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00:12Let's do it
00:48Well, a lot's changed since the last series of
00:51A Bit of Fry and Laurie.
00:53That's right.
00:55When A Bit of Fry and Laurie last appeared on our screens,
00:59we looked something like this.
01:05Oh, dear.
01:06It's hard to believe we could get away with noses like that, isn't it?
01:09You're the one on the right, Hugh.
01:11I'm on the right.
01:13Anyway, we thought it might be interesting to chart
01:16just some of the changes that have gone on in this United Kingdom
01:19since that time.
01:21That's right.
01:23Then we thought perhaps it wouldn't be interesting.
01:27That's right.
01:29And so we decided not to.
01:32Mmm.
01:34Instead, we've each written a song
01:37that sums up our feelings about what's gone on
01:39in the last hectic one and a bit years.
01:41My song first, I've called it quite simply
01:44The Years That Fell Away.
01:46This is it here.
01:48There it is.
01:50Yes, my song is called rather more complicatedly
01:54Time, Where Did You Go?
01:59Time, where did you go?
02:03That's all I had time for.
02:06Time, where did you go?
02:20Oh, Stephen, what are you doing?
02:21Ah, well, I'll explain to you.
02:23Ah, a year and a bit ago, I was flabby, overweight,
02:28and, it grieves me to say so, deeply unattractive.
02:31Um, since then, a friend put me on to dancer sizes.
02:37I won't tell you who this friend was,
02:39but if I drop the hint that, uh,
02:41it was a prominent quantity surveyor,
02:43I think you'll probably guess.
02:45Um, he put me on to dancer sizing,
02:49and I think it was probably the most valuable thing
02:51he's ever done in his otherwise futile and squalid life.
02:56The key to dancer size
02:58is the rather ingenious coupling of the word dance
03:01to the word circumcise.
03:07Let's now pretend
03:09that I am a prominent quantity surveyor,
03:13and Hugh is Geoffrey Cavendish, a client.
03:16You'll see that I'm able to work,
03:18and while I work,
03:19able to build in all kinds of
03:21strengthening and toning movements.
03:25Morning, Geoffrey.
03:26Morning, Dennis.
03:28Do you have any quantities
03:29for me to survey this morning?
03:31Um, yes, I have got one quantity.
03:34I'd very much like you to survey, yes.
03:35This quantity here?
03:37That's the fellow.
03:40Right.
03:41Well, that's got that quantity surveyed.
03:44Any others?
03:45Not just now, Dennis, no.
03:46All right, but you will let me know.
03:48Dennis, if I have any more quantities
03:49for you to survey,
03:50you'll be the first to know about it.
03:52Great.
03:53Oh, and by the way...
03:54Yes?
03:55Love that body.
03:56Thanks.
03:57It's mine.
03:59I think so.
04:02See this?
04:03Could you eat your dinner off this?
04:07Sex is nothing to fax home about.
04:10Ah, yes, we took the caravan
04:12down to Dorset this summer
04:13and pushed it over a cliff.
04:19Yeah?
04:20Uh, you've got any grollings?
04:24Beg your pardon?
04:25Uh, I needed a dozen grollings.
04:28Flushed or galvanised?
04:29Flushed.
04:32There you go.
04:33Cut the lot.
04:34Uh, no, we've got a copper flange pipe.
04:37Flange pipe.
04:38Two jamborees and seven nipples.
04:43Do you want the nipples greased?
04:44Greased nipples, yeah.
04:46There you go.
04:47And we go.
04:48So we've got here.
04:50Five olive spantles,
04:51jigged and onioned.
04:53Right, 17 mil.
04:5412 mil.
04:57Um, metre of fleeling wire,
05:00coaxial.
05:01Fleeling wire.
05:03Here we go.
05:0420 cock grip shafting sleeves.
05:13And, uh, a parping couplet.
05:15Parping couplet.
05:16Do you want male or female?
05:17Male.
05:18All right.
05:19Uh, actually, second thought's one of each.
05:21Okay.
05:22Uh, do you want the male parping couplet standing proud?
05:25No.
05:26Uh, embarrassed, I think.
05:28Right.
05:32All right, there's your female.
05:34There's your embarrassed male.
05:36Six sheets of grudder paper.
05:38Parconised?
05:39No.
05:41There we go.
05:42Nearly there.
05:43And four felching pens and a beveled spiltrunion.
05:49Yeah, I think we've only got one felching pen left, as it happens.
05:52All right.
05:53Got some frotting pencils, though.
05:55And they do.
05:56Well, you know the thrush plate?
05:58Yeah.
05:58Yeah.
05:58Well, you can use the frotting pencil on that.
06:00You see, rude to the lookout valve on the funk spoke.
06:03And cut out the felching altogether.
06:04Provided you remember to rim the satchel arm properly.
06:07Oh, right.
06:08Well, I'll have the frotting pencils.
06:09All the frotting pencils, right.
06:10Two, three, four.
06:11All right.
06:12Uh, and the beveled spiltrunion.
06:14Beveled spiltrunion, beg your pardon.
06:15Yes.
06:16Great.
06:18That's a lot, then, is it?
06:19Yep.
06:19Yeah.
06:19You've already got a triple knob joint with snatch membrane, have you?
06:23Should I have?
06:25Well, are you going straight or curved?
06:26Straight, then curved.
06:28Nah, should be okay.
06:30As long as you remember to suck the clenching lobe tight to the bowl thrust.
06:33Yeah, obviously, yeah.
06:34Yeah.
06:35And whatever you do, don't forget to lubricate your slip hole before any grip jigging.
06:42Oh, dear.
06:43Sorry.
06:46Damn it, Peter.
06:48John.
06:49Damn it, four times around the car park and back in for another damn it.
06:54Do I get the feeling that something's on your mind, John?
06:58Come on, Peter.
06:59You know what the hell I'm talking about.
07:01And I guess I'd say this had something to do with the DDL Enterprises takeover bid.
07:06You know, it's funny, Peter.
07:09Four years, four hard years I put into building up this health club.
07:15And now, now I've got to sit back and let some group of wet-arsed college kids just slide in
07:22and take it away from me.
07:24I know, John, makes me vomit just a thing.
07:27If only, if only Marjorie hadn't left the way she had.
07:32Oh, come on, John.
07:34You can't go on blaming yourself for that.
07:36You and Marjorie had?
07:38Had what?
07:39A marriage that was no more than a bad joke and not even a very good one?
07:43You made some mistakes, John, that's all.
07:46You and Marjorie just had, well, what can I say?
07:49Different ideas about where the company was headed.
07:51End of story.
07:52But damn it, Marjorie was good, Peter.
07:55As a wife or as a business partner.
07:58Is there a difference?
08:01I hope so, John.
08:04And now, while we're up to our arses in our worst ever takeover scrap, she's sunning herself in the south
08:10of France.
08:11South of Wales, actually, John.
08:13Well, wherever the blue rings tell she is.
08:16Listen, John, damn it, this is no time for you to start feeling sorry for yourself.
08:20But damn it, every which way but one, Peter.
08:23John, do something for me.
08:25Come up here to the window and take a look.
08:27What is this, some kind of game?
08:29No game, John.
08:31Tell me what you see.
08:33I see a car park.
08:35Well, that's funny, John, because, you know, the last time you looked out of that window, you saw an idea.
08:42Don't you remember?
08:43Yes, I remember thinking that would be a good place to put a car park.
08:46Damn it, John, you're not listening to me.
08:49I'm talking about the big idea, the dream that you and I shared.
08:53The dream of a health club that would put the town of Utoxida on the goddamn map.
09:00Yeah, well, maybe I...
09:04Maybe!
09:05I don't believe I'm hearing this.
09:07What the hell happened to the old John?
09:09We pulled it down when we built the car park.
09:12Oh, damn it, John, you're not hearing me.
09:15Damn it, I...
09:16No, don't you damn it, I, me.
09:18We've got that close.
09:19And you're just gonna...
09:20You're just gonna lie down and walk away?
09:23Peter, don't...
09:24Don't harassle me.
09:25I'm tired.
09:26Oh, tired, be damned.
09:28A man.
09:30A man's gotta know when he's licked, Peter, and I know the feeling I've been licked before.
09:35Jesus and all this Lord Saint's preservers.
09:38Did I ever tell you about the time Marjorie licked me?
09:41Oh, yeah.
09:42She licked me good and proper, and I've got that feeling again, and it's sore, Peter.
09:48Yeah, maybe it's time I moved on and just bothered with me.
09:54John, I'm gonna look out of this window now and tell you what I see.
09:58What is this, Peter?
10:00More games.
10:01Same game, John.
10:02Different rules.
10:04I see, uh, I see Tom, Sally, Debbie.
10:07Sally, but Sally called herself in off sick with the flu.
10:11Exactly, John.
10:12Exactly.
10:12But she came in here today because she believes in you.
10:16God knows why.
10:17Because she believes in what you're trying to do here, and you talks at her.
10:21And you're telling me that you're just gonna, you're gonna walk away from these kids and just turn your back
10:25on?
10:26Oh, damn it, I'll make no apology of vision.
10:29Damn it, Peter, maybe you're right.
10:31You're damn right, baby, I'm right.
10:33Damn double damn and an extra pint of damn for the weekend.
10:36Damn!
10:38Get a fat sober to Clifford Harden since EGM three o'clock tomorrow.
10:41Uh, find out where Janet is and pull Martin in from where the hell is Martin?
10:46I wake up.
10:47Right, and get Sarah in here now.
10:49We've got an agenda to work up.
10:52Welcome back to the fight, John.
10:54Sorry if I was a little rough on you back there.
10:56Hell, I deserved it, Peter.
10:58I was acting like a damned amateur.
11:01Oh, John, if Marjorie should call...
11:04If Marjorie should call, tell her I'm busy.
11:10Damn!
11:13Oh, are you ready?
11:14Yeah, any time.
11:15I was standing here, and this guy...
11:16I was just talking to the cameraman, okay?
11:18Oh, right, sorry.
11:19Yeah, okay, yeah.
11:20Yeah, right.
11:20Now, basically, I'm just gonna ask you to tell in your own words precisely what you saw.
11:23Yeah, I was standing here, and this guy came hearing around the corner.
11:26No, no, no, no, no, can you wait?
11:27Can you wait until...
11:28Oh, right, sorry.
11:29All right, I'll ask you a direct question, okay?
11:31All right, I was standing here, and this guy came hearing around the corner.
11:35I thought he was gonna hit that wall there.
11:36No, no, no, can you wait until I've asked you a question?
11:40Oh, right, sorry, yeah, yeah, sorry.
11:42All right, now then.
11:43I was standing here, and this guy...
11:44Wait a minute!
11:47Oh, sorry, sorry, yeah.
11:49Right, right.
11:50Brian, are we ready?
11:51Yeah, ready.
11:52Okay, then, I was standing here, and this guy...
11:54Shut up!
11:56Oh, right, yeah.
11:57Please, do not say anything until I have asked you a question.
12:02Oh, right, I'll get you, I'll get you.
12:03Sorry, sorry, yeah, okay.
12:05Good.
12:06Right.
12:07Now...
12:07I was standing here, and this guy came hearing around the corner.
12:10Wait until I have asked you a question!
12:16Okay.
12:18Right!
12:21I was standing here, and this guy...
12:23Ah!
12:29I was going through my grandfather's old hair dryers the other day,
12:33when I came across this,
12:36wedged in the filter of a PIFCO ultramatic ready-tress.
12:40It's a letter written to my grandfather
12:43by the then Secretary of State for Housing,
12:46Ernest Dalloway,
12:47later, of course, Lord Dalloway of Sharples.
12:51I'll read it to you, actually, because it's quite interesting.
12:54Dear sir,
12:55your letter to the Home Secretary has been passed on to me
12:57as Minister in Charge of Urban Development.
13:00I dream of covering your upturned face with a thousand burning kisses,
13:04well, there's a lot more like that.
13:05Oh, yes, here we are, here we are.
13:06This is...
13:07Now, now, this is a good bit.
13:09I would direct your attention to Section 17,
13:12the Housing Act, Urban, 1916, paragraph 5.
13:16Where a local authority has given no other sanction,
13:20you furious ball of shining beauty, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah, blah,
13:23blah, blah.
13:23Yes.
13:24The entitlement to grants under the scheme
13:26will come mandatorily into operation.
13:29Please, please, let me stroke your lovely thigh.
13:31I hope this answers your inquiry
13:34in the matter of 14 Stanshal Avenue.
13:36I yearn to drink clarified butter from your armpits, etc., etc., etc., blah, blah, blah, blah, blah.
13:41Ernest Dalloway.
13:43Fascinating little glimpse of history there, I think.
13:46Ah, my father was a Conservative.
13:49Ah, my mother voted Labour,
13:50so I suppose by rights I should be a Liberal Democrat.
13:54Ah, but in actual fact, I'm a Nazi.
13:58Ah, Mr Arthur Medlicott, is it?
14:01Yes, you, ah, you're a bit young to me.
14:04Still, I suppose you'll do.
14:06Right.
14:06Well, that's nice.
14:09So, now, I shall be calling you Arthur, if I may.
14:12You may not.
14:13You'll call me Mr Medlicott.
14:16And don't simper.
14:20Well, so, why are you here, Mr Medlicott?
14:23Well, why do you think?
14:25You're a psychiatrist, aren't you?
14:26I haven't come here for dancing lessons or free sex.
14:30I've got to be cured.
14:32Cured of what?
14:34Oh, for heaven's sake, I'm going to have to teach you your job of madness, of course.
14:38I'm slightly mad, and I want you to cure me.
14:41Of what?
14:44You're mad?
14:47I'm not going to have to say everything twice.
14:49Now, just get on with it, if you wouldn't mind.
14:51I'm a busy man, and I'd be grateful if you could get a move on.
14:54Right.
14:54Would you like to tell me why you think you're mad?
14:57What is this?
14:58Some sort of game?
15:00Do you imagine I've got time to waste walking around thinking that I might?
15:03I am mad.
15:05Just take my word for it, will you?
15:06Let's have a little less lip.
15:08All right, so how does this madness of yours manifest itself?
15:14Heaven's sake, watch closely.
15:21You take off your shoes, and you put a piece of bread in each one.
15:26I know I do!
15:29What is your problem?
15:31So, what happens next?
15:33I take the bread out of my shoes, and hide it in my secretary's handbag.
15:38Then I take it out of her handbag, and throw it in the bin.
15:41Well, you won't be doing that today, will you?
15:42Because your secretary isn't here.
15:44Oh, give the man a bloody medal!
15:51So, that's it, is it?
15:53Oh, I'm sorry.
15:54I'm sorry if it's not enough for you.
15:56I'm sure you'd rather that I went around wrapped in bacon rind,
16:00pretending to be Florence Nightingale.
16:02Well, I'm sorry.
16:03I'm as mad as I am, but no madder.
16:06I see.
16:08So, what are you going to do about this madness of mine?
16:10Nothing.
16:11I don't think you're mad at all.
16:13Oh!
16:14Oh, you think it's perfectly usual, do you?
16:16To put a slice of bread in your shoes on a daily basis.
16:20That's normal practice, is it?
16:21In your foul part of the world.
16:23Well, you're welcome to a second opinion, of course,
16:25but I don't think you're mad.
16:27Eccentric, certainly.
16:29Well, this is what we pay our psychiatrists for, is it?
16:31Well, well, well, well, well, well.
16:33Yes, I shall be writing a very stiff letter to the Daily Mail about this.
16:37Hmm.
16:38Now, cure me of my madness, or I won't put my shoes on, ever.
16:41You write letters to the Daily Mail?
16:46Not exclusively the Mail, though.
16:48Sometimes the sun or the mirror.
16:50And they're published?
16:51Well, of course.
16:54Just a moment.
16:56Is this one of yours?
16:59Er, a good way to stop your money being stolen is to keep it in a special pocket sewn inside
17:05your coat.
17:07You're June Ellis, your stockpile.
17:09Of course.
17:10That is, sir.
17:15Why can't bus conductors be more friendly?
17:19A smile a day keeps the doctor away.
17:21And it's free, too.
17:26Chest signs?
17:2742.
17:28Wait here.
17:28I'll get your straitjacket.
17:32Lex, you have to go to, to prove you're mad.
17:37Yeah, I went round to her primary school, because they had that end-of-term thing, and they shove all
17:41their paintings, all the paintings they've done in her class, they shove them all round the wall.
17:44Oh, crap!
17:46Oh, can we look down now on this glorious July afternoon?
17:50What a splendid sight it is, Peter.
17:51It's an absolute picture, isn't it?
17:52The sun beating down now.
17:54Beautiful day.
17:55Crowds.
17:56Not a seat to be had anywhere.
17:58Packed house.
17:58Yeah, absolutely packed.
17:59And the grass looking so lovely.
18:01Green as anything.
18:02Green as you like.
18:03Absolutely as green as can be, yes.
18:05Grass has never looked greener.
18:06Yeah, what a scene, what a scene.
18:08Marvellous scene.
18:09Oh, I say, look, there's a bus.
18:11Oh, yes, look, there's a beautiful old English, what is that, is that number 29?
18:14It's a 29 bus, yes.
18:16Beautiful English 29 bus, yes, what a marvellous scene.
18:19Grass, sun, bus, marvellous.
18:21Yes.
18:21Yes, and that bus's making its way now along the Garboldisham Road.
18:26Garboldisham, beautiful village there.
18:28Oh, an absolutely delightful village, yes.
18:30Garboldisham, what a lovely name.
18:31Oh, lovely name.
18:33Lovely English name, yes.
18:35Hello, hello, there's some people getting off the bus.
18:38Oh, oh, look out.
18:40You have to enjoy good old English strawberries and cream.
18:42Oh, English, yes, yes.
18:44Watch out for those German strawberries.
18:46Yes, not the same.
18:47No, not the same thing at all.
18:48No, English strawberries and cream.
18:5129 bus going down the Garboldisham Road.
18:54What?
18:55Cream.
18:56Garboldisham.
18:57Crowds.
18:58The South Downs.
19:00Oval team.
19:01Cream.
19:02Heaps of cream.
19:04Cream and lawnmowers.
19:05Oh, summer holidays in Creamy Cromer.
19:08Vaulting over a stile in a country lane.
19:11Catching sticklebacks in an old tin can.
19:14Honestly, nanny, I never touched them.
19:16Piano lessons.
19:17Mrs. Duckworth.
19:19Father's hands on the steering wheel.
19:21Sit up straight.
19:22Oh, going faster and faster.
19:24Knocked in the cupboard.
19:26Oh, for being rude to Mrs. Howlett.
19:27Take the Wolseley for a run.
19:29Oh, England, Elgar.
19:30South Downs.
19:31Bath Olivers.
19:32Oh, play the game.
19:34Elbows off the table.
19:35Who's a brave soldier then?
19:36Oh, nanny's hands all steamy and starched.
19:39England and cream.
19:40Creamy old England.
19:41Custard cream.
19:42Strawberries and cream.
19:43Strawberries.
19:44English cream.
19:45Creamy.
19:46England.
19:47Cream.
19:48The most cream of old England.
19:50Oh, oh.
19:52Oh, I say.
19:53Oh, I say.
19:54Oh, my word.
19:56Oh.
19:58Oh.
19:58Oh.
19:58Oh, dear.
19:59And, er, and Eric Bristow steps onto the ocky now.
20:05Well, the thick, oh, Christ, I've left the iron on them.
20:17Hello, Control.
20:21Uh, Control.
20:23Are you all right?
20:25You appear to be taking your pulse.
20:28I'm a Russian spy, Tony.
20:29That's what I am.
20:32I beg your pardon.
20:33I plan to overthrow the Queen.
20:37Control, this is a bit of a surprise.
20:40All the more so because you're actually the head of British intelligence.
20:45I aim to undermine our entire Western way of life.
20:48Hmm.
20:49Well, before you do that, Control, I'd better go and telephone the relevant authorities.
20:53And as a precaution, please don't open any more letters.
20:57Tony, I'm not really a Russian spy.
21:00Well, now, Control, you mustn't say that just to spare me the paperwork.
21:05No, honestly, Tony, I'm not.
21:07And you were right.
21:08I was taking my pulse.
21:09Well, I thought so because you appeared to be gripping your wrist lightly but firmly and counting to yourself.
21:15You see, the Americans have come up with a new machine called a lie detector that helps you find out
21:21whether somebody's telling a fib.
21:23Surely that would be quite useful for people in our line of work control.
21:26Well, exactly.
21:28It's based on the well-known scientific principle that when you tell a fib, your pulse speeds up.
21:35Gosh, how ingenious.
21:37But at the same time, how quite simple.
21:42Sadly enough, the machines are rather expensive to buy.
21:46Oh, dear.
21:49Our American counterparts do often seem to have more money to spend than we do, don't they, Control?
21:54But, Tony, I often say what we lack in money, we more than make up for in British know-how.
22:01I'm not quite following you, Control.
22:03At a fraction of the cost, I've come up with this lie detector.
22:07Of course.
22:08A stopwatch.
22:09It cuts out the need for expensive and cumbersome equipment.
22:11That's quite right.
22:13I was telling a deliberate fib when I told you that I was a Russian agent.
22:18Ah!
22:19You wanted to see if your pulse got faster.
22:22That's right.
22:24Did it?
22:24No.
22:27Oh, dear.
22:28If your pulse didn't speed up, that must mean...
22:31Yes.
22:32When I said I was a Russian spy, I must have been telling the truth.
22:37So, on the very first try of this technique,
22:40you've discovered that you, the head of British intelligence, are actually a Soviet agent.
22:45Yes.
22:46And, Tony, the Minister will be ever so pleased.
22:49Don't you think we ought to test the technique again, just to make certain?
22:52Yes.
22:53It wouldn't be a very good idea to go around the place boasting that we've discovered that I'm a top
22:58Soviet agent,
22:59if we weren't absolutely certain.
23:01My thoughts exactly, Control.
23:03Right.
23:04You tell me a fib this time, and I'll see if your pulse speeds up.
23:07Right.
23:08I've got to think of something that isn't true.
23:12Oh, yes, I know.
23:14My name is Susan Donovan.
23:19Well, that seems to prove it.
23:21Really?
23:21Yes, Susan, really.
23:22I'll tell you.
23:26Hmm.
23:28Control?
23:29Susie.
23:31Why don't we go back to our old method?
23:34You mean?
23:35Yes.
23:36The good old British Secret Service way of finding out if someone's telling you a fib or not.
23:41All right.
23:42You first.
23:43Right.
23:45Is your name Tony Murchison?
23:48Yes.
23:49Cub's Honour.
23:50All right.
23:51My turn.
23:53Are you a Russian spy?
23:55I am not a Russian spy.
23:57Cross my heart and hope to die.
24:01Phew.
24:02Well, I'm glad we got that one sorted out.
24:04Tell you what, Control.
24:06What, Tony?
24:07I'm going to bring you a cup of nice coffee now.
24:11And Control, that's the truth.
24:15Boom.
24:21Ladies and gentlemen, this is a very exciting moment for me, and indeed for everyone here
24:25on the show.
24:26It's a real honour to be able to welcome a man who, perhaps more than any other, can lay
24:30claim to the title Superstar.
24:32Ladies and gentlemen, will you please welcome Michael Jackson.
24:42Michael, thank you very much indeed for coming on the show.
24:45It's a great pleasure.
24:47Great pleasure.
24:47Because I know you must be frantically busy at the moment.
24:50Things are a bit hectic just now, yes.
24:53Because I believe you've actually got a new album coming out.
24:55Absolutely right.
24:56A brand new album.
24:57Even the little hole in the middle is new.
24:59I love those clothes, by the way.
25:01Oh, thank you.
25:02Yes, this is a pretty plain Irish thorn-proof, actually.
25:05I mean, it's very hard-wearing, but I've had it for years.
25:08Right.
25:08I bet right now there are kids all over the world desperately trying to copy that look.
25:12Well, perhaps.
25:18Now, Michael, you've been in the music business for, well, most of your life.
25:24Nigh on.
25:24Michael, I have to put this to you, this is difficult for me, but there have been allegations
25:29over the years that you have, with the aid of plastic surgery, set about altering your
25:35appearance.
25:36Yes, well, that's just the newspapers, isn't it, you know?
25:40So you completely deny this?
25:41Well, I don't think it's even worth denying, really, you know.
25:44I think what it boils down to is people being perhaps jealous of my success, and, you know,
25:49they'll print anything.
25:50Right, right.
25:51Now, we have actually got a photograph of you here.
25:55This, uh, this is when you've just signed to Motown.
25:58It's an early publicity shot.
25:59It has to be said, you do look quite a bit different there.
26:04I was eight years old, for goodness sake.
26:07I mean, we've all changed.
26:09Yes, right.
26:10Well, Michael, I hope that's answered your critics.
26:13And now, I believe you're actually going to do for us a song off the new album.
26:16That's right.
26:17It's called Move It On Out, Girl.
26:18So, ladies and gentlemen, Move It On Out, Girl, Michael Jackson.
26:51GURR!
26:53Don't you move it off and...
26:55GURR!
26:57Put it somewhere else!
26:59GURR!
27:01Don't you move it off and...
27:04WAH!
27:05Don't you move it off and...
27:07GURR!
27:08I have to find another...
27:11GURR!
27:12Don't you move it off and...
27:15GURR!
27:16Don't you move it off and...
27:19GURR!
27:30Is there a...
27:32Is there a problem?
27:33No, no, no, no, Michael. That was...
27:35That was very enjoyable. Very enjoyable.
27:37I love that body, by the way.
27:38Oh, thank you. I... I dance the size.
27:40I thought so, yes.
27:42No, no, it's just that I...
27:43Well, I'm sorry to have to put this to you, but I could not help noticing...
27:46That you were miming.
27:49No, I wasn't.
27:50Yes, you were.
27:51No, I wasn't.
27:54Now, you see, I just think this is so disappointing.
27:57It's so hard for the kids nowadays to see an artist do a live performance.
28:01Look, I know some people do it, but I promise you that miming is simply not the Michael Jackson way.
28:10It's tragic, really, isn't it, ladies and gentlemen.
28:12Anyway, there you go.
28:14Good night.
28:14Thank you very much.
28:18Thank you, guys.
28:22Thank you, thanks.
28:27Thank you, yes, sir.
28:29Thank you very much.
28:34Thank you very much.