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04:01A dry chinchón
04:03How was the trip?
04:05Suicide, like everyone else
04:06How was the trip?
04:28What else could I be?
04:29Who else would take care of the set boxes and the gentleman's luggage?
04:33I'll pick up my stuff tomorrow, and the decorations can stay in storage, man.
04:36We have to take it to the theater now because tomorrow there won't be time for anything
04:40I don't know how you don't have six stomach ulcers
04:43I have them, I have them, but not for putting up with comedians, not for this.
04:46This is a blessing, ask, ask what the farmers take at dawn when they go out to the fields in the frost
04:51This satisfies their hunger pangs and gives them the strength to work
04:58This kills the worm and the Loch Ness Monster.
05:02Put a little cup here for me
05:02No, no, no, stop it, thank you.
05:04What do I owe him?
05:0565
05:0665
05:06I intend to sleep until showtime, Tony
05:09And I don't have to go out to work in the freezing cold, nor do you, by the way.
05:12Oh, no?
05:13No
05:13Isn't it freezing?
05:15And I don't have to spend the night transporting boxes and assembling the set?
05:19I'll go to bed when you get up, handsome.
05:21And I'm going to sleep for a maximum of two hours.
05:22By the way, who's going to tell you to go out to dinner tomorrow, huh?
05:25You
05:25Clear
05:25Clear
05:26And if you were a pretty face, like you say
05:29Instead of giving notice, you would go out to dinner.
05:31I tried it when I was young, but I was very bad at it.
05:34And me, I don't even know who you have me for.
05:38Those were different times, and back then we professionals had shame, unlike you.
05:44The professionals?
05:45But have you ever been a professional at anything?
05:48In your life?
05:51Well, I hope it's not too bad for you.
05:52Take care of my suitcases
05:53Okay
05:57What do I owe him?
06:01Okay, okay, thank you.
06:05Bye
06:12You're from the theater company, right?
06:15Uh-huh
06:16The others haven't arrived yet.
06:17And I have several reservations there.
06:21They will arrive, no, don't worry
06:23They come by car
06:25For two days, right?
06:28Depends
06:29Hopefully, we'll extend it
06:30Man, that would be good.
06:31Quite a few companies come here, you know?
06:34And some of them work well.
06:36May I?
06:37No, no, leave him alone
06:38I usually wear
06:39That's why I'm here.
06:40That's all that was needed.
06:40No, but let him
06:41Allow me
06:41Okay, okay, thank you.
06:43Besides, you'll be tired, won't you?
06:46Exact
06:46Looking forward to getting into bed
06:48Well yes
06:52How is the show they're bringing this year?
06:55Well, it depends on what you like.
06:56I just want it to be entertaining, something to laugh at.
06:58And that it's not weird.
07:00Now he's taken to doing some very strange, very sad things.
07:03And one already has enough worries in life, right?
07:05That's right, yes sir.
07:07We've arrived
07:08Pass, pass, pass
07:09You should go to the theatre to have a good time
07:12And to life, right?
07:13What did you say?
07:14No, no, nothing, nothing
07:16You're not going to pay to go to the theater
07:18And on top of that, they make him think
07:20There it is
07:21The less you think, the better.
07:23Far better
07:24Where will it all end?
07:25You guys sure know how to have a good time, huh?
07:27Do you think so?
07:28Let's see, a job that isn't work
07:30I would like it for myself.
07:49I am a big fan of the theatre
07:50Oh, really?
07:51That's what's needed, for there to be many
07:52The bad thing is that the salary isn't enough for entertainment.
07:54Here are those who come
07:55They usually give us a pass at the hotel.
07:57A voucher?
07:57Yeah
07:58I'll give you a voucher, don't worry.
07:59Thank you very much, sir.
08:00Yes, and tomorrow you tell the hotel owner
08:02Please make me a voucher next year too.
08:03To pay for the stay, okay?
08:05What did you say?
08:06No, no, nothing, I'll leave it at the box office.
08:08What is your name?
08:09Antonio, Antonio Robles
08:10Let it be for three
08:10And if possible, in the afternoon
08:12Okay, so which row would you like?
08:14Whichever one you want, as long as it's good.
08:15Whichever one you want
08:16Very kind
08:17Good morning
08:18Bye
08:19Bye
08:20Goodbye, good morning, thank you
08:21Thank you
08:21Thank you
08:23Oh my God
08:51Goodbye, good morning
09:04No, no, no, no, no, no, no, no
09:25Come on
09:25Linda
09:26No, no, no.
11:31Ah!
11:36Juan!
11:37Paquito!
11:39Come on, let's go to the bathroom!
11:41Come on!
11:43Above!
11:46Up we go!
11:48Hurry!
11:49You have to leave the bathroom free for Dad
11:51Come on!
11:52Me first, okay?
11:53No, no, no, me.
11:56Come here, I'm going to...
12:00Hey!
12:02Silly!
12:07Oh, oh!
12:08Put me on!
12:10Oh!
12:10Go to hell!
12:11I'm going to tell Dad and you'll see!
12:12You'll find out!
12:13Oh!
12:18Mommy!
12:19I don't want to go to school anymore!
12:21Bring this over here, bring this over here.
12:22Oh! We eat later at the table!
12:27Holder!
12:27Oh, you idiot!
12:33I'm going to tell Dad! Give me your cock!
12:34Idiot!
12:37God!
12:40Bring it here, it's your turn!
12:40Don't splash!
12:42Don't get me wet!
12:42Don't splash!
12:43Oh my God!
12:45Move it, leave me alone, it's my turn to use the tap!
13:05Grandfather!
13:07Grandpa, breakfast!
13:10Come on, get up!
13:14Don't think I didn't hear you.
13:15An hour ago, with all the commotion you make...
13:17They're the boys.
13:18And they have them very badly educated.
13:19In any case, we probably do have them.
13:20Or does your son not count?
13:22My son is a man and he has his job.
13:24And not me?
13:25You don't even have ink.
13:26You work on what you want.
13:27Oh, here we go!
13:28And the truth!
13:29Come on, come on!
13:30If I were you, I'd add more things.
13:31You have no idea what was going on last night.
13:34Come on, give me your teeth.
13:36Dome!
13:37Nothing!
13:38Oh, bring me the newspaper!
13:40Julian!
13:42Julian!
13:44Julian!
13:45I'm coming, woman, I'm coming.
13:47Am I going to get ahead of myself?
13:48Come on, breakfast is ready!
14:03Hi, Dad!
14:04What's up, Dad?
14:05Don't see me!
14:06Thank you!
14:07No, no, no!
14:08Get out of here!
14:09The toast is for your father!
14:11The!
14:11The!
14:12The!
14:13The!
14:14You call this your toast?
14:18Don't forget your vitamins.
14:20No!
14:21Is there no butter?
14:23Child.
14:24What is this?
14:27Here it goes!
14:31What's happening?
14:32What, Mom?
14:33A new wedding?
14:34Look.
14:35Child.
14:36Look, but look.
14:39But anyway, what do I have?
14:40You've only painted one eye.
14:42Of course, if you go out on the street like that.
14:45It wouldn't surprise me.
14:47I haven't even had time to comb my hair yet, given the time.
14:49Well, I'm going into the bathroom now, okay?
14:51Otherwise, I'm the one who won't make it.
14:53Julian!
15:06Damn kids!
15:10Just a moment, grandpa.
15:12I'm coming right now.
15:17Do you mind taking this?
15:19And I couldn't wait ten minutes.
15:21Oh, you're making me feel like stones and it hurts me.
15:23Now I'm really annoyed.
15:24Don't talk nonsense, why would you bother anyone?
15:26I'm just saying that he could have waited ten minutes.
15:28I won't call anymore, daughter.
15:29I won't call anymore.
15:29No way, but I'll say yes.
15:32What's happening?
15:33Don't you know how you're doing?
15:36No, sir.
15:37I haven't even seen it.
15:38That's the bad part!
15:40Hey, the newspaper.
15:41Don't forget the newspaper!
15:44You're always in the middle.
15:45And what do you want me to do if I have to do everything?
15:47Let me.
15:47Where are you going?
15:48To the bathroom.
15:48To the bathroom and when I go.
15:49When do I go to the bathroom?
15:51I have to do everything!
16:23No, Marín.
16:24Are the crazy ones there?
16:26Yes, right there on the table.
16:27Prepare us yourselves.
16:28Go!
16:29Prepare us yourselves!
16:30I'm coming, grandpa!
16:31I'm here!
16:32I'm here!
16:33Go!
16:34The newspaper hasn't arrived.
16:36But what I wanted was...
16:37But hey, couldn't we have expected that?
16:38What if he falls and gets hurt?
16:40That's why...
16:40Come on, now you're going to catch a cold!
16:42That's what I want, I want you to give me the robe and slippers and come with me to the living room because...
16:46I can't stand that room anymore, you know?
16:47I've been keeping an eye on him all night.
16:50Here.
16:51Ah, that's it.
16:52See? It's done.
16:53The sneakers.
16:54The sneakers.
16:55Okay, where are the sneakers?
16:57Here.
16:58Thank you.
16:59Here are the sneakers.
17:00Thank you.
17:02All good?
17:02Thank you all.
17:04Good.
17:04Thank you.
17:09So what now?
17:11Well, honey, it just happened to play on its own.
17:17She's so nervous today!
17:26Did you look into the payroll for me?
17:29What payrolls?
17:30I have to file my tax return.
17:33Cañas told me that I can't keep your stuff this year, huh?
17:36But apparently those computers work.
17:39I told you last night, don't you remember?
17:41She would be asleep.
17:42You were pacing around the room.
17:44It's the same.
17:46She would be asleep.
17:47I'm asleep during those hours even though I keep tossing and turning.
17:49Okay, then find them for me now because I have to take them with me, okay?
17:53Now? I can't make it.
17:55I'll give them to you later.
17:55Now!
17:56Cañas is helping me file the declaration today, not tomorrow.
18:10Good morning!
18:12Good morning!
18:16Good morning!
18:37But how messy you are, daughter
18:40I remember that I was in my office
18:41Are you in your office or what?
18:43Daughter, how are you today? Oh my God
18:44Why don't you have a cigarette?
18:46And if it will calm your nerves, go ahead.
18:48Because whatever anyone says, tobacco is great.
18:51Great!
18:52And if not, you only have to look at how they are
18:54Everyone who has quit smoking
19:02Do you have them, yes or no?
19:03Look, here they are
19:03Okay, I'm on time, just right, as always.
19:06I have a client waiting for me first thing in the morning.
19:07A client now? But aren't you going to pick up Juan's test results?
19:10Me, you're crazy, what a morning I have.
19:11That's all your doing, okay?
19:13Why is it my business? Besides, you said last night that you would go.
19:14That's all up to you.
19:16Goodbye, Dad
19:17Goodbye, son
19:17Behave yourself, okay?
19:18And don't get tired, don't get tired, it's not worth it
19:21The problem is that you're not organized.
19:24You're not organized, come on
19:25Why don't you come up with a nice solution? Go on.
19:27Take
19:28You know what I'm saying?
19:29Yeah
19:30He's right.
19:38Aren't you worried, beautiful?
20:12My boss called me.
20:18Alice? Where is Alice?
20:20I told him you were in the bathroom. Hurry, he's in a bad mood.
20:23That's it. I don't see a thing.
20:25My problem is that it can't be fixed, not with glasses, not with contact lenses, not with anything.
20:28Can I? Yes, the chocolate is downstairs.
20:32Can?
20:32Ah, yes.
20:34Good morning, Mr. Andrés. Did you call me?
20:36Hello, good morning, Alicia. Yes, I would like you to make some calls to me.
20:41But right now, because later there's no way to talk to anyone.
20:44First, call the Madrid headquarters.
20:46Oh, and bring me the file on the Ruiz brothers.
20:48Yes sir.
21:02You're late as usual, huh?
21:04Come on, be quiet.
21:06Who is speaking?
21:12Angelita?
21:13Alice.
21:15Hey, sweetheart, my boss wants to talk to yours.
21:18Okay.
21:19Don Santiago?
21:20I'll put you through to Don Andrés right now.
21:23Don Andrés, Don Santiago on line one.
21:34Alicia, daughter, what love for work?
21:36And when I have it done sooner?
21:38I'm useless until it's time for coffee.
21:40Nor afterwards.
21:43Sympathetic.
21:44I can handle normal days terribly, but Mondays are the worst.
21:48I'm really looking forward to retiring.
21:50You only have 40 years left.
21:52Cheer up.
21:52Whether I retire or some handsome man takes me away.
21:55Don't trust that.
21:56Alicia is married, and there you have it.
21:58But she likes it.
21:59What are you saying?
22:00Nobody likes this.
22:01Well, it does for me, that's the truth.
22:03Come on, it's not exactly that I like working just for the sake of working.
22:07Put that way, right?
22:08But I like having my own position, earning a salary.
22:11I like coming to the office.
22:13I don't know, I'm just chatting with you guys here, I'm in touch with others, we have visitors.
22:18Don Andrés himself, when he hasn't woken up in a bad mood,
22:21Like someone who woke up wearing plaid pants, he has a very pleasant conversation.
22:25We also share the same literary tastes.
22:27He lent me this novel.
22:29As I read it to you here, you'll see what it says about literary tastes.
22:32Yes, but I don't read it here.
22:34But here you have time to read at home with everything you have, anyway.
22:37If I tell you where I read, I read when I go to the bathroom.
22:45Mr. Andrés, I was just telling you that...
22:47Did that file find me?
22:49Yes sir, I was just going to send it to you with the signature.
22:50Cerdemelo!
22:51Yes sir.
22:58Oh, come on...
22:59Isn't it Auntie who loves the theater so much?
23:01Yes, why?
23:02Well, they're putting on a play at the Juan Bravo today, today and tomorrow.
23:06You don't say "echar" (they throw).
23:07What is being said?
23:08Well, I don't know, maybe this company is debuting, or maybe this comedy is premiering.
23:11Well, it's the ACS TV commercial, the one that advertises champagne.
23:15Look.
23:15Go back, intellectual.
23:16Let me see.
23:21It doesn't matter to her, Alicia.
23:22I think I should reserve that for the bathroom.
23:25It is not a slight against the local press, as it might seem.
23:28But this is not the time!
23:58Come on!
23:59A little less.
24:00It's worth it to me.
24:01Well, yes.
24:02When you earn a good wage...
24:03Phew!
24:03Not so much.
24:04What makes it worthwhile is going out, doing things, not being stuck here all day.
24:09No one has spoken in this house for years.
24:11The times I still try, they look at me like I'm a freak.
24:14The boys, when they're home, are busy with their studies and television; the father is the same.
24:19Don't take him away from his newspaper, his radio, his television.
24:23The only one who talks to me from time to time is my grandfather.
24:25To pick on me, but...
24:27I don't see the ashes in Carla.
24:29Because you have them cooking!
24:31Oh, what a head!
24:33Oh, look at that, ma'am!
24:36It's time.
24:38I'll do the rest of the ironing another day.
24:39Does that seem right to you?
24:43Is there anything else you'd like me to do for you before I leave?
24:45Oh, yes, please.
24:46Clean the fish for me while I change.
24:48Yeah.
24:49Here it is.
24:50The kilo, 490 pesetas.
24:52No, what are you going to tell me?
24:53No, but it's very cool today, isn't it?
24:55Already.
24:55Where do you buy it? Where? Saturnino?
24:57Clear.
24:57That's because he's trustworthy.
24:58So, does he have enough time?
24:59I cannot entertain you today.
25:01I'm in a big hurry.
25:02My husband has tickets for the play.
25:05And we're going tonight.
25:06To the theater?
25:07Yeah.
25:07We go every year.
25:09My husband is related to the ticket seller.
25:11And they always give him free tickets.
25:13Oh, how I envy you!
25:15Take it, order it.
25:17Yeah.
25:19So we're at peace, right?
25:21No, I have to give you the change.
25:22Okay, we'll settle accounts on Thursday.
25:23It's the same.
25:24Not on Thursday.
25:25I can't come on Thursday.
25:26You don't say.
25:27I have a doctor's appointment now.
25:28Has he told you yet?
25:30Yes, but when I don't have you for a day, it devastates me.
25:32It completely devastates me.
25:33They're stones against my roof, aren't they?
25:36You should have a steady girlfriend.
25:38And where does the goal want to go in this house?
25:39That?
25:40No, and besides, no, they would tell me to stop working.
25:42Well, stop working, for crying out loud!
25:43No, not for anything in the world.
25:44I spend the day dreaming about the time to go to work.
25:46Well, let's see.
25:47Are you accompanying her?
25:48No, she accompanies her.
25:49Until Monday.
25:50How about Monday?
25:51No, not until Friday.
25:52Until Friday, embody.
25:54Bye bye.
26:04We live in such a unique world that living is merely dreaming.
26:13And experience teaches me that the man who lives dreams what he is until he wakes up.
26:20The king dreams, who is king and lives, with this deception, commanding, arranging and governing.
26:29And this applause that he receives on loan in the wind he writes.
26:34And death turns him to ashes, a terrible misfortune.
26:40There are those who try to reign, there are those who try to reign, seeing that they must awaken.
27:02In the dream of death, in the dream of death.
27:09The rich man dreams of his wealth, which offers him a thousand cares.
27:14The poor man dreams of suffering from his misery and poverty.
27:19He who begins to prosper dreams.
27:22He who toils and strives dreams.
27:24He who wrongs and offends dreams.
27:32And in the world, in conclusion, everyone dreams of what they are.
27:41Although no one understands it.
27:54What happened?
27:56He already understands.
27:57There's a current, you've already left something open.
28:00Be quiet.
28:01I'll keep quiet, but there's a current.
28:05Alpha!
28:06Shut up, grandma, let me watch the movie.
28:08Estimate!
28:54Subscribe to the channel!
29:08I said, "For sleeping!"
29:09Stop! Get out! Leave it to me! Pando has destroyed me!
29:12Oh!
29:14Oh, little one!
29:23Licia!
29:25Licia!
29:30Have you gotten up yet?
29:31You're crazy! I haven't even gone to bed yet!
29:34Is television over?
29:36Clear.
29:37Of course, why?
29:37I'm not here.
29:41I haven't slept like a fool.
29:45Find yourself once and for all.
29:46Otherwise, there's no one who can get you up tomorrow.
29:49Oh, and remember to talk to your boss as soon as you arrive, okay?
29:52You tell him you can go until the end of the month, but not a day more.
29:55I've already told you that I need to think about it.
29:57But what do you have to think? What do you have to think?
29:59Won't they sing them to me?
30:01Cañas explained it to me very clearly.
30:02Tax obligations are cumulative.
30:04With what you're doing, we've gone beyond the limit.
30:06And we pay more in taxes than you earn in the office.
30:08In short, we lost out. Do you understand that now?
30:10You're the one who doesn't quite understand.
30:12We will lose out financially.
30:13Look, look, if you tell me again about how your father and mother were teachers.
30:16Yeah.
30:16The fact that you have concerns.
30:17I don't know what else.
30:17I'm getting up, grabbing my carrier, and leaving, okay?
30:20They don't sing them to me, I told you.
30:23When we did the math, we discovered that it's not worth it for you to work outside the home.
30:25Well, you stop working outside the home.
30:28Plus, we saved on the cleaning lady.
30:30Because with you here all day you can be perfect.
30:32But what are you doing? Where are you going now?
30:33Look, I'm leaving.
30:35I'm going to set the breakfast table.
30:43Okay, Radio Segovia. Now it's time for sports.
30:45These are some of the news items that we will discuss below.
30:49The Segovian gymnastics team will have new uniforms starting next season.
30:54Everything is ready for the Cabezuela marathon.
30:56The president of the Provincial Federation of Alderism will tell us about it.
31:00Brilliant performance by the empire on the last day of the second division of basketball.
31:04And in Segovia Deportiva we will now go into detail on these topics.
31:08Indeed, next season the Segovian gymnastics team will no longer wear blue and red.
31:13That's what he decided yesterday.
31:14Don't move yesterday.
31:16No Terrorismán will not wear blue and red.
31:18Noância de otra posición y le mandoj LOT para que as semua.
31:19But we need to see if we did the Communicationsractor one that way.
31:22I am generalizing about success when the visit,ution
31:25They will be very well done in the chapter on French nationalism. We are
31:29Ready for the news that Lado görerte. No
31:31You have to buy birds. No
31:32You have to buy it. No
31:32You have to buy birds.ados.
31:33There's nothing to buy.
31:34Buy birds. There are no
31:34There's nothing to buy.
31:35What to buy. And now
31:36There's nothing to buy.
31:38What to buy. Well,
31:40options that will not be starting.
32:12Thank you!
32:43Thank you!
33:06Thank you!
33:07What a disaster! What a disaster!
33:08And with this weather, of course...
33:10That's why they haven't come.
33:11As you know, in the provinces and when it's raining, who's going to come?
33:13Don't get tired, they haven't come because they didn't want to.
33:16Who would even think of that?
33:17Calderón. Calderón, don't be a pain.
33:19What's wrong, don't you like Calderón?
33:21Nobody likes Calderón.
33:23You're a beast.
33:24Yes, you see, three rows.
33:26Yes, and half of them were vouchers; I gave out four.
33:29If this is a profession, then God help us.
33:31Yes, man, God is coming here.
33:34Let's see each other.
33:35And to this forgotten corner, too.
33:38Let's see, the train ticket, your ticket.
33:41He doesn't come out until seven, I'm warning you, okay?
33:43Man, that's great.
33:44That way I can have a crazy night in this fun city.
33:47Come on, you guys, let's get on the bus.
33:49Well, that's all for now, see you tomorrow, have a good day.
33:51Bye bye.
33:52Bye bye.
33:53Bye bye.
33:53Hey.
33:54See you later.
33:55Handsome face.
33:56What's happening?
33:57At seven o'clock, don't forget, the train doesn't wait, man.
33:59Go on, man, go on, go away.
34:01We'll see each other at the station.
34:13At seven o'clock, don't forget.
34:48At seven o'clock, don't forget.
34:51Don't forget.
35:22Thanks for watching the video!
35:45Good evening. Do you mind if I sit down? I don't want to disturb you.
35:54Would you be so kind as to move your suitcase to make room for me?
36:21Thanks for watching the video!
36:27A shadow, a fiction.
36:29And the greatest good is small.
36:33That all of life is a dream.
36:36He's gone mad.
36:37And dreams, dreams.
36:39Shut up! Will you be quiet?
36:40No, I don't want to. Why?
36:42Don't you like Calderón?
36:44He doesn't like Calderón, huh? He doesn't like him.
36:49It has rained a lot.
36:51It was necessary, at least that's what they say.
36:54From what I can see, you like the rain.
36:57And Calderón?
36:59Do you like Calderón?
37:01I warn you that if you're in the mood for conversation...
37:03I, on the other hand, don't have any.
37:06Would you call this a conversation?
37:08What do you do for a living?
37:10Not what you suppose.
37:14If he was thinking of making any kind of advances towards me, forget about it.
37:20Why doesn't he close his umbrella?
37:22It has stopped raining.
37:25Would you mind telling me what you do in a small town like this?
37:32Sitting on a wet bench at four in the morning, enduring unnecessary rain?
37:39She just said it was very necessary.
37:41Yes, for the countryside.
37:44I don't think it's good for his health.
37:47Kiss me, come on, kiss me.
37:52He doesn't dare.
37:54I warn you that the police pass through here constantly.
37:56Not constantly, that's why I kissed her.
38:16Did you forget this?
38:19You always see people when they see police officers.
38:22And you?
38:25Only when it rains.
38:29Wow, I did it.
38:32Did she smile?
38:34Don't get your hopes up.
38:36About what?
38:38About nothing, don't get your hopes up about anything.
38:41You have to go through life without illusions.
38:44It leads to even fewer unpleasant experiences.
38:47What are you doing out on the street at this hour?
38:54And you?
38:56I wasn't sleepy and went out for a walk.
39:00Give me at least the benefit of the doubt.
39:03What doubt?
39:04Don't assume I'm an idiot.
39:08I don't have to give you any explanations.
39:10And please leave me alone.
39:14But, listen, listen, you're determined to give me the umbrella.
39:18And you're persecuting me.
39:21But, man, why don't you just tell me who you are and what's wrong with you?
39:30My name is Alicia and I am 33 years old.
39:34Finally.
39:36Had I never met anyone who was 33 years old?
39:39Yeah.
39:42What else?
39:44But this is of no importance whatsoever.
39:46Nor am I a mystery.
39:50My attitude would seem perfectly normal to him if it weren't for the circumstances of the time and the rain, right?
39:56Okay, then delete them.
39:58If she abolished it, we would have nothing left to say to each other.
40:01I couldn't ask you what you're doing here, nor could you ask me.
40:06The world is terribly conventional.
40:08Me too.
40:10So, how about we forget about each other?
40:14Too late, it seems too late to me.
40:16We have taken an important step and we cannot go back now.
40:23Come on, hug me and kiss me.
40:25Again.
40:30What do you do?
40:34Good night.
40:35Good evening, agent.
40:36Not good at all, it's raining.
40:39No, it has stopped raining.
40:41I was just discussing it with my wife, weren't you, Chata?
40:43Please show some respect, okay?
40:45I always call her Chata and she doesn't mind.
40:49Well, well, you know what I mean.
40:51Don't be a smart aleck.
40:52And move along, move along.
40:53Clear.
40:54Yes, yes.
40:55Goodbye, good night.
40:57Come on, let's go.
41:25Thank you.
41:38It had been so many years since I had spoken to anyone in this tone.
41:43It's like taking a bubble bath.
41:49In what tone? Like this, softly?
41:52You understood me perfectly.
41:54No.
41:57Go on, explain it to me.
41:59So, just playing around a bit.
42:02Taking things so seriously that they have to be said jokingly.
42:07If you spoke like that in my house, no one would understand you.
42:10They would always take you literally and go crazy.
42:13Or they'd say you're crazy.
42:17Well, actually I'm talking nonsense because in my house we don't talk like that or in any other way.
42:24But will anything ever be discussed?
42:28Now yes.
42:30Five people cannot live together without saying a word.
42:33Without saying a word? That's right, of course.
42:36But to provide information, it's for practical reasons, you understand?
42:40And the more monosyllabic, the better.
42:43There's more bread, can you give me a clean towel? These pants are for the dry cleaners.
42:47Okay, okay, okay.
42:49It may not have been like that from the beginning.
42:51Who was the boyfriend?
42:56When Julian and I became boyfriend and girlfriend, imagine,
43:02Back then we had illusions or we believed it.
43:05We got married when he was still in college; we didn't want to wait.
43:10Were you in love then?
43:13He was my first boyfriend.
43:17I suppose so.
43:20Although it all seems so distant to me that I'm not even sure.
43:25Keep in mind that customs were different back then.
43:28Everything looked bad.
43:29Courtships lasted six, eight years.
43:33So many people got married just to change their lives,
43:35to have a little independence and leave the family home.
43:40A love had to be invented, whether or not it existed.
43:44Well, we didn't have much time to think about that.
43:48The beginning was very tough.
43:49I worked like a dog at home and outside the home so that he could finish his degree.
43:54And he studied up to 16 hours a day.
44:00When we realized it,
44:03We were two strangers with two children and an elderly person to take care of.
44:09How many times has this story been repeated in my generation?
44:15He fared a little better than I did.
44:18He sought joy and companionship elsewhere.
44:25It's not very important, don't get me wrong.
44:28His secretary.
44:31Very classic, isn't it?
44:34Very solid, they've been around for a long time.
44:37If you only knew how little I cared when I found out.
44:44However, when they told you to quit your job,
44:51You packed your suitcase.
44:53With stones.
44:55But you did it...
44:57It was my last refuge.
44:59Not very important, don't get me wrong.
45:03Routine, office work...
45:06I know most people wouldn't understand.
45:08But I do.
45:12In my profession, we usually work for the sake of the work itself.
45:17Not because the numbers sing.
45:20The truth is that numbers often throw us off quite a bit.
45:25What is your profession?
45:30Come on, come on.
45:32Yes, yes, it's true.
45:34I forgot that you were confessing to a stranger.
45:38Introduce me, won't you?
45:40Well, then...
45:42I am an actor.
45:45My name is Jorge.
45:47AND...
45:48And I'm 36 years old.
45:50Actor?
45:52Oh, how I envy you!
45:54Okay, okay.
45:56One always thinks that other people's world is better.
46:02Tonight, upon leaving the theater,
46:05I swore to myself that upon arriving in Madrid
46:08I would quit and dedicate myself to something else.
46:12Of course, I won't do it.
46:17There comes a time when it's a little too late to change.
46:19No, no, no, that's not it.
46:22I could do it if I wanted to.
46:25My family owns a business.
46:28And I'll have a job with them whenever I want.
46:32I haven't done well in the theatre.
46:35I am a second.
46:40Now I know...
46:41that I won't get any further.
46:43But I also know...
46:45that I will never leave him.
46:49Because?
46:53Because I love him.
46:59Sure, sure.
47:02That's the mystery.
47:04Clear.
47:06When you love, it doesn't matter if you do unpleasant things.
47:10Working in an empty theater or ironing trousers.
47:17I don't know where I'm going to find the strength.
47:18to continue ironing trousers and washing dishes.
47:23Ironing pants?
47:25Where?
47:26At my place.
47:27Where else would it be?
47:29But then...
47:30All that suitcase drama?
47:32You said it, a show.
47:34Yes, yes, a show.
47:37I wanted that when Julian woke up
47:38I wouldn't find myself ready to jump in and make breakfast
47:41and clean the bathroom to do it all.
47:44I wanted to give them a scare.
47:47Now when I get back I'll tell them there were no tickets.
47:49But I'm leaving today.
47:50Come what may.
47:52And no one will fall.
47:55But some concessions will be made to me.
47:58Not the one from work, of course.
47:59You know, numbers don't lie.
48:02But I will be able to keep the assistant.
48:04She is a good woman.
48:05Very gossipy, too.
48:09It entertains me, it gives me conversation.
48:13Very good.
48:16When you take the wrong train
48:20gets off
48:21and take another one
48:24that it goes in a good direction.
48:30I don't.
48:35I'm one of those who stay in the station's canteen.
48:48This is a burden, it's just what's fair.
48:50Come on.
48:57Hey, handsome face.
48:59The train doesn't wait.
49:00You're staying on the ground, buddy.
49:02Dale.
49:02Come on.
49:03Dale.
49:15I can give you a farewell gift.
49:18Further?
49:23Baby.
49:25Get out of here.
49:27Fight.
49:28He suffers.
49:28Go hungry if you have to.
49:31But don't go back to the same thing just out of cowardice.
49:37I wish it were the same.
49:39Now without the office it will be worse.
49:44Go ahead, take it.
49:47No.
49:50One can sacrifice oneself for love
49:52or by some principles.
49:54But out of cowardice, Alicia.
50:03Come on, don't miss your train.
50:09Come on.
50:10Come on.
50:11Come on.
50:15Come on.
50:44Thanks for watching the video.
50:57Here. You go, Alicia, please.
51:04It's a ticket to wonderland.
51:12No one's ever said anything so original to you, have they?
51:16Only two or three times a week.
51:20But until tonight I had never been there.
51:25Thank you.
51:27If that's the truth.
51:30Tonight's thing.
51:32Imagine that, walking in the rain, having coffee in a bar.
51:37It seems like nothing, right?
51:41Well, it's the most beautiful thing that has happened to me in all these years.
51:45The only nice thing.
51:58I can't, I can't.
52:01Now I have to go through the looking glass again.
52:04And to wake up.
52:13Alice, the umbrella.
52:23Thank you!
52:25Thank you!
52:25Thank you!
52:28Thank you!
52:41Thank you!
52:50Thank you!
53:02Thank you!
53:08Thank you!
53:18Thank you!
53:20Thank you!
53:32Thank you!
53:35With Iniesta.
53:37With Iniesta.
53:37Both with Iniesta, right?
53:40Very good.
53:42What reasons will you give?
53:45I don't know.
53:48I would have sworn that my husband was happy the way we were, that...
53:52Come on, she wanted precisely the life she had and...
53:54Hey, where are you going?
53:55It turns out I didn't know what to do to get rid of him.
53:59Yeah.
54:00Everything you're telling me is, in a way, provocation.
54:03During that nighttime walk of mine, he saw the open sky.
54:06Spending the night away from home, what more could I ask for?
54:11She told me she's keeping the children.
54:14He keeps everything.
54:16Well, we'll see about that.
54:17That's a matter of...
54:18No, but I don't want anything.
54:19No, no, I don't want anything.
54:21And the children can do whatever they prefer.
54:24If they want to be with me, fine.
54:29They want to keep him, well...
54:32good too.
54:36Now...
54:37Yes, I would like to see them often.
54:43I plan to stay and live here and find a job.
54:45Well, that's more difficult now, isn't it?
54:47Already.
54:48But my boss has given me a great recommendation for our headquarters.
54:52He's a good person, a true friend.
54:55Who would have thought that one day he would treat me so well?
55:02Well...
55:03That's life, isn't it?
55:06You never know what might happen to you in the next moment.
55:11Oh, let my aunt do it.
55:13No.
55:14No.
55:15But why won't you do my thing?
55:16No, daughter, no.
55:17You are here as a guest.
55:18You sit down.
55:20You'll have plenty of time to do all the work you want.
55:23And even more so when they send the children to you and you rent a small apartment.
55:27To the children?
55:28But girls, I don't even think they'll send them to me or that they'd want to come.
55:32They?
55:33Nobody is going to ask them what they want or don't want.
55:35They will do as they are told.
55:38And the person they need to be with is their mother.
55:40Because?
55:41Just because.
55:43I warn you that yes, with what I am.
55:46I wrote to you telling you that I had lawyers at home.
55:49And telling you to come over.
55:51That's why, just for the children.
55:54So that they can't do whatever they want.
55:56And so on.
55:57So that they are with the people they are meant to be with.
56:00And so that no one has to say a word about her that is louder than another.
56:04There he is, Ramón.
56:07Cheer up, woman, life still has many rewards in store for you.
56:10Absolutely not.
56:11Good afternoon.
56:11It's possible that something worthwhile will happen to me.
56:13Good afternoon.
56:14I have a surprise for you, Mrs. Trini.
56:17Don Ramón.
56:19Here's my niece.
56:20Hello how are you?
56:21Alicia, delighted.
56:22Delighted.
56:23She's very pretty, Mrs. Trini.
56:25Where did you have it hidden?
56:26This is Don Ramón.
56:29What's wrong? Don't I drink coffee or tea in this house?
56:31But what if you don't like this?
56:33What don't I like?
56:34I'm going to buy a mug and see if I like it or not.
56:36And tobacco?
56:37Are you going to buy tobacco someday?
56:39And what surprise does it bring me?
56:41Let's see.
56:43Some tickets for the theater.
56:45To see.
56:47Do you like Calderón?
56:48Thank you!
56:59Thank you!