Allí abajo - 4x15 - Aúpa y olé - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Allí abajo - 4x15 - Aúpa y olé - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:00Will you marry me?

00:00:03I don't want to have children without being here.

00:00:08I honestly didn't expect much from this meeting, but now I'm glad I came.

00:00:13Hey, that's great, isn't it? We all know each other now.

00:00:16Look, we almost won't even need to get together for dinner.

00:00:18I've been told that we are finalists for the European medical center award.

00:00:23Do you like Trini?

00:00:25Do I like Trini? Do you like Trini? Do you like Trini?

00:00:27Ah! Oh, Christopher!

00:00:30You're not afraid of what's changed you since prison, huh!

00:00:32We have a disaster, Isabel, and not even a miracle from the Virgin of Rocío can fix it.

00:00:36Rofi! Rofi! Rofi! Rofi! Rofi! Rofi! Rofi! Rofi! Rofi! Oh, we're burning! There's fire! Fire! Fire!

00:00:43Isabel.

00:00:43Yeah.

00:00:45I'm going to sell the bar.

00:00:46If I could impress my mother somehow so that she would feel proud of her son.

00:00:52And what are you going to do with that loser face?

00:00:55Wow!

00:00:57You're not proud.

00:00:58You mind your own business.

00:01:00Do I take care of shrimp?

00:01:01No, right?

00:01:02Well, you leave my robbers alone!

00:01:04Don't tell me you're not divorced.

00:01:09Together we will find solutions to all the problems.

00:01:12And the prize goes to Carmen Almonte, director of Clínica Isparis.

00:01:16Hey, you.

00:01:18Do you know that this has been one of the best nights of my life?

00:01:22Ah!

00:01:24Well.

00:01:26Do you have, I don't know, any plans for tonight?

00:01:35I don't know.

00:01:37I don't know.

00:01:40I don't know.

00:01:41I don't know.

00:02:02I don't know.

00:02:05I don't know.

00:02:16I don't know.

00:02:20I don't know.

00:02:22I don't know.

00:02:23I don't know.

00:02:24Like Bruce Willis in The Sixth Sense, people see me.

00:02:27We've been like this for a week.

00:02:28You can't hide it anymore.

00:02:29I'm sorry, darling.

00:02:30But you're very wrong.

00:02:31I'm not hiding you.

00:02:34Carmen.

00:02:35Sorry for being such a pain.

00:02:36I'm just not used to handling this situation.

00:02:38Like the first time I wake up before you.

00:02:41Go!

00:02:43Forgive me.

00:02:44The thing is...

00:02:44Do you know what's happening?

00:02:45And something I don't want them to find out at work.

00:02:48Thank you.

00:02:48Because...

00:02:48Well, I don't want you to speculate.

00:02:50Besides, I'm the boss.

00:02:51I'm the boss and you...

00:02:52I'm the guy who climbs out the window, right?

00:02:56No.

00:02:56No, no, no, not a chance.

00:02:57I have vertigo that's crazy.

00:02:59Yeah?

00:02:59A lot?

00:03:00Yes, very much so.

00:03:01OK that's fine.

00:03:03Hey...

00:03:03I'm on my way out?

00:03:04I'm keeping him entertained, okay?

00:03:05I already have.

00:03:06And you, please, as soon as you can...

00:03:09March.

00:03:10I'll give you a hint.

00:03:11Okay.

00:03:12Forgive me, okay?

00:03:13No.

00:03:13Alright.

00:03:16Go!

00:03:19Wow!

00:03:20Conchorno, principessa!

00:03:21Oh, I don't know, but...

00:03:23It has a great vibe, doesn't it?

00:03:24What's the lover bringing here, or what?

00:03:27What is this?

00:03:29A breakfast you prepared for me?

00:03:31Did I prepare it for you?

00:03:32What do you think?

00:03:33Well, I'm sorry to tell you, but I don't think this is breakfast.

00:03:35No, little girl, why not?

00:03:37Because these are two muffins, he's pooped out of a bag.

00:03:39Yes, but I didn't have anything else.

00:03:41I really like muffins.

00:03:43Well, look at the fridge.

00:03:44Let's see what you find.

00:03:45What's up?

00:03:45Ah, surprise.

00:03:46What's up?

00:03:47Look in the fridge, José!

00:03:48Look in the fridge, honey!

00:03:50That's how bad it is now.

00:03:51It's just that I get...

00:03:52I'm right next door.

00:03:53What do you want, for me to have artichoke for breakfast or to make you juice with half a lemon that's gone stale?

00:03:58Felicina!

00:03:59Wow, what a night you had, my dear.

00:04:03Come on, baldy, that duet you've put together is something else.

00:04:09You guys don't miss a thing.

00:04:12What does it say?

00:04:13Nothing to worry about, I had a terrible night because yesterday I wanted them to light beans and...

00:04:17No.

00:04:18We'll give you chicken, right?

00:04:19Ah, well, they didn't sit well with me, mark my words.

00:04:23Those are so funny, aren't they?

00:04:24Ush, what the hell is on him, José, really?

00:04:27Has the stain you have there seen you?

00:04:29Please take this off as well.

00:04:31Take it off, we're going to wash it!

00:04:31And the shirt from the package.

00:04:32Take it off, we're going to wash it!

00:04:34He's talking, kid.

00:04:34He won't see that he's confusing me.

00:04:36Kid, but...

00:04:37Oh, oh, oh, oh, oh.

00:04:38It kind of stinks, huh.

00:04:39It doesn't stink, man.

00:04:40And I tell him that this is all new.

00:04:41The only thing that has stained him is his pale face.

00:04:42You're so difficult!

00:04:43He paid me the ransom.

00:04:45Hey, where's the stain?

00:04:46Where is the stain?

00:04:47Where is the stain?

00:04:47Here, here.

00:04:48Where is the stain?

00:04:49Here!

00:04:51Oh, José, I'm going to take a shower because I'm already late for work.

00:04:56This exhibition is truly awful.

00:04:58She really needs a good time or something.

00:05:01He's not going to be rich, damn it.

00:05:02He's not going to be rich.

00:05:03Oh, and this wallet?

00:05:07Yago Castro.

00:05:17Oh, maybe he doesn't need it.

00:05:22This is unbearable.

00:05:23This is a disaster.

00:05:24We don't have a single drop of wine left.

00:05:26Or start bringing out those rare liquors that are there.

00:05:28The acorn one, for example.

00:05:29Yes, but first do something for the environment

00:05:30and take those bottles to be recycled.

00:05:32Yes, but it's for our environment

00:05:33It's not good that we have nothing.

00:05:34Let's see, why don't we bring the suppliers?

00:05:36And could they bring us a few bottles of wine?

00:05:38And how do we pay for it? With league stickers?

00:05:39Okay, what I don't understand, Rafi,

00:05:41It's because nobody cares about this run-down bar.

00:05:44No, no, not ruin.

00:05:46Ruin in Italica, in Athens, in Greece.

00:05:47This is profitable.

00:05:48Buy, buy, buy.

00:05:49Rafi, did you put up the ads we made?

00:05:51I've put up ads everywhere, on every corner,

00:05:54on moving buses and everything.

00:05:55Well, what a mess, he almost ran me over, one thing.

00:05:57Well, I don't understand it.

00:05:58Yes, but this isn't like giving a guitar lesson.

00:06:00What we need to do is place an advertisement, yes.

00:06:01but place an ad on the internet.

00:06:03But they are very expensive.

00:06:04No, man, no, it's free.

00:06:06Free?

00:06:06They go for free.

00:06:07Look, my favorite word right now.

00:06:09Rafiña, what do you think about me getting free coffee today?

00:06:11Well, I have more favorite words,

00:06:13like cash, tip, taco.

00:06:16Charge me here.

00:06:17Apply yourself, why?

00:06:18That's intense, really intense.

00:06:21Can't you see it?

00:06:22The truth is, it's so tempting you could just take a peck at it.

00:06:24No, girl, this man hasn't changed his clothes.

00:06:26which brings the same one as yesterday.

00:06:27This man has not slept at home.

00:06:29Well, maybe it's for another reason, right?

00:06:31Hello.

00:06:32Hello.

00:06:33Okay, guys, a dirty dog.

00:06:36I mean, by smell.

00:06:37Yes, yes.

00:06:38A smelly slob who spent the night with a girl.

00:06:41Hey, I don't care, really.

00:06:43Actually, I'm really happy for both of you.

00:06:45Yes of course.

00:06:46People are going to come to the car to steal.

00:06:48Look how modern my friend is.

00:06:50Modern, modern.

00:06:51It's true.

00:06:52And why not?

00:06:53It seems someone has left their wallet at my house.

00:06:56See you tomorrow.

00:06:57Let's see.

00:06:58Wow, what great hair!

00:07:00You look just like you, Yago.

00:07:01How curious.

00:07:01Yeah.

00:07:02My wallet.

00:07:03Let's see if you can do it.

00:07:04Yeah.

00:07:05No, the wallet is unmistakable, isn't it?

00:07:07They don't make wallets like they used to.

00:07:09Yeah.

00:07:10Well, now I can pay you.

00:07:13I swear I had ten euros.

00:07:15Oh, really?

00:07:15Yeah.

00:07:16Ah, well, I don't...

00:07:17I don't control that.

00:07:18Well.

00:07:19I'll pay you later, if that's okay with you.

00:07:22Thank you so much.

00:07:23Come on.

00:07:23Thank you.

00:07:24Oh, what a river.

00:07:29Call me crazy, okay guys?

00:07:31But...

00:07:31Maybe these two...

00:07:33Oh!

00:07:34Yes of course.

00:07:35Okay, I'm off, I have the technicians for today's construction project.

00:07:38Bye.

00:07:38See you later.

00:07:39That's intense.

00:07:42Absolutely.

00:07:43We're going to have to get rid of these paid channels because there's a lot of stuff going on here.

00:07:48How did your bodysuit turn out, Manoli?

00:07:50But...

00:07:50Hey, if he left his wallet at Carvel's house, then...

00:07:55The earth calling Irene.

00:07:57We come in a shot of bread.

00:07:59Clear.

00:07:59She's cleaning the house.

00:08:01Yes of course.

00:08:02De porvo.

00:08:04And thanks to him.

00:08:05You haven't heard, have you?

00:08:06I'll explain it to you later.

00:08:07Ah, okay.

00:08:08Oh, forgive me.

00:08:08José, I'm a little out of it because I didn't sleep that much last night.

00:08:11And so?

00:08:12I left him with a hand yesterday.

00:08:16Oh, come on...

00:08:17Very sorry.

00:08:18I share your feelings.

00:08:20I don't know what to say in these cases.

00:08:21Well, it's okay.

00:08:23Okay, fine.

00:08:23You have to see that to believe it, huh?

00:08:24Here's a friend for whatever you need.

00:08:26Okay, José, thank you.

00:08:27Seriously, huh?

00:08:27No, thanks to you and...

00:08:30Yeah.

00:08:33Rafi!

00:08:34Rafi!

00:08:34Invite Chupita!

00:08:35Invite me, Chupita!

00:08:36Ole, ole, really!

00:08:37Ah!

00:08:38Let's see, let's see, let's see!

00:08:39Oh dear!

00:08:40No, I have 10 euros here.

00:08:41I don't even know how, you know?

00:08:42Everyone's drinking acorn shots.

00:08:43Well, the acorn liqueur is the one that comes free with the bill, too.

00:08:46Free, my ass.

00:08:47How many?

00:08:48I have to do it.

00:08:49Wait, come on, it doesn't matter.

00:08:49God, God.

00:08:53Oh, really!

00:09:01Hello, Pedro.

00:09:03The foreman.

00:09:03Yes, Carmen, right?

00:09:05Yes, I'd love to.

00:09:06Welcome.

00:09:06Hi how are things?

00:09:07I am Cristóbal Mejumea, I am the owner of the clinic.

00:09:09This is Carmen, she is the director.

00:09:11Okay, let's see.

00:09:12I had envisioned an office that would exude an air of nobility.

00:09:14We are going to put a mosaic on the floor that is reminiscent of those in Italico.

00:09:16That's how it is.

00:09:18That?

00:09:19Excuse us for a moment, Pedro.

00:09:20Yes of course.

00:09:21He's unfortunate.

00:09:22Let's see later.

00:09:23But what are you saying?

00:09:25Hey?

00:09:26She's taking advantage of the prize money and writing an office for me, Artura.

00:09:29It's a yes, huh?

00:09:30Because the ceilings have to be high.

00:09:31Carmen, I'm going to put up a large chandelier, whether it hangs like this or not.

00:09:35The money?

00:09:36The money is for the clinic.

00:09:38I know that, don't worry, the office will be in the clinic.

00:09:41Oh!

00:09:42I'm going to call Trini so she can come from the construction site.

00:09:44No, we've said he's going to be the new Christopher.

00:09:47Follow no one.

00:09:48You have to stand firm and be authoritative.

00:09:51It's true.

00:09:52Let her call, that's it.

00:09:53That.

00:09:53But I'll do it while I'm at it, okay?

00:09:54By the time he comes, man.

00:09:56Okay, okay.

00:09:56What's going on here, all this arguing?

00:09:58What's happening?

00:09:58Nothing, nothing.

00:09:59Let's see how we can use the prize money.

00:10:03I had already thought of that, Dad.

00:10:03Look, in an office.

00:10:04We had thought about opening two new consulting rooms to accommodate all the new equipment.

00:10:09Well, ultimately, that money is to bring the clinic up to date and attract investors, right?

00:10:14Yeah.

00:10:15What's your position, son?

00:10:16Basically, it was the same, but with a mahogany veneer.

00:10:19Oh.

00:10:24Well, since I see you both think the same way, let's leave everything in the hands of

00:10:30Carmen.

00:10:36Oh, thank you.

00:10:38You certainly have a left hand.

00:10:40Well, you don't know that I'm a bit of a bullfighter.

00:10:44Oh.

00:10:45Well, I'll leave you now, daughter, because you know that doctors only recommend one dose of benzoin a day.

00:10:50Ah, well then I'm going to get sick.

00:10:52Bye.

00:10:53Bye bye.

00:10:54Tell me, darling.

00:10:56Benito, where are you?

00:10:57Weren't we going to have breakfast together?

00:10:58Yeah I know.

00:11:00Well, you see, Carmen called me saying she had a little problem with Cristóbal.

00:11:04You know how it is.

00:11:05And, well, look, I'm actually talking to both of them right now, you know?

00:11:09Okay, okay, kid.

00:11:10Jesus, what, what, what retirement stress.

00:11:13See you at lunch, right?

00:11:14Yes, of course, of course.

00:11:17See you there, darling.

00:11:18I love you.

00:11:19Bye bye.

00:11:30Egunoma and aunt, what are you doing?

00:11:32Well, here I am, having breakfast alone.

00:11:35Well, look, now there are two of us.

00:11:37Sabino has gotten it into his head that he is gluten intolerant.

00:11:40It was like trying the panchileta and then straight to the bathroom.

00:11:42This man, anything to avoid having breakfast with me, daughter.

00:11:45Well, at least you know what's wrong with him.

00:11:47Benito has been here for a few days.

00:11:49It's acting strangely.

00:11:50What a surprise.

00:11:51Benito has always been strange, daughter.

00:11:54No, Begochu, no.

00:11:56Oh really.

00:11:57He is nervous, distant, and leaves without saying anything.

00:12:02I tell him I'll go with him and he says we'll see each other at home.

00:12:05I'm sure something's wrong with him.

00:12:07Well, I don't know.

00:12:08Will he have money problems?

00:12:10I don't think so.

00:12:11He would have told me.

00:12:13Benito and I usually talk about everything.

00:12:15Yes, yes, but don't think that men are very reserved.

00:12:18Sometimes it's to avoid worrying, and other times it's because they're embarrassed.

00:12:20Don't worry, I'm sure nothing will happen to him.

00:12:23Yeah, well, maybe you're right, huh?

00:12:25But I'm not at ease.

00:12:28I plan to find out what's going on.

00:12:37This is the motorcycle I want to buy.

00:12:39And what comes with casters?

00:12:41I'm not telling you because you were falling off even the foosball table, huh?

00:12:44Mom, wasn't there anywhere else to make Mike Taco?

00:12:46They make sandwiches that good, no.

00:12:48I'm from Rosamani.

00:12:49Come.

00:12:50Exactly, huh?

00:12:51Hey?

00:12:51Okay, fair.

00:12:52Come on.

00:12:53Don't come late for lunch.

00:12:55Oh, and forget about that motorcycle, okay?

00:12:56Mom, I'll do whatever I want, I'm grown up now.

00:13:00You're not old, you're fat, which isn't the same thing.

00:13:03And let me tell you something, if you bring that motorcycle home,

00:13:05I'm going to put so many municipal wheel clamps on it that it'll look like a stationary bike, huh?

00:13:09Which, by the way, would be much better for you?

00:13:13You've seen it, haven't you?

00:13:14Be careful, Iñeki, and he might have tied a hair.

00:13:18Coat?

00:13:18Yeah.

00:13:19Living with your mother until you are 40.

00:13:25No, no, no, man, Gochonaber, it was a joke.

00:13:28Kids nowadays, when they turn 18, already want to go on Erasmus or to Cambridge

00:13:32And that's the future I want for the year.

00:13:36Hey, I'm going to see who it is, okay? Come on.

00:13:43Yeah.

00:13:46The Lemon Restaurant.

00:13:47No, man, no, that's in London.

00:13:49We wish.

00:13:51Oh, who are you?

00:13:52I already noticed the strange accent.

00:13:55Yeah.

00:13:56It's me?

00:13:59Bruno.

00:14:00Yes, well, we studied together, cooking, yes.

00:14:03What have you recommended to me?

00:14:06Do you want to interview me?

00:14:09No, no, no, no, I can't believe it, but I'm getting married.

00:14:16And, of course, right now I couldn't go live in London, no.

00:14:19No, yes, I know it's an incredible opportunity, right?

00:14:22And honestly, I can't believe I'm saying no to this, but...

00:14:28Okay.

00:14:30I'll think about it, I'll think about it.

00:14:31But I'm telling you, I'm not going to change my mind, okay?

00:14:35Okay, thanks.

00:14:37Thank you.

00:14:38Bye bye.

00:14:48Damn, Josecho.

00:14:49All you forgot to give me was the test pattern.

00:14:51Please.

00:14:57Oh my, oh my, oh my, is that face?

00:14:58Who was she, your mother?

00:15:00Hey?

00:15:00Your mother.

00:15:01Ah, oh, the mail, how nice.

00:15:04Has anything important arrived?

00:15:06Well, I don't know, it doesn't seem like it.

00:15:07Let's see, invoices, real estate agency flyers...

00:15:11Hey, give that brochure to Peyo, see if he can find a house.

00:15:14And see if you have any from the supermarket in case he doesn't have any eggs.

00:15:18Look, I don't need anything.

00:15:20I live with my mother because I want to.

00:15:22And because if I leave, well, I'll break his heart.

00:15:26Don't worry, she'll get over it like mothers have been getting over it since mammoths were hunted.

00:15:30Peyo, you have to live alone.

00:15:32Nobody has to tell you what time to eat, whether to make your bed, or if...

00:15:36We can bring girls or not.

00:15:38As if that were the problem.

00:15:39You're right.

00:15:41Look, I'm going to do something I should have done a long time ago.

00:15:44I'm going to become independent.

00:15:46Hey, Peyo's gotten old.

00:15:49Well, congratulations and welcome to the world of invoices, mortgages...

00:15:53And I'm going to pack my suitcase.

00:15:55Well, there's not much competition. First, I need to find an apartment.

00:15:58No, not you anymore, mine.

00:16:00I'm going down to Seville tomorrow. We've arranged to meet to sign the divorce papers.

00:16:03There you go. Sorry, Iñaki. Less drinking, okay?

00:16:05Well yes.

00:16:08But it's definitely worth it.

00:16:14Perfect.

00:16:15Okay guys, that's it. If you have any questions or problems, just look me up, okay?

00:16:19Okay, fine. Thanks, beautiful.

00:16:20To you.

00:16:24Girl, I don't want to see all of you standing here staring at the workers.

00:16:27This isn't an advertisement. This is a hospital, okay?

00:16:30Look, Carmen, don't play the stepmother and come on, be honest. Tell me how things are going with this Yago guy.

00:16:36So what? Is this for real or not? Or what...?

00:16:39And how was it in bed? So-so, huh?

00:16:41Oh, she's really coming out with the questions. She's got some nerve, honestly.

00:16:43Okay, he's handsome, nice, and smart. There has to be something wrong with him, right?

00:16:46No, my dear. Not even that. It's wonderful.

00:16:49I knew it, man! Doctors never fail.

00:16:51They really know their anatomy, huh?

00:16:53The warden didn't believe you either...

00:16:54Hush, wait, wait, here comes the but.

00:16:57What? The but? No, there is no but. Or is there?

00:17:00Oh, I don't know. To be honest, girl, I'm a bit confused.

00:17:02But I don't think these are topics we should be discussing here, okay?

00:17:04This is a slightly more private matter, because...

00:17:07In the end...

00:17:08The list of pros and cons. The pros first.

00:17:11Okay, fine. The pros...

00:17:14Pros, pros, pros, pros, well...

00:17:15She has a beautiful gaze.

00:17:17A beautiful smile.

00:17:19She's very good with children.

00:17:21He's good with children; he's a pediatrician.

00:17:22That's like saying to me, "You're good at this, huh?"

00:17:25José, you're good at this...

00:17:28I'm going to forget you, the children.

00:17:30Pointed.

00:17:32It's good, isn't it?

00:17:33Very good.

00:17:34And judging by your face, it must be a machine, a real beast...

00:17:38Okay, we'll leave it at this point.

00:17:40Well, that's something...

00:17:41It's good.

00:17:42And the truth is that I feel good with him, comfortable everywhere.

00:17:44On the sofa, in bed, wherever.

00:17:47Girl, there must be some downside to the fact that I'm starting to like her.

00:17:50Well, yes, the truth is, look, when he kisses me...

00:17:53I love it.

00:17:54It certainly looks that way, absolutely.

00:17:57But...

00:17:58I don't know why we're all here talking and giving our opinions about my personal life.

00:18:02I honestly don't understand why.

00:18:04What do I think about all this?

00:18:05Hey?

00:18:06What do I think?

00:18:07What do I think?

00:18:08Well...

00:18:09That's what I say.

00:18:10What do you think?

00:18:10You're definitely going to be a smoker, daughter.

00:18:12Irene, Irene, Irene, look at that...

00:18:14I had thought of something like, if you want, after work,

00:18:17Well, we could have a drink or something...

00:18:19Oh, José, I really appreciate it, you're an angel.

00:18:22But I'm feeling a bit down about Manu and I'm going to depress you.

00:18:26Another better day, okay?

00:18:27You don't depress anyone, do you?

00:18:28If you want, send me a WhatsApp message if I change my mind.

00:18:30Ah, okay.

00:18:31Okay, huh?

00:18:32That...

00:18:32I'm here...

00:18:3424-hour on-call service.

00:18:36For you.

00:18:45Good afternoon.

00:18:46Good afternoon.

00:18:47Blessed are the eyes!

00:18:49Why do you have your arm behind your back?

00:18:51Narthrosis?

00:18:52Almost.

00:18:54Hydrangeas.

00:18:58Oh!

00:18:59Oh!

00:18:59You really love wasting money on useless things!

00:19:02Now, let's eat.

00:19:03No, I was just coming to tell you that I'm going out to eat, okay?

00:19:05That?

00:19:06Well, you could have warned me sooner, couldn't you?

00:19:09Come on, I'll go with you.

00:19:10No, woman.

00:19:11Since you've gone to the trouble of preparing the food, just eat it by yourself and then...

00:19:15Look, Benito.

00:19:16We northerners really struggle with rodeos.

00:19:19So tell me.

00:19:19What's going on?

00:19:20Why are you avoiding me?

00:19:21Why are you buying me flowers?

00:19:23Okay, fine.

00:19:24Alright.

00:19:25Well, there's an accent that has me very worried.

00:19:28A partner who doesn't want to sign.

00:19:30And I'm going to see if I can convince him by having lunch with him, okay?

00:19:33I didn't want to worry you.

00:19:35Oh.

00:19:36Forgive me, Benito.

00:19:37If only...

00:19:38I don't know what's come over me.

00:19:39Guys, have you been doing that much damage lately?

00:19:41So, so...

00:19:42No, don't worry.

00:19:44If you look as handsome as you get angry, then everything is forgiven.

00:19:48Okay, we'll talk later, alright?

00:19:52Oh, Jesus!

00:20:04Benedict!

00:20:05Benito, the walking stick!

00:20:14Benedict!

00:20:16Benedict!

00:20:31Benedict!

00:20:32Benedict!

00:20:58Benedict!

00:21:02Benedict!

00:21:28Benedict!

00:21:30What do you mean?

00:21:31What do you mean?

00:21:31This morning.

00:21:32This morning, yes.

00:21:33Ah, you mean when you treated me like a one-night stand that a snake...

00:21:36When you wake up, right?

00:21:38Exact.

00:21:38I mean, I'd like to be able to explain to you that you haven't been like that at all, inviting me

00:21:44until dinner.

00:21:45Dinner time?

00:21:46Yeah.

00:21:47Well, it depends.

00:21:49Depends?

00:21:50Depends...

00:21:50About what?

00:21:51Since when?

00:21:52Since when?

00:21:52Yeah.

00:21:53Today?

00:21:54Today?

00:21:54Tonight?

00:21:55Yeah.

00:21:55Well, it depends...

00:21:57I have to go out incognito or people might see me, huh?

00:22:03Ah...

00:22:04Okay.

00:22:05Okay.

00:22:06Okay.

00:22:07Okay.

00:22:10Okay.

00:22:12Okay.

00:22:18Okay.

00:22:25Look.

00:22:27To be honest, I... I didn't even remember.

00:22:29Ah!

00:22:30Well, I do a little, yes.

00:22:32Because I'm getting married again, and all that...

00:22:35Yeah, so what?

00:22:40Well, if you like, I'll go to Seville tomorrow and...

00:22:44We're finally getting rid of all this.

00:22:46Yeah.

00:22:47Tomorrow we'll finally get rid of it.

00:22:50All in all, I suppose nothing will change, right?

00:22:52Leave a note.

00:22:54That is.

00:22:55That is?

00:22:57Fair.

00:22:59Fair.

00:23:02Well...

00:23:03That's it, tomorrow...

00:23:05I'll see you tomorrow, Carmen.

00:23:08Bye.

00:23:20Poor Iñaki.

00:23:21He's terrible at pretending it doesn't affect him.

00:23:23It's true that a divorce brings more of a hangover than a spring tide.

00:23:26Tell that to Coldo, who is still healing from scars, some of them real.

00:23:29Hey Vega, by the way, I'm going to leave you alone for a little while tomorrow, okay?

00:23:31I want to accompany Iñaki to the airport.

00:23:34Oh, yes.

00:23:34Yes, it's the least I can do.

00:23:36Well, look, I'm really glad. It's going to be great for him.

00:23:38Already.

00:23:38What a joy.

00:23:39Come on, come back, Gochu.

00:23:40Iñaki, what?

00:23:42Have you spoken to Carmen?

00:23:43Yes, right now. I'm meeting her tomorrow.

00:23:46Hey, my aunt, what...

00:23:47I thought that since I know this is affecting you a lot, I would accompany you.

00:23:52To Seville?

00:23:53Oh, thank you, Gochone. I didn't even know how to ask you. I really appreciate it so much.

00:23:58Okay.

00:24:00So, shall we go to Seville?

00:24:02Yes, look, we'll go by car because I want to take the opportunity to bring Elaya some things too.

00:24:06And so we also take advantage and spend more time with her, huh?

00:24:10Okay.

00:24:11He needs to get to know his stepmother.

00:24:12Damn, that sounds awful.

00:24:15Hey, can you help me with the chips?

00:24:17Yeah.

00:24:17I want to chop them into small pieces.

00:24:18Yes, yes, yes.

00:24:19Hey?

00:24:20Let's see, mistress.

00:24:21Talking about stepmothers.

00:24:23Look, I don't mind if you become independent.

00:24:25But not in that neighborhood.

00:24:26Because it's full of junkies and you're very innocent.

00:24:29The apartment has to be to my liking, not yours.

00:24:31What do you know?

00:24:32How could I not know?

00:24:34Yeah, yeah, I'm doing raids every week, man.

00:24:36Come on, stop talking nonsense.

00:24:37I'm going to the bathroom and when I get back we're going to talk to Pili and the neighbor.

00:24:40Because it turns out she's going to a residence and she's going to rent the apartment.

00:24:46Hey, Pili's apartment idea isn't bad, is it?

00:24:51Oh, I suspect.

00:24:52How are you going to rent an apartment on the same landing as your mother?

00:24:54It's going to cost you a fortune, you're going to keep putting up with it.

00:24:57You need to divorce your mother.

00:24:59Why isn't it that easy?

00:25:00Well, you can see how I have her on top of me all the time, like a hawk wearing a beret.

00:25:04Look, if there's one thing we Basques know, it's that becoming independent is not an easy thing.

00:25:08Well, don't complicate things.

00:25:09Separation, distance, limit, border.

00:25:13That is independence.

00:25:14But my mother is surprised and keeps an eye on the whole neighborhood.

00:25:17Go further.

00:25:18Change district.

00:25:21Look, that's what I'm going to do.

00:25:23Clear.

00:25:24I'm going to put some distance between us.

00:25:27Lots of land.

00:25:29Hey, Koldo!

00:25:30Hey, buddy!

00:25:31What's up?

00:25:32Well, I'm going to Seville to live with you.

00:25:37Hey?

00:25:38What do you mean she's going to live in Seville?

00:25:40I think you've encouraged her too much.

00:25:42Fuck!

00:25:42Change.

00:25:43You are!

00:25:45In that room, which has a water connection, they are going to build me a bathroom.

00:25:48But big, huh?

00:25:49Because I'm going to install a jacuzzi.

00:25:50Will the floor support a jacuzzi?

00:25:51But the director doesn't know...

00:25:52Not with the principal again!

00:25:54I look like I'm the type to give explanations to someone.

00:25:55What's going on here?

00:25:56Hey, the fright must have killed the child!

00:25:58What, since it was Carmen?

00:25:58Are you talking, kid?

00:26:00Hey, what are you doing here?

00:26:01The reform isn't happening here, it's not happening here.

00:26:03Don't you have any wedges lying around that you need to empty?

00:26:04Please!

00:26:05And this one?

00:26:05And have you found these five mines around here?

00:26:07Yes, because I have something in my arm that makes me feel like I'm being shot, like I'm getting a cramp.

00:26:11When I do that, it means I can't.

00:26:12And I do this and I start to get a cramp that...

00:26:13Oh dear, oh dear, oh dear!

00:26:14Oops!

00:26:15Something's coming up!

00:26:16Oh dear, oh dear, oh dear!

00:26:16He touched what it is!

00:26:17Oh my, oh my, oh my!

00:26:18He touched what it is!

00:26:19He touched what it is!

00:26:22Oh dear, oh dear, oh dear!

00:26:22Right?

00:26:23Do they provide a jacuzzi?

00:26:24An idea!

00:26:25What a great idea!

00:26:25Gentlemen, there will be enough for everyone, and we'll stop asking questions.

00:26:27So let's knock down the wall.

00:26:28Come on!

00:26:29Is Spain going to interfere with this?

00:26:30Come on, man!

00:26:31Don't order him around, man?

00:26:33Phew!

00:26:35Here!

00:26:37Disgusting!

00:26:38The guard is here!

00:26:39The guard is here!

00:26:41For!

00:26:43Just a moment, just a moment.

00:26:45This looks like asbestos.

00:26:47Asbestos?

00:26:48Can this be sold here like copper?

00:26:50No.

00:26:51It's toxic.

00:26:53If it's asbestos, we're talking about something very serious.

00:26:56Oops!

00:26:57Oops!

00:26:57Another cramp!

00:26:58Another cramp!

00:26:59Oh my, oh my, oh my!

00:27:00Oops!

00:27:01Oops!

00:27:03Oops!

00:27:04Oops!

00:27:05You really don't understand, do you?

00:27:07I'm going to talk to the director right now.

00:27:09You'll have to get that checked out.

00:27:12Oops!

00:27:13Oops!

00:27:29Carmen, we have to tear down the clinic.

00:27:32That?

00:27:33Well, it hasn't been exaggerated.

00:27:34The walls are in the wrong place.

00:27:35That?

00:27:35Well, let's see, we don't know yet.

00:27:37That?

00:27:38We were tearing down a partition wall, as you said, and we found uranium.

00:27:42Uralita.

00:27:42Asbestos.

00:27:43That.

00:27:43But that's outrageous.

00:27:45We don't know.

00:27:46We need to do some testing.

00:27:47I took it!

00:27:47A tasting.

00:27:48That.

00:27:48Oh, please!

00:27:49Can you let him speak? He's the only one who knows what he's saying.

00:27:52It's very serious.

00:27:53Don't know.

00:27:55A sample needs to be examined to see if it is asbestos, and samples need to be taken to see if it is present throughout the area.

00:28:00building or only in his office.

00:28:01My office?

00:28:02No, in his office.

00:28:05That?

00:28:05We're not going to get into an argument now, Carmen.

00:28:07Silly things.

00:28:07The future of the clinic is at stake.

00:28:09Look, if that's the case and it's all over the building...

00:28:15In that case, the health department would have to be informed.

00:28:18That's Trini, I'm going to call her.

00:28:19No!

00:28:19No no.

00:28:20Don't even think about saying anything to Trini, it'll ruin us.

00:28:23Show some respect for my Trini, okay?

00:28:25Oh, let's wait and see the test results first.

00:28:28Look, hey, you're back with Trini again.

00:28:31Triki, Triki, Trini, Trini, Trini, Trini, etc.

00:28:34Don't you know who Trini is?

00:28:35Wait for me.

00:28:36Please let us know as soon as you have the results.

00:28:40Thank you.

00:28:43Okay, guys, I'm going to ask you, please, to...

00:28:48Don't let anyone find out.

00:28:50We need to stay calm.

00:28:54Yes, the problem is that it's sticking to the wall and the walls are going to fall down.

00:28:56the building...

00:28:57It won't happen!

00:29:03Did he take her hand?

00:29:05Oh, Marichu, well that changes everything.

00:29:07Look, sister, what I need is for you to convince me that there's a more logical explanation in which

00:29:12The horns are not in the way.

00:29:13Okay, okay, look, calm down, don't worry, look, well, I don't know, they were talking like friends.

00:29:19Yes, you hold hands with your friends.

00:29:22Yes, yes, well, when I look at her manicure or when I'm reading her future.

00:29:26Don't talk nonsense, Begochur, you've never read anyone's future in your life.

00:29:30Well, don't be so sure, I'm reading it right now and it looks very much like...

00:29:34Oh God, it's true, I'm denying the evidence.

00:29:40Furthermore, Benito lied to me; he told me he was going to have lunch with a business partner.

00:29:44Marichu, he's cheating on you.

00:29:46How could he be cheating on me?

00:29:47Look, I'll tell you what you want to hear, but it's the only thing that makes sense.

00:29:51Forgive me, forgive me, sister, forgive me, I don't even know what I'm saying anymore,

00:29:55But I need to clarify what's happening.

00:29:58Yeah, and I can't help you much from here either.

00:30:01Hey, why don't I go to Seville with Iñaki?

00:30:04So, if he's going to close the street these days.

00:30:06No, woman, don't be crazy, how are you going to get down?

00:30:08And what else are we sisters for, Marichu?

00:30:10Look, just relax, don't do anything, I'll be there tomorrow.

00:30:13And between the two of us, we're going to find out what Benito is up to.

00:30:16Yes, that's no exaggeration.

00:30:20Until the technicians do a complete tasting.

00:30:23We don't know if the problem is localized or affects the entire building.

00:30:28Yes, but Christopher and Joseph are fine, right?

00:30:31Yeah.

00:30:32Because this is very dangerous for people.

00:30:34Well, if it turns out to be what we think, then yes.

00:30:38Come on.

00:30:43And these poor women, if they only knew they were about to be thrown out onto the street.

00:30:48Well, we shouldn't be pessimistic, Carmen.

00:30:50Don't worry, just relax.

00:30:52We'll definitely find a good solution for everything, right?

00:30:57Of course, Mr. Bejo Mayor, you always make everything so easy.

00:31:02This sovereign is a blessing.

00:31:04Marichu has it.

00:31:06Really.

00:31:08Well, yes, that's true.

00:31:11In this life you always have to try to have someone who loves you by your side.

00:31:15And in that sense, well, I am a lucky man.

00:31:19By the way, how are things going with the doctor?

00:31:23How's it going?

00:31:25He's making a mess of things, Mr. Bejo Mayor.

00:31:27I eat everything.

00:31:29But anyway, now's not the time to start talking about that.

00:31:32Always fight for your happiness.

00:31:35Because the pains come from different areas.

00:31:43If your life in Seville is a disaster, you'll realize that there's no life like in the Basque Country.

00:31:47nowhere.

00:31:48We have to boycott that trip.

00:31:49Look, Ancho, that's not necessary either.

00:31:52With you and the substitute, I think we can rebuild what is...

00:31:56It's either that or call José Mari to play bus, huh?

00:32:00Man, Bello, what are we going to do with you?

00:32:03To live?

00:32:04No, I'm coming on the trip to help you with your luggage, with the adjustment period, and...

00:32:09But like this? With the opposite?

00:32:11Well, the clothes we have here are mountaineering clothes.

00:32:14That won't work for us in Seville.

00:32:15We'll buy something there.

00:32:16So, what a load of crap suitcases I had packed too.

00:32:19That's for the Himalayas.

00:32:20Wow!

00:32:22Hey, Bello, you...

00:32:23You're not one of those people who get carsick, are you?

00:32:25Because I like my trips to be without any surprises, you know?

00:32:27Good, unexpected bad, bad.

00:32:29But sometimes, unexpected good things happen...

00:32:31Come on, Sabino, me too, come on.

00:32:33Hello!

00:32:34Oh, I'm just in time!

00:32:36Thank goodness.

00:32:37Guys, I've decided I'm coming with you.

00:32:39And with the others.

00:32:41As?

00:32:45Oh, Joseph!

00:32:46José.

00:32:48I wanted to tell you something.

00:32:49Yes, you're missing 10 euros from your wallet, aren't you?

00:32:51I know.

00:32:52I took it from you because, as it's already making a mess in the house, you know?

00:32:54Water, light, flooring, air...

00:32:56No, I don't care.

00:32:57You'll give them to me later.

00:32:58Of course!

00:32:59Yeah.

00:32:59No, I wanted to ask you about Carmen.

00:33:01That...

00:33:02Do you know if something is wrong with you?

00:33:03And what doesn't happen to that woman?

00:33:04If you have a thousand problems.

00:33:05Because of the clinic, the girl, you?

00:33:07No, but lately he's been acting especially peculiar.

00:33:10They give it to him like a rut.

00:33:12Arroutadas?

00:33:13Yes, he came to my office and invited me to dinner.

00:33:15She cancelled the appointment, suddenly...

00:33:17She's at least nervous about the hospital situation.

00:33:19That?

00:33:19Hey?

00:33:20Nothing serious is happening.

00:33:21It's not that the walls have a disease and the building is going to collapse.

00:33:25Imagine.

00:33:26Yes, you can imagine.

00:33:27But do you know if it's because of Iñaki?

00:33:30Hey?

00:33:31Yes, since they're going to sign the divorce papers, maybe...

00:33:34Ah, I don't think so.

00:33:35This is deader than a doornail.

00:33:37You know what I'm saying?

00:33:37Dead Chanquete?

00:33:38Yes, yes.

00:33:39They will see blue.

00:33:40Well, if it's not Iñaki, it might be someone else.

00:33:42Because Carmen is a very special woman.

00:33:45Is it really special?

00:33:46Yeah.

00:33:46Like the last pom-pom on a house.

00:33:48She's so cute.

00:33:49Those types of women are not alone for long.

00:33:51And there's always a glutton who's willing to seduce her.

00:33:54I have to do something or I'll be left behind.

00:33:57Like an old car and from there to the guase.

00:33:59Yes, or like one of those hedgehogs that you squash.

00:34:01I have to do something special.

00:34:03Impress her.

00:34:03She deserves it.

00:34:04And surprise her, leave her speechless.

00:34:07Or that it only has one.

00:34:08Yeah.

00:34:10I'm going to confess my feelings, Irene.

00:34:12That?

00:34:12Let's see.

00:34:14He's in love with her.

00:34:16And he's going to invite her to lunch.

00:34:18And now, can you take me to get a colonoscopy, please?

00:34:22Now that's a plan.

00:34:24Calm down, Don Rodrigo.

00:34:25Don't forget to make me a copy on VHS, okay?

00:34:27So that I can have it.

00:34:31Hey, Anchón, kid, move over there a bit, you're rubbing my whole elbow.

00:34:33That way, but only if Pello takes up his spot and half the road.

00:34:35Look, Anchón, if you want to be comfortable, go to the park and find yourself a bench.

00:34:39Okay, I'm about to put up the "live animals" sign, okay?

00:34:42I just don't understand it.

00:34:43Can you tell me what brings you two down to Seville?

00:34:45Us?

00:34:46And you?

00:34:47Why are you going down to Seville?

00:34:48I?

00:34:49Yeah.

00:34:50In other words, to help my sister.

00:34:52Yeah.

00:34:53With one thing, it's fine.

00:34:54I have to tell everything.

00:34:56Hey, look, if nobody's going to say anything, let's turn on the radio, okay?

00:34:58Otherwise, this trip is going to be very long.

00:35:01Iñaki, turn on the radio.

00:35:01Yes, yes.

00:35:02Damn, it's hot.

00:35:03How can you tell we've already passed Burgos?

00:35:05Iñaki, turn on the air conditioning.

00:35:06If you're feeling hot in Burgos, wait until you get to Seville.

00:35:09Phew, you said it.

00:35:10Every time I open the oven at home, I think of the Giralda.

00:35:13Not to mention the mosquitoes.

00:35:15What's wrong with mosquitoes?

00:35:16Mosquitoes are like everywhere else.

00:35:18Look, we've already been there.

00:35:19In spring.

00:35:20Now in summer, the mosquito in Gorda.

00:35:22Why do you think they call it the tiger mosquito?

00:35:23If traps are being put on the windows instead of mosquito nets.

00:35:26Okay, in Chornales, right?

00:35:28Iñaki lived there and nothing happened to him.

00:35:30Man, nothing's happened to me, nothing's happened to me.

00:35:32I was chased by a herd of bulls, I fell into a ditch.

00:35:35Well, well, your mother went into a coma.

00:35:37And now you're going to sign a divorce paper, damn, that's no small feat.

00:35:41In short, Seville brings us bad luck.

00:35:45But I'm not superstitious.

00:35:52Yago, I wanted to talk to you, but you don't need to take me to the...

00:35:56But what about this?

00:35:59Well, this...

00:36:00This is a new service for special clients, huh?

00:36:02Me, love, Betty, since I'm not selling, I'm reinventing myself, huh?

00:36:04Tortilla with potatoes and I'm going to upload some teas from Urense that are out of this world.

00:36:08Wow, really!

00:36:10Thank you, Mr. Rafi.

00:36:11Thank you.

00:36:12Yeah.

00:36:13Well, yes, light bulbs don't make much sense during the day, but hey, it's up to me.

00:36:18We sat downstairs.

00:36:19Thank you so much.

00:36:20But...

00:36:21You weren't expecting that.

00:36:23No not at all.

00:36:25Well, yes, I know it's a bit extraordinary, but...

00:36:28Okay, Carmen, have her talk to José.

00:36:32Some...

00:36:33José, my José.

00:36:35José.

00:36:36My dearest mother.

00:36:37No, no, yes, very good, a very good conversation, because we were talking about relationships,

00:36:41No?

00:36:41That's when you want more, right?

00:36:45When you get your hopes up in the wrong way and suddenly you want to surprise someone...

00:36:54Insc reflecting.

00:36:57N Flame, D holds in?

00:36:58Yeah.

00:36:59Do they want to be the skin or the skin or the skin or the

00:37:05or the skin or the skin or the skin or the skin or the skin or the skin or the

00:37:10skin or the skin,

00:37:10Is this…?

00:37:11Do they want to be the skin or the skin or the skin?

00:37:20Special. With the other person, right?

00:37:22Yes, that you suddenly see that person and it sounds like music.

00:37:24Oh, look, Yago, I think you're trying to be honest with me

00:37:27And I should be too.

00:37:29Look, Yago, uh...

00:37:34But...

00:37:34It worked out perfectly, didn't it?

00:37:36That's a big bet, huh?

00:37:41Well, then...

00:37:42I'm telling you, I'm telling you with music.

00:37:46Here I come.

00:37:48Yago, I wanted to tell you...

00:37:49Come on, things are getting heated.

00:37:51Wow, this is really heating up. I have to get on board, you know?

00:37:54Yes, real estate agent.

00:37:56Yes, yes, yes.

00:37:57Yes, I would complain about the service, but well, this, brother, is not appropriate.

00:38:00It's nothing. Disgusting trust.

00:38:03I don't mean to say that this is disgusting at all, because everything is beautiful, you know?

00:38:07Okay, look, I'm going to tell you what I have to tell you now.

00:38:11Yago.

00:38:14Forgive me, now they're burning me up over the phone.

00:38:16If coverage is enhanced here.

00:38:18When it's not a whistle, it's a flute. When it's not a flute, it's a whistle.

00:38:21Oh, Bagpipes.

00:38:22Yeah.

00:38:24Yeah.

00:38:25Yes, yes.

00:38:26I'm going down right now.

00:38:27Yeah.

00:38:29Nothing, it doesn't take two minutes.

00:38:31Bye.

00:38:31Forgive me, Yago, it's just that the work is important and they need me.

00:38:35Are you low?

00:38:36Yes, I'm leaving. I'm leaving because I have to leave.

00:38:39Excuse me?

00:38:40Clear.

00:38:42Alright.

00:38:43Alright.

00:38:47Is this for real?

00:38:48Now yes.

00:38:49No.

00:38:49Doesn't my sister take anything?

00:38:50No, not her, but I did.

00:38:51Sure, sure.

00:38:52Oh, it's really heating up. I've said it before. Real estate agent.

00:38:57For sale, tell me.

00:39:00I'm for sale.

00:39:01No, no, don't stop playing, man. Keep playing.

00:39:05I don't give much time to the day.

00:39:08Well.

00:39:13Have you eaten?

00:39:16Happens.

00:39:17Well.

00:39:19How's everything?

00:39:20Vera, the truth is that the news doesn't...

00:39:22We have asbestos until next week, Carmen.

00:39:25As?

00:39:26So what do we do now?

00:39:28They will have to bring in special equipment and tear down all the partitions to remove the asbestos.

00:39:32All that fuss over that summary?

00:39:33Sumina?

00:39:34Christopher, who is toxic.

00:39:35Yes, but toxic how? Like if I take an expired egg?

00:39:37Like that one, it's eaten them up, but this is much worse.

00:39:40Are we surrounded by that?

00:39:42Oh my God.

00:39:43Well, tell me, tell me how much...

00:39:46How much of a scare is it?

00:39:50Well, several million.

00:39:52Several?

00:39:52Carmen, Carmen.

00:39:54Is everything alright?

00:39:54No problem.

00:39:55I'll take care of that.

00:39:56Tomorrow I'm going to change everyone's uniforms.

00:39:58I'm going to put him in a radiation suit.

00:40:00Okay, Cristóbal, we have to close the clinic

00:40:04and call the health department.

00:40:06Should I call Trini right now?

00:40:08No, no, no, no.

00:40:09I'll call her.

00:40:09I.

00:40:10Who is the director?

00:40:11You.

00:40:11I.

00:40:11Who's calling her?

00:40:12I.

00:40:13The director said she would call.

00:40:15Thank you.

00:40:17I cannot exercise authority this way.

00:40:19Do you understand?

00:40:20Yeah.

00:40:28I also prefer the warmth of the stove to the heat here.

00:40:32In the end, I'm excited to go up too, you know?

00:40:34So, we're only going to be there for one day?

00:40:36No, no, no, no, no, no, no.

00:40:38Not one day.

00:40:39We stayed all week.

00:40:40That?

00:40:41Yes, yes, yes.

00:40:42Otonet, I told you I wanted to take advantage of the opportunity to be with the Aya.

00:40:46Ah.

00:40:46No, I was saying that because I only brought one change of clothes, so...

00:40:49Well, I don't know, honey, turn it around.

00:41:00Yes, yes, yes, yes, yes, man, yes, yes.

00:41:06Achón.

00:41:07Ah, but you too.

00:41:08Don't tell me you're coming to live here too, what?

00:41:09Look, I don't have enough mattresses to withstand so much Basque.

00:41:12Don't worry, I've come to take Apello with the move.

00:41:14Yes, to help, you see, I haven't even carried a suitcase up.

00:41:17So, can someone tell me what this scandal is about?

00:41:20No, show some respect, man, it's siesta time.

00:41:24Snap?

00:41:25If it's one o'clock.

00:41:26But she sleeps after breakfast.

00:41:28Ah.

00:41:28I'm coming, hide, they've put the neighbors under surveillance.

00:41:31But me, my soul, you're here again, you and I, who missed us, didn't you?

00:41:36Oh, you little rascal.

00:41:39We've already experienced loneliness, haven't we?

00:41:41I'm putting on a tight leash so I'll be at the four-eyes' house, huh?

00:41:44Four-eyes?

00:41:45Come to my place, I have a double bed about 50 cm wide.

00:41:49And with the docks intact, unlike Carmen's, right?

00:41:52One fifty, I'm short of meters there.

00:41:55You guys, come on, you can go up now, damn it.

00:41:58Come on, let's go eat.

00:42:00Wow, so scared, so little shame.

00:42:02That's it, little by little, come on.

00:42:04What I have to fear is your dock.

00:42:05Love, love, we are here.

00:42:09Man, I'm coming, chum, you're here.

00:42:11How are you?

00:42:12You can see me, right?

00:42:13Oh, my little one, right?

00:42:15How beautiful she is.

00:42:20Come on, Father Choquín.

00:42:21Oh, oh, oh, oh.

00:42:22And what about those teeth?

00:42:24You'll see, Aita, how you'll make some little kebabs for you to try out.

00:42:27Oh, Begocho, thank goodness you came.

00:42:29Well, the trip to Seville was cheaper than my phone bill.

00:42:32Yes, but well, you're here now.

00:42:33Yeah.

00:42:33Um, Iñaki, Aunt Bego and I have a little matter to sort out, okay?

00:42:38So I can't take care of the girl today.

00:42:40Okay, mom, I have to go sign the divorce papers.

00:42:42The girl what?

00:42:43Ah, look.

00:42:44Gochone, will you keep her?

00:42:46I?

00:42:47Hey?

00:42:48No no.

00:42:50And what about Sabino?

00:42:52I can't.

00:42:53I've arranged to meet the crew at a...

00:42:54Will it just be a moment?

00:42:56Of course, woman, that's how you get used to it.

00:42:58In short, when you're married you're going to have to spend a lot of time with her.

00:43:01Of course, woman, you manage great.

00:43:03Come on, let's go, let's go.

00:43:04Okay, bye.

00:43:07Iñaki, you know I'm very clumsy at taking care of the ya.

00:43:10So what if she cries?

00:43:11Or what if he's hungry?

00:43:13And if...?

00:43:14You'll see, you'll get a taste for it.

00:43:16Look, I'll get the stroller ready and you can go to the park, which she loves.

00:43:19A la gochone, quita.

00:43:20Come on.

00:43:22Okay.

00:43:26Did I hold it correctly?

00:43:27Yeah.

00:43:27Is this how you hold it?

00:43:28Yeah.

00:43:34Well, you have no idea how happy I am that you've come to spend a few days with your sister.

00:43:38Sure, since you've been spending so much time away lately.

00:43:41Well, and so you can rest from your trip, I've booked the spa for both of us.

00:43:45Oh, well, Benito, what's up?

00:43:47Aren't you coming?

00:43:49No, darling, I have an unavoidable commitment.

00:43:51Well, have fun for me, okay?

00:43:53Yes, yes, we're going to have fun.

00:43:55I'm sure you have a lot of fun in your business too.

00:43:58Well.

00:44:00Okay, Benito, see you in a little while.

00:44:03Okay, yes.

00:44:04Are you kidding me?

00:44:05Okay, thanks for everything.

00:44:06Bye bye.

00:44:07Wow!

00:44:08Let's have some fun?

00:44:08Yes of course.

00:44:11I'm telling you, daughter, how rude you are.

00:44:12You almost ripped my arm off.

00:44:13No, I'm nervous.

00:44:15Calm down.

00:44:16Can't.

00:44:20Goodbye, Benito!

00:44:21Okay.

00:44:26Yes, hello.

00:44:28My wife just left.

00:44:30Yes, I'll open it for you.

00:44:31You can come now.

00:44:39Okay, let's go upstairs, daughter.

00:44:42Let's see what you can think of to relieve my suffering.

00:44:59I can't believe it.

00:45:01He's going to cheat on me in our own bed.

00:45:03Where do we sleep?

00:45:05Where have I petted him so much?

00:45:07Where have I kissed him so much?

00:45:32Where...

00:45:33Shall we go, Marichu?

00:45:36Marichu.

00:45:38Marichu.

00:45:41Marichu.

00:45:44Indeed, the report leaves no room for doubt.

00:45:46This site is lined with asbestos down to the foundations.

00:45:49Come on, Carmen, I don't need to tell you that...

00:45:51Yes, yes, we have to close the clinic.

00:45:53Well yes.

00:45:55Damn, I wish I didn't have to tell you this, but oh well, I hope you get enough money

00:45:59to carry out the work and for everything to continue as usual.

00:46:02Hopefully.

00:46:04Good luck, Carmen.

00:46:11Rení?

00:46:13Where are you?

00:46:14Has he already left?

00:46:15Why didn't you warn me?

00:46:16Christopher, we have to close the clinic.

00:46:20As?

00:46:20Yeah.

00:46:22She's going to find out what a comb is worth, man.

00:46:23He gets four little things.

00:46:25Four, four.

00:46:41What do you want?

00:46:47I don't like to be cruel, but you're not getting any more of this unless you write a favorable report.

00:46:51so that the clinic doesn't close.

00:46:55Point number one.

00:46:56Closing the clinic was Carmen's doing.

00:46:59And point number two.

00:47:00What are you doing?

00:47:01This is the last time you do something like this, okay?

00:47:04I've had prawns and I'm sorry, yes.

00:47:06I'm talking about kissing me.

00:47:07Well, and the prawns too, damn, how disgusting, Cristóbal.

00:47:10Let me explain it to you.

00:47:12Honey, what happened the other night was just a fling.

00:47:17It's nothing to get too excited about, okay?

00:47:18And it will not happen again.

00:47:20Is that clear?

00:47:21I will not allow them to close the clinic, nor will I lose you again.

00:47:24Is that clear, little girl?

00:47:35But come on, this doesn't change anything, right?

00:47:38So don't get confused.

00:47:41The thing is, when you get into that mood...

00:47:45...authoritarian...

00:47:46...you make me feel very...

00:47:50...but you and I aren't going to be boyfriend and girlfriend, okay?

00:47:54Understood?

00:47:55That's it.

00:48:02I have it in the jar.

00:48:16Elaya, shut up, please, man.

00:48:17Don't cry for me, don't cry for me.

00:48:31Elaya, how can you not like this song, man?

00:48:34But if you're Basque.

00:48:35How do you do this?

00:48:36Yes, she sings like a cat in heat, listen.

00:48:40This girl just wants to nurse.

00:48:42Yes, yes, but with the chocolate ones he doesn't even have enough for an appetizer.

00:48:45Honestly, that wouldn't even cover a cheek.

00:48:47But come on, give him a little bit at least.

00:48:49Come on, go for it.

00:48:50Oh, my love!

00:48:51I can't believe it, I left the baby food at home.

00:48:53Go on, daughter!

00:48:54It's just that you Basque women only have heads for wearing berets.

00:48:57Go ahead, we'll keep it!

00:48:59Go!

00:49:00What a bean, my love!

00:49:01Hey, but do you guys know how to take care of a baby?

00:49:03Yes, she always lets us have it now!

00:49:06Okay, okay.

00:49:08But don't move from here, please, okay?

00:49:10No, no, no!

00:49:12Nothing!

00:49:13Go on, run, run!

00:49:14Oh, oh, oh!

00:49:18Oh, how beautiful you are, daughter!

00:49:19Oh, girl!

00:49:20Oh, girl, for God's sake, you couldn't be prettier!

00:49:23But when he shits, we Chinese will kick him out, okay?

00:49:26Oh, how scrupulous you are, daughter!

00:49:28And that brings good luck!

00:49:30Look, I'm going to give you a coupon before I look at it, because they say that if it happens to children...

00:49:35It's very lucky when you get it from behind.

00:49:38Oh, look, look, look!

00:49:40Oh, he's quiet, girl!

00:49:42This girl really likes the Andalusian accent, huh?

00:49:45Look, you whore, don't hit it so hard, you'll rip off some skin!

00:49:47Damn it, Joe, he's going to leave the refund stamped right on his face, damn it!

00:49:51Bitch!

00:49:51Come on, let's see if this happens!

00:49:53We need to look into it, okay!

00:49:54Let's see, let's see, like this, over there.

00:49:56Over there!

00:49:57Coupon book!

00:49:58Mister!

00:49:58Wait a minute, okay, son!

00:49:59Come here!

00:50:00Come, cow, child, come!

00:50:01Come!

00:50:02What's happening?

00:50:03Hello, what's up, ma'am?

00:50:04Let's see what we have here.

00:50:05Let's see how our fortunes are doing.

00:50:07Oh my God!

00:50:08My hands are itchy, son, son.

00:50:09Hold on tight, hold on tight, you've won 35,000 euros per coupon!

00:50:12Oh, oh, oh!

00:50:13I'm telling you!

00:50:14Oh, oh, oh!

00:50:16Oh, oh, oh, oh!

00:50:22I already told you, kids' shit is shit, you know?

00:50:26Oh, I'm going to buy myself a butler to put chocolates in my mouth like the prelis!

00:50:32Let's celebrate, let's celebrate!

00:50:34We give the baby bottles and we give them bottles of Cababa.

00:50:38That's it, that's it, that's it, that's it!

00:50:39Come on, let's go!

00:50:41Ma'am, ma'am, the coupon, the coupon.

00:50:42Are you leaving it here?

00:50:43Bitch!

00:50:44Come on, go, go, go, go!

00:50:46Bring it here!

00:50:47Run, man, run!

00:50:48What a great painting!

00:50:51Oh, that's great, damn it!

00:50:55Well.

00:50:57Coldo!

00:50:57First of all, I'm just so frustrated.

00:50:59Well, sly one.

00:51:00Please.

00:51:02Of course, right?

00:51:03Hey, that's all I wanted to say.

00:51:06Won't you miss the north a lot?

00:51:08And your mother.

00:51:10According to neuroscience, the umbilical cord is a bond for life.

00:51:14At the most?

00:51:15But what are you saying?

00:51:16If you already know her, you can't live with her.

00:51:19He's not there all day.

00:51:20Whether I leave hair in the shower.

00:51:21That my kitchen is a mess.

00:51:23I wake her up with my snoring.

00:51:25Stay.

00:51:26Anyway, I'm going to leave this in the room.

00:51:28No.

00:51:29No, no, wow.

00:51:31There is dampness.

00:51:32You're going to sleep on the sofa, you don't mind, do you?

00:51:34The sofa?

00:51:35No.

00:51:35Yeah.

00:51:35I don't mind.

00:51:36No.

00:51:37It's broken and has springs like this.

00:51:38But, well, I advise you to put your head to that side, you know?

00:51:42But the person here is broken, and then early in the morning, a sun comes in, but a sun of

00:51:46justice.

00:51:47These guys from the south, these guys who tear you apart, you know?

00:51:49Well, I'm from the north, but I'm not a vampire, okay?

00:51:51Well, I'm going to take a shower because I also need to freshen up a bit.

00:51:54The shower works, right?

00:51:55Well, sometimes yes, sometimes no.

00:51:58Look, when I fixed the hairdryer the other day, if you want I'll take a look at it

00:52:02to the boiler.

00:52:03Yes, man, yes, on my tab.

00:52:05Sabino, don't worry, it's not...

00:52:06It's disconnected, carrulo.

00:52:08Oh, yes, look.

00:52:11And the sofa works perfectly.

00:52:13No.

00:52:14As?

00:52:14You don't want Pello to stay here.

00:52:17Excuse me, Ancho, how can you think?

00:52:19It's that you don't want...

00:52:20That he doesn't want...

00:52:21No...

00:52:22Of course I don't want to, damn it.

00:52:23Damn, well I don't want to.

00:52:25People, you and I, damn it, we're not kids.

00:52:28I'm not in the mood to share a flat like students, you know what I mean?

00:52:30No, I want to have the remote control of the TV all to myself, so I can put on whatever channel I want.

00:52:34You know?

00:52:34And if I want to walk around the house naked, then I'll walk around naked.

00:52:37No, I don't mean that I walk around naked every day.

00:52:40As?

00:52:41You want Pello to go up to San Sebastián and then there are three of us.

00:52:46But I have a plan.

00:52:47Yeah?

00:52:48Fuck.

00:52:58Elbow, the water!

00:53:00I already told you!

00:53:08There he is, Don Bejumea.

00:53:09That's what I wanted to talk to you about.

00:53:11Tell me.

00:53:11What happened to his face?

00:53:13Hey?

00:53:13Oh, no, nothing.

00:53:15I've developed a new illusion.

00:53:17But like the shape of a hand?

00:53:18Well, didn't you want to talk to me?

00:53:19Yeah.

00:53:20Okay, go ahead.

00:53:20Look, it's serious, you know?

00:53:22The whole asbestos issue is turning out terribly.

00:53:26Come on.

00:53:26Well, Mr. Bejumea, we have to close the clinic.

00:53:32My dearest mother.

00:53:34But why don't misfortunes come one at a time?

00:53:39Well, there's nothing that can be done.

00:53:41No.

00:53:42So the situation is serious.

00:53:43Yes, very serious.

00:53:45The worst part of all, Don Bejumea, is that I don't know how to tell the people who have lived here their whole lives

00:53:48working, because he has to go out on the street.

00:53:50Well, don't worry.

00:53:52If anything, I'll announce tomorrow that we're closing the clinic.

00:53:55Look, I'm fed up with bad news today.

00:53:57So far.

00:53:58There is no doubt, there is no doubt.

00:54:00Is the clinic closing?

00:54:03Well, I hadn't.

00:54:08That?

00:54:14How cute is it?

00:54:15Carmen, who...

00:54:17Excuse me, did I interrupt something?

00:54:19No, son, no.

00:54:20We were talking about the weather.

00:54:21Okay, let's continue.

00:54:21What happened?

00:54:22An eruption, I've already said that.

00:54:24An eruption.

00:54:25How many times do I have to say it?

00:54:26Oh my God, what do you mean, "say things here"?

00:54:30How are you?

00:54:31How are you?

00:54:31Good.

00:54:32How did you slip away, huh?

00:54:34From lunch.

00:54:36Okay, lunch, lunch.

00:54:38Yes, your brother Rafi doesn't have any stock.

00:54:40I couldn't even feed a Tibetan monk.

00:54:43It's true that I went off on a tangent a bit.

00:54:45And you were in the middle of something important you wanted to tell me, weren't you?

00:54:48Yeah.

00:54:49I wanted to tell you something.

00:54:50Oh, Yago, you're a sweetheart.

00:54:53And I like you a lot.

00:54:56I feel very good with you.

00:54:58Me...

00:54:59Well.

00:55:00I'm comfortable, but I don't know what it is.

00:55:02There's something happening inside me that...

00:55:04Iñaki.

00:55:05As?

00:55:07Oh, oh, Iñaki, but...

00:55:09You're here now.

00:55:11Hello, Iñaki.

00:55:12I am...

00:55:14Yago.

00:55:15Oh man!

00:55:16The dust.

00:55:18You tell each other everything, huh?

00:55:21Octopus is dust in Galician.

00:55:23Ah, yes, polvo in Galician is octopus.

00:55:25Of course.

00:55:26I'm a cook.

00:55:27Vocational training, right?

00:55:29Yes, yes.

00:55:29He...

00:55:31The cook and I don't have to go...

00:55:33Yeah.

00:55:33...to sign.

00:55:34Clear.

00:55:34I'm glad you met.

00:55:36Yeah.

00:55:36The doctor will have to...

00:55:38It has to go on.

00:55:44Goodbye.

00:55:46Chacobeo.

00:55:50There's still a little bit left, but...

00:55:52Yeah.

00:56:02Neighbors?

00:56:04Neighbors?

00:56:08No, no, no, no, no, no, no, no, no, no, no, no, no.

00:56:11Sorry, sorry.

00:56:12Have you seen...?

00:56:13Dad, tell me.

00:56:14Hey...

00:56:14Do you want something?

00:56:16Hey...

00:56:17It's going to be a no, no.

00:56:20Not anymore.

00:56:21What if we remove the six-horse carriage?

00:56:24No, dude.

00:56:26Yes, yes, it's out of my price range, yes, that's true.

00:56:28What if I drive it?

00:56:29Hey?

00:56:30What's happening?

00:56:31I have a motorcycle license, I'll bite on that roll.

00:56:32Maro.

00:56:33And half a kilo of San Jacobo.

00:56:34Okay, fine.

00:56:35Oh, Dolores, Dolores, what are you doing?

00:56:37Here, I'm ordering it to be bought.

00:56:38Ah, that's good, that's fine.

00:56:39It doesn't give me anything, I mean, how?

00:56:41Glad to hear it.

00:56:42Look, a quick question.

00:56:43If, for some reason, I were to ask Celia to marry me—and this thought just occurred to me—how would you like it?

00:56:49What was it?

00:56:49Celia told you something.

00:56:51I already noticed she was acting a little strange, so I really, really, really knew she was hiding something from me.

00:56:54Something, oh my God!

00:56:55And me, looking like a refrigerator, this can't be happening, I saw it coming, I saw it coming

00:56:59come.

00:57:00No, no, no, no, yes, yes, yes, now, now.

00:57:02Little brother, I need an outfit like the one Dolly Parton wears when she gets proposed to on the ranch, that's it

00:57:07white.

00:57:08Okay, I'll go later, I'll go when I get out.

00:57:10Don't pay any attention to him.

00:57:11Thank you, thank you.

00:57:13No, thanks to you, man, move it, yes.

00:57:15I'm coming, dude, let's go, friend.

00:57:16Oh my God, oh my God, finally.

00:57:18A wedding.

00:57:18Thank you, thank you, my God.

00:57:20Celia, I love you, I love you.

00:57:22I love Celia, I love Celia.

00:57:23Let not even the wind touch it.

00:57:25Let not even the wind touch it.

00:57:27Let not even the wind touch it.

00:57:30Close the Spanish.

00:57:31Psst.

00:57:38Hey Carmen, I'm sorry.

00:57:40I feel that this whole divorce issue coincides with the worst time for the clinic.

00:57:46I know, and thank you, Iñaki.

00:57:48Anyway, you don't really know when the best time is to do something like that, do you?

00:57:52Well, it's free.

00:57:54Hello.

00:57:55Hi how are things?

00:58:02Should I give you something?

00:58:06Because of the divorce?

00:58:07No, because of your wedding.

00:58:09Clear.

00:58:11I mean, so I don't seem like a scorned ex.

00:58:14No, no, no, no, no.

00:58:15No?

00:58:15No, not anymore, Carmen, it's not necessary.

00:58:18Yes, yes, yes, yes, it's going to be necessary.

00:58:20I know what I'm going to give you.

00:58:22Your aunt's picture is blue.

00:58:25Do you have it?

00:58:27Yes of course.

00:58:28About what?

00:58:30From our wedding?

00:58:35From our wedding?

00:58:39From the bell tower here!

00:58:44Sorry.

00:58:45Sorry.

00:58:47Sorry.

00:58:48Nothing, our wedding was really great, huh?

00:58:50Very pretty.

00:58:51Very pretty.

00:58:52Yeah.

00:58:54Thank goodness we succeeded.

00:58:57And did we do it?

00:58:58Uh-huh.

00:59:02And her?

00:59:06Who are the next ones to sign the divorce papers?

00:59:08Us.

00:59:10Sorry.

00:59:11We were here first.

00:59:12Ah, I thought you two were about to get married.

00:59:14As?

00:59:15How were you doing too?

00:59:19Well, anyway, we get along well.

00:59:29Are they calling you?

00:59:30Hey?

00:59:30I'll call you.

00:59:33Ah, yes.

00:59:34Sorry.

00:59:38Hey, pigs.

00:59:39Yes tell me.

00:59:39We're here now, right?

00:59:42That?

00:59:46Stay where you are.

00:59:46I'm going there right now.

00:59:52You are right.

00:59:53You go first.

00:59:55He has disappeared.

00:59:56Let's go.

00:59:58Come on.

00:59:59Full speed ahead.

01:00:01Fuck.

01:00:02Run, run, run.

01:00:03I'm going, I'm going, I'm going.

01:00:03That's it.

01:00:04Latest.

01:00:05He's coming, he's coming, he's coming, he's coming.

01:00:06Fuck.

01:00:06Damn, it's hot.

01:00:10Hey.

01:00:12It's not very hot.

01:00:14Just like that, out of the blue.

01:00:15It's normal to do this at this time of year, right?

01:00:17Well, and because it's not summer,

01:00:19Otherwise, you'd be living right now.

01:00:20in a fireplace.

01:00:23Open the windows.

01:00:25Careful.

01:00:25The neighbors are here.

01:00:27Yes, they have a keen ear and I don't know, huh?

01:00:29As?

01:00:30Hearing and smell.

01:00:31A sense of smell that flies like a bachelor

01:00:33clean like you.

01:00:34It's up to you, if you want to take the risk.

01:00:36Well, that's it.

01:00:37Bo, bo, bo.

01:00:41Cris, water.

01:00:42Oh.

01:00:43That?

01:00:45Since it's not raining, they cut it off every day.

01:00:47They cut it a...

01:00:48There's only a little while.

01:00:50But how come...?

01:00:51So, Colo, can you live like this?

01:00:53Great.

01:00:54I'm even cold, just wait.

01:00:56Fuck.

01:00:57Well, I couldn't, because I'm already feeling dizzy.

01:01:01So, you can't stand it, right?

01:01:02So, it's probably better if we go north, Peyo.

01:01:05No, well, maybe, yes.

01:01:06Because this is hell on earth.

01:01:09No, the world is worthless.

01:01:11Fuck.

01:01:13God.

01:01:17But this is underway.

01:01:19No.

01:01:19Jokes.

01:01:23You guys put it there.

01:01:25Hey?

01:01:26Colo, and you don't want me to stay?

01:01:28Okay, okay.

01:01:28Look, let's not twist your words, that's not how it works, okay?

01:01:33This...

01:01:33Yes, yes, that's right.

01:01:35That's right.

01:01:35And you two, helping to annoy me.

01:01:38Well, if that's what you wanted, you've got it.

01:01:41I used to have one, huh?

01:01:42Look, Peyo, there's an explanation for this, you know?

01:01:45Neither...

01:01:51What happened, Gozoni?

01:01:52What happened?

01:01:53I don't know, I don't know, yes.

01:01:54She was crying and...

01:01:55Well, I left her with the neighbors in the park.

01:01:57And I went up because I thought I was hungry.

01:01:59I went downstairs with something to eat, but it was gone.

01:02:00It has already disappeared.

01:02:02I don't know where it is, I don't know where it is.

01:02:03No, he doesn't answer.

01:02:04I don't know what's going on, what...

01:02:06I knew it needed a chip, like the farm dog.

01:02:08Oh, love.

01:02:10Oh, he's Basque, but Basque.

01:02:11Come on.

01:02:12I'm sorry, I'm sorry.

01:02:13I thought the neighbors were trustworthy.

01:02:15Sure, how about that?

01:02:16The neighbors are trustworthy.

01:02:17You're the one who can't be trusted.

01:02:18Gozoni, how can you leave the girl in the park without food, little girl?

01:02:22Of course, what do you plan to do when you have children?

01:02:24How are you going to raise him, beautiful?

01:02:25Calm down, Carmen, calm down, calm down.

01:02:26Now the important thing is to find her, okay?

01:02:28Can you guess where they might have gone?

01:02:29Well, I don't know.

01:02:30The neighbors so far, well, unless they've gone to bingo to eat churros...

01:02:35Oh...

01:02:35Oh no, no.

01:02:37I don't think they'll go there with the girl.

01:02:39Carmen, Merche, Piedad and Lucy.

01:02:43The cinnamon is buzzing.

01:02:47What are you bleeding, boy?

01:02:50Okay, Gozoni, I'll look around the neighborhood and you go to...

01:02:53The cinnamon is buzzing, yes.

01:02:54If we know something, we'll call each other.

01:02:56Okay, a lot.

01:02:56Bye.

01:02:57I'm sorry, Carmen.

01:02:58We'll talk later.

01:03:07Girl, another round for everyone.

01:03:09Cheers to these three gorgeous bodies!

01:03:19Is it possible?

01:03:20Let's see you three, the tricycle.

01:03:22Can you tell me why you disappeared?

01:03:24Look, you're a know-it-all, we haven't disappeared, chicken.

01:03:27We're celebrating.

01:03:29We've been dealt a bad hand!

01:03:32Who else is going to get you there?

01:03:33And he points with that face of his.

01:03:35You'll see how they're all lining up behind us now for the money!

01:03:40Congratulations, girl.

01:03:41But how could you even think of going with the girl without warning or anything, not even a phone call?

01:03:46Look, Carmen, after what we've been through, I'm done with my phone, okay?

01:03:49From now on I'm going to send a butler with a little envelope.

01:03:53Merche, a question.

01:03:54Have you started smoking again?

01:03:54Oh, of course.

01:03:56And don't worry so much, son, you worry too much.

01:03:59That you get a face like a drunkard's pussy.

01:04:02Come on, here's another round, with the slum dweller, with the orchard.

01:04:05Oh, let it run!

01:04:06What a great time to arrive.

01:04:08Well, look at this one.

01:04:10I'm going to feed my daughter.

01:04:12Bye.

01:04:12See you later.

01:04:13Come on, kid, I know it.

01:04:15Taking it out, taking it out.

01:04:16Come on, come on, let's go, let's go.

01:04:17Which story did he play?

01:04:19How's it going, let it catch, catch!

01:04:21How's it going, let it limp!

01:04:21We have to celebrate, it's a big day for everyone.

01:04:24How's it going, let it limp!

01:04:27How's it going, let it limp!

01:04:30Girl, calm down, square, everything low against this time.

01:04:32Children are more of a worry than writing.

01:04:35I don't think so, do I?

01:04:36Hey guys, I'll see you later, okay?

01:04:38I have to find Cozones.

01:04:40Yeah, yeah, come on, dude.

01:04:41And we're going home too, because nothing's been lost here.

01:04:43Okay, as soon as we arrive I'll pack my suitcase and leave.

01:04:46North?

01:04:47To a hotel.

01:04:48But from the north?

01:04:49Ah, what a maniac!

01:04:49In the north, in the north.

01:04:50I have no business being there.

01:04:52What do you mean, no?

01:04:52The crew.

01:04:53The crew is stubborn.

01:04:57Don't say you did all this to avoid breaking up the team.

01:05:00Look, Pio, if you stay in Seville,

01:05:02When you're in Seville, I'll be alone in San Sebastián.

01:05:04Well, I'm here too.

01:05:06More alone than one.

01:05:08This would be the end of the crew.

01:05:09Well, if you want, I could...

01:05:11Anchor, the crew can't be broken even by Thor's hammer.

01:05:15Well, we could play for a pair.

01:05:16Yes, I know how to play par.

01:05:17Pello, Anchor, that's 900 kilometers away for a Basque.

01:05:21A stroll, huh?

01:05:21And let it not be said that people stopped playing mus in the streets because of me.

01:05:25I'll be there.

01:05:26Even if I have to have my mother here in La Chepa for the rest of my life.

01:05:29Rosa, you're staying in the north, right?

01:05:30Yes, in the kingdom of the clouds.

01:05:32Phew!

01:05:32Come on, come on, sir!

01:05:33There it is, damn it.

01:05:34And an Englishman came to Bilbao to see the estuary and the sea, and upon seeing the women of Bilbao...

01:05:51He refused to leave.

01:05:55What's happening?

01:05:56How are you guys doing?

01:05:57Good or what?

01:05:58Hey, couldn't you guys do me a favor?

01:06:02That's what the crew is for.

01:06:11You don't need to pack your suitcase.

01:06:13I've already told you I don't want your housekeeper to pack my suitcase.

01:06:16It always wrinkles my clothes.

01:06:18So, you're going north, Zola.

01:06:20With me.

01:06:21Do you think that's not enough?

01:06:22At least I don't deceive her.

01:06:24Just to tell you that something looks good on you.

01:06:26Alright.

01:06:31I hope this helps you understand.

01:06:33Look, we're not here for your excuses in verse, okay?

01:06:36It is a clinical report.

01:06:37I just picked it up.

01:06:39Celia was here for a professional reason.

01:06:44Benito, tell me this is a lie.

01:06:47Tell me it's an excuse to justify what happened to Celia.

01:06:52I wish it were.

01:06:54But my heart and my life have always been yours, Maricho.

01:07:04Benedict.

01:07:06But what does it say here about a lump?

01:07:09Is Benito bad?

01:07:11Well, it's serious, but I'm not going to die.

01:07:16I had one of my testicles removed.

01:07:20I would have preferred that you had cheated on me.

01:07:25My love,

01:07:27I didn't want to tell you anything so as not to worry you.

01:07:29but

01:07:31Now I need you by my side, Maricho.

01:07:36That's clear, Benito.

01:07:44Dear.

01:07:47Maricho, Maricho, what's wrong?

01:07:51Maricho!

01:07:52Maricho!

01:07:58If not, pour a small glass for Dr. Centocho,

01:08:01that we are going to celebrate.

01:08:02No, individuals wearing lab coats cannot drink lame.

01:08:04What are you doing making an infusion, child?

01:08:06Pour this man a glass of wine.

01:08:08No, no, leave it, don't put anything on me.

01:08:10I'm leaving now, I have to leave.

01:08:12Excuse me, would you mind if we talked for a moment?

01:08:15Girl,

01:08:17Please keep the girl.

01:08:18But don't go to the Canary Islands.

01:08:19Don't worry, Carmen, my daughter,

01:08:21If we go to the Canary Islands,

01:08:22We'll send you a postcard.

01:08:24Yeah.

01:08:29Okay, I wanted to tell you

01:08:30what I've been trying to tell you all day

01:08:32about this morning's breakfast.

01:08:34But are you sure you want to talk today?

01:08:35Not at another time.

01:08:36It's been a very long, very difficult day, hasn't it?

01:08:40Iago, you're charming.

01:08:42You're going to tell me now, aren't you?

01:08:44Yes, I think I will tell you now.

01:08:45because I can't wait any longer.

01:08:50You're charming.

01:08:54And I feel very good with you,

01:08:56But I don't want to hurt you.

01:08:57I don't think this is going to work.

01:08:59And I really do laugh.

01:09:02I feel fine, but...

01:09:05I'm not Iñaki.

01:09:08As?

01:09:09Well, he's the person you've lived with,

01:09:16You've had a family and you're separating,

01:09:18that now is not the time to think about...

01:09:20This isn't that important, come on.

01:09:22And I understand you.

01:09:24I understand myself perfectly.

01:09:25And I appreciate you being honest with me.

01:09:29And we can remain friends or not, or...

01:09:33Thank you very much, Iago.

01:09:40And let's be friends, shall we?

01:09:49Irene, I haven't forgotten you

01:09:53And never, never, never forget.

01:09:58Even if they take me away from you,

01:10:02You go from land, from land and sea.

01:10:07Irene, if one day you know

01:10:11that I die without your love,

01:10:17from the dream of death,

01:10:23I will wake up to worship you.

01:10:31Irene, Irene.

01:10:45Irene, Irene...

01:10:50Irene...

01:10:53José, but...

01:10:54That's me.

01:10:56The fool I let slip once

01:10:58And since then, I've done nothing but go through it.

01:11:01Regulates.

01:11:01I really wanted to do something bigger for you, to be honest.

01:11:03But it's not...

01:11:05And I remembered they were here

01:11:07Those guys from the Orfeón, those cool accents, huh?

01:11:09Everything is fine and...

01:11:09Start it up!

01:11:10Yes, yes, yes, thank you, mate.

01:11:13That's why...

01:11:15I've realized that...

01:11:18I am very happy by your side.

01:11:19and...

01:11:20I really like you the way you are and...

01:11:23and...

01:11:24You're a real flirt, aren't you?

01:11:26You seem to be very funny and...

01:11:27You're very good and you make me a better person too and...

01:11:30and...

01:11:31Look, I don't know...

01:11:34It might sound like nonsense, but...

01:11:36If you want...

01:11:39Will you marry me?

01:11:48I know, sorry, I missed the fence.

01:11:50This is a joke, sorry.

01:11:51No, José, because...

01:11:53that...

01:11:53Look, I do want to be with you.

01:11:55We can start to see marriage in a more relaxed way, right?

01:11:59But...

01:11:59Yes, I do want to.

01:12:00Look, you didn't need to set all this up.

01:12:02If I had a small bouquet of flowers...

01:12:04I know, man.

01:12:04I've been busy all day and in the end...

01:12:07the thing is...

01:12:07I'm a bad...

01:12:24OK.

01:12:25I'll be there the day after tomorrow.

01:12:27Thank you.

01:12:37Pig.

01:12:39Iñaki.

01:12:41Iñaki, I'm sorry.

01:12:43I'm so sorry.

01:12:45Elaya started crying and then I got really nervous...

01:12:47No, no, no.

01:12:47Cochone, Cochone, Cochone, Cochone.

01:12:49No...

01:12:49Don't worry, it's my fault.

01:12:50I didn't warn you about the danger that Merche, Lucía, and Piedad are in.

01:12:53No.

01:12:58Hey...

01:12:59I was talking to...

01:13:02The Lyman Restaurant.

01:13:05Lyman, Lyman of London.

01:13:08Me...

01:13:09I've been offered a position as...

01:13:12sous chef.

01:13:14AND...

01:13:16I have accepted it.

01:13:23Congratulations, right? That's good news.

01:13:27For both of us?

01:13:32I'm going alone.

01:13:36Ah!

01:13:38I don't know.

01:13:40With Elaya here in Seville, me in San Sebastián, you in London.

01:13:44You're making it harder and harder for me.

01:13:52Iñaki, I'm sorry. I'm so sorry. Look, I love you so much.

01:14:02But everything that has happened today is giving me signs that this isn't going to work out.

01:14:09And I'm not referring to Elaya.

01:14:15You don't look at me the way you look at Carmen, Iñaki. And you don't even realize it.

01:14:21And besides, I know I'm not going to be a good stepmother, and well, I'm not going to be that bad either.

01:14:26Like in the story, right?

01:14:27But you want to start a family, Iñaki, and I don't want to. I don't.

01:14:34I don't want to.

01:14:40Because I love you, right?

01:14:41Yes, I love you too, Iñaki. Me too. But precisely because of that, because I know that later on you're going to

01:14:51I regret it, and the worst part is that you're so good that you'll never hold it against me, Iñaki.

01:14:57But you're not going to be happy about everything.

01:15:02No.

01:15:10José, I assure you I have tried.

01:15:12I know, Iñaki, I know.

01:15:17But this is like a dish.

01:15:22We have the best ingredients.

01:15:25It was the best on the market.

01:15:29And I'm sure I couldn't have found anything better.

01:15:36But...

01:15:39I am not the chosen dish.

01:15:46My place is here, Oksone.

01:15:51I belong to this site.

01:15:54I don't want to miss the opportunity to see my Iñaki grow up.

01:15:59Because life...

01:16:01He very rarely gives you a second chance.

01:16:05You have no idea how much it bothers me.

01:16:07I know, I know.

01:16:28Girl, here.

01:16:29Iñaki, son.

01:16:30I was looking for you.

01:16:31Oh, yes, it's because of the child.

01:16:32Peaceful.

01:16:32It has already appeared.

01:16:33False alarm.

01:16:34What do you mean, the girl?

01:16:35Your mother, who has fallen.

01:16:36He hit his head.

01:16:37But how?

01:16:38Alright.

01:16:39I don't know, son.

01:16:39He is unconscious.

01:16:40They just went up to the room.

01:16:43No.

01:16:44No, no, no, no.

01:16:46Not again.

01:16:47Iñaki.

01:16:49Oh, this woman has a knack for falling.

01:16:53What the hell is wrong with you, Raffi, with that face?

01:16:55It looks like he's sucking lions, huh?

01:16:57What's wrong with me, Lucy?

01:16:58I'm not selling Urbani even if Chicote tells me to.

01:17:01Oh, you sell herbs.

01:17:02Yes, we sell urbani.

01:17:03But how could things possibly go wrong for you?

01:17:05If you have such delicious skewers.

01:17:06Let the tears flow.

01:17:08And the little seams of the little suit.

01:17:11How funny.

01:17:12I don't understand it, to be honest.

01:17:13The genre is top-notch.

01:17:15The raw materials are top quality.

01:17:16The service, you can see, is not the same.

01:17:17And then the location is unbeatable.

01:17:19Cause?

01:17:20I've always wanted to have a little something.

01:17:22Me too.

01:17:24I'm having an idea.

01:17:28Why don't we buy weed with the money from the coupon?

01:17:31Oh, how wonderful!

01:17:33Wine, wine, wine!

01:17:34Let the wine flow!

01:17:35Come on, come on, come on!

01:17:37Okay, okay, okay.

01:17:38The fun never stops, huh?

01:17:39Attention, attention.

01:17:40Big news, big news!

01:17:41I'm getting married!

01:17:43He told me that he...

01:17:44He told me the most handsome thing in all of Europe!

01:18:00How are you doing?

01:18:01What did the doctors tell you today?

01:18:02What happened?

01:18:03Shh!

01:18:04Calm down.

01:18:04You know, Vanity?

01:18:05He fell down the stairs.

01:18:06Waiting to see what the doctors tell us.

01:18:08Don't worry.

01:18:09Oh my God.

01:18:13I have to answer, sorry

01:18:14Yeah

01:18:19Mother

01:18:21No, no, no

01:18:22Not again, tell me it's not true

01:18:25Wake up

01:18:26It's me, Iñaki

01:18:28Mom, open your eyes, please.

01:18:32Already

01:18:37Well

01:18:38Does that sound good to you?

01:18:39Well, that's for sure.

01:18:41Celia, Celia

01:18:42Oh, I was looking for you all over the clinic!

01:18:44Well, if you have something to tell me

01:18:46It's time

01:18:48You heard, right?

01:18:49Well, the clinic is very small.

01:18:51And I have a very developed sense of smell.

01:18:54Honey, I'm truly sorry.

01:18:55It doesn't matter

01:18:56Surprise is important

01:18:58But above all, it's the intention that counts

01:19:00That?

01:19:02Do you have something to tell me?

01:19:03Look, Dolores, it's been strictly professional

01:19:05In other words, as you will understand

01:19:07Benjumea and I making out

01:19:09Well no

01:19:09That?

01:19:10Marichu caught out

01:19:12In his room

01:19:13With his trousers and underwear pulled down

01:19:15My poor little thing

01:19:16She wanted to keep her illness a secret.

01:19:17And everyone knows about it

01:19:18But what about the boot?

01:19:20Is it true that Irene José is getting married?

01:19:22What are you saying?

01:19:23I didn't understand anything

01:19:24It looks like this has led him into a cave

01:19:25Oh my God

01:19:26Anything else?

01:19:27The clinic is closing

01:19:28Chimpum!

01:19:30I can't believe it

01:19:31But they called me the ear of God

01:19:33From what you're hearing

01:19:34There's a super toxic roll on the wall

01:19:35Like a fly landing on something and dying

01:19:37Very good

01:19:38Come on, God

01:19:39That?

01:19:39There's Don Benjumea

01:19:40Don Benjumea, forgive me

01:19:42I know it's not the most ideal time

01:19:44But there are rumors that the clinic is going to close.

01:19:46Okay, okay

01:19:47So don't worry

01:19:48I've had an idea

01:19:50And what is it about?

01:19:51These things do get told, you blind fool.

01:19:57Man! Man! It's about time!

01:20:00Excuse me, are you sure you're sick...

01:20:02Mera?

01:20:03No

01:20:04But I was

01:20:23Man!

01:20:24Man!

01:20:27Man!

01:20:43Man!

01:21:13Thank you!

01:21:29Thank you!

01:21:46Thank you!

01:21:47Fuck!

01:21:47No, if he's going to kill her, he's going to kill her.

01:21:49No sign of Dr. Golmar.

01:21:52In the end, you lost it.

01:21:54What? Who lost it?

01:21:57Okay, I've taken out three trays of cod and... cod.

01:22:02He's going to kill her.

01:22:07Carmen arrived so late that I even ate the donkeys for dinner...

01:22:12Because?

01:22:14And a round for everyone!

01:22:16What am I trying to do!

01:22:18What a mess!

01:22:20Pancho, don't even think about taking off and leaving me alone, okay?

01:22:23Ego, stay out of it. This is a crew matter.

01:22:36Swap sandwich for empanada?

01:22:37No!

01:22:40Now, now, now!

01:22:42Did I do it now?

01:22:44Are you going?

01:22:45Yes, but what did you do to my ear?

01:22:55Shut up!

01:23:01Sorry.

01:23:02Sorry.

01:23:03Sorry.

01:23:04So... well, guys, I wanted to buy it...

01:23:06Hahaha!

01:23:08Ha ha ha!

01:23:11Paint battles, attempted lynching

01:23:13and a last-minute escape across the Basque Country in a manure truck.

01:23:17Yes, we spent the night in Echegarate, I won't say any more.

01:23:19Jesus, Marieta Jose, well, what a sight...

01:23:21What a night.

01:23:23Toledana.

01:23:27Imagine having a vegetarian child.

01:23:29What are you doing?

01:23:35You have a vegetarian child, what do you do?

01:23:41Stop, what do you want to see?

01:23:42Stop, stop, and it's going to come out.

01:23:44Drive, you're going to crash.

01:23:47Thank you.

Allí abajo - 4x15 - Aúpa y olé - HD 1080

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