I have enough on my plate, between Peyo and Anchón, since I'm in the middle, and I have the one from Valpurgis.
00:48:49So, am I really going to call him?
00:48:51So, am I really going to call him?
00:48:59Iñaki, where is he?
00:49:01Okay, I'm going to read the list.
00:49:03And so those of you who are going to say the same, will do it to yourselves.
00:49:05We are?
00:49:06Yeah
00:49:09We want new mattresses
00:49:10Yeah
00:49:12We want more one-on-one moments
00:49:13Yeah
00:49:15And we want to eat better.
00:49:17Yeah
00:49:18Also note Egyptian cotton sheets and water with a cap
00:49:21Excuse me, just a moment, excuse me
00:49:23Let's see
00:49:23Don't you want to stop attracting attention?
00:49:26Man, the officials aren't here to protect us anymore, Cristóbal
00:49:29Just imagine if Don Lucas decides to send us to the other side.
00:49:32They're sending us a quick message, Christopher
00:49:34Calm down, calm down, calm down
00:49:35Look, look
00:49:35Boss and notary, friends forever, as the song says
00:49:38So relax, be at peace, relax
00:49:41And this?
00:49:43What are you doing here?
00:49:46What's up, bro?
00:49:49Oh, what joy, what joy! Have they changed your module?
00:49:52What a joy, don't you remember, Christopher?
00:49:55That's where a price is, huh?
00:49:57They haven't replaced us, they've kicked us out.
00:49:58We beat one of them up, we gave him
00:50:01Ah, yes, yes, no, uh
00:50:02Oh dear...
00:50:04We did get one, didn't we?
00:50:06Beating?
00:50:07Ah, yes, yes, yes, yes, yes, yes, yes
00:50:09But, if we're going to fight, we prefer this module
00:50:13Because...
00:50:14Here, the officials are the ones who take the milk from us.
00:50:16I mean, the chili peppers
00:50:18I have no idea what he's doing here.
00:50:20Christopher
00:50:21Christopher, we have come to see you
00:50:22But the mutiny caught us.
00:50:24We're trying to disappear.
00:50:35I know you
00:50:37To this
00:50:39He's usually in the yard, running around upstairs
00:50:41It doesn't suit him at all.
00:50:42You might know him from that.
00:50:43Yeah
00:50:44No
00:50:46No, that's not it.
00:50:47But I'll get it eventually.
00:50:57Take this, you'll see how good it makes you feel.
00:50:59Yes, let's see if Iñaki tells me.
00:51:00The sooner, how is my arrival?
00:51:01Okay, let's see.
00:51:02Imagine
00:51:07But, Bego, what the hell have you done to the chamomile?
00:51:09Anise
00:51:09A good splash of anise liqueur
00:51:11Let's see if you'll get motivated, son
00:51:12You're really into the gang's argument.
00:51:14Hey, do you know if Pello and the gang have been released from jail yet?
00:51:18No, they're still there.
00:51:19What's happening?
00:51:20I've just been informed that there's been a riot in one of the modules
00:51:22That?
00:51:23A revolt?
00:51:25Look, as if what we have on top of things wasn't enough.
00:51:27Come on, come on, calm down, okay?
00:51:29Let's see if Iñaki
00:51:30Iñaki, for God's sake.
00:51:31What about Iñaki?
00:51:34Okay, Carmen
00:51:36I'm not going to say anything to him, okay?
00:51:37I don't want to worry him
00:51:40Marichu
00:51:41Do you know where Iñaki is?
00:51:42Don't answer my phone
00:51:43In a riot!
00:51:44Hello
00:51:44As?
00:51:45Look, if he doesn't want to talk to me, I think that's a bad excuse.
00:51:47The truth
00:51:48No, no, it's true
00:51:49It was in Benito's prison
00:51:51Justo was visiting with the crew and with José
00:51:54As?
00:51:56But are they all inside?
00:51:59Look, I don't know, I don't know
00:52:00But I'm going there to see if I can find out anything.
00:52:03Wait for me, I'll come with you, okay?
00:52:04Please, Marichu
00:52:06Keep me informed
00:52:06I'm coming, I can
00:52:07Come on, yes, go on, come on
00:52:09I'm coming, I'm coming
00:52:12Juti
00:52:27Yeah?
00:52:28Hello?
00:52:28Juan Ortega
00:52:29Uh, no, I'm his...
00:52:31It's my...
00:52:32Well, it can't be done right now, tell me
00:52:34Uh, I was calling from the trade school
00:52:36To find out when the registration process could be formalized
00:52:39The registration number?
00:52:40But they had caught her copying
00:52:42As?
00:52:43No no
00:52:43Juan Ortega
00:52:44Exact
00:52:45How could it not have been copied from the Holy Spirit?
00:52:52Come on
00:52:53Have you heard about the riot?
00:52:54Yes, yes, I know.
00:52:55I already know
00:52:55There you go, over there with Gochón and your aunt
00:52:57And look, I'm just so nervous.
00:52:59Peaceful
00:52:59And with such displeasure
00:53:01Look, I didn't want to be separated from my phone.
00:53:03It fell into the pot.
00:53:04And now it doesn't work anymore.
00:53:05Right now
00:53:05When it's needed most
00:53:06Oh, calm down, calm down, love
00:53:07Oh, daughter
00:53:27Please promise me
00:53:29That you're going to do everything possible
00:53:31So that the person responsible for all this
00:53:32I ended up behind bars
00:53:35Of course, love
00:53:36Clear
00:53:37Let's see if I can
00:53:56Dad
00:53:57Why are you in jail?
00:53:59You look like you're living well.
00:54:01Regula, monster
00:54:01He doesn't see that the desire is going to sleep
00:54:04I'm crazy, I got involved with the...
00:54:06And a little bit of...
00:54:08Not you, Tanao
00:54:08I'm telling you this
00:54:10As if to doubt you
00:54:11With the look of a pathetic junkie he has
00:54:13Thank you so much
00:54:16Uh, we
00:54:17Well, we're here too.
00:54:18Because we lose our minds
00:54:19In other words, we have some really bad days
00:54:21They are rappers
00:54:22What are rappers?
00:54:25Crew!
00:54:27Don't they know him?
00:54:28Yes, they've been all over the news
00:54:29They've written a letter
00:54:30They've put him in jail
00:54:31These are them, these are them
00:54:32Pussy
00:54:32Well, if you're rappers
00:54:34Put some effort into the protest issue
00:54:35Clear
00:54:36That our demands
00:54:37They're fucking shit
00:54:38Take
00:54:40These are our demands
00:54:41Ah
00:54:42Well, but...
00:54:43I don't know if...
00:54:44With all this commotion
00:54:46Maybe nothing will come of it.
00:54:48Do you want to know
00:54:49What is a notary option?
00:54:50Hey!
00:54:51Wow!
00:54:53We're going to do something to you.
00:54:54Hey?
00:54:55Tune up
00:54:57Hey!
00:54:58You all come here.
00:55:00And you'll see what you're claiming.
00:55:01As God intended
00:55:02With class!
00:55:04This is like the Orfeón
00:55:05That one who has been Chene
00:55:06But rhyming
00:55:06And with his pants down.
00:55:07Let his underwear show
00:55:08This is very important
00:55:22The food is scarce and bad.
00:55:24That cook is a bastard.
00:55:25He never puts us on
00:55:26You're calling him a lamb.
00:55:27The food is crap
00:55:28Let the first one eat it.
00:55:30Hey?
00:55:31Pocinero
00:55:31Pulero
00:55:32Take out one of the grouper
00:55:33Pocinero
00:55:33Pulero
00:55:34Put on one of the grouper
00:55:35Pulero
00:55:36Pulero
00:55:36Take out one of the grouper
00:55:37All the controls are cooler
00:55:39In the cell
00:55:39in the pencil
00:55:40and in the street
00:55:41thinking about another face-to-face meeting
00:55:42And now
00:55:43I'm telling you
00:55:44What's going on here?!
00:55:45Here
00:55:47Here
00:55:48Here
00:55:48Here!
00:55:49Eye!
00:55:50Don't treat each other with more waste
00:56:05Care, but hippoc � solely!
00:56:18Wherever you put on a good song by José Manuel Soto.
00:56:34Oh my goodness, the TV crew is coming too!
00:56:36That means something big is going to happen, huh?
00:56:38We do know something...
00:56:39Oh, Marillo, don't worry, your son can take care of himself now.
00:56:42We must remain calm.
00:56:44No, the Civil Guard is already handling it.
00:56:45Oh, come on.
00:56:46No, no, no.
00:56:51With the area opened for the last time, the Civil Guard is already here.
00:56:56Astencio! Astencio! Add!
00:56:58We have moved to the door of the rioting prison.
00:57:01Many people have been arriving here waiting for news about their relatives.
00:57:06By the way, by the way, sorry.
00:57:08They are not prisoners, they are not prisoners.
00:57:10They've been mistaken for each other.
00:57:11Here, the narrow ones are visitors.
00:57:14Marillo, estate formal.
00:57:15Really, Marillo.
00:57:16They are not prisoners, they have been mistaken for them.
00:57:25Look, the vinegar is here.
00:57:27He's stopped me a lot.
00:57:28Sometimes that bitch.
00:57:29What did you call my mother?
00:57:38Sure, that's what your face reminds me of, you bastard.
00:57:41From when I used to go to the police station to pick up your mom.
00:57:45And he left me there on the train.
00:57:49But hey, this is good.
00:57:51This is good, very good.
00:57:53It seems some little birds have gotten in from outside.
00:57:56Yes, yes.
00:57:58Let's get to the point.
00:57:59We're going to talk to the officials.
00:58:01That's right, we're going to talk to the officials and you're going to leave here.
00:58:03What a terrible thing it is to pretend to be prisoners, really.
00:58:06We don't want prisoners here, that's a lie.
00:58:07Come on, let's go.
00:58:07We'll leave it at that.
00:58:09I don't know what you're taking anymore, you bastard, but you feel fucking awful.
00:58:12Yes, yes, it regulates.
00:58:15We have three hostages!
00:58:16Either you give us what we want.
00:58:18Or something bad might happen here, something really bad.
00:58:28Please, take it naked.
00:58:30Is there any news?
00:58:31Are they okay?
00:58:31Well, Inoa, we still don't know anything.
00:58:33Poor Ancho, with how overwhelmed he gets in enclosed spaces.
00:58:38Oh, really?
00:58:38Well, they spend all day in the street, messing around with this guy.
00:58:40Attention, breaking news.
00:58:42Apparently, the riot broke out when three civilians,
00:58:46one of them the son of a woman from Herchaina, nicknamed La Vinagra,
00:58:50They were visiting the prison.
00:58:53Furthermore, we are informed that the prisoners are holding these three civilians hostage.
00:58:58Oh, my Ancho!
00:59:00Oh, my Ancho!
00:59:01Oh, my Ancho!
00:59:06Get them on the ground!
00:59:07Man, kid, how are you going to kill them?
00:59:09Let's see, how are you going to kill them here in the middle of it all?
00:59:11We know this one is going to get covered in blood.
00:59:12And I'm apprehensive about that subject.
00:59:14I prick myself like this, looking up, searching for Benartiento.
00:59:16But how are we going to kill the hostages, you idiots?
00:59:18I don't know, it just occurred to me.
00:59:19Don't get on your knees, Daya!
00:59:20Host!
00:59:20Well, get on your knees, Daya!
00:59:36And that there will be no reprisals.
00:59:38Or these idiots are going to pay dearly for this!
00:59:44Crew, I can't die, I have a daughter.
00:59:46And joyful ones.
00:59:48What do coconuts do that's so awful?
00:59:49The silence is killing me!
00:59:51I can't die like that either.
00:59:54Being angry with you, Ancho.
00:59:55Really.
00:59:56I'm sorry.
00:59:57I'm so sorry, Ancho.
01:00:00I'm sorry too, Pio.
01:00:03But nobody's going to die here, not even God, okay?
01:00:06We still have many years to go before we become a team.
01:00:12So you're acting all cocky, huh?
01:00:14The answer?
01:00:15Just a moment, just a moment, please, just a moment.
01:00:17You're going to shit yourselves!
01:00:25Enough with the nonsense already?
01:00:27Yes, yes, yes, yes.
01:00:29Myself.
01:00:31Hey, notary!
01:00:32Hey, hey, hey, notary!
01:00:35Don't worry.
01:00:35Let's negotiate, you and I, shall we?
01:00:36Holy shit!
01:00:37Don't worry.
01:00:39This guy and I...
01:00:41Are...
01:00:42cooks.
01:00:43Are we cooks?
01:00:44Yeah.
01:00:45We are cooks.
01:00:46And very good.
01:00:46good cooks.
01:00:47The best.
01:00:49So why are we getting ready tonight?
01:00:52A dinner.
01:00:53To everyone.
01:00:54Three Michelin stars.
01:00:55For example.
01:00:55A little sea bream like some tiarra.
01:00:57A monkfish skewer with seasonal vegetables, for example.
01:01:00Jackfruit, jackfruit, jackfruit.
01:01:01And you're going to eat much better than a condemned man.
01:01:04No.
01:01:05That's a short-term fix that will lead to long-term problems.
01:01:09Okay, okay, okay, okay.
01:01:10But we all agree that the food here is crap.
01:01:13Or not?
01:01:13Yeah!
01:01:14And what about that shitty cook?
01:01:16Yeah!
01:01:17I have no idea.
01:01:17I have no idea.
01:01:18Shh!
01:01:19Leave me alone, leave me alone.
01:01:19Leave me alone.
01:01:21Shh!
01:01:22What if these cooks, huh?
01:01:24To those we don't know at all!
01:01:27You're welcome.
01:01:28Absolutely nothing.
01:01:29Hey?
01:01:29What if these two chefs taught our chef how to cook properly?
01:01:34Then we would eat d'abuti!
01:01:36And that guy is a crazy deal!
01:01:38Hello?!
01:01:38Yeah!
01:01:40So, is there a deal or not?
01:01:42Yes, yes, yes!
01:01:43Yes, yes, yes!
01:01:52Tell the crickets we accept this little offer!
01:02:00Hello, is there any news?
01:02:02But what are you doing here?
01:02:04Well, I went to the street to say hello to Iñaki and Bego told me.
01:02:06They're holding them hostage, but we don't know anything.
01:02:09Do you know any of them, or what?
01:02:10Yes, yes, yes.
01:02:12She is a friend of... of Iñaki.
01:02:15Oh, oh, oh!
01:02:16Poor!
01:02:16Look at that, don't worry!
01:02:18You'll see, everything will turn out alright.
01:02:19You'll see.
01:02:20Hey, will you all shut up?
01:02:21I can't hear anything.
01:02:25You'll see.
01:02:54These are the demands they accept
01:02:57There will be no reprisals for the riot.
01:02:59About the cooking classes
01:03:01To improve the quality of the menu
01:03:02The thing about the new mattresses too
01:03:05And one more thing about face-to-face meetings
01:03:06And what about sparkling water?
01:03:07That's for the next mutiny, son.
01:03:09Oh, I see!
01:03:10Take it away!
01:03:11Let these people decide, right?
01:03:13Arms up, those who don't accept!
01:03:17Now, let those who do accept!
01:03:23Are we winning?
01:03:24Yes, that's clear, then
01:03:39We accept the deal!
01:03:41Then release the hostages.
01:03:48Come on, Maradito!
01:03:50Release the crew!
01:03:51So many crew members, damn it, get out!
01:03:52Cade, crew!
01:03:53I'm never coming back here.
01:03:54You're going to have to go back to cooking classes
01:03:57Come on, come on!
01:04:06See you in class on Monday!
01:04:09What should I do, make a barmitaco?
01:04:15What's going on?
01:04:17No need to go outside, man!
01:04:17No, man, I came to lend a hand
01:04:19And I'm never leaving here again.
01:04:20No!
01:04:21Hey, hey, hey!
01:04:22This is difficult, but also!
01:04:23Oh, what a silly thing to say, man!
01:04:26Oh, you must have missed that!
01:04:28Fly, fly, fly!
01:04:29What did I say, fly?
01:04:30There is a verb the moment
01:04:31And the affection I'm developing for you all, eh!
01:04:34You're a great guy, notaries
01:04:41No, no, no, no
01:04:43We might not believe there would be any reprisals, right?
01:04:45And she's not going to see it
01:04:46He won't see her, don't worry.
01:05:09No, no, no, no, no
01:05:18Hey, Isabel, give me a letter for Atria, please, part of the solitary one.
01:05:21Look, man, it's a bottomless pit.
01:05:27Hey Isabel, you've been here longer than me.
01:05:30A menu for eating, for ordering food.
01:05:32Oh, what was I thinking?
01:05:34It's just that with age I no longer remember the registration form.
01:05:40But, but they won't let me do it because I'm a cheat.
01:05:43Either you're lying, or the academy secretary is lying.
01:05:47You left it in the kitchen.
01:05:49I had to take it.
01:05:51Why did you do it, Juan?
01:05:56Because I saw you arguing.
01:05:57Already.
01:05:59And you're right, Isabel.
01:06:01I am not your son.
01:06:04I am not your son.
01:06:07But oh well, it's okay.
01:06:08You don't pay my tuition, but I don't give you anything for Mother's Day.
01:06:10Okay, let's be clear, shall we?
01:06:12It's normal that you don't give me anything for Mother's Day.
01:06:15I am not your mother.
01:06:15But if you don't give me a little something on my birthday, January 17th,
01:06:19You and I are finished.
01:06:21Cross and line.
01:06:23Take.
01:06:24Large, clear print.
01:06:25And be careful where you lean on it, don't get it all greasy.
01:06:28But...
01:06:29Neither here nor there.
01:06:30The transfer has already been made.
01:06:31And they don't give me the receipt for refunds.
01:06:39Thank you so much.
01:06:45And you, where do you go out?
01:06:47Don't ask me, just give me a hug.
01:06:49Come on, my love.
01:06:50You too.
01:06:55Go on.
01:06:56But how can you pamper the copycat so much?
01:07:01Yeah.
01:07:02Then I don't know who it is.
01:07:04You'll have a child coming out of that.
01:07:11I started it, but in the end you were the leader of the revolt, huh?
01:07:15Okay, okay.
01:07:15Another achievement for the Mejumea, which is that there is no one who can stop us.
01:07:21Or maybe so.
01:07:37Congratulations.
01:07:39The account is settled.
01:07:41Have you managed to get the notary transferred from prison?
01:07:45Go on.
01:07:46Come on, we've gotten rid of him.
01:07:49Yeah.
01:07:50And not only that.
01:07:51Thanks to what you've set up, we've been able to do some extra business.
01:07:57You are good.
01:07:59Very good.
01:08:02See you in the courtyard.
01:08:17Thematic.
01:08:19So, about killing someone...
01:08:22Well, you haven't heard, Cristóbal, have you?
01:08:25It's because María Marta, with three sentences, is going to pick up prison slang.
01:08:29The thing is...
01:08:38Wait, look.
01:08:39It's coming out.
01:08:39It's Iñaki.
01:08:41Yeah.
01:08:41Listen, take it easy, I'm your mother.
01:08:46Iñaki.
01:08:52Iñaki.
01:08:54Iñaki.
01:08:55Iñaki.
01:08:55Iñaki.
01:08:58Iñaki, what are you doing here?
01:09:00Look, you're so slow, aren't you?
01:09:02Don't give me these scares, Sanchón.
01:09:04Oh.
01:09:12Hey Peyo!
01:09:13Were you scared?
01:09:15Fear?
01:09:15That I...
01:09:16In there...
01:09:17Yes, yes.
01:09:18A bit.
01:09:20Hey?
01:09:20What is he telling you?
01:09:21What happened, scared?
01:09:22This is investment, Cacati.
01:09:23Cacati?
01:09:25Man...
01:09:26Oh, leave me alone, I'm his mother.
01:09:28Maytia, are you okay?
01:09:29Yeah.
01:09:30Have you seen Benito?
01:09:31Yeah.
01:09:31Is that okay?
01:09:31Yes, both are fine.
01:09:33The Benjumea family is made of a special kind of stuff.
01:09:34Yeah.
01:09:35Don't worry, Marisio, everyone is fine.
01:09:37Don Benjumea is there like the godfather, but in Sevillian.
01:09:39Oh, I'm going to call Begocho.
01:09:40Okay.
01:09:41My goodness, He's calling me too.
01:09:43Yeah.
01:09:43Oh, huh?
01:09:44And what about Carmen?
01:09:44Come, tell him we're okay.
01:09:45Yes, yes.
01:09:48Carmen!
01:09:49Well, José, thank goodness.
01:09:52We're out now, we're out now.
01:09:54How are you?
01:09:54Are you okay?
01:09:55Everything's fine, everything's fine.
01:09:55A shove, a commotion...
01:09:57It hasn't happened here, no.
01:09:58It hasn't happened here.
01:09:59But, kid, stop moving your phone around so much, you're making me dizzy.
01:10:02I'm so nervous, I'm so nervous.
01:10:04You have no idea what comes out of me.
01:10:05Oh, she's looking for this.
01:10:06What are you doing to me, Orki?
01:10:08Leave me alone, man, let me hear what's going on inside.
01:10:10It's going to be a bad tire.
01:10:11How could I leave you?
01:10:12It's a police matter, kid.
01:10:13Come on, Rosa, man.
01:10:14Hey, let's play the band, huh?
01:10:16No, but not anymore...
01:10:23How dangerous everything is, isn't it?
01:10:25Are you sure you're okay?
01:10:26Yes, yes.
01:10:28I'm a survivor, you know.
01:10:30Yes, but don't you ever do that to me again, please.
01:10:33Come on, I promise I won't get involved in any more prison riots.
01:10:36You'd better, because I'm not going to take care of that kitchen myself.
01:10:44Hey, Gozzone, in there, besides the fact that my whole life has passed before my eyes in a
01:10:48second...
01:10:53I've come up with the best possible recipe.
01:10:54Oh, really?
01:10:55Which?
01:10:56Marry you.
01:11:03But, look, you're not going to tell me this because you almost died in a prison riot.
01:11:12Maybe a little.
01:11:15No.
01:11:18I'm telling you this because I've almost lost everything I love most.
01:11:23So...
01:11:30Gozzone, will you marry me?
01:11:33Can I choose the wedding menu?
01:11:41Okay, fine.
01:11:43Yeah.
01:11:44Wanna.
01:11:46Yeah.
01:11:47Yes I want.
01:11:48Yeah.
01:11:50Yes, I love you.
01:12:01She's getting married.
01:12:10I'm going to get some wine, okay?
01:12:12Come on.
01:12:13Hi how are things?
01:12:15Speak up if you've prepared a welcome party for me and everything.
01:12:18In the end, we'll see...
01:12:19Melodrama.
01:12:20Do you remember when I told you that you didn't need to be a defense witness?
01:12:23Well, it seems the prosecution doesn't agree and they're going to call you to testify.
01:12:26And as evidence number four, the envelope is provided.
01:12:29Do you remember?
01:12:30Like those envelopes you used to send letters to Miriam when she was in Canada.
01:12:33Either you resign from the insurance company you stole from me, or I'm going to send this photo to all the media outlets in Andalusia.
01:12:38Remember, Carmen, until twelve o'clock.
01:12:42I'm flying by the cart!
01:12:45Oh my God!
01:12:46Let's see what we have here, don't let the hoppo get away.
01:12:48Take that away!
01:12:49Another thing that can help us is if you get on the judge's good side.
01:12:54Trini, the last thing I want is for you to force me to use force.
01:12:58Oh!
01:13:00Tarini!
01:13:01You're useless!
01:13:02Tarini!
01:13:02What is it that you want?
01:13:04A small apartment next to the Giralda?
01:13:06No, leave me alone, leave me alone, leave me alone.
01:13:08A native with Marbella?
01:13:09But what has Christopher done?
01:13:11Don't tell me abortion is a shit, what was the small amount of money or what?
01:13:13You have to go to the registry office for me and get the wedding date, okay?
01:13:16It is important that the wedding be on a specific day each year.
01:13:19But what date have you booked?
01:13:21So, do we have a date yet?
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