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00:00I love you
00:47Thank you. Thank you very much.
00:50Now, good evening, good evening, good evening, good evening.
00:57Good, to some extent, evening, ladies and gentlemen.
01:00Welcome to tonight's programme.
01:02As some of you are probably aware,
01:05the political and sexual climate in this country
01:08has led to many large institutions, like the BBC,
01:11being forced to look elsewhere for their funding.
01:15Funding.
01:17And we are particularly excited here to be able to say
01:20that this show comes to you in association with Tideman's Carpets.
01:26Tideman's Carpets resists stains and repels spills.
01:31We regard it as a major step forward in the history of business sponsorship of the arts.
01:35Only Tideman's can do this.
01:37But we don't want you to run away thinking that,
01:40in any way, our editorial independence
01:42has been compromised here at a bit of Fry and Tideman's Carpets.
01:49Bet you can't eat three.
01:51So, without any further ado,
01:54here is the first item in tonight's programme,
01:57and it's called, quite simply,
01:58The Spillage That Wasn't.
02:07Shut up the door, Rupert's old scout.
02:09Right-o, mate.
02:10Fancy a quick hundred-up?
02:12Oh, absolutely, Governor.
02:14Ladies won't miss us for half an hour.
02:16Rather not.
02:18I'll break off.
02:23Nice, uh, nice girl, this, uh,
02:26this Helena.
02:27Oh, damn hell and custard.
02:30Yes, she's a ripper, Father, an absolute ripper.
02:32Yes, yes.
02:34Good, um, good set of breasts to her.
02:37All the best.
02:39Fine, curving arse.
02:41Yes, she has got a nice heart, hasn't she?
02:43Hmm, hmm.
02:45The, uh, the thing is, Rufus, old scout,
02:49um, you getting married and so on,
02:52I thought it was time we raised this whole subject to women.
02:55Oh, blimey.
02:57Are you, uh, expecting to have children?
03:00Oh, I should say so better, yes.
03:02Hmm, hmm, hmm.
03:04Now, I haven't raised this subject with you before, Rufus,
03:07but, um, have you ever wondered how you came to be born?
03:12Um, uh, well, I just sort of assumed, Pater, you know,
03:17that one day you put your penis inside Mama's vagina
03:20and inseminated her ovaries, um.
03:24Yes.
03:26Yes, that, um, that is what we told you, isn't it?
03:30Um, the thing is, Mufus,
03:32it's actually a spot more complicated than that.
03:35Ah, complicated.
03:36Hmm.
03:37Yes, I'm afraid all that stuff about penises
03:40was just a lot of old pretendie.
03:43So, uh, so what exactly?
03:45Well, uh, it's not easy, this, you know.
03:49Well, have a stab at it, Pater.
03:51Hmm.
03:51Um, I know.
03:55Stroke the table.
03:56Stroke the table?
03:57Stroke the table.
04:00Is this strictly relevant, Pater?
04:02Come on, man.
04:03What does it remind you of?
04:05Billion table.
04:07Well, nothing.
04:09Unless you mean...
04:10Go on!
04:11Of course!
04:12The lush, velvety texture of a tidyman's carpet.
04:16Good man!
04:17I knew you'd get that in there.
04:18Peter, how does having a tidyman's carpet
04:22help you to have children?
04:24Are you completely stupid?
04:26Yes.
04:29If you haven't got a tidyman's carpet,
04:32you can't do any kissing,
04:33and kissing makes babies.
04:35But, Pater, I still don't understand.
04:38How does a tidyman's carpet
04:40help you to snog?
04:41Think, you jillock!
04:43Of course!
04:45Sucking a tidyman's carpet
04:47removes the stale, unpleasant mouth odours
04:49that stop others from Frenching you.
04:52Quite right!
04:53Well, I got it in water, Pater.
04:57Now, wrap your laughing gear round this,
05:00and then wrap it round Helena.
05:03Just you try and stop me, Pater!
05:07Hehehehe!
05:10Ah, that's my boy.
05:13Well, I was born Mary Paterson,
05:15but then I married,
05:16and naturally I took my husband's name,
05:18so now I'm Neil Paterson.
05:20I said, well, if God loves me,
05:22he's got a funny way of showing, hasn't he?
05:23That shut him up, Pope or no Pope.
05:25Now, it may not be a very popular or fashionable view
05:30but I do believe that everyone should be forced to wear flared trousers
05:37Hello, Control, I was just wondering
05:41Oh
05:56Hello, this is the Secret Service
05:59No, I'm afraid Control's not in at the moment
06:01Who is this, please?
06:03Ah, hello, Mrs Control
06:05No, I don't know where he is
06:07Yes, it's very strange
06:09I just popped in to ask him if he'd like a cup of coffee
06:11because it's nearly 11 o'clock and there's no one here
06:15I agree with you, Mrs Control, that he'll probably turn up
06:18Bye
06:23Hello, Tony
06:24Ah, Control, I was just beginning to worry
06:27Oh?
06:28Yes, Mrs Control has just been on the telephone
06:31and between me and Mrs Control, neither of us seem to know where you were
06:35Well, let me explain, Tony
06:37But before I do that, let me ask you if you notice anything unusual about the office
06:43The window
06:45Of course, the window always used to be slightly further to the left
06:51Not quite, Tony
06:52Er, was a bit of a guess, actually
06:55I do remember that we did talk about moving the window
06:59But if you recall, I asked you to make a feasibility study into the whole thing
07:04But I then had to make the rather difficult decision that that particular game just wasn't worth the candle
07:10What's actually different about the window, Tony
07:13Is that it's open
07:15So it is, Control?
07:16Is this in some way connected to your not having been in the office earlier on?
07:20Yes
07:21You see, I fell out of the window
07:27Gosh, Control, I can only say how sorry I am
07:29and ask whether you were hurt in any way
07:31To my surprise, Tony, I was not hurt in any way at all
07:35Well, that is something of a blessing
07:37Yes, that's right
07:38Because one of the other things about being Control, I've always thought, is that your office is on the sixth
07:43floor
07:44So that in the event of something like this happening, you have got slightly further to fall
07:48than if you were in the records department, who are located on the first floor of this building
07:52Very similar thoughts were going through my mind, Tony
07:56As I travelled towards the pavement with gathering speed
08:01But Control, how did this whole sorry business come about?
08:05Well, Tony, I've got a confession to make
08:08You see, one of the things I like to do before you very kindly bring me my morning coffee
08:13is to feed the pigeons who perch on the windowsill
08:16Control, I can't say I'm altogether surprised there had been some rumours in the canteen to that effect
08:22Well, I'm glad to be able to silence those wagging tongues once and for all
08:27I do feed the pigeons
08:29and it was while doing so this morning that I fell out of the window
08:34Control, I think I can picture the scene
08:36Here you were at the window
08:38so engrossed in what you were doing
08:41that you neglected not to fall out of it
08:43Am I pretty near the mark?
08:46Spot on, Tony
08:47Well, I'll tell you another thing, Control, that's resulted from this adventure
08:52It's past eleven o'clock and you've not had your coffee
08:55Oh, it never rains but it pours, eh, Tony?
08:59Yes, Control, but quite often it rains and pours at the same time
09:05Mmm, tell you what, Tony
09:08On your way to the coffee-making area
09:11perhaps you could ask Valerie kindly to pop outside and apologise
09:15to an old lady who was selling flowers outside the main entrance
09:19I'll certainly do that, Control
09:21Did she happen to be the unlucky one who broke your fall?
09:25No, she was fortunate in that respect, Tony
09:27but she might be a little bit upset that my fall was broken by her small grandson
09:34Well, fair enough, Control
09:35I expect that in that case, she'd welcome a cup of coffee, too
09:39Good thinking, Tony
09:41Oh, now, come on, Simon
09:43You've caused enough trouble today
09:46You're not getting a single seed
09:49Oh, all right, then
09:52There you are
09:56Boom
09:58You see, you've got an aura round you
10:00We all, we all of us
10:02We all have auras round us
10:03and I can tell from your aura
10:04that you're wearing shoes
10:06Am I right?
10:08Now, it's our firm belief here on
10:11A Bit of Fry and Laurie
10:14Married to a passionate girl from Stockton on Tees
10:17that there is a right way
10:19and a wrong way
10:20to do everything
10:21So now I and my partner in crime
10:24Hugh Laurie
10:26I call him my partner in crime
10:29but we don't actually commit crimes together
10:33That's just, that's just a ghastly and unacceptable phrase I like to use
10:38So I and my, as I say, partner in crime
10:42Would now like to show you the right way and the wrong way
10:48to deal with a couple of young children
10:50who've come round on Halloween a trick-or-treating
10:54So all we've got to do now
10:55is wait for the doorbell to ring
10:57Right
11:00Nice copy to you, tidymans
11:04Who else, if you'll pardon the pun?
11:09What pun?
11:11Wasn't there one?
11:12I'm sorry
11:18Trick-or-treat, mister?
11:20Oh, trick-or-treat
11:24So this evening, did we prepare a bag of jelly beans out back?
11:29We most certainly did
11:30I'll go fetch them
11:34So, young shaver-snapper
11:36Do you like football, do you?
11:37Yeah
11:38Yeah?
11:38Do you fancy Arsenal this year?
11:39No way
11:40I quite fancy my sister, though
11:46Here we are, then
11:47There you go, enjoy those
11:50Catch you guys later
11:51Alright
11:52Bye-bye
11:53Bye-bye
11:55That was, of course, ladies and gentlemen
11:57The wrong way
11:58The wrong way
11:59Wrong way
12:00Wrong way
12:01Wrong way
12:01We're now going to show you the right way
12:05Trick-or-treat, mister
12:07What?
12:08What?
12:08What did you say?
12:09Trick-or-treat
12:10Trick-or-treat
12:13Get here, get here now
12:15This is England, not America
12:16What are you talking about?
12:18This is not America
12:21We call it the Tidyman's Test
12:24Because only Tidyman's carpets
12:26Have the absorbency
12:27And luxurious shag-pile bounce
12:29The concussion of fall
12:31From even the highest of buildings
12:42So, if those two children
12:44Had landed 15 feet further to the right
12:46Their lives would have been saved
12:48Isn't it time you started thinking
12:50About a Tidyman's in your life
12:51The deep shag
12:53That really satisfies
13:00Oh, it's too big a part
13:10Ha!
13:13Play it again, Sam
13:14Oh, that's brilliant
13:19Thank you
13:21Play it again, Sam
13:23Yes
13:24Yeah, I used to play the piano
13:26But I gave it up
13:28Brilliant
13:29Yeah, because
13:30You have to practice a lot, don't you?
13:32That's quite right
13:32Yeah, it's all the practicing
13:33I couldn't take that
13:34It's brilliant
13:35Yeah, I'll tell you what
13:37Do you know that
13:39What's that song
13:41Strangers in the Night?
13:42Do you know that one?
13:43Strangers in the Night?
13:43Yeah
13:44Yes
13:44Oh, go on, play that one
13:47Strangers in the Night
13:48It's brilliant
13:49Go on
13:51Oh, nice, yes
13:53There's some enchanted evening
13:57You
13:58That's actually a different song
14:00What is?
14:02Some Enchanted Evening
14:03Comes from a song called
14:05Some Enchanted Evening
14:06Does it?
14:08Yes, it does
14:10Strangers in the Night
14:14Yeah, which one do you want?
14:16No, Strangers in the Night
14:17Go on
14:17Off you go
14:19Strangers in the Night
14:23What are the words to it?
14:26Exchange in glasses
14:27All right, off you go
14:28Go on
14:28Stay in the night
14:29Exchange in glasses
14:30That's too high
14:32Do it down there
14:33Do it down there
14:34Strange
14:36That's it, yeah
14:37Go on
14:37Strangers in the Night
14:40Exchange
14:41Oh, I'll tell you what
14:42What's the other one?
14:44It goes
14:45La-dee-dee-da
14:47My pretty one
14:49I don't think I know that one
14:51Oh, you
14:51No, you must know that
14:52Everyone knows that one
14:53I'll sing it for you
14:54You pick
14:55Follow along on me
14:56La-dee-dee-da
14:58Go on
14:59La-dee-dee-da
15:01My pretty one
15:03Oh, it's brilliant
15:04That one
15:05Who wrote that one?
15:06You did, I think
15:07No, no
15:09I'll tell you what
15:09Look, you shift up
15:11You shift up
15:11And I'll play
15:15I'll play you this one
15:16Because this is absolutely
15:17My favourite one
15:18Do you know this one?
15:19He goes
15:19Oh, right
15:28It's Beethoven, that is
15:29Is it?
15:30Is it really?
15:31Always makes me very sad
15:33Yes, I could weep
15:50Berlin in 1924
15:53Was a shattered and divided city
15:56No city for lovers
15:58If Clarissa and I had known
16:00If Clarissa and I had known how brief our moments together were to be
16:02Perhaps we would have spent the time in the pension in Friedrichstrasse with more care
16:08But lovers are traditionally careless of time
16:11And what a great
16:13Tell you what
16:13Tell you what
16:13Tell you what
16:14Do you know this one?
16:22Oh no, I absolutely
16:23Absolutely swear by these things
16:25Okay, you ask me anything
16:27You ask me the time of day in Adelaide
16:29Anything
16:30Tell you what
16:31I'll tell you what I'm doing
16:32On the 3rd of August
16:361997
16:37There, you see
16:38Nothing
16:45What?
16:46What?
16:47Ah
16:47We return to some form of consciousness
16:51Eh, Major?
16:52What?
16:53What?
16:54You must forgive the rough methods of my colleagues
16:56They are barbarians
16:59Barbarians
17:00They have no
17:01Fidesz
17:02It crieves me to say
17:03Where the hell am I?
17:06You are fond of Matisse, Major?
17:08Hmm
17:08Such
17:09Such bold strokes of the brush
17:11Such masterly control
17:14Ah
17:14What were you doing?
17:16So fine
17:16What of your own lines?
17:17What was
17:18The purpose of your obligation?
17:21Donaldson
17:22Eric
17:23Major
17:24Serial number
17:266400
17:27Oh, come, come, Major
17:28You can do so much better than that
17:30You know, really
17:32That's all you're getting out of me
17:35Such a pity that our two nations are at war
17:37We have so much in common, you know
17:40Tell me, please
17:41When is planned
17:42The invasion of France?
17:44Do you think I know that?
17:46And do you think if I did know
17:47Then I would tell
17:49You
17:50Oh, my
17:51God
17:53What is the matter, please?
17:55You
17:55I
17:56I can't believe it
17:58You're not believing what, please?
18:00You're so
18:01So beautiful
18:06What are you saying?
18:08That it should happen here
18:09And now
18:10Of all times and all places
18:12This is it
18:14I
18:14I just can't believe it
18:16You're the most
18:17Fantastic
18:18And
18:18And
18:18And attractive creature
18:20I've ever laid eyes upon
18:21Now, now, now, no
18:22Don't
18:23Don't play games with me, Major
18:25Games?
18:26Kate, this is no game
18:28This is the realest thing
18:29That's ever happened to me
18:31Where have you been all my life?
18:33You gorgeous darling
18:35Sit down, Major
18:36Oh, your eyes
18:38They light up when you're angry
18:40Did you know that?
18:40Now, look
18:41There's so much time to make up for
18:43I don't know anything about you
18:45I don't know your name
18:45Your
18:46Oh
18:48Houtsturmführer Friedrich von Stanz
18:51Friedrich
18:51Yes, I like that
18:52Friedrich
18:53Major
18:53Have you taken leave of your senses?
18:56Yes
18:56Yes, I have
18:57For the first time in my life
18:59I've taken leave of my senses
19:01And I love it
19:03Did anyone ever tell you
19:04You have the
19:04The sweetest
19:05Silliest
19:06Little nose
19:07And the biggest
19:08Bluest eyes
19:09Now
19:10I am going to give you one
19:11Last warning
19:12Major Donaldson
19:15Forget that
19:16Arse
19:19Friedrich
19:20Friedrich
19:21That has got to be
19:22The cutest little bum
19:24Ever
19:25No, no
19:26No, listen
19:26Enough
19:26Major
19:27Enough
19:28Maybe
19:28Ah, yes
19:29Maybe you are playing on me
19:30Some of your
19:30English senses of humour
19:33But you know
19:33Oh
19:34That accent
19:35It's so dreamy
19:37You could bathe in it
19:38Kiss me
19:38Friedrich
19:39Kiss me now
19:40Where are these plans
19:41The invasion
19:42Oh, who cares about
19:43A stupid little invasion
19:45I do
20:14Oh, right then
20:44What
21:14And he called to say
21:16To go belly up
21:19I want to know
21:20Who's behind them
21:21I want to know
21:22Who's pulling the strings
21:23I want to know
21:24What in hell's name
21:25Is going on
21:27Dammit, John
21:28I do believe you're scared
21:29You're damn right
21:31I sense Marjorie's hand in this
21:37Marjorie
21:37I never told you this, Peter
21:39But after Marjorie left me
21:41I settled a block of shares
21:43On her and the boy
21:46Shares in the health club
21:47What are you, what have you
21:48God damn mind
21:49In the club, no
21:50No, I knew I couldn't trust her there
21:52But I gave her shares in D-Tech
21:54And you think
21:55Think
21:56I don't think anything
21:57There isn't time to think
21:58There's only time to act
22:01But is Marjorie really capable
22:02Like a scrimshaw trick like this
22:05Hell
22:07Marjorie would float
22:08Her own grandmother
22:09As a holding corporation
22:11And strip her bear
22:12Of preference stock
22:13If she thought it would hurt me
22:15Three pints of damn
22:17And a chaser of hell blast
22:19What about the boy, John
22:21The boy is Dennis, Peter
22:25No
22:25No, no
22:26What about the boy, John
22:27You leave the boy out of this
22:29He's just a boy
22:30You know, it's something
22:31I've always wondered, John
22:32Yeah?
22:33How the boy
22:35Ended up living with Marjorie
22:36After the divorce
22:37The court ruled
22:39That I was violent and unstable
22:41An unfit father
22:43Well, that's a damn joke, John
22:45If they could have seen
22:46How you've parented this company
22:48Yeah, well
22:49Marjorie told them a story
22:51About how one night
22:52I'd been working late
22:53I came home
22:54And I sensed in Marjorie's eyes
22:56And voice
22:57A sneering
22:58A mocking
22:58I don't know
22:59I suppose I must have flipped
23:01I emptied a bowl of trifle
23:03All over her
23:05So, she got custody
23:06Very much
23:11Well, it must have hurt, John
23:13It must have hurt
23:14Not being able to watch Dennis grow up
23:16Hurt?
23:17No
23:17No, the boy means nothing to me now
23:19Oh, yeah, Tom?
23:21Oh, yeah?
23:22So, how come every year on his birthday
23:24You take him down to London
23:25To see Phantom of the Opera?
23:27I do that because I hate him
23:30Fair enough
23:31But I give Marjorie due warning this day
23:34If she wants a fight
23:36Then by ass she's gonna get one
23:39And the prize, John?
23:40It's as big as they get, Peter
23:42The entire leisure market
23:44In the Eutoxita catchment area
23:46Goes to the wind
23:46No strings attached
23:49Why can't you leave me alone?
23:54John, what was it you once said to me
23:56About perspective?
23:57I seem to remember asking
23:59How it was spelt
24:01No, no, no
24:02After that
24:04What are you trying to say to me, Peter?
24:08I'm, I'm saying
24:10I'm saying, damn it, I'm here
24:12Marjorie's
24:13Well, 150 miles away
24:15Her time
24:15And
24:16Well, if you and I
24:17We can't fight this
24:18Bastard son of a mongrel
24:19Hellcat bitch
24:20Well
24:21Then we aren't the team
24:22Who weathered the Tidyman's crisis
24:24And
24:24Came up
24:25Smacking at roses
24:26That's what I'm saying
24:27Damn it, Peter
24:28You're right
24:30Call Ipswich now
24:32Your time
24:33And tell them
24:34That Derwent Enterprises
24:36Or no Derwent Enterprises
24:38This health club is in business
24:40And stays in business
24:42And if Marjorie should call, John
24:44Marjorie
24:46Never heard of her
24:47Damn it, John
24:48I love it when you're flying
24:49Right, Sarah
24:51Get in a pot of hot, strong coffee
24:53And a dozen memo pads
24:56Right
24:56Let's get the hell out of here
24:58Before they arrive
25:00Damn
25:00Damn
25:03Oh, this is, uh
25:05This is one of them
25:05Hidden camera things, is it?
25:08No?
25:09Oh, well, because I was going to say
25:10It's not very well hidden, is it?
25:19Now, ladies and gentlemen
25:21Um, we're very excited
25:22We're very excited, aren't we here?
25:24We're certainly tremendously excited
25:26Uh, should I tell them or will you?
25:28I think you'd better tell them
25:30Because, uh
25:30I don't know what you're going to say
25:31Oh
25:32Well, uh
25:33Ladies and gentlemen
25:34Uh, our final item
25:36This evening
25:36Our end sketch
25:38Has been stolen
25:40Stolen?
25:41Mm
25:41By Omar Sharif
25:44Again?
25:45Yes
25:46Well, I say stolen
25:47I lost it to him
25:48In a game of backgammon
25:49And even as we speak
25:51He's using it as his end sketch
25:53In Monaco TV's
25:54Omar Sharif Comedy Hour
25:56So that means
25:57We're going to have to
25:59Improvise our end sketch this week
26:01Ah, well, now, you see
26:02Now I know why you were excited
26:03Because, of course, improvisation
26:05Is very much the coming thing, isn't it?
26:06That's right
26:06That's right
26:08Everybody's at it
26:09Apparently
26:09David Vine
26:10The governor
26:11Even David Vine
26:14Improvises
26:14Has been for years
26:15Mm-hmm
26:16So does Mike Smith
26:16That's right
26:17Everything that the governor
26:19And Smitty say
26:20Just comes to them
26:22Off the top of their brains
26:23Frightening
26:24Mm
26:25Mm-hmm
26:25Now, in order to prove to you
26:28That the sketch we're going to
26:29End this evening with
26:30Is totally improvised
26:32We're going to ask you
26:33The audience
26:34To give us
26:36The us
26:37Uh
26:38Some kind of first line
26:40Uh
26:40On which we can build
26:42Our improvised sketch
26:43That's right
26:43And to give you some
26:44Idea of a suitable
26:45Sort of thing for a first line
26:46I'm going to show you
26:46Some first lines
26:47From the
26:48A bit of fry and lorry
26:49First line
26:50Archive
26:53Um
26:54Has
26:54Deborah Munnings
26:56Arrived yet
26:57Yes
26:58I'd like to apply
26:59To become a homosexual
27:00Please
27:01Thanks
27:12I didn't know you had spots
27:13I haven't
27:14Just great looking hair
27:23When somebody loves you
27:25It's a good one plus they love you
27:32Well, perhaps I can press you
27:34To a cream slice
27:35As I once said
27:36To an actress
27:39Has Deborah Munnings
27:40Arrived yet?
27:42Um, so
27:42If any of you
27:43Have any ideas
27:44For first lines
27:44For sketches
27:45That we can improvise
27:46Well, hit us now
27:46Anybody
27:47Hit us on the first line
27:48Some first line
27:49That we can weave
27:50Some kind of magic around
27:51First line
27:52Yes
27:52Do you sell grapefruit?
27:54Do you sell grapefruit?
27:55Do you sell grapefruit?
27:56Well, it's a
27:57We can weave
27:58A pretty tantalising spell
27:59Around that one
28:00Shall we try
28:00Yeah, Christ
28:00Yes, that's right
28:01Woo!
28:02Ha!
28:02All right
28:03So, ladies and gentlemen
28:04We now present
28:04Our improvised sketch
28:05Entitled
28:06Do you sell grapefruit?
28:07Yes, I'm hot for this
28:08Hot, hot, hottie
28:09Right, right
28:11Okay
28:11Um
28:14What?
28:15I'll be the grapefruit seller
28:16You'll be the customer
28:17Oh, right
28:18Yes, okay
28:18Right, let's go
28:19Right
28:20Wait a minute
28:21What do I say?
28:23You make it up
28:24As you go along
28:25Oh, I make it up
28:25As I go along
28:26Yes, absolutely
28:26Oh, I'm excited about this
28:27Yes, right
28:28Okay
28:29Ching, ching
28:31Do you sell any grapefruit?
28:34Yes
28:41Right, I'll have three, please
28:44They're 14 pence each
28:47Here's 50p
28:48Thank you
28:51Here's 8p change
28:53And your grapefruits
28:55Thank you
28:58Oh, we just made that one up
28:59That's amazing
29:00Oh, wow
29:01Every word of that
29:03Can't believe it
29:05Oh
29:05You're very excited
29:07Oh, dear
29:07Well
29:10Seeing as being as how we're on a roll
29:12Does anybody have any other
29:13Any other first lines?
29:14Suggestions at all?
29:16You're wearing my hat
29:18Well, yes
29:19Any others?
29:22Bugger off
29:24Bugger off
29:25Bugger off?
29:25Now
29:27It's not really a line, is it?
29:28No, it's more of a sort of idea, really
29:33It's quite a good idea, though, isn't it?
29:34Yeah
29:35Should we do it?
29:36Let's do it
29:36We'll do it
29:37Okay
29:38Nice jacket
29:39Timons?
29:39No, allies
29:40Thank you
29:43Thank you
29:44Thank you