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07:36That?
07:38Why are you getting scolded at home?
07:39Do you see how angry you are?
07:41Who? Me?
07:41Yes, you, yes
07:43My family is very old-fashioned, I know.
07:46But you don't have to make fun of me.
07:49I'm too old to be scolded at home.
07:54What's happening?
08:21Where do you want us to go?
08:23Is this okay?
08:31Is this okay?
08:51Yes, yes, yes
08:51They are because they have to be, and that's all.
08:53Look at my brother, for example.
08:56Fatherless
08:57And all my life between my mother and six sisters
08:59All female and older than him
09:01And she's always been a mule, ma'am
09:04A real mule
09:05Well, you already know him
09:07I tell him that's a matter of luck.
09:09I wouldn't have liked my son to be a mule either.
09:11You understand me, ma'am.
09:13Ours was born that way and nothing more
09:16How did ours come about, Rita?
09:18As?
09:19Well...
09:21Delicate
09:23Sensitive
09:26Shy
09:28As?
09:30I say, what a hobby!
09:32It's so late and they don't even blink
09:37What does it say?
09:38Nothing
09:39But do you know him?
09:41I've never seen it in my life.
09:54Do you play too?
09:55Hey?
09:57Chess
09:58If you know how to play it
10:00Yes, yes
10:01A bit
10:02With these?
10:03No
10:04With Mom
10:06With my mother
10:07Well, I don't even know how to move the pieces.
10:09I do, but I do it very badly
10:11Mother
10:12My mother always beats me.
10:18Rita
10:20Rita
10:21Here I am, ma'am.
10:22Below
10:24I'm starting to worry
10:27Let's see if something has happened to him.
10:29Oh, be quiet
10:30For God's sake
10:31What's going to happen to him?
10:32Is he around?
10:33Where is that?
10:34Well, that's about it.
10:35With his friends
10:36With whomever
10:37The creature
10:38The creature has been impressed
10:39I broke the news to him
10:41Just like that
10:42And he was impressed.
10:43It's natural
10:43The natural thing would be that
10:46Saying what I told him
10:48She would be with her mother
10:50Alongside her mother
10:51He is always
10:52Now, dear Maria
10:53Oh, Rita
10:54My son has no friends.
10:56It's only with family
10:57And that's about it.
10:58From home to the store
11:00And from the store to your home
11:02If you had let him study
11:03He had his own business
11:05Why did I need to study?
11:07And all to have it here
11:09Staying home
11:09All day
11:12If in half an hour
11:14It hasn't arrived
11:14Call the police
11:38Well, then
11:39Thanks again
11:40If it's not for you
11:42I keep watching games
11:43Chess until tomorrow
11:44How annoying
11:46I'll go with you
11:47At this time
11:48God knows
11:48I'll go with you
11:49I'll go with you
11:55Yes? Who is it?
11:56It's me, Mom
11:57Open me
11:59Well, then
12:00Thank you again.
12:02Thank you so much
12:04Bye
12:05Maybe someday
12:07I'm heading towards the pub
12:08See you later!
12:08Until next time
12:10Bye
12:10Bye
12:11Bye
12:21Bye
12:23Bye
12:24Bye
12:32Bye
12:34Bye
12:34Bye
12:34Bye
12:40Bye
12:43Bye
12:52You're already here
12:53You're already here
12:54Ma'am, you're already here
12:54Thank God
12:55I'm going to bed
12:57That I don't know
12:58We've been waiting for you.
13:11But son
13:12How do you get here at this hour?
13:14Without calling
13:15Without saying anything
13:16You had me on tenterhooks
13:18Is Mom awake?
13:19No no
13:20Your mother went to bed
13:22After dinner
13:24Where have you been?
13:26How does it feel?
13:28Good
13:30Did you finally talk to the doctor?
13:32He told you the same thing he told her, of course.
13:34Worse
13:35Much worse
13:37We're going to lose her very soon
13:44Calm down
13:47Calm down
13:48Go on
13:50Calm down
13:52Calm down
14:03Good night
14:04Rest well, son
14:17Calm down
14:18Calm down
14:19Calm down
14:20Calm down
14:22Calm down
14:34Calm down
14:35Calm down
14:36Calm down
14:38Calm down
14:48Calm down
14:59Calm, beautiful
15:01That doctor doesn't know a thing, Mom.
15:03It's not up to date
15:05He's always been an alarmist, too.
15:07We will consult a good
15:08To a specialist
15:10And if surgery is necessary, then surgery is performed, but...
15:12Arturo, son, whatever you want
15:14But swear one thing to me
15:15What, Mom? What?
15:17Promise me you'll marry me
15:18That you will form a home
15:20But what's the final decision?
15:22The pills, ma'am
15:23When I was little you told me never to get married
15:25That I would always be with you
15:27Well, now I'm asking you for the opposite.
15:29I don't want to go to the other world with the trailer
15:32Oh, Mom, please, the other world
15:34Oh, what a way to take things out of context!
15:37But I'm not saying that doctor is an idiot.
15:41Listen, Arturo
15:44Let's stop with the nonsense, let's speak plainly
15:46Arthur
15:47Society does not accept certain things
15:50Do you understand?
15:52No
15:56Well, that's very clear.
15:59What I wanted to tell you is that we have to stick to certain guidelines.
16:02Or they leave you out
16:03But they don't crucify you.
16:06Now it's time to be liberal, yes, yes, but...
16:10Mom, a speech now
16:12After the day you put me through yesterday with your apprehensions
16:16I don't know where you're going with this, but...
16:18So you get married
16:19Do you realize the habit he's developed?
16:21Be quiet
16:22You're not going to get rid of me by making a joke about it.
16:25I want you to get married
16:27I was telling you that now is the time to be liberal, but it's just for show.
16:31It's all talk.
16:33It only works in certain circles, among certain people
16:36Not yours
16:38And not in the world in general either
16:41The world wants a partner, a man, a woman
16:45Children
16:46Anyone who deviates from that is considered a danger.
16:49And they make him pay for it.
16:51Sometimes very expensive, sometimes cheaper
16:54Depending on which way the wind blows
16:55But they always make him pay for it.
16:58Bye, don't worry
16:59Can you hear me, son?
17:01Yes, Mom, I'm listening.
17:02Myself
17:03Since your father left
17:05I have been a black lamb among white lambs
17:08A separated
17:10And I've spent my whole life like that, you know it.
17:13Being
17:15More demanding than anyone
17:16Cleaner than anyone else
17:18More honest than anyone
17:19More rigid than anyone
17:23Lest they say
17:25With fear, you understand
17:28Afraid that they would consider me
17:33Different
17:35Okay, okay
17:35All that is in the past.
17:38That wouldn't have happened to you now.
17:40These are different times.
17:44Slowly
17:45Maybe not me, but you
17:47What's it to me, Mom?
17:50Society does not accept
17:53Just like that
17:54Still
17:54To a bachelor
18:00I don't want to
18:01That you're a bachelor
18:05I won't be, Mom
18:12Swear it to me
18:13I don't want to die with that anguish
18:15Swear it to me
18:16I swear
18:17But don't get your hopes up.
18:19You're going to die, huh?
18:23Arthur
18:30Take
18:32And get inside
18:33It's very cold
18:34Rita, please
18:35Yes sir
18:40Bye
18:42Rita
18:42Yes sir
18:44Arturo, son
18:46Yes, Mom
18:48Give it to me again
18:53Come on, come on
18:53Cuter
18:54Rita
18:55Come on, Charlie
18:56Come on
19:03Our Father
19:04Our Father
19:05Always attentive to the prayers of your faithful
19:07You hear the desires of our hearts
19:10Grant to your servant
19:12Whose body we have just laid on the ground
19:14To share with your chosen saints in the reward of glory
19:18Through Jesus Christ our Lord
19:20Amen
19:21Go ahead, sir
19:22Eternal rest
19:23And let perpetual light shine upon her.
19:26Amen
19:29From the depths I cry out to you, Lord
19:31Lord, hear my voice
19:33Let your ears be attentive to the voice of my subdue
19:37If you keep track of glory, Lord
19:39Time will have resolved it.
19:41Come, come
19:49Time will have resolved it.
19:49Happy
19:49EITHER
19:49EITHER
19:54He
20:01He
20:01D
20:11His
20:16Thank you!
20:42Thank you!
21:01Arthur!
21:40Thank you!
21:43Thank you!
21:53Thank you!
21:54Thank you!
21:55What joy! What joy, miss!
21:59Hello.
22:00Back home again, how was the trip?
22:02Good, very good.
22:02Glad to hear it.
22:03Excuse me, Rita, but I'm a little tired.
22:06Allah, Allah, rest in peace, miss.
22:07Allah, Allah, time to rest.
22:10Bring it.
22:12Give it to me, young man.
22:14Oh, how joyful!
22:15Charlie!
22:16Oh, how joyful!
22:16Charlie!
22:17Come!
22:18Charlie!
22:20Ah, I see, I see!
22:29Look, Charlie.
22:31She's a mom.
22:32Mother.
22:34Do you remember Mom?
22:38Poor thing.
22:49Arthur.
22:50That?
22:50Look how beautiful this is.
22:52It's from Mom.
22:53Bring it, bring it.
22:54Oh, she's beautiful.
22:56I would love to use it.
22:57Will you use it?
22:58What are you saying?
22:59Oh, son, forgive me.
23:01I thought if it was your mother's...
23:03Well, I don't know.
23:05You don't have to wear anything second-hand.
23:08You buy a new one or I'll give you one.
23:19I'll be right back.
23:21Come on, Charlie.
23:22Come on.
23:24Come on.
23:30Ah!
23:36Ah!
23:38Ah!
23:38Ah!
23:39Ah!
23:39Ah!
23:42Ah!
23:43Ah!
23:44Ah!
23:47Ah!
23:49Ah!
23:51Ah!
23:52Ah!
23:53Ah!
23:54Ah!
24:07Thank you!
24:35Beautiful, but, I don't know, I'd like something a little simpler.
24:39Why not? You have this other one too, in gold and silver.
24:42Too, too simple.
24:44Well, we also have this other one, 18-karat white gold. Very youthful and very elegant.
24:52Ah, it's pretty, isn't it? Wow, 240,000. There's nothing below 200,000, but this one is really...
24:59good.
24:59Very good, very good. I like it. This one.
25:23Hello.
25:31Here, Rita, to keep you entertained.
25:34Thank you very much, son. I know it's just gossip, but I find these things very entertaining.
25:39And this is for you, so you can see that I don't forget things.
25:43What is it?
25:44Open it.
25:45Open it.
25:55Women.
25:57Look, Rita, do you like it?
26:00Oh, how exquisite.
26:04Had you asked for it?
26:06No, it was his doing.
26:07Did you see that detail? You'll complain.
26:11Should I serve dinner now?
26:12Yes, I'm starving.
26:14Today he hasn't stopped at the store, he hasn't stopped.
26:17That's good, son.
26:18The matches, Rita.
26:39Poor thing.
26:43I still think I'm going to see her there, sitting down, doing her thing.
26:52Now I'll have to get used to wearing ready-made sweaters.
26:56It's the way of life, Arturo.
26:58We have to overcome things, look ahead, be strong.
27:03Clear.
27:04It's easy for you to say.
27:07You never met my mother.
27:09Know?
27:09You know what?
27:10I want you to take me with you to the store, but not just for a visit.
27:14Let's get to work.
27:16Time to work?
27:17I don't see the need.
27:19We have plenty of people.
27:20But I want to go.
27:22I want to be with you.
27:24Okay, okay.
27:26We'll see.
27:27At the table.
27:37Why have you changed locations?
27:39I?
27:41That's true, I hadn't even noticed.
27:44I put it there myself.
27:46This will make her more comfortable to serve and...
27:51This place was great.
27:54But the thing is...
28:02Come on, come here.
28:25Rita, please serve us dinner.
28:28Immediately.
28:29Because?
28:45Because?
29:02Are you sleeping?
29:05Aurora?
29:07That...?
29:12Yes, I can tell you're awake, woman.
29:16You radiate tension.
29:19Like a stove, it radiates heat.
29:20You think?
29:22Your insomnia is pathological, pathological.
29:28In any case, you should take some pills or something.
29:33Do you want me to come down and make you some chamomile tea?
29:34No, no. I'll go.
29:39Let's see if you catch a cold.
29:43Hopefully.
29:43That?
29:44Nothing, nothing.
29:46Oh, daughter, you're acting strange.
29:57Ah, daughter.
30:01No, no, no.
30:03It's like a buido.
30:04Ah, daughter.
30:12That?
30:13Ah, daughter.
30:34Thank you!
30:54I woke you up, Rita, please forgive me, I don't know what happened to me, I had a nightmare, I think I'm still awake
31:06I miss the bed.
31:07Yes, I knew it, I knew this had to happen, and her mother was determined that she get married.
31:16What had to happen? What?
31:20So, you two must have had some argument, because I heard you crying and Arturo isn't here with you.
31:29What would be so unusual about that? All marriages have arguments, especially at the beginning.
31:35Of course, daughter. I won't say anything. Nothing at all.
31:42What do you mean there's nothing to say?
31:45Well, all the better.
31:54Rita, what's up there?
31:58Up where?
32:00Well, up there, in that attic that's always closed.
32:03Ah, there.
32:06Yes, there, what's up?
32:09Nothing, just one of Arturo's things.
32:11Arturo's stuff? What stuff?
32:14It's a lion's den, one of his rooms, but don't even think about going up there, you don't know what it's like.
32:19Because?
32:20You know how men are, he doesn't want anyone messing around or giving orders in there.
32:26To tell you the truth, he wouldn't even let his own mother in.
32:29But I'm not his mother, I'm his wife.
32:35His wife.
32:38Good evening, Rita.
32:41Good evening, ma'am.
32:42Good evening, ma'am.
32:47Good evening, ma'am.
32:48Oh...
32:48Oh...
33:15Thank you.
33:25Thank you.
34:01Thank you.
34:21Thank you.
34:53Thank you.
35:30Thank you.
35:51What are you doing here?
35:58This is your den, isn't it?
36:00In other words, your room.
36:03I went upstairs to see if I liked it better than the one downstairs.
36:07And if.
36:10I like it better.
36:13I don't know why we had to move in here, you and I, and not your mother's place when we have this one.
36:17We'd be much better off here.
36:19Will you stay where you are?
36:21Stop acting like an idiot and go to bed.
36:23And you'll do me the favor of never coming here to cause trouble again, is that clear?
36:27This is private.
36:29Private?
36:30Yes, private.
36:31Here I am, just to be alone.
36:33With Charlie?
36:34In any case, not with you.
36:36Not with you, is that clear?
36:38Get out of here, please.
36:41Okay, man, don't get nervous.
36:44I'm going back to my place.
36:46You'll let me have my chamomile tea first, won't you?
36:54Or would you prefer that I take it in your bed?
37:13Aurora, please, I don't want to get angry with you.
37:16Go to sleep.
37:16Go to sleep.
37:19Go to sleep.
37:26Go to sleep.
37:28Go to sleep.
37:35Go to sleep.
37:37Go to sleep.
37:37Go to sleep.
37:38Go to sleep.
37:38Go to sleep.
37:40Go to sleep.
37:43Go to sleep.
38:11I told him to leave.
38:17Ten.
38:25Well, if you would be so kind as to sit down, they'll bring it up from the warehouse right now.
38:30Thank you so much.
38:31Excuse me for a moment, please.
38:33It seems my wife is having problems.
38:36She's only been here a few days and everything seems overwhelming to her.
38:38Go on, go on. Don't complain.
38:41His wife is adorable.
38:43Even if I did nothing else.
38:45It's not very useful as a decorative element.
38:48That's what I think too.
38:50What do you think?
38:51That's what it is, a decorative element.
38:53Goodbye, goodbye.
38:54Good morning, good morning.
39:00What did they want?
39:02Even they didn't know.
39:04But girl, those are the best.
39:06You have to convince them and sell for them.
39:09The point is to sell, sell.
39:12Look, José Mari.
39:13It's been in the store for fewer days than you and it handles wonderfully.
39:17What's wrong, Aurora?
39:19At first it seemed like you liked this.
39:22At first, yes.
39:24Who are they for, Don Arturo?
39:25For that lady.
39:27Rosy, please.
39:28Tell me, Don Arturo.
39:30How are you, José Mari?
39:31It seems to handle well, right?
39:33He's very persuasive, that's for sure.
39:35Smooth talk?
39:36Well, you haven't said anything.
39:38Smooth talk, extremely important.
39:40In commerce, extremely important.
39:42That's what I mean, yes sir.
39:44Come on, let's go, let's go.
39:45And the price difference isn't that big either, don't you think?
39:47Well, you have no choice here.
39:49But the last option is yours.
39:51But I repeat, it's much better to cover with fabric than to wallpaper.
40:02I apologize for the intrusion, Aurora.
40:04For God's sake, you're in your own home here.
40:08Naturally, you're at home here.
40:10Thank you.
40:11You are very kind.
40:12I brought it along to take stock of my friends after dinner.
40:15There's no way to concentrate in the store.
40:18That sounds great to me.
40:19What has Rita prepared for us for dinner?
40:21Oh, well, I don't know.
40:23Since you didn't tell me anything, Morales was coming.
40:25Like Morales?
40:26José, Aurora.
40:27José.
40:28Okay, Jose.
40:30Thank you, Rita.
40:32You're everywhere.
40:34Please serve us dinner, we have to work.
40:38Immediately.
40:43Daughter, you are not happy.
40:44You think?
40:45And you?
40:47Do you think I haven't noticed?
40:49I've been telling your father this for ages.
40:52The girl is not happy.
40:54The girl should not have married that man.
40:56Oh, Mom.
40:57Sarmón in the mid-afternoon, no, please.
40:59It's just that I feel a little responsible, daughter.
41:01Don't think otherwise.
41:03You started dating Arturo to get that other guy out of your head, the one who was giving you so much trouble.
41:08You are not responsible for anything.
41:10I'm already grown up.
41:11Yes, but I kept insisting that that little boy wasn't right for you.
41:15I thought Arturo was more serious and more formal.
41:19And it was.
41:20That little boy was nothing more than a petty lawyer, after all.
41:22Look, that would have been the least of it because your father could have helped him.
41:26But it seemed to me that he was only going out with you for fun.
41:30He didn't have good intentions, that's for sure.
41:32And since you're a bit of a simpleton, Arturo, on the other hand...
41:38Arturo, on the other hand, had the papers under his arm.
41:41Thank you very much, José.
41:42If you hadn't gone for yourself...
41:44Go on, go on, attend to the lady.
41:46Yes, it's a very important order.
41:47Well, go ahead.
41:48Forgive me.
41:49Let's see, we agreed on Mrs. Dominguez.
41:52Address?
41:53Seagull 20.
41:54Seagull number 20.
41:59Ramón San Juan.
42:01It's you?
42:03I am Aurora.
42:16Hey Aurora, what ever happened to that bird?
42:18What kind of bird?
42:19Yes, man, that fussy, nervous one who used to send you flowers.
42:22He asked me for your phone number one day.
42:23Didn't he call you?
42:24Why do you ask?
42:25But do you know who I'm talking about?
42:26Yes, Arturo.
42:28That's Arturo.
42:30The one who looked like a church sacristan.
42:32Did you ever go out with him?
42:34I'm not telling you because back then you and I were constantly at each other's throats.
42:38Without having achieved anything.
42:39Ah, because you didn't want to.
42:41You were the one who didn't want it.
42:44What did I not want?
42:46Get married.
42:47Ah, getting married.
42:49The big word.
42:50And now you want to?
42:53I think the same as I did then, Aurora.
42:55I'm not good at living with anyone.
42:57I'm not talking about living with anyone.
43:00I'm talking about getting married.
43:02And what's the difference?
43:04The difference is society.
43:06Ah.
43:08And don't be cynical.
43:09You know it as well as I do.
43:11But let's see.
43:12What harm do we do to society with our relationship?
43:15For now, to begin with, I am free and so are you.
43:18No.
43:19What do you mean, no?
43:21That I am not.
43:22I don't understand you.
43:26Well, it's very easy.
43:28Do you mean there's someone else?
43:31I want to say that I'm married.
43:34How are you?
43:35No.
43:35No, no, no.
44:19What would you like to drink?
44:21Whiskey, cognac, a gin and tonic.
44:24You know I don't drink.
44:25But hey, a day is a day, right?
44:32Do you think you can talk standing up there?
44:34What? Still as a blockhead?
44:36I don't feel comfortable here.
44:38I prefer my apartment.
44:39But why?
44:41This is my house.
44:42My family's house, the land of my ancestors.
44:45I have rights here, you know?
44:47All rights reserved.
44:49Aurora has gone with her mother to the dressmaker, to the hairdresser, I don't know.
44:53He told me he would come soon.
44:55No, no, I would be late.
44:57And Rita isn't here.
44:58Today is Thursday, Rita Libra on Thursdays.
45:00She is going to see her sister in Colmenar.
45:03I see that you have all the rights.
45:06When the cat's away, the mice will play.
45:11You see it all as very easy, don't you?
45:13Well, it's not that easy.
45:15We live in a society.
45:16And you have to respect that society if you want it to respect you.
45:21Already.
45:23So why don't you do it then?
45:25Why don't you respect her?
45:27Or do you think a little farce is enough respect?
45:30A pantomime of normality.
45:32Again, José.
45:35We have the whole afternoon to ourselves.
45:37Don't mark it for me, please.
45:39Go on, have something to drink.
45:42Get comfortable.
45:43Let's go up.
45:45Get comfortable.
45:46That?
45:50Stop with the preambles.
45:53Let's go up.
46:09Of course I'm shocked.
46:11You've been cheating on me for two months,
46:12deceiving a poor individual who now assumes you're out and about with your mother.
46:17And you expect me not to be shocked?
46:19What do you think I'm made of?
46:20Made of pumice stone?
46:22I thought you went around bragging about not having prejudices.
46:25I pride myself on having no prejudices,
46:26not of not having shame.
46:29I can ignore that traditional morality.
46:31that consists only of external rites.
46:34But I don't go around deceiving people.
46:36I don't deceive anyone.
46:37Will you marry me, yes or no?
46:45As?
46:47If you're going to marry me, I'll bring up the problem with Arturo tonight.
46:50And if not, what then?
46:51Otherwise, what's the point?
46:53If you prefer that we continue seeing each other this way,
46:56Well, we'll continue seeing each other this way.
46:58That's up to you.
47:00Are you serious?
47:01We had to decide something, didn't we?
47:04I've already decided.
47:05Well, I'd like to hear it.
47:06No, you wouldn't like it.
47:07It would sound very bad to you.
47:10You are a very well-mannered girl.
47:16Goodbye, Aurora.
47:20Call me when you're over your tantrum.
47:22Where to?
47:23To your parents' house?
47:24I'll call you, as usual.
47:28Well, maybe you won't find me.
48:07I liked it, I do a past the turn of the cape.
48:59Thanks for watching the video!
49:28Thanks for watching the video!
49:29Rita! Rita! Rita! Rita! Rita! Please open me!
49:43Rita! Open up, open up!
49:45Open me please! Please, Rita!
49:48Rita! Rita, don't be a fool! Woman! Where are you going? Listen!
49:53I can't hear anything! You are... Look, I don't even know what to call you!
49:58Are you even who you are? What you need to think about is that...
50:02I lived in this house long before you.
50:04And I've held you in my arms since you were born
50:07And I'll tell you more
50:08Your poor mother wanted to deceive herself at all costs.
50:10But I know very well what you're like, ever since you couldn't even get that far off the ground.
50:15And you would come and play with the toys in my room
50:17And to look at you in the mirror of my room
50:19Rita, things are as they are
50:21What we're talking about here is...
50:22The point is for me to shut up, right?
50:24That it's quiet and covered up
50:26Well, that's a no, my son.
50:28You can't count on me for that.
50:31I'd rather die of hunger or of a newborn
50:34No, Rita, please, Rita, don't go
50:36Rita, what am I going to do without you?
50:38No, no, don't leave me alone, please.
50:39Rita, Rita, no, don't go, Rita
50:42No, I couldn't.
50:45Mom would have asked you to stay
50:47She would have understood.
50:49Your mother, your mother wouldn't have understood anything.
50:52Don't get your hopes up
50:54She was obsessed with you getting married, getting married.
50:57To avoid this precisely
50:58Not to find a cover for you
51:01And no matter how much I told him
51:03No, ma'am, no
51:05The cure will be worse than the disease.
51:08She keeps on being stubborn.
51:11I would have stayed with you.
51:14Until I had died
51:18Taking care of you
51:21Looking out for you, as I always have.
51:24Only
51:26If only you had lived alone
51:31Or with whomever you wanted
51:34But without deceiving anyone, Arturo
51:36Without deceiving anyone
51:40Nor to use it as a cover-up
51:41That's not it.
51:44To be who you are without pretense
51:47Or you live like everyone else, really
51:51Not just talk.
51:54What you do
51:57It's too disgusting.
51:59If you say a word to Aurora
52:01I kill you
52:02Unhappy
52:03Do you really think she doesn't realize it?
52:06One word and...
52:07No, son, no
52:09That's your problem and your conscience's problem.
52:12Although it seems to me that you lack conscience
52:16You only have one photo album
52:18One word and I'll kill you
52:20Can you hear it?
52:21I kill you!
52:23Hello
52:24How are you?
52:25How was your experience?
52:26Good?
52:27And your mother?
52:27How are you?
52:28Daughter
52:29Where do you come from?
52:30Did something happen to you?
52:32Not me
52:34Because?
52:39The thing is, everyone is rotten.
52:42Yuro can't trust anyone
52:44Yes, it generalizes.
52:45If you don't mind
52:46Go on
52:48Please cheer you up a little.
52:49That this is very expensive
52:52With the story of the sorrow
52:53You've already drunk half of your sorrow
52:54What's happening?
52:55Are you going to reproach me now?
52:55The whisky I drink at your house?
52:57I'm not going to reproach you for it.
52:59If you keep following this train
53:00I'm going to charge you for it
53:01Simply
53:02Do you have friends for this?
53:04No, and he'll complain about it.
53:05Of course I complain
53:06What do you think I'm here for?
53:07Go cry a little on my shoulder
53:10Well
53:11And in short
53:12What are you up to?
53:13Follow
53:15With her?
53:16No way.
53:17Keep drinking your whiskey
53:18And nagging me until it passes
53:20Until you get over what?
53:21You're not going to make me believe it
53:23That you cared about that lady at all
53:24No?
53:25Of course not
53:26So why is he suffering?
53:28Who suffers?
53:29This
53:30He has not suffered in his life
53:32The thing is, sometimes
53:33He likes to tell himself stories
53:34To avoid getting bored
53:37And that's enough for today.
53:39Go on, pour it on
53:41And if he doesn't want to leave
53:42You put a lover on the sofa
53:43But please leave us in peace until tomorrow
53:46As I said
53:47Have friends for this
53:50Suppose you get divorced
53:52It comes to your house
53:55And he tells you he's as free as a bird.
53:57What would you do?
53:58Run away from the breasts, at the very least.
54:00See how he doesn't take me seriously?
54:01I do
54:02What would you do, huh?
54:04Would you marry her then?
54:05Don't worry
54:06No problem
54:07She won't get divorced for anything.
54:09Without insurance
54:10Without a net
54:11Without a second arranged marriage
54:13No way, man?
54:13No way?
54:14I'll bet you anything you want
54:15She's gone off with her husband.
54:16Till death do us part
54:18What is the husband like?
54:19Do you know him?
54:20How will she know him?
54:21Yes, I do know him.
54:22The movie wasn't over yet.
54:24I met him a while ago
54:25And he seemed like a normal guy to me.
54:27Since she didn't want to talk to me about him
54:29He did, however, have the face of a nice boy.
54:31Oh, what does it matter?
54:35Bye
54:36Hey
54:37The whisky was very good, huh?
54:38See you tomorrow
54:42Bye
54:43Look, these are the wedding photos
54:44She looks adorable, huh?
54:47Adorable
54:47Well, and he
54:48He's very handsome too.
54:50Yes, look
54:51And these are the ones from the petition
54:53Oh
54:54Thank you, Marisol
54:55Thank you so much
54:56The truth is, they make a great couple.
54:59Yes, beautiful, yes, beautiful
55:01Look, and this
55:02Look
55:03Look, here I am
55:04The Madrid stock exchange is falling
55:06The Barcelona stock market is falling
55:08The one in Zurich is exactly the same.
55:10The economy is a disaster.
55:11And what's more,
55:12We're going to the coast
55:15Thank you, Marisol
55:17There's no way for us.
55:18We always have a problem with reservations.
55:21We always go to the coast
55:23Henry
55:23Come, look how beautiful they are
55:36Oh, please
55:38What does it cost?
55:39Not here?
55:40Please, if anyone comes in
55:48Still
55:50Still
55:50Still
55:50Oh, take it away
55:52Come here
55:55Tomorrow at home
55:56Tomorrow at your house, okay?
55:57But a little later than usual
55:59I have a hair salon
56:00Well, tomorrow at home
56:02Oh
56:03Oh, you're crazy!
56:12Marisol, the door
56:14They're calling
56:14Oh, God
56:17Antoñito!
56:17What a joy!
56:19Come in, come in
56:21How are you?
56:22Very good
56:22You look gorgeous
56:23Antoñito, my family
56:25Nice to meet you
56:26Nice to meet you
56:27Antonio Serrano, my new manager
56:29Uh-huh
56:29Antoñito is like family.
56:31That's why I've brought him
56:32Ah, very good.
56:32How are you, Antoñito?
56:35Thank you so much for the invitation, Aurora.
56:37Oh my God
56:38If you're here at home
56:40And the champagne
56:45Marisol, the drinks
56:52Oh
56:53Yeah
56:53Ah
56:55Ah