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00:00:30Concha, put on your seatbelt, I always tell you that.
00:00:33Yes, let's see if you're going to catch any turbulence.
00:00:35Every day more things hurt me.
00:00:38I don't see the King's Christmas message this year.
00:00:41Well, it doesn't really change much.
00:00:44Look at her, you're really having a good time on the cable car.
00:00:46You get me a key to the elevator, what do you have to do?
00:00:50I'm going to tell Justina to lend you Fidel's walker.
00:00:53that since he died he doesn't use it for anything.
00:00:55If he uses it, he keeps it in the bathroom to hang the cabins.
00:00:57No, no, I don't want a tacataca.
00:01:00Yes, you look more pathetic at the supermarket and that way they don't check you.
00:01:06Of course, you have to enjoy life when you're young,
00:01:09and then look how it ends.
00:01:15Hello?
00:01:19I swear to God.
00:01:23José María?
00:01:25José María, damn it?
00:01:27The lion, the trunk.
00:01:32I always give of myself.
00:01:34But can you tell me what you're doing sleeping there?
00:01:36Go on, go with Aunt Choni.
00:01:38Axle, male of the house.
00:01:40I bought the DVD to pay for a few things and he got wet.
00:01:44Normal.
00:01:44That's not how it's done, damn it.
00:01:46Well, it'll pass in two days.
00:01:48Well, I'll stay back here because I've got myself a mattress.
00:01:50Yeah, sure, man.
00:01:51Remember, sir, I'll call room service now to have your breakfast brought to you.
00:01:55Ah, the Uti.
00:01:56That?
00:01:56But don't lie down.
00:01:58But you're not doing anything, are you?
00:01:59You're going to get me into trouble, damn it.
00:02:06Okay, so what?
00:02:07It goes here, it goes there.
00:02:08Be quiet.
00:02:09Get in there.
00:02:10And shut up.
00:02:11Honey, we can't go on a sacrificial vacation right now.
00:02:14Now or never.
00:02:15Don't you see this is a countdown?
00:02:17When Natalita de la luz ended.
00:02:20Damn you.
00:02:21Will there be time for everything to die?
00:02:23No, there won't be any more.
00:02:24Juan Isabel, we'll be the grandparents.
00:02:2724-hour service.
00:02:29Imagine that we've been given two months to live.
00:02:32Come on, come on!
00:02:33Yes, you'll see.
00:02:35Good morning, how did you sleep?
00:02:37Emilio, my Formula 1 magazine has been stolen from my mailbox again.
00:02:40It tells you to be attentive.
00:02:42We're back with the magazine again.
00:02:43Let's go to the newsstand, I'll buy it for you!
00:02:46If it's not that, then those 37 square centimeters are private property.
00:02:50Poking around there is a crime.
00:02:51Of course, mailbox break-in.
00:02:53Juan!
00:02:54Tell me what I'm doing in your life.
00:02:56Everything is ahead of me.
00:02:58The presidency, the school, the children, the models.
00:03:02I was begging you for a vacation and you were worried about your car magazine.
00:03:06Tell me.
00:03:07Who is most important in your life, Fernando Alonso?
00:03:10Hey!
00:03:13They steal my magazine and he gets angry.
00:03:16According to my couples therapist, these silly outbursts are a reflection of sexual dissatisfaction, huh?
00:03:23Or not?
00:03:24Therapists say all sorts of nonsense too, what, what?
00:03:30What's he doing there?
00:03:31Hey!
00:03:33José María, man!
00:03:35What are you doing, lounging in a common area?
00:03:36And what kind of hideout is this?
00:03:38It's just that Emilio is a jerk and he's stopped staying with me.
00:03:40No, no, no, no, how could I let him? He's snuck in tonight.
00:03:43Come here for a moment.
00:03:47Mr. Juan, forgive him, he's just a boy from the neighborhood who hasn't had much luck in life.
00:03:51Me neither.
00:03:51And I don't go around urinating in other people's doorways.
00:03:53Get that individual out of there.
00:03:54The last thing I need is a junkie in the stairwell.
00:03:58Well, it doesn't look good.
00:04:00Why kid ourselves?
00:04:01Where has this woman gone now?
00:04:03Isabel!
00:04:05Isabel!
00:04:08This guy's going to be the president, right?
00:04:10But José María, how could you even think of peeing there?
00:04:13Damn, you don't have any plants here.
00:04:15Plants bring joy; they photosynthesize.
00:04:18Poop.
00:04:18Do you know I do the dishes?
00:04:19Yes, you're in no condition to do the dishes.
00:04:21No way, damn it, I'll do the dishes, I'm a professional traffic light operator.
00:04:24José María, no.
00:04:26Oh look, yes.
00:04:28You're going to do the dishes, but at night.
00:04:30At the last minute you come and give the landings a quick once-over, okay?
00:04:34You're a good friend, mate.
00:04:37I'll treat you to a muffin.
00:04:41But seriously, how long have you had that there?
00:04:43They look like eggs from Jurassic Park.
00:04:45No, damn it, they're good.
00:04:46But how can they be good if they have mold?
00:04:49No, man, no, they're the bifids.
00:04:52The bifids.
00:04:54Come on in, I'm going to make you a French omelet.
00:04:57Dad, get dressed, we have visitors.
00:04:59No one can live here, here, here.
00:05:01Not here, not here.
00:05:03Every day is like this.
00:05:06I couldn't imagine it when I came here.
00:05:08I was just looking for some peace.
00:05:10I wake up every day in the middle of a hurricane.
00:05:13No one can live here, here, here.
00:05:15Not here, not here.
00:05:16No, no, no.
00:05:17No one can live here, here, here.
00:05:20Not here, not here.
00:05:21No no.
00:05:22The house survived the rumba.
00:05:24I can't find the goalkeeper.
00:05:26My neighbors watch and listen to me.
00:05:28I can't stand it.
00:05:29In this place, they put a cocktail shaker.
00:05:35Dad, dad, dad, dad.
00:05:35You in an earthquake and a Balkan.
00:05:39Dad, dad, dad.
00:05:41And you'll have this ladder.
00:05:45No one can live here, here, here.
00:05:47Not here, not here, no, no, no.
00:05:49No one can live here, here, here.
00:05:52Not here, no, no.
00:05:54No one lives here, here, here.
00:05:56Not here, not here
00:05:58No one lives here, here, here.
00:06:01No one lives here, here, here.
00:06:05No one lives here, here, here.
00:06:07No one lives here, here, here.
00:06:10No
00:06:20Maury, are you okay?
00:06:21Vicenta says you haven't left the house for four days.
00:06:23Assuming there aren't five!
00:06:25I've passed something on to him with Fernando.
00:06:27Take a look!
00:06:28I'm fine, really.
00:06:30I don't need anything.
00:06:33Get on with your lives.
00:06:34Okay, okay, sorry.
00:06:36Well, since you're here, let me tell you.
00:06:39What's wrong? Did Fernando dump you?
00:06:41No, no, everything is fine in Tokyo.
00:06:43We spoke this morning.
00:06:45He bought me a watch with a navigation system.
00:06:46I don't know why.
00:06:48So?
00:06:49I don't know.
00:06:51And my life is shit.
00:06:53Oh no, Mauri.
00:06:55Like shit?
00:06:56You have your health, you have a job, your apartment is paid off.
00:06:59A son who loves you.
00:07:02Or a mother who needs you.
00:07:04But what is this? One, two, three?
00:07:06And a wonderful boyfriend who wants to marry you and is earning a fortune.
00:07:10What more do you want?
00:07:11That, that's the problem.
00:07:13Without Fernando, my life doesn't work.
00:07:15I've built all my happiness around him, and when he's not around I fall apart.
00:07:19I'm screwed.
00:07:21I'm going to call him.
00:07:22No, no, no, no, no.
00:07:23Look, Mauri, it's not either Fernando or death, okay?
00:07:26There's more.
00:07:28You're throwing us out.
00:07:30No, you already have your lesbian thing going on, like a happy couple with the kid and the vibrators.
00:07:36I'm very happy, let me explain.
00:07:38But there's no room for me there.
00:07:39No, it's true, there's no room.
00:07:41Why don't you spend more time with your friends, they're a lot of fun?
00:07:44You're a bunch of crazy women.
00:07:45They drag me to their queer covens.
00:07:48I love Fernando.
00:07:49I need Fernando back.
00:07:51No!
00:07:53You need to meet new people.
00:07:55Join a gym, it's the trendy way to socialize.
00:07:58In my neighborhood, I meet a lot of people every day.
00:08:01So?
00:08:02Yeah.
00:08:03The thing is, I'm not into weights...
00:08:05Oh, so you'll look your best when I get back, Fernando?
00:08:07And those classes where everyone makes a fool of themselves in front of the mirror, I just can't stand them.
00:08:12Okay, okay.
00:08:13I think you're a little soft.
00:08:19How soft?
00:08:20No, not soft.
00:08:22A fat one.
00:08:24And you'll want to go on your honeymoon to a beach destination.
00:08:26Just sitting there on the sun lounger with the critters...
00:08:28It's a shame, those photos will be with us forever.
00:08:33Hey, how much is it per month?
00:08:40Maben, would you mind posting that later?
00:08:43It's because the sun comes in here right at half an hour.
00:08:46Hey, cover yourself up a bit, I have the girl at home.
00:08:50It is good that children get used to seeing genitals naturally.
00:08:54Maben, do you have a minute?
00:08:56It's because you're new.
00:08:58We need to fill out your form for Radiopatio.
00:08:59Hey, is it normal for this guy to be down there naked?
00:09:03We leave him with my sister, because that keeps her entertained.
00:09:06Me? What if I don't look?
00:09:08So there are four of you, right?
00:09:10Higinio, the girl, and that weird brother of yours.
00:09:14No, no. Be careful, sister.
00:09:16He feels like a woman.
00:09:17But does he have a penis or not?
00:09:20Yes, it does have it.
00:09:21But she is on a waiting list for surgery through the social security system.
00:09:24And we're waiting for our pensions to go up.
00:09:27This shoemaker!
00:09:29Hey, why don't all the neighbors come over to my house tonight?
00:09:31Let's go. I'll put together a nice dinner party and we can get to know each other.
00:09:35Ah, very good. Very good. What time?
00:09:37Oh, look, the parrot's not here, the French toast.
00:09:39Well, at nine o'clock, for example.
00:09:42Hey, do you want me to bring anything?
00:09:44No, no, because then we have to bring something too.
00:09:47Mariano! For a sign down!
00:09:49Dinner at Maben's at nine!
00:09:52Just a moment, I have ten minutes left lying on my back.
00:09:54Mariano, please!
00:09:55I just don't see this as normal, you know?
00:09:58And it's a good thing you weren't looking, huh?
00:10:03Don't worry. He does the same thing every year.
00:10:07Hey, come on, don't be silly, this time of year was really bad for colds.
00:10:15Colds, Ofiana.
00:10:17How much we still have to learn from the Nordics.
00:10:21But why are you going to organize a dinner party now? Nothing's going to happen.
00:10:24These things have to be done, Eugenio.
00:10:26Do you like the chaise lounge?
00:10:27No, I'll make a steak or whatever.
00:10:30The chaise lounge, this.
00:10:32Look, look how it looks with the floor.
00:10:35Hey, what's the mission to watch TV?
00:10:36I threw it away. It was just too old.
00:10:39Well, this thing doesn't have ears.
00:10:40Let's see where I can rest my head if I get sleepy.
00:10:43Well, you never go to bed anywhere, you always just stay there snoring with the TV on.
00:10:47Go ahead, hang up the pictures for me.
00:10:48This has to look beautiful.
00:10:50I've already put the marks on you.
00:10:51Your brother will take them for you, he's taller than me.
00:10:53Come on, I don't do those things.
00:10:55No, no, you don't do that or anything.
00:10:58Damn it, earn your hormones.
00:10:59Hey, what if I take the dining room table and put it here, and we put the TV over there?
00:11:06Damn, Mom, I really...
00:11:10Hey, what a drag, right? A dinner with the neighbors.
00:11:13But they are delighted.
00:11:14These things are really exciting.
00:11:16But why do we have to have dinner with those people?
00:11:20Isabel, I am the president of the community.
00:11:22If I'm absent, I could cause resentment that leads to delays in paying the fees.
00:11:26It's true.
00:11:27You go, I'll stay here and guard the castle.
00:11:29But how am I going to go without the first lady?
00:11:31There were rumors of a crisis.
00:11:33Radio Patio would start with its gossip and rumors.
00:11:35Oh, please, gossip and rumors.
00:11:39Suddenly, it came to my mind and I deny the nonsense.
00:11:45Peña, you can't be so isolationist.
00:11:47We live in a community.
00:11:48And if new neighbors arrive, well, we'll have to...
00:11:50What are you doing?
00:11:51Hey?
00:11:51Let's see what they're cooking up.
00:11:53In case I need to go for dinner or not.
00:11:55Thank you, Isabel.
00:11:57You'll see, we'll have a great time today.
00:11:59Can I bring you the MP3 player?
00:12:01No, you can't.
00:12:02You can't tell at all, huh?
00:12:04Look, I style my hair like this.
00:12:08Dad, this can't be happening.
00:12:09I want to get the console and Natalia and Yago won't open the door.
00:12:13What's in there?
00:12:14According to them, they were watching a movie.
00:12:15I have tracery.
00:12:17But leave them in pairs.
00:12:18No, no, no, don't leave them alone.
00:12:20Natalia.
00:12:21Natalia.
00:12:22Yes, these are there.
00:12:25What have I told you?
00:12:26Don't close the door on yourselves.
00:12:28If it's to avoid disturbing others with the volume,
00:12:30as we are with Dolby Pro Logic.
00:12:31Can I have my son's game console, please?
00:12:36Here, take it.
00:12:37Don't get angry.
00:12:38And as soon as the movie is over, you're coming out, okay?
00:12:40Yes, yes, but we'll still add the extras, okay?
00:12:42Yes, the outtakes.
00:12:44But it's not old.
00:12:46It seems like an insult to my intelligence.
00:12:48And seven months pregnant.
00:12:49It's stressing my grandson out for no reason.
00:12:52Juan, Natalita is 20 years old.
00:12:53It's a different generation.
00:12:55She's probably had more sex than you.
00:12:57And they stayed together.
00:12:58But easy.
00:12:59Hey, I don't know how long I'm going to put up with Yago at home, you know?
00:13:02But he's really nice.
00:13:04The trash was taken down last night.
00:13:06And on top of that, you should see how much he eats.
00:13:07When did we make the last purchase?
00:13:08The day before yesterday?
00:13:09And don't think they're hard, okay?
00:13:11Everything here is free.
00:13:12Because he is saving to give Natalita a future.
00:13:15Oh, and she's using my drugstore shampoo.
00:13:17The one with the anti-hair loss molecule.
00:13:18No...
00:13:19Yes, I'm putting a little mark on it.
00:13:21No, but that's me.
00:13:23I'm a little scared of scripts.
00:13:25Juan, Natalita is in love with Yago.
00:13:28And your obligation as a father is to accept him.
00:13:31And yours, as he said, is not to be a nuisance.
00:13:33Well, what I'm saying is that resentment is growing inside me.
00:13:36That's all I'm saying, okay?
00:13:37Hey, don't threaten me.
00:13:38I've already had enough blackmail attempts from your sister.
00:13:40But, Juan, hang in there.
00:13:42Don't upset Natalita, she's about to give birth.
00:13:46What are two months?
00:13:47Well, an evaluation, for example.
00:13:49Let's go to the Canary Islands.
00:13:50Look, Lancer.
00:13:52Seven nights, all inclusive.
00:13:54And so on.
00:13:59Hello, I'm Marcelo Sanguinetti.
00:14:01Leave your message.
00:14:04Marcelo, it's me, Belén.
00:14:05The one about therapy.
00:14:07The one you got yourself into.
00:14:09Hey, look, what we're doing isn't right.
00:14:12Because I have a boyfriend.
00:14:13And, well, what nonsense.
00:14:15If you already know him, you're dealing with us.
00:14:17But anyway, what I was getting at was...
00:14:19What the hell.
00:14:22Daughter, don't rush things, maybe this is the one.
00:14:24Say no, you're better off with Emilio now than ever before.
00:14:26But, well, didn't you say that I wasn't going anywhere with Emilio?
00:14:29Yes, but even less so with this one.
00:14:30Poor Emilio.
00:14:32Hello, I'm Marcelo Sanguinetti.
00:14:33Leave your message.
00:14:34Hey, it's cut out.
00:14:36Look, it's not that I don't have feelings for you, okay?
00:14:39But it's complicated because...
00:14:41I feel that I have to fight for my partner because I see that she fights.
00:14:44And if she fights, then I fight.
00:14:46But, of course, I see you at the doctor's office and I...
00:14:49Damn, there's just not enough time.
00:14:51But, if you introduce him to me properly, I could advise you better.
00:14:55María Jesús, who is a disgraceful person who is having an affair with a patient.
00:14:58Poor Emilio.
00:15:00Shut up now.
00:15:02Hello, I'm Marcelo Sanguinetti.
00:15:03Leave your message.
00:15:05Look, I need a change.
00:15:07But, of course, we don't know each other and the circumstances...
00:15:09Come over to my house, I'll make you some rabbit rice.
00:15:12Mother.
00:15:12What? Leave me alone.
00:15:13My mother.
00:15:15You're a bastard, man.
00:15:17And there's a friend.
00:15:19Look, Marcelo, what I want you to understand is that...
00:15:23Will you please stop interrupting me?
00:15:25Pussy!
00:15:25Belén, you're making a fool of yourself.
00:15:28I need to talk to him.
00:15:29I'm going to see her, the doctor.
00:15:31Daughter, daughter.
00:15:31Listen to your heart.
00:15:33And if she doesn't say anything, listen to your mother.
00:15:35No, poor Emilio.
00:15:37Oops!
00:15:37Will you please shut up about poor Emilio?
00:15:39That guy's just like that.
00:15:41But, well, what do you know?
00:15:42Lesbians.
00:15:43Excuse me, I've been with many men.
00:15:45How many?
00:15:46Damn, watch out!
00:15:47Oh!
00:15:48Hello darling.
00:15:49What are you doing?
00:15:51Well, I was just varnishing the little stall.
00:15:54I suddenly remembered you and said...
00:15:56Damn, I'm going to go upstairs and give her a little kiss.
00:15:58Well, that and give me something to eat.
00:16:00I'm really struggling with the varnish.
00:16:02Horrifying.
00:16:03Look, I'll bring you a banana.
00:16:04It contains oligosaccharides.
00:16:05And one more thing.
00:16:08Belén, will you marry me?
00:16:10Holy shit!
00:16:12Emilio, you've successfully completed the varnishing stage.
00:16:14Honey, we're better than ever.
00:16:16And we're not getting any younger.
00:16:17We can't expect much.
00:16:18If we want to have children, semen loses quality.
00:16:23Thank you.
00:16:24But don't you think it's a little rushed?
00:16:26If we are getting to know each other.
00:16:28Are we getting to know each other?
00:16:29Yes, yes.
00:16:30It's because we are two complex beings with our rough edges and our traumas.
00:16:35Well, look, that's it.
00:16:36We asked Marcelo what he thought.
00:16:38No, no, no, no.
00:16:40If we're doing well, why would we keep going to therapy?
00:16:42Yes, this is like antibiotics.
00:16:44You have to take them to the end to generate emotional antibodies.
00:16:48What do you want?
00:16:49Should hostility return?
00:16:50No.
00:16:50No?
00:16:51No, no, no.
00:16:52We'll tell Marcelo tomorrow in therapy.
00:16:54You'll see how happy he is.
00:16:59Thank you.
00:17:04Nativity scene.
00:17:05What are you going to do?
00:17:07Right now?
00:17:09Well, I'll take a little break.
00:17:11There's no noise, huh?
00:17:13Poor Belén.
00:17:15I need to meet that therapist.
00:17:19About what?
00:17:24Damn, this video store is more of a disaster than Spanish Television.
00:17:26But why did you buy Akira Kurosawa's entire filmography?
00:17:31He didn't race motorcycles.
00:17:32Well, he's not a legendary director.
00:17:34Author of masterpieces of filmography.
00:17:36Paco, either you present me with a feasibility plan this week
00:17:38Or I'll close that video store.
00:17:40And you, nothing, just handing out leaflets, washing cars
00:17:43or shepherd's maid, which is in high demand.
00:17:45I don't see you.
00:17:46You get run over by sheep.
00:17:48Rafael, please, I have a mortgage
00:17:50and many problems with my wife.
00:17:51We're going to therapy.
00:17:52Okay, I'll tell you mine.
00:17:54An employee with problems.
00:17:55Come on, come on, man, come here.
00:17:58It's her, it's her.
00:18:00Paquito, I don't know, I think you need to make a change in your life, okay?
00:18:05Tell me, Lourdes.
00:18:07Oh, well, honey, I must have missed it.
00:18:09because I can distinguish perfectly
00:18:11the colored clothes from the white clothes.
00:18:14Yeah?
00:18:16Well, the same program you used
00:18:18when you shrunk my Kill Bill 2 sweatshirt.
00:18:20Yes, you, yes.
00:18:23Yeah, well, if your damn shirt has faded, tough luck.
00:18:28No, no, I'm telling you, okay, huh?
00:18:31Okay, my love, I'll see you later at home.
00:18:33Hey?
00:18:34Go fuck yourself.
00:18:36Goodbye, goodbye.
00:18:38This is something else entirely, isn't it?
00:18:40The sun is much better, where will it end?
00:18:42The important thing is to say things to each other with affection.
00:18:45Pablo, dude, you have to make room for me in the attic.
00:18:47I can't stand being at home anymore.
00:18:48What are you looking for?
00:18:49Your love nest?
00:18:50And what's this for?
00:18:51Oh, I haven't told you that yet.
00:18:52José, I've fallen in love with him.
00:18:54And whose?
00:18:55Your daughter.
00:18:57What are you saying, Bocas?
00:18:58I don't like it.
00:18:59Hey, Candela, you respect her, okay?
00:19:01He is 14 years old.
00:19:02Okay, what about the 13th?
00:19:04If this is a toy boy for your daughter.
00:19:05But look, I don't want girlfriends anymore.
00:19:08And I'm still discovering my body.
00:19:09And me, and this one, and everyone.
00:19:13Dad, go upstairs and hang up the curtains for Mom.
00:19:15She wants them ready for dinner with the neighbors.
00:19:18Holy God, blessed be God.
00:19:19But what difference does it make if there are curtains, damn it?
00:19:21If it is night.
00:19:25Candela, Candela.
00:19:26Josemi was just talking about you.
00:19:28Maybe you guys should get together sometime to play video games.
00:19:32I don't really like video game consoles.
00:19:34No, me neither.
00:19:36Oh, and why do you have one?
00:19:38Because they say it helps with concentration and spatial reasoning and...
00:19:42They also say it causes epilepsy.
00:19:43Yes, but they're the Japanese.
00:19:45I don't know.
00:19:46Well, goodbye.
00:19:51What's happening?
00:19:52Josemi, your legs are getting weak.
00:19:55Seriously, you guys are so childish, aren't you?
00:19:57But what's so hard about admitting you like it?
00:19:59Well, yes.
00:20:00It's kind of good.
00:20:01Heavy.
00:20:03This child has awakened to love.
00:20:05It reminds me so much of myself when I was her age.
00:20:08Well, let's not be defeatist.
00:20:09He will come to us to advise you.
00:20:12Well, he wears it, of course.
00:20:19How am I going to make friends looking like this?
00:20:22I look like a Big Brother contestant who just woke up.
00:20:25I follow everyone the same way here.
00:20:26What are you saying?
00:20:27You look divine.
00:20:28You look like you've escaped from a yogurt commercial with fiber.
00:20:30Let's see, let's see, let's see.
00:20:31What do you prefer?
00:20:32This, spinning, stretching, switching, cardio-box, aerodans, aerobics, body-trek, body-tonic.
00:20:37I, Peter Kast.
00:20:38Mauricio, the classes.
00:20:40No, seriously.
00:20:41Go ahead, you all.
00:20:41I'll stay here and lift some weights.
00:20:44Michael!
00:20:45Hana!
00:20:46What's happening?
00:20:48How are you?
00:20:49Your ass looks stiffer.
00:20:50Yes, I'm doing a lot, um.
00:20:52Look, this is Bea and this is Mauri.
00:20:55They start today.
00:20:55Ah, very good.
00:20:56Do you want me to give you a hard time?
00:20:58Sorry?
00:20:59What's happening?
00:20:59You like to give people a hard time, don't you?
00:21:01Well, that's what we're here for.
00:21:03Well, we're going to cardio-box.
00:21:04See you later.
00:21:05Okay.
00:21:11And what about you?
00:21:12No, I'll do my own thing.
00:21:13I've been going to the gym my whole life.
00:21:16Nothing.
00:21:38No, I'll do my own thing.
00:22:02Come on!
00:22:31Come on!
00:22:53Be careful! If you put weight on only one side, it'll fall over. It's common sense, mate.
00:22:56It would be better if you gave me some pointers, because with these modern machines...
00:23:02...is...
00:23:11That rugged physique! Like a Roman soldier!
00:23:18Oh! Mirror, mirror on the wall!
00:23:21Who is the prettiest?
00:23:22You!
00:23:24Super Mauri!
00:23:26You can achieve it today, don't stop, please.
00:23:30One day at the gym and you'll feel much better.
00:23:33Ah!
00:23:38Ah!
00:23:39Ah!
00:23:39Ah!
00:23:40Ah!
00:23:41You can achieve it today, please don't stop.
00:23:46Super Mauri!
00:23:50Please, what a beating I got!
00:23:53But I'm dissolving like an effervescent aspirin.
00:23:56What I don't understand is why this Michael guy is so nice to you.
00:23:59Have you told him you're a desbian?
00:24:01Well, no, it hasn't come up.
00:24:02Ana, that's the first thing you say.
00:24:04Sure, nice to meet you Michael, I'm Ana, the lesbian.
00:24:08Isn't it easy?
00:24:09Bea, please, but this boy is gay.
00:24:11We're here.
00:24:12He's been with me the whole time, helping me, touching me.
00:24:15They'll say things like, "Look how this muscle works," or "Stand like this, you'll stretch better."
00:24:21It's because I'm liked.
00:24:23Why do you think I find it so hard to leave the house?
00:24:26There's something about me that throws guys off.
00:24:29Come on, Ana, let's take a shower, you're having a drop in blood pressure.
00:24:33Obviously I'm not.
00:24:40But what jacket are you wearing?
00:24:42If it doesn't suit you with the pants or the chairs.
00:24:45And what difference does it make?
00:24:46Who's coming?
00:24:47The Infanta with the children?
00:24:48Well, we're going to go for a walk, okay?
00:24:50So you can have a peaceful dinner.
00:24:51But, come on, let yourselves be known to the neighbors.
00:24:54Mom, you haven't set a plate for us.
00:24:56Well, because the table is small, but you can have dinner in the kitchen.
00:25:00See you later.
00:25:04I don't like that Candy comes out so late.
00:25:07Don't worry, she's with a man.
00:25:09Inginio?
00:25:10Damn it, Mom, I'm wearing my ID card.
00:25:13Name, Raúl.
00:25:14Sex, male.
00:25:17Good night.
00:25:19They serve dinner here, right?
00:25:21Go ahead, go ahead.
00:25:22Wait, wait.
00:25:23I've put some rags down for you to step on.
00:25:25Inginio just stabbed the floor.
00:25:28Either that, or you take your shoes off, okay?
00:25:29Whatever is most convenient for you.
00:25:31Look how they're throwing me around.
00:25:32So that you don't even bother.
00:25:33Okay, let's proceed in order, please.
00:25:36Two rags per person.
00:25:39We move towards the table.
00:25:42Hey, I made a Swiss roll for dessert.
00:25:45Oh, but why are you upset, woman?
00:25:47If I have tocino de cielo (a type of Spanish custard).
00:25:48That's it, something light, to go to bed with.
00:25:51This looks like a Grand Prix test.
00:25:55Wait, someone's broken their hip.
00:25:57Raquel, I have to tell you something.
00:25:58There's a boy here I like.
00:26:00Who?
00:26:00The neighbor, the one with the device?
00:26:02It's cool.
00:26:03No, not that one.
00:26:04Pablo, his brother.
00:26:05Well, his sister.
00:26:06It's because Pablo's mother
00:26:07He threw José Miguel's mother out into the yard.
00:26:09And then she got involved with her father,
00:26:10The president, who is a crook.
00:26:11And Paul's real father
00:26:12He was left speechless.
00:26:14I was in an elevator accident
00:26:15And now no one knows where he is.
00:26:17Damn, how do you know all that?
00:26:19It's because you look out into the yard.
00:26:20and the old women from the first floor
00:26:21They tell you everything.
00:26:22Well, girl, you like it, don't you?
00:26:24Go for it, don't hold back.
00:26:25He's 20 years old.
00:26:26Better yet, don't you see that women
00:26:27Do we mature earlier?
00:26:31Hello good evening.
00:26:32Hi Emilio, how are you?
00:26:33Well, here,
00:26:34with my aromatherapy session.
00:26:38That's intense.
00:26:39If you like the goalkeeper.
00:26:40Hush, I think he has a girlfriend.
00:26:42Join us by the patio.
00:26:45Emilio, buddy.
00:26:46But what are you doing here so early?
00:26:47But, damn it,
00:26:48You didn't want the landings cleaned.
00:26:50Yes, but later,
00:26:51that there are still neighbors
00:26:51driving around here.
00:26:52Look, I've brought you the super mop
00:26:54from my aunt Lachoni
00:26:55that you receive
00:26:55down to the corners
00:26:56the most difficult household tasks.
00:26:57Look.
00:26:58Come on, go ahead.
00:26:59Get in the goal
00:27:00And you're going to clean the bathroom for me.
00:27:01Yeah.
00:27:02Emilio,
00:27:03You've already won me over.
00:27:04Forever.
00:27:06Ajéle, my friend.
00:27:07Of course, man.
00:27:08Let's see if you believe that.
00:27:08that I leave
00:27:09Let anyone clean my house.
00:27:12A beach revolt.
00:27:19I am a massage therapist,
00:27:20but in the future
00:27:21We will open my own center
00:27:22of bodily well-being.
00:27:24The Mamein Biauti Center.
00:27:26Right, darling?
00:27:28We are saving money.
00:27:29Hey, give me a little more
00:27:30of tocino de cielo (a type of Spanish custard).
00:27:31Shell, control it
00:27:32that your arteries become tiled.
00:27:34Listen,
00:27:35Gitanoni's arm
00:27:36He hasn't tried it, huh?
00:27:37Hey, it's just that it's
00:27:37This is much better.
00:27:39Okay, does anyone want coffee?
00:27:40Tea, various infusions.
00:27:42Wait, woman,
00:27:42We'll help you.
00:27:43No, no, sit down.
00:27:44My genius is already helping me.
00:27:46Come on.
00:27:46Mamein, congratulations, really!
00:27:47Hey?
00:27:48The hake was excellent.
00:27:49from Galicia.
00:27:50TRUE?
00:27:51Yes, yes.
00:27:52And the pea soup
00:27:53It's a success.
00:27:54Well, I do
00:27:56one of zucchini
00:27:57It's like you're going to die, huh?
00:27:58Wasn't it delicious?
00:27:59Well, I've prepared everything.
00:28:00with my food processor.
00:28:01It's the very latest.
00:28:03I'm going to show it to you.
00:28:04Well,
00:28:06Meanwhile, I'm going to see
00:28:06on TV,
00:28:07to my chaise lounge.
00:28:11Is
00:28:12the Multimix.
00:28:13Prepare meals
00:28:14both cold and hot.
00:28:15And it also saves space
00:28:16because it's perfect
00:28:17mixer substitute,
00:28:18the blender,
00:28:19the meat grinder,
00:28:20the ice cream maker,
00:28:20the grater.
00:28:21And it doesn't just save space,
00:28:22but time
00:28:23because it allows you to put
00:28:24the ingredients
00:28:25and schedule it.
00:28:26And all at a fantastic price.
00:28:28Ah,
00:28:28and also
00:28:29they give you
00:28:29when you buy it
00:28:30a great recipe book.
00:28:32You'll see.
00:28:33Ah,
00:28:34excellent,
00:28:34he wants to sell us
00:28:35a kitchen robot.
00:28:37Isabel,
00:28:37please.
00:28:38No,
00:28:38If he sings to me,
00:28:39dinner with a show.
00:28:41It's just how it is
00:28:41a percentage
00:28:42for each one he sells.
00:28:44Ah.
00:28:45The best of the Multimix
00:28:46It's what makes cooking
00:28:48something special
00:28:49for the whole family.
00:28:50Already,
00:28:50But if you're not paying attention
00:28:51Your food will burn.
00:28:52No?
00:28:52No,
00:28:53Maria Jesus,
00:28:54because when it's over
00:28:55the Multimix
00:28:56will notify you
00:28:56with his practice
00:28:57musical signal.
00:28:58Besides,
00:28:59it incorporates
00:29:00a scale
00:29:00to control
00:29:01the quantities.
00:29:02Oh,
00:29:02Well, that's great.
00:29:04And what bothers you the most?
00:29:05after having done
00:29:06a meal?
00:29:07Wouldn't that be
00:29:07having to do the dishes
00:29:08all those gadgets
00:29:09that have gotten stained?
00:29:11Well, with the Multimix
00:29:12You just have to wash up
00:29:13the glass
00:29:13where it's cooked.
00:29:14And even that
00:29:15He can do it
00:29:16all by herself.
00:29:17Oh!
00:29:18The glass is filled with water,
00:29:19a few drops are added
00:29:20of soap
00:29:21and it is centrifuged
00:29:21a few seconds.
00:29:22Yeah,
00:29:23Okay,
00:29:23But how much?
00:29:24Are they going to charge you for this?
00:29:25Nothing,
00:29:26only 800 euros.
00:29:27Host!
00:29:29But,
00:29:29And the money?
00:29:30What will you save?
00:29:31From the oil
00:29:32even the soap
00:29:33of washing up
00:29:33all the gadgets.
00:29:34Even when cooking
00:29:35you will be saving
00:29:36because even the leftovers
00:29:38or of things
00:29:38that are deteriorating
00:29:39you will benefit
00:29:40with the Multimix.
00:29:41And furthermore,
00:29:42Take care of your health
00:29:43because he doesn't abuse it
00:29:44of fats,
00:29:45It doesn't stain the kitchen
00:29:46and with any ingredient
00:29:47you will be able to prepare
00:29:48succulent menus
00:29:49and natural.
00:29:50Don't doubt it,
00:29:51thanks to the Multimix
00:29:53You will be great cooks.
00:29:56Thank you.
00:29:57Well, I want one.
00:29:58because also
00:29:59It will be possible to pay in installments,
00:30:00No?
00:30:01Ah,
00:30:01of course.
00:30:02You'll have it at home tomorrow.
00:30:04Anyone else?
00:30:07My love,
00:30:08Will you buy me one?
00:30:09Yeah.
00:30:09Hey,
00:30:10I don't know,
00:30:10I don't know.
00:30:11We're not going to think
00:30:12a bit.
00:30:20How does that bitch sell?
00:30:22I'm craving Multimix
00:30:24And I don't cook.
00:30:26We need one.
00:30:27That the French toast
00:30:28It has already been taken care of
00:30:29yours.
00:30:30That we cannot,
00:30:31shell.
00:30:31Where do we get the money?
00:30:32Should we remove it from the bingo?
00:30:33Oh,
00:30:34No,
00:30:34No,
00:30:34No,
00:30:34No,
00:30:34No,
00:30:35No.
00:30:35That I to things
00:30:36basic necessities
00:30:37I don't resign.
00:30:39The dumbest expense
00:30:40that we have
00:30:40It's Valentine.
00:30:42He's older
00:30:42And I see him suffering.
00:30:44Ah,
00:30:44No,
00:30:45No,
00:30:45Don't touch Valentín.
00:30:46The Multimix
00:30:47It should be subsidized
00:30:48by the State.
00:30:49That's what it's for.
00:30:50We are retired.
00:30:51What if we get our hands on
00:30:52The one with the French toast?
00:30:54Marisa,
00:30:55No!
00:30:57Valentine.
00:30:58Take out the chinchón
00:30:59And we came up with a plan.
00:31:05Dear,
00:31:06I'm going to the hospital
00:31:07that I don't arrive.
00:31:09But wait,
00:31:10We didn't have breakfast together.
00:31:11Joseph, my love
00:31:12above.
00:31:16Good morning.
00:31:18A piece of toast?
00:31:19Hey,
00:31:19No.
00:31:20I was going to pick an apple
00:31:22for snacking
00:31:23these operating rooms.
00:31:24What great weather!
00:31:25to go now,
00:31:25You hardly need any clothes.
00:31:27Yeah,
00:31:28I love the heat.
00:31:29It shows.
00:31:30It shows.
00:31:32Iago,
00:31:32For God's sake,
00:31:33What is this?
00:31:33The Jungle Book.
00:31:35Hey?
00:31:35Ah,
00:31:36Juan,
00:31:36sorry,
00:31:36I hadn't noticed.
00:31:38What's happening?
00:31:38That you at home
00:31:38You usually go like this.
00:31:40No,
00:31:40I walk around naked at home.
00:31:41Well, in mine
00:31:41rule out
00:31:42those Caribbean habits.
00:31:43Please,
00:31:44I'll do it for you.
00:31:44Iago,
00:31:44breakfast.
00:31:45Already,
00:31:45I'm coming,
00:31:46my love.
00:31:46Well,
00:31:47See you at school.
00:31:48Hey?
00:31:48Do you want us to go together?
00:31:49No,
00:31:50thank you,
00:31:50I'm using the bike for the first time.
00:31:51I prefer to go at my own pace.
00:31:54This is the last straw.
00:31:56the Cuban circulating
00:31:57naked around the house.
00:31:58And you've seen her,
00:31:58No?
00:31:59I had six pieces of toast
00:32:00with my jam
00:32:01of blueberries.
00:32:02That's how the boat goes down.
00:32:03I'm going to put it
00:32:03a little mark too.
00:32:04Juan,
00:32:06Hold on,
00:32:07There are only two months left.
00:32:09You're doing it
00:32:09very good.
00:32:11Bye bye.
00:32:13What are you doing there?
00:32:14You have to go to school.
00:32:16Yes,
00:32:17that I'm reviewing
00:32:18the exam mentally.
00:32:23Dear,
00:32:24They see that it has crashed on us
00:32:26Harry Potter
00:32:26against the ladder.
00:32:28Hey?
00:32:34Mr. John,
00:32:35but don't carry the bike,
00:32:36Leave it at the entrance.
00:32:37If you have
00:32:37parking
00:32:38for official vehicles.
00:32:39The one who has to park
00:32:40elsewhere
00:32:41That's John,
00:32:41that friend of yours.
00:32:42I came across it
00:32:43asleep on the landing.
00:32:44Again?
00:32:45That's the door
00:32:46This one doesn't close properly.
00:32:47I put it in
00:32:47in the catalog
00:32:48of spills
00:32:48spring-summer.
00:32:49So how do I get back to him?
00:32:50to see in a common area,
00:32:51Did you call the police.
00:32:51You've been warned.
00:32:54Aren't you ashamed?
00:32:55You're exploding
00:32:56a social outcast
00:32:57to save you work.
00:32:59Sorry,
00:32:59But I'm giving it
00:33:00a roof over your head and lots of love.
00:33:01Just like you.
00:33:06Emilio.
00:33:06Good morning,
00:33:06Mrs. Maria Jesus.
00:33:07There is a gentleman
00:33:09peeing
00:33:10on the doormat
00:33:10of the set.
00:33:12Look,
00:33:13He has already woken up.
00:33:15This goes down
00:33:16the most beautiful
00:33:17of the building.
00:33:18Thank you.
00:33:19Hey,
00:33:19Can we talk for a moment?
00:33:20Maria Jesus,
00:33:21You have to give me
00:33:22a response
00:33:22about our own thing.
00:33:23You can't have it like that.
00:33:25Maria,
00:33:25No.
00:33:27You know that
00:33:27going out to dinner
00:33:28whatever you want.
00:33:29It doesn't affect me anymore.
00:33:30Sex is missing.
00:33:31Sorry,
00:33:32but the radio patio
00:33:33it is said
00:33:34that you touch yourself.
00:33:35That's why I don't need it.
00:33:37Hey,
00:33:38come with me
00:33:38that you have me
00:33:38to do a favor.
00:33:40I offer you a percentage
00:33:41to eliminate
00:33:42bare 70-30.
00:33:43I would sign up for that.
00:33:44any woman.
00:33:45Strip,
00:33:46strip.
00:33:49Hello.
00:33:50Hello.
00:33:51Is Marcelo there?
00:33:52It's because I have
00:33:52to talk to him.
00:33:53Sit down for a moment
00:33:54that right now
00:33:54She's dating someone.
00:33:58But
00:33:58Will it take long?
00:34:00It's important.
00:34:01Don't know.
00:34:02Don't know.
00:34:03Don't know.
00:34:04Don't know.
00:34:08It's been many years.
00:34:09already married
00:34:09and
00:34:10the children
00:34:11They are no longer at home.
00:34:13And us
00:34:13We've been left with
00:34:14a feeling
00:34:16vacuum
00:34:17that we got scared.
00:34:19Me the other day
00:34:20I saw her changing
00:34:21the air freshener
00:34:21of the toilet
00:34:22crying his eyes out.
00:34:24Yeah.
00:34:24I dropped it
00:34:25the soul to the ground.
00:34:27Good.
00:34:28And sex?
00:34:30how are you?
00:34:30Well, that's it...
00:34:31That's great, damn it.
00:34:32That's the best part.
00:34:33It's my best side.
00:34:35Yes, well, that's it.
00:34:36Wait,
00:34:37What was I going to tell you?
00:34:37I have something that...
00:34:39Ah, yes.
00:34:39How are you?
00:34:40Are you married?
00:34:42No,
00:34:43but now
00:34:44We're not talking
00:34:44from me.
00:34:46Clear.
00:34:47No, I was the one saying it.
00:34:48thanks for getting to know us
00:34:48a little better
00:34:49Everyone, right?
00:34:50Because you
00:34:51What will you have?
00:34:52About 35 years old,
00:34:54No?
00:34:55That?
00:34:55So, guys, it's going well.
00:34:56Look what they're wearing.
00:34:57That Enrique Iglesias is announcing.
00:34:59So?
00:35:04This isn't normal, is it?
00:35:05I'm going in.
00:35:06But wait,
00:35:07ring the doorbell
00:35:07Let's see if it will be there
00:35:08doing something.
00:35:09If it doesn't pick up
00:35:09nor the mobile phone.
00:35:10It's very strange.
00:35:13Mauri?
00:35:15Yeah.
00:35:16What are you doing?
00:35:17Shall we go to the gym?
00:35:20Where are you?
00:35:21In the bedroom.
00:35:25What are you still doing?
00:35:26in bed?
00:35:27I tried to leave
00:35:28But I can't.
00:35:29That killer monitor
00:35:30It's finished me off.
00:35:31There is not a single muscle
00:35:32of the body
00:35:33that it doesn't hurt me.
00:35:33Maury, is that normal?
00:35:34to have muscle soreness
00:35:35the first day?
00:35:36No, Ana, no.
00:35:37No, this isn't muscle soreness.
00:35:39I will never walk again.
00:35:41I'll have to write
00:35:41the articles
00:35:42with a straw in his mouth
00:35:43on a blackboard.
00:35:45Wow!
00:35:46Come on, help me.
00:35:47Go on, you go over there.
00:35:47No, I've already accepted it.
00:35:49I've been here for five hours today.
00:35:50I wake up thinking.
00:35:52It even hurts when I swallow.
00:35:54I don't know if it's already his administration.
00:35:55Yes, that's the worst.
00:35:56It's about staying still, huh?
00:35:56Come on.
00:35:57Oh, oh, oh, oh, oh, oh.
00:36:00Slowly.
00:36:07Drink sugar water
00:36:08It's very good.
00:36:08But what have I done to him?
00:36:09that boy
00:36:10What if I didn't know him at all?
00:36:11I even thought he liked it.
00:36:13They touched me a lot
00:36:14the muscle groups.
00:36:15Maury, are you okay?
00:36:17We were just talking about it here
00:36:18that you've never gotten up
00:36:19so late.
00:36:20Vicenta, nothing is wrong with her.
00:36:22He went to the gym yesterday.
00:36:23And today he has muscle soreness.
00:36:24But what muscle soreness?
00:36:25I'll put something on myself.
00:36:25on the back.
00:36:26A contraction,
00:36:28a dislocation,
00:36:29a destruction
00:36:30of something.
00:36:32The upstairs neighbor
00:36:33He is a massage therapist.
00:36:33Do you want me to call him?
00:36:35Mamén!
00:36:36No, but don't bother her.
00:36:37If it's not too much trouble.
00:36:38I'm coming down now.
00:36:40Oh, that too
00:36:41Radiopatio was won.
00:36:42Have her give you a massage
00:36:43which will be very good for you.
00:36:45Hey, what about us?
00:36:46we can leave in peace
00:36:47to the gym?
00:36:48Do you need anything?
00:36:49I don't know.
00:36:49Nothing, no.
00:36:50Well, yes.
00:36:51Kick it
00:36:52in the rubbers to Michael
00:36:53on my part.
00:36:53No, no, leave me here,
00:36:54Leave me here, leave me here.
00:36:58If there is no more money
00:37:00than of the clergy class.
00:37:03If there is no more money
00:37:04than of the clergy class.
00:37:07Teachers,
00:37:08few coins,
00:37:09many hours.
00:37:10Teachers,
00:37:12few coins,
00:37:13many hours.
00:37:14Okay, what is this?
00:37:15We are on strike.
00:37:16Enough is enough with charging
00:37:17the crap we get paid.
00:37:19Yago has opened our eyes.
00:37:20We have salaries
00:37:21third-worlders.
00:37:22How is Yago?
00:37:23Yago is the one who set this up.
00:37:25He's gone to get batteries
00:37:26for the megaphone.
00:37:27Ricardo, for God's sake,
00:37:28We're on the final stretch.
00:37:29end of the course.
00:37:30You are playing
00:37:31with education
00:37:31of the students.
00:37:32These kids
00:37:33They have the right to learn.
00:37:34No, not for us
00:37:35Relax, okay?
00:37:36We stand in solidarity
00:37:37with fellow teachers.
00:37:38Well, I'm sorry,
00:37:39But I will attend
00:37:40to my job.
00:37:41But you're going in.
00:37:41Yeah.
00:37:42Esquirón.
00:37:42No, not Esquirón.
00:37:43I am a professional.
00:37:44No, you are a tandor.
00:37:47Esquirón.
00:37:51Hope, I have seen you.
00:37:52I won't change you again
00:37:52A break, huh?
00:37:53Esquirón.
00:37:58Juan, your Cuban son-in-law
00:38:00He is a police officer,
00:38:01a revolutionary
00:38:02of the worst kind.
00:38:03I apologize a thousand times, Father.
00:38:04How was I?
00:38:05Imagine this?
00:38:06It is the first strike
00:38:07of this school
00:38:08throughout its history.
00:38:09I have the parents
00:38:10of the agitated students.
00:38:11They don't know what to do
00:38:12with their children.
00:38:13But what impact
00:38:15Are you having?
00:38:16How many teachers
00:38:17What's in your position?
00:38:18None.
00:38:19You are the only one
00:38:20that has entered.
00:38:21Oh, really?
00:38:23The only one.
00:38:24What do they want to charge more for?
00:38:25They say?
00:38:26All.
00:38:26Even the gymnastics one.
00:38:28Also?
00:38:29You have to have nerve.
00:38:30But, for God's sake,
00:38:32They are teachers
00:38:32and in this country
00:38:33It's already known.
00:38:34That's like doing
00:38:35a vow of poverty.
00:38:36Of course.
00:38:38Juan,
00:38:39talk to your son-in-law
00:38:40immediately.
00:38:41My patience
00:38:42It has a limit.
00:38:43Fix this
00:38:44already.
00:38:54But how could you have
00:38:55Why do this to me?
00:38:56Shh!
00:38:57How could you
00:38:58Sleeping with my brother?
00:38:59Well,
00:39:00That's what we're here for,
00:39:01No?
00:39:01Let him explain it to us.
00:39:02This gentleman.
00:39:04He slept with my sister.
00:39:09To the little one!
00:39:12Poor thing.
00:39:14You are fourth
00:39:15from the iron.
00:39:17Why do you have it?
00:39:18that we'll keep talking about
00:39:19to everyone?
00:39:21How can they
00:39:22to cheat
00:39:23to a person
00:39:23who loves you?
00:39:26Well, I don't know.
00:39:27Oh well,
00:39:28now the same
00:39:29we go inside
00:39:30there and they explain it to us
00:39:31a little bit of the...
00:39:32Thank you so much,
00:39:33Marcelo.
00:39:34You've helped us.
00:39:35a lot.
00:39:36Yes, yes,
00:39:36I can see it now.
00:39:37the light at the end
00:39:38of the tunnel.
00:39:38Come on, come on, come on.
00:39:40Mother.
00:39:41Can we know?
00:39:42What are you doing here?
00:39:43Come on, come on.
00:39:44I like it
00:39:45This kid is really something.
00:39:46I like it a lot.
00:39:47I can see you.
00:39:48I'm the only one.
00:39:49that I ask of you
00:39:50It's that you don't do it
00:39:50harm to my God.
00:39:51It's fragile,
00:39:52He knows it from life.
00:39:53Hey, come on,
00:39:54that I haven't brought you
00:39:54here for that,
00:39:55quietly,
00:39:55You look more handsome,
00:39:57But you're going to surrender
00:39:57to me or not.
00:39:58Hey, there's still time,
00:39:59Mariano,
00:39:59You're such a pain.
00:40:00Come on, shoot them, go on.
00:40:05Nativity scene.
00:40:13Did you see my phone?
00:40:14To your mom?
00:40:15Because he came with your dad
00:40:16to do therapy.
00:40:16No, no, no,
00:40:17That's not my father.
00:40:18It is the...
00:40:20Marcelo,
00:40:20We need to talk.
00:40:20Okay, stop, stop, Belén.
00:40:22Look,
00:40:22We can't keep seeing each other.
00:40:24This has never happened to me before.
00:40:25and it's affecting me
00:40:27my work is very much my job.
00:40:28I'll fix it, couple,
00:40:29I don't break them.
00:40:30So I ask you,
00:40:31please,
00:40:32that Emilio and you
00:40:32They should find another therapist.
00:40:35Yes, yes,
00:40:36That's exactly what was coming
00:40:37to tell you.
00:40:38I wish you from the bottom of my heart
00:40:39that they have all
00:40:40the luck of the world
00:40:42and I wish we had
00:40:43acquaintance
00:40:44in other circumstances.
00:40:46Yeah?
00:40:46What can you do?
00:40:53Kid.
00:41:08Sorry.
00:41:08Alright?
00:41:09Yes, well, no.
00:41:10Let me see.
00:41:11Let me see.
00:41:17Shoot on foot.
00:41:30Marcelo,
00:41:31Emilio Delgado is here.
00:41:32He wants to ask about something.
00:41:33Let him wait, dream.
00:41:34Let him wait.
00:41:35Marcelo,
00:41:36Just a moment ago,
00:41:36It doesn't take long.
00:41:51Can?
00:41:52Yes, yes, yes,
00:41:53Of course.
00:41:53Go ahead, Emilio.
00:41:55Marcelo,
00:41:55I'm sorry to bother you,
00:41:57But I told him
00:41:58to Bethlehem to get married
00:41:59and it has stayed
00:42:00a little disoriented
00:42:01And then I ask myself
00:42:03if I'm pressing her
00:42:05or if I'm getting ahead of myself
00:42:08o o o o o hey
00:42:09I might catch you.
00:42:11at a bad time
00:42:12or the same
00:42:14were you doing
00:42:15something important
00:42:15me too...
00:42:16Yes, I have
00:42:17a couple waiting
00:42:18outside that it has
00:42:19some problems.
00:42:20No, nothing, nothing, nothing,
00:42:21Nothing, don't worry
00:42:22And we have a time.
00:42:23in the afternoon.
00:42:23I'll be back later
00:42:24with Bethlehem
00:42:24and between the three
00:42:26Well, we talked about it.
00:42:26And sorry, okay?
00:42:29Nothing, nothing.
00:42:29Sorry.
00:42:30Goodbye, Emilio.
00:42:32Come on.
00:42:33Bye.
00:42:34See you later.
00:42:42I went outside, he's already gone.
00:42:43Did you see me?
00:42:44No no.
00:42:44Yes, it's very strange.
00:42:46He didn't see you, did he?
00:42:46Yes, yes.
00:42:47Bethlehem, Bethlehem I have crossed
00:42:48with Emilio.
00:42:49Mother!
00:42:50Oh, oh, oh, sorry,
00:42:51Sorry, sorry, sorry.
00:42:52Daughter.
00:42:53Okay, carry on with what you were doing.
00:42:57Sonia, what's wrong?
00:42:58Don't let anyone in here
00:43:00to everyone.
00:43:01I went to the bathroom.
00:43:15I'm going to buy you something
00:43:16Very cute for the little house.
00:43:18Cuter than you?
00:43:19No.
00:43:19I already have an idea.
00:43:20for a business
00:43:21at the video store.
00:43:22Paco, damn it.
00:43:23Dude, you've got five locks,
00:43:24throw one.
00:43:25Don't worry, honey.
00:43:26I'm leaving now...
00:43:26Wait, wait.
00:43:27Did I love you?
00:43:27Hey, if I come back later
00:43:28I'll tell you later.
00:43:29No no.
00:43:30Pablo?
00:43:30Yes, yes, one moment.
00:43:33Are you busy?
00:43:35No no.
00:43:36What does she want?
00:43:36I don't know.
00:43:37But who is he?
00:43:38Leave the new ones for him.
00:43:40Hello, what did you want?
00:43:42What are you doing tonight?
00:43:43I?
00:43:44Nothing in particular, why?
00:43:45No, in case you wanted to
00:43:46that we go to the movies
00:43:47or to have a drink.
00:43:49Well...
00:43:50Oh no,
00:43:50I've been left
00:43:51for studying.
00:43:52Oh, your aunt's there.
00:43:54Hello.
00:43:54Hello, but I'm not your aunt.
00:43:56No, it's Marta.
00:43:58my...
00:43:59Well, a friend.
00:44:00Well, that's it.
00:44:01So we arranged to meet another day.
00:44:02See you later.
00:44:03Goodbye, goodbye.
00:44:04That's intense.
00:44:05Candy likes you, Candy.
00:44:06But this is a bombshell.
00:44:07Paco, listen,
00:44:08Don't be a blabbermouth, Paco.
00:44:11And why do you say that?
00:44:11that I'm your friend?
00:44:12And what did you want?
00:44:13What should I tell the girl?
00:44:13It's very small,
00:44:14I wasn't going to understand.
00:44:15And why is it presented?
00:44:16Here, with so much nerve?
00:44:17It's just very strong.
00:44:18Oh well,
00:44:19You're jealous.
00:44:20Me, jealous?
00:44:20No.
00:44:23Pablo,
00:44:25Where is this relationship headed?
00:44:27Hey?
00:44:36Shell,
00:44:37I think they bring
00:44:39the multimis of the torrijas.
00:44:40Come on, let's go.
00:44:41Vicenta,
00:44:42We went out for a moment.
00:44:43Where are you going?
00:44:45Go for a jog.
00:44:46Okay.
00:44:48Where?
00:44:58Hello, Inga.
00:44:59Do you have a mask?
00:45:00For hair?
00:45:01I've run out
00:45:02and girl,
00:45:02until I received my pension,
00:45:04well...
00:45:04Well yes,
00:45:05If you want, I'll give you mine.
00:45:06I'm going to see the ones you have.
00:45:07because not all of them are suitable for me.
00:45:08They have to be nutritious
00:45:10for damaged hair.
00:45:11But wait
00:45:12that you see her showering.
00:45:13Nothing matters,
00:45:14if you are the lesbians.
00:45:18Hello good morning.
00:45:19Good morning.
00:45:20Maria Jesus Vazquez?
00:45:21Yes, yes, that's me.
00:45:22Very good.
00:45:23Look, well here I bring you
00:45:24the multimis.
00:45:25Just a moment
00:45:26so that you can throw me out
00:45:27a little signature here.
00:45:29That.
00:45:30There.
00:45:31Son,
00:45:31I would give you a tip,
00:45:33But the thing is
00:45:33I've just been robbed
00:45:34the bag at the ATM
00:45:35And I'm upset.
00:45:37It's the center
00:45:38It's getting...
00:45:39Very bad, very bad.
00:45:40Leave it there, leave it there.
00:45:40Here?
00:45:41Yeah.
00:45:41And also, leave.
00:45:43I don't feel like it right now.
00:45:43to continue talking.
00:45:45Marisa, let's go!
00:45:47That the bun
00:45:48It's in the oven.
00:45:49Well, I'm trying them out.
00:45:51And I'll tell you.
00:45:52It's not necessary
00:45:53that you accompany me.
00:45:54Many thanks for everything.
00:45:56You both look very beautiful.
00:46:00Oh well,
00:46:01What nerve!
00:46:01These ladies have it.
00:46:02What are you for?
00:46:03Do you leave them nothing?
00:46:04Poor things,
00:46:04They make me feel tender.
00:46:12Vicenta,
00:46:13We have the Multimix.
00:46:15Don't shout, damn it.
00:46:17You've taken it away from her
00:46:19to the French toast.
00:46:20No way, silly,
00:46:21if we've been chosen
00:46:21a special bingo.
00:46:22Bingo in the morning
00:46:23They don't open.
00:46:24Well,
00:46:25Agatha Christie,
00:46:26Do you want to try it or not?
00:46:28Oh,
00:46:28You're both crazy.
00:46:33Let's see the book
00:46:34of recipes.
00:46:39Go.
00:46:41I'm arriving,
00:46:43Hey?
00:46:44Just a moment.
00:46:50Hello.
00:46:51Mr. Agujeta?
00:46:55Forward.
00:46:57Oh,
00:46:57But how are you?
00:46:58man?
00:46:58What happened to you?
00:46:59Imprudent actions
00:47:00that are paid for.
00:47:02Where do we stand?
00:47:03In the bedroom?
00:47:04No,
00:47:04right here.
00:47:05Start undressing.
00:47:07But,
00:47:08How much undressing?
00:47:09In your underwear?
00:47:10No,
00:47:11that everything gets dirty.
00:47:12Look,
00:47:13Put this on.
00:47:16But this is...
00:47:17Yeah,
00:47:18don't worry,
00:47:19They are disposable.
00:47:20No,
00:47:20I can imagine.
00:47:23Well,
00:47:23Well, nothing.
00:47:24I'll be right back.
00:47:25Hey,
00:47:25Which massage do you prefer?
00:47:28Relaxing,
00:47:28Balinese,
00:47:29to chocolate.
00:47:31No,
00:47:31me more than anything
00:47:31It's about the back.
00:47:34Because you're in control
00:47:35physiotherapy,
00:47:36No?
00:47:36Yeah,
00:47:37Yeah,
00:47:37man,
00:47:37I have a diploma.
00:47:39I deal with people
00:47:40very important.
00:47:42Yesterday I was with a congressman.
00:47:43He fell asleep
00:47:44in bad posture
00:47:45voting on a law
00:47:46and it came to me
00:47:46with a contracture.
00:47:48He recommended me
00:47:49to his colleagues.
00:47:50The thing is
00:47:51from my group
00:47:52There aren't many of them either.
00:47:54Let's see if I can get hooked.
00:47:55some socialist
00:47:56or from the PP.
00:48:01I've forgotten it.
00:48:16Mamen,
00:48:17It broke.
00:48:19It's just not very clear
00:48:20where
00:48:21We need to put...
00:48:22No,
00:48:23don't worry,
00:48:23Don't worry.
00:48:24Come on,
00:48:24come,
00:48:24come,
00:48:25I'll cover you up
00:48:25with the towel.
00:48:33Look,
00:48:33I don't care.
00:48:34that you have a role
00:48:35because I
00:48:35I haven't signed anything.
00:48:37So he's already explaining it to me.
00:48:38Where is my multimix?
00:48:39because I don't have it.
00:48:42No,
00:48:42that there have been people here
00:48:43all the time
00:48:44and nobody has brought anything.
00:48:45Nothing.
00:48:46Well,
00:48:46we have gone
00:48:47a moment at the gym.
00:48:48All morning
00:48:49There have been people at home.
00:48:51No,
00:48:51No,
00:48:51No,
00:48:52I don't want that to happen to me.
00:48:52with no one else.
00:48:53No,
00:48:53I don't want any multimix.
00:48:55And I'll let you know.
00:48:56I have a cousin
00:48:56at the OCU,
00:48:57Hey?
00:48:59But,
00:49:00Well,
00:49:00and you
00:49:00because you have gone out
00:49:01I told you
00:49:01that they were bringing it today.
00:49:02Hey,
00:49:03Should you have stayed?
00:49:04Well no,
00:49:04because I had to know
00:49:05to the lover of Bethlehem.
00:49:06When you have a daughter
00:49:08and it turns out badly for you,
00:49:08You'll find out
00:49:09of what you suffer.
00:49:10Well,
00:49:11peaceful,
00:49:11maybe it was just
00:49:12a delivery error.
00:49:13Already,
00:49:13already,
00:49:13already.
00:49:15I'm going to speak
00:49:16with the president
00:49:16and I'm going to convene
00:49:17an urgent meeting.
00:49:18That in this building
00:49:19There's a lot of loose change.
00:49:21Oh,
00:49:21But how could he have stolen from you?
00:49:22A neighbor's multimix?
00:49:24That makes noise,
00:49:25It could be heard in the courtyard.
00:49:26Hopefully.
00:49:27Oh,
00:49:28They won't give me that joy.
00:49:34Oh,
00:49:35How curious.
00:49:36It's the first time
00:49:37I make meatballs
00:49:37in the bedroom.
00:49:38It's so we can't be heard.
00:49:40Shell,
00:49:41bring more cushions
00:49:42of the room.
00:49:43Look,
00:49:44even pâté
00:49:44It can be done.
00:49:45Fuck.
00:49:46Hey,
00:49:47What will it cost?
00:49:48Soundproof the kitchen?
00:49:50This is wonderful.
00:49:53But it gives me a little
00:49:54It's a shame,
00:49:54Maria Jesus.
00:49:55Go on,
00:49:55Fuck him.
00:49:56who has the key
00:49:56of the elevator
00:49:57and he hasn't given us a copy.
00:49:58Evil in the end
00:50:00It is paid for.
00:50:01Look!
00:50:02Look!
00:50:03Well, now
00:50:04we become a father.
00:50:11Well,
00:50:12that?
00:50:12How are you
00:50:13that back,
00:50:13Hey?
00:50:14Better,
00:50:15poof,
00:50:15far better.
00:50:17Look,
00:50:17one thing,
00:50:18let's see,
00:50:18here,
00:50:19You have a muscle spasm.
00:50:20here,
00:50:20Hey?
00:50:20Oh,
00:50:21Yeah.
00:50:22Get warm.
00:50:23Oh,
00:50:23Mommy,
00:50:24thank you so much,
00:50:24really,
00:50:25that Vicenta might be able to
00:50:26He caught you
00:50:26a bit
00:50:27betrayal.
00:50:28No,
00:50:28man,
00:50:28For God's sake,
00:50:29But we're neighbors.
00:50:31I'll move you aside a little.
00:50:31the towel
00:50:33for the buttocks.
00:50:35Well,
00:50:35It's not necessary either.
00:50:36Hey,
00:50:36if the legs
00:50:37They don't hurt that much.
00:50:38Oh,
00:50:38which doesn't cost me anything
00:50:38no job,
00:50:39really.
00:50:40Just relax.
00:50:41Go on,
00:50:42look,
00:50:42Look at the tension!
00:50:43You have it here.
00:50:44It's because I am
00:50:45quite nervous.
00:50:47Oh,
00:50:48You shave.
00:50:49No,
00:50:49because I have very little hair.
00:50:50Hmm,
00:50:51How nice.
00:50:52If you saw Higinio,
00:50:54He's like Yogi Bear.
00:50:56Very good,
00:50:57Let's see,
00:50:58Turn around.
00:50:59No.
00:51:00What do you mean, no?
00:51:01If I'm missing quadriceps
00:51:02and the chest.
00:51:03No,
00:51:03But I'm doing great.
00:51:05Phew,
00:51:06I'm relaxed.
00:51:07But,
00:51:07Mauri,
00:51:08But man,
00:51:08Turn around,
00:51:09I'm going to leave it unfinished.
00:51:10I have to go to the bank
00:51:11to pick up an alarm clock for him
00:51:12those that are given away
00:51:12if you have a pension plan.
00:51:13But,
00:51:14But if they are going to be
00:51:14just two minutes.
00:51:16Come on.
00:51:25When are you going on summer vacation?
00:51:28Where are you going?
00:51:29Are you going to the sea?
00:51:30Are you going to the mountains?
00:51:32It depends a bit on the year.
00:51:33Ah,
00:51:34of the year,
00:51:34clear,
00:51:34very good.
00:51:35Yeah,
00:51:35Yeah,
00:51:36what it has,
00:51:37the year very,
00:51:38very,
00:51:38very good.
00:51:47Nativity scene,
00:51:48You won't believe it
00:51:49what happened to me.
00:51:50I went to see Marcelo
00:51:51to tell her about our wedding
00:51:53and I interrupted him there
00:51:54right on topic.
00:51:55I was there with one in the consultation room,
00:51:56I'll hit you.
00:51:59Oh,
00:51:59Yeah?
00:52:00The uncle had it hidden
00:52:01a slut there under the table,
00:52:02His feet were visible.
00:52:04Well,
00:52:04Maybe she was the secretary.
00:52:05No,
00:52:06no,
00:52:06no,
00:52:06If the secretary was outside,
00:52:07She was a patient too.
00:52:09To the,
00:52:10Don't talk nonsense,
00:52:11You say some things.
00:52:13Clear,
00:52:13that's where couples in crisis arrive.
00:52:14and he takes advantage
00:52:16of those poor unfortunate women.
00:52:17He's a sentimental scavenger.
00:52:18Well,
00:52:19We don't know.
00:52:19because maybe she was his girlfriend
00:52:21and they were playing tag.
00:52:23What a character Marcelo is!
00:52:24What a figure.
00:52:27Hey,
00:52:28And have you thought about it?
00:52:29about getting married?
00:52:32The thing is...
00:52:33Nativity scene,
00:52:34If you don't want to,
00:52:36Say it,
00:52:36that we now have
00:52:37a mature relationship
00:52:38based on mutual trust.
00:52:39Well no,
00:52:41I don't think we should get married.
00:52:43Still.
00:52:44See?
00:52:45That's it,
00:52:46no problem.
00:52:48It's just that right now
00:52:49I have a lot of confusion in my head
00:52:50and I don't have a job
00:52:52And my mother isn't leaving home
00:52:55and...
00:52:56It's not because of you,
00:52:57It's because of me.
00:52:58No,
00:52:58no,
00:52:58no,
00:52:59no,
00:52:59no,
00:52:59that you don't have to give me
00:53:00no explanation.
00:53:01You don't feel that now is the time.
00:53:03That's it.
00:53:04Come on,
00:53:05a little kiss.
00:53:07But are you okay?
00:53:08Yes,
00:53:09yes,
00:53:09yes.
00:53:10Come on,
00:53:10You mind your own business.
00:53:19Oh,
00:53:20That's a blow.
00:53:21Hey, buddy?
00:53:21Nothing's wrong,
00:53:22come on,
00:53:23finish the patio windows for me.
00:53:26Do you need to talk or...?
00:53:27That I don't need to talk,
00:53:29Pussy,
00:53:29Leave me alone,
00:53:30that you're very annoying.
00:53:31Well,
00:53:32But don't let me down,
00:53:33I'm very sensitive.
00:53:35Oh,
00:53:35Holy shit.
00:53:37Aunt,
00:53:37the Churinobes speaks
00:53:38and I have no balance
00:53:39to call her.
00:53:42Well,
00:53:42come on,
00:53:43Calm down.
00:53:44Let's go to the ATM,
00:53:45I'll give you a top-up.
00:53:47Six,
00:53:47two,
00:53:48seven...
00:53:51It's your boyfriend
00:53:52he set me up
00:53:52a teachers' strike.
00:53:54I'll get you a job
00:53:55so that they don't kick him out of the country
00:53:56And he exposes me
00:53:57in front of Father Paulino.
00:53:58Dad is struggling
00:53:59because of your working conditions,
00:54:01which is one thing
00:54:01that you haven't done
00:54:02in your life.
00:54:02Natalia,
00:54:02It's very easy.
00:54:03to become cool at 20.
00:54:04I'm almost 50.
00:54:06At my age, one doesn't protest anymore.
00:54:07It is swallowed.
00:54:08Dad,
00:54:08I support you
00:54:09to all teachers
00:54:10at this moment
00:54:11so difficult.
00:54:12Normal.
00:54:13Have you saved yourself
00:54:14an exam?
00:54:14You see.
00:54:15Hello.
00:54:17Sorry for the delay,
00:54:18But we have
00:54:18a mess
00:54:19at school.
00:54:23Can we begin?
00:54:24Let's eat now.
00:54:24please?
00:54:24Yeah,
00:54:25I'll serve the salad.
00:54:26Juan,
00:54:27that I have very good
00:54:28prospects with the strike.
00:54:30I have managed to convince
00:54:31to the parents' platform
00:54:32and the priests
00:54:33He's going to have no other choice.
00:54:33to sit down and negotiate.
00:54:38My love,
00:54:38I have an omelet.
00:54:40Oh,
00:54:41Juan,
00:54:41sorry,
00:54:41that it hadn't worked for you.
00:54:42Do you want one?
00:54:43Well yes,
00:54:44Yeah,
00:54:44if you would be so kind.
00:54:46What has gone further?
00:54:47Who?
00:54:49Who is this?
00:54:51Yeah.
00:54:54Yeah,
00:54:54Yeah,
00:54:55I'm coming right now.
00:54:57Father Paulino
00:54:58He wants to see me.
00:54:59He wants to negotiate.
00:55:01He's going to take his pants off.
00:55:02Well,
00:55:02in your case,
00:55:03to climb into the cassock.
00:55:04Yeah,
00:55:05wants to negotiate
00:55:06or say goodbye.
00:55:07But Dad,
00:55:07Don't go by bike,
00:55:08Take a taxi,
00:55:09what are you doing
00:55:10digestion.
00:55:10Digestion of what?
00:55:11Juan,
00:55:12I'm not trying to be insistent,
00:55:14but we are still
00:55:14in time to go to the Canary Islands
00:55:16and to screw things up,
00:55:18all.
00:55:20But he got upset.
00:55:22Man,
00:55:22Yago,
00:55:23It's because there's no strike.
00:55:23One week after starting,
00:55:25Well, that's malicious.
00:55:26And Marcelino Camacho
00:55:27This is their best moment.
00:55:31Marcelino Camacho
00:55:31It's the one from Real Madrid,
00:55:32No?
00:55:32The one who was the national team coach.
00:55:34Hey?
00:55:35Yeah,
00:55:36that.
00:55:38Juan,
00:55:39Juan,
00:55:39Juan,
00:55:40wait,
00:55:40wait,
00:55:40wait,
00:55:41Listen to me.
00:55:42We need to convene
00:55:42an urgent meeting.
00:55:44Someone from here
00:55:45he robbed me
00:55:45my multimix.
00:55:46Yami steals from me
00:55:47the magazine
00:55:47every week
00:55:48from the mailbox
00:55:48And I put up with it.
00:55:49Pussy,
00:55:49Well, do something.
00:55:50that's what it's for
00:55:51You are the president.
00:55:52Talk to Isabel,
00:55:53I can't right now
00:55:54to preside over any board.
00:55:55Very good,
00:55:56So be careful.
00:55:57with the buses,
00:55:58Hey?
00:55:59They don't look.
00:56:03Yes,
00:56:04yes,
00:56:04that Candicandia
00:56:04Pablo has gone up
00:56:05full throttle
00:56:06and has been presented
00:56:06in the attic,
00:56:07Well,
00:56:07in the pantumaca
00:56:07jealous as hell.
00:56:08Don't be dramatic,
00:56:09Paco.
00:56:10Well,
00:56:10And poor Josemi
00:56:11infatuated with the kid,
00:56:12It's true.
00:56:13I'm ashamed
00:56:14taking advantage of you
00:56:15your stepbrother
00:56:16virgin with braces.
00:56:17Pacho,
00:56:18You have a 14-year-old fan
00:56:19at 48,
00:56:20You're the new one
00:56:21villager.
00:56:21It's true,
00:56:22you span more generations
00:56:23than the clowns on TV.
00:56:24Well,
00:56:24Okay, that's enough.
00:56:25No?
00:56:25Don't let him find out.
00:56:26Josemi,
00:56:26who is very excited.
00:56:28We've all been in love.
00:56:29ever
00:56:29to some offspring.
00:56:31It happens to me too.
00:56:31with the 25.
00:56:33See in me
00:56:33to a father
00:56:34and a lover
00:56:35both.
00:56:36Clear,
00:56:37clear.
00:56:38Word
00:56:38by Connery.
00:56:47Man,
00:56:47hello.
00:56:48What's happening?
00:56:49No,
00:56:50no problem.
00:56:51No,
00:56:51No,
00:56:51who was greeting.
00:56:52What's happening?
00:56:53I don't understand you.
00:56:55No,
00:56:55Leave it,
00:56:55It doesn't matter.
00:56:57What was I going to say?
00:56:58Do you feel like doing something?
00:56:59this afternoon?
00:57:00A cinema,
00:57:00A drinking party or something?
00:57:02No,
00:57:03the thing is...
00:57:05Or well,
00:57:05Yeah,
00:57:06And that's how we tell each other
00:57:07things about family
00:57:08and the brothers.
00:57:09Oh,
00:57:09I have some material there.
00:57:10what to tell,
00:57:11Hey?
00:57:11Okay,
00:57:12then we'll meet up
00:57:12through the courtyard.
00:57:14Goes.
00:57:17Booty.
00:57:21Mother,
00:57:22Take the device away from me,
00:57:23please,
00:57:23if you know that never
00:57:24I'm not asking for anything.
00:57:25Uh!
00:57:25But how can that be?
00:57:26If you don't do anything else.
00:57:28Besides,
00:57:28You are a nurse,
00:57:29You can do it.
00:57:30Come on,
00:57:30Let's go to the bathroom.
00:57:31My Joseph,
00:57:32we carry
00:57:321,500 euros
00:57:33worn out in your mouth.
00:57:34That's no longer
00:57:36orthodontics,
00:57:37It is an investment fund.
00:57:39I'll take it off
00:57:39And I swear
00:57:40tomorrow
00:57:40I'll put it back on.
00:57:42but that
00:57:42It's attached to the tooth.
00:57:44It's not a sock.
00:57:46It's just the same
00:57:47I gave myself the lottery
00:57:47with a pineapple.
00:57:48Uh!
00:57:49But,
00:57:49My Joseph,
00:57:50Well, that's it.
00:57:51It goes to your father,
00:57:52Hey?
00:57:53I am your stepmother,
00:57:54I don't make decisions,
00:57:56I just put
00:57:57put on a brave face.
00:57:58Oh,
00:57:58I'm so hot,
00:57:59Oh my God!
00:58:06Vicenta,
00:58:06come on,
00:58:07that the French toast
00:58:08has been convened
00:58:09urgent meeting.
00:58:10Today is going to be fun,
00:58:11must have
00:58:12a tantrum
00:58:12of drawers.
00:58:13I'm going, I'm going,
00:58:14I'm going to leave
00:58:15becoming
00:58:15a green sauce
00:58:16with cilantro.
00:58:17This is so convenient.
00:58:19But what are you doing?
00:58:21I've let myself go!
00:58:21Inside the spoon!
00:58:23How do you stop it?
00:58:24But don't remove
00:58:25the glass
00:58:25which is the one of
00:58:26back
00:58:26of everything.
00:58:27He unplugs it.
00:58:28on the wall.
00:58:36Vicenta,
00:58:36You've ruined it.
00:58:38If only
00:58:38It's slipping away
00:58:38the clamp now,
00:58:39Hey?
00:58:40Well,
00:58:40no problem,
00:58:41It's new,
00:58:42Will it be under warranty?
00:58:43Yeah,
00:58:44clear.
00:58:44Listen,
00:58:45Look,
00:58:46We have been rotated
00:58:47the multimis
00:58:47that we have stolen from him
00:58:48to the neighbor.
00:58:49Do you want
00:58:49come and fix it?
00:58:51It was nice,
00:58:53while it lasted.
00:58:55What a shame,
00:58:56please.
00:58:57But it has me
00:58:58that this happens
00:58:58me with the new neighbor
00:58:59that I'm going to run into her
00:59:00every day
00:59:01on the stairs.
00:59:02I'm moving,
00:59:02I'm looking for another apartment.
00:59:04If it's going to come
00:59:04Good, a change.
00:59:05Have you gotten an erection?
00:59:06with mamen?
00:59:07But dude...
00:59:08Look,
00:59:08that these things happen.
00:59:10It's because you
00:59:10You don't understand.
00:59:11I was there
00:59:12with essential oils,
00:59:13incense,
00:59:14the top forty
00:59:14from Tibet
00:59:15And of course,
00:59:16What happens, happens.
00:59:17But Mamen noticed.
00:59:19Of course he noticed.
00:59:20Not to brag,
00:59:21but me
00:59:21These things are noticeable on me.
00:59:23Well,
00:59:23What about your back?
00:59:24From the back
00:59:24I don't even remember anymore.
00:59:25But what for?
00:59:26I would listen to you.
00:59:26What about the gym?
00:59:27But you
00:59:28Do you like women?
00:59:29Me?
00:59:30I would just lie down
00:59:31with Madonna
00:59:32And out of curiosity,
00:59:33to see if he leaves
00:59:33throwing money around.
00:59:34Good,
00:59:34no problem.
00:59:35One can be homosexual
00:59:36and at a given moment
00:59:37attract someone
00:59:38of the opposite sex.
00:59:39Sorry?
00:59:40Lordship,
00:59:40There are no further questions.
00:59:43What's happening,
00:59:44Mauri?
00:59:44Are you screwed?
00:59:45No,
00:59:46No,
00:59:46don't worry,
00:59:47Michael.
00:59:47I've been told
00:59:48Ana and Bea
00:59:48that you looked terrible
00:59:49of the back.
00:59:50Hello,
00:59:50Are we here?
00:59:51Ah,
00:59:52hello.
00:59:52How are you?
00:59:53I feel terrible,
00:59:54colleague,
00:59:55My mistake.
00:59:56I saw you were so strong
00:59:57And I said,
00:59:57Well,
00:59:57This one holds up.
00:59:58Well no,
00:59:59You have come to mind,
01:00:00Michael,
01:00:00But I don't hold a grudge against you.
01:00:01Hey?
01:00:02I am a physiotherapist,
01:00:03I'll be back later
01:00:03and I'll give you a massage.
01:00:04No,
01:00:04No more massages,
01:00:05thank you.
01:00:06Yes,
01:00:06You'll see how great it is,
01:00:07I'll fix your body.
01:00:08No,
01:00:08Michael,
01:00:09No,
01:00:09wait.
01:00:11But,
01:00:12Is he gay or not?
01:00:13No,
01:00:13about your back
01:00:14That's the excuse,
01:00:15She comes to see her.
01:00:16Look,
01:00:16He hasn't even looked at me.
01:00:17Go on,
01:00:17because I am here
01:00:18and he saw my face
01:00:18of an aggressive lesbian.
01:00:19Hey,
01:00:20Don't get distracted
01:00:20that we were talking about
01:00:21about my erection with the neighbor.
01:00:22Maury,
01:00:23You're so tiresome with this topic,
01:00:24Hey?
01:00:24How heavy?
01:00:25What if they find out?
01:00:25the other neighbors,
01:00:26that?
01:00:26What if this lady
01:00:27Are they going to tell Fernando?
01:00:29Mamela is married,
01:00:29please,
01:00:30He's not going to say anything.
01:00:31This is just
01:00:31an anecdote from his work.
01:00:33Besides,
01:00:33That's a secret.
01:00:34No?
01:00:34He will have done
01:00:35an oath
01:00:36of a masseur.
01:00:37Because?
01:00:37Because?
01:00:38Because?
01:00:39Because?
01:00:40He turned around
01:00:41and you can't imagine
01:00:43what that was,
01:00:44like the carp
01:00:45from Cirque du Soleil.
01:00:47You touched him too
01:00:48the G-spot.
01:00:50Vicenta,
01:00:50for that
01:00:50There is no button.
01:00:52It's not the power window.
01:00:53electric car.
01:00:54To men
01:00:55sometimes
01:00:56It happens to us.
01:00:57You too,
01:00:57Rafael.
01:00:58These gays
01:00:59They have a vice
01:01:00which is not normal.
01:01:02One day,
01:01:02Mauri,
01:01:03puts us some
01:01:04against mailboxes
01:01:06And if not,
01:01:07in time.
01:01:08Well, I'll take first.
01:01:10Let's see,
01:01:11that is about to begin
01:01:12the board.
01:01:12In absence
01:01:13of the president
01:01:14acting,
01:01:15will preside
01:01:16the first lady
01:01:16acting,
01:01:17Doña Isabel,
01:01:18that asks
01:01:18a bit,
01:01:19a bit
01:01:20collaboration
01:01:21to the owners.
01:01:23Thank you.
01:01:23Well,
01:01:24But this is a disgrace.
01:01:25If the president
01:01:26He's shirking his responsibilities.
01:01:27We'll have to appoint someone else.
01:01:28The only item on the agenda,
01:01:29Thank God.
01:01:31The theft of the multimix
01:01:32by María Jesús Vázquez,
01:01:33who has the word
01:01:34to complain,
01:01:35I guess so.
01:01:36Well yes,
01:01:36well yes,
01:01:37because this has been
01:01:37some neighbor.
01:01:39I ask the community
01:01:40a special permit
01:01:41to register
01:01:42all the houses.
01:01:43The French toast law,
01:01:44kick in the door.
01:01:46One thing,
01:01:46Everything is sorted now.
01:01:47I've spoken to the factory
01:01:48and this afternoon
01:01:49They're going to bring you
01:01:50the new multimix.
01:01:51Yes indeed,
01:01:52They're going to leave it for her.
01:01:52to the goalkeeper
01:01:53so that there is no
01:01:53no problem.
01:01:55I handle heavy parcels
01:01:56I'm not going up,
01:01:57except that Batman
01:01:58I left a key behind me
01:01:59of your elevator.
01:02:00Well,
01:02:00I am very worried.
01:02:02There is an escalation
01:02:02of robberies
01:02:03and of riffraff
01:02:04in this area
01:02:05and that goes down
01:02:05the price of land.
01:02:07I demand immediate action.
01:02:09Approved.
01:02:10The session is adjourned.
01:02:11Wait,
01:02:12wait,
01:02:12herbs,
01:02:12wait.
01:02:13What do we do?
01:02:14Well, let's see,
01:02:15wake up there
01:02:16to the sleeping owner
01:02:17He might be dreaming
01:02:18with the answer.
01:02:19Eugenio,
01:02:20Oh my God.
01:02:21Well,
01:02:22Let's see,
01:02:22Why don't we put
01:02:23security cameras
01:02:24in common places?
01:02:25I'll do it now.
01:02:25in my promotions,
01:02:26But it only costs two pesetas.
01:02:27That's ok,
01:02:28reality TV style
01:02:30great neighbor.
01:02:31No,
01:02:31No,
01:02:32No more spills.
01:02:33And I've had enough.
01:02:34man,
01:02:34No.
01:02:34Let's see,
01:02:35Let's see,
01:02:36I'll pay for that.
01:02:37Man,
01:02:38We're not going to argue now
01:02:39for the money.
01:02:40Clear,
01:02:40like the elevator.
01:02:43The chambers have been approved,
01:02:44nothing else.
01:02:45Yeah,
01:02:45discussion group,
01:02:46What do you think?
01:02:47of Mauri's erection?
01:02:48Vicenta?
01:02:49No,
01:02:50No,
01:02:50No,
01:02:50No,
01:02:50No,
01:02:51request
01:02:51psychomothering
01:02:52to the landing,
01:02:52please.
01:02:53What erection of Mauri?
01:02:54But you haven't noticed.
01:02:55that he loved it
01:02:57the massage
01:02:57from your wife.
01:03:03Is it possible, Father?
01:03:04Yeah,
01:03:04forward,
01:03:05Juan.
01:03:06Sit down,
01:03:07Sit down.
01:03:08I tried
01:03:09talk to Jaco,
01:03:10But it's impossible.
01:03:11He's a utopian.
01:03:12absurd.
01:03:13Besides,
01:03:14There are certain
01:03:15circumstances
01:03:15family
01:03:16that prevent me from...
01:03:17Shot,
01:03:18don't worry,
01:03:18Juan.
01:03:19We are Christians,
01:03:21and you need to know
01:03:22turn the other cheek.
01:03:24Look,
01:03:24I'm going to give them a raise.
01:03:25to all teachers
01:03:2615%.
01:03:28Well,
01:03:29to the gymnastics
01:03:3010%.
01:03:31It's a significant increase,
01:03:33There is no doubt.
01:03:34You already know,
01:03:35Juan,
01:03:35that I continue
01:03:36turning it over in my mind
01:03:37to the topic
01:03:38from the new boss
01:03:39of studies,
01:03:40And thanks to this crisis
01:03:42I have been able
01:03:43realize
01:03:43whose is it
01:03:44truly
01:03:45bound
01:03:46to this institution.
01:03:48Yeah,
01:03:49father,
01:03:49fidelity
01:03:50It is a value
01:03:50essential
01:03:51for a position
01:03:52executive
01:03:52at that level.
01:03:54And also
01:03:55I have been able to verify
01:03:56who has
01:03:57true personality
01:03:59and firmness
01:04:00in its beginnings.
01:04:02Well,
01:04:02father,
01:04:02I'm the only one
01:04:03What can I tell you?
01:04:04I will do
01:04:04everything that is
01:04:05in my hand
01:04:05so that he can take care of it.
01:04:07Juan,
01:04:07What do you think?
01:04:08Yago,
01:04:09as boss
01:04:10of studies?
01:04:11Hey?
01:04:12He is a young man
01:04:14with character,
01:04:15has talent
01:04:16leadership,
01:04:17the teachers
01:04:18They respect him
01:04:18and it has been known
01:04:20win over the parents
01:04:21of the students.
01:04:23Well,
01:04:24I don't know.
01:04:27Are you okay?
01:04:29The thing is
01:04:30I felt dizzy
01:04:31a bit.
01:04:33Eat
01:04:33a pistachio.
01:04:35Oh, no?
01:04:39They're already installed.
01:04:40the six cameras,
01:04:41Don Rafael.
01:04:41They are controlled through
01:04:42from the laptop.
01:04:44The images are saved
01:04:45on the hard drive.
01:04:46And this computer
01:04:46It's no longer what we give
01:04:47us, right?
01:04:48No, man,
01:04:49No, it's a system.
01:04:49security.
01:04:50Is this not for playing?
01:04:51Hey, is it recording?
01:04:52all the time?
01:04:53No no,
01:04:54the cameras have
01:04:54motion sensor.
01:04:56Just record
01:04:56when something happens
01:04:57past.
01:04:58Well,
01:04:58if you don't need anything else.
01:05:00Yes, wait for me,
01:05:00You have to put
01:05:00the radar detector
01:05:01in the car,
01:05:02which is very heavy
01:05:02them behind.
01:05:04Look,
01:05:04right in the milk.
01:05:05Yes, exterior portal,
01:05:07interior portal,
01:05:09landings of the one
01:05:10to three.
01:05:12And this camera
01:05:13Where is it pointing?
01:05:14I told him
01:05:15put one
01:05:16in the trash cans
01:05:17to capture
01:05:18subjective images
01:05:19like on a motorcycle
01:05:19by Dani Pedrosa.
01:05:21When you take out the cube,
01:05:22tombs like that.
01:05:23Dad,
01:05:24that camera there
01:05:24She's stupid.
01:05:25We'll have to put it on
01:05:26in the courtyard.
01:05:27No,
01:05:27That's my nudist space
01:05:28and then those images
01:05:29They end up on the internet.
01:05:31Yeah,
01:05:31like the video
01:05:32by Pamela Anderson.
01:05:33It's going to be a record.
01:05:34of downloads.
01:05:36Well,
01:05:36I'm going to sunbathe
01:05:37that ends
01:05:38the good time.
01:05:40When you die
01:05:40I'm going to freeze you
01:05:41so they can study you
01:05:42in the future.
01:05:43They won't believe it.
01:05:45What are you doing?
01:05:48Hey!
01:05:49Here it comes
01:05:49the one from the Multimix.
01:05:51Are you arriving on time?
01:05:52Or should I throw a party?
01:05:53No no,
01:05:54still, still,
01:05:55that we are
01:05:56at our stations.
01:05:57She's really going for it.
01:05:59So I'll wait here,
01:06:00No?
01:06:00That's great.
01:06:02Emilio,
01:06:02Emilio,
01:06:03Emilio.
01:06:03Yes,
01:06:04yes,
01:06:04that I am here.
01:06:04What's happening?
01:06:05Go upstairs for a moment
01:06:07that Valentin
01:06:07We've run out
01:06:08from eating the cable
01:06:09from TV.
01:06:09Well,
01:06:09Well, wait,
01:06:10which we have already collected
01:06:11of dead animals.
01:06:11No,
01:06:12no,
01:06:12I just want
01:06:13so you can wrap it up
01:06:13with electrical tape.
01:06:15To the dog?
01:06:15No,
01:06:16Pussy,
01:06:16the cable,
01:06:17come on.
01:06:17Well, wait,
01:06:18grab the electrical tape.
01:06:19No,
01:06:19that we have up above.
01:06:20Look,
01:06:20We would do it,
01:06:21but we can't see well anymore
01:06:23up close.
01:06:23And at bingo?
01:06:24How do they manage?
01:06:24By instinct,
01:06:25Like Yetis?
01:06:26We miss lines
01:06:27through a pipe.
01:06:35Hello,
01:06:35hello good.
01:06:36Goalie,
01:06:37please.
01:06:37I am his wife,
01:06:38tell me.
01:06:39Very good,
01:06:39Look,
01:06:40Here I bring you
01:06:42the other
01:06:43Multimix
01:06:43from third B.
01:06:45I've been told
01:06:45leave it here
01:06:46in goal.
01:06:46Very good,
01:06:47I'll sign it for you.
01:06:49There.
01:06:50Son,
01:06:51with the salary
01:06:52that my husband has
01:06:52I can't give you a tip.
01:06:53No,
01:06:53don't worry,
01:06:54lady,
01:06:55I'm getting used to it.
01:06:56You're so nice.
01:06:57Well,
01:06:58bye bye.
01:06:59Bye bye,
01:07:00bye bye.
01:07:24Emilio,
01:07:25Where did you put it?
01:07:26my aloe vera bottle?
01:07:28Blessed Jesus.
01:07:31Bye bye,
01:07:31Hey.
01:07:37Come on,
01:07:37silly,
01:07:38Have a French toast,
01:07:38They are very good.
01:07:39No,
01:07:40thank you so much,
01:07:40really,
01:07:40I am diabetic.
01:07:41That's okay.
01:07:42Do you have insulin?
01:07:43To prick him?
01:07:44No,
01:07:45I don't,
01:07:45No.
01:07:49But what are you doing here?
01:07:50Are you crazy?
01:07:51I don't know,
01:07:52Your mother called me,
01:07:53He asked me to come.
01:07:54But you don't realize it
01:07:55that Emilio can see him.
01:07:56Well, let him see it.
01:07:58Daughter,
01:07:58if you are not brave
01:07:59to decide about your life,
01:08:00I'll have to be it for you.
01:08:02Oh,
01:08:03Hey,
01:08:04Do you think that for me
01:08:04Was it easy to separate from your father?
01:08:06No.
01:08:07Look,
01:08:07I left home
01:08:08with one hand in front
01:08:09and another one behind.
01:08:09I had nothing.
01:08:11Sorry if you had,
01:08:11You came here.
01:08:12That's why,
01:08:13Imagine how desperate she was
01:08:14that had to be there.
01:08:16Besides,
01:08:16What the hell?
01:08:17If I'm paying
01:08:17the mortgage
01:08:18and I invite whomever I want,
01:08:19Or not?
01:08:20Marcelo.
01:08:21Marcelo,
01:08:21I am here peacefully
01:08:22With the pennyroyal, right?
01:08:22You can't stay here,
01:08:23You have to leave.
01:08:24I've asked you for a little time,
01:08:25please.
01:08:26But why did they cancel it?
01:08:27Today's therapy?
01:08:28Well,
01:08:29because the last
01:08:30that I did in your consultation
01:08:31It wasn't exactly therapy.
01:08:33Nativity scene,
01:08:33You're blocked.
01:08:35Hey?
01:08:35You're blocked.
01:08:36You have to avoid
01:08:36those thoughts
01:08:37that prevent you
01:08:38to mature emotionally.
01:08:39Look.
01:08:45Look, Marcelo.
01:08:46Yeah.
01:08:47I love Emilio,
01:08:48Okay?
01:08:50And you're going to have me
01:08:51to give it some time
01:08:52because...
01:08:53because I have doubts.
01:08:54It's okay, Belén.
01:08:55I mean,
01:08:55Aristotle said so.
01:08:56Doubt is the beginning
01:08:58of wisdom.
01:08:58Already,
01:08:59But it's just that I
01:08:59I don't give a damn about Aristotle.
01:09:00Me too.
01:09:01I just want to be with you.
01:09:04Come.
01:09:11No.
01:09:12Go away.
01:09:13Go away, go away, go away.
01:09:14Go away, go away.
01:09:14Okay.
01:09:15Go away.
01:09:19Very good, Karen.
01:09:20I can't go on like this, okay?
01:09:21I know.
01:09:23Because I don't know what to do.
01:09:26Go.
01:09:28Daughter.
01:09:29Do you see more trains going by?
01:09:30a stationmaster?
01:09:33Well,
01:09:34So, Juan,
01:09:34And what about you in the end?
01:09:35Hey?
01:09:36Are you going on vacation with us?
01:09:36Or what's going on?
01:09:37Well,
01:09:38I'm still there.
01:09:39Pickaxe,
01:09:39pickaxe,
01:09:40But it looks really bad.
01:09:42Juan is like a barnacle.
01:09:43He clings on
01:09:44to the rock of their home.
01:09:46Oh.
01:09:47Good afternoon.
01:09:48You are the mother of Paul,
01:09:50TRUE?
01:09:50I am Candela.
01:09:51Ah, well then,
01:09:52nice to meet you.
01:09:53I am Isabel
01:09:54and I'm Pablo's girlfriend
01:09:56And if you come near me again
01:09:57to my boyfriend,
01:09:58I promise I'll catch you
01:09:58of the hair
01:09:59and I'll drag you to the square.
01:10:02It's becoming clear,
01:10:04Hey, monkey?
01:10:08But,
01:10:08How do you tell him that?
01:10:09the neighbor's daughter?
01:10:11What Pablo likes.
01:10:12This morning
01:10:13has gone up to the attic
01:10:14and he's made a pass at her
01:10:15there with a knife.
01:10:17Papa Antu,
01:10:18Marten,
01:10:19But he's 14 years old.
01:10:21And?
01:10:22They are the worst.
01:10:23Hey?
01:10:24Be careful.
01:10:25because I have it under control.
01:10:27Marten,
01:10:28if she could be your daughter.
01:10:29Hey?
01:10:30Or your granddaughter.
01:10:32My God.
01:10:37Oh.
01:10:39Oh,
01:10:39if the sofa
01:10:40He has to go here.
01:10:42It's perfectly clear.
01:10:47Candy, darling,
01:10:48what's the matter?
01:10:49A friend of the neighbor
01:10:51He has threatened me.
01:10:52To you?
01:10:52Because?
01:10:53I'm very modern,
01:10:55But the new generations
01:10:56They don't respect anything.
01:10:59Marten,
01:10:59It's one thing
01:11:00that sooner or later
01:11:01It's going to happen to you.
01:11:02You are 48 years old.
01:11:04Menopause
01:11:05He's also going to call
01:11:06to your door
01:11:06and you will dry out
01:11:08well, like a valley
01:11:09from the kitchen in the sun.
01:11:10And then,
01:11:11Pablo,
01:11:12What is he going to do?
01:11:12Well, look for it
01:11:13a younger one.
01:11:15Well no,
01:11:16because it's not always
01:11:17It has to be this way.
01:11:18Yes,
01:11:19You'll see.
01:11:19I get better with age.
01:11:21and I will die
01:11:22with the thong on.
01:11:24Who was this?
01:11:26Hey,
01:11:26What do you have?
01:11:27What should I tell my daughter?
01:11:29Sorry,
01:11:29But your daughter
01:11:30he threw it
01:11:31the yew trees to my boyfriend.
01:11:32What could his father be?
01:11:34Yeah,
01:11:34And you're her grandmother.
01:11:35And the numbers add up for me.
01:11:37Well, yes to Candela
01:11:38He feels like fooling around.
01:11:39with Pablo,
01:11:41Well, let him fool around.
01:11:42Because the girl
01:11:43is of age to...
01:11:44Let's see,
01:11:45How old is Pablo?
01:11:4620?
01:11:47No no,
01:11:4721 practically.
01:11:49But Candela,
01:11:49Are you crazy?
01:11:50Go on,
01:11:51come on,
01:11:51pull it in.
01:11:52But Mom...
01:11:52Come on,
01:11:53You are grounded.
01:11:56Of course,
01:11:56Oh my God.
01:11:57That kid
01:11:58with Pablo,
01:11:59It's an abomination.
01:12:00Yeah,
01:12:01yours
01:12:01It's much more normal.
01:12:03Where will it all end?
01:12:07Oh,
01:12:09there,
01:12:09there.
01:12:10Careful,
01:12:10Oh.
01:12:11Oh,
01:12:12But that's nothing,
01:12:12man.
01:12:13In two days
01:12:13We're training again.
01:12:15Well,
01:12:15We're already seeing it.
01:12:16Mauri,
01:12:17Can you take a look?
01:12:18Just a moment?
01:12:20Wait,
01:12:21Don't you see they're giving me
01:12:22a massage?
01:12:23Blond,
01:12:24Be careful when turning it over
01:12:25Because this is like a ring-shaped cake.
01:12:27You can find
01:12:28with the surprise.
01:12:30Hey,
01:12:31Hey,
01:12:32let's see,
01:12:33What do you know?
01:12:34Nothing,
01:12:35that you have had
01:12:36a sexual accident
01:12:37with mamel
01:12:38and you've got it all messed up.
01:12:40And who else knows?
01:12:41Hey?
01:12:43Time,
01:12:43time,
01:12:44through the peepholes.
01:12:45Hey,
01:12:46Mauri,
01:12:46I need to talk to you.
01:12:47I have to tell you
01:12:48one very important thing.
01:12:49I'm sorry,
01:12:50Michael,
01:12:50But I have a boyfriend.
01:12:51And we're going to get married.
01:12:51No,
01:12:52If it's not that.
01:13:21Can we talk?
01:13:22They're not papers.
01:13:23The important thing is love.
01:13:25Do you want me to talk to her?
01:13:27I'll prepare it for you a little.
01:13:28No.
01:13:28What do I talk to her about?
01:13:29man?
01:13:30The trial and error.
01:13:30Wit,
01:13:31that I am gay.
01:13:32It's all I have
01:13:32clear in life.
01:13:34That?
01:13:34Mauri,
01:13:35the train passes once,
01:13:36Hey?
01:13:37These are the things
01:13:38that one regrets.
01:13:41Think about it.
01:13:46The floor I laid for you,
01:13:48No?
01:13:50Good.
01:13:50The ground,
01:13:51The floor is in very good condition.
01:13:52Yeah.
01:13:52Well,
01:13:53the ground.
01:13:58I'm telling you this.
01:13:59And they don't believe me.
01:14:00Mauri,
01:14:01I need your help.
01:14:03I'm in love with Ana.
01:14:05From Ana?
01:14:07Well, I'm sorry,
01:14:08Michael,
01:14:08But she's a lesbian.
01:14:09Irregular.
01:14:10We hooked up one day
01:14:11three months ago,
01:14:12But he doesn't even pay attention to me anymore.
01:14:13I just don't know what to do.
01:14:15What did you say?
01:14:15What did you do?
01:14:19Three months.
01:14:20Does...
01:14:25Mauri,
01:14:25It was a silly thing to do.
01:14:26Look,
01:14:27we had broken up
01:14:27and she was a little resentful.
01:14:29I met Michael
01:14:29in the gym
01:14:30and...
01:14:30No no,
01:14:31No, not that one.
01:14:31which is very green.
01:14:32I knew it.
01:14:33I knew it,
01:14:34But how much damage?
01:14:35What do bisexuals do?
01:14:36That I love Bea.
01:14:38That's nonsense.
01:14:39that are done
01:14:39when you have problems
01:14:40with your partner.
01:14:41No, sorry,
01:14:41But Fernando already
01:14:42I don't do those things to him.
01:14:43No,
01:14:43You have choices.
01:14:44with the neighbor.
01:14:45Oh well,
01:14:45And why do you keep going?
01:14:46to that gym
01:14:47to continue making him bitter
01:14:47life?
01:14:48That poor kid?
01:14:49No,
01:14:49What if I unsubscribe?
01:14:50Bea would suspect.
01:14:52Besides,
01:14:52I've already paid for the year
01:14:53and a bonus
01:14:54the lightning rises.
01:14:56Talk to Michael,
01:14:56Because it's really bad,
01:14:58is capable of doing
01:14:58any nonsense.
01:14:59Well,
01:14:59But you, keep quiet.
01:15:01that you owe me one.
01:15:02You lost Bea's child
01:15:03And I haven't said anything.
01:15:05And what about you?
01:15:06Are you having a good time?
01:15:07No, nothing,
01:15:08It's 4.90.
01:15:13Hi, Dad,
01:15:14Have you heard yet?
01:15:15Father Paulino
01:15:16has given up,
01:15:17It's going to raise all of us
01:15:17the salary by 20%.
01:15:19Will you be able to
01:15:19Buy the car?
01:15:20Yeah.
01:15:22Juan,
01:15:22we have had a meeting
01:15:24And everything has gone very well.
01:15:25Look,
01:15:25if above
01:15:26It doesn't seem like anything is missing.
01:15:28family,
01:15:29You have before you
01:15:30to the new boss
01:15:30of school studies.
01:15:31Dear,
01:15:32congratulations.
01:15:33No,
01:15:34I don't.
01:15:35He.
01:15:37Dear,
01:15:38congratulations.
01:15:39Well,
01:15:40So what do I have to do?
01:15:42I arrive at that
01:15:43in my position.
01:15:44I've been here for years
01:15:44behind him.
01:15:45But you who have come
01:15:46to my house
01:15:46to take the bread out of my mouth.
01:15:48Bread and steaks.
01:15:51Come on,
01:15:51Let's smoke
01:15:52the peace pipe.
01:15:54Juan,
01:15:54I have the feeling
01:15:56that you are
01:15:56a little uncomfortable
01:15:57with my presence
01:15:58here in your house.
01:15:59No,
01:15:59I?
01:16:00Because?
01:16:00Well,
01:16:01I'm uncomfortable too.
01:16:02But Natalia
01:16:03She is already very pregnant
01:16:03and I feel that I have
01:16:04to be close to her,
01:16:05No?
01:16:05Near,
01:16:06not above or below.
01:16:07Dad.
01:16:07No,
01:16:07This is over now.
01:16:09I have a strong personality too.
01:16:10and leadership skills
01:16:11and some principles
01:16:11that's fucking awesome.
01:16:12So, Mr. Boss
01:16:13of studies,
01:16:14You're already putting your things in.
01:16:15in that dingy backpack
01:16:16what do you have
01:16:17and leaving through the door.
01:16:18Juan,
01:16:18Well, if you add it,
01:16:19We're going with him.
01:16:21That sounds great to me.
01:16:22Married and very happy
01:16:23and have a lot of children.
01:16:24But I'm warning you now,
01:16:24Hey?
01:16:25I don't want to know anything.
01:16:26I'm going with Isabel
01:16:27to the Canary Islands.
01:16:28Yeah!
01:16:31No.
01:16:32Juan,
01:16:33think about your grandson.
01:16:34Why are you acting like this?
01:16:35It's okay, honey.
01:16:36We'll get through this.
01:16:39My love,
01:16:39you're sure
01:16:40about what you're going to do.
01:16:41You're not entirely sure
01:16:42nothing in my life.
01:16:49Daughter,
01:16:49It is the twentieth first message
01:16:51I'll leave you.
01:16:51I didn't mean to
01:16:53what I said.
01:16:54Well, yes, I wanted to,
01:16:55But I ask you
01:16:56that I urge you
01:16:57to go back home.
01:16:58Both.
01:16:59The three of them.
01:17:00Because your mother and I
01:17:01We are waiting for you
01:17:02with open arms.
01:17:04Thank you.
01:17:05Another kiss.
01:17:08I've lost her, Isabel.
01:17:11But it doesn't matter.
01:17:12We have the little one
01:17:13And we can sponsor more.
01:17:15Well, there's plenty of room for photos.
01:17:16in the living room.
01:17:18But you,
01:17:18How can you be so calm?
01:17:21I have taken
01:17:22about fiales.
01:17:23It was too much tension.
01:17:24For me now.
01:17:26But you're doing well.
01:17:28Yes, yes.
01:17:31I feel like
01:17:32polar bears
01:17:33when they have been shot
01:17:34the long
01:17:34And they're getting closer.
01:17:35to measure their nails.
01:17:39Look, look,
01:17:40look,
01:17:40Look at the pig
01:17:41Rafael's butler
01:17:42searching for oil
01:17:44in the nasal depths.
01:17:45Disgusting.
01:17:46It's just that people
01:17:47when nobody sees her
01:17:48does some things.
01:17:50Play another clip.
01:17:50Let's see.
01:17:52Nothing.
01:17:53This is the lesbian
01:17:54leaving home.
01:17:56But wait,
01:17:56Press pause
01:17:57that her cleavage was visible.
01:18:00Yes, pot,
01:18:01But if it's grass
01:18:02the one who steals from me
01:18:03the light bulbs
01:18:03of the wall lights.
01:18:05Son,
01:18:05Power is corrupt.
01:18:09Emilio,
01:18:10Who brought you here?
01:18:11Is this multibis?
01:18:13It's broken.
01:18:15And used.
01:18:16I don't know, Mrs. María Jesús,
01:18:17This is the one they've brought.
01:18:18Play the recording for me
01:18:18from the cameras.
01:18:19Please.
01:18:20No, no, no,
01:18:20me without permission
01:18:21from Mr...
01:18:21Press play right now
01:18:22If you don't want me to...
01:18:23Dale.
01:18:25Now yes.
01:18:28This is Paquito
01:18:29talking to the woman.
01:18:30Happens.
01:18:32Look at them.
01:18:34Look at them.
01:18:34There they are.
01:18:34If only I knew.
01:18:36Wow, what a moment!
01:18:37What a great moment!
01:18:39Doña María Jesús,
01:18:41Don't get jealous of her
01:18:42if these ladies
01:18:42They have no malice.
01:18:43They self-medicate.
01:18:48I'm into cameras.
01:18:49I see it as an invasion
01:18:50to neighborhood privacy,
01:18:51Hey?
01:18:52I don't see this.
01:18:53Good idea.
01:18:56What a bitch.
01:18:58No,
01:18:59I agree.
01:19:00This is not a good idea.
01:19:03Look,
01:19:04I think that in the book
01:19:04nine more recipes.
01:19:05Look,
01:19:06coffee biscuit
01:19:07and dates.
01:19:08Let's see if you pay more attention now.
01:19:10And don't leave any little spoons inside.
01:19:13Stop, stop, stop.
01:19:22Hello,
01:19:23Maria Jesus.
01:19:24How are you?
01:19:33Let's see,
01:19:34cinema,
01:19:34What do you prefer?
01:19:35Scares,
01:19:36Shots or romantic folly?
01:19:39No,
01:19:39I can't meet up today.
01:19:40I have been punished.
01:19:41Here it goes.
01:19:42That at 14 years old
01:19:43They still punish you.
01:19:44It's just that my mother
01:19:45has found out
01:19:46that I like a boy.
01:19:47Oh, really?
01:19:47And who is it?
01:19:49I can't tell you.
01:19:49I don't know you that well yet.
01:19:51Bye.
01:19:53Bye bye.
01:19:57He likes me,
01:19:58He likes me.
01:19:59Oh,
01:19:59How it hurts.
01:20:01Let's see if they do something for me.
01:20:02the painkillers.
01:20:03Daughter,
01:20:03It's normal for it to hurt.
01:20:05They've broken your head.
01:20:06Take advantage and get it done.
01:20:08That's it,
01:20:08You'll manage.
01:20:09Because?
01:20:09If my nose
01:20:10Nothing was wrong with him.
01:20:11Not even Paula Vázquez's
01:20:12neither,
01:20:12But it's just to treat yourself.
01:20:14Man!
01:20:15What are you doing here so early?
01:20:16Well, that's it.
01:20:17that he missed Mauri a lot
01:20:18And I'm going to surprise him.
01:20:19Well, go up.
01:20:20I think he
01:20:21She has another one for you.
01:20:22Fernando,
01:20:23I want to report
01:20:23to the mother of Bethlehem
01:20:24who punched me.
01:20:25Yeah,
01:20:25when I went out
01:20:26with the frying pan
01:20:27He had already left.
01:20:28Well,
01:20:29We are from Riera
01:20:30and at the meetings
01:20:31We will meet.
01:20:32Ladies,
01:20:32that I've sucked
01:20:3314 hours by plane.
01:20:34The only thing I want
01:20:35It's getting into my bed.
01:20:36Well, let's see if you fit.
01:20:37Because?
01:20:38Why?
01:20:39It's Mamen,
01:20:40the new neighbor,
01:20:42He went downstairs to give her a massage
01:20:42to Mauri.
01:20:43Mauri got excited
01:20:44And Mamen left,
01:20:46clear,
01:20:46because she is married.
01:20:48But come on,
01:20:48The problem is there.
01:20:49The flesh is weak.
01:20:51and the thin partitions.
01:20:53Please,
01:20:53ladies,
01:20:53Don't make things up.
01:20:54It's easier
01:20:55Buish to sign
01:20:55the Kyoto Protocol
01:20:56that Mauri gets involved
01:20:57with a woman.
01:20:58No, no, no,
01:20:58if also
01:20:59There's a guy.
01:21:01A hunky blond guy
01:21:02that barely fits
01:21:03up the stairs.
01:21:05That one too
01:21:05He gives her massages.
01:21:09Ana called me.
01:21:10He says he'll leave her alone
01:21:11that doesn't want to have
01:21:12nothing with me.
01:21:13That's all bullshit.
01:21:15Eh, eh,
01:21:15don't worry,
01:21:16Michael,
01:21:16because this still
01:21:17I'm paying for it.
01:21:18I'm a romantic
01:21:19Idiot up the ass.
01:21:20Don't worry,
01:21:21come on,
01:21:21don't worry.
01:21:23I'm going to call her.
01:21:27Oh, how harmful it is.
01:21:29Me too,
01:21:30really.
01:21:31What happened to you?
01:21:32Nothing, nothing.
01:21:34A silly blow
01:21:35against a partition.
01:21:37Yeah?
01:21:38Ann,
01:21:38I have Mr. Wisconsin here.
01:21:40in an aggressive-depressive state.
01:21:42Would you mind getting off?
01:21:42Just a moment?
01:21:44No.
01:21:46Well,
01:21:46come on,
01:21:46So we went up.
01:21:48Wait,
01:21:48wait,
01:21:49I'm going.
01:21:54Who was he?
01:21:55Hey,
01:21:55Mauri,
01:21:56what do you want to ask me
01:21:57some things
01:21:58about the Pilates method.
01:21:59Am I coming with you?
01:22:00No, no, no,
01:22:01no, yes,
01:22:02I'll teach him
01:22:02a couple of positions
01:22:03And I'll go up there right away.
01:22:06Did you believe that?
01:22:07all that?
01:22:08No.
01:22:12Oh my God,
01:22:13I'm getting dizzy
01:22:14and all.
01:22:15I believed
01:22:16that we could be boyfriend and girlfriend,
01:22:18go to Krakow
01:22:19to see my parents,
01:22:20and the ruins
01:22:21from the fields
01:22:22of extermination.
01:22:23Hey,
01:22:24Well, that's a great plan!
01:22:25You suggest it to him.
01:22:29Hello.
01:22:30Fernando,
01:22:31but,
01:22:31What are you doing here?
01:22:33I have quit my job,
01:22:34I missed you.
01:22:36That?
01:22:36Hey,
01:22:37Well,
01:22:38Michael,
01:22:38Fernando,
01:22:39Fernando,
01:22:40Michael.
01:22:41How are you?
01:22:43Hey,
01:22:43well,
01:22:44I don't know.
01:22:45Come on,
01:22:46come to the patio,
01:22:46Yes, we have a box seat.
01:22:47Did it sound much better?
01:22:48Go inside now.
01:22:51Besides being a rude lesbian.
01:22:53Daughter,
01:22:54You have everything.
01:22:57What are you doing?
01:22:58Nothing,
01:22:59Mauri,
01:22:59who's involved with Fernando,
01:23:01But I'll see you tomorrow.
01:23:02Has Fernando returned?
01:23:03No,
01:23:03But don't be nosy.
01:23:04Come on,
01:23:05let's go.
01:23:06Mauri,
01:23:06You know I'm not jealous,
01:23:07But if I get home
01:23:08and I find you embraced
01:23:09to a weeping beam
01:23:10of six feet ninety,
01:23:11You'll understand that I at least asked.
01:23:12What is a vigardo?
01:23:13Very good,
01:23:13You ask,
01:23:14I'm telling you there's nothing.
01:23:15And you trust me,
01:23:16because until today
01:23:16I haven't given you a single reason.
01:23:17of suspicion.
01:23:18Already,
01:23:18So what are you doing hugging?
01:23:20Because the kid
01:23:21She has a broken heart.
01:23:22Ah,
01:23:22And with whom?
01:23:23I can't tell you.
01:23:24And neither are you,
01:23:26Okay,
01:23:26But he's a vigardo.
01:23:27Very good,
01:23:28Well, I'm going to a hotel.
01:23:29and when you create
01:23:29that you can tell me,
01:23:30You call me.
01:23:31Wait!
01:23:33Michael got involved with Ana.
01:23:35Which Ana?
01:23:35The one who sang the coca guagua.
01:23:37Which one will it be?
01:23:38Well, Bea's.
01:23:39He had a problem with this one
01:23:40when the two of them left him
01:23:41And the lovesick idiot.
01:23:45I'm a stupid, dumb asshole.
01:23:48I was going to tell you,
01:23:50I was waiting for...
01:23:51No,
01:23:51I don't know.
01:23:55Hey,
01:23:55that we had broken up.
01:23:59Clear.
01:24:00Now I understand everything.
01:24:02That's why he was teasing me.
01:24:03with the wedding.
01:24:04But how foolish I've been.
01:24:06Man,
01:24:06No,
01:24:06But don't break that one.
01:24:07We all went out.
01:24:08Paquito,
01:24:09collateral sub-border
01:24:11photographic.
01:24:11My God,
01:24:12What a huge scam!
01:24:13Now I understand
01:24:14to the opening ones.
01:24:15Emilio,
01:24:15It's not wrong to feel this way.
01:24:16You had never been put there before.
01:24:17the horns.
01:24:18Son,
01:24:18This moment comes to us all.
01:24:20Horns are like
01:24:21prostate problems.
01:24:23Things that later
01:24:24or earlier
01:24:25He has to face his name.
01:24:26But if it has been
01:24:27It's all a lie.
01:24:28I no longer believe myself.
01:24:29nor orgasms.
01:24:29Emilio,
01:24:30yes,
01:24:31that we got married.
01:24:33No?
01:24:35No what?
01:24:36Look,
01:24:36venente,
01:24:37I'm going to say it with affection.
01:24:38and with all the education
01:24:40who has been able
01:24:40to pay me, this gentleman.
01:24:43Fuck off,
01:24:44bad fox.
01:24:45And that he marries you
01:24:47that bastard of a therapist
01:24:48the one you're making out with
01:24:49through the landings.
01:24:50Who told you that?
01:24:51My mother.
01:24:52Or was it you?
01:24:53How awful,
01:24:54how awful.
01:24:54He's seen a great neighbor.
01:24:55Have they recorded you?
01:24:56Security cameras?
01:24:57But what cameras?
01:24:58Which cameras?
01:24:58Get out of here.
01:24:59No, but Emilio,
01:25:00Wait, wait.
01:25:00Just leave now,
01:25:01Hey?
01:25:02No, but let me
01:25:03Let me explain.
01:25:03Her photos.
01:25:05Look, Bethlehem,
01:25:07You think you
01:25:07that I'm a piece of shit
01:25:08And you've always treated me this way.
01:25:10But I'll tell you one thing.
01:25:12I'm no shit.
01:25:14I am caviar.
01:25:15And someday I will find
01:25:17to a woman who loves me
01:25:18because of who I am.
01:25:19And I'll tell you something else.
01:25:21You're the real piece of shit.
01:25:23And you're going to be like this
01:25:24the rest of your life.
01:25:28That's it.
01:25:35Feelings.
01:25:36The unfinished business
01:25:38of the human being.
01:25:39But how did you come up with that?
01:25:40install security cameras
01:25:41Without warning?
01:25:42Damn it, Juan,
01:25:43send a circular.
01:25:44It wasn't me.
01:25:45And you didn't delegate
01:25:46in your mother?
01:25:47Come to the meetings.
01:25:49The daughter tower hit me.
01:25:50Hey?
01:25:51And with bad intentions.
01:25:52There is another way
01:25:53to glue.
01:25:54Don't listen to them.
01:25:55Vicente has fallen
01:25:56and it has happened
01:25:56with the corner of the table.
01:25:57Oops!
01:25:58Mother,
01:25:59Emilio has left me
01:26:00and he told me
01:26:01some really ugly things.
01:26:02Okay, girl, come on.
01:26:03Come on, it's over now.
01:26:05Come and call them.
01:26:06Come and call him.
01:26:07It's because the other one
01:26:07I don't like it anymore.
01:26:09French toast!
01:26:10We're going to report you.
01:26:11for assault
01:26:12to old age.
01:26:13And now the law is acting, huh?
01:26:14And I to you
01:26:15for theft that is recorded.
01:26:17If Mariano is going to give it to me
01:26:17a DVD copy.
01:26:19Oh well,
01:26:20robberies, assaults.
01:26:21What spiral
01:26:22of neighborhood barbarism
01:26:22Is this it?
01:26:23Bea,
01:26:24Please listen to me.
01:26:26Careful,
01:26:26careful.
01:26:28Bea,
01:26:28Don't throw the suitcase like that.
01:26:29that the wood suffers.
01:26:30It doesn't matter
01:26:31Join us in the Canary Islands.
01:26:33The resmi
01:26:34They're having a clearance sale.
01:26:35Hey, hey, hey!
01:26:36That's it!
01:26:37Hey, hey!
01:26:38We've found them!
01:26:39in a common area!
01:26:41And did you know about Bethlehem?
01:26:42And you didn't tell me anything,
01:26:43No?
01:26:44But how do you tell him that?
01:26:45to a son.
01:26:46As a father, I am a father.
01:26:47It breaks my heart.
01:26:48Besides,
01:26:49María Jesús asked me to.
01:26:50and I have it there
01:26:50which I believe will fall.
01:26:52Hello.
01:26:53Here, Paco.
01:26:53I'll bring it to you
01:26:54one day late.
01:26:55Oh yes, I love it.
01:26:56It's a three euro fine.
01:26:59Emilio,
01:26:59what's the matter?
01:27:00Nothing,
01:27:01that the bride
01:27:01He cheated on her
01:27:02And they just broke up.
01:27:02Oh,
01:27:04I'm sorry,
01:27:05I'm sorry.
01:27:06But don't worry.
01:27:07Now you're a sorry sight.
01:27:08But that's going to happen to you.
01:27:09Don't be sad.
01:27:10Things always happen
01:27:11for a reason.
01:27:12It's sure to appear
01:27:13someone
01:27:13far better.
01:27:15Thank you, Raquel.
01:27:17Cheer up, handsome.
01:27:23See?
01:27:24This girl
01:27:25She does look like a magician.
01:27:26Already,
01:27:27But you know
01:27:27about this girl.
01:27:28Look,
01:27:29I might even get inspired.
01:27:30to meet her.
01:27:31I don't know,
01:27:32It has something special.
01:27:33Don't they say
01:27:34than a nail
01:27:34Take out another one?
01:27:35That's it.
01:27:38But Emilio,
01:27:39Doesn't he know he's a guy?
01:27:40He must be the only one
01:27:41building loser
01:27:42who doesn't know it.
01:27:43And we're going to be
01:27:44so cruel
01:27:45without notifying him.
01:27:46Yeah.
01:27:47Oysters,
01:27:47Yes, it could be
01:27:48the romance of the century.
01:27:49Man,
01:27:49I imagine
01:27:50that he will realize
01:27:50before arriving.
01:27:51Don't believe it.
01:27:52Don't believe it.
01:27:52It happened to me years ago.
01:27:53almost fooled me
01:27:54on a camping trip.
01:27:55Mariano.
01:27:56No,
01:27:56Nothing happened.
01:27:58Back down in time,
01:27:59But my friend
01:28:00Dynamite fell.
01:28:01She has three children.
01:28:03Adopted,
01:28:04logically.
01:28:06It's Lourdes.
01:28:07No, no, no.
01:28:08Paco,
01:28:08Don't pick it up.
01:28:09No, it's there, it's there.
01:28:10Bring it to me,
01:28:10Give it to me.
01:28:11Lourdes,
01:28:12my life.
01:28:13Hey?
01:28:14Viva.
01:28:16Viva.
01:28:17Thanks for watching the video.
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