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00:00I love you
00:46Hello, hello, and welcome to A Bit of Fry and Laurie.
00:52Hello.
00:55Ladies and gentlemen, because you and I are known for our anger, our satirical rage at
01:01the human condition, for want of a better cliché, we often get accused of lacking a sense of
01:08proportion.
01:08Here's a letter that we received that I'd like to read out to you, if I may.
01:13Dear Fry and Laurie, it's very easy to knock, to rage, to snarl and to satirise.
01:20It's oh so simple, for instance, to knock Mrs Thatcher, isn't it?
01:23But what are you suggesting should go in the place of the institutions and people you so
01:28viciously decry?
01:30Well, of course, he's absolutely right.
01:32It is ludicrously easy to knock Mrs Thatcher, isn't it?
01:35It's the simplest, easiest and most obvious thing in the world, to remark that she's a
01:40shameful putrid scab, an embarrassing ludicrous monstrosity that makes one, frankly, ashamed
01:46to be British and that her ideas and standards are a stain on our national history.
01:50That's easy.
01:51Anyone can see that.
01:52There's nothing difficult about that.
01:55But after tonight, no one can ever accuse us again of failing to come up with something
02:00to take her place.
02:02Hugh.
02:04Hugh.
02:08Hugh.
02:08Hugh.
02:11Hugh.
02:12Hugh.
02:12So that's our constructive suggestion, and I hope that silenced some of our critics.
02:17Now, anyway, on with the blind, unreasoning rage.
02:21Yes, well, exactly.
02:22Here we go.
02:22I've written a savage, savage, angry song about jars that get separated from their lids.
02:32I'm not really sure, Hugh, that that sort of qualifies as satire.
02:35Well, well, you wait till you've heard it.
02:37There's plenty of anger in there, I can tell you.
02:39Oh dear, oh dear, oh dear.
02:41Here is to let's get out of there.
02:45Where is the lid?
02:51Where is the lid?
02:54Where is the, where is the, where is the lid?
03:00Where is the lid?
03:03Where is the lid?
03:06Where is the, where is the, where is the, where is the, where is the lid?
03:12Um, it's here, here.
03:14Does anyone know?
03:16Yes, I do.
03:18Does anyone know?
03:19I think everybody knows now.
03:21Does anyone know, where is the lid?
03:25The lid is right here, it's behind the sofa really.
03:28Where is the lid?
03:31Here, where is the lid?
03:33I'm putting the lid onto the jar.
03:36Where is the, where is the, where is the, where is the lid?
03:39Where is the lid?
03:41Oh, where?
03:44Oh, where?
03:55And, we're devoting the rest of tonight's programme to a tribute to the writer, comedian and light sketch actor, Hugh,
04:05excellent sermon vicar, Laurie.
04:08Who died suddenly today after a merciful accident that released him from years of painful mental illness.
04:16Hugh Laurie, whose real name was Hugh Laurie, was better known by his stage name, Hugh Laurie.
04:24Hugh was born and brought up in a working class home that his parents had specially built in the grounds
04:32of their Gloucestershire estate.
04:37Like many shy children, Hugh learned from a very early age simply to blend in.
04:43There's a picture of Hugh in High Wycombe in 1964.
04:49Hugh's first acting job came in 1979 at the Hereford Civic Centre, since renamed, in Hugh's honour, the Hereford Civic
04:58and Amenities Centre.
05:00He brought a certain quality to all the roles he played.
05:07And it was really a quality of, a quality of needing the money.
05:18He was an immensely dangerous man, a very dangerous actor.
05:23You know, whenever he was around, there was always this feeling of, ooh, anything could happen.
05:30Hugh Laurie, on the other hand, was one of the dullest men I've ever met.
05:35So, Stephen Fry, you probably knew Hugh Laurie better than he knew himself.
05:40What's your fondest memory of working with him?
05:42The moment I knew he was really dead would be very hard to beat.
05:48So, anyway, on with a bit of Fry and Laurie. Deceased. Sorry.
05:55A bit of Fry and Laurie. Deceased.
05:59Good morning. I hope you can help me. I try everywhere.
06:03Do you have a copy of Fly Fishing by J.R.R.?
06:10I knew it. I knew it.
06:12Didn't I say to you this morning?
06:13Yeah. Yesterday, we had a shot full of them.
06:17Crates full.
06:18Yeah, we were up to here with Fly Fishing.
06:19Yeah.
06:19But now...
06:20Vroom.
06:22That shows the power of advertising, I suppose.
06:25Yeah, yeah.
06:25I suppose it does. I suppose it does.
06:26I'll tell you what we have got, though. We've got 30,000 copies of the Yellow Pages.
06:32You can't shift them.
06:32Yellow Pages? Oh. Can I order one?
06:37Well...
06:37Well, we've got them here.
06:38Yes, but I have to order it, you see.
06:41Well, yeah, yeah. You can order one if you like.
06:43Ah!
06:44Splendid. May I use your phone?
06:46What?
06:47I have to order it over the phone, you see.
06:50Oh, not myself.
06:53Hello.
06:58Hello.
07:00Good morning.
07:01Good morning.
07:02Good morning.
07:03Do you have a copy of Yellow Pages?
07:08Yes.
07:09You do?
07:10Splendid.
07:12My name?
07:13I didn't ask him his name, did you?
07:15No.
07:16Yes, it's Pages.
07:18L-O-Pages.
07:20Good old L-O-Pages.
07:24Rupert Murdoch would sell his own mother for 50 quid.
07:28Er...
07:28I offered him 40, but he said, no, 50, take it in.
07:32So, in a sense, in a sense, in a sense, Duncan,
07:36we are left with those two.
07:37Er, er, two.
07:38None other, nary another, not one other more.
07:41Er, we have on the one side of the gulf, the chasm,
07:44the dividing line, if you please, we have the beauty of ideas,
07:48and on the other, I don't know, the other term of the equation,
07:52if that's nicer, we have the idea of beauty.
07:55Er, am I sensing through? Am I connecting?
07:58Er, we're busy discussing the idea of beauty and the beauty of ideas.
08:03Hold a thought, Geoffrey, would you?
08:05I'm going to give you a thought.
08:06I'd like you to hold it for me.
08:08Would you do that for me, please?
08:10I'm going to hold a thought now.
08:13If beauty is only an idea, a form, a pattern, a template, a paradigm, an ideal, an idea, if you
08:20like, with an L,
08:21then what is the beautiful?
08:23Beauty is unattainable, but the beautiful surrounds us.
08:27Er, we return to language, Philip.
08:29We make a return to language.
08:30That's the idea I'd like you to hold for me, er, if you'll be ever so splendid.
08:34Well, we've made a return to language.
08:38Listen to me, er, listen to me, lovelet.
08:40Language circumscribes beauty.
08:44Er, confirms, confines limbs and delineates.
08:47It colours and contains.
08:48Yet language is only a tool.
08:50A tool that we use to dig up the beauty that surrounds us and is, we take, are only an
08:55absolute real.
08:57I'm in trouble now.
08:58Er, hush, tish, vibble.
09:01Er, I'm streaking ahead.
09:02Er, let me explain, expound, expand and exposit.
09:04Would you?
09:05I find you beautiful, but you are not beauty.
09:12Whoops.
09:14Therefore, you contain a property of beauty.
09:17Therefore, the substance of which you exhibit a property must exist.
09:20Where is it?
09:24That is language's task.
09:26Er, er, er, who was it who said, er, my language is the universal whore that I must make into
09:31a virgin?
09:32Who was it?
09:34Kate Adie?
09:37I think, I think it was Karl Krauss, but it needn't have been.
09:40It needn't been.
09:41Now, Tommy.
09:42Tommy, it's time to ask you to give back to me the thought that I bade you hold.
09:47Er, I was holding the thought that we'd made a return to language.
09:51Correctly correctington.
09:52Language pursues beauty.
09:54Harries it, hounds it, courses it across the rough lands of inquiry, and in so doing can itself be beautiful.
10:02Ripple on ripple, image on image, wheel within a wheel like the circles that we find in the windmills of
10:06our mind.
10:08Noel Harrison.
10:09Noel, as you so rightly, Harrison.
10:12Now, language can be beautiful, and Madeleine asleep in lap of legends old,
10:17clenitude, dishes, marcheter, breasts, tumble, emolument, forage, smitten, plenum, vulva.
10:24Words that have their own sonority and beauty which is extrinsic, extrinsic to their connotational or denotational referends.
10:33I think he said vulva.
10:37So, Timothy, I'll leave you with a thought, a breath, a fruit that drops from the boughs of my imaginings.
10:43Think beauty, but be beautiful.
10:46Say beauty, but say it beautifully.
10:49Beauty is duty, and duty, beauty.
10:50So there.
10:51Good night.
10:51I don't feel quite so well now.
11:00I don't think they ever will invent a time machine, because if they had done so in the future, they
11:05would have gotten it straight away and come back and made sure that Esther Anson had never been born.
11:09They are so uncomfortable, can they?
11:12Anarchy!
11:13Anarchy!
11:14Anarchy!
11:14Anarchy!
11:15Anarchy!
11:15We believe in Anarchy!
11:17We believe in Anarchy!
11:19God is dead!
11:20God...
11:21Is dead!
11:22We don't believe in God!
11:24We don't believe in God!
11:25Long live the God of Anarchy!
11:27Long live the God of Anarchy!
11:29Who we don't believe in.
11:31Who?
11:32In fact, we don't believe in Anarchy!
11:35Down with anarchy!
11:36Down with anarchy!
11:38We don't believe in anarchy!
11:40So, we're sorry to have bothered you.
11:43We're sorry to have bothered you.
11:45Bye.
11:46Bye.
11:51Damn it, John.
11:53It's biological leakage.
11:54What can I tell you?
11:59Biological leakage?
12:00What the hell is that supposed to mean?
12:02It means that our UK customer base is being eroded.
12:07PJ, I'm not blaming you, but you've got to look at it my way.
12:10In 90 minutes, I've got to go before the Archbishop
12:13with a presentation on targets for expanding our user base.
12:16And you're giving me a set of figures.
12:18Ballpark.
12:19Ballpark, no matter.
12:20The Archbishop is going to want to know how Project Christcom is panning up.
12:25And you are not giving me the real numbers I need.
12:29John, John, give me 24 hours.
12:31Maybe I can cook something up a pie chart.
12:3424 hours and a pie chart in a dog's arse, Peter!
12:38Peter, remind me what the hell it says above your parking space.
12:43John, I don't understand.
12:44Answer me, damn it.
12:45Uh, maximum height, two meters.
12:49Next to that.
12:50Oh, uh, space reserved for, uh, Peter Sherman,
12:54executive vice-bishop of Utoxida.
12:58Thank you, Peter.
12:59Because when I asked you to join me as my EVB,
13:03I didn't want just a set of pie charts.
13:06I wanted results.
13:08Okay, John, maybe, maybe it's time for some straight talking.
13:12No, no, no, no, Peter.
13:13Yesterday was time for straight talking.
13:15Today is time for plain speaking.
13:18Why, no, John, just give me the ball for a second.
13:21Let me run with it, will you?
13:22Okay, Peter, I guess you've earned it.
13:24The field is yours.
13:25You're clear to the touchline.
13:26Go.
13:27Okay, John.
13:27As I see it, you and I were given a brief
13:30to set out the concept of front-end accessibility
13:34with volume targeting.
13:35Tell me something I don't know, Peter.
13:40My geography teacher's middle name was Louie.
13:43Very honest.
13:44Now, at no stage, you can pick me up on this if I'm out of line,
13:48at no stage did God ever specify
13:50the exact corporate structure
13:52within which we were to carry out this brief or remit.
13:55When did you last speak with God?
13:57Last night, John.
13:59A little bit of luck.
14:00Wait a minute.
14:02It's a fax now.
14:05Yep, John, it's from God, all right.
14:07Listen to this.
14:08Read your prayer of last night.
14:12Unable to do anything about Annika Rice.
14:16But suggest you proceed as planned
14:19regarding merger with Rome Corps.
14:22Merger with Rome Corps?
14:24I haven't heard anything about this.
14:25It's an idea that the Archbishop's been nursing.
14:29But merger?
14:30You don't merge with a multinational like Rome Corps.
14:33You get taken over.
14:34You get eaten whole for breakfast
14:36and crapped out before lunch.
14:38Maybe, Peter.
14:39Maybe it's time to start thinking management buyout.
14:42That's it, John.
14:43That's exactly what I'm saying.
14:44Between us, you and me can put together the kind of package
14:48that can cut out Lamethil together.
14:49Do you direct with Rome, you mean?
14:51Why the hell not?
14:53I like it.
14:54I like it a lot, Peter.
14:55But maybe...
14:56Maybe you reckon without one thing.
14:59Well, John, I...
15:00I don't claim to be infallible if I've missed a trick.
15:04Marjorie.
15:07Marjorie?
15:08How the hell does Marjorie fit into this?
15:11Lengthways, Peter.
15:13Marjorie has got the United Episcopal Church
15:15eating out of her goddamn portfolio.
15:17I don't care, John, to think.
15:20But you loved that woman once.
15:21I know.
15:22But, Peter, I guess maybe love and hate
15:25are just the same sides of a different coin.
15:28The coin that I spent years ago.
15:34Does that make any sense, John?
15:36No.
15:37But does it matter?
15:38Oh, yes, yes.
15:39It matters like hell, John.
15:41Because, listen to me, if we...
15:42If we keep our heads, if we stick together on this one,
15:45you know, we can beat Marjorie.
15:46Maybe, maybe you're right.
15:48But this time, John, we do it by the book.
15:50Check.
15:53Let us pray.
15:57Oh, Lord, you've seen the figures.
16:01Show us a way to streamline some kind of management structure
16:05which will enable 4% to 5% growth
16:08during the next financial 12 months.
16:11Amen.
16:11Amen.
16:12Oh, John, John.
16:13Oh, yeah.
16:14Oh, and, Lord,
16:17show us some way
16:18that we can beat
16:19seven types of corporate crap
16:20out of Marjorie.
16:22Dad!
16:27There's some very exciting Chardonnays
16:29coming out of New Zealand at the moment.
16:39That is delicious.
16:46First one was dog.
16:48The second one was cat.
16:50No?
16:51Oh, both cat.
17:06No, no, it's a trick.
17:08They're both red.
17:10Yeah?
17:11Let's have a look.
17:17Oh, that's very good.
17:20It's very good.
17:21That's quite funny.
17:24You won't show this, will you?
17:25Because I'm a wine merchant
17:27and I'm a terrible stick at work.
17:32My first kiss.
17:34Uh, I suppose everyone
17:35could remember their first kiss.
17:36Nothing quite lives up to it, does it?
17:38Um, I was, I think, 11 years old
17:41and, uh, my great uncle
17:43had come to stay for a few weeks
17:47while on parole.
17:49Um, and we used to,
17:51we used to play this game
17:52where I would sit on his lap
17:54and, uh, he would pretend
17:56to be a train.
17:57Hugh, Hugh, what are you saying?
18:00Well, I was just telling
18:01the ladies and gentlemen
18:02about my first kiss.
18:03Yes, but, Hugh,
18:04this is a delicate area.
18:05I really don't see it.
18:06No, no, it's all right.
18:06Don't worry.
18:07You sure?
18:08Yeah, no, it's fine.
18:08Honestly.
18:10I'm all right.
18:12So, my, uh, my surprise
18:14at suddenly feeling a tongue, uh...
18:17Hugh, Hugh, Hugh.
18:20There are valid arenas
18:22and there are valid arenas
18:24and this is not one of them.
18:25No, no, no, I want this experience
18:27to be understood, you know,
18:28because it may help others
18:29to know that they're not
18:30the only ones to have felt
18:31that, that wet...
18:32Hugh, Hugh.
18:33Hugh, this is a whole can of worms
18:35you're opening here
18:36and believe me,
18:36if there is one taboo left,
18:38one unmentionable subject
18:40not fit for comic treatment,
18:41then you've just mentioned it.
18:44Well, but surely there's,
18:44I mean, there's nothing
18:45so odd about it, is there?
18:46I mean, there I was,
18:47sitting on my great uncle's lap
18:48and in came Lucy.
18:51Lucy?
18:52Yes, Lucy.
18:54And how old was Lucy?
18:56Oh, uh...
18:57Oh, same age as me, I think.
18:58Uh, no, 12.
18:59She was 12.
19:00And, uh, and I kissed her.
19:01You kissed her?
19:02Yes.
19:03You've done this deliberately,
19:04haven't you?
19:05Done what?
19:06You set it up to make it look as if...
19:08As if what?
19:09Oh, never mind.
19:09Just, just get on with it.
19:12All right, so, I, uh, I kissed Lucy
19:14and was, uh, was very surprised
19:16to feel her tongue pop out.
19:18Um, it was my first real snog
19:21and, uh, and I loved it.
19:23I fell in love instantly.
19:24Um, sadly, the very next year,
19:27uh, Lucy developed distemper
19:29and had to be put down.
19:34Tark!
19:36Un papier plié en quatre tomba
19:38de la poitrine d'Edouard,
19:40villefort foudroyé se laisser aller
19:41sur les genoux,
19:42l'enfant s'échappé
19:43des bras in air,
19:44et houlard du côté de sa mère.
19:47At least, I think that's what he said.
19:50I, uh, I bumped into this old school friend
19:53the other day.
19:54Uh, he was on a Yamaha 750.
19:57It was a terrible mess.
20:01Oh, Christ, I've left the iron on.
20:11Good evening, and welcome to
20:13Trying to Borrow a Fiver Off.
20:16Uh, tonight, I shall be
20:18Trying to Borrow a Fiver Off
20:20the conductor of the Newbury Philharmonic Orchestra,
20:23Neville Anderson.
20:24Good evening, Neville.
20:25Oh, for goodness sake, call me Neville.
20:28Well, if you insist.
20:29Uh, now, Neville, uh,
20:31could I possibly borrow a fiver off you
20:33till Wednesday?
20:34Uh, let's see.
20:36Oh, I'm terribly sorry.
20:37I've got nothing smaller than a 20.
20:39Buh-bye.
20:50Hello, Control.
20:52Oh, Tony, it's you.
20:54Yes, I understand from Valerie
20:56that you wanted reasonably strongly
20:58to see me.
20:59Well, Valerie was by no means
21:02leading you astray, Tony,
21:03because I do want to see you.
21:06Hmm.
21:07I find that Valerie is usually right
21:08in these little matters.
21:10That's true.
21:13Hmm.
21:14Control?
21:16Did you, I wonder,
21:17want to talk to me as well,
21:19or was it just seeing me
21:20that was on the...
21:22No, Tony,
21:23there was something I wanted to ask you,
21:25but it's a bit tricky.
21:27Tricky.
21:28Tricky?
21:29Yes, tricky.
21:31Have you, Tony, I wonder,
21:33ever been in the position
21:34where you've had
21:35to say to someone
21:37that you like rather a lot
21:39that you're going to have to fire them
21:41from their job?
21:44No.
21:46Ah.
21:48There.
21:48That didn't turn out
21:49to be too tricky a thing
21:50to ask me, did it?
21:52No, but the thing is
21:53I haven't quite got
21:54to the tricky part, Tony.
21:56Ah.
21:56Would it be the kind of thing
21:57that would go better
21:58with a good cup of coffee, Control?
22:00Well, that's very kind of you, Tony,
22:01but I wouldn't want to be thought of
22:03as hiding behind that cup of coffee.
22:05Well, that's just as well, Control,
22:07because the cup of coffee
22:08I had in mind
22:09was going to be quite small.
22:12Yes, Tony,
22:13have you, I wonder,
22:14in your position
22:15as subsection chief
22:17of the East Germanian
22:18Related Satellites desk
22:20noticed the way the wind
22:22has been blowing
22:23behind the Iron Curtain of late?
22:25It's been blowing
22:26in odd kinds of ways,
22:27hasn't it, Control?
22:28Yes, Tony, it has.
22:31Glasnost, perestroika
22:32and related phenomena
22:33have had their effect
22:34on the political map of Europe
22:36in no uncertain terms.
22:38Yes.
22:38Only this morning
22:39I had to ask Valerie
22:40if she wouldn't mind
22:41popping out
22:42and buying us
22:42some new political maps
22:44of Europe,
22:44as ours are really
22:45quite out of date.
22:47It's shaken up
22:48all our lives, it's true.
22:49Yes, Control, it has.
22:52And it also means, Tony,
22:54that our masters
22:55in Whitehall
22:56have started to wonder
22:57whether they need
22:58quite so many people
22:59involved in spying.
23:01I'm not sure
23:02I fully understand, Control.
23:04Well, Tony,
23:05they take the view
23:06that what with the Russians
23:08ringing us up every day
23:09and simply telling us
23:10all their secrets,
23:11we don't need to spend
23:13quite so much money
23:14on finding them out.
23:15Well, that's an astute
23:16piece of political thinking
23:17by our masters in Whitehall,
23:19isn't it, Control?
23:20Yes, Tony, it is.
23:21How about that coffee now?
23:23No, Tony,
23:24not quite yet,
23:25thank you.
23:27What this has all
23:27been leading up to,
23:28if you haven't already guessed,
23:30Tony,
23:30is that I'm going to have
23:32to fire you
23:32from your job.
23:38Control,
23:39I'm slightly at a loss
23:41for words.
23:42Believe me when I tell you,
23:44Tony,
23:44that this isn't easy
23:45for me at all.
23:46In fact,
23:47it's one of the hardest
23:47things I've ever had to do
23:49in all my years
23:49as head of the secret service.
23:52I certainly don't envy you
23:53having to pass on
23:54a bit of news
23:55like the one you've
23:56just passed on to me.
23:57That's very understanding
23:59of you, Tony.
24:00Well, Control,
24:01I suppose that's that, then.
24:03Yes, Tony,
24:04it is.
24:05Well, Control,
24:06may I take this opportunity
24:07of saying how much
24:08I've enjoyed working for you
24:10and wish you the best of luck
24:11in all your future spying?
24:13Thank you, Tony,
24:14and I can tell you
24:15that this place
24:16just won't be the same
24:17without you.
24:18No,
24:19I suppose it'll be
24:20quite different,
24:20won't it, Control,
24:21because I won't be here.
24:24Yes.
24:25I'll be somewhere else.
24:27That's right.
24:30Well,
24:31goodbye, Control.
24:33Goodbye, Tony Murchison.
24:49Valerie,
24:51I wonder if you wouldn't mind
24:52popping in with a cup
24:53of coffee for me.
24:56How do I like it?
24:58I like it the way
24:59Tony Murchison
25:00used to make it.
25:14Good evening,
25:16and welcome to
25:16Introducing My Grandfather 2.
25:20Tonight,
25:21I shall be
25:21introducing my grandfather
25:23to the pornographer
25:24and steeplechase jockey,
25:26Benton Asher.
25:27Good evening, Benton.
25:28Good evening.
25:29Now,
25:29may I introduce you
25:30to my grandfather?
25:31Grandfather,
25:32this is Benton Asher.
25:33How do you do?
25:34Yes.
25:36Good night.
25:43Ladies and gentlemen,
25:44bear with me,
25:45bear with me,
25:45please,
25:46just for a moment.
25:46Don't stop bearing with me.
25:49I have a vision,
25:51ladies and gentlemen,
25:51I have a vision of Britain.
25:54I see a country,
25:55I see a country peopled,
25:57a country peopled with people.
25:59People who people it
26:01with charm,
26:02with grace,
26:03yes,
26:03even with greatness.
26:05And as they people it,
26:07they enhance it
26:08with their amusing voices
26:10and their unusual children.
26:12And I see many towns
26:14and many villages.
26:16And I see family amusement
26:17heritage theme fun parks,
26:19which will smell of urine
26:21and vomit.
26:23And I see ten water
26:25and sewage businesses.
26:26I see leisure drones.
26:28I see huge edge-of-town crematoriums
26:31and day-glo Bermuda shorts
26:33flecked with urine and vomit.
26:35I see thousands of miles
26:38of motorway
26:39conveniently stuffed full
26:41of hundreds of thousands of cars
26:43whose seats
26:44shall be stained with children
26:46and urine and vomit.
26:50Urine and vomit.
26:54And the interiors of these cars,
26:56the interiors of these cars
26:58shall be hot
26:59and sweaty
27:00and bad-tempered
27:02for the queue
27:03to the family entertainment,
27:04leisure,
27:06hycrodrome
27:06shall be thousands of miles long.
27:09And I see
27:10hundreds of shiny magazines
27:12out of which will fall
27:13dozens of
27:14smaller shiny magazines
27:17advertising
27:19personal attack alarms
27:20and
27:21handy freshen-up
27:22wipe-and-absorbent pads.
27:24And the faces of the people
27:25who shall be peopling
27:26this new Britain
27:26shall be flushed
27:27and they shall be shiny
27:28and they shall be pink
27:29because they know
27:30that they are forging
27:31a new Britain,
27:33a Britain of family heritage
27:35and a Britain of amusement
27:37and amenity fun.
27:38As yet,
27:40it is only
27:41a vision.
27:43A vision of family heritage urine
27:46and fun amenity vomit.
27:50But soon,
27:51soon,
27:52with luck,
27:53sincerity
27:53and steadfast voting,
27:55it may become
27:56a reality.
28:06a means of
28:15a
28:52Good evening and welcome to
28:54Realising I've Given the Wrong Directions To.
28:58Good evening.
28:59Tonight I shall be realising I've given the wrong directions to Rabbi Michael Leibovitz.
29:05Good evening.
29:08Good evening.
29:10Good evening.
29:12Good evening.
29:14Good evening.
29:15Good evening.
29:18Good evening.