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00:00:02Yes, yes, I love you
00:00:05I love you
00:00:07She gets married
00:00:08José told us that Iñaki is getting married.
00:00:11Look, I think it's great that Iñaki is rebuilding his life.
00:00:14You have to go to the registry office for me and get the wedding date, okay?
00:00:17It's important that the wedding is on a specific day of the year.
00:00:21But what date have you booked?
00:00:24Next, the date was changed.
00:00:25José Pali, it's Ricasco, you don't know what a favor you've done us.
00:00:28I'd be happy with something more modest.
00:00:31Thank you so much for inviting me to your bachelor party, Iñaki
00:00:34Well, how could we not enjoy it?
00:00:39Why did I ask my father for 100,000 euros if the land is worth 12?
00:00:42I don't need to explain to you what the percentage for management expenses means.
00:00:45And as evidence number 4, the envelope is provided
00:00:48Do you remember? Like those envelopes you used to send letters to Miriam when she was whitewashed?
00:00:52How could you do something like that?
00:00:54I'm sorry, it got out of hand
00:00:57Lordship
00:00:58I have something I want you to see.
00:01:00And for all the reasons stated above
00:01:02I declare
00:01:04Guilty
00:01:05What a great league!
00:01:07Cristóbal and Don Mejumea have been declared innocent
00:01:13I mean, do we tell everyone or what?
00:01:15I have a feeling he has failed again
00:01:17No no
00:01:18I was expecting it.
00:01:19And I took the liberty of asking his secretary to collect his things.
00:01:24Thank you!
00:01:43Thank you!
00:01:55Thank you!
00:01:56Thank you!
00:01:56Thank you!
00:01:57Thank you!
00:01:57Thank you!
00:01:58Thank you!
00:01:59Thank you!
00:02:00Thank you!
00:02:02Thank you!
00:02:02Thank you!
00:02:02Thank you!
00:02:06Thank you!
00:02:08Thank you!
00:02:08Thank you!
00:02:09Thank you!
00:02:10Thank you!
00:02:11Thank you!
00:02:11Thank you!
00:02:12Thank you!
00:02:12Thank you!
00:02:14Thank you!
00:02:14Thank you!
00:02:15I bet you've already had three drinks.
00:02:16Don't get tired, Marichu,
00:02:17that in the clinic he did whatever he wanted
00:02:19I clicked here with my friend.
00:02:20What are you talking about, man?
00:02:21If the clinic there is worse for you than jail.
00:02:25We who have just come out of it.
00:02:28But come on, the back pain was much worse than jail.
00:02:32He says that because I had your back.
00:02:34giving a defiant look.
00:02:35One day in the courtyard I had an arm wrestling match with one
00:02:37that he was telling the vulture,
00:02:38Look, I left the arm that was slipping off, the tattoos.
00:02:41Don't tell me, you like arm wrestling?
00:02:43Yes, yes, yes, yes.
00:02:44Does he kick them out?
00:02:46How are we going to play one?
00:02:47No, no, no.
00:02:49No, no, no, my bag will get wrinkled, man.
00:02:51No, no, no, no.
00:02:52No, come on, now, now, now.
00:02:56Girl, wasn't Manu coming today?
00:02:58Oh yes, but he's gone racing with his friends.
00:03:01Well, it wouldn't have mattered if I'd come here.
00:03:02because we're all a bit like a motorbike.
00:03:06Rafi, shall we exchange there at Toni's?
00:03:07That's done.
00:03:08Oh, come on.
00:03:09Oh, look, but...
00:03:10Irene, I wanted to give you something I brought you.
00:03:13But wait, what's this all about?
00:03:16Nothing, just a small detail about covering my fingers, it bothers me and that's it.
00:03:19Yes, José, please, thank you very much, it wasn't necessary.
00:03:23Oh, how cute, I love it, like a kitten.
00:03:26Yes, don't wear it if you're going to twerk.
00:03:30Like doggy, doggy, cat, doggy.
00:03:31Ah, of course, yes, yes.
00:03:33Oh, I love it, gorgeous.
00:03:35Well, thank goodness, because if we had to go and exchange it at night, you can imagine.
00:03:39Oh.
00:03:40Hello, good.
00:03:41Las Flores Clinic?
00:03:42Yes, please put me on with Trini de Lozano.
00:03:45It's because his phone is turned off.
00:03:47As?
00:03:49What's wrong, Christopher?
00:03:52Trini, they've fired her from Las Flores.
00:04:01Love, Jesus, your small chickpea.
00:04:03It might even qualify you for stone lifting, huh?
00:04:07My goodness, nephew, you offer me that and Agur, Sabino.
00:04:12Hey, so what do you think she'll like?
00:04:16She's a normal woman, she just pulls her neck.
00:04:19Hey, you little pig, even if I chuckle at you, we're still doing alright.
00:04:23Eye.
00:04:25Hey, dude, what's up? Are you going on a trip or what?
00:04:28No, not me.
00:04:29You're the one who's leaving.
00:04:35Goodbye, goodbye.
00:04:36Just a moment, just a moment.
00:04:37Farewell to what farewell?
00:04:42No, no, no, no, no, no, no.
00:04:46Look, I don't want to be a spoilsport, but the wedding is months away.
00:04:49Oh no, that's my business.
00:04:51After what you guys caused in the south, if you're going to do something, well, I don't know, with time, right?
00:04:55So that the bone heals?
00:04:56Look, you'll have to forgive me, you little rascal, but we're not going to make the same mistakes, okay?
00:05:00This is planned and well organized.
00:05:02There's no room for misfortune here, I mean, we've rented a little hotel that's a sight to behold.
00:05:07In a spectacular village and then, as we arrive, we'll have a place to eat and rest, to recharge our batteries.
00:05:12Good wine.
00:05:13Don't spoil it, this is like a police movie.
00:05:17You will gradually discover the enemy.
00:05:19Anchón, anchón.
00:05:20All that's missing is the van to arrive.
00:05:22How did you manage to rent a van for five people?
00:05:25The thing is, there aren't just five of us.
00:05:27Remember, here's a farewell!
00:05:29Hey!
00:05:31Hey!
00:05:33Hey!
00:05:36But what are you doing here?
00:05:38You know how it is, when it comes to parties I'm like pigs for truffles, I don't miss a single one.
00:05:42Did we stay there with the border in the cortege of the sleeping ones?
00:05:45I'd do anything for my brother, it's not Rocío, but that guy with the fistful of
00:05:48Basque and with a god-like air.
00:05:49The weekend is here and nothing's wrong, right?
00:05:50Okay, really.
00:05:52You don't understand.
00:05:52Okay, let's go then, shall we?
00:05:53If we're all here, then let's get some fresh air.
00:05:58Iñaki, Iñaki, Iñaki.
00:06:01That?
00:06:02Ready to have a pirate time?
00:06:05Hey?
00:06:05If you agree, we'd better leave, because I've left the van parked in a valid menu area.
00:06:09Hey?
00:06:09And well, we already know what your mother is like, right?
00:06:11At the slightest provocation, he goes and bam!
00:06:13It tires us out.
00:06:13Have you asked José Mari to rent the van?
00:06:17You're going to be blown away.
00:06:19We're going to appear as the A-team.
00:06:21Stop, stop, let him tell me so I can't go.
00:06:23Don't even think about paying in the middle of the doors, or it might fall down.
00:06:25But come on, this thing can't run badly.
00:06:27Yes, on top of a crane, cabozo.
00:06:29Come on, buddy, it's only 40 kilometers.
00:06:31Mr. Ana José Mari, the driver.
00:06:35Hello, I'm here.
00:06:37Look at the tomatoes I've bought.
00:06:39Look how beautiful, huh?
00:06:41At what a price!
00:06:42I didn't know whether to buy it or frame it directly.
00:06:45Okay, Dad, the Sardinian is exactly the same.
00:06:48If the office is no longer split, you can see the accounts from here.
00:06:50How awful?
00:06:51Well, horror, things disappear, like bell-bottoms or the toupee you had, you know?
00:06:55No, no, I know what's going on, between the mortgage and the freezer fiasco, I
00:06:59I know perfectly well that we are in the red.
00:07:01What are you telling me, Rafi? Don't scare me, things aren't that bad.
00:07:04No, things were bad last month.
00:07:06This month, Isabelita and I have a fortune that, if we manage it well, will last us a lifetime.
00:07:10Oh, just in case...
00:07:10Hey, why don't you ask your family for money?
00:07:12Or better yet, two mejumeas who are lined up.
00:07:14Yeah, brother, kid, don't blaspheme, we're not asking anyone else for money, man, we've already asked the bank.
00:07:17And that's it.
00:07:18I got you into this and I'm going to get you out, okay?
00:07:20You understand me?
00:07:21Okay, go ahead and throw it.
00:07:22Go on, go over there, walk around the tables and do the things.
00:07:25Cheer up.
00:07:28We have a ruin, and Isabel, not even a miracle from the Virgin of Rocío can fix this.
00:07:33I know you're not going to like something I'm about to tell you.
00:07:36If you're going to tell me to sell the glass, forget that idea, okay?
00:07:40Damn, huh?
00:07:42What if we raise the prices a little?
00:07:44Likewise, the number of customers decreases.
00:07:46No, girl, we have a loyal clientele, that's like tomatoes.
00:07:49You went to buy the tomatoes, didn't you? They were more expensive, but you brought them home.
00:07:52Well, I guess we have nothing to lose by trying.
00:07:56Come on, calm down, darling.
00:08:01Carmen, haven't you seen the magazine?
00:08:02I'm not in the mood for you to take it, okay?
00:08:04You're crazy about the magazine.
00:08:05The medical journal, I mean, and those who are dislocated are the ones from the flower clinic,
00:08:08They've signed an investment group and they're going to give it a cash injection that I'm just dying to know about.
00:08:12crazy with so many millions.
00:08:14As?
00:08:15Look.
00:08:16What happened, Cormesita?
00:08:18Oh, that look on her face.
00:08:20Don't tell me they found something in me during my medical checkup?
00:08:22No, but he might still have a heart attack.
00:08:25Look at this.
00:08:29By the nails of Christ.
00:08:31And that's despite you being used to seeing large sums in your bank account.
00:08:35Imagine how I feel with this minimum interprofessional salary.
00:08:39Yes, but this is going to grow like wildfire.
00:08:41They will have more services, better doctors, better equipment.
00:08:45And we thought Trini was the worst competition we could have.
00:08:48Well, we've had worse experiences with the flower people, haven't we?
00:08:52This has been sorted out by finding an investor, period.
00:08:54Oh, as if it were that easy, darling!
00:08:57Looking for an investor is like looking for thirst in the countryside.
00:09:01Well, I don't know if we'll find this, but...
00:09:03The little ones have grown, but they've grown up nicely.
00:09:14What a horrible trip!
00:09:16Has that van already passed its MOT test?
00:09:18The truth is, no.
00:09:19I made the stickers myself using Photoshop.
00:09:22It's the first time I've vomited at a farewell party before having a drink.
00:09:26Nothing brings me more joy than when I left...
00:09:28From jail?
00:09:29Because you have the face of someone who passes envelopes.
00:09:33Let's see, Egonón.
00:09:35Egonón, welcome.
00:09:37You're the ones from the bachelor party, right?
00:09:40Yes, we've come to burn the town down, we've come.
00:09:42Look, figuratively speaking, I mean, we're not going to give him the football of...
00:09:45Calm down, man.
00:09:46Yes, yes, yes, I've got it.
00:09:48You're going to have a blast here.
00:09:51Figuratively speaking, okay?
00:09:54This is a very small town.
00:09:56We all know each other, we're all really good people.
00:09:58Your identity card, please.
00:10:00Yes, yes, of course.
00:10:00No, one is enough, one is enough.
00:10:02Just in case, headlands.
00:10:04What, the girl's version?
00:10:05No.
00:10:06The stomach protector.
00:10:07Don't worry, I've brought a meperzo.
00:10:09No, no, no, no, no, Peyo.
00:10:11I brought the ring.
00:10:14Let's see if it ends up in the stripper's ass, like in that movie.
00:10:18Because there will be strippers.
00:10:19José, Mari.
00:10:20He's made me a mess.
00:10:21So what do I do with this now?
00:10:22One little thing.
00:10:23All rooms have a free safe, okay?
00:10:27Ah, it's so rich.
00:10:29Well, that's what we're here for, of course.
00:10:32The code is 1234.
00:10:37It's a joke.
00:10:40Come with me.
00:10:41The instructions are above.
00:10:50What an ugly shirt, you must have terrible taste to wear that.
00:10:54I bought it for her.
00:10:56Ah.
00:10:57It's my birthday money, huh?
00:10:59Awesome.
00:11:06Gochón, how's the leek and potato soup coming along?
00:11:08I need one for the three.
00:11:09Okay.
00:11:10What does it smell like?
00:11:15Gochón, are you making hake in green sauce?
00:11:16Yeah.
00:11:17By?
00:11:18Did I overdo it with the wine or what?
00:11:20No, no, no, no.
00:11:20Yes, it smells wonderful.
00:11:22This was my favorite dish, look.
00:11:24Woman, and you still are, man.
00:11:25She's not dead.
00:11:27As if I were, because I don't think I'll ever see her again.
00:11:29Oh, old man.
00:11:29Don't say that, man.
00:11:31Look, if they put her in jail you can go see her as many times as you want.
00:11:34Oh, you pig, huh, daughter?
00:11:35Oh, sorry, I mean...
00:11:37What is jail, man?
00:11:39It's not hell there either.
00:11:41Sorry, I'm not very good at this Anonymous thing.
00:11:43Well, no, daughter, the truth is that you're not very good at it.
00:11:46But don't worry.
00:11:47Yes, I'm going to have to learn to live with it.
00:11:49Okay, don't exaggerate, come on.
00:11:52Time, then, heals all wounds.
00:11:54It's obvious you don't have children.
00:11:55I don't plan on having them, okay?
00:11:57I have enough to deal with just the stove.
00:11:59You're not going to have children?
00:12:01No.
00:12:03Hey, you're looking at me like I'm going to get kicked out of the country for that.
00:12:06No, but Iñaki, what does he say?
00:12:08Well, I don't know.
00:12:09I haven't told him.
00:12:10Oh, you haven't told him.
00:12:12Come on, you little brat, for God's sake, you're going to marry him.
00:12:14It's one thing to forget to mention it to him, I don't know, that...
00:12:17You don't like artichokes, but something as important as having or not having children seems...
00:12:21Diego, Diego, it's not that important because he already has a daughter.
00:12:24What if he wants to have another one or what?
00:12:25Well, he should have told me.
00:12:26Yeah, the same thing you told him you don't want, right?
00:12:32Okay.
00:12:33Okay, fine, I'll tell him.
00:12:35Sure.
00:12:35Yeah.
00:12:36Daughter, I think it's important, really.
00:12:46Well folks, finally a week of chaos and madness here for the groom.
00:12:56Come on.
00:12:57Dear, stop by for a little cheese treat.
00:13:00Look at me, son, please.
00:13:01Hey, José, put that machine down already, your thumbs are going to cramp up and then you won't be able to
00:13:06grab the gin and tonic.
00:13:08That's why I have it on the left.
00:13:09She's a girl, isn't she?
00:13:11It's good.
00:13:12She's really good.
00:13:13It's got my head in my mouth.
00:13:15Okay, okay, okay, okay.
00:13:16Okay, we'll leave it in the back burner until Monday, alright?
00:13:20Man, you have to enjoy your friends here.
00:13:21The crew has arrived.
00:13:23Okay, the girls are left parked, right?
00:13:24And here.
00:13:25Rottone.
00:13:26Hey, we've arrived.
00:13:28And with the van we rented, that's no small feat.
00:13:30No, for example.
00:13:31These guys scare me, oh my god.
00:13:34Please, they're like children.
00:13:35Like children?
00:13:37Well then you'll be delighted, won't you?
00:13:39Given how much you love children.
00:13:41Yes, yes, yes, yes.
00:13:42I like children.
00:13:43But these are not children.
00:13:44They're gremlins wanting to go out partying.
00:13:46Come on.
00:13:47Already.
00:13:48You're fine, Gochone.
00:13:49Hey?
00:13:50Let's see, Gochone.
00:13:51Gochone.
00:13:52Hey?
00:13:52This weekend Iñaki is for us.
00:13:55You'll have plenty of time after the wedding to have it exclusively.
00:13:58Come on.
00:13:59It's this way.
00:14:00Shall I give it to you?
00:14:00But a quick kiss and hang up.
00:14:02No "you hang up, you hang up."
00:14:03I love you, I love you.
00:14:03You love me, you love me, huh?
00:14:04Okay.
00:14:04Come on.
00:14:05Okay.
00:14:05Come on, air.
00:14:07Yeah.
00:14:08Gochone, what I told you.
00:14:08Like children.
00:14:10Hey, I'm sure you're okay.
00:14:12Yes, yes, yes.
00:14:13I'm fine, man.
00:14:14Except that...
00:14:16I missed you.
00:14:17But only in the kitchen, okay?
00:14:18Don't you go thinking that...
00:14:21Come on, much bigger, my dear.
00:14:23Yes, yes.
00:14:24Come on, a lot.
00:14:26Goodbye, goodbye.
00:14:30That's it, that's it.
00:14:31Okay, that's it.
00:14:35What about my pot?
00:14:37The one who went to Seville.
00:14:38He had a little girl and now he's got the Basque girl.
00:14:42And then a farewell with the crew.
00:14:45What do you gain, come on.
00:14:46What are you?
00:14:48Parting?
00:14:49Hey.
00:14:51Well, here, just chilling, okay?
00:14:52Don't get your hopes up, okay?
00:14:53This isn't it either.
00:14:54No, yes.
00:14:54Yes, that's it.
00:14:55The thing is, she's getting married for the second time.
00:14:57and he comes already bullfighted.
00:14:59Well, like Dani,
00:15:00one from here in town.
00:15:02We'll get him married there next week.
00:15:04Who else?
00:15:06Let's see if this marriage thing works out.
00:15:07It's going to cause an epidemic now.
00:15:09Uh, that can be cured with alcohol.
00:15:11This one's on me.
00:15:12Hey!
00:15:14That's the attitude!
00:15:15That's the attitude!
00:15:16That's the attitude!
00:15:16Waiter, waiter,
00:15:17I'll pay for the next one.
00:15:19Okay, okay, okay, okay, okay.
00:15:20Let's not get carried away.
00:15:21There's a lot of work ahead, huh?
00:15:23Okay?
00:15:24Come on.
00:15:24Okay, to arrive, have breakfast,
00:15:26gather strength,
00:15:27We've already done that.
00:15:27Made.
00:15:28But we still have the five-a-side football match.
00:15:30Singles versus married people.
00:15:31You, Iñaki,
00:15:32You choose for now.
00:15:33Hey, there's going to be a donkey race, right?
00:15:36Better, take notes.
00:15:37After that, we'll have to have a snack.
00:15:39I don't know, something.
00:15:40Well, the thing is that
00:15:41Things to keep safe, huh?
00:15:43It is energy and strength
00:15:44for the evening
00:15:45Let's go,
00:15:45Let's burn the night.
00:15:47Let's burn the night!
00:15:49Let's burn the night!
00:15:49Let's burn the night!
00:15:52We need to start crossing something off this list, right?
00:15:54Hey!
00:15:55Don't even touch the donkey race.
00:15:57Little football, we're not here for little football.
00:15:58No, no, no,
00:15:59Besides, I get a big head, you know?
00:16:00Come on.
00:16:01Horses too
00:16:02We'll leave the walk for tomorrow.
00:16:03In the morning, huh?
00:16:04But no rush, okay?
00:16:05The beds are paid for.
00:16:06You know what I'm saying?
00:16:08Out, horses.
00:16:09Outside, very good.
00:16:10Better.
00:16:11Out with the horses!
00:16:13Out with the horses!
00:16:14Out with the horses!
00:16:15Out with the horses!
00:16:16Out with the horses!
00:16:17Out with the horses!
00:16:20Out with the horses!
00:16:24Out with the horses!
00:16:26Out with the horses!
00:16:28This means they are celebrating their golden wedding anniversary.
00:16:31Oh, fruit salads!
00:16:33We're just warming up.
00:16:35That we have reached an age
00:16:36does not mean
00:16:36that we lack stamina.
00:16:38Ah, what are you?
00:16:39Arrijasotayes, right?
00:16:39Cadiche?
00:16:40Cadiche?
00:16:41Stone lifter.
00:16:42Will you be able to take that to bed now?
00:16:43What bed or camps
00:16:44Are we going out to party today?
00:16:45Out, brave one!
00:16:48Okay, okay, okay.
00:16:49Whatever you want.
00:16:50But don't go near the nightclub, okay?
00:16:52That he spent double duty there,
00:16:53don't put it.
00:16:56What a nuisance!
00:16:56We're not giving, are we?
00:16:57It's planted.
00:16:58The kid's got it going on.
00:17:00Listen, the disco
00:17:01Is he having a party?
00:17:03Party?
00:17:03The one she's going to give you is ready-made!
00:17:08Look, listen to me, the night watchmen,
00:17:11We'll wipe you and your colleagues out,
00:17:13to whomever you wish,
00:17:14to whomever you wish,
00:17:14to whomever you wish,
00:17:14to whomever you wish,
00:17:15to whomever you wish,
00:17:15They are challenging each other.
00:17:16Let's see, let's see, let's see,
00:17:18challenging, challenging.
00:17:20Yes, challenging.
00:17:21Nephew,
00:17:22these kids
00:17:23They're going to crawl home.
00:17:24when we pass by
00:17:25above.
00:17:26Yes or yes?
00:17:27Yes, yes?
00:17:30Okay, okay.
00:17:30I think it's fucking great.
00:17:32But only if you dress up the groom.
00:17:34I knew it.
00:17:35We should have disguised him
00:17:36bilingual.
00:17:37José Mari.
00:17:38No, look.
00:17:39Challenges, whatever you want,
00:17:40but me
00:17:41You don't disguise me
00:17:42Not even for God.
00:17:43If you don't need it
00:17:44dress up.
00:17:46Or aren't you going to be a chicken?
00:17:47Hey?
00:17:47Hey?
00:17:54You,
00:17:55Canary Island bananas,
00:17:56more peaceful.
00:17:57That's messed up
00:17:58with backpack
00:17:58and the fruitis, you.
00:17:59And here?
00:18:00It's not just at stake
00:18:01your name,
00:18:02but that of the entire crew.
00:18:09Cabezot.
00:18:10Where is
00:18:10That nightclub?
00:18:13Right here.
00:18:14You don't need it
00:18:15or cross the street.
00:18:16Floats.
00:18:17Are you all old fogies?
00:18:19What does the princess say?
00:18:21Well done, Jackie.
00:18:22Take the old people
00:18:23us
00:18:24They're going to find out.
00:18:25If I or myoprofen
00:18:26It's for everyone.
00:18:27Bye bye.
00:18:32Damn flowers.
00:18:34It's just their turn
00:18:35the EuroMillions.
00:18:37Damn, really
00:18:37It's always him who gets to do it
00:18:38to the one who needs it least.
00:18:39Look, it makes me so angry.
00:18:40No, let's bomb.
00:18:41That's a way
00:18:42to say that he has come
00:18:42a guitar-like
00:18:43and he released them
00:18:44the moni moni.
00:18:45It's because the big fish
00:18:46He always eats the little one.
00:18:48And we are like Nemo.
00:18:50A small fish.
00:18:51Where is he going to get it from?
00:18:52now Carmen
00:18:52so much money
00:18:53How to confront the shark?
00:18:54Another good movie.
00:18:55And is it played too?
00:18:56Did she win the EuroMillions?
00:18:58Of course
00:18:58This is like psychosis.
00:18:59We're not getting enough scares, huh?
00:19:01Copín of the deck.
00:19:02And is this beautiful?
00:19:03I didn't know
00:19:03that we were
00:19:04beachfront.
00:19:05It's because of the drought
00:19:06The price of olive oil has gone up.
00:19:07What drought, Rafi?
00:19:08Climate change?
00:19:10The case
00:19:11than the French fries
00:19:11Don't they fry themselves?
00:19:13Okay, what should I put on for you?
00:19:15Nothing.
00:19:17Nothing, he says.
00:19:18That doesn't exist.
00:19:25Isabel,
00:19:26I think the only thing
00:19:27They're going to eat us alive here
00:19:28It's going to be morality.
00:19:29How can they eat away at our morale?
00:19:31No, no.
00:19:32Don't worry.
00:19:32They're not hungry.
00:19:33Look,
00:19:34our clientele
00:19:34She is loyal.
00:19:36They will not abandon us.
00:19:50Oh!
00:19:51Oh, oh, oh!
00:19:52Things are getting interesting.
00:19:56Good afternoon!
00:19:57Good afternoon.
00:19:58Well,
00:19:58What should we put here?
00:20:00Tortillas, potatoes,
00:20:01Russian salads,
00:20:01a little bit of ammonia,
00:20:02soft drinks,
00:20:02What do we put here?
00:20:04Well...
00:20:05A small glass of water?
00:20:07No, no, no, big, big.
00:20:09What is the sandwich?
00:20:10It's made of cheese.
00:20:10and it makes me feel like a marble.
00:20:16Thank you.
00:20:17Nothing.
00:20:18But, but, but,
00:20:19Has he thought about it?
00:20:20That may be here
00:20:20without consuming.
00:20:21I'm on my way there right now.
00:20:22And I'm going to tell him
00:20:22four little things,
00:20:23But well said.
00:20:23No, no, no, no.
00:20:24Leave her alone.
00:20:24which at least serves as a hook.
00:20:26Well,
00:20:26because hooking people with money,
00:20:27because the cash register face
00:20:28has less
00:20:29that my old stripper tango.
00:20:30Well, if we don't start...
00:20:31to do something else.
00:20:32No no,
00:20:32I'm not going to throw
00:20:32to the towel
00:20:33in the first round.
00:20:34Besides,
00:20:34Let me tell you something,
00:20:34The bathroom is for sale, period.
00:20:35I'm not saying it for that reason,
00:20:36I say this because
00:20:37we could start
00:20:38to avoid expenses.
00:20:39And how will he prevent it?
00:20:39Putting candles on the tables
00:20:40So we reduce light?
00:20:41No no,
00:20:41Furthermore, I value quality.
00:20:42what's here
00:20:42I don't intend to sacrifice her.
00:20:43My doctor is right,
00:20:44quality,
00:20:45because she's in a clinic
00:20:45like the Cintocique Entity,
00:20:47marbamos.
00:20:47Besides,
00:20:47We have to do one thing,
00:20:48think like an entrepreneur,
00:20:49stop thinking like a family.
00:20:50What comes first
00:20:51What does an entrepreneur do?
00:20:51When things go wrong?
00:20:53Release the staff.
00:20:54Exact.
00:20:54No, no, no,
00:21:03Look, Dad,
00:21:04You have already sacrificed yourself
00:21:05a lot for me.
00:21:06Because I do it once
00:21:07Nothing bad will happen, right?
00:21:08Come on,
00:21:09you're not more of a mess,
00:21:10I'm going to put on a game now.
00:21:10my son's daily bread.
00:21:11No, no, no, no, no, no, no.
00:21:12No, it's just our daily bread.
00:21:13I'm going to see,
00:21:13I am studying
00:21:13to become a plumber,
00:21:14when it comes out
00:21:15Well, I'll get to work.
00:21:15and gold faucets on my Kelly.
00:21:18And what in the meantime?
00:21:20Well,
00:21:21We're in Seville, right?
00:21:22I'll try it on.
00:21:23Hey, right?
00:21:24Place to leave your resume
00:21:25You won't lack anything.
00:21:27Also, Dad,
00:21:28you think that deep down
00:21:30He's doing the right thing.
00:21:32Look,
00:21:33Why did you buy the bread?
00:21:34Hey?
00:21:35Because I wanted this
00:21:36was a legacy
00:21:37for your son
00:21:38or for your family.
00:21:40So today,
00:21:42He's leaving me there today,
00:21:44But I'll be back tomorrow.
00:21:47You have to see it, Juanillo,
00:21:47since you entered here
00:21:48giving you lessons
00:21:49And today you give me
00:21:50the biggest lesson
00:21:50that can be given
00:21:51to a father in life.
00:21:53Well, that's settled.
00:21:56How much I love you, Juan.
00:21:57You're fired.
00:21:59Thank you.
00:22:00Thanks, man.
00:22:01Juanillo,
00:22:03another glass of water
00:22:04I got really drunk, man.
00:22:10Nothing.
00:22:11The last one I've tried
00:22:13It's Federico Montoya.
00:22:15Save yourself the rhyme.
00:22:18A businessman
00:22:19whom I met
00:22:19in Zotogrande
00:22:20after dinner.
00:22:21Nothing,
00:22:21that will invest
00:22:22in another area.
00:22:23I'll tell you which one.
00:22:24On a yacht
00:22:24two floors
00:22:25that was just purchased,
00:22:27I saw it the other day
00:22:27in the port.
00:22:28Let's see,
00:22:28Mr. Mejomea,
00:22:29we knew this
00:22:29It wasn't going to be easy.
00:22:30The people of Pastas
00:22:31He doesn't invest like that
00:22:32just because
00:22:32in other companies.
00:22:34That's right.
00:22:34Yeah.
00:22:35Hello.
00:22:36Hello.
00:22:37Hello.
00:22:38Here I bring you
00:22:39an empty little box.
00:22:41Look.
00:22:42Hey?
00:22:42What do you think?
00:22:43Excellent.
00:22:43It has side handles,
00:22:44that grips well
00:22:45and then
00:22:46these little eyelashes
00:22:47then...
00:22:48As?
00:22:48Yeah.
00:22:49I know it smells
00:22:50to dead dogs,
00:22:51Come on, it smells like pony ankles,
00:22:52But it was cheese!
00:22:53And Rafi had no other choice.
00:22:55But come on,
00:22:55that this gets picked up and picked up.
00:22:56No, Dolores.
00:22:57That's not it.
00:22:59Don Mejomea,
00:23:00please,
00:23:01Take a look at this.
00:23:07Virgin of Macarena.
00:23:09What is it?
00:23:09A treasure map,
00:23:10a winning ticket,
00:23:11the unpublished lyrics
00:23:12of a topic
00:23:13throughout my entire labor.
00:23:14Almost, Dolores,
00:23:15almost.
00:23:17The solution
00:23:18It's our problem.
00:23:18It seems that Trini,
00:23:20apart from having
00:23:21the plans I had
00:23:21wedding with Christopher,
00:23:23I had other plans
00:23:24for the clinic.
00:23:25And very good,
00:23:26We have to admit it,
00:23:27Hey?
00:23:27Yes, we have to admit it.
00:23:28Yes, they would be very good.
00:23:29but it has remained
00:23:29how the wedding turned out,
00:23:30in nothing.
00:23:31No, no, no,
00:23:32Let's see.
00:23:33Trini's thing with me
00:23:34He is dead
00:23:35and more than dead,
00:23:35But this can be revived.
00:23:38This is a loan
00:23:40pre-granted
00:23:40that Trini got
00:23:41to finance that plan.
00:23:42I am so sure
00:23:44whether we go to the bank
00:23:45and we signed it,
00:23:46the loan is ours.
00:23:47Clear!
00:23:48And the Hispanic
00:23:49I could finally give
00:23:50in a growth spurt.
00:23:51Let's see,
00:23:51if we're back again
00:23:52with metaphors,
00:23:53I'm out of the game now.
00:23:54Oh my God,
00:23:55If we succeed,
00:23:56Flore won't be able to
00:23:56with us.
00:23:58I've got it now.
00:24:04Trinity.
00:24:08Trini, open up,
00:24:09please.
00:24:11Open,
00:24:12I heard you.
00:24:12Yes of course.
00:24:14So you can revel in it
00:24:14with pleasure right in front of my face,
00:24:16No?
00:24:16Oh, look,
00:24:17Carmen, please,
00:24:18Get out of my house,
00:24:18But now.
00:24:20Okay, Trini.
00:24:24Okay, that's fine.
00:24:25No, open it.
00:24:25It's not necessary.
00:24:27It's not necessary.
00:24:30It's true
00:24:31that we've never been friends,
00:24:32but we don't have
00:24:33Why be enemies?
00:24:34Neither, right?
00:24:38I'm so sorry
00:24:39everything that's happening,
00:24:40really.
00:24:54Thank goodness.
00:24:58Oh my God,
00:24:59How long ago
00:25:00Did they fire you?
00:25:01Two days?
00:25:01Two months?
00:25:03Are you enjoying it?
00:25:04Right, Carmen?
00:25:06No,
00:25:07I didn't come here for that.
00:25:10I admit that lately
00:25:11there have been
00:25:11some events
00:25:13with those I haven't done it to you
00:25:14have a good time.
00:25:15You haven't done it to me.
00:25:16Will you have a good time with me?
00:25:17Yeah.
00:25:18Excuse me, Carmen,
00:25:18But you know perfectly well
00:25:19that it was me
00:25:20the one I've had for you
00:25:20all this time
00:25:21against the ropes.
00:25:23I don't think you have
00:25:24the strings
00:25:24like to put you
00:25:25so haughty.
00:25:30Hey, Trini,
00:25:32we have fought
00:25:33both of them very much
00:25:34through the clinic.
00:25:37You're good,
00:25:38But you're better.
00:25:39You came here to tell me that,
00:25:41No?
00:25:41No,
00:25:42I didn't come here to tell you that.
00:25:44I have come to tell you
00:25:45that we both did
00:25:46Very good work,
00:25:47We both fought
00:25:48lot,
00:25:49that you are very good
00:25:51and that you do not allow
00:25:52Don't let anyone make you think
00:25:53never the opposite.
00:25:54That's why I'm here, Trini.
00:25:57Have you finished yet?
00:26:03Because if you're finished
00:26:04You already know the way
00:26:06that I am
00:26:07melting the ice cream.
00:26:15I'm not finished, Trini.
00:26:17Did you know?
00:26:18That you haven't known
00:26:18to appreciate a kind gesture
00:26:20and that each one
00:26:21It has what it gives
00:26:22And you deserve this.
00:26:24And do me another favor.
00:26:27Buy yourself a comb.
00:26:38Buy yourself some.
00:26:40Hello!
00:26:41But who has come here?
00:26:43My pretty thing,
00:26:43my precious,
00:26:44the prettiest girl
00:26:45from the Basque Country
00:26:45and from all over the Cantabrian coast,
00:26:47Oh my God.
00:26:47Thank you, sister.
00:26:49What a chuchola you are.
00:26:51Oh, but look at her,
00:26:52But how beautiful she is.
00:26:54Do you know how much it reminds me of myself?
00:26:55Look,
00:26:56that little nose,
00:26:57those little orchids,
00:26:58and that look so
00:27:00so innocent.
00:27:01Well,
00:27:03Do you know that it already says
00:27:04Mom,
00:27:05Mom?
00:27:06Yes, here.
00:27:07Yeah.
00:27:08Oh, my daughter,
00:27:09if she's smarter.
00:27:10Now that he can't hear us,
00:27:12It certainly hasn't come out
00:27:12to the father,
00:27:13because by the time he said
00:27:14the first word
00:27:15I had already changed it
00:27:16the voice.
00:27:17There it is.
00:27:18I am delighted.
00:27:19daughter, now.
00:27:20González,
00:27:21my aunt,
00:27:21how are you?
00:27:23Have you spoken to Iñaki?
00:27:25Go on,
00:27:25You took your time
00:27:27in telling him,
00:27:27Hey?
00:27:28No, no, no,
00:27:29well yes,
00:27:29Yeah,
00:27:30I've spoken with Iñaki,
00:27:31But I haven't dared.
00:27:32to say nothing to him,
00:27:33Okay?
00:27:33So don't drag me into this
00:27:34more pressure,
00:27:34that's quite a lot of pressure
00:27:35I'm going,
00:27:36Hey?
00:27:37Let's see,
00:27:37I just wanted to know
00:27:39if he had arrived safely.
00:27:40Hey?
00:27:41Let's see,
00:27:42What is supposed to be
00:27:43that you told me
00:27:44But what haven't you told me?
00:27:46but what I want
00:27:46Tell me about it?
00:27:47Already!
00:27:48Come on,
00:27:49Tell him, tell him.
00:27:51Oh!
00:27:52You're pregnant.
00:27:54Yes, yes, yes,
00:27:55That's exactly it.
00:27:56Well, I don't want to
00:27:56have children, Marichu.
00:27:58Well, but...
00:27:59And not,
00:27:59I haven't told Iñaki.
00:28:01And now I know.
00:28:01that I should know.
00:28:03And if,
00:28:03I'm going to tell him.
00:28:05But what if now
00:28:05You don't want to marry me
00:28:06Why is that a problem?
00:28:07That?
00:28:08But let's see,
00:28:09How can you be
00:28:10so sure
00:28:10Why don't you want to be a mother?
00:28:11Because yes, Marichu,
00:28:12just because,
00:28:13because where you
00:28:14You see a little creature
00:28:15wonderful and cute,
00:28:17Well, I see
00:28:17a baby with, well, that's it,
00:28:19with poop and snot
00:28:20that I'm going to be
00:28:20embittering my whole life.
00:28:21That's what I see.
00:28:23Man,
00:28:23That's a sign.
00:28:25Well,
00:28:26But let's see,
00:28:26You, Gozane,
00:28:28let's see,
00:28:28How many babies
00:28:29Have you taken care of yourself in your life?
00:28:31Does it count in the uco?
00:28:33No.
00:28:34Well then, none.
00:28:35Well, that's how it is with everything,
00:28:37Enjoy.
00:28:37You can't know
00:28:38if you like
00:28:39if you haven't tried it.
00:28:40Look,
00:28:41I'm going to leave the girl with you.
00:28:42during an afternoon,
00:28:44Hey?
00:28:44You'll see,
00:28:45You'll see what's coming.
00:28:46It was wonderful,
00:28:46cute gossip,
00:28:47gossipy little angels,
00:28:48Look at it.
00:28:49Oh,
00:28:50Right?
00:28:51Hey?
00:28:52Look.
00:29:03Let's have a barbecue.
00:29:06Come on,
00:29:07Jockey!
00:29:08Fearless!
00:29:09I don't plan to go out.
00:29:10Oh!
00:29:12Oh,
00:29:16This is ridiculous!
00:29:17Yeah,
00:29:18Holy shit.
00:29:19Let's see,
00:29:20But what is it that you have to be?
00:29:22They are ridiculous.
00:29:23us more.
00:29:23While the owner
00:29:24Don't let him find out
00:29:25which is the entire curtain.
00:29:26And where do they take the curtains?
00:29:29Man!
00:29:30The Walking Dead.
00:29:31If you were thinking
00:29:32that you had chickened out.
00:29:33We were in disguise
00:29:34to the boyfriend.
00:29:36Host!
00:29:36Alejandro Guadlo.
00:29:38Ah!
00:29:39Classmates,
00:29:40Look.
00:29:41I'm going to skin you alive in the end.
00:29:42In the end, I'll peel you.
00:29:44Go on,
00:29:44You tell me.
00:29:46Well,
00:29:46What's going on here?
00:29:47To drink or not to drink?
00:29:48There.
00:29:50That's it, that's it.
00:29:50Let's see,
00:29:51little orange.
00:29:52Do you know what's bad?
00:29:53from the fruit?
00:29:54The fruit is great.
00:29:56What's happening
00:29:56like youth
00:29:57that there are mature ones.
00:29:59Except for Blan
00:30:00and more baby.
00:30:02Look!
00:30:02Look!
00:30:03Look!
00:30:05Look!
00:30:06Where's the shot?
00:30:08Look!
00:30:09Look!
00:30:09Look!
00:30:10Look!
00:30:10Look!
00:30:11Look!
00:30:11Look!
00:30:11Look!
00:30:12Look!
00:30:12Look!
00:30:13Look!
00:30:14At the bar
00:30:15Things are proven.
00:30:16I don't have a shot.
00:30:17Chupito is like a fashion statement.
00:30:18Come on, yequi.
00:30:22For us.
00:30:23Doesn't it fit?
00:30:26Are you coming, Micairo?
00:30:31Let's see.
00:30:32These are professionals, huh?
00:30:33Come on, to us.
00:30:35Of course, of course, right?
00:30:38That?
00:30:39It had fire, didn't it?
00:30:40Hey!
00:30:42Are some kids going to beat the gang?
00:30:44No!
00:30:45No no!
00:30:46I hear them!
00:30:48No!
00:30:49No!
00:30:49No!
00:30:50Well, let's drink!
00:30:52Sabine!
00:30:54Goes!
00:30:55AND!
00:30:55Airu!
00:30:58This is nasal!
00:31:00Come on, what!
00:31:01Other!
00:31:02Hey!
00:31:04Yeah!
00:31:05Yes, yes, yes, yes, yes!
00:31:06Of course!
00:31:08What is this?
00:31:14The toast, Rafi!
00:31:15I saw it faster!
00:31:16Where's my toast?
00:31:17I got it done here!
00:31:17No way!
00:31:18And my tea!
00:31:19Come on, come on, come on!
00:31:20These prices are definitely going to be outrageous.
00:31:21It's going to look like a yo-yo from above,
00:31:23for vain, for vain, for vain, for above.
00:31:24The owner looks like the incense burner of Santiago,
00:31:26Hey?
00:31:26Rafi goes, Rafi does well, Rafi goes.
00:31:28But come on,
00:31:28I prefer that it happened again
00:31:30because I couldn't take it anymore
00:31:31having to leave in a hurry,
00:31:33drinking tea while feeling unnerved in front of me
00:31:35to get back here
00:31:35and lose my hour of bowel irregularity.
00:31:38That?
00:31:38Did Juanito oversleep again?
00:31:40No, no, not at all?
00:31:40The child is ready.
00:31:41He has asked me for a leave of absence.
00:31:41apart from mastery of studies
00:31:42who is dedicated to his own
00:31:43And of course, what I don't want
00:31:44It's because I lead this miserable life.
00:31:45then he gives him a little bit of leeway,
00:31:46you know.
00:31:46Really,
00:31:47How lazy today's youth are
00:31:49because when I was studying nursing
00:31:52alternated the needles
00:31:53from my brother's sewing shop
00:31:54with the needles of the faculty.
00:31:56That's how he finds his vein.
00:31:57to the poor patients
00:31:58which seems to be
00:31:59threading a needle.
00:32:01That's a complete lie.
00:32:02Come on, man, come on.
00:32:03A truth as plain as day.
00:32:04I lay the tracks perfectly.
00:32:05Doesn't he even know what to do with laying tracks?
00:32:07Rafi, the toast,
00:32:08that hunger will generate a conflict.
00:32:10They're going to eat each other.
00:32:11Yes, yes, yes, yes, yes, yes, the toast is ready.
00:32:13The toast's coming, Diaguito.
00:32:15I have to set that table,
00:32:16clean that one, pick up a little bit
00:32:17and bring my sister up her coffee.
00:32:19Son.
00:32:19I'll do that for you.
00:32:20In case they serve coffee
00:32:21The people from the bank are already here.
00:32:23The bank, baby, I'm not the bank.
00:32:25Be careful with banks.
00:32:26Loans are a burden.
00:32:27At first glance, it all seems like a very idyllic topic.
00:32:29Everything seems like a bed of roses, a dream.
00:32:30No, no, no, no.
00:32:31When you make a mistake
00:32:32They put it here on your neck
00:32:33and you don't get ahead in 30 years.
00:32:34You can see yourself living under a bridge
00:32:35with the girl, the boy,
00:32:37with the whole family,
00:32:37ruined for life.
00:32:40I wasn't going to charge you.
00:32:41The toast, Rafa.
00:32:42Hold on, man, hold on.
00:32:43I've seen it faster.
00:32:44Carmen, that's great news, isn't it?
00:32:45This investment, from CEDAR.
00:32:47Without there next to the Ispalis
00:32:49A third-class outpatient clinic is going to appear on the fourth floor, huh?
00:32:54Don't get your hopes up, okay?
00:32:55I'm from...
00:32:56Come on, I won't believe it until I see it.
00:32:58The fact that?
00:32:59The signature.
00:33:01The signature.
00:33:02Oh!
00:33:03Well, little girl,
00:33:04This is like par-baked bread.
00:33:05that is ready to serve.
00:33:07All that's needed is
00:33:08a final blast in the oven.
00:33:09Cling!
00:33:11Hopefully.
00:33:11Okay, bye.
00:33:12It's just, Carmencita,
00:33:14just imagine if by chance
00:33:15of life
00:33:15The bank is giving away a set of dishes,
00:33:17This one here asks for it, okay?
00:33:18And why would it be for you?
00:33:19Because she's already asked for it.
00:33:20No, but this isn't about touching.
00:33:22What do you mean he's not going to play?
00:33:23Well, Rafa and the toast.
00:33:25Rafa and the toast.
00:33:25Rafa and the toast!
00:33:27The toast is ready!
00:33:36What a headache
00:33:37It seems I've gotten myself together
00:33:39in the worm, crazy, let's go.
00:33:41Oh no, turn off the kettle!
00:33:43That's not it, José.
00:33:44A noise it makes
00:33:46Is it just me who hears it?
00:33:48Well, at least
00:33:49coat
00:33:50He arrived yesterday.
00:33:52Hey?
00:33:52The night is over
00:33:53embraced
00:33:54to the toilet bowl.
00:33:57Let's see if it's true
00:33:58that we're old.
00:34:00No, Sahino.
00:34:01Any human being
00:34:03that he had drunk
00:34:04what we have drunk
00:34:04in these two days
00:34:05would be now
00:34:06dead.
00:34:07I believe it.
00:34:09Man!
00:34:10What's up, Walking Dead?
00:34:12How bad will it be with the hangover?
00:34:14Hangover?
00:34:14What a hangover, huh?
00:34:16No, no, no, no.
00:34:17Take it out, you say,
00:34:18And that's how we are.
00:34:19nightly.
00:34:20Okay, so what now?
00:34:21You won't mind
00:34:21Leave a little tip, right?
00:34:25No way?
00:34:25There you get a euro
00:34:26for the boat.
00:34:27Boat?
00:34:29Hey man, that's a bell!
00:34:31It's a bell!
00:34:34He's out of tune, man.
00:34:35Okay, then,
00:34:36If you're doing so well,
00:34:37a little game this afternoon
00:34:38paintball.
00:34:39Paintball.
00:34:40I'm going to tell you
00:34:41One thing, little bird.
00:34:42We're going to give you
00:34:42a beating
00:34:43that will go away
00:34:44the desire to get married.
00:34:46Okay, so what now?
00:34:47At three o'clock in the square?
00:34:49Chemsi!
00:34:50Come on!
00:34:52Ah, Heruarte.
00:34:53Abolillo.
00:34:54Take care of him, baby.
00:34:56He came.
00:34:56He came.
00:34:57I mean, you never say anything.
00:34:58And now, look,
00:34:59you have stayed
00:35:00without donkey race.
00:35:01I wrapped it up for you.
00:35:02Let's see, can you see us?
00:35:03in the afternoon running
00:35:04like hares
00:35:06through the countryside
00:35:07firing shotguns
00:35:08with watercolor meatballs?
00:35:10Ah, I thought
00:35:11which was the game
00:35:12from the million-dollar machine
00:35:13that swallow the balls
00:35:14pim, pim, pica, pum.
00:35:15No?
00:35:16Pim, pica, pum.
00:35:18Look, there are months left.
00:35:19for the wedding
00:35:20and still
00:35:21I'm going to have it
00:35:22that delay
00:35:22to arrive in one piece.
00:35:38Oh, but who's coming here?
00:35:39My princess?
00:35:40Oh, my mother,
00:35:41how good.
00:35:42Oh well.
00:35:45My son,
00:35:45But how has it gone?
00:35:46the visit?
00:35:47Well, look,
00:35:48You can see how he is.
00:35:49My God,
00:35:50my daughter,
00:35:50They've showered you with kisses,
00:35:51literally.
00:35:52Yes, yes.
00:35:53Shut up, shut up,
00:35:54She almost asked me to adopt her.
00:35:55Hey, Vigochu,
00:35:56Bring me a cloth with water
00:35:57that I've run out
00:35:57the wipes.
00:35:58Well, I hope your friend
00:35:59Do not use the waterproof
00:36:00because I wore it once.
00:36:01Oh, my daughter,
00:36:02what it cost me
00:36:02Take that off.
00:36:03So much rubbing
00:36:04My lips turned
00:36:04like two blood sausages.
00:36:06Do I remember?
00:36:06Oh, darling,
00:36:07I'm going to ask Gochone.
00:36:09Gochone,
00:36:09Bring a clean cloth
00:36:10with a little warm water.
00:36:12What's happening?
00:36:13Look.
00:36:14Jesus,
00:36:15But it does seem
00:36:15a portal to the roli.
00:36:17Yes, yes.
00:36:18And it stirs up passions
00:36:19like them.
00:36:20I'm going by boat for water,
00:36:21Okay?
00:36:22Okay.
00:36:23This,
00:36:25Do you mind if I clean it?
00:36:26Oh, delighted.
00:36:27Here you go.
00:36:28That's how I do it.
00:36:29No no,
00:36:29I'm referring to Laia.
00:36:34Well, let's see,
00:36:35I've been thinking about it.
00:36:36to the topic and,
00:36:38Well, what
00:36:38Yes, yes,
00:36:39I kept it for an afternoon.
00:36:41Okay?
00:36:41Clear.
00:36:43Because it's worth a try.
00:36:45It's okay, right?
00:36:46Because?
00:36:46No.
00:36:48I know
00:36:49that Iñaki
00:36:49I would do it for myself.
00:36:51That.
00:36:52Gochone,
00:36:54Are you turning me on?
00:36:55the little jar in a water bath?
00:36:56Ah, yes.
00:36:57Okay.
00:37:02Are you sure?
00:37:03Should I leave this with Laia?
00:37:04Look, she's your only granddaughter,
00:37:06Hey?
00:37:06And things are complicated.
00:37:07so they'll bring you more.
00:37:09Have you gone too far?
00:37:09with the ammonia from the cookie,
00:37:11No?
00:37:11Because you say
00:37:12which is nonsense.
00:37:13Yes, yes, nonsense.
00:37:14Yes, here.
00:37:15Here she is, silly girl.
00:37:16Oh, my darling.
00:37:17Here she is, silly girl.
00:37:21Friends,
00:37:22It is essential
00:37:24that you take
00:37:25always the mask
00:37:26and clothing
00:37:27that we have given you
00:37:28position.
00:37:29And it's forbidden
00:37:31introduce
00:37:32third-party material
00:37:33to the enclosure.
00:37:35Too bad.
00:37:36They can't put
00:37:37the foosball table.
00:37:39What a chest-thump!
00:37:40What a chest-thump!
00:37:41Ten meters!
00:37:42It is forbidden
00:37:43shoot
00:37:44less than ten meters,
00:37:45which is equivalent to
00:37:46ten steps away.
00:37:47No shooting allowed
00:37:48less than ten meters.
00:37:49And it should
00:37:50always stop
00:37:50the safety lock
00:37:51to avoid
00:37:52that the weapon
00:37:53shoot alone.
00:37:56sorry,
00:37:56It won't happen again.
00:38:01Remember
00:38:01that they have
00:38:02a weapon
00:38:02in hands.
00:38:04Although the bullets
00:38:05whether they are made of paint.
00:38:06And if it comes unstuck,
00:38:08Don't turn it
00:38:09towards you
00:38:10and neither
00:38:10towards a rival.
00:38:11Simply
00:38:12You raise your hand
00:38:13and you ask for help
00:38:14to the organization.
00:38:16And that's me.
00:38:18Is everything clear?
00:38:19One thing,
00:38:20We have to run
00:38:21With this,
00:38:21Isn't there a lighter one?
00:38:23Don't you take
00:38:24Hunting at the farmhouse?
00:38:25Yeah,
00:38:26but it shoots
00:38:26to my servant
00:38:26to the piece
00:38:27that I tell him,
00:38:28You know?
00:38:28Well,
00:38:29You're ready!
00:38:30to leave
00:38:31to the premises.
00:38:33The game begins.
00:38:34Under the day!
00:38:36Let's go!
00:38:37To the fort!
00:38:38Damn, here he comes!
00:38:39It's coming, it's coming now!
00:38:40Let's go!
00:38:42Does!
00:38:43Let's go!
00:38:44Go for it!
00:38:45What are you doing, Anchor?
00:38:46What are you doing?
00:38:47Fuck!
00:38:48I didn't know
00:38:48that Bailish had eaten dinner.
00:38:50Damn it!
00:38:51Run, take cover!
00:38:54Come, son!
00:38:58Now is not the time
00:38:58to remember
00:38:59of what we experienced yesterday
00:39:00of the bad body
00:39:01We don't even have enough to vomit, Anchor.
00:39:02It's time
00:39:03to demonstrate
00:39:04that we are smarter
00:39:05that they.
00:39:06We have to play
00:39:07with our advantages.
00:39:08Our weapons
00:39:08They are silence
00:39:09and stealth.
00:39:10So let's spread out
00:39:11throughout the field,
00:39:13but,
00:39:14like ninjas,
00:39:15so they don't hear us.
00:39:15On the count of three.
00:39:16Come on.
00:39:18A...
00:39:18Thank you!
00:39:34Come on, José!
00:39:38Come on!
00:39:38And what do you think I do?
00:39:39Ajuanera, callus!
00:39:40Evaldo, the ground!
00:39:42Comrade!
00:39:44Comrade,
00:39:44Listen to me,
00:39:45Listen to me!
00:39:46I've toughened up
00:39:47In jail, huh?
00:39:48And if we have to fight
00:39:49by my colleagues,
00:39:50Let's fight, eh!
00:39:52Host!
00:39:57Come on!
00:40:02Come on!
00:40:03Ajuanera!
00:40:05Come on!
00:40:07Come on!
00:40:38Forget about Sabino. He's dead.
00:40:41Figuratively speaking.
00:40:49Well, well, the people in the Zumba WhatsApp group are going to be green with envy.
00:40:57We have a casualty!
00:40:59They've already ridden it, they've given it to Sabino!
00:41:01Don't you believe it, you fool Josemar and the guy from La Rioja!
00:41:04Shots are in! We already have three casualties!
00:41:06How many have we taken down?
00:41:08Sotros only one, with the bullet that Sabino let go!
00:41:12What's up, dude?
00:41:14It hurts me!
00:41:15Maybe you've been bitten by a bug!
00:41:18Christopas, suck it and spit it out!
00:41:20How disgusting, right?
00:41:21Okay, fine, let's see.
00:41:22What are you doing? What are you doing?
00:41:23My ego just got the better of me!
00:41:25That thing about effort, it happened to me once when I moved house unintentionally.
00:41:28Stop talking nonsense, man!
00:41:30Come on, let's get them!
00:41:31They are young, but we are stronger.
00:41:34We go out there and eat them alive.
00:41:36Come on, foodies, you're making me want to throw up a bucket!
00:41:38Why are you shooting at each other?
00:41:40We'll finish sooner!
00:41:41Let's all pull together!
00:41:43We have to go after them!
00:41:43We're either Basques or mice!
00:41:45Come on!
00:41:45You're a champion!
00:41:48Come on!
00:41:57Everything is there.
00:41:59All that's missing is Mrs. Carmen's signature and the documentation regarding the guarantors.
00:42:04TO...
00:42:07Guarantors!
00:42:08Well, we hadn't thought about it, but you know me, Don Jacinto, you've known me all my life.
00:42:12I have, therefore, about thirteen noble titles.
00:42:16I'm sorry, Mr. Benjomea.
00:42:17I've known you for a long time, and it's not that I don't trust you, but the rules are the rules.
00:42:22rules.
00:42:23I cannot give the green light to this loan without all that documentation.
00:42:30I take out the skewer, I carry it, I carry the skewer.
00:42:33Isabel, please give me some chamomile tea.
00:42:35Yeah.
00:42:35No, better two.
00:42:36Two that with two.
00:42:37No, no, no.
00:42:38Three.
00:42:39Well, no, no, no, no.
00:42:40Or one, one, but this one's loaded.
00:42:43Look, honey, I'm going to leave the box here and you can put whatever you want in it, okay?
00:42:46I'm in a real mess.
00:42:48You definitely have some Galician genes.
00:42:50No, no, no, I'm more Andalusian than the girl from Puebla.
00:42:52The thing is, Carmen said she was going to come down right after the meeting with the people from
00:42:56loan
00:42:56and he still hasn't.
00:42:58And that can't mean anything good.
00:43:02Worse?
00:43:03Impossible.
00:43:04What was I saying?
00:43:05We don't have a wild boar, unless Trini wants to give us the paperwork.
00:43:10Or here's your list.
00:43:12Before doing you a favor, she cuts off her tongue and you make a little keychain out of it.
00:43:16Yes, but nothing ventured, nothing gained.
00:43:18And I'm going to try.
00:43:20Come on.
00:43:21Come on.
00:43:23What a woman, huh?
00:43:25She reminds me so much of Demi Moore in G.I. Jane.
00:43:28Well, and in Ghost too.
00:43:30Oh, how unique, please.
00:43:32What's up, did you get my hit boomerang video?
00:43:35Hello, it's me, hello, it's me.
00:43:38No, I know, my mom is in this picture where she's at the paintball game and look how well she looks
00:43:41He's going through it.
00:43:42I could swear he's crying there, huh?
00:43:44Well, I'm leaving, I have to leave.
00:43:47Hey, does it ever happen to you that someone leaves for two days and you miss them so much it feels like
00:43:52who's been gone for a year?
00:43:53Well, the same thing happens to me, but in reverse.
00:43:56When I send the children there to camp, before my anger has even subsided, I'm already
00:44:02I have them back again, daughter.
00:44:04Well, it happens to me a lot, a lot.
00:44:06The last time Celia went for the bread, she took 20 minutes longer than expected and I was getting desperate.
00:44:11Well, it's also true that I was terribly hungry.
00:44:13It seems to me that... someone here is missing their sweetheart.
00:44:18Hey?
00:44:19Oh, yes.
00:44:22To Manu, to little Manu.
00:44:24Ah, Manu.
00:44:25Manu and I.
00:44:26Clear.
00:44:27Hey Manu, what's up?
00:44:28My Manu, my Manu.
00:44:30My little one.
00:44:30Lifetime?
00:44:31Come on, let's go upstairs now.
00:44:32Does he take a photo?
00:44:33Is it Manu?
00:44:34From Manu.
00:44:35Isabelita, pass me a rag.
00:44:38No, no, it's because of my forehead, because the south-facing light gets into my eyes and I can't even see myself.
00:44:40the hand.
00:44:41Rafi, my weapon.
00:44:43That coffee, oh my God.
00:44:44I'm coming, right now.
00:44:46Right now, right now.
00:44:48Go into the kitchen right now, Rafaela, you're going to have a heart attack.
00:44:51There are already fewer square meters.
00:44:52I'm staying here at the bar.
00:44:53I have all of this under control.
00:44:55Rafi, the toast.
00:44:57The coffee has been served with milk in a glass.
00:44:58When will those toasts arrive?
00:44:59I'd have a cortado with ice.
00:45:01Take it, quick.
00:45:01Yes, I've been keeping an eye on things.
00:45:04I'm leaving, but only to get electroshock therapy.
00:45:07Electrocho?
00:45:08Okay, okay, I'll have a slice of potato salad and a cortado.
00:45:11Right away, right away.
00:45:17Let's see, these closed at seven, right?
00:45:19If we wait for you to hide, we'll still tie.
00:45:22No, no, no, no, no, Anchón.
00:45:23Haven't you heard, Coldo, or what?
00:45:25Are we Basques or mice?
00:45:26I'm more Andalusian, I'm the type to have a beer, fold things.
00:45:29I'm going to get out the white handkerchiefs I have to surrender, you know?
00:45:31White handkerchiefs?
00:45:32What are you saying, man?
00:45:33This is going to happen, whether you're in jail or in a daycare.
00:45:35You see, Soch.
00:45:36That's a lot of eggs!
00:45:37There you go, well said, Coldo, well said.
00:45:40Nobody laughs here, not even God, eh?
00:45:41Even if we have to use the last drop of paint.
00:45:44For them or not?
00:45:45Wait a minute, are you guys not that crazy?
00:45:46That a nasty ball of this stuff hits you badly...
00:45:48Let's get them!
00:45:51I'm left with death!
00:45:55That?
00:45:55Let's get them!
00:45:57Follow me, damn it!
00:45:58It was, crazy, crazy, wait, wait!
00:46:00Damn, they've gone crazy on me!
00:46:03Watch out, Coldo!
00:46:15What a helmet!
00:46:22It was, damn it!
00:46:28I've eaten things that would make a goat vomit.
00:46:31Hey?
00:46:31I've always been really excited to say this phrase.
00:46:34I didn't know when to put it in.
00:46:35Rambo now, José, really?
00:46:39Please, listen to us, listen to us.
00:46:41Don't shoot, okay?
00:46:43If you let us go free...
00:46:45I'll give you a horse!
00:46:46But what are you saying...?
00:46:47You actually believed that, you vegetarian!
00:46:50No, no, no, no, no.
00:46:53Look, guys,
00:46:54I haven't seen the crew fall face-first into the mud
00:46:56So that we stay here, understood?
00:46:58We've survived a night of waiting.
00:47:00We've gotten over a hangover.
00:47:01You're the one who's had the hangover, huh?
00:47:03I have a little body that I'll keep for myself.
00:47:05Come on, I'm about to drink the water from this puddle.
00:47:07Come on!
00:47:09Damn, I need to recharge!
00:47:21For the crew!
00:47:33For the crew!
00:47:37No!
00:47:52This was a low blow, wasn't it?
00:47:55Did I hurt you?
00:47:56Sorry, it was unintentional.
00:48:01Scum who can't stand to lose...
00:48:05There's no need to get so worked up, you know?
00:48:06I think that...
00:48:08José...
00:48:13Christopher...
00:48:14Bastards!
00:48:16People of Apore!
00:48:19Come on, come on!
00:48:20Hey, that's really good, Feinbol!
00:48:22We'll come back another day!
00:48:23Happens!
00:48:24I'll explain later!
00:48:28It's safe, it's safe!
00:48:30Very well, no, you're broken!
00:48:32Okay, okay, okay!
00:48:33Okay, take it easy, there's a trick to it, contact with...
00:48:35There!
00:48:35And be careful, it falls in first gear.
00:48:37Come on, come on, come on, come on!
00:48:38Okay, go ahead, go ahead!
00:48:41See you later, losers!
00:48:56I'm coming, Marichu!
00:49:06Who's here?
00:49:08Yucurrucu, me!
00:49:15That?
00:49:15Ready for a girls' afternoon?
00:49:18With such beauty?
00:49:20Ready?
00:49:21Ready!
00:49:23Come on, take it out!
00:49:25You're practically begging!
00:49:26Grab me, grab me!
00:49:28Oh, really?
00:49:29Well, liberation, huh?
00:49:31Come on!
00:49:32Come on, now!
00:49:35Okay, so how's this going?
00:49:37Oh, I'm here!
00:49:38But this!
00:49:39Canzote!
00:49:40Who designed this?
00:49:41A prison officer or...?
00:49:43Let's see, let's see, let's see.
00:49:44It has its little complication, eh?
00:49:46But, well, it's a matter of practice.
00:49:47Like everything else.
00:49:48Yes, yes, Elaya.
00:49:51Wow!
00:49:52All yours.
00:49:52I don't know if it's going to be a good idea, you know?
00:49:54No, no, I won't be able to, will I?
00:49:57Okay, yes, woman.
00:49:58Look, she's changed a bit.
00:49:59He has eaten.
00:50:00Well, now you have the easiest part left.
00:50:01Playing with her and watching her sleep like a little angel.
00:50:05Yes, my love.
00:50:06Who is the prettiest?
00:50:08And whose is the prettiest?
00:50:10No, Elaya, no, no, no.
00:50:11We're not going to play anymore, okay?
00:50:13Because it's time to throw in a little assist.
00:50:15Come on, Aya, lolos.
00:50:16I'm going to tell you a little story, okay?
00:50:18Why are you falling asleep?
00:50:19Come on, they're kicking you out.
00:50:20Oh, very good.
00:50:20Okay, a little story.
00:50:22Nothing, I don't have to wait.
00:50:23Wait a second, I have to...
00:50:24This is better than a little story.
00:50:26It's my magic recipe book.
00:50:28Look, marinated chicken.
00:50:30That means...
00:50:31Okay, lie down there.
00:50:32Oh, very good, Maytía, very good.
00:50:33Okay, so how does this work?
00:50:35Okay, let's put on the diaper.
00:50:38Talc.
00:50:40It comes with talc, like this.
00:50:42A little bit of cream.
00:50:43Where does the cream go?
00:50:44Elaya, here, we put it in the diaper.
00:50:46There we are, okay.
00:50:47We mix this really, really, really well.
00:50:52Ahorchopolita se ascandago.
00:50:57Na, na, na, na, na, na.
00:51:03Na, na, na.
00:51:12No.
00:51:12Ah!
00:51:14Ah!
00:51:15Ah!
00:51:16Ah!
00:51:16Ah!
00:51:19Run, run, run!
00:51:20Hello hello!
00:51:21Please bring the room keys and the bill when you can.
00:51:24Well, you're leaving, but you had a reservation this morning.
00:51:26We've run into an unexpected problem!
00:51:28Yeah.
00:51:28Well, in paintball, uh, my boyfriend got a fit, he got a fit, my boyfriend got a fit.
00:51:32TRUE?
00:51:33Okay, okay, fine, okay, calm down.
00:51:35Just a moment, just a moment.
00:51:38Yeah?
00:51:39Is...
00:51:39As?
00:51:42Already.
00:51:44Yes, yes.
00:51:45Yes, yes, don't worry.
00:51:54Excuse me, miss, but we don't want to stay here, we want to leave.
00:51:58I should have thought about it before crippling my son.
00:52:00What are you saying about my son?
00:52:02Oh, the banana is his son!
00:52:04Fuck!
00:52:05Well, let me tell you something, eh.
00:52:07Your son deserves it for being rude and shameless.
00:52:11If you have left my son sterile before the wedding, you will be cut off from me.
00:52:17Listen to me, listen to me.
00:52:18I didn't get out of jail to stay locked up in some seedy Oscar.
00:52:21He's finding out, so my friends and I are going to get out of here.
00:52:25Yes or no?
00:52:26Host!
00:52:29Fuck, fuck, fuck!
00:52:30Fuck, fuck, fuck!
00:52:33Close it on the left! I have the key!
00:52:34Fuck, fuck, fuck!
00:52:36The key, the key!
00:52:37Who has the key, damn it?
00:52:38Come on, come on!
00:52:39Open up now!
00:52:39These people take everyone for a person.
00:52:41Isn't it true, as you can see, half the town is gone?
00:52:43Come on, let's go!
00:52:43Yes, I do shit in a port!
00:52:44Come on, come on, come on!
00:52:52What about me?
00:52:58Oh, Elaya, what's wrong, my aunt?
00:53:01Let's see, have you eaten?
00:53:03You're clean.
00:53:04What do you want?
00:53:05Hey?
00:53:06What do you want?
00:53:07What do you want?
00:53:08Ask me for whatever you want!
00:53:10Ask me for it!
00:53:11Let's see...
00:53:12Hey...
00:53:12What is this?
00:53:14What is this?
00:53:15Don't you like it?
00:53:16You don't miss me more than a worm.
00:53:18Let's see...
00:53:19And this?
00:53:20Do you like this?
00:53:22Wait, wait, wait!
00:53:25Wait, wait!
00:53:26Wait, wait!
00:53:31This is a soup!
00:53:34And this!
00:53:36It's a siphon!
00:53:38It's perfect for cooking foams!
00:53:42By the way!
00:53:44Your dad's foams turn out terribly, but we're not going to tell him!
00:53:48No, no, no!
00:53:49This is going to be a little secret between the two of us!
00:53:51Piqui!
00:53:54Fuck!
00:53:55Fuck!
00:53:55Fuck!
00:53:55Half the town knows about this!
00:53:57They're going to lynch us!
00:53:57Let's see who has the guts to stand up to the woman!
00:53:59Not the son!
00:53:59I can't take it anymore!
00:54:00I need to go to the bathroom!
00:54:01All this stress has made my intestines constrict!
00:54:03Fuck!
00:54:03But!
00:54:04There's a window in the bathroom!
00:54:06I won't be able to poop like normal people in the toilet!
00:54:09No, kid!
00:54:10I'm telling you!
00:54:10Because it ends up on the other side of the square!
00:54:12An idea!
00:54:12Come on!
00:54:13Come on!
00:54:14It won't be that high either!
00:54:18Come on!
00:54:19Come on!
00:54:19Come on!
00:54:20Come on!
00:54:20They won't notice it around here!
00:54:21Come on!
00:54:22We're going this way!
00:54:25Already!
00:54:27Come on!
00:54:28Come on, start jumping, I'm in control!
00:54:30Come on, come on!
00:54:30I'll lend a hand!
00:54:31Come on, let's go!
00:54:32I'm not jumping that boat!
00:54:33I even read it in a scientific journal!
00:54:35Hey!
00:54:35That's really bad for your knees!
00:54:36Okay!
00:54:37Come on!
00:54:37Josemari is staying here!
00:54:38Let the people shoot him and we'll escape!
00:54:40Let's see!
00:54:41Let's see!
00:54:41I'll make her one of those free magazines they give you on the subway!
00:54:44I'm jumping!
00:54:44Besides, that truck won't cushion the fall!
00:54:46Wait!
00:54:47Fuck!
00:54:48But it's manure!
00:54:49Shit!
00:54:50Is that what I'm saying?
00:54:51Hey!
00:54:53Oh!
00:54:54Known!
00:54:55So, what's up with you guys?
00:54:57What, when you poop it doesn't smell?
00:54:58Hey?
00:54:58Can you give me a little privacy?
00:55:00Hey?
00:55:00Thank you!
00:55:01I don't care about shit.
00:55:03But the truth is, I'm scared of him.
00:55:04What's happening?
00:55:05Doesn't it have an egg or what?
00:55:07Beginnings.
00:55:07What, I don't have any balls?
00:55:08Are they going to say, "This guy doesn't have the guts"?
00:55:10That's fine, that's it.
00:55:11I'm going first, okay?
00:55:15Gabinson!
00:55:16Gabinson!
00:55:21Gabinson!
00:55:22Total.
00:55:23It can't get any worse than what happened to Sabito.
00:55:32Come on, you go, right?
00:55:33Come on, calm down, okay?
00:55:34Because I'm here, bro.
00:55:35Come on, slowly, slowly.
00:55:36Adjust the pressure!
00:55:37Brode, don't look down, okay?
00:55:38Don't look down, brode.
00:55:39Come on, come on, come on.
00:55:40Gabinson!
00:55:41I'm doing something else.
00:55:43Relax, man.
00:56:11God, the ring! Shit!
00:56:12That?
00:56:13It's going to be full of shit, bro.
00:56:13No, no, no, he left it in my room.
00:56:16I have to go after him, no matter what.
00:56:18I'll be right back.
00:56:21Do you expect me to agree?
00:56:24that you're the one who signs the pre-arranged contract that I negotiated?
00:56:28Let me be the one to deliver the documentation with the guarantors that I obtained
00:56:32in order to finance the Ispalis renovation plan that I devised.
00:56:35It's not that?
00:56:36Yeah.
00:56:38Well, I have to admit that being a director has toughened you up in some ways, huh?
00:56:42Because you have to have a pair of ovaries to come here to my house and ask me for something like that, come on.
00:56:46And I have them, Trinidad.
00:56:48Mine are this big.
00:56:49I see.
00:56:51Let's see.
00:56:53Trini, I am the director of the Ispalis clinic.
00:56:55You have been one too.
00:56:57But I am no longer like that thanks to your dear Don Benjumea.
00:56:59Look, Trini, don't start passing the buck because it doesn't make any sense.
00:57:03Don Benjumea has only given you an opportunity to develop professionally.
00:57:08Yes, and thanks to him I missed the opportunity to take a big step in my career
00:57:11And as you yourself have verified, his clinic gave it to me.
00:57:14Yeah.
00:57:16And to deceive his son as well.
00:57:20Look, Carmen, I know perfectly well what you're thinking about me.
00:57:23That I am an ambitious, unscrupulous woman who would sell anyone to get what I want.
00:57:27And you know what?
00:57:29Yes, you're partly right.
00:57:31Vibe?
00:57:32But I would never, ever in my life do something like what you're trying to do now.
00:57:36To wear a medal that someone else has earned.
00:57:41But...
00:57:43What are you talking about, Trini?
00:57:47Look, Trini, this isn't what it's about.
00:57:50The goal is to save the clinic.
00:57:54Already.
00:57:55What do you want?
00:57:56What do you want?
00:57:56Would you like me to put up a plaque in the clinic showing the amount of Trinidad's contribution?
00:58:01Do you want me to put it on?
00:58:02Don Bejumea won't care.
00:58:04What does she want?
00:58:04Large, medium, small...
00:58:07Carmen, do you really think I would settle for something like that?
00:58:10Really?
00:58:16No.
00:58:19Okay guys, I've called this meeting to tell you about the current state of the clinic.
00:58:27From now on, I will no longer be managing it.
00:58:32What are you saying, Carmen?
00:58:35I present to you the new director of Hispani.
00:58:40Hi how are things?
00:58:48Girl, give me a little air, I'm suffocating.
00:58:54What can I do...? Oh my God!
00:59:01Rofi, Rofi, Rofi, Rofi, Rofi!
00:59:02Rofi, Rofi, Rofi!
00:59:03Oh, we're burning up!
00:59:05What the hell, Rofi, Rofi!
00:59:06What the hell, Rofi, Rofi!
00:59:07What the hell, Rofi!
00:59:12He's fallen asleep!
00:59:13Hey?
00:59:13And that's how we ended up burning!
00:59:15Ah!
00:59:15This can't go on, Rofi?
00:59:17No, no, no, no...
00:59:17This cannot continue.
00:59:26Go, guys!
00:59:27Think, think...
00:59:28the second league of the real 1982 not the year you were born
00:59:38It's the same year, the year he was born, damn it, of course.
00:59:53And you don't exactly lead me to the altar, but they'll remember us for this.
01:00:19Look, the one who's been caught.
01:00:21Yes, yes, yes
01:00:26And now who's the sucker, huh?
01:00:27I have the key, ready.
01:00:31What's wrong, queen?
01:00:32Nothing here, as always, with the truck
01:00:34Yes, driving BMWs
01:00:36To the dealership in Tudela
01:00:37Yes, if you want, when I leave them
01:00:39I'm going to find you
01:00:42Yes, but don't tell me that.
01:00:43If you already know it's me
01:00:45Make me hollow!
01:00:46I only have eyes for you, don't worry
01:00:49Come on, I'll see you right away, okay?
01:00:59Bastards!
01:01:00Come on, fuck it, jump
01:01:02Friend
01:01:03Jump
01:01:03Come on, queen
01:01:05I see you now
01:01:11Shit, damn it, they're getting away!
01:01:13Take the stairs!
01:01:15Come on!
01:01:31Would you let me share the views, or are you too angry with me?
01:01:39But how can I be angry with myself?
01:01:42Yeah?
01:01:42Oh, Mr. Bejumea, I know that you do not agree with what I have done
01:01:46But I've done the best I could.
01:01:49Look, to be honest, I'd kick that woman out of here right now.
01:01:54But I know that thinking of myself and my wounded pride would mean giving up on the isparelle to all the
01:01:59that you work on it
01:02:00Carmen, we need a loan
01:02:03Yeah
01:02:03And if that's the only way to achieve it
01:02:07Forward
01:02:09You are immense
01:02:13Thank you
01:02:16Do you know what makes me angriest right now?
01:02:20And on top of that, I left his office spotless
01:02:42Yeah?
01:02:44Yes, it's me.
01:02:46Tell me
01:02:50As?
01:02:55Yes, yes, yes, he's here, he's here, Mr. Bejumea
01:02:57Okay, I'll lend you some
01:03:00This is my resignation as director of the clinic
01:03:03That?
01:03:04Yeah
01:03:05I've just been offered a great job in the health department.
01:03:08That?
01:03:10Well, from what I can see, you're literally speechless, aren't you?
01:03:14Look on the bright side, woman, now you're the director again
01:03:17No, I'd see the bright side if we had the loan, Trinidad
01:03:22Yeah, so what do you expect? That I give up that great job to stay here?
01:03:26No, no, what I want is for you to give me the documentation and then, if you want, you can resign.
01:03:33I already told you, Carmen
01:03:34I will not allow anyone to take credit for my work.
01:03:37I'm sorry
01:03:40Bye
01:03:49Have you heard it?
01:03:51Of course I've heard her, what a shameless woman!
01:03:54What else can you expect, daughter?
01:03:55Yes, you heard it, you heard it
01:03:59You have to see that to believe it, huh?
01:04:0015 minutes waiting
01:04:01And Rafi hasn't even bothered to show his paw
01:04:04This is godlessness.
01:04:05If things continue like this, I advocate for putting a bar cabinet in the nurses' room.
01:04:08And so it was, because with Carmen we were a little more lenient with the schedules
01:04:11But since the witch returned
01:04:13Why are you lying to that girl, daughter? Here she is.
01:04:16Are you there? It's like holy company.
01:04:18Yes, Trini, we know we have to be working now.
01:04:21But Rafi hasn't brought us the coffees.
01:04:23Don't worry, I don't know who I am to tell you anything.
01:04:25What do you mean you're not who?
01:04:26No
01:04:26What's going on? Did you delegate the distribution of duties to the assistant director or what?
01:04:30No
01:04:30It remains the director's responsibility
01:04:33But I just resigned.
01:04:35Juma!
01:04:36What are you telling me?
01:04:37The shit I stepped in this morning brought us luck.
01:04:39Uh-huh, uh-huh
01:04:40Well, I hope I keep bringing it to you.
01:04:42Because you're going to need it
01:04:45Bye
01:04:48Why did he say that?
01:04:50He said it in a worrying tone, didn't he?
01:04:53I have a feeling she didn't hand over the documentation
01:04:54And then forget about the loan
01:04:57That's what I should have done
01:04:59A long time ago, a very long time ago
01:05:00Because I carry a rose
01:05:02Ah, my own things
01:05:02Your things?
01:05:04Do they bring your things to the coffee shops already?
01:05:06Haven't you seen the sign over there in the bar?
01:05:08Pretty big, huh?
01:05:09It's over
01:05:09You can go and bring your drinks here to the terrace, beautiful.
01:05:12Or you'll see what they do.
01:05:13Because if you want your customers to keep going to the bar across the street, they'll have to go.
01:05:17Dolores, we are in the age of the self
01:05:19Selfie, self-service
01:05:20People are used to it by now.
01:05:22Used to it?
01:05:22Well, to make time for breakfast
01:05:24You're balder than the Gobi Desert
01:05:26Man, Rafi, it's unbelievable that a Galician has to tell you this
01:05:29One of the things we love most about Andalusia, besides the processions
01:05:31It's about them serving you a beer in the sun.
01:05:34And you'll see what he does.
01:05:36To be a selfie or to be yourself
01:05:54Isabel
01:05:54Yeah?
01:05:56I'm going to sell the bar
01:06:08I hope Añaki has time to say goodbye to the girl
01:06:11Yes, woman
01:06:11Sabino told me they would arrive in the morning
01:06:13They'll be here any minute.
01:06:14How are you, darling?
01:06:15By the way, how was it yesterday with Gochone when you went to pick up the girl?
01:06:18Well, look, very good
01:06:19I was delighted
01:06:21I already told him, eh
01:06:21Look, Gochone, it's just a matter of trying it out.
01:06:23Man
01:06:23And then my little girl made it very easy for him
01:06:25Because it's very good
01:06:26It's really good
01:06:28Oh, look, here it is
01:06:31But hey, can you tell me where you're from?
01:06:33From a farewell or from war?
01:06:35What are you painting?
01:06:36Oh, and what does it smell like?
01:06:37Oh, how disgusting, for God's sake
01:06:38Son, what a smell you have!
01:06:39But where do you come from?
01:06:41Can you tell me what happened to you?
01:06:42It's a long story that involves betting
01:06:45Paint battles
01:06:46Attempted lynching
01:06:47And a last-minute escape across the Basque Country
01:06:50In a manure truck
01:06:51We spent the night in Echegarate
01:06:52I won't say any more.
01:06:53Jesus, Mary, Joseph
01:06:54Well, well, what an adventure that night was, wasn't it?
01:06:56No, no, not really.
01:06:57It was moving, let's see.
01:06:59Busy, busy
01:06:59I'm going to have to be gone for a week
01:07:00Enclosed in a little ball of camphor
01:07:01So that I can get rid of the smell of shit
01:07:03Hey, where's José Mari?
01:07:04Wasn't he with you?
01:07:06Yes, oysters
01:07:07They fit, that's true
01:07:08Did I tell you or not?
01:07:09That which had fallen off the truck
01:07:10That wasn't a turd.
01:07:11No, no, yes, a turd is
01:07:13But he's my brother-in-law.
01:07:14Let's see if I can find it.
01:07:15Hey, what about Gozones?
01:07:17Oh, he hasn't come yet.
01:07:18It's just that yesterday I had an afternoon
01:07:20Quite hectic
01:07:21Oh, I'm the one who needs to move.
01:07:23I hope I don't miss my flight
01:07:24No, no, no, no
01:07:26Give it to me, I don't want to catch typhus while I'm carrying it around.
01:07:28Come on, let's go!
01:07:28His name is, Mom, the policeman here
01:07:29Okay, have you married me?
01:07:31Time to take a shower, okay?
01:07:32Take a shower
01:07:33Okay, I'll shower first, okay?
01:07:35That's overrated
01:07:36So I'm coming, I'm coming
01:07:38Come on
01:07:38Goat
01:07:38Time to take a shower
01:07:42Oh yeah, it's going to happen, it's going to happen, girl!
01:07:47What I do?
01:07:48Yes, on the rooftop
01:07:51Ah, you've never been.
01:07:52Go up
01:07:53Yes, look, you have to leave
01:07:55Through the nursing ward
01:07:57There's a door right across the street
01:07:58There are some stairs to the left.
01:08:00Turn it up!
01:08:01But be careful with...
01:08:02Ah!
01:08:02God!
01:08:03I'm sorry
01:08:04The step
01:08:08Sorry
01:08:08Are you OK?
01:08:10Perfectly
01:08:11Yeah
01:08:12Poor
01:08:13I walk a little like
01:08:15Manuel Fraga
01:08:16But I'm fine.
01:08:18It's complicated to get here
01:08:19But the place is worth it
01:08:20Yes, it's worth it
01:08:22If I know, I'll post my question here.
01:08:24You're clever, aren't you?
01:08:26That is, in summer.
01:08:27You would suffer a lot
01:08:28Oh, really?
01:08:30Yeah
01:08:30Although, well
01:08:31Who knows if we'll be here?
01:08:33At the end of summer
01:08:34How could we not be there?
01:08:35Well...
01:08:36We'll be here in the summer
01:08:37In autumn
01:08:37In spring
01:08:38All
01:08:39You'll see.
01:08:40Hopefully
01:08:40Yes, Trini just resigned
01:08:42And that's good news.
01:08:44Yes, but we don't have the loan.
01:08:45And that's not good news.
01:08:47No, this is not good news.
01:08:48No
01:08:49But another loan is requested.
01:08:50Already
01:08:51It will be because of loans.
01:08:54Do you know what's happening?
01:08:55We need a lot of money
01:08:56And to get that minimum loan
01:08:59One year
01:08:59By then the flowers have already passed over us
01:09:02No, that's not going to happen
01:09:04Oh, no?
01:09:04No
01:09:05Because?
01:09:07Because you're the director.
01:09:10And you are the best director Hispaliza ever had
01:09:12And you know, I'm someone who doubts things a lot.
01:09:15But on this I am absolutely certain.
01:09:18Did you know?
01:09:19I hope you feel great!
01:09:21Lalo, from Seville
01:09:23I have always felt very Sevillian
01:09:25Oh, really?
01:09:26Yeah
01:09:41I'm sorry
01:09:42No, the phone's ringing, we have to answer it
01:09:44Yeah
01:09:48Tell me, Marichu
01:09:50Yeah
01:09:51Yes, yes
01:09:52I'll come get you in a little while.
01:09:54Come on, a kiss
01:09:56Bye
01:09:58Marichu
01:09:58It comes from the north
01:10:00I'm leaving, I have things to do.
01:10:03Bye
01:10:05Bye
01:10:06Bye
01:10:11I'm fine
01:10:16I'm fine
01:10:17I'm fine
01:10:24I had to soap up three times to get rid of the smell, that's how it saves me
01:10:27Well, maybe you should give yourself a fourth one, right?
01:10:29Because you still have a smell that could kill you.
01:10:31Already
01:10:36And what have you been doing these days without me?
01:10:39Well, many things
01:10:40Yeah
01:10:41Look, for example
01:10:42I made a scorpionfish pie
01:10:44A chimichurri
01:10:45It turned out great, by the way.
01:10:47I've also made hake
01:10:48Yes, yes, Cocho, I'm telling him
01:10:49Apart from being in the kitchen
01:10:50And miss me, of course.
01:10:57And this?
01:11:00Delaya
01:11:01Yes, yes, I know it's Delaya, but
01:11:07Okay, okay, okay, please tell me, how are you?
01:11:10Uh, okay, okay, well, I think
01:11:13You shouldn't ask her that.
01:11:15But of course, he's not going to answer you either, so no...
01:11:19And what if I wasn't good with children?
01:11:33Hey, I think I owe you a well-founded statement, you know?
01:11:37No riots, no prisoners, no jailers
01:11:40So...
01:11:54Gochale
01:11:55Will you marry me?
01:12:08Will you marry me?
01:12:15I don't want to have children, Iñaki
01:12:27I received a call informing me that we are finalists for the European medical center award.
01:12:32I'm sorry, ma'am, no...
01:12:34Sorry
01:12:36But what are you doing, kid? I'm not paying you either.
01:12:39He called me urgently, it's an emergency
01:12:41And I'm the only neurologist on call.
01:12:42So I have...
01:12:43It's going to be two hours
01:12:44You can keep the line
01:12:45Come with Aunt Merche, my little bread roll!
01:12:48Didn't you tell me that I had brought the reports to your house yesterday?
01:12:51Don't start with the Beatriz thing again.
01:12:53Hey?
01:13:00Mother who bore you
01:13:01If you've put them on earrings
01:13:03To be honest, I wasn't expecting much from this meeting.
01:13:05But now I'm glad I came
01:13:13Just a moment, they're...
01:13:15Now low
01:13:19What am I going to sell?
01:13:20As?
01:13:21Oh, well, I don't know.
01:13:22If you place a conventional advertisement
01:13:24Or something more modern like that.
01:13:25On-line
01:13:25You said it.
01:13:26Finally alone
01:13:28I've caught your challenge
01:13:30If I could impress my mother
01:13:32Somehow
01:13:34So that she would feel the way she did
01:13:35She's proud of her son.
01:13:36Wow!
01:13:38Dad!
01:13:38Dad!
01:13:39Help, please!
01:13:42Nobody's going to do anything!
01:13:43Do you have, I don't know, any plans for tonight?
01:13:46No, I don't know!
01:13:48No, I don't know!
01:13:49Thank you.
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