Aqui no hay quien viva - 4x05 - Érase un banco en la acera - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Aqui no hay quien viva - 4x05 - Érase un banco en la acera - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:22Nobody can live here!

00:00:24Not here! Not here!

00:00:26Not here!

00:00:56Hey!

00:00:59What's wrong, Mr. Juan? Are there any father-son problems?

00:01:02Natalia, who's been treating herself to some treats, like a laptop with a dual-layer burner, or a handbag...

00:01:07These Dolce & Luquino products cost a fortune, I don't know where he's getting so much money.

00:01:11Juan, I'm your friend and I'm telling you things as they are. Your daughter's turned out to be a bit of a slut. What

00:01:17What are we going to do?

00:01:17Mariano, please.

00:01:19Take off the blindfold. She must have picked that up in some library, thanks to Van der Becken.

00:01:22Dad, go inside and take your pills, okay? Every time you show up at the school, you turn me on.

00:01:27in a commitment.

00:01:28What a mess. As if I didn't have enough problems already.

00:01:33Huh? What's going on? Are you on a hotline with the president next door?

00:01:36Emilio, don't be a goalkeeper.

00:01:38Mr. Juan, be careful with mobile phones, okay? They're ruining more relationships than TV, aren't they?

00:01:42Give it to me, because there's nothing between Marta and me.

00:01:44Of course not.

00:01:46And what a load of rubbish. He really hurt his finger.

00:01:51But seriously, who put a bank here?

00:01:53Hey, good sir, you can't feed the pigeons here, okay? They poop all over me.

00:01:57Excuse me, but I'm sitting here peacefully and I'm not bothering anyone.

00:02:01Yes, but you're interfering with a natural ecosystem, aren't you? This is completely unacceptable.

00:02:06You'll see how one of them will smell me in the doorway and make a nest in a wall sconce.

00:02:09Well, complain to the town hall. What the hell did I notice?

00:02:13But what do you mean, tell him? I don't want pigeons here, damn it.

00:02:17Listen, you're rude. And impolite.

00:02:20Look, grandpa, okay? I'm really stressed and I don't want to get violent, okay?

00:02:24Come on, get out of here.

00:02:25Out.

00:02:25Careful, okay?

00:02:27And don't let it rain on him again here, because I've got his face memorized.

00:02:33But who hasn't put a bench here?

00:02:35I don't know. The town hall.

00:02:37You put this here to make yourself lie down.

00:02:39Sure. And it gives massages if it has background music.

00:02:41Doña Concha, get an MRI because something's definitely wrong here, you know?

00:02:44I don't think a bank here is a good idea, huh? This place is going to be full of people drinking in the streets and making a mess.

00:02:49Well, then, let the second A complain, because I have no say in this.

00:02:52I would apply the vagrancy and delinquent law to you.

00:02:55But with her, there's no reason to.

00:02:57Concha, they got rid of that thirty years ago. Let's try to change our mindset, shall we?

00:03:01Oh, I want to change mine too. Let's all go together.

00:03:04Yes, I'll order now.

00:03:05But what have I done to Don Pimpón to make him hate me so much?

00:03:09Hey, you. Loser.

00:03:11What did you say to our friend?

00:03:12Me? Nothing.

00:03:13What do you mean, nothing? He called me grandpa.

00:03:16And he tried to hit me with the broom.

00:03:17Yeah.

00:03:18What the hell? You're brave with a stick in your hand.

00:03:21So what now?

00:03:22Okay, veterans of the Battle of the Ebro, I'm going to say a couple of words to help you relax, okay?

00:03:28Osteoporosis. At her age, bones don't heal properly anymore, and I don't want to make things worse, okay?

00:03:32Come here!

00:03:35Dad!

00:03:36I'm in the bathroom!

00:03:38Open the door! You bastard!

00:03:40Egg sack!

00:03:41Come over there!

00:03:42Egg sack! Come here!

00:03:44Come here!

00:03:45Come here!

00:03:47Come here!

00:03:47Business partner! There will be, please!

00:03:50Yes! Go ahead!

00:03:51No, Mrs. Vicente, don't open it!

00:03:52Do not open!

00:03:54Dad! Call the police!

00:03:56Come here!

00:03:57Come here, you bastard!

00:03:59Where are you going? Don't chase me down the stairs, man.

00:04:03No one can live here. Not here, not here.

00:04:07Every day is like this. I couldn't have imagined it when I came here. I was just looking for some peace and quiet.

00:04:14I wake up every day in the middle of a hurricane.

00:04:16No one can live here, no one can live here, no one can live here

00:04:21No one can live here, no one can live here, no one can live here

00:04:25The house starts and collapses, I can't find the doorman

00:04:29My neighbors are watching and listening to me; I can't stand being in this place.

00:04:35Put me in a cocktail shaker, and I'll be in an earthquake and a volcano.

00:04:42Yes, and you'll have this ladder.

00:04:48No one can live here, no ...

00:04:53No one can live here, no one can live here, no, no, no

00:04:57No one can live here, no one can live here, no one can live here

00:05:02No one can live here, no one can live here, no one can live here

00:05:12Yes, nobody lives here, no.

00:05:19Hello!

00:05:20Hey man! Flora, fauna, and spring. What do you want?

00:05:24We're here to cheer you up because being dumped by your boyfriend is a really awful thing.

00:05:28I've made you a chocolate cake that's an antidepressant.

00:05:31Thank you very much, Vicenta.

00:05:33Look, I don't know what kind of rumors are going around, but I haven't broken up with Yago.

00:05:37Moreover, we are in a precious moment in our relationship.

00:05:42Hello good.

00:05:42Hello.

00:05:43I'm here for the rest of my things. If you still have that jerk in there, tell him to come out or else.

00:05:47I take it out.

00:05:48They're pretty good, huh?

00:05:50Lots of love.

00:05:51He's a lazy bum.

00:05:52Excuse me, it'll just be a moment, okay?

00:05:56Yago, Yago, Yago, please, let's talk.

00:05:59Yes, I beg you. Nothing has happened between Carlos and me.

00:06:02Look, Lucia, I've come to interfere in your relationship.

00:06:05There's a very strong feeling between you two, you still love him.

00:06:08No, no, don't love him, he's harassing me.

00:06:10I've even requested a restraining order.

00:06:12A little bit higher.

00:06:14Vicenta, please.

00:06:15There, there, perfect.

00:06:17Look, all this has been very nice, but I'm already stressed, my hair is falling out.

00:06:20So, I hope you're very happy.

00:06:28Oh no, it's stuck.

00:06:30Well, you're probably staying overnight, aren't you?

00:06:32And tomorrow we'll call the locksmith.

00:06:33Lucia, please.

00:06:39Very good.

00:06:39That's up to you, huh? That's up to you.

00:06:41But if you leave, don't come back, okay?

00:06:43Because look, I'm warning you that when you do this kind of thing, you regret it later.

00:06:46Because he loses the person he loves and anguish sets in.

00:06:48I don't want to...

00:06:48Don't they have anything better to do than stand there with their ear pressed against the door?

00:06:51Yes, but we retirees have time for everything.

00:06:54Permission.

00:06:55Do something, blackmail him.

00:06:57Tell him you're going to call immigration.

00:06:59Oh, leave me alone, please.

00:07:00No, you might get a bad feeling about it.

00:07:02And it's very bad to be alone.

00:07:04If not mine, what happened to this one?

00:07:05Come with us, there's a meeting and it'll keep you entertained.

00:07:07Sure, come and insult Cuesta.

00:07:09Like, silly, like, silly.

00:07:11To spend the afternoon.

00:07:12Lucia, know that we are your neighbors and that you can count on us for whatever you need.

00:07:18Yes to her, but not to me anymore.

00:07:20Look, I have nothing to say to you until you give me back my money.

00:07:23And what are you doing, glued to the peephole?

00:07:25The new generations are coming on strong.

00:07:32The scam is hot right now.

00:07:35I can't stay with Efequiel, I have to work.

00:07:38Mauri, please help out a little, you're his father.

00:07:40I have to hand in the first three chapters of the novel to my editor.

00:07:42And I don't even have half a page yet, which is normal because I don't know what to write about.

00:07:47In the end, I've become a bored city dweller with no inner life whatsoever.

00:07:51It shoots well.

00:07:51Well, I can always resort to a computer error, like Ana Rosa Quintana.

00:07:55Look, I need air, you know?

00:07:56I've fallen in love.

00:07:57For the first time in a long time, I have someone to share my life with.

00:08:00I'm warning you so you don't get the short end of the stick later.

00:08:02I see Inga as very bisexual.

00:08:04Okay, I like Fernando too.

00:08:05Oh, deny it right now.

00:08:06I deny it right now.

00:08:07Well, to be honest, I think what you're doing is selfish.

00:08:10Excuse me, but you were the one who came begging for my semen.

00:08:12that they had to give me electric shocks in my testicles so that you could have this child.

00:08:15Shh, don't argue anymore, he understands everything.

00:08:17They grow very slowly.

00:08:19What is the minimum age to join the Armed Forces?

00:08:21Look, we can't go on like this, okay?

00:08:22If we're both going to be very busy, we'll have to find someone to take care of the child.

00:08:28Ah, no, no, no, no, no.

00:08:29There is no need to find an office for the law firm.

00:08:31And I have a mess on my hands, no.

00:08:32Calto has delighted in your own way with Natalia managing things for you.

00:08:35Look at him with Natalia, you're a pain, aren't you?

00:08:37Look, that's it, okay? We'll find a babysitter, split the cost, and that's it.

00:08:40Great idea, good luck. I have to go, I have a meeting.

00:08:44Bea is right, you shirk your responsibilities whenever you can.

00:08:46Excuse me, but the community has reported us for not paying the special assessment.

00:08:49Then you'd better leave.

00:08:51Stress, everything, for God's sake.

00:08:52Because of her, it was looking for a kangaroo, what a drag.

00:08:56Bea, Bea, what's this about me being bisexual?

00:09:00Ah, well, it's something to apply to it.

00:09:03Apply it?

00:09:03Yeah.

00:09:08But let's see, what do they want me to do if the city council puts a bench on the sidewalk?

00:09:11Why do people sit down?

00:09:13I just don't understand how this affects us.

00:09:14Well, how are homeless people and drug addicts going to come?

00:09:17They're going to rob us and stick the syringes in us.

00:09:20Wow!

00:09:20I was attacked by some pensioners, you know?

00:09:22Someone threw a pétanque ball at my head.

00:09:24And if this place gets filled with pigeons,

00:09:26We're all going to catch the chicken flu.

00:09:29But do you know what that is?

00:09:31I don't understand.

00:09:32If it's chicken flu, what do pigeons have to do with it?

00:09:36Let's see if we can watch the news.

00:09:38It's avian flu in general.

00:09:40Everything that has wings.

00:09:41So you can no longer use sanitary pads.

00:09:44Next time you're leaving the meeting.

00:09:46Votes in favor of sending the bank to Fripuñitas.

00:09:49It can't be removed; it's attached with rivets.

00:09:52It is also street furniture.

00:09:54What do you want? Another fine?

00:09:55Yes, but they've put it right there in front of the intercom.

00:09:58And that, well, it's annoying.

00:09:59Juan, didn't you have a friend at the town hall?

00:10:02But what if he has no friends?

00:10:03Okay, I'll talk to him and request the bank withdrawal.

00:10:06arguing the narrowness of the sidewalk.

00:10:08But hey, I'm not promising anything.

00:10:09Well, if there are no requests or questions...

00:10:11Yes, yes, yes, yes, wait, there are some.

00:10:13Oh my God.

00:10:14Juan, are you going to explain this to me right now?

00:10:16What does this letter you received from the court mean?

00:10:18I have another one.

00:10:19I haven't dared to open the one that says...

00:10:20He who warns is not a traitor.

00:10:22If the special assessment is not paid,

00:10:23The community resorts to the ordinary justice system.

00:10:25The three complaints for non-payment must be filed

00:10:27against Mauricio Hidalgo, Belén López Vázquez and Lucía Álvarez.

00:10:30It hurts me, because I love you with conviction.

00:10:32I'm not going to pay for rehabilitation.

00:10:34that the insurance should have paid.

00:10:35and fines that are not my fault.

00:10:37Mauricio, I'm being pressured to get paid.

00:10:39Those who have fixed the building.

00:10:41And the fines have to be paid.

00:10:42And the numbers just don't add up anymore.

00:10:44And I can't take it anymore.

00:10:45And when I explode, I explode.

00:10:46But why should it cost me money?

00:10:47that you're a useless president?

00:10:49And why should it cost me my health?

00:10:51Why persecute neighbors who are as clever as they are uncooperative?

00:10:54I am officially informing the three of you

00:10:55You'll just have to deal with it and pay.

00:10:56But John, for God's sake?

00:10:58No, I'm just fed up with everything.

00:11:00Look, Juan, I'm telling you, okay?

00:11:01I am a pacifist.

00:11:03Are you going to get slapped one day?

00:11:07Damn, with gay pride.

00:11:09Let it be recorded in the minutes

00:11:10that the first B has physically threatened me.

00:11:13Mr. Juan, you're not involving me.

00:11:14Let's see if I'm going to take another one.

00:11:15The atmosphere in this building is getting better and better.

00:11:19I don't want any trouble, okay?

00:11:20I'll pay as soon as I can.

00:11:22Me too.

00:11:23As soon as Belén returns me

00:11:24the 3,000 euros he owes me.

00:11:25How do you like to humiliate me in public?

00:11:27The Cuban has moved on from her.

00:11:30And you?

00:11:30Since you became the owner

00:11:32You're bitter.

00:11:33You've turned into a pigeon, it's tough.

00:11:35She will always be among us.

00:11:37May God have her in his glory.

00:11:38A minute of silence.

00:11:40She's not dead.

00:11:41Mr. Juan, this is getting out of hand.

00:11:43The meeting is suspended.

00:11:44Everyone out.

00:11:46Lucia, don't make excuses

00:11:48to avoid paying.

00:11:49Disillusionment 21, we are all.

00:11:50Hey, how long is this guy going to keep coming to the meetings?

00:11:53Because the owner of the video store is Carlos.

00:11:55But how is it going to happen?

00:11:56If you have requested a restraining order.

00:11:57Damn, that didn't know how to filter a patio radio.

00:12:00Poor.

00:12:01What has Carlos done to you besides love you?

00:12:03Big mouth, you're a big mouth.

00:12:05I've always said that a dick has no heart.

00:12:08You're going to grow old alone.

00:12:11Just like you.

00:12:14You've been great.

00:12:17But you're very irritable.

00:12:19Is something wrong?

00:12:21Nothing for me.

00:12:22What's going to happen to me?

00:12:27Do you know anything?

00:12:29What's wrong with Juan?

00:12:31I don't.

00:12:32What do I know?

00:12:33I have to clean my bins.

00:12:35and do my things and I don't...

00:12:37Already.

00:12:39But...

00:12:39No, yes, yes, of course.

00:12:40Ask him, ask him.

00:12:42Already.

00:12:42And that's it...

00:12:43I'm listening to it now.

00:12:45Okay.

00:12:56Carlos, did you hear the gunshots?

00:12:58It looks like the hallway of a high school in the United States.

00:13:00But turn that down, damn it.

00:13:01What do you want?

00:13:02Let the hill appear here

00:13:02and see the apartment renovation.

00:13:05Roberto?

00:13:08Roberto!

00:13:10Uh, yes.

00:13:11But what scandal is that?

00:13:12Uh, nothing, nothing, nothing.

00:13:13Carlos has bought a home theater system

00:13:15And we're here testing the watts.

00:13:17Didn't you hang the speakers from the south on the wall?

00:13:19No.

00:13:19I told you no holes.

00:13:20No, don't worry.

00:13:21Fuck.

00:13:23But what have you done here?

00:13:25Is this another floor?

00:13:26Carlos, who when he is depressed

00:13:27He has a tendency to spend money and...

00:13:29Well, let's see what I tell my sister now.

00:13:30Because this contradicts it point by point.

00:13:31the lease terms.

00:13:34And this...

00:13:34This is a construction site.

00:13:35No, no, no, no.

00:13:36That's washable, moisture-resistant laminated plaster.

00:13:38Of course,

00:13:39You can say goodbye to your deposit.

00:13:44Now it's pretty nice, isn't it?

00:13:46They're troublemakers, but they have good taste.

00:13:53Carlos, what did I tell you?

00:13:54Don't buy things on your own.

00:13:56Everything here is half-baked.

00:13:58Okay, fine.

00:13:59The equipment cost 24,000 euros.

00:14:01If you want to give me half...

00:14:03Okay, I'll let it slide this time.

00:14:04But let it not happen again.

00:14:06Okay, okay.

00:14:08What's happening?

00:14:09Have you bought anything else?

00:14:10Yes, but I won't show it to you.

00:14:12because then you get angry.

00:14:13I'm not angry.

00:14:14Show it to me.

00:14:14No.

00:14:15Carlos!

00:14:16Okay, fine.

00:14:17They've installed it until tomorrow.

00:14:18Come, come.

00:14:19Okay, come on.

00:14:24Look, look.

00:14:26Already.

00:14:29It's not a whim, you know?

00:14:30My doctor recommended it to me.

00:14:31for circulation.

00:14:34Really?

00:14:35You're hopeless.

00:14:37Okay, so how's this going?

00:14:46Emilio, please,

00:14:46Don't frighten me anymore.

00:14:47But we'll have to sit down

00:14:49Let's talk about our own stuff, shall we?

00:14:50We're not going to let a shot

00:14:51spoil something so beautiful.

00:14:52I don't want to talk,

00:14:53I have many problems.

00:14:54Well, but for that

00:14:55Your boyfriend is here.

00:14:55To understand you,

00:14:56to listen to you, to help you.

00:14:57That's exactly what a boyfriend doesn't do.

00:14:59Don't talk nonsense.

00:15:00Careful, you'll fall.

00:15:02Remove.

00:15:02Oh dear.

00:15:04Look, look, look.

00:15:05Stop bothering me already, man.

00:15:06Come in, come in, come in.

00:15:08Hey Kike, look how nice!

00:15:09Your teacher is here.

00:15:11Hey, Belén,

00:15:11Here the child walks a little

00:15:12who asks me I don't know what

00:15:13of some polynomials

00:15:13And I don't even know about it.

00:15:16Hey, but you

00:15:16What have you done to him now?

00:15:18Me nothing.

00:15:18He refuses to be helped,

00:15:19She's very stubborn.

00:15:22I have to pay nine thousand euros

00:15:24and it spills over.

00:15:25He was returning three thousand euros

00:15:26And now they're coming to me

00:15:27one thousand two hundred of mortgage.

00:15:29I was feeling so good

00:15:30rented out, taunting Concha.

00:15:32She was so happy.

00:15:34Belén, weren't you happy?

00:15:35Yes, I was happy.

00:15:36The thing is, I didn't realize it.

00:15:37because of how happy he was.

00:15:38Belén, I don't understand this problem.

00:15:40We all have problems.

00:15:41Kike, grow up a little.

00:15:43Okay, calm down,

00:15:43Don't despair

00:15:44There is always a solution.

00:15:45for everything.

00:15:46Of course,

00:15:46We are here

00:15:47for whatever you want.

00:15:48Who's going to lend me money?

00:15:52Oh, I have

00:15:53than buying her a lot of clothes

00:15:54to the child.

00:15:55Oh, I'm a civil servant,

00:15:56but the shoeings

00:15:56They do earn a lot of money, don't they?

00:15:57Those of us who are leaving

00:15:58Three months until the break, right?

00:15:59But you weren't there

00:16:00now giving private lessons.

00:16:01Yes, but at twelve euros

00:16:02that hour would have to work

00:16:04ten hours a day.

00:16:05I'm going to finish

00:16:05developing a disgust for children.

00:16:07Yes, you already have it.

00:16:08Well, even more disgusting.

00:16:08I mean.

00:16:10Where am I going to get it from?

00:16:12So much money?

00:16:14Hey, the Internet

00:16:15has a contest

00:16:15amateur porn videos.

00:16:17The first prize

00:16:17That's 30,000 euros.

00:16:18And how do you know that?

00:16:20For advertising,

00:16:20that they send you there

00:16:21to the email,

00:16:22This spam

00:16:23that they call him.

00:16:24Hey, well, it's not nonsense,

00:16:25which is five kilos,

00:16:27three for me

00:16:27and two for you,

00:16:28that I have more wear and tear.

00:16:29Emilio, please,

00:16:30You'll find this interesting

00:16:31a video of us

00:16:32I'm really going at it.

00:16:33Yes,

00:16:33that people no longer want

00:16:34see collagen-treated blondes

00:16:35no posing

00:16:36from Cirque du Soleil.

00:16:37People want to see sex

00:16:38with a normal aunt

00:16:39and current.

00:16:40Are you calling me ugly?

00:16:42No, honey,

00:16:42You are not ugly,

00:16:43You're just average.

00:16:44How average?

00:16:46I mean,

00:16:47from the good bunch.

00:16:48Because there are a lot of good ones

00:16:49and a bad lot.

00:16:50Well, you are

00:16:51from the good bunch.

00:16:52Then there's the pile

00:16:53that pisses you off.

00:16:53But those are separate.

00:16:55And furthermore,

00:16:55What am I saying?

00:16:56If that's what I like

00:16:56She is an intelligent woman,

00:16:58that you aren't either.

00:17:00But I like it.

00:17:01I mean,

00:17:01Are you calling me stupid?

00:17:02Yeah.

00:17:03I mean,

00:17:03no, no, no, no, darling.

00:17:04A silly aunt

00:17:07It was Alice.

00:17:08Alice.

00:17:09She was hotter than you,

00:17:11Yeah,

00:17:11But she was stupid.

00:17:12And then there's Lucia,

00:17:13who's also hotter than you

00:17:14And she's smarter.

00:17:15What are you saying?

00:17:16What do you like, Lucia?

00:17:17No,

00:17:18which are examples

00:17:19so you can see

00:17:19the different types

00:17:20of women that there are.

00:17:21You're almost ready

00:17:23and almost beautiful.

00:17:24I mean,

00:17:24of the average,

00:17:25from the good bunch.

00:17:27I think I've explained myself well.

00:17:28No?

00:17:30We were talking

00:17:31from an amateur video.

00:17:32Yeah,

00:17:33we're going to redirect

00:17:34a little bit about the topic.

00:17:34But let's see,

00:17:35How am I going to do it?

00:17:36a porn video with this

00:17:37if not even

00:17:37Am I dating him?

00:17:38Well,

00:17:39But there is trust,

00:17:40Nativity scene,

00:17:40which is 30,000 euros,

00:17:42that you pay all your debts

00:17:43and it still gives you

00:17:43to give you some highlights.

00:17:45That's a big gamble.

00:17:46Clear,

00:17:47I'm going to ask him

00:17:47the camera to Paquito

00:17:48that we need to start thinking

00:17:48a story.

00:17:49Hey,

00:17:49hey,

00:17:50hey,

00:17:50I didn't say yes to you,

00:17:51Hey?

00:17:51What do you mean, no?

00:17:52I just wouldn't give

00:17:53violence.

00:17:54No,

00:17:54silly,

00:17:55But if that

00:17:55They only see four sick people.

00:17:56You among them.

00:17:57Well,

00:17:57Yeah,

00:17:58and?

00:17:58The internet belongs to everyone.

00:17:59How low I'm falling.

00:18:01The thing is,

00:18:01What else can happen to me?

00:18:08Fuck,

00:18:09What a scare!

00:18:09Are you all right down there?

00:18:12Quique.

00:18:13Quique!

00:18:14Quique!

00:18:15Quique!

00:18:16Soria here!

00:18:17Oh,

00:18:17Quique,

00:18:17Oh my God!

00:18:19Here too.

00:18:21But what are they doing?

00:18:22Are you up there?

00:18:24Yeah,

00:18:25and in this box

00:18:26from here

00:18:26they put

00:18:27the salts

00:18:28of aromatic cacti.

00:18:30Hey,

00:18:31Why did you buy

00:18:32Is this for two?

00:18:33I have to worry.

00:18:35That she had been put in charge of it

00:18:36for months.

00:18:38It was going to be a gift

00:18:39birthday

00:18:39for Lucia.

00:18:41I didn't imagine

00:18:42to both of them

00:18:43seated

00:18:44the one in front

00:18:44on the other,

00:18:46naked,

00:18:47talking about life

00:18:48while they opened up for us

00:18:49the pores.

00:18:49Fuck.

00:18:50What a failure!

00:18:51Carlos,

00:18:52Turn the page now.

00:18:53uncle.

00:18:53We've been here for two weeks

00:18:54living together.

00:18:56How many women

00:18:56Have they been through here?

00:18:58Well,

00:18:59your grandmother

00:19:00who died

00:19:00and

00:19:01Vicenta.

00:19:02who brought a cake.

00:19:03Which, by the way,

00:19:04It's still there

00:19:05because I like cream

00:19:05No.

00:19:06It just can't be,

00:19:07male.

00:19:07We need to bring aunts.

00:19:09We are young,

00:19:09handsome,

00:19:10with money.

00:19:11Right now

00:19:11they should be

00:19:11fighting for us.

00:19:15Fuck.

00:19:16Uncle,

00:19:16You're getting an erection.

00:19:17Hey?

00:19:18No,

00:19:18no no,

00:19:19careful,

00:19:19careful.

00:19:19He is at rest.

00:19:20No,

00:19:21No,

00:19:21It's sausage-like.

00:19:23And what about you?

00:19:24I,

00:19:25I'm nothing.

00:19:26Look,

00:19:27look,

00:19:27Look now,

00:19:28Look now.

00:19:28Well,

00:19:29now yes,

00:19:30a bit,

00:19:30clear,

00:19:30Because you bring it up.

00:19:32Come on,

00:19:32Don't mess with me,

00:19:33I'm leaving.

00:19:35How childish you are.

00:19:40And why does it get

00:19:41Is this how it is now?

00:19:44How sexy

00:19:45the little neighbor across the street.

00:19:47Oh,

00:19:48hello,

00:19:49how are you?

00:19:49Hey,

00:19:50Are you going to the gym?

00:19:51No,

00:19:52No,

00:19:53No,

00:19:54No,

00:20:02No,

00:20:03This is part of the ad

00:20:04from a gay sauna

00:20:05from those downtown.

00:20:07Hey,

00:20:07Didn't you have to go?

00:20:08to put on the cream

00:20:09What day do you have?

00:20:10No,

00:20:11those in the morning

00:20:12with the shower.

00:20:12No.

00:20:13Hey,

00:20:13Let's see if you'll invite me.

00:20:14to have a drink,

00:20:15I don't know,

00:20:16Show me the house.

00:20:18Whenever you want,

00:20:19tonight.

00:20:21Okay,

00:20:22Well,

00:20:22I'm leaving, I have an appointment.

00:20:23Pleasure or business?

00:20:25Business,

00:20:26of pleasure lately

00:20:27I'm a little short on cash.

00:20:28Come on,

00:20:29Bye.

00:20:31Uncle,

00:20:32Don't do this to me,

00:20:33Can't you see he's hitting on me?

00:20:34yew trees?

00:20:35What are you saying?

00:20:36He was throwing himself at me.

00:20:37As soon as he appears

00:20:38There has been a very clear shift

00:20:39in the conversation.

00:20:39But you're stupid.

00:20:40that I have an account

00:20:41pending with Natalia.

00:20:42Tonight you're going to be

00:20:43sticky

00:20:43like walking in the Azores.

00:20:45We'll see.

00:20:46For now I'm going to buy

00:20:47a shirt.

00:20:47Besides,

00:20:48You should be here now.

00:20:48thinking about Lucia.

00:20:49Ah,

00:20:50now yes,

00:20:51No?

00:20:51You really loved him.

00:20:53that it will pass in a month.

00:20:54It took me a year.

00:20:56Well,

00:20:56Roberto,

00:20:56It's because you've never been strong.

00:20:59But this guy is an idiot.

00:21:01That bank is in very bad shape.

00:21:03See?

00:21:03A poor man has already been seduced.

00:21:05Get to work, parasite.

00:21:06To this country

00:21:07He's not here to be lazy.

00:21:09Lady,

00:21:09I'm from Murcia.

00:21:10You're making it even worse for me.

00:21:12To the vegetable garden

00:21:12to pick things up.

00:21:14You'll see

00:21:14that will soon be gone.

00:21:16Poor thing,

00:21:16It's a long way off,

00:21:17victim of the system.

00:21:19What are you going to do?

00:21:20Nothing.

00:21:21Water the plants.

00:21:25Hello,

00:21:26I've had a bad day

00:21:27and I haven't eaten

00:21:27the plant.

00:21:28Happens,

00:21:28happens,

00:21:28we're at each other's throats

00:21:29with a homeless person.

00:21:30Runs.

00:21:31Son,

00:21:32sorry,

00:21:32But I have a pulse.

00:21:34Daughters!

00:21:34You bitches!

00:21:36What did you say?

00:21:37Give me that flowerpot.

00:21:40Toward!

00:21:42I'm going for the good chinchón.

00:21:44that the piece has of pre.

00:21:45Can we play a game of mus?

00:21:46Are there four of us?

00:21:47No,

00:21:48No,

00:21:48It's not necessary.

00:21:49If I was just coming

00:21:50through the small plate.

00:21:52Take,

00:21:52take,

00:21:53You water the next one.

00:21:55Look,

00:21:56look,

00:21:56if you don't have an egg.

00:21:58Give it to me, we're going to throw it in

00:21:59a little bleach.

00:22:00Hey,

00:22:01that they don't stay still.

00:22:02Come on,

00:22:02Let's play mus.

00:22:03Look,

00:22:04the Civil Guard.

00:22:05Go on,

00:22:06because we've saved ourselves

00:22:07a call.

00:22:09Oysters,

00:22:10Damn integration.

00:22:11It's normal that everyone wants to come.

00:22:14Clear,

00:22:14This is what they censor

00:22:15on the news.

00:22:16Shh,

00:22:17shut up,

00:22:18Let's see what they say.

00:22:18I've been fired.

00:22:19of the work.

00:22:20I'm undocumented.

00:22:23If they arrest me again,

00:22:24They're kicking me out of the country.

00:22:27So we got married,

00:22:28already cube.

00:22:29I'm breaking up with my boyfriend

00:22:30and then we'll see.

00:22:31No,

00:22:31Maria,

00:22:32no,

00:22:32that your father

00:22:32He won't accept me.

00:22:33Yes,

00:22:33man,

00:22:34yes.

00:22:34If they have also been promoted

00:22:35to the colonel.

00:22:36He's in a very good mood.

00:22:38Look,

00:22:38I'll talk to him tonight

00:22:39And then I'll tell you.

00:22:41Are you sure?

00:22:42Yeah,

00:22:42dear.

00:22:43See you right here,

00:22:44at ten o'clock.

00:22:45Okay,

00:22:46I love you.

00:22:46I love you,

00:22:47I love you.

00:22:50Oh,

00:22:51But it felt so short.

00:22:52How entertaining!

00:22:54excellent

00:22:54that they have put here

00:22:55a bank,

00:22:56TRUE?

00:22:56Yeah.

00:22:57They've finally done something good

00:22:58with my taxes.

00:22:59What time have they arranged to meet?

00:23:01You're getting deafer all the time.

00:23:02at ten o'clock.

00:23:02Well, we have to change

00:23:04Bingo time.

00:23:05Oh,

00:23:05how beautiful,

00:23:06a love story

00:23:07and interracial.

00:23:08There are no borders

00:23:09for the heart.

00:23:11These stories

00:23:12between a girl from here

00:23:13and an immigrant boy

00:23:15They never work.

00:23:19How sensitive the penis is.

00:23:21Marisa,

00:23:22And you too.

00:23:23I'm too old now.

00:23:24to have tact.

00:23:26I can't even get it to work.

00:23:28But,

00:23:29How could it not be trustworthy?

00:23:30Is she my cousin?

00:23:31He just arrived from the village,

00:23:32He needs a job.

00:23:33What we need

00:23:33a professional.

00:23:35Nepotism

00:23:35is sinking this country.

00:23:37Besides,

00:23:37For God's sake,

00:23:37Look at that face,

00:23:38It would need batteries.

00:23:39the space between the eyebrows.

00:23:39Well,

00:23:40Well, if you don't like it

00:23:40my candidate,

00:23:41You find one.

00:23:41That I can't,

00:23:42I have to write my book.

00:23:43But if you don't write,

00:23:45Show me a page.

00:23:46You are a cruel lesbian.

00:23:47Come on,

00:23:47let's see,

00:23:48Don't argue anymore.

00:23:49I have found

00:23:49to one of my visits

00:23:50And it's about to arrive.

00:23:51She's a really nice lady,

00:23:52a kind of Mary Poppins

00:23:52from Guadalajara.

00:23:53And where did she get it?

00:23:54From the internet.

00:23:55www.conquiencoñodeojarniño.com

00:23:57And so,

00:23:57without spaces.

00:23:58He is being interviewed

00:23:59via videoconference

00:24:00And I loved it.

00:24:03Hello,

00:24:03Good afternoon.

00:24:04Thank you,

00:24:04We already have calendars.

00:24:05No,

00:24:06No,

00:24:06What is a kangaroo?

00:24:08Hello,

00:24:09Hope,

00:24:09happens,

00:24:09please,

00:24:10happens.

00:24:12Look,

00:24:12He is Mauri,

00:24:13She is Bea

00:24:14And there's Zequiel.

00:24:16It's because Mauri

00:24:16and I were dating

00:24:17and we lived together,

00:24:18but we had a kind

00:24:19crisis

00:24:20And I went to live in London.

00:24:21Then Bea appeared,

00:24:22who is a lesbian,

00:24:22and asked Mauri

00:24:23if I could have a child

00:24:24by artificial insemination

00:24:25because she felt very lonely.

00:24:27And that's it.

00:24:27Yeah,

00:24:28And so Zequi was born.

00:24:28and Mauri grew fond of him,

00:24:30Bea stayed here

00:24:30and I returned from London

00:24:31since the three of us are here

00:24:32with this beautiful cake.

00:24:34And on Sundays to mass,

00:24:36No?

00:24:37Well,

00:24:38Well,

00:24:38Don't worry,

00:24:39man,

00:24:39Just kidding.

00:24:40No problem.

00:24:41We are all children of God.

00:24:44Jesus of great power.

00:24:46But,

00:24:47but,

00:24:48What a beautiful child.

00:24:49Well,

00:24:50I'm starting to go to the gym,

00:24:51Hey?

00:24:53Hey, Fernando!

00:24:54Hey,

00:24:54Just a moment,

00:24:55Just a moment!

00:24:56One thing,

00:24:57This lady

00:24:58He likes to wear baggy clothes,

00:24:59like the Cavalier

00:25:00Or is she a nun?

00:25:01She is a nun.

00:25:03And since when

00:25:04Do they do these things?

00:25:05She looks like she makes pasta.

00:25:06in the convent,

00:25:07The thing is that

00:25:07with this "light" craze

00:25:08They will have lost market share.

00:25:10I've been chatting

00:25:11with her for two hours

00:25:11And it's heaven.

00:25:12Let's give it a chance.

00:25:13No?

00:25:14Man,

00:25:14if we don't trust a nun

00:25:15Let the second flood come

00:25:17because then

00:25:17Humanity is no longer worth it.

00:25:19I have

00:25:19very bad memories

00:25:20of them at school

00:25:20as we approached

00:25:21to a boy

00:25:22and they hit us with the ruler.

00:25:23And so it ends.

00:25:24Well,

00:25:24Well, nothing.

00:25:25We already have a kangaroo,

00:25:25Hey?

00:25:26Enjoy life!

00:25:32I've told you a hundred times,

00:25:34But she was obsessed.

00:25:36Apples without fasting

00:25:38They need to lose weight.

00:25:39She skirted around it

00:25:40and since then

00:25:42sinners by birth.

00:25:44Hope,

00:25:45It might be a little too soon

00:25:47for genesis.

00:25:48Stick to the three little pigs.

00:25:49One little thing,

00:25:50You are hired,

00:25:51But how did he give it to her?

00:25:52For babysitting?

00:25:53Well,

00:25:53is that in the order

00:25:53We have economic problems.

00:25:55and we are looking

00:25:56other sources of income.

00:25:57Sister Blanca

00:25:58He's a taxi driver

00:25:59and Sister Loreto

00:26:00installs satellite dishes.

00:26:02The ways of the Lord

00:26:03They are mysterious.

00:26:04Hey!

00:26:05And my life.

00:26:14Hello.

00:26:15Hello.

00:26:15Sorry for the delay.

00:26:17You're taking me to Pinta, huh?

00:26:19You sound like Spielberg

00:26:19out in production.

00:26:21Marten,

00:26:22We need to talk.

00:26:23I am very grateful

00:26:24through the shared

00:26:25of text messages.

00:26:26It's a lot of fun,

00:26:27but...

00:26:27I just love it

00:26:28the teenage thing.

00:26:29Already,

00:26:29But Isabel

00:26:30He's going to catch me eventually.

00:26:31Well,

00:26:32Well, delete them.

00:26:33I just don't know how to do it.

00:26:34It has a large number of menus

00:26:35And I don't know...

00:26:36Come on,

00:26:36bring.

00:26:37Bring it, bring it.

00:26:39Marten,

00:26:40I have a relationship

00:26:42stable with Isabel.

00:26:43Strange,

00:26:44but stable.

00:26:45Without crisis,

00:26:46seamless,

00:26:47sexually acceptable

00:26:48and I don't want to put

00:26:50all of that at risk

00:26:50Because you are a woman

00:26:52that you are a great woman

00:26:55and in the hypothetical case

00:26:57that I would give

00:26:58the leap to you,

00:26:59the emotional leap,

00:27:00Do you understand?

00:27:01Well, I'd have to go in

00:27:02to assess a series

00:27:03of pros and cons

00:27:04that...

00:27:04Juan,

00:27:05I don't want to

00:27:06a stable relationship.

00:27:07Oh, no?

00:27:08No,

00:27:09no no.

00:27:10I am divorced,

00:27:11I've been through that.

00:27:12And I'm already very selfish.

00:27:14What I want

00:27:15It's an adventure.

00:27:16Ah,

00:27:17Hey,

00:27:18good,

00:27:19good,

00:27:20but,

00:27:21clear,

00:27:21That changes the situation.

00:27:22the frame,

00:27:23the emotional context

00:27:24in which we...

00:27:26Juan,

00:27:26No,

00:27:27I just feel like it

00:27:27I want to kiss you a lot.

00:27:28No,

00:27:29no, no, no,

00:27:29No, incorrect.

00:27:30No,

00:27:30It's not a good option.

00:27:31We are in a public place.

00:27:33Elderly,

00:27:34what's happening?

00:27:35My daughter is there.

00:27:37When?

00:27:37Who is that?

00:27:39Oh!

00:27:40What a beautiful daughter you have!

00:27:41No?

00:27:42But the boyfriend

00:27:42He's a little older.

00:27:43Hey,

00:27:44I'm leaving

00:27:44because he's going to end up seeing me

00:27:46And I'm going to lose

00:27:47authority as a father.

00:27:48No,

00:27:49I'm already thinking about it.

00:27:50especially that

00:27:50that you told me

00:27:51And I'll tell you about it,

00:27:53Hey?

00:27:53Nothing else.

00:27:55Who is that guy?

00:27:56But,

00:27:56Juan,

00:27:57Juan,

00:27:58what are you doing?

00:27:58Hello good.

00:28:04Good news.

00:28:06Dissemination

00:28:06It has worked

00:28:07in the first one.

00:28:08We're separated!

00:28:11And the raw materials

00:28:12It is of good quality.

00:28:14Well,

00:28:15so this

00:28:15surrogate mother

00:28:16How's it going?

00:28:16Should I find my own gynecologist?

00:28:18No,

00:28:18We'll take care of it.

00:28:20of everything.

00:28:20Eat well,

00:28:22sleep well.

00:28:22Don't smoke,

00:28:23Don't do drugs,

00:28:24not after nights.

00:28:25They say sex

00:28:26that there's no problem.

00:28:27But I have read

00:28:27then the child

00:28:28He comes out more nervous.

00:28:29So, well,

00:28:31yourself.

00:28:32Well,

00:28:32Well, nothing.

00:28:33Oh!

00:28:34That?

00:28:37Nothing,

00:28:38Don't stress

00:28:39What can be done to you?

00:28:40very long.

00:28:41Bye.

00:28:47So

00:28:47the president

00:28:48Does he just want a quickie?

00:28:49No,

00:28:49He said an adventure.

00:28:51I mean,

00:28:51several powders

00:28:52with a vocation

00:28:53of permanence

00:28:54in time.

00:28:55Clear,

00:28:55It's because of the horns

00:28:56They are something very personal.

00:28:57The president

00:28:58She's hot.

00:28:59But Isabel

00:28:59It has a little dot

00:29:00that turns me on.

00:29:01What do you mean, does it turn you on?

00:29:02Man,

00:29:03No,

00:29:03which makes me feel like a human being,

00:29:04Don't distort your image.

00:29:06So what are you doing?

00:29:07I, Isabel

00:29:07I love her very much,

00:29:08But how many times

00:29:10How will I have this now?

00:29:11My undeniable physical attractiveness

00:29:13It won't last forever.

00:29:14It's the circle of life,

00:29:15That's what they already said.

00:29:15in The Lion King,

00:29:16a cuna matata,

00:29:17that in African

00:29:18means

00:29:18I've got you here,

00:29:19I'll kill you here.

00:29:20I don't know how I do it,

00:29:21but I always bring it

00:29:22to a type of woman

00:29:22which gives me problems.

00:29:23Clear,

00:29:24It's because they see you

00:29:25that face of Saint John

00:29:26of Pomuceno that has

00:29:27and they all open up for her,

00:29:28of feelings.

00:29:30Say,

00:29:30and then the other thing

00:29:31That's something else entirely.

00:29:32that I'm already there

00:29:32I neither go in nor out.

00:29:34The one who has to enter

00:29:35and leaving is you,

00:29:36but not because I tell him to,

00:29:38that I...

00:29:40Well,

00:29:40Look,

00:29:40I'm leaving because I

00:29:41Giving advice is not...

00:29:43Come on,

00:29:43see you later,

00:29:44Hey?

00:29:44I make a matata.

00:29:47It hurts me that instead

00:29:48from a true friend

00:29:49you resort to my son

00:29:50to tell him your problems.

00:29:52Can't you see he's an emotional blockhead?

00:29:53Well,

00:29:54really,

00:29:54which I appreciate

00:29:55your interest,

00:29:55but...

00:29:56Look,

00:29:56I couldn't help but overhear you

00:29:58because I've been listening

00:29:59And I'll tell you something.

00:30:00You are at a crossroads

00:30:02sexual feeling.

00:30:03Hey?

00:30:04Another message from Marta.

00:30:06This is torture.

00:30:10Delete it right now.

00:30:12You have a family

00:30:13and a woman who loves you

00:30:14And that is sacred.

00:30:15And you're not going to risk it.

00:30:16all for a roll in the hay

00:30:17that you already have

00:30:18the elections counted

00:30:20and you owe them all

00:30:21to the herbs

00:30:21who has sacrificed

00:30:23her marriage for you.

00:30:24You are right.

00:30:25Thank you so much,

00:30:26Maria.

00:30:27Come here,

00:30:28Give me a hug.

00:30:28Cry, damn it,

00:30:29that you need it.

00:30:30I don't want to cry.

00:30:33Juan,

00:30:33Can you come up for a moment?

00:30:34to my house, please?

00:30:35What's happening?

00:30:36Nothing,

00:30:37that the roof is falling down.

00:30:38Another one with the reforms.

00:30:39You've already played

00:30:40a wall in front.

00:30:40No,

00:30:41That's not it.

00:30:42It's the unbalanced one at the top.

00:30:456, 7, 6,

00:30:460, 6, 7.

00:30:48Are you pointing at me there?

00:30:49The president's phone number.

00:30:51I'll take you for a while

00:30:52or whatever.

00:30:52Don't even think about it, okay?

00:30:53Delete that number right now.

00:30:55But if it's just for the sake of having it.

00:30:56Why?

00:30:57Give me the phone.

00:30:57I don't feel like it.

00:30:58Give it to me!

00:30:59This guy has accumulated

00:31:00so much shit

00:31:01that my ceiling has collapsed.

00:31:02Hey,

00:31:03which is not shit,

00:31:03which are my things.

00:31:05Let's see if I'm going to have it

00:31:06the fault that the building

00:31:07falls to pieces.

00:31:09But he will pay for this

00:31:09The community, right?

00:31:10No, no, no,

00:31:11careful.

00:31:11This is a problem

00:31:12internal structure.

00:31:13I don't have it here.

00:31:14nothing to do with it.

00:31:14No?

00:31:15Well, I'm going to report you.

00:31:16that the community

00:31:17He's got Andrés in there

00:31:18And that attic is not habitable.

00:31:19You're threatening me

00:31:20surreptitiously.

00:31:21Well, I don't know what that is.

00:31:22But if we talk

00:31:23of my spill

00:31:24I might soften my stance.

00:31:25Ah, thank goodness.

00:31:25You're not threatening me.

00:31:26It's just blackmail.

00:31:29Nativity scene,

00:31:29You're taking

00:31:30regrettably

00:31:31your new status

00:31:32owner.

00:31:33Regrettable.

00:31:34Well,

00:31:34Think about it

00:31:35and then we'll talk.

00:31:36Hello.

00:31:37Hello.

00:31:37It seems we already have

00:31:38baby sitter.

00:31:39My love!

00:31:41Don't kiss each other

00:31:42in front of the child,

00:31:43man,

00:31:43that is dismayed!

00:31:44What's he doing with a helmet?

00:31:45Nothing,

00:31:45in case any helmets fall.

00:31:47let's not have

00:31:47a disappointment.

00:31:48Yeah.

00:31:49Prevention of occupational risks.

00:31:55That?

00:31:55What do you mean, what?

00:31:56Let me through.

00:31:57Hey,

00:31:57hey.

00:31:58Respect

00:31:59for intimacy

00:32:00of people,

00:32:01Hey?

00:32:01Andrew,

00:32:02Stop accumulating

00:32:02junk in there.

00:32:03You're going to provoke

00:32:04a collapse

00:32:04Twin Tower type

00:32:05And it's going to come.

00:32:06down the building.

00:32:06Well,

00:32:07Fuck everyone.

00:32:08Are you happy?

00:32:09No, that's not the point.

00:32:11I'm letting you know I'm calling

00:32:11to the firefighters

00:32:11so that you can be evicted.

00:32:12Hey,

00:32:13Don't mess with me,

00:32:14Hey?

00:32:14Let's see if it goes away

00:32:15to escape ahead

00:32:16from Isabel

00:32:17about your little beak

00:32:17with the president.

00:32:20Are you making me

00:32:2080G?

00:32:21Hey,

00:32:22Yeah.

00:32:22Wow!

00:32:23Take care.

00:32:25What is this?

00:32:26You're awesome.

00:32:27He's blackmailing me here.

00:32:28Even Vicenta's dog.

00:32:30One cannot maintain a certain attitude.

00:32:31Nativity scene,

00:32:32I don't know if this phrase

00:32:33is an improper passive voice

00:32:34or a reflexive passive.

00:32:36Hey?

00:32:37Quique,

00:32:38We're not making progress.

00:32:39I'm going to have to call

00:32:40to your parents.

00:32:41It will go away

00:32:42the nonsense,

00:32:42But now.

00:32:43Nativity scene,

00:32:44Sit down, I've already written

00:32:45the script of the porn video.

00:32:47Look,

00:32:47It's a wild passion

00:32:48between an emergency doctor

00:32:50and a nymphomaniac patient

00:32:51who has a hernia

00:32:52because it's overly popular.

00:32:53Oh,

00:32:53How original!

00:32:54And what's the title?

00:32:55Genital hospital.

00:32:56Look,

00:32:56You start lying down like this,

00:32:58No?

00:32:59Showing off a machete.

00:33:00And now I come in

00:33:00to get a checkup

00:33:01And you tell me,

00:33:03doctor,

00:33:03I'm very horny,

00:33:04Take out the thermometer.

00:33:06This is a metaphor,

00:33:06I don't know if it will be understood.

00:33:07Yeah,

00:33:08I think so.

00:33:09One moment,

00:33:09me with my face exposed

00:33:10I don't go out,

00:33:11I'll put on a mask or something.

00:33:12What are you saying?

00:33:13But how is it going to turn out?

00:33:13a hospital patient

00:33:14With a mask on?

00:33:16It's completely absurd!

00:33:18Well,

00:33:18It could be carnival.

00:33:19Or you make a movie

00:33:20science fiction,

00:33:21Flash Condom.

00:33:22Clear,

00:33:23And I am a cybernetic robot,

00:33:25a big mouth.

00:33:25But do you know?

00:33:26the cost of writing a script

00:33:27I've been here all afternoon

00:33:28Working there with Paquito?

00:33:29Emilio,

00:33:30Or I put on the mask

00:33:31or I don't do it.

00:33:32Hey,

00:33:32hey,

00:33:33You don't give yourself to me

00:33:34star-like airs,

00:33:34that I'm looking for

00:33:35another protagonist,

00:33:36But now.

00:33:36Clear,

00:33:37clear,

00:33:37There's a queue

00:33:38to make a porn movie with you,

00:33:39like a casting call

00:33:40from Operación Triunfo.

00:33:41Come on,

00:33:42man.

00:33:42Well,

00:33:43Well, if the girl

00:33:43He wants a mask.

00:33:44with a mask.

00:33:45Let's see,

00:33:45What time should we record it?

00:33:46Well, I don't know.

00:33:47at 10,

00:33:47For example.

00:33:48Wow!

00:33:48I just had dinner!

00:33:50Well,

00:33:50leave,

00:33:51that has to appear

00:33:51in the goal

00:33:52to the room

00:33:52of a hospital.

00:33:53Not the same, either.

00:33:54Hey?

00:33:54As long as it happens

00:33:55what has to happen.

00:33:57Strong,

00:33:57I mean,

00:33:58No way,

00:33:58oh really,

00:33:58You're going to record

00:33:59a porn video.

00:34:00Don't overwhelm me,

00:34:01that I have to pay

00:34:02a mortgage.

00:34:04Quique,

00:34:05that you start studying.

00:34:09Lourdes is pressuring me

00:34:10so that we can get married.

00:34:11She says her grandmother

00:34:12He is very old

00:34:12and what would he do

00:34:13great enthusiasm

00:34:14see the married woman.

00:34:14Man,

00:34:15to see a miracle

00:34:15It's always very exciting.

00:34:17Male,

00:34:17Well, you only have two options,

00:34:18or you get married

00:34:19or you kill grandma.

00:34:21Yes,

00:34:22But then one arrives

00:34:23at an age

00:34:23what he/she feels like

00:34:24settle down

00:34:25and have a child.

00:34:28Hey,

00:34:28Have you noticed?

00:34:29that this may be

00:34:30the beginning

00:34:30of a new species?

00:34:31Hey,

00:34:32look,

00:34:32I've had enough.

00:34:32that you mess with Lourdes.

00:34:34Have you seen it?

00:34:34with long hair?

00:34:35Hey?

00:34:35Well, look.

00:34:37Paco,

00:34:37careful.

00:34:38Look.

00:34:41Oil,

00:34:41Let's see what you think.

00:34:43Hello,

00:34:43Marten,

00:34:44I am Juan.

00:34:45I bought

00:34:45a new mobile phone

00:34:46to avoid suspicion.

00:34:48Send me the messages here.

00:34:50I wish you more

00:34:50that Baragal

00:34:51the statute.

00:34:54It's a joke

00:34:54to relieve

00:34:55sexual tension.

00:34:57Message sent.

00:34:59Hey,

00:35:00And are you going to lift him up?

00:35:01Did my father have a churra?

00:35:02Sorry,

00:35:02But I'm doing it

00:35:03a favor

00:35:03him

00:35:04and your family.

00:35:05No,

00:35:06No,

00:35:06If it were up to me

00:35:07Don't worry.

00:35:08Besides,

00:35:08I like herbs

00:35:09I swear to God.

00:35:10Mariano,

00:35:10But don't be absurd.

00:35:11How can anyone believe it?

00:35:12Are you Juan?

00:35:13What do you want to bet?

00:35:14that I have

00:35:14a torrid romance

00:35:15with the president?

00:35:17But drugging her is not an option.

00:35:18Hey?

00:35:18Well yes,

00:35:19I'm going to drug her.

00:35:20but with love

00:35:21and beautiful words.

00:35:22Then my subway

00:35:23their sexuality

00:35:23He'll do the rest.

00:35:26See?

00:35:26He has already entered

00:35:27to the rag.

00:35:29Hey,

00:35:29And what did he answer you?

00:35:30Wait.

00:35:30Hey,

00:35:31hey.

00:35:32How cool is that?

00:35:32A soap opera-style drama.

00:35:34Clear,

00:35:34You are a little bean.

00:35:35And you, the boyfriend

00:35:36from Betty la fea.

00:35:38Don't get into a fight with him,

00:35:40who has greater mental speed.

00:35:44How are you?

00:35:45Have you managed to write anything?

00:35:46Yeah.

00:35:47No.

00:35:48Well,

00:35:49Yeah,

00:35:49This is useless.

00:35:50And this other thing

00:35:51I have doubts,

00:35:53No,

00:35:54which doesn't work either.

00:35:55Mauri,

00:35:55write a book

00:35:56It can't be that difficult.

00:35:57Ricardo Boffitt

00:35:58It has two.

00:35:58If you don't want to do

00:35:59love tonight,

00:36:00Say it directly.

00:36:01Oh,

00:36:02What patience.

00:36:03Hello,

00:36:04Hope.

00:36:05How are you?

00:36:06Secondly.

00:36:07It's great that you've arrived.

00:36:09I just put Ezekiel to bed,

00:36:11But if you want,

00:36:12You can still give him a kiss.

00:36:14Are you alright?

00:36:15Yes, yes,

00:36:15very good.

00:36:16I'm going to wash my hands

00:36:17And then I'm leaving.

00:36:23She's drunk.

00:36:25Well,

00:36:25It's not clear.

00:36:25Hey?

00:36:26Maybe he's taken

00:36:27an antihistamine

00:36:28because she's allergic

00:36:29to the rabbit.

00:36:30Fernando,

00:36:31that has been implemented

00:36:31in Vega Sicilia

00:36:32from '89,

00:36:33that I had reserved it

00:36:34by the time it was over

00:36:35the novel.

00:36:36Well,

00:36:36at the pace you're going

00:36:36it was going to get ruined

00:36:37likewise.

00:36:38Do you know how it can be done?

00:36:39put see

00:36:39if you discover

00:36:40that his son

00:36:40the afternoon has passed

00:36:41with an alcoholic?

00:36:41No,

00:36:42No,

00:36:42Don't start exaggerating

00:36:43things.

00:36:43Hello.

00:36:44Hello.

00:36:45How was the movie?

00:36:46Was it good?

00:36:46or have you been

00:36:47Interfering?

00:36:48Both.

00:36:50Very interesting,

00:36:51Hey?

00:36:51A reflection

00:36:51over the void

00:36:52of marriage.

00:36:52But don't tell anyone.

00:36:53we want to go see her,

00:36:54Come on.

00:36:54Now for a romantic stroll

00:36:55through the park

00:36:55And you finish off the night.

00:36:57Yeah,

00:36:57But wait a moment

00:36:57that I'm going to give him

00:36:58A little kiss for Ezekiel.

00:37:03Hope,

00:37:04who has had something for dinner

00:37:05that it has upset his stomach.

00:37:06Poor woman.

00:37:07Clear,

00:37:07like in the convent

00:37:08They eat four things,

00:37:09You take it off the menu

00:37:10of a nun

00:37:10and you destroy him.

00:37:11Already,

00:37:11but with Ezekiel

00:37:12Good, right?

00:37:13Yeah,

00:37:14very good.

00:37:14Well,

00:37:14the kid is

00:37:15growing fond of,

00:37:16clear,

00:37:16as Batman reminds him.

00:37:18Enjoy yourselves

00:37:19of love

00:37:19that one never knows

00:37:20How long will it last?

00:37:21Come on,

00:37:22Come on.

00:37:22Bye bye.

00:37:28Sorry,

00:37:29the thing is

00:37:30Now I'm going to sit him down

00:37:31to my mother the baby food,

00:37:32as

00:37:33He didn't want it

00:37:34Manuel finished.

00:37:35Ezekiel,

00:37:36Listen,

00:37:36Have you caught

00:37:37a bottle of wine

00:37:38from the wine rack?

00:37:38No,

00:37:39I don't.

00:37:41Well,

00:37:42first thing tomorrow

00:37:43I'm here again,

00:37:44No?

00:37:45Yeah,

00:37:46Yeah,

00:37:46clear.

00:37:49Would you like us to accompany you?

00:37:49to a taxi?

00:37:50No,

00:37:51thank you so much.

00:37:52I'm giving

00:37:52a walk like that,

00:37:53I clear my head

00:37:54and I think about my own things.

00:37:59What do you call it?

00:38:00that they come back tomorrow?

00:38:01I don't know,

00:38:01It makes me really sad.

00:38:02Mauri,

00:38:03We need to be understanding,

00:38:03My mother too

00:38:04had problems

00:38:04with alcohol.

00:38:05Man,

00:38:06if I were married

00:38:06with your father

00:38:07I would have them too.

00:38:08Well,

00:38:08Let's give it a chance

00:38:09that maybe

00:38:10has had a bad day.

00:38:11But what could happen to him?

00:38:11From bad to a nun?

00:38:12Did her boyfriend dump her?

00:38:13Mauri,

00:38:13Have a little heart.

00:38:14Sorry,

00:38:15but to my heart

00:38:15I have more than enough.

00:38:18It's kind of cute.

00:38:19to the woman,

00:38:19TRUE?

00:38:20For me, certainly.

00:38:21She gives it to me.

00:38:22Me too.

00:38:23Well,

00:38:24Well, that's it.

00:38:24Let's give it a try

00:38:24an opportunity.

00:38:25I'm saying this.

00:38:26Come on,

00:38:26that?

00:38:28Ezekiel.

00:38:32Look at him,

00:38:33I was right.

00:38:34How did you come up with that?

00:38:35open it for Natalia

00:38:36A letter from the bank?

00:38:37That's trespassing.

00:38:38of extract,

00:38:39with paternity

00:38:40and hallucinated.

00:38:41Isabel,

00:38:41the girl is doing

00:38:42Something strange.

00:38:43How many kids

00:38:44under 20 years old

00:38:44do you know

00:38:45that they have

00:38:458,617 euros

00:38:47in the account?

00:38:48I don't know,

00:38:49Fernando Torres,

00:38:50Maria Isabel,

00:38:50Felipe,

00:38:51Juan,

00:38:51Freilán,

00:38:52of all saints

00:38:53and...

00:38:54Melody,

00:38:55so impediment

00:38:55the Santa Justa Clan thing.

00:38:57Yes,

00:38:57I mean normal people.

00:38:59Hello,

00:39:00What's wrong with you?

00:39:01Are you guys already up to something?

00:39:02No,

00:39:02It's going to start now.

00:39:03Natalia,

00:39:04I've seen you

00:39:04in a cafe

00:39:05with a man.

00:39:05I'm sorry,

00:39:06dad,

00:39:07I can explain it to you.

00:39:08Hey,

00:39:08No jokes,

00:39:09I'm serious.

00:39:10But you

00:39:11What were you doing?

00:39:11in a coffee shop?

00:39:13Isabel,

00:39:14please,

00:39:15We're focused on what we're focused on.

00:39:16I've seen Natalia

00:39:17with a man

00:39:18which is at least

00:39:1815 years older than her.

00:39:19It's because I understand myself better.

00:39:20with those of 35.

00:39:21When I'm 50

00:39:22I'd like the 20-year-olds.

00:39:23It's a fact of life.

00:39:24Ah,

00:39:24great,

00:39:25That puts my mind at ease.

00:39:26You will have 80

00:39:27and you'll be more aware of your prostate.

00:39:28than anything else.

00:39:29José Miguel,

00:39:29This is a matter

00:39:30between your sister and me.

00:39:31Well,

00:39:31Well, go somewhere else.

00:39:32Daughter,

00:39:33What do you have?

00:39:348,600 euros

00:39:36in the account?

00:39:36Have you opened the door for me?

00:39:37A letter from the bank?

00:39:38Oh,

00:39:38Who wants an infusion?

00:39:39Well yes,

00:39:40I've opened it for you.

00:39:43that works

00:39:43There needs to be complete trust.

00:39:44and absolute transparency.

00:39:49I'll get it!

00:39:52Are you your points balance?

00:39:54Yeah,

00:39:55already,

00:39:55I'm going crazy

00:39:57because of changing mobile phones.

00:39:58Dad,

00:39:58I don't have to

00:39:59give you explanations

00:40:00Where do I get the money?

00:40:01Hey?

00:40:01Don't mess with me.

00:40:02because I grab the door

00:40:02And I'm leaving.

00:40:03No,

00:40:03the one who is going to end

00:40:04grabbing the door

00:40:04and leaving

00:40:05it's me

00:40:05and let's see how it survives

00:40:07this family

00:40:07and this community.

00:40:12That?

00:40:13Overthinking,

00:40:14No?

00:40:15Did you see how it jumped?

00:40:16when it has sounded

00:40:17The message?

00:40:18I think it has

00:40:19a mess with that lady.

00:40:21Me too.

00:40:22Thank you,

00:40:23It's exactly what I needed.

00:40:24hear at this moment.

00:40:26Man,

00:40:27mother,

00:40:27Don't sink,

00:40:28counterattacks,

00:40:29Make him jealous too,

00:40:30a sentimental slap

00:40:32well given

00:40:32And that was the end of the problem.

00:40:34But with whom

00:40:34Am I going to make him jealous?

00:40:36Man,

00:40:36You have your ex

00:40:37in the attic.

00:40:39With Andrés?

00:40:42How depressing.

00:40:43Already,

00:40:44But that's how it is.

00:40:51Well,

00:40:51that?

00:40:51What about Romeo and Juliet?

00:40:53Are they coming or not?

00:40:54Just like the poor little black boy

00:40:55She has been kicked out of the country

00:40:56and she committed suicide

00:40:57with his service weapon.

00:40:58Forgive her,

00:40:59She's a junkie

00:41:00of soap operas.

00:41:01Here she comes,

00:41:02Here she comes.

00:41:03Here he comes,

00:41:04Here he comes.

00:41:05But,

00:41:06Why do we say that?

00:41:07twice?

00:41:08Because you're stupid,

00:41:08Pussy,

00:41:09shut up already.

00:41:10Yeah,

00:41:10then to the colloquium,

00:41:11that this is like a documentary

00:41:12of the two

00:41:12And the bugs see the cameraman,

00:41:13So they leave.

00:41:14Hello,

00:41:14my love.

00:41:16Come on,

00:41:17come on,

00:41:17come here.

00:41:18Well,

00:41:19that?

00:41:20What did your father say?

00:41:21about the wedding?

00:41:22I haven't dared

00:41:23to tell him.

00:41:25Something has happened,

00:41:26Yacubo.

00:41:27That?

00:41:28What happened?

00:41:30I am pregnant.

00:41:31Take,

00:41:32drum that I shout at you!

00:41:33Shh!

00:41:34But,

00:41:34Whose child is it?

00:41:36Mine

00:41:36or your boyfriend's?

00:41:37You and I?

00:41:38If I told Victor

00:41:39that she was going to arrive a virgin

00:41:40to marriage.

00:41:41How romantic.

00:41:43I mean, this

00:41:43I don't dare to say

00:41:44only my father.

00:41:45Just imagine,

00:41:46Colonel Treviño's daughter

00:41:48pregnant

00:41:49of an illegal immigrant.

00:41:50And on top of that I'm...

00:41:51being unfaithful to Victor,

00:41:52who is my captain,

00:41:53you understand?

00:41:53My captain.

00:41:55And then

00:41:56What do we do?

00:41:56I don't know, I don't know.

00:41:58What am I supposed to think?

00:42:01See you later, okay?

00:42:02Tomorrow.

00:42:03Maria,

00:42:04Maria,

00:42:04wait.

00:42:07Poor Yacubo.

00:42:08What an injustice!

00:42:09so big.

00:42:11I'm hooked.

00:42:12Hey?

00:42:12This is passion.

00:42:13of police officers.

00:42:14Vicenta is right,

00:42:15We have to do something

00:42:16to help them.

00:42:17It's just that I

00:42:17that boy

00:42:18I don't like her.

00:42:20Let's look

00:42:20to Colonel Treviño

00:42:21And we spoke

00:42:22with the.

00:42:23Say yes,

00:42:24We've done a pitch.

00:42:26A real mess!

00:42:26If only the dick

00:42:27It's a lot of dick.

00:42:29Well, the feeling

00:42:30when Lucia

00:42:31told me

00:42:31that she was in love

00:42:32from another

00:42:32was

00:42:34as if it were squeezing me

00:42:35in the heart.

00:42:36Like a bottle

00:42:37those mineral water ones

00:42:38that get crushed

00:42:39so that it occupies

00:42:40little space

00:42:40in the trash.

00:42:42Poor.

00:42:43You have to have it

00:42:43such a bad time.

00:42:45I have helped him

00:42:46a lot.

00:42:46Sensitive uncles

00:42:47That's what we have.

00:42:49After a blow like that

00:42:49you won't want to

00:42:50nor go and talk

00:42:50of women, right?

00:42:51Well...

00:42:52No, no, no, no, no.

00:42:53He right now

00:42:53He is not prepared.

00:42:54For that.

00:42:54Yes, yes, yes.

00:42:55What do you mean, no?

00:42:56Me right now

00:42:56I am free

00:42:57And I am open to love.

00:42:59He is mistaken.

00:42:59He told me

00:43:00that with such sadness

00:43:01It's as if suddenly

00:43:02did not have a penis.

00:43:03Yes, but it's true

00:43:03that I have a penis

00:43:04And besides, you've seen it.

00:43:05I...

00:43:06Let's sum it up,

00:43:07that you both want to seduce me,

00:43:08No?

00:43:10It's because we're going in.

00:43:11a little bit about the subject.

00:43:13Man,

00:43:14There is definitely some rivalry.

00:43:15Why kid ourselves?

00:43:16He's pissed off.

00:43:17I have more confidence

00:43:18within myself.

00:43:19Well, the truth is

00:43:20It's because I like you guys

00:43:20Both of them very much.

00:43:22Have you ever considered

00:43:23Have a threesome?

00:43:27Hey...

00:43:28Man,

00:43:29It would be an experience

00:43:31interesting

00:43:32There's no doubt about it, right?

00:43:33Yeah.

00:43:34They say it's very good.

00:43:37Is...

00:43:37Hey...

00:43:37Are you up for it?

00:43:41The three of us.

00:43:42I mean, that's it.

00:43:44Or today.

00:43:45Or later.

00:43:47Well, think about it.

00:43:48And tell me tomorrow.

00:43:49Bye.

00:43:51Ah,

00:43:52The house is very nice.

00:43:57Is this really happening?

00:43:58But?

00:44:00I would put this

00:44:01a redder light,

00:44:02more morbid.

00:44:03I don't see this.

00:44:04But, man,

00:44:04It's supposed to be

00:44:05a hospital room.

00:44:06Besides,

00:44:06What does a doctor do?

00:44:07With a mask?

00:44:08What is a mentally deficient person?

00:44:09Well,

00:44:09Spinetti was there all day

00:44:10naked

00:44:11and for sleeping

00:44:11She put on pajamas.

00:44:13They're nonsense

00:44:13that give it charm

00:44:14to history.

00:44:15Okay, fine.

00:44:15yourself,

00:44:16It's your video.

00:44:16Well, Belén,

00:44:17Are you ready or what?

00:44:18Otherwise I get sleepy

00:44:19and it can be resented

00:44:20the interpretation.

00:44:21Emilio,

00:44:22It's absurd that he's going

00:44:23wearing a hospital gown

00:44:24garter belt and heels.

00:44:25Other.

00:44:25If that's how it has to be.

00:44:27It's like a movie

00:44:28of Kung Fu

00:44:28The Chinese take it away.

00:44:30In porn

00:44:30There have to be heels.

00:44:31And that's it.

00:44:32What's he doing here?

00:44:33So, what's he going to do?

00:44:34Record us.

00:44:35Paquito has his own short film,

00:44:36baptisms have been performed

00:44:37and communions.

00:44:38No, no, no, no,

00:44:39that I'm not going to do anything

00:44:40in front of this.

00:44:40Hey, I'm a professional,

00:44:42I focus on technique.

00:44:43But let's see,

00:44:44Isn't this homemade porn?

00:44:45Well, the camera

00:44:46on top of the shelf

00:44:47of all time.

00:44:48Come on, get lost.

00:44:48But if at that moment

00:44:49about the climates I wanted to do

00:44:50a choppy movement,

00:44:51in the style of Amenábar,

00:44:51when the protagonist

00:44:52He jumps from the Picasso Tower.

00:44:53Look, leave her alone.

00:44:54Nicole Kidman is there

00:44:54like, star

00:44:55And nobody can stand her.

00:44:56Please.

00:44:58Hey,

00:44:59and from this

00:45:00Not a word to anyone, okay?

00:45:04Come on,

00:45:06The sooner we start,

00:45:07We'll finish before then.

00:45:09This is already recording.

00:45:10As soon as I enter,

00:45:12The matter begins.

00:45:13You've learned your script, haven't you?

00:45:14Yes.

00:45:16Oh, doctor, doctor,

00:45:17It hurts so much here.

00:45:19But Bethlehem,

00:45:19Make a slutty face,

00:45:20Otherwise, this is impossible.

00:45:22Oh, that's low.

00:45:23I'm falling.

00:45:24Three,

00:45:24and action.

00:45:29So, Natalia,

00:45:31muse of eroticism

00:45:32Rellano par excellence,

00:45:33proposes a trio

00:45:34And you're thinking about it.

00:45:36But it doesn't fall off.

00:45:37the look of shame on his face.

00:45:38They're doing the right thing.

00:45:39Juan is here now.

00:45:40so that they may defile him

00:45:41to the firstborn.

00:45:42Okay, let's see,

00:45:43to have a threesome

00:45:43It's a complex thing, isn't it?

00:45:45Besides,

00:45:45She is the sister of a colleague.

00:45:47We must respect.

00:45:48Come on, man,

00:45:48Don't make excuses.

00:45:49What happens

00:45:50You're all scared shitless.

00:45:51Would you like to

00:45:52have to do it

00:45:52With this guy staring, naked?

00:45:54Man,

00:45:54so she has

00:45:55who to talk to

00:45:55when you fall asleep.

00:45:56If you want

00:45:57I will illustrate for you

00:45:58with my experience.

00:45:59Your experience with what?

00:46:00Yes, that's it.

00:46:01I've dreamed of threesomes

00:46:02with Benoît and Marta Sánchez,

00:46:03with Ana Rosa Quintana

00:46:04and Campos

00:46:05and with Sergio

00:46:06and with Sergio and Stibari.

00:46:08Sergio just watched.

00:46:10Dad,

00:46:11Your world scares me, huh?

00:46:12Do you know what I think?

00:46:13That Natalia

00:46:14He's messing with us.

00:46:15Sure, if we accept

00:46:16the trio

00:46:16the first one to back down

00:46:18It's her.

00:46:18It's true.

00:46:19If I wanted to get serious about it

00:46:20would not have been chosen

00:46:21to you.

00:46:21It's absurd, come on.

00:46:22So the girl

00:46:23wants to play.

00:46:24Well, let's play.

00:46:26Of course.

00:46:27We're going to tell him

00:46:27There's something going on tonight.

00:46:28Let's see what he does.

00:46:29Come on.

00:46:33Well,

00:46:33What about porn videos?

00:46:35Are the votes starting yet?

00:46:36Or what?

00:46:37I bet you've missed it

00:46:38the deadline?

00:46:38No,

00:46:39I sent it before twelve o'clock,

00:46:40man,

00:46:40It has to be ready.

00:46:42That's tense, isn't it?

00:46:42Now I know what Rosa felt

00:46:43when he went to Eurovision.

00:46:45Hey,

00:46:45What a hassle in a copy

00:46:46for once a friend

00:46:47He's in a movie.

00:46:48Child,

00:46:48that you are very small

00:46:49to see these things,

00:46:50Pussy.

00:46:50Kid,

00:46:51I'll give you my hard drive.

00:46:52That's really bad, isn't it?

00:46:53Oh, here it is.

00:46:54Genital Hospital

00:46:55with Rocco Delgado

00:46:56and Terellu Osborne.

00:46:57Terellu Osborne?

00:46:58And what's that name?

00:46:59Well, one,

00:47:00who is a porn star.

00:47:01Look!

00:47:02You came in second place!

00:47:03€10,000 prize, mate!

00:47:05But how many seconds?

00:47:06Who won?

00:47:06Hey,

00:47:07well, an orgy

00:47:07of Japanese tourists,

00:47:09the bus blues.

00:47:10Download it,

00:47:11Let's see what it's about.

00:47:12Do you see it?

00:47:13That's what happens when there's talent.

00:47:14I'm being wasted here.

00:47:15I'm going to tell Belén.

00:47:19Message received.

00:47:20Juan,

00:47:21I need to see you tonight.

00:47:23I've got the president unleashed.

00:47:25So what are you going to do?

00:47:26I don't know.

00:47:27Do you know any of them?

00:47:28cheap hotel?

00:47:29Make it easy to leave

00:47:29Without paying?

00:47:32Nativity scene,

00:47:32We've arranged to meet for a second.

00:47:34Shh!

00:47:34Don't shout!

00:47:36We've been chosen

00:47:362,000 euros.

00:47:37But you can keep it all,

00:47:38that you need it most.

00:47:39What is 10,000?

00:47:40I've seen it

00:47:41on Carmen's computer?

00:47:42What are you saying?

00:47:43But if at your house

00:47:43There is no internet.

00:47:44No,

00:47:44but in Juanco's

00:47:45it is like this

00:47:45and its signal doesn't arrive.

00:47:47Really?

00:47:47How much damage?

00:47:48What is the wiki doing?

00:47:49Wow!

00:47:49You tried to steal from me

00:47:50on my end.

00:47:51You're the worst.

00:47:52Well,

00:47:52But history

00:47:52I thought of it,

00:47:53No?

00:47:53Creative talent

00:47:54It has to be paid for.

00:47:55Shh!

00:47:59Good morning.

00:48:00Will they be for you?

00:48:05Did you see the way he looked at me?

00:48:07He downloaded the video

00:48:08and he's seen it three times already.

00:48:09Nativity scene,

00:48:09that they only give that

00:48:10four solitary paquillas.

00:48:11Are you sure?

00:48:12Why am I not recognized?

00:48:13No.

00:48:13Don't get paranoid on me.

00:48:14It's just how I see someone

00:48:15I'm dying.

00:48:16But look on the bright side,

00:48:18Pussy,

00:48:18that you never see the bright side

00:48:19to nothing.

00:48:19We have won 5,000 euros

00:48:21each,

00:48:21That's what he earns.

00:48:22a president of the government

00:48:23in a month

00:48:24or Ronaldo there

00:48:25with a couple of dribbles.

00:48:26You're right.

00:48:26With that money

00:48:27I pay the mortgage

00:48:28and I'll give you your money back

00:48:29Lucia.

00:48:29Well,

00:48:29and I have 800 euros left over

00:48:31for a treat

00:48:31that I'm going to give myself right now.

00:48:33Nativity scene,

00:48:34save,

00:48:34put it in a pension fund

00:48:36that you are no longer a child.

00:48:37Shut up already,

00:48:37heavy.

00:48:38He's got no brains.

00:48:40And what do I buy?

00:48:42Should I change my motorcycle?

00:48:45I'm not leaving here,

00:48:47Leave me alone.

00:48:48Oh,

00:48:49Andrew,

00:48:50silly,

00:48:51that's me.

00:48:52Can you step out for a second?

00:48:54I don't know anymore,

00:48:55What a great moment!

00:48:56Why bother getting dressed up?

00:49:00Hello,

00:49:01how are you?

00:49:03Hey?

00:49:04Would you like to go?

00:49:06the two of them to have dinner together

00:49:07tonight

00:49:07To a beautiful place?

00:49:09Have you smoked something weird?

00:49:11No,

00:49:12But that's normal.

00:49:13among divorced people

00:49:15that good karma.

00:49:16Well,

00:49:16if you pay.

00:49:17That,

00:49:18very romantic.

00:49:19Well,

00:49:19So we'll meet at nine.

00:49:20sharp,

00:49:21Hey?

00:49:21Soon,

00:49:22Because otherwise I

00:49:22Then I dream strange things.

00:49:26Bye bye.

00:49:34Marten,

00:49:36I am Juan.

00:49:37We agreed to meet at eight thirty.

00:49:40at the boarding house

00:49:41Loli.

00:49:43Room in name

00:49:44from Homer Simpson.

00:49:48Kisses.

00:49:49Message sent.

00:49:52Mariano?

00:49:53Yeah?

00:49:55I don't understand.

00:49:56I've been here a whole day

00:49:57without receiving messages from Marta.

00:49:59Suddenly he has disappeared

00:50:00without giving any explanation.

00:50:01Juan,

00:50:01Understand her.

00:50:02The pain is healing.

00:50:04of an impossible love.

00:50:05Am I about to send him

00:50:05I have a message?

00:50:06No.

00:50:07I play it,

00:50:08people's feelings.

00:50:09But do you want something with her?

00:50:10No no.

00:50:12Well,

00:50:13No, I don't know.

00:50:14I adore Isabel,

00:50:15But I don't want to be either.

00:50:16in thirty years

00:50:17in a residence

00:50:18eating some baby food

00:50:18and lamenting

00:50:19of having let it pass

00:50:20This opportunity.

00:50:22Don't worry,

00:50:22At that age you'll be

00:50:23more pending

00:50:24of the prostate

00:50:24than anything else.

00:50:26Other?

00:50:26But what's wrong with him?

00:50:27to everyone

00:50:27with my prostate?

00:50:28Leave.

00:50:33Okay.

00:50:35Joke,

00:50:36the liver.

00:50:38Will it take Dio?

00:50:40I'm going to ask him.

00:50:41Man!

00:50:42The Clinton of the staircase.

00:50:44How about the pan con tomate?

00:50:46Have you already consummated the act?

00:50:47Please,

00:50:47Don't call Marta that.

00:50:48Why do they have

00:50:49to give him nicknames

00:50:49to everyone?

00:50:50It's more personal.

00:50:51We just like it

00:50:52tuning it

00:50:52to friends.

00:50:53Well,

00:50:53come on,

00:50:54come on,

00:50:54Don't get carried away

00:50:54that we have

00:50:55to find that man.

00:50:56Oh, yes, yes!

00:50:56We're leaving!

00:50:57We have

00:50:57Operation Treviño!

00:51:01Operation Treviño?

00:51:02Hey,

00:51:03Juan,

00:51:05Don't wait for me

00:51:06lifted tonight

00:51:07which is that I'm going to go

00:51:07to have dinner with Andrés.

00:51:09With Andrés?

00:51:10Yeah!

00:51:10With Andrés.

00:51:11What's happening?

00:51:12Hey, Juan,

00:51:13For God's sake,

00:51:14Don't overwhelm me,

00:51:15Hey?

00:51:15Because this is already a fence,

00:51:16You're overwhelming

00:51:17And I need my space.

00:51:19I can't breathe anymore,

00:51:20I'm suffocating.

00:51:23Uh,

00:51:24Look at me now!

00:51:31Hello!

00:51:32Oh, darling!

00:51:34But what are you doing?

00:51:34There on the ground?

00:51:36Hope.

00:51:37Oh, oh, oh!

00:51:41Oh,

00:51:41because they liked it,

00:51:43I think I've been kidnapped

00:51:44to the child.

00:51:45There were two of us

00:51:46in the park

00:51:46and I was getting closer

00:51:47a moment at the kiosk

00:51:48to make horchata

00:51:49those leather jackets

00:51:50And when I turn around...

00:51:51Ah!

00:51:52Hope.

00:51:54Oh,

00:51:55look!

00:51:56If you are here,

00:51:57He can already walk.

00:51:58Well,

00:51:59This child,

00:52:00this child

00:52:01He is a gifted child.

00:52:02We have to buy it

00:52:03a violin.

00:52:04Oh well,

00:52:04you realize

00:52:05of how it comes.

00:52:06Sold out,

00:52:07sold out.

00:52:08Yeah,

00:52:08It was the two of us

00:52:09in the park

00:52:09and then we got closer

00:52:11to the shopping center

00:52:12to put on the diapers

00:52:13from now on

00:52:14disposable

00:52:15and when...

00:52:18I've already stopped

00:52:19in the bags

00:52:19in the elevator.

00:52:20I'll be right back.

00:52:22Hello,

00:52:23child,

00:52:23How are you?

00:52:27Good.

00:52:27How are you?

00:52:28Good.

00:52:30Mauri,

00:52:30this lady

00:52:31She's drunk.

00:52:32Oh, really?

00:52:33And did you know that?

00:52:34If you said

00:52:35one yes,

00:52:35that there is no one

00:52:36He believes it.

00:52:36Ah,

00:52:36So you knew it

00:52:37both

00:52:37and you hadn't told me

00:52:38said nothing.

00:52:39Ezekiel has passed

00:52:39all morning

00:52:40with an alcoholic.

00:52:41No,

00:52:41let's see,

00:52:42let's see,

00:52:42We noticed him yesterday

00:52:43something strange about his breath,

00:52:44But this morning

00:52:44It arrived in perfect condition.

00:52:46spoke well

00:52:46and walked without problems.

00:52:48And also Mauri

00:52:49has hidden

00:52:49all the bottles

00:52:50of wine in the cupboard.

00:52:51Well,

00:52:51But how come you haven't?

00:52:52fired immediately?

00:52:52I'm reporting her.

00:52:53Hey?

00:52:54Ah,

00:52:54But can it be reported?

00:52:55to a nun?

00:52:55I thought they had

00:52:56ecclesiastical immunity

00:52:57either...

00:52:57Look,

00:52:57She's sick.

00:52:58The poor thing.

00:52:59Clear,

00:52:59since he cannot officiate mass

00:53:00Well, it has the same thing.

00:53:00some kind of trauma

00:53:01with wine.

00:53:01Well,

00:53:02So we wrote it down

00:53:03to Alcoholics Anonymous

00:53:03But he won't take care of it.

00:53:04of my son.

00:53:05Of course not,

00:53:05But we can help her.

00:53:07She is very excited

00:53:07with Ezekiel.

00:53:08The point is not to leave her alone.

00:53:10And maybe that way

00:53:10He manages to overcome his addiction.

00:53:12I mean,

00:53:12We make a calendar

00:53:13The three of them.

00:53:14Ah,

00:53:14very good.

00:53:15I mean,

00:53:15We're going to be kangaroos

00:53:16of the kangaroo.

00:53:16Very,

00:53:16very,

00:53:17It all makes perfect sense.

00:53:17Hey?

00:53:18It's good to be supportive

00:53:19But we shouldn't overdo it either.

00:53:20Hey?

00:53:20Fernando,

00:53:20in this shitty society

00:53:21Nobody helps anybody.

00:53:23And if someone deserves it

00:53:23that he be helped

00:53:24She is a nun,

00:53:25that the poor women go to Africa

00:53:26and they catch Ebola

00:53:27and diarrhea

00:53:27And nobody cares about anything.

00:53:28Ah,

00:53:29It's also given me something to talk about

00:53:30for my book.

00:53:30I'm going to write

00:53:31on human solidarity.

00:53:33I'll put a camera on it,

00:53:34Hey?

00:53:34Okay.

00:53:35Ah,

00:53:36I'm here now.

00:53:38I'm going to switch to Miguel.

00:53:39Ah,

00:53:40No,

00:53:40to Ezekiel

00:53:41I'll change it myself.

00:53:42Hey?

00:53:42You,

00:53:43Relax.

00:53:45Oh,

00:53:45Ezekiel,

00:53:46sit down

00:53:46who is very tired.

00:53:48Well,

00:53:49Well,

00:53:49Patricia is so nice,

00:53:51Hey?

00:53:51Oh,

00:53:52You've been so lucky.

00:53:53You've won the lottery.

00:53:55Now you can take good care of her,

00:53:56Hey?

00:53:57Ah,

00:53:57No,

00:53:58Ah,

00:53:58No,

00:53:58Don't worry,

00:54:00Please sit down.

00:54:00You,

00:54:00Don't worry about anything

00:54:01and sit down,

00:54:02Hey?

00:54:03Sit down.

00:54:04Eat something.

00:54:05No,

00:54:05that throws it out.

00:54:07Here.

00:54:08That.

00:54:09Very good,

00:54:09there.

00:54:10Very good.

00:54:17So,

00:54:18Will you take this lamp?

00:54:19She's divine.

00:54:20Total,

00:54:20It's adorable.

00:54:23It's 687 with 25.

00:54:25Ah,

00:54:25only?

00:54:26Yeah.

00:54:26Well,

00:54:26I'm going to take

00:54:27look,

00:54:28these little candles

00:54:29flowers from here.

00:54:31These are for you, I'll give them to you.

00:54:33women.

00:54:33How nice.

00:54:34Next week

00:54:35I'm getting some sponges

00:54:37natives of Thailand

00:54:38that exfoliate

00:54:39that you're dying.

00:54:40Yeah,

00:54:40Can you give me a little bit?

00:54:41hurry with the card,

00:54:42please?

00:54:43This takes a little while.

00:54:44Hey?

00:54:46Sorry,

00:54:47sorry,

00:54:47You are Terellus Borne,

00:54:48No?

00:54:49Who?

00:54:49Yeah,

00:54:50the porn actress

00:54:50that genital hospital one.

00:54:52Ah,

00:54:53Ah,

00:54:53Yeah,

00:54:53how are you?

00:54:54Fuck,

00:54:55That's intense!

00:54:55Can you sign an autograph for me?

00:54:56Yeah,

00:54:57Can you leave us a pen?

00:54:58Hey,

00:54:58You're famous,

00:55:00Sign one for me too.

00:55:01No,

00:55:01but if,

00:55:01I'm not very...

00:55:02Hey,

00:55:03colleagues,

00:55:03Terellus Borne is here.

00:55:05What are you saying?

00:55:06Don't shout

00:55:06And it's not that big of a deal.

00:55:08I have an aunt who has internet,

00:55:09Your video is awesome!

00:55:10But what happened to you?

00:55:11Have you injured yourself?

00:55:12Are they making a scene or something?

00:55:13No,

00:55:13a pull that doesn't warm up properly.

00:55:14Hey,

00:55:14colleague,

00:55:15colleague,

00:55:15Take a picture of me with her.

00:55:16And how did you do that with your legs?

00:55:17When were you on your side?

00:55:18I did rhythmic gymnastics

00:55:20as a little girl.

00:55:21Does the paper come out

00:55:21Or does the paper not come out?

00:55:22Now all together,

00:55:23come on,

00:55:24come on,

00:55:24but touch without nipple

00:55:25or something,

00:55:26No?

00:55:26Yeah.

00:55:26I'll be back later,

00:55:28Hey?

00:55:29But I'll be back later.

00:55:30Hey,

00:55:30Don't go,

00:55:30that you leave your card behind.

00:55:32Fuck,

00:55:33uncle,

00:55:33Terellus Borne.

00:55:34Yeah,

00:55:35But he's a bit full of himself.

00:55:36Hey?

00:55:36Go on.

00:55:46If it has to be that one,

00:55:47because my father's friend

00:55:48of the ministry

00:55:49he told me

00:55:49that Colonel Treviño

00:55:50I lived there.

00:55:51Oh,

00:55:51How nervous.

00:55:53Will it be or won't it be?

00:55:54That's very easy.

00:55:56Tereviño!

00:56:03It has turned around,

00:56:04It's him.

00:56:05Okay then,

00:56:06prick,

00:56:06update him,

00:56:07that you speak very well.

00:56:08No, no, no,

00:56:09Let's all go,

00:56:10that older people

00:56:10It gives more confidence.

00:56:11Then

00:56:12You'll have to speak,

00:56:13that you're the one who's most worn out.

00:56:14I would like to see you

00:56:15with two hernias

00:56:17and 18-12 voltage.

00:56:19Don't argue,

00:56:20I'll be right there.

00:56:21Oh,

00:56:21Vicenta,

00:56:22but tactfully,

00:56:23Hey?

00:56:27Hello.

00:56:28Colonel Treviño?

00:56:30Yeah.

00:56:31Look,

00:56:31We are friends of her daughter,

00:56:32from the hairdresser.

00:56:33We've come to talk to you

00:56:34from her boyfriend.

00:56:35Hey, Victor?

00:56:35Something has happened to him.

00:56:36No,

00:56:36He is no longer Victor,

00:56:37now her boyfriend

00:56:37His name is Yacubo.

00:56:38He's a lovely guy,

00:56:40sub-Saharan,

00:56:41without papers.

00:56:42A great athlete,

00:56:43jumping champion

00:56:44with pole vaulting in Melilla.

00:56:45Yeah.

00:56:46And they met

00:56:47when he bought

00:56:47a Bustamante album

00:56:48in the Top Manta.

00:56:49And love blossomed,

00:56:50What can we do?

00:56:51Anticipate that there will be an error,

00:56:53because my daughter

00:56:53and her boyfriend

00:56:54They love each other very much

00:56:54and Victor

00:56:55is looking for a church

00:56:56for the wedding.

00:56:57Then he shouldn't look any further,

00:56:58because Yacubo

00:56:59He got her pregnant.

00:57:00Already,

00:57:00But we weren't going to tell him that.

00:57:02The sooner I know, the better.

00:57:03which people then talk about.

00:57:04And what do you think?

00:57:06Because it seems to me

00:57:07a disgrace.

00:57:10Do you see?

00:57:11He doesn't like it either.

00:57:13Pull, pull,

00:57:13that his potato has exploded.

00:57:15Hey,

00:57:15But where are you going?

00:57:16What do we need to call?

00:57:16to an ambulance.

00:57:17She is already being taken care of.

00:57:18the lady at the kiosk.

00:57:19It is not failure to provide assistance.

00:57:23Well, what a soldier!

00:57:25as for preserving parsley.

00:57:31Emilio,

00:57:32People have recognized me

00:57:33that they hadn't seen me

00:57:34in life.

00:57:34Imagine those who actually know me.

00:57:36It must have been a coincidence, woman.

00:57:37My mother called me.

00:57:39My father got off

00:57:40the internet video.

00:57:41Go on,

00:57:41Let the family go.

00:57:42Too good

00:57:43You're out of your mind.

00:57:44Just so you know

00:57:44that you have ruined my life.

00:57:46Nativity scene,

00:57:46which is beautiful

00:57:47that they ask you for an autograph

00:57:48and recognize your work.

00:57:49The public

00:57:50has given us that award

00:57:51and fame

00:57:51It's one thing

00:57:51that you have to be to take on the role.

00:57:53So it won't suit you

00:57:53what you do now

00:57:53in the style of Obregón.

00:57:56You're such a fool.

00:57:57Runs,

00:57:58White.

00:58:04Look,

00:58:04please,

00:58:05Emilio,

00:58:06But that's intense.

00:58:08Hey,

00:58:09He didn't do that to me.

00:58:10It's just very strong,

00:58:11But it's perfectly clear.

00:58:12which is Bethlehem.

00:58:14Oh, come on,

00:58:14Take it off,

00:58:14please,

00:58:15Take it off

00:58:15that I can't see it.

00:58:16What's the matter?

00:58:17Oh,

00:58:17Inga,

00:58:18that I need sex,

00:58:19I don't plant anything

00:58:19in the 50s,

00:58:21menopause,

00:58:21you stop lubricating

00:58:22And that's all,

00:58:23And that's all,

00:58:23friends.

00:58:24Well,

00:58:24peaceful,

00:58:25now at the pharmacy

00:58:25There are some creams

00:58:26which is very clear.

00:58:27Careful,

00:58:28careful,

00:58:28Take care of me.

00:58:29No,

00:58:30No,

00:58:31calm,

00:58:31Don't pretend.

00:58:32If that video

00:58:33More people have seen it

00:58:34than Pamela Anderson's

00:58:35and her boyfriend.

00:58:36This is a country

00:58:36of the sick.

00:58:37No,

00:58:37no, the country

00:58:38the planet.

00:58:38Porn is the third largest business

00:58:40most profitable in the world,

00:58:41after the arms sale

00:58:42and the scholarship t-shirts.

00:58:44The thing is,

00:58:45Who would think of that?

00:58:46Record one of those videos?

00:58:47Inga,

00:58:47Don't get on my nerves.

00:58:48I'll call your parents

00:58:49and I tell her you're a lesbian.

00:58:50Yeah,

00:58:51They already know.

00:58:51Have you told him?

00:58:56Hello,

00:58:57Trelos,

00:58:58please.

00:58:59But you are

00:59:00Mark Jeremy,

00:59:01the porn actor.

00:59:01Well,

00:59:02I also direct.

00:59:03And how do you know?

00:59:04My address?

00:59:05It's on your website.

00:59:07Ah,

00:59:07I have a website.

00:59:08Aunt,

00:59:08It's Mark Jeremy.

00:59:10Hey,

00:59:10I've seen your work

00:59:11And I loved it.

00:59:14Would you like to participate?

00:59:14with me

00:59:15in a professional film?

00:59:17I.

00:59:18You're perfect.

00:59:20Two thousand dollars per session.

00:59:21What do you think?

00:59:23I don't know,

00:59:24I,

00:59:25Well,

00:59:25Pass me the script

00:59:26Let's see if the character

00:59:27I like

00:59:28and...

00:59:29Script,

00:59:30very good.

00:59:36Think about it

00:59:37And you call me.

00:59:38Hey?

00:59:39Yeah.

00:59:40If you like,

00:59:42co-producers,

00:59:42However you see it.

00:59:45Hey,

00:59:45in case you need them

00:59:46ordinary girls,

00:59:47Well, listen,

00:59:48just average

00:59:48that you won't find

00:59:49to none,

00:59:49Because what I really am

00:59:51It's like from below

00:59:52of the average,

00:59:52I don't want to say

00:59:53as from...

00:59:53As since...

00:59:55Well,

00:59:56What does it feel like?

00:59:56Being a porn star?

00:59:58Hey,

00:59:58You didn't prepare me

00:59:59a hidden camera

01:00:00or something,

01:00:00No?

01:00:01Oh,

01:00:02girls,

01:00:02I have an appointment

01:00:03with Mar Jeremy

01:00:04tonight.

01:00:05Wow!

01:00:05I had waxed.

01:00:06What are you going to do?

01:00:08I don't know,

01:00:10No...

01:00:11That's intense.

01:00:14But is Mar Jeremy

01:00:15Jeremy?

01:00:16Mar Jeremy.

01:00:18Oh,

01:00:18How scary.

01:00:21Oh,

01:00:21My God,

01:00:22Marisa,

01:00:22We've ruined it

01:00:23to a colonel,

01:00:24to a father,

01:00:24to a servant of the homeland.

01:00:26Peaceful,

01:00:27Pussy,

01:00:27that with extremization

01:00:28They forgive you everything.

01:00:30Besides,

01:00:30That's fine too.

01:00:31The one who loves you

01:00:32I was doing it

01:00:32word of mouth.

01:00:33Already,

01:00:34But what did we know?

01:00:35That man

01:00:35He had heart problems.

01:00:37What bothers me the most

01:00:38because already

01:00:39at this hour,

01:00:40Mary and James

01:00:41They don't come.

01:00:42Tonight

01:00:43we stayed

01:00:44without passion of cops.

01:00:46No!

01:00:46They're here!

01:00:47They're here!

01:00:50Oh my God!

01:00:52Let's see what they say about the father.

01:00:53If we look like the Pope,

01:00:55all day

01:00:56leaning out from a balcony.

01:00:58Jacob.

01:01:02My father has died.

01:01:07What happened?

01:01:08Well, I don't know,

01:01:09He was so calm

01:01:10buying the newspaper,

01:01:11They approached him

01:01:12some ladies,

01:01:13I don't know what they told him,

01:01:13who fell instantly.

01:01:15Is the police there?

01:01:16Investigating it?

01:01:17I'm sorry,

01:01:18my love.

01:01:19You must be devastated.

01:01:21No way?

01:01:21But if my father

01:01:22It made my life miserable.

01:01:23And also

01:01:24We can get married now.

01:01:25How beautiful!

01:01:27Colonel Treviño

01:01:28has given his life

01:01:29for the love of his daughter.

01:01:30Man,

01:01:31It's a romantic vision.

01:01:32of a despicable act.

01:01:33We can't get married.

01:01:35There's something I haven't told you.

01:01:36He is sick.

01:01:37He has left

01:01:38three months old.

01:01:40I'm already married.

01:01:42In Nigeria

01:01:42I have a wife

01:01:43and two daughters

01:01:44and six goats.

01:01:49Well,

01:01:50like the one who has

01:01:51an uncle in Granada

01:01:52who isn't even an uncle

01:01:52It's nothing.

01:01:54I came to Spain

01:01:54to give to my family

01:01:55a new life

01:01:57and with the money

01:01:58that I have been sending them

01:01:59my wife

01:02:00is going to buy

01:02:00an airplane ticket

01:02:01and tomorrow arrives

01:02:02with the girls.

01:02:03Who have they left with?

01:02:04The goats?

01:02:05With the mother-in-law.

01:02:06How should I know?

01:02:10But don't cry.

01:02:13Look, look.

01:02:15Tomorrow,

01:02:16I'll bring it tomorrow.

01:02:17here to my wife

01:02:18and I tell him

01:02:19that I'm in love

01:02:20of you

01:02:21And I want you to be there.

01:02:22your present.

01:02:22Why me?

01:02:24Just in case he takes it the wrong way

01:02:26How do you have the gun?

01:02:29I love you.

01:02:32This one's from the snake charmer

01:02:33interactive

01:02:33That's a point, huh?

01:02:34Yes, tomorrow

01:02:35We have a great episode.

01:02:39What time

01:02:40Shall we meet tomorrow?

01:02:41At ten o'clock.

01:02:45Oh, I don't have time.

01:02:46from going to the hairdresser.

01:02:48Peaceful,

01:02:49that bun

01:02:50can handle anything they throw at it.

01:03:01I mean,

01:03:02that is still standing

01:03:02That's the thing, isn't it?

01:03:03Man,

01:03:04of course.

01:03:05You're going to live

01:03:06an experience

01:03:06that...

01:03:08Well,

01:03:09Well, I'm going to the bathroom

01:03:10Just a moment.

01:03:11Nervous?

01:03:12No.

01:03:15Did you see?

01:03:16It's messed up.

01:03:17He has asked

01:03:18a timeout.

01:03:19See?

01:03:20Let's go to the bedroom.

01:03:21We took off our clothes

01:03:22And you'll see.

01:03:22who soon runs away.

01:03:24Poor thing,

01:03:24it has to be

01:03:24having a bad time.

01:03:30Hello.

01:03:32Hello.

01:03:34Okay, so what?

01:03:35You take off your clothes

01:03:36or you need help.

01:03:38I'm already here.

01:03:41Yes, yes, yes.

01:03:43Us too.

01:03:44Yeah,

01:03:45Well,

01:03:45we had seen you

01:03:47a little tense

01:03:47And that's why...

01:03:48I?

01:03:49Because?

01:03:51Hey,

01:03:51if you're going to feel

01:03:52more comfortable

01:03:53doing it one by one,

01:03:54for us

01:03:54no problem.

01:03:55Well,

01:03:55But you take it away.

01:03:56all grace.

01:03:57Clear,

01:03:58clear.

01:03:58No,

01:03:58But how wonderful!

01:03:59which was so that

01:03:59The work will not pile up.

01:04:02Well,

01:04:02look,

01:04:02if you're not going to be comfortable

01:04:03I'm leaving and we'll still be friends.

01:04:04No,

01:04:05No,

01:04:06No,

01:04:07come on.

01:04:09Wait a moment.

01:04:11Acuñago.

01:04:16Hey,

01:04:17who doesn't back down,

01:04:18What do we do?

01:04:20Well, we'll have to throw it away.

01:04:21forwards.

01:04:21Fuck,

01:04:22uncle,

01:04:22let's see,

01:04:23Let's get organized.

01:04:25I'll start,

01:04:26classic style,

01:04:26preliminary

01:04:27and standard intercourse.

01:04:29What should I do?

01:04:30You?

01:04:31You stand next to

01:04:31and I don't know,

01:04:33play something for him

01:04:33or you touch yourself.

01:04:35And the light is on

01:04:36or turned off?

01:04:36No,

01:04:37No,

01:04:37turned off.

01:04:38If I see you

01:04:38I get blocked.

01:04:39Already,

01:04:39But what if we don't see each other?

01:04:40probably

01:04:41someone plays something

01:04:42that you shouldn't touch.

01:04:44Come on,

01:04:44Let's go inside

01:04:45What are they going to believe?

01:04:45that we are nervous.

01:04:46Come on.

01:04:47I don't see this.

01:04:48Roberto.

01:04:48Me neither.

01:04:51That's it.

01:04:52What if we tell him

01:04:53which is not romantic

01:04:55And that's how we saved a little.

01:04:55Pride?

01:04:56Don't fool yourself,

01:04:57Pride fades away

01:04:58but at least

01:04:59We lose it together.

01:05:00Okay.

01:05:12How are you?

01:05:13All good?

01:05:14Yeah,

01:05:15Yeah,

01:05:15Yeah.

01:05:16Well,

01:05:17No,

01:05:18Carlos can't.

01:05:21The comparison frightens him.

01:05:23How are you

01:05:23with self-esteem

01:05:24so low,

01:05:25No...

01:05:25No,

01:05:26look,

01:05:26It's just that I've realized

01:05:27that Roberto

01:05:27He has homosexuality

01:05:28latent

01:05:29and it cut me off

01:05:30the roll.

01:05:30Come on,

01:05:31that you back down.

01:05:32I believed you

01:05:33more modern.

01:05:34I don't know,

01:05:34more advanced.

01:05:36Well, she's dressed.

01:05:37I can already see it.

01:05:40What did I tell you,

01:05:41Hey?

01:05:41You owe me 50 euros.

01:05:42But look at that

01:05:43You're losers,

01:05:44Hey?

01:05:44Right now

01:05:44They tell him

01:05:45the ones from the video store.

01:05:46No,

01:05:46Don't even think about it.

01:05:47Josemi!

01:05:47Runs!

01:05:54Here,

01:05:55here,

01:05:56here,

01:05:57There's no one living there.

01:05:58Here,

01:05:59here,

01:06:00There's no one living there.

01:06:04Everything's great!

01:06:05No?

01:06:06We finally got out

01:06:07both winning

01:06:08with divorce,

01:06:09you with a native bohemian

01:06:11autumn bachelor

01:06:12in the center

01:06:14and me with a family

01:06:16and a man

01:06:17that does not disappoint

01:06:18tax authorities.

01:06:19Isabel,

01:06:20Didn't you feel like it?

01:06:21have dinner with me?

01:06:22You brought me here

01:06:23to make Juan jealous.

01:06:25No!

01:06:26No,

01:06:27No,

01:06:27No!

01:06:28I don't!

01:06:29Man,

01:06:29please!

01:06:30No!

01:06:31No!

01:06:33Well,

01:06:33a bit.

01:06:34Yeah,

01:06:35I don't care.

01:06:36Hey?

01:06:36At this point

01:06:37I'm not one for pride,

01:06:38fools.

01:06:41I am convinced

01:06:42that he's cheating on me

01:06:43with the...

01:06:45the...

01:06:46and the...

01:06:47Say it!

01:06:48Nothing will happen!

01:06:49With the fox

01:06:50that one from the president

01:06:50next door.

01:06:51No,

01:06:51women,

01:06:52Don't exaggerate.

01:06:53A little kiss

01:06:54It doesn't mean anything.

01:06:56What do you mean, just a little kiss?

01:06:58But have they kissed yet?

01:06:59I said a little kiss,

01:07:00No,

01:07:01No,

01:07:01a bit.

01:07:03No,

01:07:04No,

01:07:04How can you say that?

01:07:05a bit

01:07:06Doesn't it mean anything?

01:07:07That doesn't make sense.

01:07:09Hey,

01:07:09You're thinner,

01:07:11No?

01:07:11Don't change the subject.

01:07:13Yeah,

01:07:13I've lost...

01:07:15again

01:07:16in spite of nothing.

01:07:18My God,

01:07:18I resign.

01:07:20I entered the Poor Clares convent.

01:07:21Come on,

01:07:22come on,

01:07:22happiness.

01:07:23Waiter,

01:07:24champagne,

01:07:25I don't want champagne.

01:07:28Whiskey.

01:07:30Come on.

01:07:32Off?

01:07:34Cash.

01:07:37Well,

01:07:38Better off.

01:07:39In the throes of orgasm

01:07:40I give the light.

01:07:43Juan.

01:07:44Correct,

01:07:45happens.

01:07:48I love this site

01:07:50that you have chosen.

01:07:51There was nothing more depressing.

01:07:54Take off your clothes.

01:07:56Why are you talking to me?

01:07:57in a vague voice?

01:07:58Because here

01:07:59the partitions

01:07:59They are very thin.

01:08:02You'll believe it

01:08:03I'm nervous.

01:08:06Feel

01:08:07like when traveling

01:08:07end of term.

01:08:10Don't pick it up.

01:08:11Let it play.

01:08:12No,

01:08:13wait.

01:08:14I answer

01:08:15and I turn it off.

01:08:17Yeah,

01:08:18So.

01:08:19Marten,

01:08:20are you OK?

01:08:20How you've left me

01:08:21sending messages

01:08:22I was a little worried.

01:08:24Sorry,

01:08:24who are you?

01:08:25Who's it going to be?

01:08:26Juan.

01:08:30Hey?

01:08:36Ta-da!

01:08:38This is what it is.

01:08:39Oh,

01:08:39that you leave me in peace

01:08:40I'm asking you please.

01:08:41But you're going to leave me like this

01:08:42I saw her recording a pasta.

01:08:44Marten,

01:08:45But who are you with?

01:08:46Well, with one of your neighbors

01:08:47that has gotten into my bed.

01:08:49Bring him, he's my best friend

01:08:50Let him hear it from me.

01:08:51Don't touch my phone.

01:08:53Mariano.

01:08:54Get out of there, Marta.

01:08:55Get out of there.

01:08:55Yes, yes,

01:08:56now, now,

01:08:57I'll take a taxi now.

01:08:57And I'll call you, okay?

01:08:58Okay?

01:09:00Did you see that?

01:09:01Still!

01:09:04Oh well,

01:09:04We'll pay for the room

01:09:05half.

01:09:18That's just how I am.

01:09:18I can't watch the movie.

01:09:19I can't concentrate.

01:09:20I think we should

01:09:21take her to bed.

01:09:22As?

01:09:23Don't know,

01:09:24I've been thinking about it for a while.

01:09:25What we should do

01:09:26It's to take her to the convent.

01:09:27Because I say so

01:09:27They'll miss her, won't they?

01:09:28What's happening?

01:09:29Don't they take attendance?

01:09:30When do they pray the rosary?

01:09:31Fernando,

01:09:31I feel so good.

01:09:32This woman

01:09:33It has made me feel

01:09:34more human,

01:09:35It has inspired me.

01:09:36It's when you do something good

01:09:37Life gives it back to you.

01:09:38immediately.

01:09:42I'm going to start writing.

01:09:44Go on,

01:09:44bring a blanket

01:09:45Let's see if he catches a cold.

01:09:56I don't understand.

01:09:59I haven't heard this.

01:10:00never to happen.

01:10:01Oh, no?

01:10:02With none of the

01:10:03five thousand women

01:10:04who have you slept with?

01:10:05I don't know.

01:10:06It might be because of the mobile phone.

01:10:08Try it in your pocket.

01:10:10Well, then

01:10:12Turn it off and divert it

01:10:12to my family

01:10:13Let's see what happens.

01:10:15Hey, what

01:10:16We chatted a little

01:10:17in what you...

01:10:19It's just that I'm getting it

01:10:20the dream.

01:10:21If you don't mind

01:10:22I'm going to rest a little.

01:10:25It's just that this week

01:10:26I've already made four films.

01:10:28Clear.

01:10:30Nothing, well, I already

01:10:31I'm going to see

01:10:32a little bit of TV.

01:10:34That's how I unwind.

01:10:36Holy shit and all.

01:10:46What is it?

01:10:47What is it?

01:10:48That?

01:10:49That?

01:10:50I've left it there.

01:10:51fast asleep.

01:10:52If I've put it in

01:10:53a fishing rod or...

01:10:54No, but, but, but,

01:10:56tell more.

01:10:56There are so many things.

01:10:57I don't know.

01:10:58How are you?

01:10:59Okay, okay.

01:10:59Well, very professional.

01:11:01Yes, yes, yes.

01:11:02One, one technique

01:11:04That's pretty good, huh?

01:11:05Of rhythm.

01:11:06Okay, that's great.

01:11:08Yes, yes, yes.

01:11:09Highly notable.

01:11:09I'm going to take

01:11:10twelve or thirteen cups

01:11:10to celebrate.

01:11:12Dale.

01:11:18Hey, he says he's asleep.

01:11:19He's probably naked.

01:11:21Belin!

01:11:22Well, daughter,

01:11:22It's curiosity.

01:11:24But how did he come up with that?

01:11:25impersonate me

01:11:26in front of Marta?

01:11:26She's left her

01:11:27completely exposed.

01:11:28Juan, I've tried

01:11:29to protect you every minute.

01:11:31Stay away from that harpy.

01:11:32That he wanted to sink

01:11:33a family nucleus

01:11:34of those that remain.

01:11:35No, no, sorry.

01:11:36You wanted to brush it.

01:11:37Alright.

01:11:38Ah, but they are

01:11:39synergies of friendship.

01:11:41Look, Juan,

01:11:41You and I are friends

01:11:42for the good

01:11:42and for the bad.

01:11:43Now comes the good part,

01:11:45But when I arrive

01:11:46the bad stuff too

01:11:46I'll be there.

01:11:54By the way, Juan,

01:11:56Are you drunk?

01:12:00Yes, but that only means

01:12:02that I'm going to take a while

01:12:03a little more

01:12:05in packing the suitcase.

01:12:08Excuse me.

01:12:10Take the dinner check

01:12:12in case you want to claim a tax deduction.

01:12:16See?

01:12:17This is what I wanted to protect you from.

01:12:22It's a shame.

01:12:24He doesn't value me.

01:12:25We're going to drift apart.

01:12:30Take care of yourself, what's wrong?

01:12:32Nothing.

01:12:34Can I help you with anything?

01:12:38No, no, no.

01:13:11No no.

01:13:22Please,

01:13:23I don't understand anything.

01:13:25Let's sit down

01:13:26and we talked things through.

01:13:27Oh no, not sitting down.

01:13:29I'm falling asleep.

01:13:30This dog.

01:13:30Sure, maybe

01:13:31That's what you need.

01:13:32Rest, darling.

01:13:33And tomorrow...

01:13:34Yeah.

01:13:35Juan.

01:13:36Juan, tomorrow, tomorrow.

01:13:38You're a stive.

01:13:42That's it, darling.

01:13:45Oh, darling, no.

01:13:46I, Juan,

01:13:47I have lost confidence

01:13:48in this relationship.

01:13:49Yeah.

01:13:51When there is disgust and trust

01:13:52and when there isn't one,

01:13:53Well, there's nothing.

01:13:54And if there is nothing,

01:13:55I'm leaving.

01:13:58You have a...

01:13:59Say goodbye to the children for me,

01:14:00please.

01:14:01and that first I want

01:14:02that they see me

01:14:02under these conditions.

01:14:11What a mess you've made, man!

01:14:13It's because the sane ones

01:14:13You have to think about it very carefully, Dad.

01:14:15I haven't done anything.

01:14:21Oh, good morning.

01:14:22It's almost time.

01:14:23How nerve-wracking.

01:14:24I haven't slept a wink.

01:14:26We should have rented

01:14:27the other balcony

01:14:27how did people do it?

01:14:28at the prince's wedding.

01:14:29Come on, come on, come on.

01:14:30Hurry up.

01:14:30Let's see if anyone

01:14:31He's going to sit on the bench

01:14:32and it annoys us in the chapter.

01:14:36And the bank?

01:14:40What do you mean you're thinking

01:14:41make a porn movie?

01:14:42Are you serious?

01:14:44But how am I supposed to be?

01:14:44Are you serious?

01:14:45I already told my uncle

01:14:46no.

01:14:47That's bad luck too.

01:14:48for once

01:14:49that I am valued professionally

01:14:50even my father

01:14:51was waiting

01:14:52of my artistic career.

01:14:53Okay, come on, relax.

01:14:54that these things

01:14:54They happen for a reason.

01:14:55You'll see how

01:14:56You'll get a better job now.

01:14:57You think?

01:14:58Or maybe not,

01:14:59But that's what they say

01:15:00in these cases.

01:15:01Oh, Emilio,

01:15:01I'm completely lost in life.

01:15:03Okay, but you have me.

01:15:04with me by your side.

01:15:04No, that's what I mean.

01:15:05Look, so you can follow

01:15:06paying off the mortgage

01:15:07we can do

01:15:08Genital Hospital 2

01:15:09orgy at the UV.

01:15:10Drop the subject already.

01:15:11from the videos, please.

01:15:12Yes, silly,

01:15:13and this summer

01:15:13We're going on tour

01:15:14through beach nightclubs.

01:15:16That's where the money is.

01:15:18Of course they've removed it

01:15:18the bank.

01:15:19I complained to the city council.

01:15:21Was that what they wanted?

01:15:22When have we said

01:15:23Is that us?

01:15:24Yes, we already said it.

01:15:25Be quiet.

01:15:26Look, I don't have

01:15:26the blame for their dementia.

01:15:28Quite a few problems

01:15:28I already have it.

01:15:29Isabel, you've left home.

01:15:31Normal,

01:15:31if you put on shoes

01:15:32to the tomato sauce.

01:15:33That I haven't put on shoes

01:15:34to no one.

01:15:34Mr. John,

01:15:36It's here, huh?

01:15:37It's that I didn't want to

01:15:38wake her up.

01:15:38Isabel.

01:15:39And what is he doing there?

01:15:40Well, he hasn't found it.

01:15:41the second button

01:15:42and he will have become discouraged.

01:15:44Hey, it's not like this story

01:15:45That doesn't make a point, does it?

01:15:46That she has it.

01:15:47But I prefer the other one

01:15:48and we have 15 minutes left

01:15:49to find a bank.

01:15:50I know a store

01:15:51second-hand items.

01:15:52They might have something going on.

01:15:53Where is?

01:15:54Here, next door,

01:15:55to the cigars.

01:15:55Come on, let's go, let's go!

01:15:56Come on!

01:15:57Juan!

01:15:57Come with us!

01:15:58This doesn't have

01:15:59Paying the community fees!

01:16:00But what does it say?

01:16:01It doesn't matter,

01:16:02If I know

01:16:02the account number

01:16:03from when I was president.

01:16:04Hey, don't even think about it, okay?

01:16:06Hey, Emilio,

01:16:06Isabel takes up to the house

01:16:07and lay her down.

01:16:08I'll be right back.

01:16:09Hey, hey, hey!

01:16:16Doña Isabel.

01:16:17Let's go to bed, beautiful.

01:16:19Emilio, leave her alone

01:16:19who is very comfortable there.

01:16:20And leave it a little longer.

01:16:22But I'm going to leave

01:16:23a little more

01:16:23that he's going to catch pneumonia.

01:16:25Look at her.

01:16:27Hope is preparing him

01:16:29the bath for Ezekiel.

01:16:29She looks PDT,

01:16:30But better than yesterday.

01:16:31He is fighting.

01:16:32This woman has reconciled me

01:16:34with the human species.

01:16:34Behold,

01:16:35I almost have

01:16:36a chapter of my book.

01:16:37It begins when

01:16:38the brave alcoholic missionary

01:16:39She is about to be raped

01:16:40by the 20 Hutu guerrillas.

01:16:43Wait.

01:16:44That?

01:16:44No, I'll give a little bit

01:16:46backwards.

01:16:48Already.

01:17:02But what are you doing with my wallet?

01:17:04A donation

01:17:04for surfer kids

01:17:05tariff.

01:17:07And wait,

01:17:07that now catches you

01:17:08a bottle of wine

01:17:09from the closet.

01:17:19The bathroom is ready.

01:17:23Can we talk for a moment?

01:17:25Yeah,

01:17:25We are waiting

01:17:26that he gives us an explanation.

01:17:28I'm going to quit this job.

01:17:31I'm not happy.

01:17:33Sorry?

01:17:34I don't feel valued.

01:17:36Yesterday I was here for 14 hours

01:17:38and nobody has said

01:17:40no way of paying for them.

01:17:41Why 14?

01:17:42He spent 9 hours snoring

01:17:43on the sofa?

01:17:44Besides,

01:17:44if you have already charged them.

01:17:46But how can that be?

01:17:47so ungrateful

01:17:47that we have poured ourselves into

01:17:48to help her

01:17:49How can you overcome your problem?

01:17:50What's the problem?

01:17:51Hope,

01:17:52acknowledge that you have

01:17:53a problem with alcohol.

01:17:54Oh, no, no.

01:17:55No, no, no.

01:17:56The one who has the problem

01:17:57He's your boyfriend,

01:17:58that she has stored in the closet

01:18:00more than 20 bottles of wine.

01:18:02So that you don't drink them yourself?

01:18:03But, man,

01:18:04please,

01:18:04Don't get like that.

01:18:06If these things exist,

01:18:07They are discussed.

01:18:08Get out of here

01:18:09right now,

01:18:10please.

01:18:10I'm sorry,

01:18:11by Samuel.

01:18:12He was grabbing me,

01:18:13dear,

01:18:13But it just came out

01:18:14a job

01:18:15in a store

01:18:16custom frames

01:18:18and the conditions

01:18:19They are better.

01:18:22I'll send it to you.

01:18:24the bill

01:18:24by email.

01:18:29Well,

01:18:30Mauri,

01:18:30Look on the bright side,

01:18:31I have inspired you

01:18:32to write.

01:18:39It's locked.

01:18:40But it can't be either.

01:18:41so difficult

01:18:41write a book.

01:18:42Ricardo Bofill

01:18:43It has two.

01:18:43That's what I say.

01:18:46What I haven't understood

01:18:48That's what happened to him

01:18:48to the girl's father,

01:18:49to the colonel this.

01:18:51Natural death.

01:18:52What have you done?

01:18:53Would you be happy if you gave it to him?

01:18:54They are going to leave

01:18:55to another place.

01:18:56I think it's that

01:18:56This sofa here

01:18:57It's not relevant.

01:18:58Daughter,

01:18:58because there wasn't one

01:18:59another thing.

01:19:00It can be a program

01:19:01of the city council

01:19:01to improve

01:19:02quality of life

01:19:03of the homeless.

01:19:03They're coming!

01:19:04Yacubo is coming out

01:19:06from the subway!

01:19:07Take your seats!

01:19:14How are you with her?

01:19:15Me too?

01:19:16And girls?

01:19:17And the goats?

01:19:18Chinua,

01:19:19You won't lack anything.

01:19:20How did I say

01:19:21What is it called?

01:19:22Chenua?

01:19:23No, Chinua.

01:19:24Quiet us down for a little while,

01:19:25please.

01:19:25I will follow you

01:19:26sending money.

01:19:27I don't want money!

01:19:28I work here.

01:19:29What am I doing in Spanish?

01:19:30Five years, huh?

01:19:31Yudón pasmac!

01:19:32Yacubo, Adetelio!

01:19:33Yudón pasmac!

01:19:34Distantly...

01:19:35We don't know anymore

01:19:36What do you do?

01:19:37They already have this for us

01:19:38to subtitle.

01:19:41You can stay

01:19:42in Spain if you want.

01:19:43But I am

01:19:44in love with Maria

01:19:45And we're going to get married.

01:19:47Do you want him?

01:19:50With all my heart, ma'am.

01:19:52What do you want?

01:19:55He understands, doesn't he?

01:19:56Yes, you're coming back

01:19:58from Italy with me.

01:20:00I'm staying

01:20:00in Spain with Maria.

01:20:01Of course,

01:20:02Yacubo, be strong.

01:20:03I'm turning myself in.

01:20:04You're illegal here.

01:20:05You don't have papers.

01:20:05You're illegal here.

01:20:06Hey, you!

01:20:08Leave him alone!

01:20:09He is happy with Maria!

01:20:10Hey, Noa is right.

01:20:12If you are married in Africa,

01:20:14You're married here.

01:20:15That is sacred.

01:20:17She doesn't care.

01:20:18Yacubo.

01:20:18He's only interested in money.

01:20:19Fixed,

01:20:20To you, the immigrants

01:20:21They throw you out.

01:20:23Why don't you look for yourself?

01:20:24to another?

01:20:25To my sister

01:20:25Manolo left her too

01:20:27And look,

01:20:27He hardly remembers anymore

01:20:29his.

01:20:29And Yacubo

01:20:30What the hell do you care?

01:20:31what made me

01:20:32To me, Manolo?

01:20:33Excuse me,

01:20:33But you

01:20:34Who are they?

01:20:35Don't worry

01:20:35that we will not leave

01:20:36Let them throw him out.

01:20:37If you need a permit

01:20:38work,

01:20:39We hired him.

01:20:40Right?

01:20:41Yeah.

01:20:42Uh, that kind of stuff.

01:20:43They must be approved at a meeting.

01:20:44Oh well,

01:20:45He could be one of Emilio's interns.

01:20:46You vote in favor.

01:20:48Oh, I didn't wish for it.

01:20:49a crazy mot,

01:20:50Mai?

01:20:51Diz la mi man.

01:20:52Hey?

01:20:52I was saying

01:20:52Diz la mi man

01:20:53a crazy mot.

01:20:55I translate.

01:20:55It is being agreed

01:20:56of all our dead.

01:20:58Where is he now?

01:20:59Where is he now?

01:21:02You look,

01:21:03the knee semi-flexed

01:21:05to avoid carrying the weight

01:21:06in the kidneys.

01:21:07And it's very important

01:21:08the position of the arms

01:21:09because otherwise then

01:21:10You could get an injury

01:21:11which is called

01:21:11goalkeeper's elbow

01:21:12that can ruin your career.

01:21:14You work hard

01:21:14and someday

01:21:15you will be hanging

01:21:16keys like these.

01:21:17How beautiful!

01:21:19As it sounded more

01:21:20among us.

01:21:21Yeah.

01:21:21It's incredible.

01:21:22How easy it is to change it

01:21:23life to a person.

01:21:24I have always advocated

01:21:25for a caring community

01:21:26and interracial

01:21:27that are from different cultures

01:21:29in which everyone

01:21:29and each one of us...

01:21:30Juan, don't ruin it.

01:21:31But how much will he be paid?

01:21:33The other one is already here.

01:21:34What else do you give yourself?

01:21:35If she's going to clean the house for us.

01:21:36Let's not get confused.

01:21:37integration with exploitation.

01:21:39Well, everyone does it.

01:21:40Okay, I'll see.

01:21:40How are you all doing?

01:21:41Let's see, he hasn't woken up yet.

01:21:43Likewise, he is also in a coma.

01:21:45Vicenta, for God's sake.

01:21:51Oh, and another fundamental part

01:21:53of the goalkeeper career.

01:21:54Straw at the video store.

01:21:55You discover it yourself

01:21:56And I'll be waiting for you there.

01:22:00Hey, you piece of shit, what did you think?

01:22:05Had we forgotten about you?

01:22:07Colleague!

01:22:11And what did you think?

01:22:13That I wasn't going to be prepared?

01:22:15Aren't you a little old?

01:22:17Why cause trouble?

01:22:18Hey, calm down.

01:22:19Relax.

01:22:20Things can be discussed, right?

01:22:21Yeah.

01:22:22Nothing is being opened here.

01:22:23Let's get them!

01:22:24Damn it, no, for God's sake!

01:22:26It's the petanga, which has a lot of depth.

01:22:28One has fallen.

01:22:29Let's kick him.

01:22:30Dad, don't get carried away.

01:22:31Leave them alone,

01:22:32who look like they have many grandchildren.

01:22:33We could form a caligera band,

01:22:35No?

01:22:35Like in West Side Story.

01:22:36Yes of course.

01:22:37And we'll make matching jackets,

01:22:39The Latin Killers.

01:22:40Sure, sure.

01:22:41You guys are really unbalanced, aren't you?

01:22:43What a pity.

01:22:43Nobody lives here.

01:22:53Nobody lives here.

01:23:02Nobody lives here.

Aqui no hay quien viva - 4x05 - Érase un banco en la acera - HD 1080

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