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00:00:16The Virgin Mary Hunting a Bird
00:00:30The Virgin Mary Hunting a Bird
00:01:00The Virgin Mary Hunting a Bird
00:01:38The Virgin Mary Hunting a Bird
00:02:00The Virgin Mary Hunting a Bird
00:02:14The Virgin Mary Hunting a Bird
00:02:44The Virgin Mary Hunting a Bird
00:03:14The Virgin Mary Hunting a Bird
00:03:40The Virgin Mary Hunting a Bird
00:04:10The Virgin Mary Hunting a Bird
00:04:32The Virgin Mary Hunting a Bird
00:05:29The Templar Treasure
00:05:54The Virgin Mary Hunting a Bird
00:06:11The Virgin Mary Hunting a Bird
00:06:12The Virgin Hunting
00:06:31The Virgin Mary Hunting a Bird
00:06:52The Virgin Mary Hunting a Bird
00:07:32The Virgin Mary Hunting a Bird
00:07:46The Virgin Mary Hunting a Bird
00:08:15The Virgin Mary Hunting a Bird
00:08:49The Virgin Mary Hunting a Bird
00:09:04The Virgin Mary Hunting a Bird
00:09:27The Virgin Mary Hunting a Bird
00:09:58The Virgin Mary Hunting a Bird
00:10:21The Virgin Mary Hunting a Bird
00:11:05The Virgin Mary Hunting a Bird
00:11:14The Virgin Mary Hunting a Bird
00:11:36The Virgin Mary Hunting a Bird
00:12:22The Virgin Mary Hunting a Bird
00:12:51The Virgin Mary Hunting a Bird
00:13:33Birds will return
00:13:50I'm sorry
00:13:58The Virgin Mary Hunting a Bird
00:14:25Forward
00:14:26Forward
00:14:51Go ahead, Bird
00:14:56Of course, but
00:15:26But it turns out to be the diamond.
00:15:28Found Bird
00:15:58What are you hiding?
00:16:29Daily
00:16:35What are you hiding?
00:16:37What are you hiding?
00:16:39What are you hiding?
00:17:09Come on, Catalina
00:17:10And have you been doing this for a long time?
00:17:18What are you hiding?
00:17:21What are you hiding?
00:17:23What are you hiding?
00:17:25What are you hiding?
00:17:27What are you hiding?
00:17:48What are you hiding?
00:17:50What are you hiding?
00:17:58What are you hiding?
00:18:13What are you hiding?
00:18:33What are you hiding?
00:18:36What are you hiding?
00:18:43What are you hiding?
00:18:54What are you hiding?
00:19:15What are you hiding?
00:19:20What are you hiding?
00:19:23What are you hiding?
00:19:26What are you hiding?
00:19:28What are you hiding?
00:19:29What are you hiding?
00:19:49The faith were some old Roman fences from the 3rd century AD.
00:19:56Third century?
00:19:59Damn it, man, we're getting further and further away from solving the mystery, for crying out loud.
00:20:04The Romans were here 1,400 years ago.
00:20:08It's been too long. The bath of faith will no longer exist.
00:20:13Yes, man, yes.
00:20:15Yes, those people, when they do things, they do them better than well.
00:20:18I myself remember once bullfighting in Rome in a bullring that...
00:20:23Which they now call the... the Colosseum, Colosseum, Colosseum. Well, something like that.
00:20:29Satur, after the Romans, the Visigoths, the Muslims, and ourselves set foot on the peninsula.
00:20:34Each one built on top of the others.
00:20:35Well, if necessary, we'll go there with pick and shovel.
00:20:38You, my love, may live quite comfortably in the humblest austerity, but I...
00:20:42I'm more into... ostentation and I much prefer luxuries.
00:20:52Okay, so what?
00:20:54Let's go there and take a look.
00:21:00Come on, get your suit ready.
00:21:02The work one?
00:21:02Yeah.
00:21:05Did you brush it properly?
00:21:07Yeah.
00:21:09Let's hope it's enough.
00:21:11They're so filthy, walking around barefoot all day, leaving footprints everywhere they go.
00:21:15I've also burned incense.
00:21:17It smelled a bit strange, kind of strong.
00:21:20Not strong, it smelled horrible, Marta, which is how all those dyed hair products smell.
00:21:24Of course it doesn't surprise me, spending all day in the savanna surrounded by beasts.
00:21:27That's the point.
00:21:29Woman, it's not like we always smell like roses, but that's why we dress, so we don't go around spreading the
00:21:33That smell is not Christian.
00:21:34And what are you doing here, at the Palace?
00:21:36Here? To take our jobs.
00:21:38Do you see that he doesn't charge?
00:21:39If many of us start looking like this, I can already see us begging at church doors.
00:21:44Well, if the marchioness is here, we'll find something.
00:21:47Something what? With everything that's going on out there?
00:21:50Well, we have a pair of hands and we know how to do our job well.
00:21:53Wouldn't we manage?
00:21:54Margarita, for God's sake, it's unbelievable. You kick a tree and hundreds of maids fall looking for work.
00:21:59Well, we'll leave the village, if necessary.
00:22:01But where to? To the Americas? I wouldn't want to be away from my family.
00:22:05Of course not, not me either.
00:22:07And you? Would you leave the village, leaving the child and Gonzalo behind?
00:22:11What if I did?
00:22:15Oh, how strange.
00:22:17Have you argued with him?
00:22:19No.
00:22:20No no.
00:22:21Catherine, Her Majesty the Queen's carriage is entering the palace.
00:22:25Like the queen?
00:22:26The queen, Her Majesty's wife?
00:22:28But what is that woman doing who shows up unannounced?
00:22:47Pamica, you're not going here, huh?
00:22:50No.
00:22:51No.
00:22:53No.
00:22:54No.
00:22:56No.
00:22:56No.
00:22:57No.
00:22:57No.
00:22:59No.
00:23:24He sees it.
00:23:26There's a reason you're the hero, the master.
00:23:29And I, the squire.
00:23:32Because they didn't even look at my maps, huh?
00:23:36Once I'm the one pulling the cart, we get lost.
00:23:40Come on, the hot springs aren't here.
00:23:44Wait, wait, wait, wait.
00:23:46Wait, am I looking at it backwards?
00:23:49No.
00:23:51This is the area.
00:23:52But they must have built this castle on top of the bath of faith.
00:23:56I already told you.
00:23:57It's been too long.
00:24:01So the hot springs are down there?
00:24:04Probably.
00:24:06Well, it's time to finish, right?
00:24:08And don't worry, I'll take care of it.
00:24:10The Ronda road and where you see it, I sorted it all out by myself once I was arrested.
00:24:15No?
00:24:16No.
00:24:17Once we were inside, everything could fall on top of us.
00:24:20It's too dangerous.
00:24:22We'd better go back home.
00:24:24Return?
00:24:24But how to get back?
00:24:25The danger only lasts a little while.
00:24:27And the treasure makes us rich for life, love.
00:24:30Sato, the terrain in this area is unstable.
00:24:32It's dangerous even to try to enter.
00:24:34Well, we blew it up.
00:24:35And that way we make sure it falls even lower.
00:24:37I don't think this is any more dangerous than those sands that used to swallow you whole, or the
00:24:41That pool, do you remember?
00:24:42I remember, Sato.
00:24:44We've come this far, we can't do anything more.
00:24:46I'll think of another way to find my mother.
00:24:48Come on.
00:24:55Is this man even possible?
00:24:56No, love, no.
00:24:58He tempted me with the treasure and now he denies it to me.
00:25:00And that's not what a good Christian does.
00:25:03Although of course, for you that's almost a broken promise.
00:25:05It's hard for me to accept it too.
00:25:07You don't give a shit what I say, do you?
00:25:09Well, he could listen to me for once in his life.
00:25:12That you will be no less of a hero for doing something positive for us.
00:25:17But we're going to focus on everything else.
00:25:21The treasure would also be made for the little boy.
00:25:25So you're bringing something that will benefit us both.
00:25:31I'm sure you'll be able to find it and keep it safe until I arrive.
00:25:35Your Majesty, it is an honor to have you in the palace.
00:25:37Yes, they've told me that several times since I arrived.
00:25:40I want to see the Marchioness of Santillana.
00:25:42Yes, ma'am.
00:25:43May the light show you the way.
00:25:57Stupid riddle.
00:25:59Ma'am, you can wait for her in the living room.
00:26:01While tasting the blueberry tart made by our pastry chef.
00:26:04They say it's sublime.
00:26:05I will inform the marchioness.
00:26:06He'll probably be in his bedroom.
00:26:08This mansion is going to be the first one where I'm made to wait.
00:26:12Of course not, Your Majesty.
00:26:14The queen never waits.
00:26:16My time is very valuable.
00:26:18I just want to make it very clear to the marchioness that under no circumstances will I allow her to be the one to educate me.
00:26:23to my son.
00:26:25Here?
00:26:29You always liked games, Count.
00:26:39Look under her clothes.
00:26:47Under her clothes.
00:26:56What are you carrying there?
00:26:58Secret.
00:27:00So you know how to speak?
00:27:02Do you understand my language?
00:27:04Secret.
00:27:05Secret, okay.
00:27:07You've already said that.
00:27:08Do you know anything else to say?
00:27:16What are you hanging from that rope?
00:27:25Holy Virgin.
00:27:28Majesty.
00:27:29This is disgusting.
00:27:36Nothing can be done.
00:27:38He says there's nothing that can be done.
00:27:41The treasure is there, its tail peeking out, and nothing can be done.
00:27:46Well, you know what I say?
00:27:48It's just crap.
00:27:59If it has a little more gunpowder, the gold is ours.
00:28:13"There's nothing that can be done," he says.
00:28:19Nothing can be done.
00:28:22No no.
00:28:23Nothing can be done.
00:28:24Oh, God.
00:28:29It's because she gave birth to me.
00:28:31Not you, if you have the pulse of a drummer.
00:28:34You've even lost your touch when it comes to crime.
00:28:38All the traces I've left behind.
00:28:42The master has a better sense of smell than a hunting dog.
00:28:58That's it, that's it.
00:29:06Come on.
00:29:18What do you wish, Your Eminence?
00:29:21I understand that you didn't make me come here to pray.
00:29:28You know, your perspicacity is sometimes a little comical, Commissioner.
00:29:37The king has entrusted me with the mission of finding the diamond thief.
00:29:42So that he could hand his head over to the English.
00:29:47So, it's in your hands to make the king and me happy.
00:29:53Have no doubt, Your Eminence. It will be so.
00:29:56Commissar.
00:29:58I hope you don't make me the recipient of your ineptitude.
00:30:03Because then they will really pray for you.
00:30:05But so that your ordeal may soon end.
00:30:12The marchioness is black.
00:30:18They didn't call her the Marchioness of Santilla.
00:30:21Although the room was easily lifted, something dark entered her house.
00:30:25And she handed her the stick.
00:30:27Hey!
00:30:29Hey!
00:30:31Who wrote that?
00:30:33It wasn't me, sir.
00:30:39You have no idea how ingenious I could be too.
00:30:49Do you know what you've done?
00:30:51Yes, ma'am.
00:30:51And I'm very sorry.
00:30:52You've made me, your wife, look ridiculous.
00:30:55Have you forgotten who you owe your allegiance to?
00:30:57No, ma'am.
00:30:58I owe it to you.
00:31:00But I could not reply to His Majesty.
00:31:02And neither do I, stupid.
00:31:04The next time you try to approach someone without announcing yourself to the Queen or the Holy Spirit, I'll break you.
00:31:09the chrism.
00:31:09Yes, ma'am.
00:31:13And now finish fixing me up.
00:31:16I need to go and clear all this up with His Majesty.
00:31:21You.
00:31:22Out.
00:31:25Leave.
00:31:35Lucrecia, you had an entertaining morning.
00:31:38Hernán, I have to go.
00:31:39I don't have time for your trivialities.
00:31:46Funny, scribble?
00:31:48I wouldn't take it so lightly.
00:31:51It's just talk, Hernán.
00:31:53You know how the poor, starving people in the village are.
00:31:55They get very bored.
00:31:56And they need to invent things to entertain themselves and thus trick their stomachs.
00:32:00This time they are not the ones responsible.
00:32:02The information comes from the queen and no one doubts her word.
00:32:06Do you realize the consequences all this could have?
00:32:09It has been in the public eye before.
00:32:12I don't think you know what kind of world you live in, Lucrecia.
00:32:16The court may accept certain things, but not sleeping with an animal.
00:32:21You've ruined your reputation.
00:32:24And what's worse, you've dragged Nuño into this.
00:32:28Has Nuño seen it?
00:32:33Your name is all over the town's gossip.
00:32:35What do you think?
00:32:40But isn't she the marchioness?
00:32:42He's grabbing the stream.
00:32:45What's happening?
00:32:48What are you looking at?
00:32:50Nothing.
00:32:51What are you hiding there, commoner?
00:32:53Nothing.
00:33:10Hey, hey, hey!
00:33:11Enough! Enough!
00:33:11Alonso!
00:33:13Child.
00:33:14Enough is enough!
00:33:15What happened?
00:33:16What happened here?
00:33:18To hell with you all, Madriga Astoria!
00:33:24Who brought this?
00:33:25What's going on here?
00:33:26Wait.
00:33:27Where did you get this from?
00:33:30Fuck.
00:33:31Have you seen this?
00:33:32They're everywhere now, Father.
00:33:36Come on, everyone go outside.
00:33:39Come on, get out!
00:33:42I meant to say that he didn't just get mad at one black person, right?
00:33:45Otherwise, no, they made one of those little bichisuas.
00:33:47In other words, you listen to yourself.
00:33:48First, that pertains to the private life of the Marchioness.
00:33:50And secondly, you should already know that you don't have to believe everything you hear.
00:33:52I haven't said anything.
00:33:54The thing is, when the river is flowing, that's when it makes noise.
00:33:56So, when it rings...
00:33:57Come on, things are being discussed at the marchioness's because the river is overflowing.
00:34:01But, Father, is it true?
00:34:03Did the marchioness sleep with a black man?
00:34:06What if that were the case?
00:34:07What's with that face?
00:34:08Disgusting!
00:34:09How disgusting!
00:34:11How nauseating!
00:34:12That meeting a black person there is biblically worse than meeting a dog.
00:34:15What are you saying, Sato?
00:34:16I say what I say.
00:34:17That's the reality, that black people...
00:34:19Black people are animals.
00:34:21They're carrying their private parts out there in the air.
00:34:23They shrink heads to the size of a chickpea and cook their fellow humans.
00:34:27And I won't go on because the little boy is here.
00:34:30Already.
00:34:30And what about us, the white people?
00:34:32No.
00:34:32We do not commit atrocities.
00:34:34No.
00:34:34Haven't you seen what we're capable of doing here in the village?
00:34:37Stealing, killing, torturing.
00:34:38That's not very different from what you're saying.
00:34:40You are a cultured man, don't compare me to you.
00:34:42It's one thing to shoot your neighbor, and another thing to gobble him up with your teeth.
00:34:48There are barbarians everywhere.
00:34:50But just because there is one doesn't mean the entire race is like that.
00:34:52I'm feeling sick when I talk about black people.
00:34:54What, what, what, hey?
00:34:56Follow that.
00:34:57Follow the master's house.
00:35:02My hands!
00:35:05Ah!
00:35:05My hands!
00:35:06I'm sorry, I'm sorry!
00:35:06If I go looking.
00:35:08Tell me!
00:35:21My hands!
00:35:22You're not going to give him the powder, my hands are exploding.
00:35:26This is from Satur.
00:35:30What the hell were you carrying in your vest that made it explode like that?
00:35:33Satur, I'm talking to you.
00:35:35You almost left her without hands.
00:35:37I don't know, no, I don't know what could have happened, do I?
00:35:41But?
00:35:43It hurt for a second, it hurt for a second.
00:35:54What are you doing here, Marchioness?
00:35:57These are no ways to show up at the palace, I'm very busy.
00:36:01I know, Your Majesty, and I apologize for it, but it is very important that you attend to me.
00:36:06More important than ruling an entire kingdom.
00:36:09Of course not, Your Majesty, that is not my intention.
00:36:13You've come to talk about the rumor.
00:36:17Your Majesty, because of the friendship we have.
00:36:20I beg you, I implore you to do everything in your power to stop him.
00:36:24What is being said is not true.
00:36:27Are you trying to suggest that my wife, the queen, is lying?
00:36:32You should be more careful about who you're testing your strength against.
00:36:35It would never occur to me to confront her, Your Majesty, or you.
00:36:39I'm just saying it was a misunderstanding.
00:36:42The slave was naked before you.
00:36:46What else could you have been doing with him?
00:36:48Look, really, Your Majesty...
00:36:51Don't strain yourself, Lucrecia.
00:36:53The rumor is already spreading throughout the village.
00:36:55And look, I agree with you.
00:36:57Rumors spread like wildfire.
00:37:00And as such, they must be eradicated.
00:37:02But, Your Majesty...
00:37:05Your presence is no longer welcome in the palace.
00:37:09Get yourself examined by a doctor.
00:37:11They transmit all kinds of diseases.
00:37:15Guards...
00:37:17Accompany the marchioness to the exit.
00:37:20Majesty.
00:37:32The Duchess of Caldas has returned his invitation to the banquet on Monday.
00:37:37And the Counts of Balmacedo were much the same.
00:37:40The palace has fallen into disgrace, and it's all my fault.
00:37:43You couldn't have done anything else.
00:37:45If I had known that the marchioness was pleasuring herself with the black man.
00:37:48Catherine, who was the queen.
00:37:49And the queen is...
00:37:50The queen.
00:37:52I don't care if it's her majesty.
00:37:55I cling to her petticoats and won't let go, not even with water and eyes.
00:38:02Mrs. Irene, do you need anything?
00:38:04Yes, a little water for these flowers I've picked, coming from me, ma'am.
00:38:08Now then.
00:38:14Ma'am, I don't want you to think I'm gossiping, but...
00:38:18You, who come from outside, there's a lot of talk about it around here.
00:38:23The parish priest's sermon could not be heard over what the people were murmuring.
00:38:26And what do they say?
00:38:27They're surely dragging the name of the Marchioness through the mud.
00:38:30Worse than that.
00:38:32People are very mean and very resentful.
00:38:36Oh my God, please let us get out of this.
00:38:40Whoever plays with fire gets burned, Catalina?
00:38:43God will not listen now to those who previously heeded his word.
00:38:56I still don't understand.
00:38:58How did the gunpowder get into your vest?
00:38:59What the hell did you do?
00:39:01In the next memory you turn left.
00:39:04Do you want to answer, at least?
00:39:07I slipped!
00:39:09And look at the path.
00:39:11Let's hope this foolishness doesn't cause another tragedy.
00:39:14And where the hell did you slip and get covered in gunpowder?
00:39:17It's not like...
00:39:18Like the sand that is everywhere.
00:39:20Cipriano, take the right and stop there.
00:39:24Put your hands on top, poor thing.
00:39:25Margarita works with them.
00:39:27They are their livelihood, their talent.
00:39:29I'll tell you more.
00:39:31It's a good thing the vest didn't have much gunpowder, because you could have blown it up.
00:39:34I know that already, Cipriano!
00:39:35I know!
00:39:41And I feel like shit about it.
00:39:44Are you going to remind me of this for the rest of my life?
00:39:47No, of course not, Sato, but...
00:39:49If I could, I would give him my hands.
00:39:51But I can't do anything.
00:39:54Just apologize to her and take care of her as best I can.
00:40:00Well, what?
00:40:01Are you going to help me gather the herbs to treat the sores on my hands, or are you going to stay there?
00:40:05Like a ceramic cat.
00:40:07No, I'll help you, I'll help you.
00:40:19Come on, what are you doing standing there like a bunch of dorks?
00:40:21Let's get to work!
00:40:27Don't do anything to me!
00:40:28Apana, apana!
00:40:29Sada!
00:40:31Sada!
00:40:32Ah!
00:40:35That he wanted to help me.
00:40:37Very good.
00:40:40Damn black man!
00:40:44Sir, for God's sake, what are you doing!
00:40:46Get out of here, Catalina, I'll kill you right here, Talín!
00:40:47Get out of the way!
00:40:51My God, young man!
00:40:53Young gentleman!
00:40:54My God!
00:40:56Young gentleman!
00:40:57Young gentleman!
00:41:01Gonzalo has asked us for verbena and lavender.
00:41:05Let's hope we find enough.
00:41:19You'll be fine in a few days, you'll see.
00:41:24Does it hurt a lot?
00:41:25No, not so much anymore.
00:41:28Margarita, you don't have to play hard to get with me.
00:41:31I know it hurts, I know you too well.
00:41:33Like when you broke your ankle, but you told yourself no, that you were fine.
00:41:36Do you remember?
00:41:38Not much.
00:41:39When you fell into the river.
00:41:41And when you left you twisted your ankle, but you kept saying no.
00:41:44That you were fine.
00:41:45The past is the past, Gonzalo.
00:41:48Leave it be.
00:41:50I'm going to my bedroom.
00:41:51No, Margarita, stay here.
00:41:54Will you sleep better, more comfortably?
00:41:56No.
00:41:57I mean going to my bedroom.
00:41:59I don't want your girlfriend to get upset.
00:42:02Margarita, I'm going to the block.
00:42:04That's why I said it.
00:42:06You'll be better off here, with the whole bed to yourself.
00:42:08I prefer to go to my room.
00:42:10Health.
00:42:11Okay, I'll go with you.
00:42:12But first, shall I prepare some milk for you, or would you prefer broth?
00:42:15Gonzalo, just leave it be.
00:42:16That's it.
00:42:17And if not, I can always use my hands again.
00:42:20Are you going to feed me?
00:42:21Are you going to dress me?
00:42:22Are you going to sew for me?
00:42:23Margarita, that's not going to happen.
00:42:25You don't know that.
00:42:27You and I are nothing.
00:42:29I know you have no obligation to take care of me.
00:42:43How are you doing?
00:42:45Well, I'm overwhelmed because I can't do anything with my hands, but the burns will get better.
00:42:50Glad to hear it.
00:42:53Gonzalo.
00:42:55Last night, the kiss.
00:42:56Mariana, don't worry.
00:42:57I understand you.
00:42:59You missed your husband and felt lonely.
00:43:02No problem.
00:43:06Gonzalo, I didn't kiss you because you felt lonely.
00:43:25No, don't get up yet.
00:43:27You might get dizzy.
00:43:27Don't touch me anymore.
00:43:32You're going to turn your back on me too.
00:43:40You slept with a black man.
00:43:45Ninth.
00:43:49Believe me.
00:43:51Sometimes things are not what they seem.
00:43:54Or not?
00:43:57So you're not behaving like a whore.
00:43:59I won't allow you to speak to me like that.
00:44:05I am ashamed of you and that you gave birth to me.
00:44:29Don't be afraid.
00:44:30I'm not going to do anything to you.
00:44:33If you promise not to yell at me, I'll let go.
00:44:50Hello, Lucrecia.
00:44:51How long?
00:44:52You're crazy.
00:44:53You could have scared him to death.
00:44:56In another era you would have loved my triumphant entrance.
00:45:00We would have celebrated now.
00:45:02You said it.
00:45:03In another era.
00:45:05That's right, we're just partners now.
00:45:10Partners?
00:45:13Where is the slave?
00:45:17He has fled.
00:45:19I know you, Lucrecia.
00:45:21Don't try to deceive me.
00:45:23It's the truth.
00:45:24Why would I want to do that?
00:45:25Because you want to keep the diamond I was wearing.
00:45:29So that's it.
00:45:31What the slave was hiding.
00:45:33Don't play dumb with me.
00:45:35Tell me where she is, Lucrecia.
00:45:37I repeat, I have neither the slave nor the stone.
00:45:40The king has demanded my head.
00:45:42I didn't outwit all his men so that you could keep the diamond.
00:45:45Tell me where it is.
00:45:47Come on.
00:45:56Are you OK?
00:46:00Yeah.
00:46:02Why did he want to kill you?
00:46:04He is the Count of Montano.
00:46:08His slave has the Englishman's diamond.
00:46:21Dogs can smell the presence of a black person in your house.
00:46:23Because?
00:46:24Have you hidden it?
00:46:26If I find out you helped that monkey, you're dead.
00:46:29Sir, he says he must have picked up the smell from a black slave he works with at the palace.
00:46:32of the Count of Benavides.
00:46:34Alright.
00:46:36Don't let go of it until you've verified if it's true.
00:46:38Don't destroy all the streets and registereds, the forests and the rivers.
00:46:40Yes sir.
00:46:49Not things that help us entertain ourselves.
00:46:54Enough.
00:46:55Yes sir.
00:47:00Not enough.
00:47:01I connect.
00:47:04Cosmos.
00:47:04Cosmos.
00:47:04The cuts.
00:47:041
00:47:112
00:47:122
00:47:132
00:47:142
00:47:162
00:47:25already
00:47:302 years
00:47:31Ah, dad.
00:47:33all
00:47:33are
00:47:34He's asking for help, don't you hear him?
00:47:36Alonso, go away.
00:47:37But what are you going to do?
00:47:38Out!
00:47:39Don't move.
00:47:40Sato, Sato, stop that.
00:47:42Don't worry, we're not going to hurt you.
00:47:45Sato is coming for him.
00:47:45We have to hide it.
00:47:48Relax, don't bring it inside.
00:47:49Sato, if we don't hide it, you won't catch anything.
00:47:51No, the dogs will kill him right there!
00:47:52Well, relax, don't worry.
00:47:54My name is Gonzalo.
00:47:55Think carefully about what you're going to do, because he's not only black, he's also a spendthrift.
00:47:57Sato, that's enough!
00:47:58You'll never learn to listen to me.
00:48:08If it's not indiscreet, Your Eminence,
00:48:11Have you informed the king that it was I who found the count?
00:48:15Of course.
00:48:17How else can one explain such nonsense?
00:48:21Folly?
00:48:23The king demands the head of the Count of Montano, and I have given it to him.
00:48:26Indeed, and he will hand it over to the English.
00:48:29But that's not enough, commissioner.
00:48:31I remind you that the count was not the end.
00:48:34But to the means to find the stolen diamond.
00:48:38My men are searching in the forest.
00:48:40In the area where he was found dead.
00:48:42I assure you I wasn't carrying it.
00:48:45I know.
00:48:47I know.
00:48:49I personally have taken care of giving it a thorough inspection.
00:48:55I apologize for making you wait for the imminent event.
00:48:57Please, Marchioness, sit down.
00:49:04Nice earrings.
00:49:11I've always thought you have commendable taste.
00:49:15No matter how hard you try to prove otherwise with your exotic escapades.
00:49:20Thank you, Your Eminence.
00:49:24However, it is curious.
00:49:31What is so curious, Cardinal? I don't understand.
00:49:35That the late Count of Montano
00:49:38she wore a ruby attached to her garments
00:49:42exactly the same as the one you're missing from your earring.
00:49:49I believe this belongs to you.
00:50:01Does the fact that I was with the convict mean anything?
00:50:04Of course, Marchioness.
00:50:06But don't make it any harder for me.
00:50:10Give me that stolen diamond before nightfall.
00:50:14Otherwise, I will be forced to betray you to the king.
00:50:18You cannot accuse the marchioness of anything.
00:50:20She doesn't have that jewel.
00:50:22Have you conspired with the marchioness to betray the king?
00:50:26I'm afraid you've chosen the wrong allies this time, Commissioner.
00:50:30Whether he has it or not, he has conspired against the interests of the crown.
00:50:33And even if that weren't the case, the Count of Montano and the Marchioness were lovers in the past.
00:50:46That was many years ago.
00:50:52Tell me, who will the king believe?
00:50:55To a fallen noblewoman.
00:50:58To a faithful servant of his church.
00:51:01The king betrays me and turns in my head.
00:51:08You know what to do, Marchioness.
00:51:16I hope you have a good day, commissioner.
00:51:20My millennium.
00:51:41They've already locked the door in their room, as I was instructed.
00:51:45But they already like dogs.
00:51:48I would have thought of something better.
00:51:54What are you doing?
00:51:57Is he going to put on his work clothes?
00:52:04You see, you and I, well, we haven't talked about...
00:52:08About the accident.
00:52:12Well, about the hands, Doña Margarita, I think it's...
00:52:14Acepa.
00:52:16If you end up killing her.
00:52:18If you kill her, I'll kill myself afterwards.
00:52:22Never.
00:52:24Never take anything from this lair again without my permission.
00:52:26Can you hear me?
00:52:28Let me go find that treasure, come on, for God's sake, I beg you.
00:52:31You still haven't had enough.
00:52:32He's just not understanding me.
00:52:34I don't care if I die trying.
00:52:36If I can't get it, if I don't bring it here, I'll solve his problems.
00:52:39What I did to Doña Margarita was for nothing.
00:52:43Let me try it, come on.
00:52:44Please.
00:52:45Forget it.
00:52:48You have to take care of the African.
00:52:50No.
00:52:51I'm not going to do anything because of that black guy.
00:52:53No.
00:52:55I have to bring the treasure.
00:52:56Doña Margarita deserves it.
00:52:58Saturn, what you have done to Margarita is irreversible.
00:53:00You can still do something for him.
00:53:01I'm not going to do anything for him.
00:53:03I'm not going to put my life in danger for...
00:53:05For an animal.
00:53:09It is a person.
00:53:10No.
00:53:10Like you and me.
00:53:11No, no, no, no.
00:53:13Are you going to help him?
00:53:13No, I love you.
00:53:14No.
00:53:18Saturn understands our language.
00:53:20He doesn't even know where he is.
00:53:21If we let him return to Cadiz alone, he will die.
00:53:23Well, if he doesn't survive, tough luck.
00:53:24What can you do?
00:53:27That's your problem.
00:53:29That you only think about yourself.
00:53:31And you?
00:53:31What about you?
00:53:32Are you so piari?
00:53:33What do you plan to do for that black guy?
00:53:35That?
00:53:35Okay, what?
00:53:37When you change his clothes, I'll use his little panties as bait.
00:53:39So that the dogs will follow me.
00:53:43Come on.
00:53:44There is no time to lose.
00:53:45It's because he's forcing me to do something against my will.
00:53:49So many speeches of his about masters, slaves, blah, blah, blah, blah, blah, blah.
00:53:54And when it comes down to it, you're just like everyone else.
00:53:58That's not what it's about.
00:54:01I simply want to check that you can still do something for others.
00:54:04Even if it's just a little.
00:54:07If you don't come, don't ever come back into this house.
00:54:14Very good.
00:54:17Very good.
00:54:25Hey!
00:54:36Can you tell me what they're looking at?
00:54:44And on top of that, with delicious Chinese food.
00:54:46Africa is beautiful.
00:54:49Far away, Africa, far away.
00:54:52Over there in Castroculo, more or less.
00:54:55Africa?
00:54:56No, Gaul.
00:54:58Of course we're going to Africa.
00:55:02But yes, I'll take you to Cadiz.
00:55:05So you can get on board and then you're on your own.
00:55:14What are you doing?
00:55:16Zavadi.
00:55:17De fiqui, Zavadi.
00:55:19Little animal, what the hell are you good for, a rock?
00:55:22Zavadi.
00:55:24Get out of here, man, get out of here.
00:55:28I'm not keeping that to myself.
00:55:29If there's no time, you've been sweating there next to your gadajo.
00:55:33Zavadi, the fiqui.
00:55:34Escua.
00:55:35Damn, that's disgusting.
00:55:36Oh no, Nini's letting me down.
00:55:43Put down the rock and get in the car, otherwise we'll be in serious trouble.
00:55:45Come on.
00:55:46Damn, I'm not good enough for the fiqui.
00:55:47Damn, Nini.
00:55:48I don't want a gift, Nini, nor credit from the estates.
00:55:51Camata, nor a cuasco.
00:55:53Mother, who gave birth to me.
00:55:56Let me explain it to you.
00:55:59I don't want to be with you.
00:56:05So...
00:56:07To the cart, I said.
00:56:08No.
00:56:09All aboard!
00:56:13Sengue, a fuzi!
00:56:14Sengue!
00:56:14Mother, who gave birth to me.
00:56:17What a plague this is!
00:56:19Catalina!
00:56:24Lady?
00:56:27You can smell it too, right?
00:56:29But what is the reason for this, ma'am?
00:56:31Don't know.
00:56:32But find it and fix it immediately.
00:56:34Yeah.
00:56:35It's horrible.
00:56:37Bye bye.
00:56:40Catalina, it's for today!
00:56:43Your house may usually smell like that, but I can't stand it.
00:56:46Ma'am, but...
00:56:47I don't know.
00:56:53Mother, Mother.
00:56:55Who did it?
00:56:56I don't know, ma'am.
00:56:57If you want, I'll assemble the team.
00:56:58Let's see if anyone has seen anything.
00:56:59At that point,
00:57:00You've left me our last name.
00:57:03Weren't you the one?
00:57:07Oh, really?
00:57:08This is how they're going to treat us from now on.
00:57:10As if we were shit.
00:57:11Don't humiliate your mother anymore.
00:57:13I respect him.
00:57:15I humiliated her alone.
00:57:16And the worst part is that he humiliates me too.
00:57:18Enough already, Luño.
00:57:23Catalina, gather those pleasant ones.
00:57:25Yes sir.
00:57:28Lady.
00:57:30If you want, I can have them burned.
00:57:33Even if you see it, it's more convenient.
00:57:36But get out of my sight.
00:57:38Yes sir.
00:57:39Right now.
00:57:42Lady.
00:57:47They have seen the slave near the Alamilla forest.
00:57:51Let's go find him.
00:57:53If night falls, you'll have more opportunities to escape.
00:58:00Slave.
00:58:13Contribute!
00:58:28Did you think I was going to let a beast like you get away?
00:58:31Make sure he suffers before you kill him.
00:58:34Come on!
00:58:35You've heard the commissioner. Let's have some fun!
00:58:40Where could this man have gone?
00:58:53Holy cow!
00:58:55They are ill-born.
00:59:01Oh, Margarita, if God had given me your gorgeous body, I would have been quite a sight for men.
00:59:04or anything.
00:59:05But you've seen how I am.
00:59:08But yes, look at that swan-like neck you have. What do you need hands for with that anatomy?
00:59:13Because I'm a seamstress, Catalina. I need them for work.
00:59:16Come on, be careful of the wet ones.
00:59:20If Juan were here, he would surely see those hands and find a remedy to cure them as soon as possible.
00:59:26Yes, but he's not here and he's not coming back.
00:59:29Woman, so much negativity! Damn, the light is shining on you and all you see are shadows.
00:59:34You'll see how soon you'll rebuild your life.
00:59:36Yes. Gonzalo will probably get married and start a family. And what will become of me?
00:59:42What are you going to be? What you are now, the aunt.
00:59:44Yes. Aunt Turida, who lives with them and whom they'll have to support out of pity. That's what I'll be. Me.
00:59:49I don't want to be a kept woman.
00:59:51Oh my God. Look what I'm telling you. You have too much time to think. And thinking so much isn't good.
00:59:58I could make you pay a little more attention to what's happening around you. There are many people who are worse off than you.
01:00:02you.
01:00:02Get up.
01:00:06The black one, for example. Angelic. They caught him in the Alamillo forest and they're going to
01:00:11To burst. That's a problem.
01:00:13Sorry, I brought a little more hot water.
01:00:16No need, we're finished. Thank you.
01:00:20Okay, I'll leave it here. Just in case.
01:00:28Does the teacher notice that he's blushed?
01:00:32We're going to cut off his toes. That way he'll never run again.
01:00:37My God.
01:00:49The road to Cuenca.
01:00:56Wow. A dwarf and a bond.
01:01:00We've got the circus set up.
01:01:01Go on, get out of here. If I come back without him, the tamer might get upset, you know?
01:01:07What's wrong? Are you friends with black people?
01:01:10No.
01:01:11Stand next to him.
01:01:12Come on.
01:01:13Come on!
01:01:19Come on, damn it.
01:01:20No, you've gone there.
01:01:20Yes, I'm coming.
01:01:27No, for God's sake.
01:01:30For God's sake, have mercy.
01:01:34Does he know how to pray?
01:01:35Does he know how to pray?
01:01:36No, no, no, no.
01:02:18Don't die, don't die, you didn't have to die, you didn't have to die.
01:02:30Are you alright? Help me. Let's bury him. You're right. Although this man hasn't gone to his homeland, which for
01:02:44at least receive a Christian burial.
01:02:48Man? So, you called him a man? Yes, I said man, yes. I learn at my own pace, late.
01:02:53And badly, but I'm learning.
01:02:54No. When we're finished, we'll go back to the castle. To the castle? Did you say castle? Yes. But did you lose something, or have you changed?
01:03:10The appearance?
01:03:12Sometimes, to see things clearly, you have to look elsewhere. And have you managed to make me
01:03:17Do it? Me? Here we go again. But what have I done to make you change your mind?
01:03:26Oh, master, don't make me feel bad. With the anger I felt at your stubbornness, I haven't done
01:03:31Rather than cursing him behind his back, I ask for his forgiveness. Forgive me, for God's sake.
01:03:37Without you I would never have understood that if I want to find my mother I must continue taking risks.
01:03:42That's it.
01:03:44I see it. You've already disarmed me.
01:03:46With that golden little tongue of his.
01:03:49That I can't argue anything.
01:03:51Just...
01:03:52admire him.
01:03:55Come on.
01:03:56Here is the prized stone.
01:03:59So solid.
01:04:01As if, but with discretion.
01:04:07Of course, Marchioness.
01:04:11Although I doubt the king will be fully satisfied if he fails to recover her.
01:04:16As?
01:04:17Aren't you going to give it to her?
01:04:20I will not be the one to alter the Lord's plans.
01:04:24For some to win, others have to lose.
01:04:27Such is life.
01:04:31But, Your Eminence, His Majesty will not forget it.
01:04:35He has a conflict with the English.
01:04:38The king has already been advised by his advisors, among whom I am included.
01:04:45That matter will be resolved in a more convenient way.
01:04:53Lucrecia.
01:04:54Eminence?
01:04:55Eminence?
01:05:01It saved my life.
01:05:04But your son won't speak to you, and your reputation is still in tatters.
01:05:08Hernán, I remind you who you are talking to.
01:05:11I have fallen many times and I have gotten up just as many times.
01:05:14I'll get through this.
01:05:29Why doesn't it flatten?
01:05:31Be patient.
01:05:38What if the gunpowder is wet?
01:05:52Damn, I love it.
01:05:53The applause caught me with my mouth open.
01:05:55Are you OK?
01:05:57Sato, you need to be careful.
01:06:00Don't worry.
01:06:02Chewing dirt strengthens the jaw.
01:06:06Even if it's not that good for the piñata.
01:06:10Sato.
01:06:10Come on.
01:06:11But look at yourself.
01:06:13How does he do it?
01:06:15I'm covered in dirt up to my ass crack and you're in pollution.
01:06:19Of course, it doesn't surprise me, given that he was wearing the appropriate suit for the occasion...
01:06:23Don't bring up that damn subject.
01:06:24You are right.
01:06:26We're looking for his mother and, if the opportunity arises, we'll make ourselves rich.
01:06:31We hope you might reconsider the suit, right, love?
01:06:36Well.
01:06:37I hope the hole is deep enough for me to get in.
01:06:41Okay, so what?
01:06:42Inside?
01:06:45Come on.
01:06:49Sato, I know I don't even have to tell you this, but if something happens to me, take care of Alonso and Margarita.
01:06:55Yes, let's go, yes.
01:06:58No, wait, wait.
01:07:00Wait.
01:07:01Should I go in?
01:07:01Not you.
01:07:02No, it's dangerous.
01:07:04I didn't understand myself.
01:07:05Now it's the other way around.
01:07:07I'm the one taking the risk.
01:07:08And you take care of Alonso and Margarita.
01:07:11Clear.
01:07:12After a long time, I finally understand it.
01:07:14No, you haven't understood.
01:07:16Below me.
01:07:18Lately I've been going against Alonso and Motiva, but don't get mad at me.
01:07:22Sato, I'm coming in.
01:07:24You keep an eye on the horses.
01:07:28Sato, I'm coming in.
01:07:41No, no, no.
01:08:01I'm looking at you badly, master.
01:08:04As you know, I'm not one to watch heroic deeds from the sidelines.
01:08:09Okay, but don't touch anything.
01:08:11You could make the roof collapse.
01:08:16Look at these doves.
01:08:19All of this is over a thousand years old.
01:08:22Did I tell him?
01:08:25The Romans do things with a solid foundation.
01:08:27Well, with a solid foundation, of course.
01:08:32The history this place holds.
01:08:35If these walls could talk.
01:08:37Well, they would tell us what happened to the treasure.
01:08:40Because here, then, they don't shine, they don't shine
01:08:41and even the water isn't from a Roman fountain.
01:08:43Look.
01:08:44You can't see anything.
01:08:51What are you doing?
01:08:53Look for clues.
01:08:56And it's not a source.
01:08:58It's a swimming pool.
01:09:02Didn't you see any baths when you were in Rome?
01:09:05The truth is that I have some gaps in that story.
01:09:08Because between those who were Roman and those who were not Roman,
01:09:11I'm referring to the women, not the hot springs, do you understand?
01:09:17The Roman women were beautiful, slender and graceful.
01:09:22And I'm telling you this as someone who met some of them at a bacchanal.
01:09:26At a bacchanal?
01:09:28A bacchanal, yes, a bacchanal.
01:09:31Don't you know what a bacchanal is?
01:09:33To the mother who gave birth to me.
01:09:35Of course, given how frugal you are with food and other things,
01:09:38Well, it doesn't surprise me that he doesn't know.
01:09:40Well, look, I'll explain it to you.
01:09:40A bacchanal.
01:09:42I know what a bacchanal is.
01:09:45Excuse me.
01:09:47The fact is that it was a coughing fit of fornication.
01:09:52If you weren't careful, you wouldn't know if you were eating cod or venison.
01:09:59Those Romans sure knew how to live, didn't they, love?
01:10:21No.
01:10:23No.
01:10:25No.
01:10:36More wine
01:10:43I'm bored, I'm very bored
01:10:46Call to the others
01:10:48Your wish is our command.
01:10:50My lord Saturn
01:10:55Saturn
01:10:55Call me Saturn
01:11:06What's happening?
01:11:08I'm speaking and you can't hear me.
01:11:10No, it was there
01:11:11Enthralled by Roman civilization
01:11:13Excuse me, what were you saying?
01:11:15I'm going in
01:11:18Are you going in there?
01:11:19So that?
01:11:20Let's see if there's any clue, anything.
01:11:21Did she lose it there?
01:11:32What's happening?
01:12:05Wait, there looks like a symbol here.
01:12:08You're sure?
01:12:11It seems to me that it's more rubbish than a symbol.
01:12:15No, it's an anchor.
01:12:19Man, there's water here.
01:12:23It seems to me that many ships have docked us, don't you think?
01:12:26No, the anchor is a symbol of Christian doctrine.
01:12:31It represents the hope of eternal salvation.
01:12:34A Christian symbol, you say?
01:12:37But does he also know about this?
01:12:40If you're not even a believer.
01:12:42Not believing in Christian doctrine does not mean rejecting it outright.
01:12:47Ultimately, every belief tells us how those people see the world.
01:12:50That's why I'm interested.
01:12:53We knew that was a well of wisdom.
01:12:55What am I saying, a well?
01:12:57A swimming pool taking advantage of the situation.
01:13:04Careful, let's go.
01:13:08What's happening?
01:13:09I don't know, something has moved around here behind him.
01:13:14Saturn, there is nothing.
01:13:21There it is again!
01:13:22There it is!
01:13:24Get out of the water!
01:13:25Get out of the water, for God's sake, get out!
01:13:26Saturn, there is nothing.
01:13:27Get out of the water, for God's sake!
01:13:35Look at them.
01:13:36Look at them in blue clothes.
01:13:38We are much better than them.
01:13:40Why are you doing this to me, mother?
01:13:41I still have goosebumps, love.
01:13:44Mother, beautiful love.
01:13:47We're the laughingstock of the village.
01:13:49I don't plan to hide.
01:13:53It's from a child.
01:13:57Saturn?
01:13:58Help, for God's sake!
01:13:59What good is your title, little marquess?
01:14:01What has happened to me, love?
01:14:03You fainted while we were looking at the skeleton.
01:14:06Saturn!
01:14:07Saturn!
01:14:08Saturn, what's wrong with you!
01:14:09We need to find out who that boy was and what he was doing there.
01:14:12Child.
01:14:13Are you OK?
01:14:14How many games have you played that endangered a child's life?
01:14:17It was those savages.
01:14:18I went back to the forest and picked up the child's skeleton.
01:14:22He's in the lair.
01:14:23I am Rafael Valverde, the best bullfighter in Spain.
01:14:26To what do we owe the honor of your visit?
01:14:28I invited him.
01:14:30He's going to be without a palace for a few days.
01:14:33And I also found this.
01:14:34The emblem of the village orphanage.
01:14:36The same one you were in.
01:14:41I admit that when he invited me I felt a certain curiosity.
01:14:44A queen, a marchioness, and a black slave.
01:14:46It's all anyone is talking about in court.
01:14:49That kid was locked in that hole for days.
01:14:51That can't be, that's impossible.
01:14:54I have no food, no water, and I am in complete darkness.
01:14:58She tore her nails trying to get out.
01:15:01What's happening?
01:15:02There is a complaint against Margarita Rando for practicing witchcraft.
01:15:06Let me go, I'm not a witch!
01:15:08What does he want from me?
01:15:09Let's announce our commitment tonight.
01:15:12Shoot, for God's sake!
01:15:14Shoot!
01:15:14Shoot!
01:15:18Shoot there!
01:15:20I've seen scratch marks inside that pit.
01:15:22That child was buried alive.
01:15:23No!
01:15:23No!
01:15:32No!
01:15:32Thanks for watching the video.
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