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00:00No, no, no, no!
00:02Dad, I felt like a bad person if I didn't come for a few days to lend you a hand with John Chum.
00:06Reason, Gostone, phone, nothing! There's a nursery, John!
00:08What are you saying, Iñaki? That I don't understand you?
00:11Look, Carmen, forgive me. Gostone isn't answering the phone and the daycare is closed.
00:14I took it to him!
00:14Do you see what I see?
00:15Yes, it's out of focus.
00:17You're the one who's out of focus. Iñaki, please.
00:20This is not a picture of a mother who regrets leaving her child.
00:23It would be best if you stayed...
00:25In Seville!
00:26No!
00:26They were from San Sebastián!
00:27Carmen, you're going to kill me. But maybe it makes more sense for her to stay in Seville.
00:31I think I'm going to need a box of this.
00:33Crew, this is Nayara, my...
00:35Bride.
00:36Have you been here in San Sebastián for long?
00:38Lifetime.
00:39Didn't you hear anything strange when they spoke?
00:41The girl is from Bilbao!
00:42What a god!
00:43How awful!
00:44Look, Nayara, he lied to you and we're going to prove that he's from Bilbao.
00:47He's not going to make it through San Sebastián.
00:50Cora.
00:52Test passed.
00:54Goodbye!
00:54Goodbye, goodbye!
00:56My invader radar must have failed me!
00:58Stop, stop, stop! I'm bleeding out!
01:00No, no, no, no, no, no, no!
01:01Stop, stop, stop, stop, stop!
01:03I'm from Bilbao.
01:04He was right.
01:06My hearing never fails me!
01:08We're here.
01:09No!
01:10Wait.
01:11Matito, matito, matito, matito, matito, matito, matito, matito, matito, matito.
01:14Are we brothers, Dad?
01:17Son, forgive me.
01:18I didn't know that.
01:20We've eaten the boquino, Dad!
01:22And almost twice!
01:23Neni, tell your mother.
01:24You're Lola's boyfriend, right?
01:25But you have to tell me where you got it from.
01:27Show some respect, kid. I didn't sleep with anyone because she's my sister, okay?
01:32Oh my, what I've just learned!
01:34Did he put a trumpet on you or what's wrong with you?
01:36I am a traitor.
01:36What you want is to take votes away from me.
01:40Hey, Chrysoba!
01:41What's happening?
01:42I really wanted to see you.
01:43Kid, they already have the result.
01:45Come here, a big fight is starting.
01:47The winner, with a majority of 2,759, is José Gregorio Larrabaix.
01:53I want your first action to be to abhor the use of the chanda and give me the almazada.
01:58Thank you!
02:15Thank you!
02:27I appreciate the trust placed in me by the former mayor; for those not versed in the noble art of pre-mayoralty,
02:34His Excellency Mayor José Gregorio Narváez.
02:38I'm not going to ask myself what I can do for Fidel Castro,
02:42But what are you going to do for me, now that I am the owner of the olive grove?
02:48Let's make Castro Fidel great again.
02:53Hey, you!
02:57I have to close.
02:58The plenary session has been suspended.
03:00Again?
03:02Yesterday because of the schedule, the day before yesterday in case lightning struck the clock during the storm, like in I don't know.
03:08What a movie.
03:08Mayor José is ill.
03:10That's a lie, man.
03:11Three days in office and he's already breaking our agreement.
03:13As if this were national policy.
03:15This is more important than national politics, than Brexit,
03:19that the Mediterranean agricultural technology and agribusiness fair together.
03:23Pay attention to what I'm telling you.
03:25People live off olive oil production.
03:26The decision of who to appoint to lead it is fundamental.
03:29Don't worry, don't you think.
03:31And she's going to tell you a little idea so you can see how well she can manage the olive harvest.
03:38Now, I'm not doing so well, I'm stuck with this little job, that's why I cancelled the plenary session, which...
03:43No, but if it's just a quick thing, a minute.
03:46Just a minute, okay?
04:02So, a real nightmare, huh?
04:05What does it say there?
04:05One of 83?
04:07Okay, one minute, 83 slides, not much time, let's go.
04:11Show off, darling.
04:14Mr. Mayor, the process after obtaining the materiality matrix on which this presentation is based
04:20It consists of two phases, qualitative and quantitative.
04:25And you're going to apply it to two of them, right?
04:35Logur?
04:36Hey!
04:37Inside!
04:37Plain diapers?
04:38Yes, clean and not recommended.
04:40For now.
04:41Whoa!
04:41A little water?
04:42Yeah.
04:43Okay, perfect.
04:44With this survival kit, my mom can take the children on an excursion to the cliffs of Aía.
04:48How about some fruit for a snack?
04:55Sorry, it's Gochone, he's out there, he doesn't want to call because he's afraid of waking Elaya.
05:01I'll be right there.
05:06Wow!
05:08Here I bring Yonchu, ready to go with the monkey.
05:14Are you giving him banana?
05:16We didn't give Elaya bananas until she was eight months old.
05:18Ah, well that's terrible.
05:20As?
05:21Patience.
05:22I, man, have read, look, that the sooner things are given to them, the fewer allergies they have.
05:26Yes, but I'm a nurse and it's not recommended by the World Health Organization.
05:32Yes, well, but that doesn't apply to a Basque.
05:35I, for example, was taken to a sawmill when I was three months old and I've sucked on pork chops.
05:40You're right, you're both right, aren't you?
05:42Because, Carmen, you'll understand that the Basques and the WHO, the WHO is a big deal.
05:48Hey!
05:48Oh, my love!
05:49Oh, my love!
05:50I'll get it!
05:51I'll get it!
05:52I'll get it!
05:52Turret, choquín, poli, chorito.
05:56Aree!
05:59Oh, hey, what about the pacifier?
06:00Ah, I threw it away, huh?
06:03Yes, non-nutritive sucking doesn't benefit the baby, right?
06:06That's what lazy parents use to silence him.
06:09Sure, it's better to carve a banana peel on it, right?
06:11Hey, Gozzone, well, I don't know, how do you want me to calm him down?
06:14Didn't you see the video he sent you last night?
06:16Yes, at three in the morning we prefer to sleep, darling.
06:18Or not.
06:20Okay.
06:20Look, that can be solved with the tree branch.
06:23It's a wonderful position.
06:24Hey?
06:24Hey, Torreta, yeah, I know, I know, I know.
06:27Look, you put it in like this, like the wind, see?
06:30And he calms down, there he is, calm.
06:32It's super comfortable, huh?
06:34Come on.
06:34What are you doing, my dear?
06:36What are you doing?
06:37Aopi.
06:38Okay, okay, okay, calm down, Carmen, calm down.
06:41We've all gone through the "potatoes in chickens" phase.
06:43Yes, but we didn't correct anyone.
06:45She keeps correcting.
06:47Okay, Gozzone, I even corrected myself on which finger I had to use to touch the kitchen robot.
06:52She's a perfectionist.
06:54Heavy.
06:55Heavy.
06:55It's very heavy.
06:57Okay, but she just wants to be a good mother.
06:59Hey.
07:01Like you.
07:03Okay, one chance.
07:14Come in, make yourself at home.
07:17Hey, crew!
07:19Goes.
07:20This is Tommy.
07:22So this is the famous Tommy.
07:26Hey?
07:26Yes.
07:27Nice to miss two.
07:31Okay, I never thought there was anywhere where people shouted more than in the south.
07:34You see.
07:35Hey.
07:36What can I get you?
07:38Okay, fine, okay.
07:39Ask for whatever you want, okay?
07:41Hey, your money's worthless here.
07:43Come on, sir.
07:44App.
07:46Well, I'd like a cold Libyan shako, a guild, a cod skewer, another of foie gras, and to finish, a
07:51a shot of very fresh pacharán.
07:54That's right, Soch! That's ordering a proper breakfast.
07:57Well, well. Finally, a foreigner we're going to get along with.
08:00That's great, that's great because I really wanted to come here and, well, it's a shame there are so few of them
08:06days and many things to see.
08:09The Cursal auditorium, right?
08:12The Cathedral of the Good Shepherd, the San Telmo Museum, La Concha Beach, the old town.
08:19So you're going to be in a lot of places.
08:21I don't know, yes. And is it noon tomorrow? Where are you going to walk?
08:24Oh, look at this one. And why are you so interested in it?
08:27Not me, for any reason.
08:33Yes, yes. It's next to the port. Yes. A bar that puts up a sign, shut up.
08:39Okay, come on. They're the girls who rented the attic, they're right next door.
08:44Pio, aren't you coming with us tomorrow to show Tommy around the city or what?
08:48No, don't worry about me, okay? I like to improvise. I've bought five guidebooks, I've seen
08:53such as six documentaries from the Basque Country.
08:57Ondonago is caricasco.
09:00All you were missing was that billboard.
09:03He's a phenomenon, a phenomenon. As a person, you know? As a doctor, he's a bit of a pushover.
09:07Shh!
09:09Wow!
09:10What a fact! What a fact! What a fact! Come in, come in!
09:12Oh! And who are these people?
09:15Mine!
09:15They are the girls who come to the attic.
09:18What's up, rascal?
09:21Don't you say hi to your boyfriend's friends or what? Huh?
09:25What's happening?
09:27Look, look, look. Now we know what their plans were.
09:30What a fact!
09:32Hey, in Bilbao it's not that unusual, huh?
09:37Ladies.
09:38Si vous voulez.
09:43When were you last in Bilbao?
09:49Therefore, if we avoid short-term thinking and profit projections,
09:53The cooperative members will receive more money starting from the third accounting year.
09:57Stop, stop, stop, stop, stop.
09:59This guy has put himself in airplane mode.
10:01That's not how we got the olive mill.
10:03We should have taken him to build an expensive place.
10:05Just like the right wing has always done, come on.
10:07Well, that couldn't be because I have a dinner date tonight.
10:10I'd be just as unconscious after a few beers.
10:12But I would have signed up for the job if I'd been drunk.
10:14Well, something has to be done.
10:15Because if someone gets the address of the olive oil mill,
10:18He's going to find out about the debts, the scam, the rigged accounts.
10:23Lola, you don't know how grateful I am for what you're doing for me.
10:28Really.
10:29You took care of me when my thirst disappeared.
10:33I will always be indebted to you.
10:35That doesn't mean I'm not still angry that she didn't tell me sooner.
10:39That's going to cost you a fortune for dinner.
10:41Very good.
10:43Come on.
10:46For next year.
10:49Very good, that's great.
10:51That's been interesting.
10:52That whole part that says...
10:53And the other one who also says...
10:56It's all been really interesting.
10:58I didn't know which part to choose.
10:59It's been quite long, hasn't it?
11:01Well, if you have any understanding problems,
11:03If you want, we can sort it out over a glass of wine and some ham, you know?
11:08How do you know where to hit me?
11:09But no, I'm just not feeling well.
11:10Do you remember when I told you I was feeling unwell?
11:12Yes, man, but to talk about the almazón,
11:15Remember the address, because it's very important.
11:17I really hope she gets it.
11:18It makes you realize that you may have more doubts.
11:20No, no, I have no more doubts, to be honest.
11:22But I'm starting to have doubts.
11:24Give it a try.
11:24No, I'm already here.
11:25A different perspective.
11:26No, no, I have it, the...
11:28Come on, you shouldn't have called, old man.
11:33Mother, who gave birth to me.
11:37Caricuque, is there no water?
11:38Well, drink tequila.
11:39And give me another one, really,
11:41that with this matter of the direction of the almazón,
11:43I don't know what to do.
11:44Tap water.
11:45I'm telling you that...
11:46Oh, watch out, he looked like King Hammerhead
11:49And it was the parade in my neighborhood, what is that?
11:51Because Dolores gave me a face mask as a gift.
11:53of volcanic artillery
11:54and I haven't been able to take it off.
11:55How funny you are.
11:59Come on, let's see what was missing.
12:05I feel terrible, Cristóbal.
12:07I feel terrible.
12:10See if I'm wrong,
12:11I'm here with Irene
12:12and he's taking my measurements for the coffin.
12:14Stop making excuses, we have a deal.
12:16Give me the address of the warehouse
12:17or I'll keep cutting off your basic services.
12:19Did you cut me off, dude?
12:20That's the advantage of having a landlord
12:22that lets you live off the books
12:23have everything in your name.
12:24Or celebrate the full complement of an airplane
12:26You're going to look like a bat.
12:28Come on.
12:31I really want to get paid.
12:34I'm very worried,
12:35Because I don't know what...
12:36Oh, damn.
12:37Wait, wait.
12:38I just can't get used to it.
12:41Do you think the appetizers are okay like this?
12:43I don't know how you arrange the olives.
12:45by shades
12:45from green weed to green Betis.
12:47No, I don't think I want to.
12:48Please correct me on this as well.
12:49Okay, Carmen, Carmen.
12:51I know it's difficult,
12:52But now there are three of us.
12:53We also proposed it to Gozón and Criarrayón.
12:56Yes, but that's impossible here.
12:57since I haven't heard.
12:58Okay, okay.
12:59Do you know what your problem is?
13:00That you don't know how to give in.
13:01You have to know when to give in
13:02for the sake of the children.
13:03Give in, give in.
13:04Where's the bastard?
13:06Here it is.
13:10Sorry?
13:11Are you talking to me?
13:12to the child in English?
13:13Yes, what's wrong?
13:15Nothing, nothing, nothing.
13:16Give.
13:18But why don't you speak to him in Basque?
13:19I'll do it for him.
13:20Thank you.
13:21Hey, little ones.
13:22We have?
13:22Don't be a fool!
13:24Does it react more to me?
13:25It's because for Iñaki
13:25It is very important
13:26that John's first word
13:27be in a vacuum.
13:28Cable them!
13:29Hey.
13:29Sure, I already speak Basque.
13:31But first he has to learn English.
13:32which is much more important
13:33for their future.
13:34Oh, my darling!
13:35Oh, my darling!
13:36Oh, my lady!
13:37Oh, my God!
13:38Yes, you go to Australia
13:39and to Basque.
13:40Even the queues look at you funny.
13:42Look, Gottsuna,
13:42I'm going to tell you in your language, okay?
13:44This is like you're refusing.
13:45to cook a monkey
13:46in the San Sebastian style
13:46to make you some hot dogs,
13:47hot dog.
13:48Well, look, Iñaki,
13:50did you know?
13:51What have I read?
13:52That the most important thing
13:53It involves first establishing two languages.
13:55Then we taught him Basque.
13:56What a damn woman!
13:57And will it be the third one in Basque?
13:58No, no, no.
13:58He has to learn Basque
13:59from the cradle,
14:00which then becomes extremely difficult.
14:01Okay, guys,
14:01I think that if we give in
14:02everyone a little,
14:03Well, we can reach an agreement.
14:04Carmen, this is not the time
14:05to give in, okay?
14:06We're going to speak to you in Basque.
14:07like our Haitians with us.
14:08Iñaki,
14:09Children learn very quickly
14:10and everything.
14:11We need to think about him.
14:12Yes, you're absolutely right.
14:14And this atmosphere of discussion
14:15It's not good for him at all.
14:16So I'll take it.
14:16That's not what I meant.
14:17No, no, no.
14:18Look, my son isn't going anywhere.
14:19Hey, what about mine?
14:20What's happening?
14:20He brought it from him, didn't he?
14:21Hey, it'll be mine too, right?
14:22Now, now,
14:23because a few months ago
14:24You didn't care that much.
14:25What a low blow, girl, here.
14:28Azpicútalo.
14:30Look,
14:30That's great, John.
14:31He won't understand.
14:32Will you let me?
14:34Thank you.
14:36Let's see, let's see, let's see.
14:39Run, my son.
14:40Look, you know what I say?
14:42You know what I'm saying?
14:43Fuck you.
14:44Fuck you.
14:44Hey?
14:45That's...
14:45Give it to me in English.
14:49Yeah.
14:50Banoá.
14:51Banoá.
14:52Basque.
14:52Banoá.
14:53Yeah.
14:55When Aita
14:55said to give in,
14:57He meant getting really angry.
14:59But a lot, a lot.
15:02Ah, finally,
15:04my chair.
15:06Well, as I told you,
15:07I have managed to return you
15:08your positions
15:09without dismissing
15:10to almost no one.
15:13As?
15:14Irene,
15:15it's a joke.
15:16Peaceful.
15:16My switchboard.
15:18To receive the calls
15:19and listen to the conversations
15:21and...
15:22As?
15:22It was a little joke, too.
15:24so that the mood wouldn't decline.
15:26Look, you have a note.
15:27Oh, one note.
15:28A note?
15:29Yeah.
15:30How ancient.
15:31Let's see,
15:32girls,
15:32Good luck!
15:33on the night shift.
15:34I hope it's not too hard.
15:36Carmen,
15:37My God,
15:38She's the best friend in the world.
15:39I just can't believe it
15:40more than they arrest me,
15:41please.
15:42Okay, girls,
15:43I hope you can
15:44accustom
15:44to the new schedules.
15:45But I'm delighted.
15:46this morning
15:47I've had time
15:48for breakfast
15:48like hobbies.
15:49Four times,
15:50Two of them with churros.
15:51And also
15:51We've signed up for Pilates.
15:53Ah, very good.
15:54And what you don't know
15:55It's one thing,
15:56that we are
15:57very, very, very used to
15:58to get out of here,
15:59go to the fair
15:59and turn the score around.
16:01And come on.
16:02Oh, really?
16:02Yeah.
16:03Well, let it end.
16:06It's a joke.
16:18What I was telling you,
16:20Do you think I am
16:21to an honest person
16:22as to occupy
16:23a position of trust?
16:24That's why I'd like to know.
16:25how is,
16:26what does he/she like,
16:26But he's already seen it.
16:27who doesn't even want to see me.
16:28Sure, trust more
16:29in your son, right?
16:29Well, if you call him, trust him.
16:31to have set a limit
16:32to your credit card.
16:33Oh, he's such a spendthrift.
16:34Lola is more sensible, isn't she?
16:35But it also has more corners.
16:37And a genius.
16:38Oh, please,
16:39Don Benjumea,
16:40Please help me.
16:40I just can't take it anymore.
16:41I don't know how to do it.
16:43The point is that
16:44I made a promise to Christopher
16:46And he in return
16:47He has let me live.
16:48Let's see,
16:49And for my wedding too!
16:50He told me that
16:50Well, it's our business, okay?
16:53It's ugly,
16:54offered a promise,
16:55Mr. Benjumea.
16:56But on the other hand
16:56I want the best for the people,
16:57who are my people
16:59and I am the mayor
17:00and they treated me wonderfully
17:01And I think Lola
17:02It's the best option.
17:04Come on,
17:05They are both my children.
17:07It's very difficult
17:07choose one of them,
17:09but
17:11in this case
17:12Yeah,
17:13Lola is better.
17:14Lola, right?
17:15Equal,
17:16if you know her a little better
17:17Give me the key
17:18to get closer to her.
17:21Hey,
17:22And why doesn't he do it?
17:23a small goodwill gift?
17:24Like what?
17:25The address of the Zara soul?
17:27No,
17:27for Cristóbal Meo,
17:28who doesn't understand business,
17:29But Lola is the nicest person,
17:31although Christopher...
17:31Oh, please!
17:32Seriously, huh?
17:34I don't know how to do it right,
17:35I'm suspicious,
17:36I don't know where I went.
17:37How complicated to be
17:38approach,
17:39man,
17:39and we haven't even opened yet.
17:40the summer pool.
17:50Now I understand
17:51Why were you acting so strange?
17:52Two days in Bilbao.
17:54They've already left
17:54post-traumatic stress.
17:56He's probably gone.
17:57without getting vaccinated or anything.
17:58Let's see.
17:59They treated me there
18:00very good.
18:01Very good, isn't it?
18:02phenomenal.
18:03So, like that
18:04That's how I want it
18:04that you treat them.
18:07Oh, I haven't told you,
18:08but at night
18:08You have to come in
18:09Through the other door, okay?
18:10Oh, okay.
18:11Here are the keys.
18:12High.
18:13Yes, give us this way.
18:14Very good.
18:14And now we're going to take you out
18:15a pisco sour
18:16that the bullfighter did not skip.
18:17Oh, how delicious.
18:18That's lovely.
18:19It's delicious.
18:20No comments,
18:21Don't get angry,
18:22No jokes about my voice, okay?
18:24You have to do it for me.
18:27Hello, sweetheart.
18:28I'll take Tommy.
18:30Ah,
18:30what do you have?
18:31Any fantasies?
18:32Does it comply?
18:34No,
18:34But he's the only one
18:35who is not from San Sebastián.
18:36Oh, well that's true too.
18:37Girls,
18:38Would you like some wine?
18:40and a genuine skewer
18:42of the earth?
18:42Because you will know
18:43that the skewers
18:44They're from here, right?
18:45Hey,
18:45It is a historical fact,
18:46Coat.
18:46There is no ill intent.
18:48Clear,
18:48You had to do something, didn't you?
18:49Meanwhile, those from Bilbao
18:50We invented important things.
18:52Oh, oh.
18:53Well,
18:53Hey,
18:54look,
18:54We're going to give you back
18:55the favor of having tried
18:56very good
18:57to our crew member,
18:58Coat.
18:59And we're going to prepare you
19:01You're going to be amazed.
19:02Laugh at that one
19:03Bilbao jumps.
19:05I'll bet you anything.
19:06that the one from San Sebastian
19:07It leads us to see the shell.
19:09Is this what you see as a beach?
19:10Like in Bilbao
19:11You don't have.
19:13It's a comment
19:14strictly
19:15topographical, huh?
19:16Okay, okay, okay.
19:18To be in the north
19:19Things are getting really heated, aren't they?
19:21Yes, yes.
19:21And we're going to move on
19:22all together
19:23a weekend
19:24beautiful
19:25without doing everything
19:26a competition.
19:28We aborted
19:28the shawl operation.
19:29Let's prepare
19:30a circuit
19:31that are going to end
19:31with permanent injury
19:32jaw.
19:37Hey, beautiful,
19:38that everyone here
19:39We recycle glass.
19:40before closing.
19:41Are you finding out?
19:42I'm going to quit.
19:43of the commission,
19:43that tonight
19:44I have a date.
19:45Another son of a bitch
19:47who doesn't care about the planet.
19:48Egghead gang, huh?
19:49How have you been?
19:50Hello, where are you going?
19:51the farmer?
19:52Hottie.
19:53Se se se quito parao, ¿eh?
19:54He's coming for me.
19:57Hey, handsome.
19:58I thought he wasn't coming.
19:59Because men
20:00their butts get squeezed
20:01when a woman like me
20:02He invites them to dinner.
20:03No way, woman.
20:05It's a pleasure for me.
20:07have an invitation
20:08of friendship
20:09offline.
20:10Hey?
20:11It doesn't usually happen to me,
20:12come on,
20:12that doesn't happen to me.
20:14Well,
20:15I'm going to get my bag.
20:16I'll be right back.
20:19Oh,
20:20Take it yourself,
20:20Do me a favor.
20:21And tell him
20:22nothing else is served here,
20:23that tonight
20:24We're going to leave Ana.
20:29And what about me?
20:30I am José.
20:32Ocean?
20:33Yes, José.
20:35At night
20:35They'll have put a waiter on board.
20:36or something,
20:37The man doesn't know me.
20:38Let's see,
20:38if I have lost you
20:39the touch at the switchboard
20:40I gave you the wrong code.
20:42Well,
20:42put
20:43a café where he is known,
20:44coffee,
20:45lots of triple coffee,
20:46quadruple,
20:47liters and liters,
20:48as for a communion,
20:49to bathe.
20:50We're going to do
20:51our first papa Noah
20:51working all night
20:52so that others
20:53They sleep more happily.
20:54Irene,
20:55Do you want something to eat?
20:57Hey,
20:58It's a little snack
20:58of...
20:58I can't believe it.
21:00Irene.
21:02A large Vienna
21:04ham with...
21:05Well no,
21:06Look,
21:06Let's...
21:07It's closed.
21:10I want
21:10serranito
21:11with pepper.
21:12Have you closed?
21:14Already?
21:15Did the man say that?
21:16Let's see.
21:18There!
21:18Ready?
21:19Hey,
21:20look,
21:21I'd like to do it to you
21:21a quick question.
21:24Darling,
21:24every day
21:25I have them at my house,
21:26But don't worry,
21:27because
21:28book a hotel
21:29of two narrow
21:29which is the best
21:30from your Triana.
21:31Well,
21:32That's good to know.
21:33Yeah,
21:33but not,
21:34No,
21:34I wanted to ask you
21:35if he works here
21:36a certain José
21:37and a certain Irene.
21:38Oh!
21:38the man from Malaga
21:39and his little princess!
21:40Of course,
21:41They go home and everything.
21:42I can't believe it.
21:43Say,
21:43And look, nobody
21:44I was betting on that relationship,
21:45But look at him,
21:45There they are.
21:46And would you mind?
21:47out of curiosity,
21:48You know?
21:49Tell me things
21:50of them
21:50while we had dinner.
21:51Man,
21:52Absolutely,
21:53But come on,
21:54For that you will need
21:55a lot of serve,
21:56because since I've been
21:56working here in Iran
21:57You don't see yourself
21:58of things
21:58that I find out.
21:59Come on!
22:07Egueron,
22:08girls!
22:08Wow!
22:09That?
22:09Did you enjoy the sightseeing tour?
22:11Yeah,
22:12We loved it.
22:13It seemed to me
22:14incredible.
22:15Yeah,
22:15clear,
22:16because Mayalen
22:16He keeps inviting you
22:17to little ones.
22:18Cut yourself a little,
22:19aunt.
22:19But that's a lie.
22:21It's normal that you didn't like it.
22:22It's all full of tourists.
22:24Guys,
22:25Do you fancy a trip?
22:26the city by scooter?
22:27Economic and
22:29Ecologic Tour.
22:30Not even as a joke,
22:31thanks to your scooters
22:33and your businesses
22:33There are none left
22:34not a real place
22:35in Dorosti.
22:36Okay,
22:36Okay,
22:37I'll leave you with a couple of them
22:37at the bar.
22:38Sabine.
22:40At least in Bilbao
22:42There are still some
22:42authentic places.
22:44And here too,
22:45Who do you think you are?
22:47When you come to Bilbao
22:48you will know
22:48the real Basque Country.
22:50Hey,
22:50sorry,
22:51the real Basque Country
22:52It remains in the same place
22:53for 100 years
22:54and has not lost
22:55no charm at all.
22:56Are you going to teach them?
22:57To your grandmother's house?
22:58Hey?
22:58Cheme, cheme, no.
23:00And Gildo,
23:01Can I go to the amusement park?
23:02I love the amusement park.
23:03Me too,
23:04I love it.
23:05But where are you going?
23:06a fool?
23:07It's closed.
23:08There are still months to go.
23:09so that they can open it.
23:09Well,
23:10Let's see,
23:10What do we do?
23:11Well, nothing.
23:12They go out to train
23:13those from the club
23:13that's up
23:14of the land
23:14in case you want
23:16see a traitor
23:16in good condition.
23:19Ah,
23:19girls,
23:20Yeah,
23:20that we are in Ñoñosti.
23:22Have fun here
23:22is to take
23:23a little ice cream
23:23of two balls.
23:25Let's see,
23:25eye,
23:25that in San Sebastián
23:26we invented
23:27the skewers,
23:28the littoric with lemon
23:29and the fun.
23:31Let's see,
23:32I take out another one,
23:33Okay?
23:33A wine,
23:35And you, calimocho.
23:36I love it,
23:37But we're leaving.
23:38to go to Guadalbao.
23:39And Gueldo.
23:40But you haven't heard Bego,
23:41It's closed.
23:43Oh,
23:43Sabine,
23:44Let's see if you wake up.
23:45that these two
23:46They are going to be assembled
23:47but not on the rides.
23:49Ah,
23:49No?
23:51Boy.
23:56She's Iñaki's ex.
23:58I don't want to
23:58I can't argue
24:00with her,
24:00Dolores.
24:01No,
24:01It's not that I can,
24:01It's what it should be.
24:02He has to prove
24:03who rules the house.
24:04Precisely
24:04That's the problem.
24:06that nobody makes decisions
24:07about the child.
24:09We just argued.
24:09No,
24:10No,
24:10in what I tell Celia,
24:11that threesomes are a lot of fun
24:12but in the end
24:13He found me,
24:13If you go there,
24:14I'm coming this way,
24:14I don't know what.
24:15That I haven't done
24:16no trio
24:17I won't do it again.
24:18But come on,
24:19Let you speak
24:19because I tend to talk too much.
24:21So, that's it.
24:22much to my regret
24:23I tried to mediate
24:23with the subject of what it was,
24:25But they're Basques.
24:26Clear,
24:27It's just that there are people
24:27who likes to lift rocks,
24:29the oar,
24:29that ball from the swat,
24:31They are very athletic.
24:32Yeah,
24:33and proud,
24:34Dolores,
24:35and proud
24:35And in this case there are two.
24:37Two,
24:37two,
24:38two,
24:38two,
24:38But you are suffering a lot.
24:39because you're too good,
24:41Carmen.
24:41With you, the bite of the good
24:42It broke.
24:43You are benevolent,
24:44good,
24:44benefactress,
24:45benevolence.
24:45You are good,
24:46really good,
24:47Absolutely fantastic.
24:48And is it?
24:48Dolores,
24:49what's the matter?
24:49Nothing for me,
24:51I am feeling tremendous,
24:51I'm sharp,
24:52I'm fine,
24:53I,
24:53And that's despite not having slept at all.
24:54But nothing,
24:55nothing,
24:55nothing,
24:56nothing.
24:56Normal,
24:56dear,
24:57with the amount of coffee you drink.
24:59Well,
24:59And what are you going to do in the end?
25:01Well,
25:01Well,
25:03try to fix it.
25:04Let me know what you think.
25:05I've organized a meal
25:06And I've told them it's the other one
25:09who wants to apologize.
25:10Oh,
25:11Very good idea.
25:12What time am I going to get things in order?
25:13Like you,
25:14none.
25:15You're not going to bring order
25:16nothing but in your bed.
25:17You need to sleep,
25:18Dolores.
25:18I leave you.
25:19Bye.
25:28Backstitch,
25:28dear,
25:28This is your sister speaking.
25:30Now it turns out that Carmen,
25:31which is the biggest
25:32after Rocío Jurado,
25:33He's absolutely right.
25:33and I can't help her.
25:35But Isidore,
25:36your psychologist,
25:36Yes, it can.
25:37So send me your number
25:38by phone via WhatsApp,
25:39please.
25:40Call your father
25:41and tells him
25:41that Cristóbal Benjumea
25:43wants to talk
25:44business with him.
25:45Which ones?
25:45Of those you have joined
25:46in your career.
25:47What is he talking about?
25:47I haven't joined anything,
25:48Hey?
25:49At most they will have suffered
25:50excessive deceleration
25:51coinciding by chance
25:53and not by chance
25:54with my address at the front.
25:55Oh,
25:56if the Spanish
25:56you were so good
25:57in business
25:58as if dodging responsibilities.
25:59Would you like to do me a favor?
26:00to call your father
26:01that I want to propose
26:01an investment?
26:03What will you see if it's not there?
26:04Let's see.
26:05I know that your father
26:06It's not very popular around here.
26:07but his management at the head
26:08The Hispali is impeccable.
26:09And now it's time
26:10that someone would put
26:11the batteries in these
26:11well-off salaried workers.
26:16No, no, don't talk to me
26:18the communist
26:19I don't understand you.
26:19What are you saying, daughter?
26:20He is my father.
26:21I always have
26:22a mobile phone connected to it.
26:25Mr. Wang,
26:27Do you know
26:27Liquid gold?
26:29That melts ingot
26:30so that they take up less space.
26:30And I do too,
26:31Yeah,
26:31But I'm not talking to him.
26:32about that.
26:32I'm talking to you
26:33of olive oil.
26:40Caricuqui,
26:41that we have
26:41the kitchen floor
26:42awash.
26:44Well, this time I
26:45I haven't peed myself, okay?
26:46Well, there will be
26:47if in the fridge
26:47because it comes from below.
26:48How's the fridge working?
26:51The mother who gave birth to him
26:52Christopher,
26:53Christopher,
26:53Christopher,
26:54it just can't be.
26:55It just can't be
26:56that has not cut
26:56Light, Christopher.
26:57Oh, please,
26:59my mother's tapes,
27:00my mother's tapes,
27:01the red-spotted thistle,
27:02it just can't be,
27:03But please,
27:03I'm not asking you.
27:03The small shell
27:05This contains mayonnaise.
27:06that spoils,
27:06that spoils.
27:07Look, look, look,
27:08Look, look, look,
27:09Look, look, look.
27:09As it has spoiled.
27:10Dear,
27:11Don't worry
27:11which we can then
27:12go to Malaga
27:12And look for more, okay?
27:13We can't go to Malaga
27:14And you haven't caught me.
27:15my mother.
27:16It's true,
27:16with a mother's tapes
27:17This is not a game, okay?
27:18This man
27:19They should report it.
27:20for crimes
27:21against humanity,
27:22man.
27:24That's it,
27:24I'm going to give it to the maze.
27:25to Lola,
27:25I've made up my mind.
27:26This afternoon
27:26I debuted as a cardinal.
27:27I'm going to take a shower.
27:29Only pitac
27:29There is no water here.
27:30Oh, well then,
27:31Wait for me,
27:31I'm going with you.
27:32And that's how I charge my phone.
27:33and then I can
27:34make a video.
27:36Sorry?
27:37Are you proposing to me?
27:38that you and I together
27:39let's take advantage
27:40of the resources
27:41from our workplace?
27:42Do you think it's beautiful?
27:44But how could I not want to?
27:45marry you,
27:47Hey?
27:47My cheat.
27:48Come here.
27:50Well,
27:50marry,
27:51marry,
27:51I don't know,
27:52Hey?
27:52Because, my goodness,
27:53Our electricity has just been cut off
27:54And we don't have water either.
27:55and we don't know either
27:56if we're going to stay
27:57here to live
27:57or if we're going to move.
27:59Well, you don't speak
27:59that still
27:59We haven't been paid
28:00And of course,
28:01You are now the mayor
28:02And that's a move
28:03very big
28:04and on the other hand
28:05I was surprised
28:05that course with the priest
28:06that I don't know
28:07What, what, what.
28:10Jari?
28:11Are you not listening to me?
28:12Yeah,
28:14sorry,
28:14Sorry, Jari.
28:15The thing is,
28:15I'm losing my mind.
28:17with the tapes,
28:17uncle,
28:17I see it and...
28:19You have to see it to believe it
28:20Christopher, huh?
28:21Look what he's capable of.
28:21to do
28:22in order to get
28:22what he wants.
28:23I don't know
28:23what it is capable of
28:24to do with the people,
28:25come on,
28:25You can take it
28:26to ruin
28:26And I am the mayor,
28:28Understand me,
28:29nothing more important
28:30that the wedding,
28:31but...
28:31No, don't worry,
28:32Okay?
28:32No problem.
28:33Can we get married?
28:34at another time
28:35either...
28:36We don't have either
28:36Why get married?
28:37this year,
28:37You know?
28:38So, he...
28:39We'll see how it goes.
28:40Okay?
28:41I'm going to change.
28:44Kari, what...?
28:58What a disaster.
28:59Everyone has
29:00the same face
29:00out of boredom
29:01that they put
29:01when I tell
29:02that the vulgar soleá
29:03and they get cut off
29:03the maximums
29:04and share
29:04part of DNA.
29:07That...
29:07That face,
29:08that same face.
29:09They're going to end
29:10hating San Sebastian.
29:11Don't worry.
29:12Oh,
29:12We'll think of something.
29:21Bighead!
29:26Holy shit, you!
29:31We've snuck in
29:32in the park
29:32and has seen us
29:33a security guard.
29:34We can do that there
29:35hide.
29:36That?
29:37Are you toasting?
29:38No, no, no.
29:39This is fucking
29:40scary.
29:40But I'll pass.
29:40three villages.
29:41Hush, hush
29:42that the insurance
29:43It's down there.
29:43Fuck.
29:45All right, guys,
29:45Listen.
29:46Here's the situation,
29:47Okay?
29:47I have a sprain
29:48grade 2.
29:49Grade 2.5
29:50because I think
29:51that the partial break
29:52it's a little
29:52to be complete.
29:53So that?
29:53Don't you understand?
29:54They can't even walk.
29:55Exact,
29:55I can barely walk.
29:57And if they arrest me,
29:58We're going to mess things up.
29:59because I'm going to have
29:59background.
30:00If I have a criminal record,
30:01They don't renew me
30:02the permit
30:02of residence.
30:03So, please, guys.
30:04She came to help us.
30:05Cut, cut
30:06coming.
30:12But to whom
30:12Does he have any ideas?
30:13Are they crazy?
30:14Yeah,
30:15Mayalin always
30:15we get into trouble sometimes.
30:16He always does the same thing,
30:17fuck.
30:18Okay, let's see.
30:19Poor,
30:19We need to lend him a hand.
30:20We have to help him
30:20to the hostess,
30:21But if not,
30:21besides,
30:21Mr. Juan
30:22is capable of making me
30:23the arachyric
30:24on the thumbnail.
30:25Oh, and Tommy
30:26He is now a temporary member.
30:27of the crew.
30:28We're not going to leave him stranded.
30:29Okay, let's go.
30:31We're going too.
30:32Yes, yes, yes.
30:32The crew never gives up.
30:34Come.
30:34Look,
30:35we have already found
30:36something in common
30:36for those from the north.
30:40Yes of course.
30:41As long as they are not
30:42in the workshop.
30:43I'm sorry.
30:44Yes, well I
30:44up there running
30:45I'm not going to make it, huh?
30:46You don't arrive running
30:47nor to the door,
30:48Unless there's a fire.
30:52It has happened to me
30:53something to get there quickly.
30:59Come on, come on, come on.
31:00This way, Peño.
31:08Come on, Chón,
31:09Move.
31:09Yes, move it.
31:10It has given me to be
31:11the defective scooter.
31:12He who does not climb stairs.
31:13Come on,
31:13Hurry up, damn it.
31:15Come on,
31:16with crazy.
31:16Come on,
31:17We need to make people think.
31:18Fuck,
31:19The climb must be done properly.
31:19with those white powders
31:20in the hands
31:21so as not to bleat them.
31:22A little weak
31:22those of the lands
31:23You already are.
31:23He's going to touch my ass.
31:25Careful.
31:26Careful.
31:26You're here now, you're here now.
31:27I'm around here.
31:28There, there, there, there.
31:30Okay, yes.
31:31One, two,
31:32one, three.
31:33What if they throw things at me?
31:34I need to catch my breath.
31:36Is it him?
31:37Yeah,
31:37here.
31:38There's a security guard.
31:39There, there, there.
31:40Hide us.
31:41Where?
31:43Shut up, chelistra!
31:55Shut up, chelistra!
31:57Be quiet!
31:58Be quiet!
31:58Pull, pull, pull, pull!
31:59Come on, Ripello!
32:00Good morning.
32:01Good morning.
32:02Hey,
32:02molore,
32:03Thank you very much
32:03for accompanying me
32:04Go buy the gift, woman.
32:06That's the good thing.
32:06who has the night shift
32:07and has all day
32:08to do a favor
32:09and errand.
32:10What have you been drinking?
32:11Nothing today.
32:12But last night I took
32:13at least
32:13a liter and a half of coffee.
32:15It's just like
32:15my father was revolutionized.
32:17Your father, please?
32:18But if Mr. Juan
32:19Start a joke today
32:21and finish it tomorrow
32:22in the afternoon.
32:23My father?
32:25Revolution?
32:26No?
32:27It doesn't matter.
32:27I understand you.
32:28The joke was better.
32:29Clear,
32:29In your language
32:30Is it funny or not?
32:35Oh, she's my daughter!
32:36Oh, oh, oh!
32:40Hello!
32:41How are you, daughter?
32:42Hey, are you in the cafeteria?
32:43I'm leaving.
32:44for that right now.
32:45No, it just came up
32:46an unexpected event
32:47and I won't be able to go.
32:48Shall we leave it for another day?
32:49Girl, hurry up
32:50that the afternoon shift
32:51Enter in one hour.
32:52I'm coming.
32:53I have to leave him,
32:53I'm sorry.
32:55Well,
32:56Well, don't worry.
32:58There will be another opportunity,
32:59Hey?
32:59Come on, a kiss.
33:07You wouldn't have it anyway.
33:07that he should have called him.
33:09I remember you
33:09that he also hid from us
33:11that Christopher and Joseph
33:12They were in cahoots.
33:13I mean,
33:14It's just that my father
33:15I feel sorry for you.
33:17Already,
33:18But we have to take
33:19all this home
33:20before they name
33:21to Christopher
33:21the manager of the olive oil mill,
33:23Okay?
33:23Come on, let's go.
33:24Yeah.
33:24Hey, do you know
33:25that there are companies
33:26who do this
33:26confidentially?
33:27And do you know
33:28that we are in periods
33:29elections
33:29And are they overbooked?
33:30What is it that isn't?
33:32Gosson has prepared
33:33all this
33:33to see if we can solve it
33:34things.
33:35Yes, he has prepared.
33:36But this grand reserve
33:37Where from, huh?
33:38From here.
33:38Son.
33:39Ah,
33:43Yeah?
33:44Who are you?
33:45Isidoro Martos,
33:46couples therapist.
33:47Ah,
33:48Iñaki Carmen.
33:49Yeah.
33:49My sister sent me
33:50of the stitching
33:51Let's see if I can
33:52lend a hand.
33:54Excuse me,
33:55I had no idea
33:56from this.
33:57Already.
34:02Apañaki.
34:03I'm sorry,
34:04I'm late, huh?
34:05My house that looks
34:06which is nearby,
34:06But it takes a while.
34:09Well,
34:11What will you say?
34:12I'll say it, won't I?
34:13You tell me.
34:14It was your idea
34:14This business of fixing things.
34:16What are you saying?
34:16And are you
34:17The one who wants to apologize to me?
34:20Carmen,
34:21You lied to both of us.
34:22Oh,
34:23how we abuse
34:23of the eighth commandment, huh?
34:27And who are you?
34:28Couples therapist
34:29and as a trio,
34:30From what I'm seeing.
34:31Ah,
34:31Well, that's fine.
34:32look,
34:32Do therapy for this,
34:33Let's see if it lets him.
34:34of being so close-minded.
34:35Look,
34:35You need therapy,
34:36that you take two planes
34:37and they enter you and in which
34:38you even forget
34:39where are you from.
34:40I?
34:40Look,
34:41Sorry for thinking
34:41which is better
34:42for my son
34:42and to investigate
34:43which is better
34:44For him, huh?
34:57Carmen,
34:57That's what receiving help is.
34:59But if it's you
35:00the one who needs help,
35:01that you're half crazy,
35:02playing the perfect mother
35:03and giving lessons,
35:03I don't need any help.
35:05You're right,
35:06Do you want a diagnosis?
35:06Well, here it is.
35:07And now, air.
35:08All three of them need it.
35:10Look,
35:10They have a relationship with their child
35:11and so?
35:12She's like a virgin
35:14in the early hours of the morning
35:14with rain.
35:15If it doesn't work out,
35:17It's a tragedy.
35:21The question is,
35:23Do you want help?
35:25Yeah,
35:26Yeah.
35:28Yeah,
35:29Yeah.
35:29Come on,
35:30let's go.
35:32You have to bring
35:33to this little one
35:34without breaking it
35:35to the church
35:36where he got it.
35:37It's three blocks away.
35:38You have two hours.
35:39Oh really?
35:40But one that are
35:41the cabifays
35:42of the little figures from Bethlehem.
35:43Say,
35:44a family
35:45has to take
35:46the best decisions
35:47so as not to break
35:48your son's future.
35:50Working as a team,
35:51trusting each other
35:52in the others
35:52and guide the child
35:53along with the others.
35:57What a load of rubbish,
35:58please.
35:59I don't plan to do it.
36:00man.
36:00Oh, look,
36:01Mystery solved.
36:01We already know
36:02Where does this family fail?
36:03Mother of God.
36:04Okay.
36:05Hey, gotone!
36:05Come on,
36:06Don't be a cow or a donkey
36:07that this is not the socatira
36:08And you're going to break
36:08the cherub
36:09before leaving.
36:09Already.
36:10Then it's me
36:10the one who never stops
36:11to organize everything,
36:12No?
36:12Neither.
36:12No,
36:12No.
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