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00:00:31José María, today I see it clearly. You are my successor. Someday all this will be yours. I'm going to show you the
00:00:38Secrets of the art of being a goalkeeper. You're going to be my little grasshopper.
00:00:41What about you?
00:00:43Look, lesson one. Basic flattery of the owner. Good afternoon. What? Fancy a beer on a terrace?
00:00:51What's it to you that hatch? A lightbulb's burned out on the border. Change it, one of these
00:00:55Ladies, they're killing us.
00:00:57How does he treat you like dirt? It's like Cinderella with her stepsisters.
00:01:02Relax, it's no big deal. Then you just tear up a couple of bank statements and that's it. There's no need to hold a grudge.
00:01:06keep it inside.
00:01:07Look, lesson two. Renters have no rights. They're second-class tenants, perfect for venting.
00:01:16Hello hello.
00:01:17Hello.
00:01:18Careful, damn it, don't step on me there, it's really scrubbed.
00:01:20Well, put up a sign, you jerk.
00:01:22Shh, calm down, nothing's wrong.
00:01:24Nothing's wrong, nothing's wrong.
00:01:27Forward.
00:01:28Come on.
00:01:29You're bitter, aren't you?
00:01:34Well, look, don't get involved, you idiot, okay?
00:01:37He is my angel.
00:01:38Have you seen what kind of eyes she has?
00:01:41They are enigmatic, just like mine.
00:01:43Yeah.
00:01:44José María Coñuca is a lesbian.
00:01:45Yes, hehe.
00:01:46I respect their hobbies.
00:01:49This doesn't fulfill me either.
00:01:51If I can't find my place in the job market.
00:01:54Dad, you've already started to look like you've been unemployed for a long time.
00:01:56I'm going to try painting myself completely white.
00:01:58I'm going to be a mime in the park.
00:02:00And it's already full, damn it.
00:02:01In other words, it's more about pampering than baby clothes.
00:02:03Yes, but how many nudes?
00:02:05I'm going to be the nudist mime.
00:02:07Clear.
00:02:08And when they give you a euro, you thank them with an erection.
00:02:10If what you have to do is stay there at home quietly watching TV
00:02:13and calling for knowing how to live in order to ask questions.
00:02:16Son, I feel an emptiness.
00:02:17I want to work, start from scratch, and start a family.
00:02:21What do you say now?
00:02:23That has given you a lot, Maria.
00:02:25You don't have to set a time.
00:02:26I want to have another child.
00:02:28Life owes me a second chance.
00:02:30As a father.
00:02:31Now listen.
00:02:32Put yourself in the best-case scenario, okay?
00:02:34Imagine you find someone.
00:02:36Imagine you find one of those demented depressed people or someone like that.
00:02:40How were you going to have children?
00:02:41Let me explain the process.
00:02:43If you've already had a semen analysis done.
00:02:45Dad, you no longer have sperm.
00:02:47You have zombie sperm.
00:02:49They would wander about, banging against the walls of the womb until they died.
00:02:53What are you laughing at?
00:02:54We'll have to see yours.
00:02:56What I don't understand is why we don't take the groceries down in the elevator like
00:02:59everyone.
00:02:59Yeah, read the bylaws.
00:03:01It is forbidden to use the elevator for moving, renovations and any other activity
00:03:05that could jeopardize the proper functioning of your machinery.
00:03:08Mr. Juan, seeing you in this condition truly makes me want to fall to the ground.
00:03:12That to me.
00:03:12But Gini hasn't left anyone hanging with the renovation.
00:03:15Someone will have to finish it, I say.
00:03:17But where are you going, mate?
00:03:19It's the sack here.
00:03:20No, the garbage truck doesn't pick that up.
00:03:22It must be taken to the recycling center that the city council has set up for this purpose.
00:03:25And where is that recycling center?
00:03:27I think it's this way.
00:03:28Damn it, Juan, I don't have kidneys anymore, all I have are two beans.
00:03:32Damn it, throw it away.
00:03:33Ah, go ahead, that way you go, Juan.
00:03:36Son, if Cuesta is doing renovations, we could take advantage of the opportunity and spruce up the goal a bit.
00:03:42We've been dealing with Lough Windsor for almost a year now, and it's getting tiring.
00:03:46The only thing I've seen living worse is the little pine tree, which they had locked up in a shed.
00:03:52Uraliza.
00:03:52Dad, I've already asked the community in 18 languages and they've all said no.
00:03:57What should I do? Drug everyone at the meeting?
00:03:59We'll do it ourselves, it's just two pesetas.
00:04:01Of course, damn it.
00:04:02I'll help you paint.
00:04:04We can do a Venetian stucco.
00:04:06Wait.
00:04:08This partition is false.
00:04:09We threw it away and gained ground.
00:04:12Trunk, you can create two separate spaces.
00:04:15Dad, that wall faces the bank.
00:04:16You're going to run headlong into the pension funds issue.
00:04:18No!
00:04:19I'm going to ask the kid for the kiss.
00:04:21Stop!
00:04:21Go ahead, listen.
00:04:22As if he were talking to mailboxes.
00:04:24This detergent is bad.
00:04:25Give me another one.
00:04:26But what's wrong with him?
00:04:27In the advertisement, the girl wipes the tiles with a cloth and sees her reflection.
00:04:31And I don't see myself.
00:04:31You gave it to me expired.
00:04:33Paco, can you come here for a moment? I have a question.
00:04:35Vicenta, it's an advertisement.
00:04:37There's also another one about a girl who pours shampoo on her head and has an orgasm.
00:04:40And it's a lie.
00:04:40I know.
00:04:41And I haven't bought it again.
00:04:43Paco, I have a question.
00:04:44Which one do you recommend?
00:04:45This one or this one?
00:04:50Well, I don't know, because this one is very good, but this other one is too.
00:04:56So, what do I do?
00:04:57Should I take both of them?
00:04:57Yes, I think he's going to do that.
00:04:59Hey, I'll be back later.
00:05:01What do I have at the doctor's now?
00:05:02I need to have a wax plug removed.
00:05:03Okay.
00:05:04How curious, isn't it?
00:05:05What is the human body?
00:05:07That something so... suddenly appears in your ear
00:05:11Yeah.
00:05:18Karen, I can't go on like this.
00:05:20Yeah, yeah, me neither.
00:05:22Honestly, I need to be able to hold your hand.
00:05:24Walking through the park eating a melting ice cream while we lick our fingers.
00:05:29to the other.
00:05:29Yes, yes, yes.
00:05:30Besides, we're not doing anything wrong.
00:05:32It's time to stop hiding.
00:05:35That?
00:05:37Do you know that you are the most wonderful woman in the world?
00:05:39Uh-huh.
00:05:41Go on.
00:05:42No one can live here, here, here.
00:05:44Not here, not here.
00:05:46Every day is like this.
00:05:49I couldn't imagine it when I came here.
00:05:51I was just looking for some peace.
00:05:53I wake up every day in the middle of a hurricane.
00:05:56No one can live here, here, here.
00:05:58Not here, not here.
00:05:59No, no, no.
00:06:00No one can live here, here, here.
00:06:03Not here, not here.
00:06:04No no.
00:06:04The house of rumba begins.
00:06:07I can't find the goalkeeper.
00:06:09My neighbors visit me and listen to me.
00:06:11I can't stand being in this place.
00:06:14Put it in a cocktail shaker.
00:06:18You in an earthquake and a volcano.
00:06:22Yeah.
00:06:23And you will walk on this staircase.
00:06:28No one can live here, here, here.
00:06:30Not here, not here, no, no.
00:06:32No one can live here, here, here, here.
00:06:35Not here, no, no, no.
00:06:41No one can live here, here, here, here.
00:06:44Not here, not here, no, no.
00:06:46No one can live here, here, here, here.
00:06:48Not here, not here.
00:06:49No one can live here, here, here, here.
00:06:51No one can live here, here, here, here.
00:06:53No one can live here, here, here, here.
00:07:04It's been uploaded again.
00:07:05No, man, not in bed
00:07:07Go away, splat
00:07:07But
00:07:08Go away
00:07:11Go away
00:07:12Oh, I love waking up in this room
00:07:16Good morning
00:07:17We are Philip the Handsome and Joanna the Mad
00:07:20Same, same
00:07:22Vicente, breakfast
00:07:24Okay, please, let go of the bell.
00:07:26But she told me so.
00:07:27I can't keep living on that couch, you know?
00:07:31Sniff, dog
00:07:32Are you going to tell me or explain it to me?
00:07:34Good morning, girls
00:07:36Time for breakfast
00:07:37That the hills have already woken up
00:07:38What a night you've given me
00:07:40But why are you moving around so much?
00:07:42Because I don't rest
00:07:44I can't find the right position
00:07:47Shell
00:07:48We are 75 years old
00:07:50At our age there are no good positions
00:07:53Hey, how long are those two going to stay in my room?
00:07:57Whoever is needed
00:07:58They are my guests
00:07:59And don't complain so much
00:08:00There are many people who live in more cramped conditions.
00:08:02Where?
00:08:03In a submarine?
00:08:04Hey, why don't we hit the gas and go to bingo?
00:08:12How's the renovation going?
00:08:14When do you finish?
00:08:15Well, there we are
00:08:17No, we're not there.
00:08:19When are you finishing?
00:08:21Shell
00:08:21I'm already here, I'm working
00:08:23I'm getting in, this guy's going to cause trouble.
00:08:24You should be ashamed of yourselves.
00:08:26Exploiting an immigrant
00:08:28Wait, Juan
00:08:29I'll go with you
00:08:30Please be there
00:08:31Hey, why don't we call a company to do it for us?
00:08:34But we've already tried.
00:08:35They won't do it for us until next month.
00:08:39Do you have any laundry to do?
00:08:41Yeah
00:08:41I left it right there.
00:08:42Oh, and the button on my skirt fell off.
00:08:45Okay
00:08:45Then I'll upload snacks.
00:08:47Very good
00:08:48These people will never leave here.
00:08:50You'll see
00:08:51With the monkey fairy godmother
00:08:55Oh, but they're also doing construction downstairs.
00:08:58Look, I don't even know if it's downstairs anymore.
00:09:00Front or above
00:09:01Pussy
00:09:02But we are being plagued by reforms
00:09:04What is it with people against partitions?
00:09:06Yeah
00:09:12What was I saying?
00:09:13Was it hollow or not?
00:09:16Look
00:09:16I've brought you the special edition
00:09:18Depressing apartments
00:09:19So you can see how the space is used efficiently.
00:09:21In small places
00:09:22Ah, uh
00:09:23This is a supplement
00:09:24Where everything is a kitchen
00:09:26Well
00:09:26You wouldn't believe all the beautiful things!
00:09:28What are they doing now?
00:09:29Induction hobs
00:09:31Thank you very much, Mrs. Mames
00:09:32And it's just going to be a little bit of painting.
00:09:34No, come on, come on, come on
00:09:35Take advantage of it.
00:09:36And that's how the goalkeeper's value increases.
00:09:37If it's not mine
00:09:39But if this is the community
00:09:40He'll end up selling it to you.
00:09:42It's in everyone's interest
00:09:44Look
00:09:44That wall
00:09:45Leave it with exposed brick, okay?
00:09:47So, in an industrial design style.
00:09:50Yes, yes, yes
00:09:50Okay, come on
00:09:51She'll have to do the shopping, won't she?
00:09:52Oh, yes.
00:09:53Hey, any questions?
00:09:54You're asking me, huh?
00:09:55I'll advise you
00:09:56In everything you want
00:09:56No, don't worry
00:09:57Don't worry
00:09:58Don't worry
00:09:58See you later
00:09:59Come on
00:10:01What is this?
00:10:05But this is a tough nut to crack.
00:10:07Where did you get it from?
00:10:08From within
00:10:09Wait, I think there's more
00:10:11But how can there be more?
00:10:11Still
00:10:12Don't take anything else out
00:10:15Oh!
00:10:17Holy shit
00:10:18But who is this?
00:10:19Jondite's world champion
00:10:21How should I know?
00:10:26But how did you come up with that?
00:10:27Working in your state?
00:10:29The noise of the drill
00:10:31It causes fetal stress.
00:10:33I haven't read it
00:10:33I don't know where I read it.
00:10:34But I have read it
00:10:35Come on, get down from there
00:10:36That you are eight months pregnant
00:10:38That's why we need to hurry.
00:10:39I see that this isn't progressing.
00:10:40What do you mean it's not progressing?
00:10:41We already have the rape.
00:10:42Yesterday I was out all day
00:10:43Laying bricks
00:10:50What a mess this is!
00:10:51What have you done, Yago?
00:10:53What have you done?
00:10:54Nothing, Juan
00:10:55I was putting on a taco
00:10:57For the shelving unit
00:10:59The cement was all mixed badly.
00:11:00Hey, excuse me
00:11:01But I downloaded it from the internet
00:11:02The Bricklayer's Manual
00:11:03And I have followed it to the letter.
00:11:04Do you see how aggressive he is with me?
00:11:06It won't accept me
00:11:07What, I don't accept you?
00:11:08No, it doesn't accept me.
00:11:09Don't I feel at home?
00:11:10It's not your house
00:11:11This is what's happening right now.
00:11:12It's not a house
00:11:12Don't argue with this
00:11:14I went into the partition
00:11:15And he gets angry
00:11:15I don't know what habit it is.
00:11:17Come on
00:11:17Hey, honey
00:11:19Come
00:11:19This
00:11:21I believe we should convince them
00:11:24Oh, dear
00:11:25Let this not end
00:11:26The girl is going to fall off the ladder
00:11:28She's going to lose the baby.
00:11:29Like soap operas
00:11:30You
00:11:30You're going to kill each other
00:11:32And I'll have the pipe
00:11:33Well, it's having less and less of an effect on me.
00:11:35And it's all bad, bad, bad
00:11:37Bad, bad
00:11:38Of fatal, bad, bad, bad
00:11:39Okay, okay
00:11:40I'm going to try to convince him
00:11:41Maybe he's over it.
00:11:42In anger
00:11:43Of course
00:11:44If it isn't
00:11:45It's heaven
00:11:46Of woman
00:11:48Adelio, let's go
00:11:53Male
00:11:53You turn purple
00:11:55And you don't gain weight, okay?
00:11:56How does genetics show?
00:11:57I'll answer your stupidity
00:11:59Or I ignore you
00:12:00What do you prefer?
00:12:00I don't know
00:12:01However you see it
00:12:23Higinio, look at the time!
00:12:32To go to the bathroom
00:12:33Busy, Your Holiness?
00:12:34Well no
00:12:35No no
00:12:35Good morning
00:12:37Oh, Moncho
00:12:38Honey, you had us worried.
00:12:40Look how it comes
00:12:41Look how it comes
00:12:42What a pity
00:12:42Hey?
00:12:43Playing at work?
00:12:44Well yes
00:12:44The thing is, I had an interview early this morning and I was already overwhelmed.
00:12:50Daddy, daddy
00:12:54I'm going to spend an hour on it, okay?
00:12:56Yes, come
00:12:56Come to my room
00:12:57I'll make you some juice now.
00:12:58A young juice
00:13:00Dad
00:13:02Mother
00:13:03Thank you so much, really
00:13:05You are helping me a lot to overcome
00:13:07This bad streak I'm going through
00:13:11Calm down, darling
00:13:13But that's what we're here for.
00:13:14I bet the taxi's down there.
00:13:16It's just that it doesn't fit me loosely, you know?
00:13:18Come on
00:13:18Nothing, nothing
00:13:19Let's see, Higinio
00:13:20Downward
00:13:20Turn off the man, go on
00:13:21Of course, woman
00:13:22Right now
00:13:23If a father's love knows no limits
00:13:30Higinio, Higinio
00:13:32Help us
00:13:33You have to finish the renovation for us.
00:13:34Yes please
00:13:35Then put an end to this suffering
00:13:37Yes, I'd be delighted.
00:13:39But I can't
00:13:41Mom is absolutely furious with you guys
00:13:43I'll pay you whatever it takes.
00:13:44I support you for the rest of your term.
00:13:46But how could you think of that, José?
00:13:47I'll grope my daughter
00:13:49At my place
00:13:50That's what parks and gardens are for.
00:13:52We all pay for them.
00:13:53Well, understand that, man.
00:13:54We won't have a child now.
00:13:56So we have a sack of hormones
00:13:57With device
00:13:59That...
00:14:00Higinio, for the love of God
00:14:01We can't stay in first A
00:14:02The situation with Concha and Marisa
00:14:04It is unsustainable
00:14:05That's like living in the Gaza Strip
00:14:07It has its advantages
00:14:09But it's dangerous.
00:14:10Sooner or later
00:14:11They're going to do something to us.
00:14:14Come on
00:14:14Give me a key
00:14:15I'll finish it for you.
00:14:16But at night, okay?
00:14:17When Mommy goes to sleep
00:14:18Oh, and you pay me under the table.
00:14:20What if he doesn't find out through the bank?
00:14:21Thank you, thank you
00:14:23Mr. Juan
00:14:24Hey, say hello to the president
00:14:26Hey, can you come down to the goal with me for a moment?
00:14:28We have a problem.
00:14:30Ah, well, you can talk to Higinio about it.
00:14:31What are you telling me?
00:14:31I'd prefer to see you first, okay?
00:14:33But what's going on?
00:14:34Well, nothing.
00:14:35We've found a tenant
00:14:36It takes a long time
00:14:37Without paying community fees
00:14:44I see it as a somewhat delicate subject, you know?
00:14:47Let's see what you think.
00:14:53Dad, why did you put the glasses on the bed?
00:14:55To entertain myself
00:14:57I have these two left over.
00:14:58I don't know where they're going.
00:14:59You see.
00:15:00You're a nurse.
00:15:01Well, I don't know.
00:15:02Let's see
00:15:03But don't touch that
00:15:04They are human remains.
00:15:07Thanks for the clarification, Juan
00:15:08We were here with the doubt
00:15:10Can you tell me where they came from?
00:15:12They were there, behind that wall
00:15:13But why are you doing construction work without the community's permission?
00:15:15Look at the mess you've made!
00:15:16Oh, how curious!
00:15:18Who is that man?
00:15:19I don't know, maybe the plasterer would fall asleep there
00:15:22Or a gay man who didn't dare leave the orchard
00:15:25He did not have the documentation.
00:15:26This is a 19th-century building
00:15:27Over one hundred years old
00:15:28Anything could have happened here.
00:15:30Okay, but we'll have to call the police, won't we?
00:15:32Yeah
00:15:32Or call a meeting
00:15:34And introduce your new neighbor
00:15:36No, no, no
00:15:37It is advisable to disrupt the neighborhood order
00:15:38With unnecessary scandals
00:15:40And definitely don't call the police
00:15:41The only thing missing was for our homes to depreciate.
00:15:43Mr. Juan
00:15:44I've been sleeping for ten years
00:15:45With a dead body next to them
00:15:46Well, that's how I've been.
00:15:47Talented with your mother
00:15:49Excuse me, but Mom is alive, okay?
00:15:51Sexually, this was alive
00:15:53Oh, what do we do, Juan?
00:15:54Should we throw it in the organic waste?
00:15:56Poor man
00:15:58Look, Demiro
00:15:59You're going to put everything in a box
00:16:00You have a good feeling about it
00:16:01And you store it somewhere
00:16:02Mister
00:16:03When am I going to put this away?
00:16:04Why isn't he taken home?
00:16:05Which has more space
00:16:06Well, in the accountants' room
00:16:08At the back, where the junk is
00:16:09That's what the community needed.
00:16:11A skeleton walled up
00:16:12Come on
00:16:14Well, just ignore him.
00:16:15This man has a story
00:16:17And we have to discover it.
00:16:18We have a lead
00:16:20Look at the watch he was wearing
00:16:21We know the time he died
00:16:23Twenty minutes to twelve
00:16:25Dad, that's the time it ran out of winding
00:16:27This could become a bestseller
00:16:29The Marian Code
00:16:31Clear
00:16:32No wonder I wasn't sleeping well at night
00:16:36Ezekiel
00:16:37Nativity scene
00:16:39Message
00:16:41Oh, run, run, run, run
00:16:42Let's see
00:16:43How are you, chubby?
00:16:46I miss you so much
00:16:48Hey
00:16:49What's happening?
00:16:51My dad
00:16:51How romantic!
00:16:52Yes, let it.
00:16:53I devour
00:16:54He's excited
00:16:55Yes, of course, of course, of course
00:16:56Okay, let's see.
00:16:57What did you send him?
00:16:58No no
00:16:59Give it to me, give it to me
00:17:00Messages sent
00:17:02Give me the six kids, damn it
00:17:04Here
00:17:04Good morning
00:17:05My Jedi Knight
00:17:06I've been up all night
00:17:08Dreaming of your sword
00:17:09The lightsaber
00:17:10Ah, the lightsaber!
00:17:12God!
00:17:14Hey, what's up?
00:17:15What did he see in the darkness?
00:17:17Okay, so what's up?
00:17:18Any problem?
00:17:18We are delighted
00:17:20Paco is a charming boy
00:17:21Sympathetic
00:17:22Affectionate
00:17:23Romantic
00:17:24Yes, but it's Paco
00:17:25Do you know what you're doing?
00:17:26Just wait until all the neighbors find out
00:17:28And Emilio?
00:17:29Well, let them know.
00:17:30What do I care?
00:17:31But Bethlehem
00:17:31You're going to look like the building's whore
00:17:33First the goalkeeper
00:17:34Then the one from the video store
00:17:35Who's next?
00:17:37Juan Cuesta?
00:17:39Also, wait and see what happens
00:17:40The relationship might not work out.
00:17:41Of course, woman
00:17:42So that no one else can tarnish your history
00:17:43Paco was very much in love with Lourdes
00:17:45Maybe he's just using you
00:17:46Like a cloth for tears
00:17:47Look, the guys give you three orgasms.
00:17:49And then they go back to his wife
00:17:50And the cloth for tears
00:17:51He becomes sad.
00:17:52Alone and full of snot
00:17:53But, but, but, but
00:17:53I'm so twisted
00:17:55I don't care what you think.
00:17:56I'm living a very beautiful moment.
00:17:58And I have no reason to hide it from Nati.
00:18:00Hide what?
00:18:01What's the matter?
00:18:02Oh, nothing.
00:18:03These ones that are committed
00:18:04I had a varicose vein removed with laser treatment.
00:18:07And I tell them no.
00:18:07The varicose vein is mine.
00:18:08I want to show it off
00:18:10Daughter, you're weirder
00:18:12Come, Moses
00:18:13Leave the groceries in the kitchen
00:18:14And I remind the lady
00:18:15I have to wash Mr.
00:18:17Yes
00:18:17But wait a moment
00:18:18I have to give you something for the dye
00:18:20My mother doesn't count
00:18:21That it gets really annoying
00:18:22Belén, listen to us.
00:18:24Don't say anything yet
00:18:26Yes, he's already spoken to Paco
00:18:28And he wants to tell his story too.
00:18:29This?
00:18:29But you're stupid.
00:18:30How are you going to tell Emilio?
00:18:32Chungo
00:18:33Bad, bad
00:18:33Damn, he's not dating Belén anymore
00:18:35I just don't see the problem at all.
00:18:37Let's see, the first commandment of the wise council
00:18:39You shall not fornicate with the novelties of others.
00:18:41It's like Pablo suddenly decided to throw himself into the woodwork.
00:18:44Hey?
00:18:45No, but I respect you, don't worry.
00:18:47Let's see, let's see
00:18:48Belén and I have been together for a week
00:18:49We're ok
00:18:50Yesterday I accompanied her to the gynecologist
00:18:52That means we're serious.
00:18:52He even checked me too.
00:18:54What did he check on you?
00:18:55It's something I have
00:18:57Whatever you want
00:18:58But I didn't trust Bethlehem
00:18:59Behind that facade of an ordinary girl
00:19:01A cold and calculating woman is hiding behind her.
00:19:03Yes, she's a neighborhood matajari.
00:19:05Wing, wing, wing, wing
00:19:07All memories
00:19:07She got involved with Emilio
00:19:08She got involved with Carlos
00:19:09Roberto throws himself at her
00:19:10She married an older man and he died
00:19:12She got involved with the son
00:19:13Then she went back to Emilio and they ran away
00:19:14She hooked up with her psychologist.
00:19:15And what about those of us who don't know?
00:19:17What are you doing, nymphomaniac?
00:19:18Who's to say you're not just another one on their blacklist?
00:19:21Paco, you're going to risk your friendship with Emilio.
00:19:23For something that might last two days
00:19:29Okay, Fernando, let's talk about music.
00:19:31Let the wedding band play for us
00:19:32One step forward, Maria
00:19:33One step back
00:19:34Or we go for something more original.
00:19:36Like what?
00:19:37I don't know
00:19:39Should we call Alejandro Sanz to sing for us?
00:19:40Yes, go to their website.
00:19:42I think it has a section
00:19:43Weddings, baptisms and communions
00:19:45Well, son, it's worth a try.
00:19:46Furthermore, the topic of music is already covered.
00:19:49My father wants to perform at our wedding
00:19:51Who committed the crime?
00:19:52Yes, yes, he's preparing a show.
00:19:55The man has been rehearsing for a month.
00:19:56And what's going to happen?
00:19:57From drag queen to the ceremony?
00:19:58No, man, no, he'll be wearing a suit.
00:19:59But already made up
00:20:00Then he says it takes a long time.
00:20:01But how can he wear a suit?
00:20:03Painted like a drag queen at the courthouse?
00:20:04What will Marilyn Manson look like?
00:20:06At a funeral
00:20:09Please, just a little while until lunch.
00:20:10My clinic is completely full.
00:20:12And I have two auditions
00:20:13And I'm organizing the wedding
00:20:15To marry the man of my life
00:20:20I'm working on four cases at the same time
00:20:22But if you're playing the roads game
00:20:23Ah, to concentrate
00:20:25It is recommended by the bar association
00:20:26Hey, there are four of us, huh?
00:20:28Ezekiel has twice as many parents.
00:20:29From any other child
00:20:30Someone can keep it for a while
00:20:32We don't have many more hours.
00:20:34Yes, but you'll put it on us.
00:20:35Whenever you feel like it
00:20:36My love
00:20:37We all love you very much.
00:20:38But the children at first
00:20:40You are a burden
00:20:41Then we, the parents, are the parents.
00:20:42It's the cycle of life
00:20:43Why don't we take him to a daycare?
00:20:46Because he's only a year and a half old
00:20:47Well, in this one I found on the internet
00:20:49It starts from three months
00:20:50Fernando, I'm not going to do that to my son
00:20:53Daycare centers are cruel and violent places
00:20:55Where the law of the strongest prevails.
00:20:57They enter military discipline
00:20:59And they force you to sing stupid things
00:21:00And they put you on horrible baby clothes
00:21:02To humiliate you and make you feel inferior
00:21:03Causing you trauma
00:21:04And irreversible personality disorders
00:21:07Mauri, I said daycare.
00:21:09Guantanamo
00:21:11Perhaps some childhood trauma?
00:21:13Yeah
00:21:13I had a teacher in first grade in GB
00:21:15That traumatized me
00:21:16Miss Marga
00:21:19Brave bitch
00:21:20I dreamed about her until I was 15
00:21:22Thank goodness Josh Michael arrived
00:21:24And it changed the content of my dreams
00:21:26What was it that made us sing?
00:21:27Ah, yes, yes, yes, yes, that one of
00:21:29Last Christmas I gave you my heart
00:21:32No, not Josh Michael, Miss Marga
00:21:36Once upon a time there was a little boat
00:21:39Once upon a time there was a little boat
00:21:43That he couldn't, that he couldn't, that he couldn't sail
00:21:51We have all received the same psychological torture.
00:21:53I felt powerless
00:21:54Without being able to do anything for that poor little boat
00:21:56Mauri, relax, society has changed a lot since then
00:21:59Yes, yes, now students are not traumatized
00:22:02Teachers are traumatized
00:22:03Okay, guys, I think the time has come
00:22:05That we share in our child's education
00:22:07With the professionals
00:22:08Votes in favor of the daycare?
00:22:10Approved by absolute majority
00:22:15Here, Antonio, Ezequiel, Hidalgo, Villarejo
00:22:22Hey, do they feed him too?
00:22:25Seat him in tennis or help him
00:22:26Forgive them, son, for you do not know what they are doing.
00:22:31Mariano, how are you?
00:22:32What have they told you about the watch?
00:22:34The antique dealer says it's a model manufactured in the early 70s.
00:22:38It's a replica of the one you had with a corner and a golfinguer
00:22:41Well, then the excrement can't be very old
00:22:44Juan, you're the one who's lived here the longest.
00:22:47Did nobody disappear?
00:22:48There were no fatalities at any of the meetings.
00:22:51Tell us
00:22:51No, no, no
00:22:52We're just making guesses.
00:22:54We have no way of finding out when those remains are from.
00:22:56Clear
00:22:57We'd have to do that carbon-14 dating on it.
00:22:59And don't give life to those mummies
00:23:01These bones can be dated by DNA
00:23:04Some unscrupulous scientist
00:23:07I could even clone them
00:23:09Yes of course
00:23:10This is Jurassic Park
00:23:11Dad, what have I told you?
00:23:12Don't watch CSI
00:23:13Go watch the great movie
00:23:15Already
00:23:16I know who that man is.
00:23:18He is Concha's husband
00:23:20Okay, okay, okay, okay, okay
00:23:22Everything fits together for me, you know?
00:23:24Let's see
00:23:24Concha's husband drowned in the bathtub
00:23:27And he was given a Christian burial.
00:23:29But you saw it
00:23:30I haven't lived here yet, but...
00:23:32But it could very well be
00:23:34Mr. Juan, there have always been rumors in Radiopatio.
00:23:37That Doña Concha killed him
00:23:38The thing about doing it in the bathtub
00:23:40I find it implausible
00:23:41If it stands perfectly
00:23:43He has such a psychopath's face
00:23:45When he looks like that with his eyes wide open
00:23:49How psychopath-like is a little scary
00:23:50Yes, yes, yes
00:23:51If it's a cross between the Alécter affair and Mrs. Dufayre
00:23:54Let's see, let's see
00:23:55I'm the first to admit I've always had problems with Concha.
00:23:58But to accuse her of homicide by immurement
00:24:01If we had the photo album
00:24:03We could check if the husband was wearing this watch.
00:24:05And I know where he's crazy here the other day
00:24:07That's it
00:24:08We just have to wait for the albino to leave.
00:24:10It's over.
00:24:10We've played detectives enough already.
00:24:13Let's go to Techi
00:24:14Juan, don't be boring
00:24:15Now I'm bored.
00:24:17But let's see
00:24:18Loli's guesthouse is right next door
00:24:20It's mooching for the sake of it.
00:24:22And give it to him
00:24:23I invited them
00:24:24Hey, and the judge is sleeping in my bed
00:24:27And they probably even made love and everything
00:24:29No no
00:24:29I've been paying attention and I haven't heard them.
00:24:31Don't trust it
00:24:32Juan looks like the kind of person who finishes quickly.
00:24:34No, and the grass is getting very old, huh?
00:24:36He's not entirely to blame.
00:24:40I'll get the key
00:24:41Emilio
00:24:41I forbid you, it is no longer the home of an owner
00:24:43Juan, don't be a pain.
00:24:45You're no longer the president.
00:24:46Honey, we need to know what happened
00:24:48Treat it like this is a commission of inquiry.
00:24:50Well, community
00:24:52If you're scared, stay here
00:24:54He lets us know via the intercom if he comes back
00:24:56No, it scares me.
00:24:58It's because he's mentally ill.
00:24:59Yeah
00:25:01I don't know where that lady gets her ideas.
00:25:03I finish quickly
00:25:05I take as long as I need to.
00:25:12He has it in the bedroom
00:25:15Wait, let me pay for the dishwashing gloves.
00:25:17To leave no traces
00:25:19Oh, please, we don't have time.
00:25:21Do you realize that cross
00:25:23Leave him be, if he's happy that way
00:25:28Well, I forgot my wallet
00:25:30That's it
00:25:30You could have paid.
00:25:32Shell
00:25:33The thing about you being very old
00:25:34It doesn't work anymore
00:25:35It's not that your head is failing you.
00:25:37You've got some nerve!
00:25:38Where are they going?
00:25:39And what's it to you?
00:25:41I'm asking you what you're doing here
00:25:42Occupy!
00:25:44I'll be right back
00:25:45You see, three-quarters of an hour
00:25:47And I took the opportunity to go to the bathroom
00:25:49But you all go up and take advantage too
00:25:51That at his age, the urge comes quickly
00:25:53Oh no
00:25:54I can handle it very well
00:25:55Well, but nothing.
00:25:58With your permission, I'm going to make a quick call.
00:26:00Come on, these are made of single shells
00:26:02In the Valley of the Fallen
00:26:03Turn the page now
00:26:04If I can
00:26:05Hang in there, I still have so much to learn
00:26:06But why have you spent your whole life making a fool of yourself?
00:26:09No, it's that I suffer
00:26:10Penis, leave me alone
00:26:12Let me...
00:26:13I've already touched him
00:26:14If yours is to be deleted
00:26:15The fingerprint is coracido
00:26:18Juan
00:26:19What's happening?
00:26:20Hey, honey
00:26:21Do you remember what you're doing?
00:26:23What did I not want you to do?
00:26:25Well, stop doing it.
00:26:26It's a bad time
00:26:26But...
00:26:27What are you saying?
00:26:28I don't understand you
00:26:30Yes, I can feel you.
00:26:38But what have I done with my wallet?
00:26:49If it has to be in the living room
00:26:55In Vicenta's bedroom
00:27:13No, no, no
00:27:15He/She cannot be in the kitchen
00:27:21She can talk to herself now.
00:27:22It's wrong here
00:27:25Sure, here it is
00:27:27Are you silly, Conchita?
00:27:31Look, darling
00:27:32Don't touch this
00:27:33What is a micro
00:27:33To listen
00:27:34How's the sign treating you?
00:27:35Oh, Mauri
00:27:36Please
00:27:37Take this away from the child
00:27:38But if it's for safety
00:27:38If I hear it from the car
00:27:40And I can record it on my laptop.
00:27:41Just in case we need it later
00:27:42As evidence in a trial
00:27:43But what a trial!
00:27:44Who comes to the daycare
00:27:45Not an anti-drug trafficking operation
00:27:46I just haven't had time
00:27:47I'll buy him one of those camera buttons.
00:27:48To sew it onto the smock
00:27:50And see if they give him a beating.
00:27:51I'd get a few slaps.
00:27:52With a huge ring
00:27:53Mauri, I understand your trauma
00:27:55And I know you had a very hard time as a child
00:27:56But I'm sure that here
00:27:57There are some wonderful teachers
00:27:59They are going to treat Ezekiel
00:28:00As if it were
00:28:01Felipe Juan Froilán
00:28:02Hey?
00:28:03Hello
00:28:04Ezekiel, right?
00:28:06Yes, yes
00:28:07Dear
00:28:07Dear
00:28:08Say hello to the teacher
00:28:09Come
00:28:10How curious.
00:28:11I have been practicing for 33 years
00:28:13And it's the first Ezekiel I've ever had.
00:28:15It was his father's whim.
00:28:16Miss Marga
00:28:18Yeah
00:28:18Are you Miss Marga?
00:28:21But call me informally
00:28:22I'm not that old
00:28:24You are Ezekiel's parents, right?
00:28:26Yes, yes, yes
00:28:26I'm Bea and he's Mauri
00:28:29Mauricio
00:28:30Mauricio Hidalgo
00:28:31Ah, very good.
00:28:32Nice to meet you
00:28:34Hey
00:28:34Do you want to come with me?
00:28:36To meet lots of little friends?
00:28:37Oh!
00:28:38Yeah!
00:28:39Well, look
00:28:40It's her first day of nursery school.
00:28:41We like to call it
00:28:44Kindergarten
00:28:45Because of the daycare thing
00:28:46It sounds a little
00:28:46Store
00:28:47Ah
00:28:48Yeah
00:28:49Okay, see you later.
00:28:51Uh, goodbye
00:28:53I'm going with Marga
00:28:55Goodbye, my love
00:28:56Miss Marga
00:28:57Look at her
00:28:58It's her
00:28:59And she still wears the same ring
00:29:01Of course, it won't just be able to remove
00:29:03They must have removed it from their finger
00:29:04And he doesn't even remember me
00:29:06It ruined my childhood
00:29:07And he doesn't remember me
00:29:08Mauri
00:29:08I'm sure it's her.
00:29:0930 years have passed
00:29:10Yes, you see, I'll never forget that face.
00:29:12But you know how I've been having a blast, you son of a bitch.
00:29:14No, no, calm down, okay?
00:29:15Come on, let's go
00:29:16No, no, no, no, no
00:29:17I can't keep this inside.
00:29:18I swore to myself that if I ever ran into her
00:29:20I was going to get my revenge.
00:29:21Mauri, what are you going to do?
00:29:22Loam
00:29:23What are you going to do?
00:29:24Marga, Miss Marga
00:29:29Yeah
00:29:30Please forgive us, we are first-time parents
00:29:32And we're a little nervous about...
00:29:34Well, you'll understand.
00:29:35Why don't you come over for dinner tonight?
00:29:38And we're getting to know each other a little.
00:29:39Can you see the familiar surroundings from here?
00:29:41Ah, well, yes.
00:29:43Come on, I'd be delighted.
00:29:44Okay
00:29:45Disillusionment 21, first B
00:29:46At 10
00:29:47You'll see what a pleasant dinner it is
00:29:49Thank you so much
00:29:50Do you want me to bring anything?
00:29:51No
00:29:51No, well, bring your husband if you want
00:29:53No, no, I'm not married
00:29:55It doesn't surprise me, Zerra.
00:29:56As?
00:29:57No, I'm saying it's better
00:29:58Because that way you can dedicate yourself body and soul
00:30:00To your true calling
00:30:01What is teaching?
00:30:02Yes, that's right.
00:30:03My students are like my children to me.
00:30:05Yes, it shows, it's noticeable.
00:30:07Hey, honey
00:30:08Let's go, we have the minivan in a double row
00:30:10Ah, yes
00:30:11Okay, see you later
00:30:12Don't miss it, okay?
00:30:13No no
00:30:13Don't miss it
00:30:15Maury, don't go overboard
00:30:17She looks lovely.
00:30:17Let's see how Ezekiel handles it
00:30:19Perhaps women have changed.
00:30:20But hey, I'm just inviting her to dinner.
00:30:23Maury, we know each other
00:30:26Calm down, calm down, come on
00:30:27Let's go
00:30:28Let's go
00:30:30We're really stirring things up, aren't we?
00:30:32We cannot accuse a neighbor of murder without evidence
00:30:34That's why we're looking for them.
00:30:40What a look
00:30:41She looks like a little girl
00:30:42Well, damn, that's a pretty sweet case, young lady, huh?
00:30:44Dad, if that's what First Communion is...
00:30:45Can't you see there are 15 identical girls?
00:30:47Damn, that would be a size that...
00:30:51This one, this one has to be the husband
00:30:53What an ugly man
00:30:54What a bummer, you can't see his watch
00:30:56Okay, that's it, case closed.
00:30:58We're going to put this back on its site
00:30:59Juan!
00:31:00That we are investigating
00:31:02This is heavy, huh?
00:31:03There is only one way left to find out the truth
00:31:06Where am I supposed to be?
00:31:08Concha's husband's body?
00:31:10Where will it be?
00:31:11Well, buried in the...
00:31:13No!
00:31:14Cool!
00:31:15Excursion to the cemetery
00:31:16So what are we going to do?
00:31:17Let's peek into their...
00:31:18We're open
00:31:18And if it's inside, well, that's that.
00:31:20We covered it again
00:31:21And that's a closed case.
00:31:22Wow, great!
00:31:23Grave robbers
00:31:24That's all you needed.
00:31:25Well, we can pray an Our Father
00:31:27To man for his eternal rest, right?
00:31:29Wow!
00:31:31Adrenaline for menopause
00:31:33Here, here we go
00:31:39Hello darling
00:31:41Hello
00:31:41How are you?
00:31:43Have you sold many colognes?
00:31:44Well, no, but at least I'm not selling Dark Wonder now.
00:31:46I now sell Schizofrenic Pogom
00:31:49It smells better, look
00:31:50I've brought you a sample
00:31:51And a purifying mask
00:31:54And an ampoule with a flash effect
00:31:56Everything from Schizophrenic Pogom
00:31:59Thank you so much
00:32:00Hey, you haven't given me a kiss.
00:32:02No, no, no
00:32:02The thing is...
00:32:04What, do you want to do it back there?
00:32:06Shut it up, shut it up
00:32:07No, look
00:32:08It's something else entirely in the Nativity scene.
00:32:09Honestly, it's something else entirely.
00:32:12Paquito
00:32:14Well, and then you have
00:32:15Where are you hiding, brother?
00:32:16It belongs to a kid
00:32:17That he has a brother if you love
00:32:18Of shape and cannibal
00:32:18He carries it hidden in a picnic basket.
00:32:20And every time he gets a girlfriend
00:32:21Well, the brother gets jealous.
00:32:22And he eats them.
00:32:23Extreme gore
00:32:24Belén, lately you spend all day
00:32:25At the video store, right?
00:32:26How obvious it is that you're wearing
00:32:27A little bit of a hiatus?
00:32:28Well, better than others
00:32:30They get involved with a transsexual
00:32:31You don't talk much
00:32:33What's happening to you?
00:32:34A lesbian face
00:32:35He hears
00:32:36The remedy is the same.
00:32:37So you won't be alone
00:32:38The rest of your life
00:32:38Oh, what a moment
00:32:43So you know
00:32:44Moron
00:32:45A week ago
00:32:46That I'm dating...
00:32:49With...
00:32:49With who?
00:32:50Who have you fooled?
00:32:52With a boy
00:32:54That makes me very happy
00:32:55And what does he tell me?
00:32:56That I am the person
00:32:57Most wonderful in the world
00:32:58Well, if you start
00:32:59Getting involved so soon
00:33:01Bad
00:33:01Hey, Paquito
00:33:02That tonight
00:33:03We're going to the cemetery
00:33:03To profess the tomb
00:33:04Concha's husband
00:33:05I'm going to open it with your camera
00:33:06To make the making of
00:33:08No, not tonight.
00:33:09The thing is...
00:33:10I'm very tired
00:33:11But how could you miss it?
00:33:12If that sounds like a great plan to you
00:33:14You can make a short film
00:33:15Profanation
00:33:15Or deadly tomb
00:33:16The thing is...
00:33:17I'm not okay yet
00:33:18And a cemetery right now.
00:33:20It's like a metaphor
00:33:21From my marriage
00:33:22Ah, okay, okay, okay
00:33:23Well
00:33:24Well, give me a beer.
00:33:25Because that's what's in your best interest.
00:33:26to be a little tipsy
00:33:28Yeah
00:33:29And what are you doing here?
00:33:30Are you leaving or not?
00:33:31What are you doing?
00:33:33Yes, I'm leaving now.
00:33:34I'm going now
00:33:40What a nasty bug he is, huh?
00:33:41How he loves to make me jealous
00:33:43The bitch
00:33:44He does it to make me jealous
00:33:45Come on, man
00:33:46Don't worry
00:33:47Don't worry
00:33:48That's great of you.
00:33:49Separating from your wife, Paquito
00:33:50Never fall again
00:33:53Never!
00:33:53No, no, no
00:33:54Yes, I don't anymore.
00:33:56Hello, Mr. Rafael
00:34:01Paco
00:34:01Can you explain?
00:34:02What happened in there?
00:34:04We weren't going to count anymore
00:34:05That we are together
00:34:06Yes, yes, yes
00:34:07I'll confirm it for you now, okay?
00:34:08I will consult Varanis
00:34:09No, it's just that I've arranged to meet
00:34:10Like a stupid dick
00:34:11It seemed like I was...
00:34:12Inventing everything
00:34:13In a pathetic way
00:34:14Yes, but I'm sorry
00:34:15Really
00:34:16Look, I've been thinking
00:34:18And maybe it's not such a good idea.
00:34:19That people find out about us so quickly
00:34:22So, well, yes
00:34:23That's a good idea
00:34:24That's a great idea
00:34:25Well, I'm very excited.
00:34:26And you're very excited
00:34:27And there's something brewing there.
00:34:29But we shouldn't rush either.
00:34:31Let's enjoy this beautiful stage
00:34:33Of furtive morbidity
00:34:34Like Romeo and Juliet
00:34:36Let's...
00:34:37No?
00:34:38Ah...
00:34:38Look, tonight he told Pablo to go to hell.
00:34:40And we slept together in the attic, huh?
00:34:42Okay
00:34:43Okay, yes
00:34:44A kiss
00:34:48I want to get back with Lourdes
00:34:50It's perfectly clear
00:34:51You were right.
00:34:51I'm a patch
00:34:53A fucking patch
00:34:53Relax, breathe
00:34:55Yeah
00:34:56But why do you know so much about men?
00:34:58If you are lesbians
00:34:59Okay, but let's see.
00:35:00Paco, what exactly did he say to you?
00:35:02So, how does he see your relationship?
00:35:04Well, there's something brewing there.
00:35:06No, no, no
00:35:07I wonder if Lourdes is pregnant.
00:35:10Girls, I'm going to Rafael's house this weekend
00:35:12Let's try the adventure of living together
00:35:15And you're not carrying much luggage for three days?
00:35:18If it works, I'm staying.
00:35:20Moses, you are very rude to me
00:35:22And that's not good for you.
00:35:24I'm the housewife in training.
00:35:27Yes, ma'am
00:35:28Good luck, María Jesús
00:35:29Mom, in the mornings
00:35:31You'll come for a little while to...
00:35:33To see you
00:35:35Come to the pool tomorrow, you silly girls
00:35:37It has a slide
00:35:38I still need to vacuum the pool, ma'am.
00:35:40That's very bad
00:35:41That should have been done already.
00:35:43I'm going to start getting you up to speed.
00:35:45Your good life is over.
00:35:48Come on
00:35:54Okay, so what?
00:35:55What do you think?
00:35:56Oh, I don't know
00:35:57Your mother isn't easy to live with.
00:35:59No, I'm just saying what I think about Paco.
00:36:01Belén, you're all grown up now
00:36:03You're too old for nonsense.
00:36:04Look, you have to give him an ultimatum.
00:36:06Either you tell your story or it's over
00:36:07But come on, don't confuse me.
00:36:09If you told me this morning not to say anything
00:36:11We had to wait and see what would happen
00:36:12If the problem is that she doesn't trust the relationship
00:36:14You need to put him in his place
00:36:16Belén, it's about time she stopped being dragged along by her uncles.
00:36:18You need to take the helm of your sentimental sailboat
00:36:21Get out of the storm!
00:36:22Yes, ultimatum
00:36:23Yes, I'll tell him tonight.
00:36:25Okay
00:36:27Before or after sex?
00:36:28Before
00:36:28Well, he'll have to see what he's missing out on.
00:36:30That you can't talk to a man after sex
00:36:33They don't reason
00:36:34Their metabolism slows down.
00:36:35And before, yes.
00:36:36If you're thinking with your penis
00:36:38Well, what nonsense.
00:36:39If you have much more experience than I do on this subject
00:36:41And what does that have to do with anything now?
00:36:43Well, I'll see when I tell him.
00:36:44Oh my God, what a stress!
00:36:50Mauri, listen to me
00:36:51I went to the nursery an hour early
00:36:53To see how Ezekiel was doing
00:36:54Well, I was happy.
00:36:56She has painted, she has sung, she has played
00:36:58He gave Marga 20 kisses
00:36:59Well, if he didn't want to come
00:37:01Bea
00:37:02Mauri, people change
00:37:03Maybe you caught her at a bad time.
00:37:05I don't know, we don't have to...
00:37:06I don't give a damn about Bea
00:37:07I'm going for it
00:37:08Go away
00:37:08It's better if you don't see it.
00:37:10But what are you doing?
00:37:11Chickpea stew with cheap steak
00:37:13Very nervous
00:37:14Served with indigestible mashed potatoes
00:37:15It's copied from the school menu
00:37:18This is what Miss Marga made me eat.
00:37:21Because he didn't just teach me
00:37:22He also kept watch in the dining room.
00:37:24She was a torturer by vocation
00:37:27Hello
00:37:28Look, do whatever you want
00:37:30But Ezekiel is happy with her
00:37:31And I'll just tell you one thing.
00:37:32So that Marga doesn't have to take sick leave
00:37:34No, woman, calm down.
00:37:37What's happening?
00:37:38Nothing
00:37:39I've invited Ezekiel's new teacher over for dinner
00:37:41So that we can get to know each other
00:37:42It's true
00:37:42So, how's it going?
00:37:43How have you been?
00:37:43Wow, phenomenal
00:37:44I think Miss Marga is adorable.
00:37:47Very good
00:37:47Do I have time to take a shower?
00:37:49No, it's already here.
00:37:50Wait, let me introduce you.
00:37:51Mari, Mari, Mari
00:37:52But what are you holding in your hand?
00:37:53Ah, well, one of those rings that are in fashion now.
00:37:55Hip hop style
00:37:56Hip hop
00:38:00Good night
00:38:01I've brought some pastries for dessert.
00:38:03What a sweetheart you are.
00:38:05Come in, come in
00:38:07I present to you
00:38:08She is Marga
00:38:09Ezekiel's new teacher
00:38:11Delighted
00:38:11Hello
00:38:11I am Fernando
00:38:12My brother
00:38:13He's going to have dinner with us.
00:38:15Hey, what about your wife?
00:38:16He had to leave.
00:38:17A veterinary emergency
00:38:18Her poodle has gone into labor
00:38:19Oh, she's a veterinarian?
00:38:21Yeah
00:38:21How beautiful
00:38:22I love animals
00:38:24Ah, animals, yes.
00:38:26Okay, come on
00:38:27Let's have dinner
00:38:28I've prepared a chickpea stew
00:38:29Delicious
00:38:30Chickpea stew?
00:38:32I've been eating that since I was in school
00:38:33Uh-huh
00:38:36No?
00:38:37Elbows on the table?
00:38:39No
00:38:41Here's your napkin.
00:38:42Thank you
00:38:45No, no, no, no, no, no, no, no, no
00:38:47Not there
00:38:48You'll get dirty
00:38:48The napkin goes here
00:38:53Well, so Ezekiel, I've been told you're doing very well, right?
00:38:56Yes, yes, yes
00:38:57He is a very clever boy
00:38:58And very sociable
00:39:01He made friends right away
00:39:02Hey, Mauri
00:39:03Okay, okay
00:39:04Yes, woman
00:39:05It turned out delicious!
00:39:07Come on
00:39:08Fernando, help yourself
00:39:09I just had a little bit to try it out.
00:39:12Okay, then, let's have dinner.
00:39:15No
00:39:16First the table is blessed
00:39:17Blessing the table
00:39:19Lord, bless the food we are about to eat
00:39:22And what we receive from your generosity
00:39:24Glory to the Father, and to the Son
00:39:25And to the Holy Spirit
00:39:27Amen
00:39:28Amen
00:39:29No?
00:39:29Fuck
00:39:30This is my home
00:39:31Why don't you go down to the one in Bethlehem?
00:39:32Because we need privacy
00:39:33Hey, there are her friends.
00:39:35I look like a padello
00:39:35I cut myself
00:39:36Dude, I've never asked you for anything.
00:39:38Well, neither do I like you.
00:39:38We are at peace.
00:39:39But let's see, Pablo
00:39:40You're resentful about something.
00:39:41I?
00:39:42No
00:39:43What's happening?
00:39:43Why should I be resentful?
00:39:44Why would you want to sleep in my bed?
00:39:45But if you can stay in Bethlehem's room
00:39:47If you have a latex mattress
00:39:48Well, don't lie to him either.
00:39:49Look, the girls already know you're coming
00:39:50Ask them to make you a steak with a big leg
00:39:52Or whatever you want
00:39:52But wait, wait
00:39:53Your mother will be there too.
00:39:55No
00:39:55She'll be spending the weekend with Rafael.
00:39:56Take
00:39:58Two examples of schizophrenia and pogomba
00:40:00Hey?
00:40:01Damn, thanks, man
00:40:02Oh, really?
00:40:03You're a friend
00:40:04Hey
00:40:04If we ever have a child
00:40:06We'll call him after you
00:40:07Eh, eh, eh
00:40:07Wait, I have to pay off the god, huh?
00:40:09Paco
00:40:10Why do you always have to drag me into your messes?
00:40:11Hey, buddy
00:40:12If friends ask each other for these things
00:40:13Yeah, but I'm the sucker friend.
00:40:15And if Emilio finds out, I'm going to get a nasty surprise.
00:40:16And I'm not even sleeping with anyone.
00:40:17No!
00:40:35Uh, hi
00:40:35I am the refugee
00:40:36Come in, come in
00:40:37We thought you weren't coming anymore
00:40:39Take
00:40:40But what are you doing?
00:40:42She's already had dinner in about an hour, the hill
00:40:44Hey, where are you going?
00:40:45We went out to the cinema for a drink
00:40:46Thanks, huh?
00:40:48Hey, that hair looks really good on you.
00:40:49But what about my steak and potatoes?
00:40:56If she tells me she's with someone else, it's to make me jealous.
00:40:58That means he still loves me, right?
00:41:00And give it to him
00:41:01But you've seen her with someone
00:41:03Son, I don't like being spoken to at gravesites.
00:41:05It's a habit I have
00:41:07Oh, how nerve-wracking!
00:41:09I feel like Lara Croft
00:41:10We are committing a foolish sacrilege
00:41:12I have a second cousin buried around here.
00:41:15What would you think if you saw me?
00:41:16What a nephew he has who happens to be passing through his neighborhood
00:41:19And he doesn't pay her a visit.
00:41:21Juan, shine a light here, man.
00:41:22The guard is going to catch us
00:41:24I'm sure someone's watching here.
00:41:25Watching whom?
00:41:26To the deceased, so that they don't have drinking parties.
00:41:28There are gangs here that steal gravestones to make cybercafés
00:41:32It's here
00:41:33Don Antonio is here.
00:41:35Juan, help us lift the lid
00:41:37No, no, no, I'm leaving
00:41:38I don't want to know anything about this
00:41:40But, John
00:41:41You're going to miss out on the best part
00:41:45Okay, are you ready?
00:41:47We're open
00:41:48We left it at that
00:41:49Dad, come on, damn it
00:41:50Don't act like Mayra Gómezquén
00:42:00This is delicious
00:42:01But I just can't take it anymore, you know?
00:42:03No, of course you can
00:42:04What else?
00:42:04Come on, yes, come on
00:42:06Maury, it's just that I eat very little for dinner
00:42:09A yogurt
00:42:09A small salad
00:42:11I don't eat much dinner either.
00:42:12No food is left on the plate
00:42:14I'll put another one on you.
00:42:15I'm going for the steak.
00:42:16When I come, I want to see that plate clean.
00:42:20Fernando, really
00:42:20I just can't take it anymore, you know?
00:42:22Come on, pour me some of yours
00:42:23Fast
00:42:25Fast
00:42:26No, no, no, no
00:42:29Let's see
00:42:31The steak
00:42:35And the mashed potatoes
00:42:36Oh, forgive me
00:42:37I hit you with the ladle
00:42:39Did I hurt you?
00:42:39A bit
00:42:40Would a puree work for you?
00:42:41It has vitamins
00:42:42And minerals
00:42:44Can I go with you for a moment, please?
00:42:46No, Fernando, don't go, please.
00:42:47Don't worry, we'll be right back.
00:42:48No, but your dinner
00:42:49Don't let it get too cold
00:42:50Dinner
00:42:50Now the three of us are going to sing
00:42:51The little boat
00:42:53That?
00:42:56Have you voted yourself crazy?
00:42:57What are you doing to that poor woman?
00:42:58How am I enjoying myself?
00:43:00This is a gift that life has given me.
00:43:02It's Miss Marga
00:43:03The same one that tortured me when I was little
00:43:05Fuck
00:43:07Do you know what a time you're putting me through?
00:43:08She's having an even worse time, that's for sure.
00:43:10Come on, let's go outside
00:43:11I have to force her to take a nap.
00:43:13No, no, we'll let him go.
00:43:14Take a hexatin
00:43:15No, Mauri, please
00:43:15Mauri
00:43:16Huh? Where are you going?
00:43:17But who gave you permission?
00:43:18To get up from the table?
00:43:20Hey
00:43:21I don't know if this is a joke
00:43:22Or maybe you're not right in the head
00:43:24But I want to leave here
00:43:25No
00:43:25You're not leaving
00:43:27Fernando, you seem normal
00:43:30Don't worry, Marga
00:43:30If this has an explanation
00:43:31Mauri was your student.
00:43:33A long time ago
00:43:33And you ruined my childhood
00:43:35And you don't even remember me
00:43:37Oh, was that it?
00:43:39And why didn't you tell me before?
00:43:41It's not that important either.
00:43:43Of course not
00:43:43Come on, a little liquor, shall we?
00:43:45That it doesn't matter
00:43:47You humiliated me in front of the other children
00:43:49You punished me
00:43:50You called me useless
00:43:51You forced me to climb that rope.
00:43:53With gym knots
00:43:54But you didn't realize the fear
00:43:55He was giving me the damn wind-up
00:43:56Or better yet, an infusion
00:43:57Mauricio, I'm truly sorry
00:43:59But I don't remember you.
00:44:00Clear
00:44:01How will you remember?
00:44:02How many people have you tortured in 30 years?
00:44:04You are a bitter and incompetent teacher.
00:44:07That has been poured into the children
00:44:08All his frustrations and complexes
00:44:09But here's a child
00:44:11That has been able to give you back a little bit
00:44:12Just a little bit
00:44:13Of all the suffering
00:44:14Which has been causing
00:44:15So many innocent victims
00:44:17Okay, I'll open it for you.
00:44:18Things aren't getting any better, are they?
00:44:19Now go home
00:44:20And if you have a little bit of conscience
00:44:23Reflect
00:44:30Damn, man
00:44:32You must feel better now, right?
00:44:33Oh, oh, oh, oh
00:44:37Oh, oh, oh
00:45:03Nobody lives here
00:45:05Here, here, here
00:45:07There is no one who lives
00:45:09Here, here, here
00:45:10There is no one who lives
00:45:15You
00:45:16Where are you going?
00:45:19Emilio called me
00:45:20And the fiscal year must be closed.
00:45:22And the numbers don't add up.
00:45:24And you're doing the math at this hour?
00:45:26Nice, we're busy people
00:45:27Not like others who spend the day
00:45:30Lying on the sofa
00:45:31Touching it
00:45:32Anyway, you know what I mean.
00:45:33Wait, wait, wait
00:45:34Dad
00:45:35Where are you going?
00:45:36To the Oscars
00:45:37I'm hosting the gala this year.
00:45:39What do you think?
00:45:40Okay, then give me the keys to the van.
00:45:42What am I going to...
00:45:43Going out for a while
00:45:44Did you just wake up?
00:45:46Moncho, it's half past twelve at night
00:45:48No, Dad, no.
00:45:49Let me explain
00:45:50I'm going to be interviewed.
00:45:51For ticket seller at the parking lot of the plaza
00:45:53And since it's the night shift
00:45:55I'm adapting to biorhythms
00:45:57Just in case they catch me, Dad
00:46:01Take
00:46:01It is under third-party control.
00:46:02That says it all.
00:46:04Thanks, dad.
00:46:04If it's just for a little while
00:46:05If it's so I can get some fresh air
00:46:10Okay, I'm leaving.
00:46:11It might take me a little while, okay?
00:46:13Yes, I'm going to miss you
00:46:16Shit
00:46:18Aren't you asleep?
00:46:20Well no
00:46:21And why are you coming here at this hour?
00:46:22Because
00:46:24I was studying
00:46:25At a friend's house
00:46:26Already
00:46:28Daughter, it doesn't matter to me.
00:46:30But come up with a more believable excuse.
00:46:32That he's dating Igre Casillas
00:46:34Or what...
00:46:35Okay, okay
00:46:38Damn, what a pain in the ass.
00:46:41And where is this one going?
00:46:43Time to do the math.
00:46:51Hello
00:47:00Daughter?
00:47:02Hello
00:47:04I have a Rafael
00:47:05Yes, the older they are
00:47:06He has more quirks.
00:47:08Of course I've already told him
00:47:09I'm coming out of a divorce
00:47:10And that not a single one happened
00:47:13And then the guy goes
00:47:14He is very proud.
00:47:15And he tells me
00:47:16That he comes out of two
00:47:17And of course, I told him
00:47:18Well, I'll go through that door.
00:47:20Because you already know me
00:47:21You know I don't keep things to myself
00:47:23Come on, man
00:47:24As if I had nothing else
00:47:25What to do at this point
00:47:26Having to put up with his nonsense
00:47:27To a man
00:47:28As if I didn't have enough already.
00:47:29With yours
00:47:30In the end
00:47:31That's life
00:47:34Good night, daughter
00:47:42Oh yes
00:47:44That's behind there
00:47:45A complete skeleton appeared
00:47:47I took out the bones
00:47:48With my own hands
00:47:49And then we said
00:47:51Hey, who is this man?
00:47:52Because the skeletons
00:47:54They're like the Chinese
00:47:55They all look the same.
00:47:56Yes, yes
00:47:56Nobody here is saying no.
00:47:57But where are those remains?
00:47:59My son has lost them
00:48:01I haven't lost them.
00:48:02Someone has taken them
00:48:04I left them here
00:48:05In the television box
00:48:07They told me to keep it.
00:48:08Until the warranty is sealed
00:48:09The killer is a shell
00:48:11The first one
00:48:12These are the husband's remains
00:48:13And how do they know that?
00:48:15Why did we go to CBT?
00:48:16Yes, we know that.
00:48:17And what difference does it make?
00:48:19On top of everything, we're doing their job.
00:48:21Isabel
00:48:21Can you tell me what you're doing?
00:48:23He says they've found
00:48:25Some remains of a shell
00:48:26No, from a shell
00:48:28No, from the husband
00:48:28Are you even listening to me?
00:48:30This is how mafias operate with impunity.
00:48:32Spain is different
00:48:34Excuse him, officers.
00:48:36They're just very tired
00:48:37There are several renovations underway in the building
00:48:39And we all walked a little bit
00:48:40Short on working hours
00:48:42We could use a little time out.
00:48:43It's broken
00:48:45The air conditioning
00:48:45The police station
00:48:47Well, thank you very much.
00:48:48Thank you so much
00:48:51You're starting to worry me
00:48:52Mr. Juan, we opened the tomb of Don Antonio
00:48:55And there was nobody there.
00:48:56Yeah
00:48:56And as far as I know
00:48:57The only dead
00:48:58They go in and out of their tombs
00:49:00Well, to those from the Mecano song
00:49:01And what has happened to Don Antonio?
00:49:02Did he do what Terminator did?
00:49:03Have all the bones come together?
00:49:04And did he run away?
00:49:05No, Terminator
00:49:06It was a mimetic polyaration
00:49:08Liquid metal
00:49:09I don't care what it was.
00:49:10Enough of acting foolish.
00:49:11You are adults
00:49:12Come on, let's go to bed
00:49:13Concha, she has taken it from us
00:49:15The remains to hide evidence
00:49:17Does she know we're coming for her?
00:49:19And you expect me to
00:49:20Sleep in your own bed?
00:49:21Yeah
00:49:21That's what I intend.
00:49:23Don't worry, Isabel
00:49:25I'll pick you up tomorrow.
00:49:27And we continue investigating
00:49:28And you leave my wife alone
00:49:29Have you seen?
00:49:31He's gotten jealous
00:49:32He's not jealous
00:49:33It's burned
00:49:34It's because of women
00:49:35It has always brought us
00:49:36My indomitable spirit
00:49:37And adventurous
00:49:38I'm going to talk to Paquito
00:49:40I need a friend's shoulder to lean on.
00:49:41What's happening?
00:49:42Isn't your father's shoulder enough for you?
00:49:44Dad, you don't have shoulders.
00:49:45You go on an excursion
00:49:46And your backpack will be face up.
00:49:53Have a good trip
00:49:55Scoundrel
00:49:56Oh, how wonderful, darling.
00:50:00Paco
00:50:01Hey, look
00:50:02We need to talk
00:50:04Tell me
00:50:04I'm not comfortable like this anymore
00:50:06No, no, I'm not calm.
00:50:08You just broke up with Lourdes
00:50:10And now you tell me you want to
00:50:11Continue hiding what's ours
00:50:12And I can't waste any more time
00:50:15I need to know
00:50:16If this is going anywhere
00:50:17Because if it isn't like that
00:50:18I'm so sorry
00:50:19But it's over
00:50:21This is an ultimatum
00:50:22That I give to you with all my love
00:50:23From the world
00:50:28Paco
00:50:29Paco
00:50:32Tell me, tell me, tell me
00:50:34Paquito
00:50:37Are you there?
00:50:39Hide, hide
00:50:39No
00:50:40I'm not hiding anymore
00:50:42It needs to be said.
00:50:43Are you crazy?
00:50:43Get dressed, get dressed
00:50:44Look, if you don't tell him/her
00:50:46I'm telling you.
00:50:50Paco
00:50:51Emilio, what do you want?
00:50:51I'm sleeping
00:50:52I'm feeling really bad
00:50:53I need to talk
00:50:54I've been thinking about Bethlehem all day
00:50:56I'm feeling dizzy.
00:50:57Open it
00:50:57Let's see what he tells you.
00:50:59I hide
00:51:00Under the bed
00:51:01No, I am a corpse.
00:51:02Wait
00:51:03Wow, so much space!
00:51:05How much did it cost you?
00:51:06Come on, go away, please.
00:51:08Careful
00:51:08Take care of my feet
00:51:10But what are you doing?
00:51:14Oh my God
00:51:14Are you ready to vent?
00:51:23She's with another Paquito
00:51:25Belén has hooked up with someone
00:51:26But no, man
00:51:27That she's not dating anyone
00:51:28If he only says so to insult you
00:51:29No, it shows on her skin
00:51:31It greatly improves her complexion.
00:51:32When you have sex
00:51:33Have you seen anyone
00:51:34Coming to get her?
00:51:35No, no, no
00:51:35No way, no way
00:51:36No way.
00:51:37Hey, are you okay?
00:51:38You look unwell.
00:51:39No, no, no
00:51:39It's just that I was having
00:51:40A nightmare
00:51:43Look
00:51:43Let's suppose
00:51:45Belén is with someone else
00:51:46Because he/she is not
00:51:48Well, that's much better for her.
00:51:49Because
00:51:50You don't want to go out with Belén anymore, do you?
00:51:52Well, that's not clear, is it?
00:51:54I don't know
00:51:54Yes, that's clear.
00:51:55No
00:51:55Yes?
00:51:56I'm telling you no.
00:51:59That there's still something here
00:52:01What did you say about that?
00:52:02No, no, no
00:52:03I keep toys here.
00:52:04They connect automatically when they get hot.
00:52:08Okay, let's see
00:52:10Belén has nothing
00:52:10Because?
00:52:11What does Bethlehem have?
00:52:11Well, nothing, nothing at all
00:52:13Sure, it's just average.
00:52:14Very average
00:52:16Well, for me it's special
00:52:18And when we cut
00:52:19It's like he's not serious
00:52:20I know we'll come back
00:52:21Well, or not, huh?
00:52:22Or not
00:52:23Because, of course, if she's already met someone else
00:52:24Well, not anymore
00:52:25So she's with someone else
00:52:26No, Emilio, please
00:52:27These are hypotheses
00:52:28Look
00:52:28These two are hours
00:52:29Talking about these things
00:52:30We are all three very tired
00:52:31That three
00:52:32I didn't say two
00:52:33You said three
00:52:34I didn't say two
00:52:35Look, do you see how much we need to sleep?
00:52:37Okay, let's go to bed
00:52:38You'll see how tomorrow
00:52:39You'll see everything much more clearly
00:52:40But I still love her very much, Paquita
00:52:42Well, I thought about it before I saw you.
00:52:43Good night
00:52:45You said three
00:52:50Paco
00:52:51That?
00:52:53Paco, I'm drowning
00:53:01Poor thing, isn't he?
00:53:02No, poor thing, me?
00:53:11Herbs
00:53:15Herbs
00:53:19Who do you think you are?
00:53:20Am I stupid?
00:53:21Hey?
00:53:22No no
00:53:22Why are you sticking your nose in?
00:53:24Where don't you care?
00:53:25But I don't know
00:53:26What are you talking about?
00:53:27Peaceful
00:53:28It's just going to be a moment
00:53:30But what does he do?
00:53:32Murderess?
00:53:33Juan
00:53:34Juan, please
00:53:35Juan
00:53:40That?
00:53:42Today they are indeed here
00:53:43Go for it!
00:53:45Disgust
00:53:45When they leave
00:53:47I turn the mattress over.
00:53:53I'm not staying here
00:53:54Not one more minute
00:53:55I'm going home to sleep
00:53:56What are you saying?
00:53:57We are currently under construction.
00:53:58I don't care
00:53:59Are you coming?
00:54:00Or are you just going to stay here and pretend?
00:54:02And not even the crazy one
00:54:04I'm staying
00:54:06Very good
00:54:08I will take care of your children
00:54:17Hello
00:54:18Good night
00:54:20Where are you going?
00:54:21I'm working
00:54:22Oh ok
00:54:23But it's okay.
00:54:24It bothers me
00:54:26I had myself here
00:54:28And you, if I have it, I
00:54:31It's the surrealist reform
00:54:34What have I done with my life?
00:55:03Thank you!
00:55:10What are you doing here?
00:55:11The question is not
00:55:12What am I doing here?
00:55:13The question is
00:55:13What is that kid doing?
00:55:14Inside my daughter's bed?
00:55:15And why haven't I been informed?
00:55:17Of his presence?
00:55:18It's a story
00:55:19A bit long
00:55:20Oh, I love them
00:55:21Long stories
00:55:22Where is Bethlehem?
00:55:23If it's even possible to know.
00:55:25What can be known?
00:55:26Because I am her mother
00:55:27The thing is
00:55:28I was dating
00:55:29A new boy
00:55:31Come on, with whom?
00:55:33With one
00:55:35I'm not ironing you again.
00:55:36Not even a pair of panties
00:55:37With Paco
00:55:38What Paco?
00:55:38Paco Paquito
00:55:39The one from the video store
00:55:40The one from the video store
00:55:42I mean
00:55:42A gold digger
00:55:43Absolutely
00:55:44No?
00:55:45What a resume!
00:55:46My little girl has
00:55:47No, but that thing
00:55:48It promises
00:55:49They look very
00:55:51Didn't they...?
00:55:52Yes, yes, yes
00:55:52Well, at least
00:55:54She is not alone
00:55:56My God
00:55:57What grandchildren are going to come out of there?
00:55:59I don't take them to the park
00:56:03Good morning
00:56:04Hello darling
00:56:06Do you want breakfast?
00:56:09Well
00:56:10Clear
00:56:11Imagine the picture
00:56:12Bethlehem naked
00:56:13Tucked inside the sofa
00:56:14And Emilio sitting on top
00:56:15Telling me that she is the woman
00:56:16Of his life
00:56:17Can you think of a worse situation?
00:56:18Yeah
00:56:19Sleeping embraced by Maria Jesus
00:56:20What have I had to do?
00:56:21It's that every time
00:56:22These are preferred leaner
00:56:24The partumaca
00:56:24Beside him was a skeletal mess
00:56:26Oh well
00:56:26And what about Emilio?
00:56:26Why is he fixated on Bethlehem again?
00:56:28Well, because they got into a heated conversation.
00:56:29She let the cat out of the bag.
00:56:30And she told him she was seeing someone else.
00:56:31Little payment
00:56:33This is getting out of hand
00:56:34Dude, you have to tell Emilio
00:56:36Already
00:56:36Oh well
00:56:37You're driving me crazy
00:56:38If yesterday you told me to shut up
00:56:40He was going to find out eventually.
00:56:42It's better if it's for you.
00:56:43That by third parties
00:56:44Yes, because besides being a bastard
00:56:46You're going to look like shit
00:56:47Go talk to Emilio
00:56:48Be brave
00:56:48What the hell?
00:56:49Take him to Bethlehem
00:56:50They both have to tell each other that.
00:56:51They are marroles (marriage plots)
00:57:06Who's there?
00:57:24I'm starting to have urinary incontinence.
00:57:28This was a lot of fun at first.
00:57:30But if they start with threats
00:57:32I'm standing my ground
00:57:33This has to be Doña Concha
00:57:35She's very stupid
00:57:36Look
00:57:36He has put
00:57:37Urgays with H
00:57:39It's spelled with an H
00:57:40No, Dad
00:57:41Yes, it's with an H.
00:57:42Don't be annoying
00:57:43Those fonts are classic.
00:57:45From the celebrity magazine
00:57:46Everything fits together.
00:57:47Well, I don't know.
00:57:48We called the police
00:57:49And let them laugh at us a little more.
00:57:50Concha wants to make us nervous
00:57:53But we have to make her nervous
00:57:54Put yourself on the dead man's clock
00:57:56And he calls a meeting
00:57:57A meeting?
00:57:59So that?
00:58:02Okay, let's begin
00:58:03First and only point
00:58:06The goalkeeper is claiming some human remains.
00:58:09That have been stolen from the goal
00:58:14They were in a television box
00:58:16But what time of day is that?
00:58:18What was it?
00:58:19A relative
00:58:19No, no, no
00:58:20A dead man was behind a wall in the goal.
00:58:23What is this?
00:58:24A joke?
00:58:25Oh my God!
00:58:26How awful!
00:58:26But what was he doing there?
00:58:27Waiting for the bus?
00:58:29What do you think?
00:58:30Come on, man
00:58:30Whoever did this, please return it.
00:58:32Of course!
00:58:33Why do you want that?
00:58:35Did you pull me out of a meeting?
00:58:36With three bank CEOs
00:58:38For this nonsense?
00:58:39Oh, and you think that's nonsense?
00:58:42That we have dead people walled up.
00:58:44Through the common areas?
00:58:45There is a killer
00:58:46Among us
00:58:48What are you saying?
00:58:50But what happened to the dead man?
00:58:51Didn't he pay his dues?
00:58:53Forgiven, Isabel
00:58:54He just loves it
00:58:54If he has written a crime
00:58:55And suddenly she thinks she's Mrs. Fletcher
00:58:57No problem
00:58:58Nobody's moving from here
00:58:59Until they return my bones
00:59:01We have all the time in the world, right?
00:59:03Doña Concha
00:59:04And that watch?
00:59:06What's happening?
00:59:07Does that ring a bell?
00:59:09Shell!
00:59:10Confess now that you killed your husband
00:59:11And you walled him up
00:59:12In goal
00:59:13Ah!
00:59:15What are you saying?
00:59:16What have you been smoking?
00:59:17No, man
00:59:18She doesn't waste money on a partition wall.
00:59:20If anything
00:59:21He chops it up and gives it to the dog.
00:59:23But hey, I haven't killed anyone.
00:59:25Relax, there's no proof.
00:59:26Furthermore, his crime may have passed the statute of limitations.
00:59:28Let's see, because this meeting
00:59:30I'm starting to get a little scared
00:59:32Yes, me too
00:59:34Okay, I'm going back to the meeting.
00:59:35Because it really is
00:59:37Hey, but wait
00:59:38Maybe we need to throw something away
00:59:41And hermas?
00:59:43I won't forgive you for this.
00:59:44I will not be humiliated in front of the neighbors
00:59:47Well, nothing.
00:59:48The session is adjourned.
00:59:50I think you've run out of leftovers
00:59:53You're the one who messed things up.
00:59:54You know the community atmosphere this is going to create
00:59:56Oh, I don't care.
00:59:58Because I don't plan to stay here
00:59:59I'm going to sleep in a hotel
01:00:00And I'm not going to say which one.
01:00:01If you want something
01:00:03No, man
01:00:07Well, I just attended the neighborhood meeting
01:00:09A macabre evil has plagued me ever since I've lived in this house.
01:00:11I'll tell you and you won't believe it
01:00:14What's happening?
01:00:15Mauri, we've taken Ezequiel to daycare.
01:00:16And Marga isn't here.
01:00:17She has requested sick leave due to depression.
01:00:19He doesn't know if he's coming back
01:00:19Hey, what do I know?
01:00:20It's a really bad age for depression.
01:00:23Many things come together
01:00:24Fuck off
01:00:25Ezequiel has been put with a teacher he doesn't like.
01:00:28We had to bring him here crying
01:00:29And he says he loves Miss Marga
01:00:31What happened last night?
01:00:32What did you do to him?
01:00:33I?
01:00:34Age?
01:00:35No
01:00:35He inflated her with stew
01:00:36He hit him so hard with a ring that he almost fractured his skull.
01:00:39She called her tormented, frustrated, a torturer
01:00:42Come on, come on!
01:00:43Say he's exaggerating
01:00:43Don't be dramatic
01:00:44Really, Mauri?
01:00:45Sometimes you're so childish
01:00:47Look, when I was little I swore by Mazinger Z
01:00:49That if I ever met her again, I would get my revenge.
01:00:50What's wrong with fulfilling a childhood dream?
01:00:53But she didn't even recognize him.
01:00:54She must have picked the wrong teacher.
01:00:56No, it was Miss Marga
01:00:57I have his face recorded here
01:00:58Well, we asked the director of the nursery.
01:01:01And he says that in the 12 years he's been working there
01:01:03They haven't had a single complaint about her.
01:01:06The other way around
01:01:07They have been awarded the silver teddy bear for best early childhood educator two years in a row
01:01:10I don't know, this is like Tom Hanson and the Oscar.
01:01:11I'm sure nobody has managed it.
01:01:13Then all the more reason.
01:01:14If she's so wonderful, why did she treat me that way?
01:01:17I was a charming child.
01:01:18Mauri, you have a knack for driving people crazy.
01:01:21It's something innate.
01:01:22I'm sure you already had it when you were six.
01:01:24Oh dear, dark shadows loom over our wedding
01:01:27Look, I called Marga
01:01:29I told her that Zequiel misses her a lot.
01:01:30And that he is very sad
01:01:31And he's going to come home and give her a kiss.
01:01:32And you're going to go up there and apologize to him.
01:01:35That?
01:01:36Did you tell that bitch that I'm going to go and apologize to her?
01:01:38No, we haven't told him you're going up
01:01:40Because then it doesn't come
01:01:41But what's it costing you?
01:01:43If Zequiel makes him happy
01:01:44Do it for your child
01:01:45No way
01:01:46No, absolutely not, come on
01:01:48Mauri, you can't have a clear conscience.
01:01:50After what you did to her last night
01:01:51And don't you try to make me feel guilty now.
01:01:53Hey, look, Ana and I moved in with the kid, okay?
01:01:56I swear you'll never see him again
01:01:57We're going to a farmhouse in the Penedès region or to a Swiss canton.
01:01:59I find you
01:02:00Hey, are you two starting to talk like two divorced people?
01:02:03I'll send you a message when Marga arrives.
01:02:04You'll see what you do
01:02:05I don't plan to go up
01:02:06Yes, you will
01:02:08What is a Swiss canton?
01:02:13Poor Zequiel
01:02:14The fund is the biggest victim in all of this
01:02:21Hey, yes, I was right.
01:02:23We have to tell Emilio.
01:02:24Let's tell him together
01:02:24No, no, no, wait
01:02:25Come, come, come in
01:02:28Hey, look, I've been thinking about it too.
01:02:30And you're the one who's right.
01:02:32What's happening to us is beautiful.
01:02:34But in secret
01:02:35Why would we tell Emilio?
01:02:37It's like taking away all the magic.
01:02:38But you were precisely the one who said we had to tell
01:02:41Yeah, yeah, yeah, yeah, yeah
01:02:42But poor thing
01:02:43If he still loves me
01:02:44He's going to suffer a lot
01:02:46I think we can find him a girlfriend
01:02:48Hey?
01:02:49And when I'm excited and happy
01:02:51The four of us met for dinner and we gave him the news.
01:02:54What do you think?
01:02:55Is she going to get back together with Emilio?
01:02:57I know it, it's crystal clear
01:02:58That's why he doesn't want to say anything to her now.
01:03:00This is a major problem, isn't it?
01:03:02Sure, I heard the other one yesterday.
01:03:03Do I love her?
01:03:04Do I still have anything here?
01:03:05And she's gotten angry again
01:03:07But why did Emilio have to go up?
01:03:09Because?
01:03:09Damn, because she's his daughter
01:03:10That he is suffering
01:03:11No, she's not his girl, she's mine.
01:03:13Hey, hey, don't raise your voice at me, okay?
01:03:14If only he knew, Paco
01:03:15Did I tell you this was a move or didn't I tell you?
01:03:17Look, I'm going to call Lourdes
01:03:18Let's see if he wants to come back to me again.
01:03:19It's okay, man.
01:03:20I don't know, I'm going to be alone again.
01:03:21I can see it coming
01:03:22Look, I'm going gay.
01:03:23Okay, okay, calm down, okay?
01:03:25We're all going to end up badly here.
01:03:26I'm tense
01:03:28I'm tense
01:03:30Here, call Belén and tell her we're coming up
01:03:32We all need to talk about this.
01:03:33That's it, an extraordinary sentimental gathering
01:03:37Wow, that's quite an improvement.
01:03:38Juan hit someone last night, didn't he?
01:03:39And he's getting the hang of it.
01:03:40This wall is straight.
01:03:47Guys, I'm going to a hotel
01:03:49What's the matter?
01:03:50Have you argued with Juan?
01:03:51Because?
01:03:51He's doing a great job.
01:03:57Ah, they must have had a fight over the colors.
01:03:59The reforms cause a lot of divorces.
01:04:01No, no, no
01:04:02It's your father who's being very aggressive.
01:04:08He is calm
01:04:31Isabel, can we talk for a moment?
01:04:33Juan, was that you?
01:04:35Why are you hiding this man's remains here?
01:04:37Why did you have to stick your nose in?
01:04:39Where don't they call you?
01:04:41Juan, I'm going to leave
01:04:42I'm going out that door.
01:04:43Are you going to leave me?
01:04:45Wait
01:04:46Wait
01:04:46Yes, let me out
01:04:50This apartment would be perfect.
01:04:51for the two of us and the child
01:04:52If my parents retired to a villa on the beach
01:04:55Man, the school of rumors
01:04:56It's about early retirement.
01:04:57It's Juan's turn too.
01:04:59Juan, let me
01:05:01Let me
01:05:04No
01:05:05No
01:05:06Don't come near me
01:05:07You were in this from the beginning
01:05:10That's why you didn't get the research done.
01:05:13Correct
01:05:13But I had my reasons.
01:05:15If you let me explain them to you
01:05:16That...
01:05:19Herbs
01:05:19And my photo album
01:05:21Yeah
01:05:24What are you doing?
01:05:27But what has he done to me?
01:05:28That has left me blind
01:05:29I don't see
01:05:29No, no, no
01:05:30Don't move, it'll fall!
01:05:32I don't know if I have a good environment.
01:05:34to raise the child, huh?
01:05:36Let's see
01:05:37If Belén doesn't want to hurt Emilio
01:05:38Well, everyone shut up.
01:05:40which is his right
01:05:40What you want is to get back with him
01:05:42And you're using Paco
01:05:43to make him jealous
01:05:44But what are you on about?
01:05:44Am I getting along really well with Paco?
01:05:46José, then
01:05:46So Emilio says?
01:05:48That it will ruin his life
01:05:49And he's going to have to see him every day.
01:05:51Okay, we'll be off for a little while on commercial break.
01:05:53We'll be right back
01:05:54But what is this child saying now?
01:05:55For God's sake, okay, that's enough.
01:05:56We're all hysterical
01:05:57For this silly thing, huh?
01:05:58Yes, that's the problem
01:05:59The thing is, we have more advisors than Zapatero.
01:06:01The problem is that you
01:06:01You've always been a coward
01:06:02It's your father's López gel
01:06:04Hey, are you dating this guy?
01:06:06Well, that's it
01:06:07You say so.
01:06:08Man, it's not Becán
01:06:09But it's not something to hide from him
01:06:10Of course, it's from the outside.
01:06:11Things look very easy
01:06:13But then it's Paco
01:06:14the one who has to face Emilio
01:06:15Oh, no
01:06:16But we both tell him, right?
01:06:17Man, I see this
01:06:18one more thing between you
01:06:20Oh, is this going to be a mess?
01:06:22It occurs to me
01:06:23another way to tell him
01:06:24As?
01:06:25Well, like Bin Laden
01:06:26Hey?
01:06:28Yeah
01:06:29How is that?
01:06:30Come on
01:06:31Are you recording?
01:06:32Yes, damn it, yes
01:06:34Do you want a digital strobe effect?
01:06:37Let's see, menu
01:06:39Effect
01:06:39Don't touch anything
01:06:40Just record
01:06:41Rewind, rewind
01:06:42Oh
01:06:43But what do you have engraved here?
01:06:46This is a baptism
01:06:47Okay, then I'll take advantage while
01:06:49Let's see
01:06:50Mom, please take it off
01:06:52You have a really ugly pimple
01:06:53Okay, what if we put on balaclavas?
01:06:55Well, if you want to get even hotter
01:06:56Paco, the point is for Emilio to know who you are.
01:06:59Look, damn it
01:06:59We're not going to be here all day for this nonsense.
01:07:00Okay, action.
01:07:02No
01:07:03No no
01:07:06Action
01:07:09Emilio
01:07:10Hello
01:07:12Hello, Emilio
01:07:14How are you?
01:07:16We decided to record this video together.
01:07:19Because first and foremost, we are your friends
01:07:22And we want to continue being your friends.
01:07:25And secondly, because Belén and I have started a...
01:07:36A
01:07:38A relationship
01:07:39It wasn't planned, was it?
01:07:41We haven't gone to bed.
01:07:43Yes, Paco, yes, we slept together
01:07:46Come on, we're two wounded souls who have found each other
01:07:49And the pain and loneliness have created a bond that didn't exist before...
01:07:52And now, time
01:07:53A low-pressure front will bring showers to the southern region
01:07:57Please, look, look, move it, move it, José Miguel, we don't have time
01:08:01Cut!
01:08:02Okay, take two.
01:08:05Oh, was it John who stole the bones?
01:08:09I had them hidden in our closet
01:08:12Then he killed him
01:08:13That's why he never let us do any renovations in the goal.
01:08:17Dad, don't talk nonsense
01:08:18How can anyone kill Mr. Juan?
01:08:20Let me speculate, it's free
01:08:23There's no reason to keep speculating
01:08:25I'm going to tell the whole truth
01:08:27Emilio calls all the neighbors to an extraordinary information session
01:08:30On the street?
01:08:31They've taken away the cones I used to block traffic
01:08:34Well, at the president's house
01:08:37Juan! What happened?
01:08:41So, what happened?
01:08:46Hello, Marga
01:08:47How are you?
01:08:48Well, no, not really.
01:08:49Oh, Ziquel, look who's here
01:08:51Hello, beautiful
01:08:54Then we'll play, okay?
01:08:56Hey, sit down for a moment, please, I'm going to send a message
01:08:59Would you like something to drink?
01:09:01No, no, thank you.
01:09:04I've been looking in the school restrooms and Mauri is right
01:09:09I taught him in '76
01:09:11Look
01:09:16Mauricio Hidalgo
01:09:17That's Mauri!
01:09:19Oh, how awful, how fat
01:09:21Clear!
01:09:22How was I going to recognize him?
01:09:26How quick, look how great!
01:09:27But this child needed to see an endocrinologist.
01:09:30Back then, grandmothers used to drink them.
01:09:33I'm here for my son, not out of regret.
01:09:36And you go away, Maruja.
01:09:37Hey, I'm here for sugar, okay?
01:09:40Hello
01:09:41I'm leaving, it's getting very late
01:09:43No, please, miss
01:09:46Loam
01:09:46I want to talk to you
01:09:48One moment
01:09:49In private
01:09:50We cannot stay
01:09:51Yes, I prefer that they are
01:09:53No, no, it's better if we leave
01:09:55We're not involved here.
01:09:56Ana, please
01:09:57Grab Ziquiel
01:09:58Yeah
01:09:59They need to sort this out between themselves.
01:10:00Well, it depends on how you look at it, right?
01:10:02We're talking about our son's future
01:10:03Yeah
01:10:12But why didn't we stay?
01:10:13Aren't we going to lose it?
01:10:14No
01:10:15I've set up the child's intercom for them.
01:10:18Can we hear it from here?
01:10:19I love seeing Mauri pull down his pants
01:10:23You have understood me perfectly
01:10:28Look, Marga
01:10:29I'm going to apologize to you.
01:10:30But by Ziquiel
01:10:32And to avoid the Cold War
01:10:33With which my loved ones threaten me
01:10:36But come on
01:10:36I have a very big grudge, you know?
01:10:38And I don't think it will disappear.
01:10:39Until three or four reincarnations from now
01:10:41Well, I do want to apologize to you, sincerely.
01:10:44Because I've already remembered you
01:10:46And I think you're right.
01:10:49I was too harsh on you.
01:10:50No, it lasts longer than it lasts.
01:10:52Cruel
01:10:53Ruthless
01:10:54I have never been like that with my students
01:10:56But you caught me in a bad year.
01:10:58And I think maybe I took it out on you.
01:11:01Maybe not
01:11:02Sure
01:11:03Sure
01:11:05It's because I was very young
01:11:07And my husband abandoned me.
01:11:09Being four months pregnant
01:11:12And out of disgust I stopped eating
01:11:15And I fell on the bus
01:11:17Going to school
01:11:19I lost the child
01:11:21And that Christmas is my brother.
01:11:24He died in the village
01:11:25In a hunting accident
01:11:27And I had to bring my mother with me.
01:11:29To my house
01:11:30Because
01:11:30She wasn't well.
01:11:32Well, the poor thing
01:11:36No problem
01:11:37As long as you're already well
01:11:41I'm just okay.
01:11:45I started dating a Ukrainian
01:11:47Jeb Gebi
01:11:49The bus driver
01:11:51From the children of the school
01:11:54But he only wanted me for the papers.
01:11:58Now I live alone
01:12:00In a 38 square meter apartment
01:12:04Well, in the scriptures
01:12:05Because then habitable is much less.
01:12:09And to top it all off
01:12:11I just lost all my savings
01:12:12In the philatelic forum
01:12:15Come on, it's over now
01:12:17For God's sake, already
01:12:19I'm so sorry
01:12:20To have made your life bitter
01:12:24I'll never forgive myself for it.
01:12:27Oh, Marga
01:12:27I do forgive you
01:12:28Yes, yes
01:12:30Yes, really.
01:12:32Mr. Juan
01:12:32We're ready.
01:12:34Only Maury and Don Rafael are missing.
01:12:36He called me on the phone
01:12:37And he told me
01:12:38Let's all leave
01:12:39Go to hell, we already know.
01:12:40And that he doesn't delegate to any neighbor
01:12:42Well
01:12:43It is recorded in the minutes
01:12:44And I admonish him for being rude.
01:12:47Well, that's his loss.
01:12:48Because it's important to know
01:12:49The serious events
01:12:51That happened in our community
01:12:52That fateful November of '79
01:12:55Wait, don't start yet
01:12:56I need to go to the bathroom
01:12:57Dad, hold on a little bit
01:12:59Pussy
01:12:59Human remains
01:13:00What Mariano found
01:13:01By the way, I'm snacking
01:13:02Without permission
01:13:02They do not belong to Don Antonio Rubio Cortés
01:13:05Deceased husband
01:13:06From Doña Concha
01:13:07May he rest in peace.
01:13:08Of course not
01:13:09How could I have it there?
01:13:11To my Antonio?
01:13:12If only...
01:13:13So whose are they?
01:13:14From Nemesio
01:13:15Former community doorman
01:13:16But how about Nemesio?
01:13:18But he did not return to Soria.
01:13:19Well, it must not be.
01:13:20Because it's inside that bag
01:13:22What did the poor man do to end up like this?
01:13:24Did he forget to take out the trash or what?
01:13:26I'm sorry, Concha.
01:13:27But I have to tell it
01:13:29Don't even think about it
01:13:30Votes in favor of telling it
01:13:31What is it?
01:13:32Well, approved by majority
01:13:34What the hell happened to Nemesio?
01:13:36Mr. Juan
01:13:37Declassify the files now
01:13:39Good
01:13:39Nemesio had a long love affair
01:13:41Extramarital
01:13:42With the then owner
01:13:43And tenant of the third B
01:13:44Doña Concha
01:13:45Present here
01:13:46That?
01:13:47Shell?
01:13:48Were you diving at the goalkeeper?
01:13:50You deceived Antonio
01:13:51He was such a nice guy
01:13:52And why aren't you saying anything?
01:13:54Loudmouth!
01:13:55Because the owners
01:13:56They need to know the truth
01:13:57We need to restore
01:13:58The community order
01:13:59Or do you prefer
01:14:00That they think she killed her husband?
01:14:02Okay, okay
01:14:03Was she cheating on him with him?
01:14:04But what was he doing behind a wall?
01:14:06Like a downpipe?
01:14:08Well, a good day
01:14:09Or bad
01:14:10It depends on how you look at it
01:14:10Don Antonio discovered the infidelity
01:14:13Late
01:14:14Because they had already been deceiving him
01:14:15Quite some time for the man
01:14:16The fact is that he asked Nemesio for explanations
01:14:19And after a struggle
01:14:20They both fell down the stairs
01:14:22Unfortunately, Nemesio
01:14:23He hit the base of his skull
01:14:25With an ornament that was on the railing
01:14:27Removed for security reasons
01:14:28But
01:14:30He died instantly
01:14:31Yes, pot
01:14:32How were severance payments made in the past?
01:14:34Antonio blamed Nemesio.
01:14:36Well, he didn't tell me anything.
01:14:37The police weren't even notified
01:14:39Because Don Bartolomé Méndez Zuluaga
01:14:41Teacher and mentor
01:14:41I had Nemesio without a contract
01:14:43And without social security
01:14:45Since this man had no family
01:14:47Well, before getting the community into trouble
01:14:49He preferred to put Nemesio against the wall
01:14:51Debatable decision
01:14:52But effective
01:14:53A couple of meters were lost
01:14:54Common areas
01:14:55But a major scandal was avoided
01:14:56These were difficult times.
01:14:58In the midst of transition
01:14:59In the end
01:14:59Juan, why haven't you told us all this before?
01:15:02Why do you just want to complicate things?
01:15:04Because he did not want to tarnish the memory of Don Bartolomé
01:15:07He specifically requested it
01:15:08But what difference does it make to you?
01:15:09He is dead
01:15:10Well, after this lovely account of rural Spain
01:15:14If you agree, we'll adjourn the session.
01:15:16Just a moment, just a moment
01:15:18Something here doesn't add up.
01:15:20If he wasn't Concha's husband
01:15:22Because his tomb was empty.
01:15:24Yes, we did desecrate the tomb a little.
01:15:28Because we had many doubts.
01:15:29We did it, Antonio.
01:15:31Because it was cheaper
01:15:32But my mother-in-law was very Christian.
01:15:35And so we put on a show
01:15:37So that the woman wouldn't throw a tantrum
01:15:39That's intense.
01:15:41So much for calling Belén a slut.
01:15:43And you were throwing yourself at Neme
01:15:44The goalkeeper with the third one
01:15:46History repeats itself.
01:15:47Well, be careful, it's a mine
01:15:49How did this end?
01:15:49It's true
01:15:50So what do we do with Nemesio?
01:15:52We left it where it was, right?
01:15:53Rest in peace
01:15:54Where was I?
01:15:56I have lived with him for ten years.
01:15:57Now that I know what about the other one
01:15:58Ah, well, that's a lottery that raised you.
01:16:01Hey, do you know anything about Don Francisco?
01:16:03He retired, he's in Malaga
01:16:05I think he set up a Chinese restaurant.
01:16:06Awake on the beach
01:16:08I remember Doña Carmen very well.
01:16:10The natural one
01:16:11Hey, let's go in now
01:16:12They fixed it a while ago
01:16:15Fernando
01:16:16Come on, let's go in
01:16:18A little more
01:16:19Yes, but it's better if you lean on this now.
01:16:22Hey?
01:16:22It doesn't bother me, okay?
01:16:23That's why
01:16:28Damn, that's bad luck too.
01:16:30All our lives without touching each other.
01:16:32And now they're foisting Nemesio on us.
01:16:34Well, it was a really beautiful love story.
01:16:36I don't mind having her here with me
01:16:38I'm putting it on high
01:16:39Let's hope Valentin finds him.
01:16:41He takes him away and locks him up in the park
01:16:43Damn, that's perfect
01:16:44Let him do our dirty work.
01:16:46What is this?
01:16:47A dog, right?
01:16:49So with the...
01:16:49And what does the dog do?
01:16:51Ooh!
01:16:54Come on, let's color it.
01:16:55Marga, you're a star!
01:16:57But you get along so well with Ezekiel!
01:16:58Yes, yes
01:16:59You need to start coming over to my house in the evenings.
01:17:01Hey, do you iron too?
01:17:03See
01:17:04No, no, no
01:17:04Yes, we have a lady
01:17:05But she's got a boyfriend
01:17:07And it comes less often.
01:17:08Well yes
01:17:09Mauri
01:17:09But how fat!
01:17:10You were six years old
01:17:11Look, you look like a turd.
01:17:13Of course, that's why he couldn't climb the rope.
01:17:16Look, look
01:17:16Hey, do you feel like singing?
01:17:18Hey?
01:17:19Come on, let's all sing
01:17:20Come on
01:17:21Once upon a time
01:17:23A tiny little boat
01:17:25Once upon a time
01:17:27A tiny little boat
01:17:29That he couldn't
01:17:31That he couldn't
01:17:33That he couldn't
01:17:37Dad, I was thinking
01:17:39That's life.
01:17:40The kings end there
01:17:42In a magnificent mausoleum
01:17:44In El Escorial
01:17:44Full of marble and gold
01:17:46And a poor goalkeeper
01:17:48It ends up sandwiched
01:17:48In a partition
01:17:49For having an affair with a neighbor
01:17:50Hey
01:17:51We put this DVD in
01:17:52Let's see what it has
01:17:53Dad, I've told you a thousand times
01:17:55Don't buy at Tom Manta
01:17:56That it is forbidden
01:17:57You didn't leave it in the mailbox
01:17:59It puts
01:18:00For Emilio
01:18:01Oh, really?
01:18:02Okay, then put it on.
01:18:03That will be a Josemi's capullana.
01:18:05This kid is so bored
01:18:08Emilio
01:18:08Hello
01:18:09Hello, Emilio
01:18:11I'm guiding myself through this, you see.
01:18:13We have decided
01:18:14Are you okay, son?
01:18:16Emilio
01:18:17First of all
01:18:18We are your friends
01:18:19AND
01:18:19In second place
01:18:21Because
01:18:22Belén and I
01:18:23We have started
01:18:25A
01:18:28A
01:18:29A relationship
01:18:31It wasn't planned, was it?
01:18:34We haven't gone to bed.
01:18:35Yes, Paco
01:18:36Yes, we slept together
01:18:37We haven't gone to bed.
01:18:40We haven't gone to bed.
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