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00:28Transcription by CastingWords
00:35Ladies and gentlemen, it's the Betty Hill Show
00:38Here is Betty Hill
00:46Now the dogs who roam across the Mexican desert
00:50Could give a horse 20-yard start
00:53They have to run fast in the Mexican desert
00:57Cause the trees are so far apart
00:59I ride across that desert and I think of my sweetheart
01:03My happy heart's longing to shout
01:05That I love Juanita Bonita Dolores
01:09I just hope the wife never finds out
01:11I love Juanita Bonita Dolores
01:15Happy forever I will
01:18Juanita Bonita Dolores
01:21Sweats on her happy end for me
01:24I ride through Merida and I see a young maiden
01:28Her eyes, they are bright with desire
01:30I cannot help looking as I see her cooking dumplings on her open fire
01:36She wears a sombrero and a dress that's cut solo
01:40It's bright and it's green as the clover
01:42I near lose my nerve, I can't help but observe
01:46That her dumplings are boiling over
01:48But I love Juanita Bonita Dolores
01:52Happy forever I'll be
01:56Juanita Bonita Dolores
01:58Waits on her hacienda for me
02:01I arrive at my village
02:03She left me a message
02:05I read it and I stand there aghast
02:07She says, dear Don Pedro
02:09I'm writing this slowly
02:11Cause I know you can't read very fast
02:13Oh, I love you only
02:15But I got so lonely
02:17I could not wait for you to come
02:19So I went to Nevada
02:21And I married your dada
02:23Yours sincerely, mum
02:25No more will I see Bonita Dolores
02:29A bachelor I'm destined to be
02:32No more on her hacienda
02:35And hacienda me
02:45Thank you so much
02:50And now, ladies and gentlemen
02:52For all you sports fans
02:54Here is our holiday sports spectacular
02:57Thank you
02:58Come on, come on!
03:38Today we're going to look at the career of Ginger Tompkins, the centre forward of Dimpton City,
03:44who is fast taking over from Georgie Best as the most talked about player in the country.
03:48Just watch him here at pressure.
03:55There he is. What's that lovely, lovely ball control?
04:14Oh, on the arm, on the arm!
04:30This is absolutely marvellous. Now, let's just watch that through again in slow motion.
04:34Look at that beautiful movement, equalling, if not surpassing, Georgie Best at its very best.
04:42Look at that skill. Just look.
04:47Absolutely fantastic.
05:09Let's watch him take this penalty. Just watch the way he takes it. Magnificent.
05:22I hope he's there for us with this phenomenon. It's absolutely magnificent.
05:30I hope he's there for us with this phenomenon.
05:49Well, that just shows you some of the skill of this amazing player, Ginger Tompkins.
05:55And now, here to talk about Ginger Tompkins, to Percy Varmint, is the captain of Dimpton City football team, Ernie
06:02Sudge.
06:06Now, Ernie, as the captain of Dimpton City football team, or as its first becoming known Ginger Tompkins Liberals,
06:18It's been said that Ginger is entirely responsible for this sudden upsurge of female football attendances. Would you agree?
06:27Oh, yes. Well, he's so lovable, you see. We love him, you see.
06:30I mean, if there's any function or anything, and there's any girls there, the girls don't want to know me
06:34and the rest of the team, you know.
06:36Well, they're off after him, you know, because he's so lovable, you see.
06:41Is there no jealousy?
06:44Oh, no, no. You couldn't be jealous of anyone as lovable as that.
06:47The rest of the team, we just wash up the ground that's coming that he plays on.
06:52I believe that Ginger earns more money than the whole of the rest of the team put together.
06:59Yes, he does.
07:02He's so lovable, you see.
07:05What's his home life like?
07:07Oh, he's got a lovely little wife, you know, and a couple of lovely little kids, you know.
07:12I only wish I could say something nice about that red-headed tarp he's carrying on with, but, you know.
07:17If you can't say something nice about people, say nothing, that's what I say.
07:22Now, when Ginger's playing, I mean, your attendances must be in the region of about 40 to 45,000 spectators.
07:29What sort of attendances do you get when Ginger's not playing?
07:33About 28, 29.
07:341,000.
07:35No people.
07:37So lovable.
07:40Ernie, Ernie, you must be one of the oldest captains still playing first-class football.
07:46And, of course, things haven't been going all that well if you just recently, have they?
07:49Oh, I don't know whether it's wrong.
07:50Well, you've had one of two rather ropey seasons, haven't you?
07:53Yes, I have, yeah.
07:54How old are you now, Ernie?
07:5648?
07:5747.
07:59I mean, you must find it a wee bit difficult trying to keep up with this virile young chap, this
08:04young genius, this phenomenon.
08:07He's so lovable, yes.
08:10Tell me, tell me, tell me, Ernie, what would you do?
08:12What would happen right now?
08:13See, Ginger was in the penalty area.
08:15What would he do if someone sold him a dummy?
08:18Probably stick it in his mouth, the juvenile little twit.
08:21And then he'd hit the ball.
08:22Aye, and he'd score.
08:23Aye, and he'd stop the game.
08:25Why?
08:25Well, he'd have to drag his head out from between the goalposts, the little big head.
08:28Sir, but what would you do without him, Ernie?
08:30I don't know, but I'd like to try.
08:31He's not lovable, he's horrible.
08:33I hate him, and I'm glad I hate him.
08:35If I didn't hate him, I'd like him, and I hate him.
08:37Well, I think that's all we have time for now.
08:38We'd better go over to the, for wrestling with Ken Wilton.
08:42Here at the assembly rooms in Loganbury, it's time for the main bout of the evening between Two-Ton Grudge
08:47and Big Ben from Ballon.
09:15Hey, hey, hey!
09:17Hey!
09:27Hey!
09:29Hey!
09:32Hey!
09:34Hey!
09:43Oh no!
09:47Oh no!
09:49Oh, my God.
10:30Do you have a nice Christmas, Tom?
10:32Great, great Christmas.
10:34You look like you've got a bit of hangover, man.
10:36Have you?
10:40You come round to supper tonight?
10:41I'd love to. It's great, can't you? What are we going to have?
10:44I thought we'd have some turkey.
10:47Oh, my God.
10:49Stuffing.
10:51Lovely.
11:00You should see our Christmas tree, Tom.
11:03It's lovely.
11:04It's all hung, hung, hung, hung with fairy lights.
11:10Here, look at that one in blue down there.
11:12Cool.
11:13That bird, I wouldn't half like to...
11:18Take her out.
11:20Do you want me to throw you at her?
11:22No, I might see something better.
11:23Who knows?
11:24All right.
11:39Are you bringing Ethel?
11:41I'd rather not if you don't mind.
11:44Has she been upsetting you again, Tom?
11:46Yeah, she has.
11:47You know you're troubled, don't you?
11:48No.
11:49You're too soft.
11:49Ha-ha-ha-ha-hearted.
11:52She's making my life a misery, Ben.
11:55Oh, God.
11:58I don't know what's come over you, Tom.
12:06Honestly, honestly, Tom, I've never seen you like this before.
12:12I think there's someone else.
12:14Oh, that puts you in a very awkward position, doesn't it?
12:16Eh?
12:17Ah!
12:22You know you're troubled, don't you?
12:24No.
12:25You're too easily hurt.
12:27You're troubled, mate.
12:28You've got to get yourself straightened out.
12:32She's making me a nervous wreck.
12:34Yeah.
12:34Oh, sir.
12:43Just up.
12:45I don't know why.
12:46Oh, her.
12:49I don't know why you bother with her.
12:50She's nothing to look at.
12:51What do you mean?
12:52She's good-looking, sir.
12:54All right, all right.
12:54She's good-looking, yeah.
12:55She's very attractive, yeah.
12:56I know why.
12:57What?
12:57You fancy her, don't you?
12:59No, no, no.
13:00You don't.
13:01You're after a long time.
13:02Tom, you're home.
13:02You're earning.
13:03You're earning.
13:04He's going to do it.
13:06He's going to do it.
13:07Oh, I don't know.
13:07There's a bell.
13:08Pick it.
13:08Oh, shit.
14:01Oh, Thelma, that beer goes through, isn't it?
14:07Oh, Thelma, come and have a look at this chap across the road.
14:11Number 27.
14:13He's sitting up in bed drinking champagne.
14:15Cheeky devil.
14:17He's got a bird with him.
14:19Oh, she's bonnie.
14:21Oh, she's big.
14:25You don't get many of them to a pound, I'll bet.
14:28Oh, she's bonnie.
14:30She's lovely.
14:31Oh, she's taking her coat off.
14:33She's got a nightdress on underneath.
14:36Oh, be prepared, eh, Thelma?
14:38It's a red one, the same colour as that one I bought you for cre...
14:42Thelma!
14:43Come back, Thelma!
14:45Come back.
14:50And now, ladies and gentlemen, the Ladybirds.
14:55You're just too good to be true
14:59Can't take my eyes off you
15:02You'd be like heaven to touch
15:06I want to hold you so much
15:09And long last love has arrived
15:13And I thank God I'm alive
15:16You're just too good to be true
15:21Can't take my eyes off you
15:24Pardon the way that I stare
15:28There's nothing else to compare
15:31The sight of you
15:33The sight of you leaves me weak
15:35There are no words left to speak
15:38But if you feel like I feel
15:42Please let me know that it's real
15:45You're just too good to be true
15:49Can't take my eyes off you
16:09I love you, baby
16:12And if it's quite alright
16:14I need you, baby
16:16To walk a lonely night
16:18I love you, baby
16:19Trust in me when I say
16:24Oh, pretty, baby
16:26Don't hit me down, I pray
16:28Oh, pretty, baby
16:30Now that I've found you stay
16:32Now let me love you, baby
16:35Let me love you
16:39You're just too good to be true
16:42Can't take my eyes off you
16:45Can't take my eyes off you
16:47You'd be like heaven to touch
16:49I want to hold you so much
16:53And long last love has arrived
16:56And I thank God I'm alive
17:00You're just too good to be true
17:04Can't take my eyes off you
17:16I love you, baby
17:19I love you, baby
17:20And if it's quite alright
17:21I need you, baby
17:23To walk a lonely night
17:25I love you, baby
17:26Trust in me when I say
17:31I love you, baby
17:33I love you, baby
17:34And if it's quite alright
17:35I need you, baby
17:37To walk a lonely night
17:39I love you, baby
17:41Trust in me when I say
17:45I love you, baby
18:11I love you, baby
18:14I love you, baby
27:28Right?
29:27Hey, bartender.
29:56I'm calling you,
30:48Well, you've got you.
31:18You've got 20 seconds.
31:49Don't touch it.
31:49Yes, yes, yes, yes, yeah.
31:53carry on.
31:58Oh, cut.
32:01And now, yeah, yeah, yeah, yeah.
32:49When day is done.
32:52The wedding, the wedding, the wedding,
33:17There rings, there, is, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
33:34It's facing shadows of the future
33:37Praying they will fall away
33:39As we walk toward them
33:41Searching for the sun
33:45And it's long and anxious hours
33:48With a wolf at the door
33:50Hugs and kisses
33:51When at last we see the dawn
33:56So while the hands of time
33:59Trace tiny lines
34:00Upon our face and lace our hair
34:02With strands of gray
34:06We'll laugh and sing
34:07For all who will partake
34:09It all comes with the wedding cake
34:16Yes, for all who will partake
34:18It all comes with the wedding cake
34:25Yes, for all who will partake
34:28It all comes with the wedding cake
34:43Hello. Well, I'm standing here
34:45outside a very small office of Thames Television
34:47and something very unusual is going on inside.
34:50We have invited to the studio a very eminent person
34:52who has no idea of the reason
34:54And I've just received a message
34:56In fact, I've had the wink
34:57He is now ready in the studio
34:59So let us go straight over there now
35:04Good evening, sir
35:06Now, I believe you are under the impression
35:07that you have come here to receive a presentation
35:09Uh, yes
35:11Well, I have to tell you
35:12George Podmore
35:14Musician, extraordinary
35:15Composer
35:16Man of letters
35:17This is your life
35:21Oh
35:23Calamity
35:32No, no
35:33No, no, no, George
35:33Don't go, please
35:34Just sit down there
35:35Make yourself at home
35:36And just be our guest
35:37for a little while
35:38Now, I want you to listen
35:39very carefully, George
35:40And I wonder if you recognise
35:42this voice
35:44Straight ahead
35:45for woolens and twinsets
35:48Over on the right
35:49for skirts and blouses
35:51Now, George
35:52Do you recognise that voice?
35:54No
35:57Well, you should do
35:58because it is your old friend
35:59Stan Moore from Romford
36:09Hello, Mr. Eno's
36:12Andrews
36:12Andrews
36:15I'm in effervescent mood tonight
36:20So, you are Stan Moore
36:21from Romford
36:22No
36:23I am Ron Moore
36:25from Stamford
36:25I am married
36:27I have 15 children
36:29and my hobby
36:30is flying my kite
36:34Furthermore
36:35Now, Stan
36:36Ron
36:36No, Ron
36:37I'm sorry, Ron
36:38Now, Ron
36:38I believe that you first met
36:40George Podmore here
36:41at Niggles Haberdashers
36:42in 1932
36:43No
36:43It was 1933
36:46I remember it quite well
36:47because that was the year
36:48I was transferred
36:49to the ladies' lingering department
36:51And I might add
36:52in that department
36:53I had one or two
36:53rather interesting
36:54and amusing experiences
36:56Some of which were true
36:58I remember once
36:59for instance
37:00I had the honour
37:01of serving
37:02Our Lady Maris
37:03with a transparent
37:04niggly gee
37:06I put one for my wife
37:07It was lovely
37:08You could see right through
37:09to her vest
37:13Ron
37:13What sort of a person
37:15was he?
37:16Who?
37:19Him
37:19George
37:20Oh, he was all right
37:21But I myself
37:23I myself
37:24was in charge
37:25of the old department
37:26and I used to regale
37:27the Lady Maris
37:28with tales
37:29of all the assistants' pranks
37:31At this
37:31the Lady Maris
37:32who's rather on the plump side
37:34fairly shook with laughter
37:36They must have been
37:37quite a handful
37:45I beg your pardon?
37:46George Podmore
37:47and his friends
37:48Oh, yes
37:50You do know him, don't you?
37:52I've never seen him
37:53before in my life
37:54What on earth are you doing here?
37:56Well, isn't this
37:56Opportunity Knox?
37:57Is this your life?
37:58Oh, I thought
37:59it was Op Knox
38:01I've got a singing
38:02sanitary inspector outside
38:04He'll go clean
38:05round the bend
38:06I didn't know
38:07I thought Louis Green
38:08was looking a bit old
38:10Oh, yes
38:12Well, there we are, George
38:19Well, now we're gonna go back
38:20even further
38:21several years
38:21even further
38:22back to those happy
38:23carefree days
38:24of your youth
38:25back to your school days
38:25in fact
38:26at Crabtree Lane Juniors
38:28Now, George
38:29I want you to listen
38:30very, very carefully
38:31and tell me
38:32if you remember
38:33this voice
38:34Now, George
38:35he stopped that at once!
38:36You naughty boy!
38:38Do you remember
38:39that voice, George?
38:40No!
38:42Well, you should do
38:43because that is
38:44your old schoolteacher
38:45Miss Emily Pringle
38:52Lovely to see you again, George
38:54You know, you just
38:54haven't changed a bit
38:55I'd know you anywhere
38:57that same lovely
38:58wavy hair
38:58and those big blue eyes
38:59You just haven't changed
39:01That's George over there
39:02God, you have changed!
39:05What a pity
39:07We knew he wouldn't
39:08turn out to be much
39:09but we didn't know
39:10quite as bad
39:11as I was
39:13What a pity
39:14I suppose all those lines
39:16are all the result
39:17of riotous living
39:18is it, eh?
39:19No, certainly not
39:20What a pity
39:21You haven't even enjoyed
39:23getting like that
39:24have you?
39:24Now, that's even
39:25an awful shame
39:27Now, Emily
39:28Emily, what was George
39:30like as a child?
39:31Well, as a child
39:32he was a delicate
39:33sensitive
39:34rather highly
39:35strong little bar
39:36Boy!
39:37You know, I should
39:38never forget
39:39the first time
39:39I saw him
39:40I came into the
39:40classroom
39:41and there he was
39:41sitting at his desk
39:42and in his hand
39:44he had a copy
39:45of 101 stories
39:47that Nursey explains
39:48and he held it up
39:50and he looked at me
39:50with those big
39:51grey, blue
39:53bloodshot
39:54eyes of his
39:55and he said
39:55book, book
39:56like that
39:56I thought it was
39:57awfully sweet
39:57He was only 14
40:00Now, Tommy
40:00did you ever
40:01have to cane him?
40:02No, I didn't
40:02believe in the cane
40:03you see
40:04I had a rather
40:06wonderful book
40:07on child psychology
40:08Used to belt him
40:10round the head
40:10with that
40:12Zonkity, zonkity, zonk
40:13We used to go
40:14happy days
40:15Wasn't he ever naughty?
40:17No, he was naughty
40:18upon occasions
40:19Yes, I
40:19I recall one occasion
40:21when he
40:21No, I'm not going
40:22to tell about that
40:23I could hardly
40:24tell about that
40:25could I?
40:26It was a high wall
40:28although wasn't it
40:33Right over the top
40:35he climbed
40:37Yes, into the girl's
40:38Naughty boy
40:39Naughty
40:39I remember
40:40another incident
40:41when he was
40:42rather naughty too
40:43It was at the end
40:44of a chemistry lesson
40:45and it concerned
40:46two of his
40:46other mistresses
40:47School
40:49Oh, I don't know
40:50and myself
40:51and, oh dear
40:52what a calamity
40:53the naughty boy
40:53locked the three
40:54of us in the laboratory
40:55Thank you very much
40:56She's wonderful
40:57Do you think
40:57I might have a chop chop
40:58before I go
41:00Oh, isn't he low
41:02Love him
41:02Well, now George
41:10it's all coming back
41:11is it?
41:11Yes
41:11Well, now
41:12at school
41:13you excelled
41:14in many different fields
41:15They made you
41:16football captain
41:17because you were
41:18good at football
41:18They made you
41:19cricket captain
41:20because you were
41:21good at cricket
41:21and they made you
41:22vice captain
41:23because you were
41:24good at
41:25organizing things
41:26You left school
41:28and you took
41:28on several jobs
41:29A sagger maker's
41:30bottom knocker
41:31Olive stuffing
41:33in a pickle factory
41:34But at all times
41:35you kept up
41:36your hobby
41:36The hobby
41:37that you found
41:38so satisfying
41:39and rewarding
41:40Now, George
41:41I wonder
41:42do you recognize
41:43this sound?
41:55George, do you recognize
41:56those dulcet talks?
41:58No
41:58Well, you should do
41:59because it's your old friend
42:01from the Tidmarsh
42:02brass band
42:02Fred Scuttle
42:11You never said
42:12it was a caramel
42:13did you?
42:21Now, what old
42:22don't tweet us back there
42:25Now, Fred
42:26Fred, I believe
42:30that you knew him well
42:31I knew the old family
42:33I knew his sister
42:33I was at his sister's wedding
42:34He was there
42:35He was at his sister's wedding
42:36Did he give her away?
42:38Never said a word, sir
42:42He could have done mine
42:44She looked lovely, though
42:45She did
42:45She was all dressed in white, sir
42:47In white
42:48Didn't fool anybody, mine
42:51It was like a long dress
42:52It was one of the long ones
42:54You mean it fell to the ground?
42:56Not while I was there
42:57I don't know about it
43:00Tell me, what instrument
43:01did he play?
43:02What didn't he play, sir?
43:06Dum-dum-dum-dum-dum-dum
43:08Dum-dum-dum-dum-dum
43:09The clarionet
43:12That's what he didn't play, sir
43:13That's what he didn't play, sir
43:14No, he used to play the bass, sir
43:15Oh, he was marvellous on that bass
43:17He could make that bass talk, he could
43:19What did it say?
43:20Help
43:22He was marvellous on it
43:23He used to play classics, sir
43:24Anything he wanted to play
43:25Rock and roll, stifle
43:27We never tied him down, sir
43:28No, no
43:29Unless it was a full moon
43:32And then, by George, we had to, sir
43:34Oh, yeah
43:35Yes
43:36Full moon
43:37A Will's whiff
43:41A packet of crisps
43:42And a tiser
43:43And he was off
43:46Real gone
43:47Crazy man
43:48Yes
43:48Not up
43:49Yes
43:49Here
43:50How about the one-night stands
43:51We used to go on, eh?
43:53The one-night stands
43:53Oh, yes
43:54George, do you remember the one-night stands?
43:56Oh, yes
43:57All-male
44:00Performers
44:00No, no, no
44:01An all-male orchestra
44:02Yeah, well, all except Amy Hardcastle
44:05She was a woman
44:06You remember that, yes
44:07Was she a virtuoso?
44:09When she joined, she was
44:10He would know more about us
44:14No, I would
44:15She played the cello
44:17The cello?
44:18Side saddle
44:19Yes
44:20You're not supposed to, you know
44:22It's very dangerous
44:23It is
44:24One slip, sudden death
44:26Yes, sir
44:28That's what caused the fracass on the podium, sir
44:30The fracass?
44:32On the podium, yes
44:33Between
44:34No, I'm not going to
44:37You're not luring me into that
44:38No
44:39The thing is, you see
44:42She would be placed about here
44:44I should stand back
44:45You see, she'd be bowing across here
44:48You see, bowing, bowing across here
44:50And he would be standing about here, you see
44:53In close proximity to her
44:55And he had a very short base
44:58He's like that, you see
45:01You haven't forgotten, she's here
45:04Harry
45:05Well, sir
45:06Come the overture to
45:08The Hebrides
45:09That's all right, sir
45:10You know
45:11The four Indian love lyrics
45:13By Amy Woodford Bypass
45:14For
45:16The Neil Lopiton Serenade
45:19Yes
45:19All right, sir
45:21All right
45:21But
45:22Imagine what would happen, sir
45:24With Poet and Pheasant
45:26He jumped, he jumped my knees
45:27Oh, oh, oh, oh, oh
45:29Like that, you see
45:30I get the point
45:31So did he, sir
45:33We should do something together
45:35One day
45:361980, sir
45:37Yes
45:39Oh, indeed, sir
45:40Yes
45:40He was very upset
45:41Because he was walking about
45:42On tippy-toe for months
45:43You know, sir
45:44He was three foot six
45:45When he joined the band
45:46You know
45:47That, you know
45:48It's a way to grow, sir
45:49Indeed, sir
45:50Yes
45:50Was there much of a feud
45:51Of any kind
45:52Oh, there was a fruit, sir
45:54Yes
45:54A lot of animosity, sir
45:56Oh, really?
45:56Oh, we used to rehearse at her house
45:58And one night, sir
45:58She accused him
45:59Of transposing his pizzicato
46:03All over her crescendos
46:05And had he?
46:06He hadn't left the house, sir
46:09Hadn't been near the flowerbeds all night
46:12But he
46:12I see, yes
46:14He was keen
46:16Oh, keen as mustard, sir
46:18I'll tell you something, sir
46:19The band mascot
46:21Used to live at his house
46:22The band mascot?
46:24Yes, sir
46:24And what was it?
46:25It was a man-eating
46:28Nicaraguan Vildi Beast
46:30My goodness
46:31And where did this Vildi Beast sleep?
46:34Anywhere it wanted to
46:39It's memory lane tonight, folks
46:43Tell me, did this have any effect
46:44On his married life?
46:45No, that
46:46No, that didn't, sir
46:49But the bass playing did
46:50Oh, I see
46:50He was so keen on his
46:51It caused a divorce, sir
46:52Didn't you read about it, sir?
46:53I never did, no
46:54It was in the News of the World
46:55Really?
46:56No, tell a lie
46:56Of the Melody Maker
46:57Oh
46:59I get them muddled up
47:01Frequently, you think
47:02No, sir
47:02He was so keen on his bass playing
47:05Playing
47:06He used to dream
47:08He was playing his bass at night
47:10No
47:10In bed
47:13Next to his wife
47:18I mean, sir
47:19In the middle of the night
47:21He'd grab his wife round the neck
47:22With one hand
47:27He'd slap her on the tummy
47:28With the other
47:29And he'd shout out
47:30Go, man, go!
47:32And it must be jelly
47:34Cos jam don't shake like that
47:40And another one I've just thought
47:41Of what I'm not going to say
47:44You see, well, that's a
47:45You're a mystery o'clock in the morning, sir
47:47It's unbelievable
47:47I know, sir
47:48Because he had every opportunity
47:50Did he?
47:51The whole thing
47:51Yes, he did, sir
47:53He, sir
47:54He, sir
47:55Could have been one of the finest singers in the country
47:58He could, sir
47:58I taught him how to sing
48:00Took him clack-clack-a flexibility, sir
48:02Clack-a-clack-a
48:03Yes, sir
48:03I taught him to sing like Ema Sumac
48:06How did you manage to get him to sing so high?
48:12That is a trade secret
48:16I could not divulge that, sir
48:19Otherwise, they'd all be at it, wouldn't they, sir?
48:21Oh, indeed, yes
48:21You wouldn't be able to tell Mick Jagger from Petula Clark
48:25Not without looking at him
48:26Then you'd have a job
48:28Well, now, I wonder, Fred Scuttle
48:30If you could manage to sum up in just a few words
48:33George Podmore's character for me
48:35Yes, I can say this, sir
48:36And I'm sure I can say this
48:37Without any fear of contraception whatsoever
48:41He is one of the finest, most noble
48:43Most hard-working gentlemen you could wish to meet
48:46And it's not just my opinion
48:47It's his and all
48:49I'll see you
48:49Thank you, Fred Scuttle
48:58That was your old friend, Fred Scuttle
49:00You remember him now, George
49:01Ah, I do
49:02Well, as you know, we go to great lengths on this programme
49:04To bring you all your old friends
49:05It took quite a lot of effort and string pulling
49:07To get our next guest along
49:09You helped to shape his life and his career
49:12And I'm sure you will be delighted
49:14As everybody else will be here
49:15And thrilled to meet
49:16Your own son, Richard
49:30Thank you, thank you for being with us
49:33And we look forward to seeing you all again very, very soon
49:35Till then, bye-bye
49:45This is the dawning of the age of Aquarius
50:00When the moon is in the seventh house
50:07And Jupiter aligns with Mars
50:10And peace will guide the planet
50:15And love will rule the stars
50:19This is the dawning of the age of Aquarius
50:22The age of Aquarius
50:27Aquarius
50:31Aquarius
50:33Aquarius
50:33And the moon is in the seventh house
50:39And the moon is in the seventh house
50:42And the moon is in the seventh house
50:43And the moon is in the seventh house
50:43And the moon is in the seventh house
50:45And the moon is in the seventh house
50:50And the moon is in the seventh house