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00:00:22No one can live with you!
00:00:24Not you, not you!
00:00:29What a terrible mess!
00:00:31Two police cars, one ambulance, two doctors
00:00:33Yes, but what happened?
00:00:34I don't know, I'll go and ask.
00:00:36Mr. Juan, they just broke into and robbed an almost 80-year-old lady.
00:00:40But with her inside and everything, right?
00:00:41Oh my God! Herminia!
00:00:43Of course! He calls out a special bingo and rubs it in everyone's face.
00:00:47It's normal that they steal it
00:00:48Because she's a little hard of hearing and the TV was on very loud
00:00:50Well, she didn't realize she was being robbed.
00:00:52Until they took it away
00:00:53That's when she had a hysterical fit
00:00:55But come on, they haven't abused her or anything, right?
00:00:57She's still single and whole.
00:00:58I'll send a letter to the mayor tomorrow.
00:00:59Expressing my strongest condemnation
00:01:01Faced with this escalating crime wave that plagues our streets
00:01:04Send it to Santa Claus, he might read it first.
00:01:06Now that it's spring, things are less hectic.
00:01:08Well, today it's the turn of those from the 19th
00:01:11Tomorrow it could be us.
00:01:13Thank goodness we have Valentín to defend us.
00:01:15I'm almost looking forward to them coming in.
00:01:18They were going to leave feeling warm and cozy.
00:01:19Well, I don't care.
00:01:20Because I have insurance, an alarm, and closed-circuit television.
00:01:23And you recorded us when we sang the Mocedades song
00:01:26The chorus turned out so well.
00:01:28Yes, but the camera only records when the video store is closed.
00:01:31It's just nonsense.
00:01:33Andrés, the food will be ready soon.
00:01:35As soon as you hear the pressure cooker whistle, go upstairs
00:01:37Let's go to Herminia's house
00:01:38Let's see if they've taken the guichón away.
00:01:40Mr. Juan, don't worry
00:01:42Why would thieves come in here?
00:01:43How they deliver the shampoo samples from the mailboxes
00:01:47Juanito, this business of robberies
00:01:49This could be very useful for us.
00:01:50I have a friend who owns a security door company.
00:01:53I earn a 15% commission from him
00:01:56Imagine we approve a special assessment
00:01:58So that all the neighbors change their doors
00:02:01Do the math.
00:02:02No, no, no, no, that's corruption.
00:02:04But you didn't say you were broke.
00:02:06Besides, you've already seen it.
00:02:08These people couldn't care less about robberies.
00:02:09Because they see it as distant
00:02:11It's like famine in Africa.
00:02:13You see it on the news and you say
00:02:15Oh, what a shame!
00:02:16And you keep eating the steak
00:02:18But if the robberies are happening right next door, then so be it.
00:02:20Things change
00:02:22So we faked a robbery and that was that
00:02:25Mariano
00:02:26Have you read my circular entitled
00:02:28Instructions for the correct use of the video intercom?
00:02:31I'm finishing up Don Quixote, which is celebrating its centenary.
00:02:33Either you tell me what's my turn or I'll suck it up
00:02:36Let's see, let's see, nobody here has talked about doing anything
00:02:38The best thing to do is stage the robbery at my house
00:02:41Nieves has quite a few jewels
00:02:43But how could I steal from my own sister?
00:02:44Well, if you have insurance, you'll come out ahead.
00:02:46You're doing him a favor
00:02:47And those armored doors are as secure as they are beautiful.
00:02:51The landings can look like they belong in a decorating magazine.
00:02:54The truth is that it would represent an aesthetic improvement.
00:02:57And considerable community structure
00:02:59Juanito, I'm glad you're president again.
00:03:01You are a real politician
00:03:03Corrupt
00:03:04No, no, be careful.
00:03:04I don't do this for money.
00:03:06I do it to preserve the safety of the neighbors
00:03:08Defenseless against the criminal whims of misfits
00:03:11How do they handle language?
00:03:13Better than parsley for a guinea fowl
00:03:14Look
00:03:16Goosebumps
00:03:17Here, here, here, here nobody lives.
00:03:20Not here, not here
00:03:22Every day is like this
00:03:24I couldn't imagine it when I came here
00:03:26I was just looking for some peace.
00:03:29I wake up every day in the middle of a hurricane
00:03:31No one can live here, here, here.
00:03:33Not here, not here
00:03:35No, no, no
00:03:36No one lives here, here, here.
00:03:38Not here, not here
00:03:39No no
00:04:12No one lives here, here, here.
00:04:15No one can live here, here, here.
00:04:30Here, here, here, nobody lives.
00:04:33Here, here, here, nobody lives.
00:04:36No!
00:04:39No, I'm not wearing this.
00:04:41Why can't I wear contact lenses?
00:04:43Because you're small and your eye is still growing
00:04:46They're also very pretty, they look great on you
00:04:49So what's he laughing about?
00:04:50No, I'm looking at housing prices
00:04:54What are you doing wearing glasses?
00:04:56Why did I take him to the eye doctor and he couldn't even read the third line?
00:04:59I knew it by heart, but the bastard changed the poster.
00:05:02Well, there's no need to make a big deal out of it.
00:05:03Since Harry Potter came out, the image of the bespectacled boy has changed a lot.
00:05:07Harry, I hadn't thought of that.
00:05:0960 meters without elevator, 300,000 euros, it's excellent
00:05:13Okay, let me explain.
00:05:14I have an image, if you show me this you'll give it to me
00:05:17Yeah, but you're going to end up getting hit by a car for trying to look better.
00:05:20Don't you think it's a rather silly death?
00:05:22Okay, I have an idea.
00:05:23Tonight we're all going to the movies for the premieres.
00:05:25You'll see the difference.
00:05:26Okay, I'm going to start making a list of nursing homes to plan my revenge.
00:05:30Don't worry, Dad, I'll keep an eye on him to make sure he puts them on.
00:05:33Harry, show me that owl
00:05:35What do you want?
00:05:37If I'm not mistaken, they're just some really cute designer glasses.
00:05:40Isabel, how much did they cost you?
00:05:41Hey?
00:05:42They are made of titanium, with anti-reflective lenses
00:05:45Isabel, how much?
00:05:46Oh, Juan
00:05:49Relax, don't worry about money anymore
00:05:51I have a job
00:05:52Did the Piarists call?
00:05:53See? I was right, José Miguel
00:05:55The resume needs to be embellished a bit.
00:05:57Well, no
00:05:58She is the daughter of a surgeon at my hospital
00:05:59That he's choked on his ESO (Compulsory Secondary Education)
00:06:01You know, girls these days
00:06:03That the rivers bring them a karaoke
00:06:04They already think they're going to win
00:06:05Euro Junior
00:06:06Me, a private tutor?
00:06:08No, no, no
00:06:09But you've always said you like small groups
00:06:12Well, smaller than one
00:06:13So while you're writing on the board
00:06:16If you throw something at me
00:06:18You don't have to say who you've been
00:06:20Well Isabel, that's like being demoted.
00:06:23I have always been a teaching galactic.
00:06:25Look, Juan, I just want you to earn the money
00:06:27In a normal way
00:06:28Not risking your life in a laboratory
00:06:29Or spending eight hundred euros on olives
00:06:32Or teaching prostitutes
00:06:34There has already been an Andrés Guerra in my life
00:06:36I don't want another one.
00:06:37You're going to try for me
00:06:39Do you promise me?
00:06:41Okay, okay, tell that kid to come here
00:06:43No, yes, I've already told him
00:06:44I have a lot of confidence in myself.
00:06:46You'll see, from now on we're going to be a normal couple
00:06:50I'm going to make a water pipe
00:06:53I prepare it for two
00:06:58This time it's for real, Belén
00:07:00This is the business of the 21st century
00:07:02What have you done now?
00:07:03You're going to love it
00:07:06Child organ trafficking
00:07:08No, it's a daycare.
00:07:10But, Lluvia, darling, no, no
00:07:12The marker is not edible.
00:07:13What's happening?
00:07:14They've closed Michael Jackson's mansion
00:07:15And they've all brought them here for you.
00:07:17Bethlehem, this is the future
00:07:18There are hundreds of working and single mothers
00:07:20That they cannot take care of their children
00:07:21And that's what we're here for.
00:07:22No, no, no, that's what you're here for.
00:07:24I don't like children
00:07:25What do you mean, no?
00:07:25Aren't you going to have children?
00:07:26I?
00:07:27That's all I needed
00:07:28Bring more unemployed people into the world
00:07:29Hello
00:07:29Hello
00:07:31Damn, Lucia
00:07:31How long has it been since we last saw each other?
00:07:33Belén, you have to help me
00:07:34I can't manage nine children on my own.
00:07:35Nine?
00:07:36Yeah
00:07:37But what if there are eight of them?
00:07:38What do you mean, eight?
00:07:38Three, four
00:07:39Oh my God!
00:07:40There's Jennifer again, eating the shower gel in the bathroom.
00:07:42Jenny!
00:07:43Affection is...
00:07:44Go ahead and help her
00:07:45If you're getting the idea
00:07:46For when it's your turn
00:07:47Yeah, shit.
00:07:48I have nothing else to do
00:07:49To watch out for these gremlins
00:07:50I end up sticking my fingers in the socket for them.
00:07:53Hello, I'm Yolanda
00:07:54That I had to pick up Nico
00:07:56But it was to see if you could keep it
00:07:57A few more hours
00:07:59Who is your son?
00:08:00Well, that
00:08:01Oh, oh, oh, oh, oh, oh
00:08:02But isn't it delicious?
00:08:03It's from an advertisement.
00:08:04But do you work here?
00:08:05Yes, yes, yes, yes, yes
00:08:06I am Roberto, an early childhood educator
00:08:08I change diapers like Fernando Alonso's mechanics change tires.
00:08:11Quite a spectacle
00:08:12He's so handsome, isn't he?
00:08:14Nico, hey
00:08:15I'll leave you here for a few more hours, okay?
00:08:17I'll come pick you up later
00:08:18Sure, sure, sure
00:08:19The affection
00:08:20How I admire you working mothers, huh?
00:08:22There all day...
00:08:24Oh, no, no
00:08:24I'm going shopping
00:08:25I'm going to spend my ex's pension
00:08:27If she's not going to show up, I don't need her, right?
00:08:29Clear
00:08:29Well, nothing much.
00:08:31See you later
00:08:32Come here, Nico, come here, Nico
00:08:33Nico, let's go there
00:08:36Roberto
00:08:37Holy shit, single mother
00:08:38Fucking awesome
00:08:39You can't get any more pathetic.
00:08:41Yeah, yeah, yeah, yeah
00:08:43Hey, excuse me
00:08:43I am helping a friend
00:08:44Not like you
00:08:45Jenny, darling
00:08:45Don't bring me down, okay?
00:08:47This cream doesn't solve your face problem.
00:08:48Hey?
00:08:49It's life insurance
00:08:50Against my aging
00:08:51Hey, Lucia
00:08:52If you need help
00:08:53I'm in for this
00:08:54To you?
00:08:55But what if you don't like children?
00:08:56Well, that was a different Roberto
00:08:57Since vitro and single people
00:08:58And a baby bottle
00:08:59My paternal instinct
00:09:00It has been unleashed
00:09:01Of course, since we don't live together now.
00:09:02You don't see me evolve
00:09:04How have you matured, Belén?
00:09:05Phew
00:09:06Well then
00:09:07Take
00:09:07Let's put the bibs on him
00:09:08They have to eat
00:09:09Let's eat
00:09:10Okay, couple
00:09:12I'll leave you there with the litter, okay?
00:09:14That I have changed
00:09:14Marriage agency
00:09:15Let's see what they tell me.
00:09:16Well, what can they tell you?
00:09:17They will do what they can
00:09:20Translation
00:09:20Good luck, Belén
00:09:22What a sight, huh?
00:09:24I am seeing the future
00:09:25From this our community
00:09:29Come on, Vicenta
00:09:30Come here
00:09:31Güntel pays for everything
00:09:32He was an executive at the Bundesbank
00:09:35And it is believed that he is in Cuba
00:09:36Marisa
00:09:37You're too old now.
00:09:38For these things
00:09:39I might get married.
00:09:40What are you saying?
00:09:42I asked him before
00:09:43But he hasn't found out.
00:09:44This is paradise
00:09:46Here you can even catch a shell
00:09:48She puts on a pretty sarong.
00:09:50And to
00:09:50Marisa, I won't tell you again.
00:09:52Or you return immediately
00:09:53Or I'll remove you from my will
00:09:55Okay, kisses
00:09:56Goodbye
00:09:59Child
00:10:00This is very weak
00:10:02It's just your orange mode
00:10:03That's why I'm telling you
00:10:04Add a splash of vodka
00:10:06Because otherwise the vitamins will disappear.
00:10:07Ah
00:10:08And we have to turn Gunter around
00:10:10Aquairovic's class has already started.
00:10:12Ah, very good.
00:10:13Let them stretch
00:10:14I'll be right there.
00:10:16Gunter
00:10:16To class
00:10:19Gunter
00:10:19To class, damn it!
00:10:22My sister has senile dementia
00:10:24Either it's losing potassium or something.
00:10:25Five
00:10:27One, two, three, four and five
00:10:29I'm putting the fourth gear at home.
00:10:31And I win
00:10:32You have to give each other another kiss
00:10:34Okay, but the last one, right?
00:10:38I still don't see this as normal
00:10:39Well, we're leaving.
00:10:41Shall we play another one?
00:10:42I made French toast
00:10:44Yes, another day will be better.
00:10:45If that
00:10:45Tomorrow, at four thirty
00:10:47A cinquillo marathon
00:10:54Hey
00:10:54Cyanide is sold in pharmacies.
00:10:56In hardware stores
00:10:57You just don't get the hang of Parcheesi.
00:10:59Because you're colorblind
00:11:00Yes, it's a very bad time.
00:11:02How long are we going to have to keep coming here to visit?
00:11:04Until we get married
00:11:05Because otherwise Vicenta will tell Mauri.
00:11:07Well, I'd rather tell him myself.
00:11:08What are you doing?
00:11:09Because?
00:11:10Are you crazy or what?
00:11:13Man, huh?
00:11:14The Álvarez family?
00:11:15Or whose?
00:11:16How's that going?
00:11:17Does he cast lots?
00:11:17Mauri, we lied to you
00:11:19We're not married yet
00:11:20Those afternoons playing parcheesi can drag on, huh?
00:11:23Did you know that?
00:11:24Since you left
00:11:25Vicenta told me
00:11:26Radiopatio, all news
00:11:27Two weeks coming
00:11:28Tell me if it's not to open the door for you to go out.
00:11:30No
00:11:31That's not it.
00:11:31Because the dog is trained
00:11:32What does it do with its little paw?
00:11:33I saw you
00:11:34Okay
00:11:35We're going to tell you.
00:11:35Wait, wait
00:11:36Look, come
00:11:37Then he asks me to tell him about it
00:11:38And it's very heavy.
00:11:40Thank you
00:11:40I feel very integrated
00:11:41Well yes
00:11:43We're getting married next week
00:11:44And you're invited.
00:11:45Well
00:11:46You are both invited
00:11:47As long as you promise us
00:11:48You're not going to put on any ridiculous show.
00:11:50Please, what do you think?
00:11:51Am I a jealous psychopath?
00:11:53Unable to control himself?
00:11:54Am I going to pick up the sword?
00:11:55To cut the tart
00:11:56And am I going to start beheading guests?
00:11:58A little bit, yes, right?
00:11:59Well, in any case
00:11:59There won't be a sword
00:12:00Guys, time heals all wounds.
00:12:02I will be at your wedding
00:12:03With a smile
00:12:03A great gift
00:12:04So that you fight over him
00:12:05When you get divorced
00:12:06That will happen
00:12:07Because you two
00:12:08It's a joke
00:12:09Can you see how tense you all are?
00:12:11Normal
00:12:11I'd be nervous too.
00:12:13With the wedding
00:12:13Let me
00:12:15They are needed here.
00:12:16Two peepholes
00:12:17Come on, let's go
00:12:18Let's go
00:12:19Well
00:12:19We don't have a recorder
00:12:21From DVD
00:12:21I wasn't planning on spending that much.
00:12:22But I've seen a beautiful coffee maker.
00:12:26Mauri, I don't think you should go
00:12:27Hey, what do you think?
00:12:28If I go with Rosa
00:12:29And we'll record it on video?
00:12:30Don't worry, this is all over.
00:12:31I'm going to introduce myself
00:12:32With an amazing boyfriend
00:12:33And I'm going to spoil the ceremony for them.
00:12:34But no bad vibes.
00:12:35Okay, so where are you going to get it from?
00:12:37Well, that's the only thing I'm missing.
00:12:39The hard part is having the idea
00:12:41Hey, it's just that it always
00:12:42You focus on the negative.
00:12:45Damn, things are bad.
00:12:46And this seeing the magazines
00:12:47No, Mariano
00:12:50Just a moment
00:12:51I'll see if I can get it
00:12:51The Cuesta account number
00:12:53I'm going to subscribe him to Playboy.
00:12:55Or something for not being cultured
00:12:56Listen
00:12:57Tonight we're pulling off the heist.
00:12:58Nieves leaves at nine
00:13:00To her singing class
00:13:01The house is left empty for an hour
00:13:03Why does Nieves sing?
00:13:04She won't know anything about Beyoncé
00:13:05Because that would already be
00:13:06You know how to force doors
00:13:08Man, doubt is offensive.
00:13:10Okay
00:13:11Well, I'm going to tell Juan.
00:13:18Dad, you're already stealing from the mailboxes.
00:13:19Then they think it's me.
00:13:21Son, I don't have a magazine.
00:13:22I can't go to the bathroom
00:13:23And why would I put you there?
00:13:24A kiwi for breakfast?
00:13:25That doesn't make sense to me.
00:13:26In the morning
00:13:26That I'm a stickler
00:13:27And with a carajillo
00:13:28To the storerooms
00:13:29Dad, well, we're the ones who eat.
00:13:30The day you have a bad day
00:13:31And stay there
00:13:32I'll take you with the nuns
00:13:34Emilio
00:13:34I have an appointment
00:13:35The gynecologist doesn't count
00:13:37As soon as you have an orgasm
00:13:38It's not worth having sex.
00:13:39Moron
00:13:39Which points me to a new agency
00:13:41Level
00:13:41I'm going out with a businessman
00:13:43Oh, what a shame
00:13:44Having to resort to catalog dating.
00:13:47So happy with your teacher
00:13:49But don't get upset
00:13:49I'm looking forward to it
00:13:50That you find someone
00:13:51So that you forget about me
00:13:52And stop suffering
00:13:53You're going to go bald
00:13:54From so much stress
00:13:55That I suffer for you
00:13:56Emilio, you no longer exist for me
00:13:57She's out of my life
00:13:58Ah, sure, sure, sure
00:14:00Come on, hurry up
00:14:00Get pretty
00:14:01You won't have enough time
00:14:02Look, I don't even know what for.
00:14:03I'll tell you nothing.
00:14:05Poor thing
00:14:06It's not that she missed the train
00:14:07I can't find the station
00:14:17Hello
00:14:19What do you want, Carlos?
00:14:20I'm so busy
00:14:21Of course, as you told me
00:14:22That you needed time
00:14:23To think of one of ours
00:14:24Well, anyway
00:14:25And since a month and a half has passed
00:14:26Well, maybe.
00:14:27Carlos, that was just a silly little kiss
00:14:29Yes, but what if you need more time?
00:14:32Well, give me another one.
00:14:33And I'll hold out for another month and a half
00:14:34It's like a memory of a tetanus shot.
00:14:36Carlos, we'll talk about this another time.
00:14:38Look at the state we're in.
00:14:39But, Roberto
00:14:40How can you let them paint on the cabinets?
00:14:42He's turned out to be quite the artist.
00:14:43Don't restrict him
00:14:43Yes, but what are the sheets of paper for?
00:14:45Hey?
00:14:45And the notebooks?
00:14:45It's not the same
00:14:46It's like those from the Altamira cups
00:14:48He would have painted on sheets of paper
00:14:50Right now we wouldn't have any of that
00:14:51What's he doing here?
00:14:53I am helping Lucia with the daycare.
00:14:54What's happening?
00:14:55Ah, that's a friend, huh?
00:14:56Yes, and the truth is that it has
00:14:57Much more care with the children
00:14:59What I expected
00:15:00Hey, I love kids too!
00:15:02No
00:15:03Not you?
00:15:04Of course
00:15:04Furthermore, do you want me to stay and help?
00:15:07Well
00:15:08Well, if you both stay
00:15:09The truth is, for me it's perfect.
00:15:11Because that way I relax a little.
00:15:12Of course
00:15:13You go, you take a walk
00:15:14Uncle Carlos is here!
00:15:15Hey, Lucia, really
00:15:16That it's not necessary
00:15:17That's how I manage.
00:15:18Yes
00:15:18We need a mature person
00:15:20With a tri-band mobile phone
00:15:21Just in case something happens
00:15:22Well, nothing much.
00:15:23Call me if you need anything.
00:15:24See you later
00:15:25Hey?
00:15:26What are you on about?
00:15:27What the hell are you doing here?
00:15:28Are you already acting like a fool?
00:15:30Look, Roberto
00:15:32Don't talk to me like that in front of me.
00:15:34What do you think?
00:15:35Am I stupid?
00:15:36You're using the typical roll
00:15:37From a great dad
00:15:38To hook up with Lucia
00:15:39The old trick of the thirty-something woman hunter
00:15:41But you idiot
00:15:42I'm not here because of Lucia
00:15:43I like a mother
00:15:44She's amazing!
00:15:45This one
00:15:47No, this one
00:15:48No
00:15:48Where is?
00:15:50Nicholas!
00:15:51I don't believe it.
00:15:51You'd even go after a mother.
00:15:53Is Nicolas here?
00:15:54Hello
00:15:56And Aranda
00:15:57Are you here for Nico?
00:15:59Ah, well
00:16:00Here it is
00:16:02Here it is
00:16:03Oh no
00:16:04That one no
00:16:04It reminds me of my husband
00:16:06If you don't mind
00:16:07I'll take another one that's cuter
00:16:08Oh ok
00:16:09Roberto
00:16:09It's a joke
00:16:10Oh ok
00:16:12Forgive him
00:16:13But Roberto
00:16:14What's up?
00:16:15I'm Carlos
00:16:16Educational psychologist
00:16:17And I also design toys.
00:16:18In my free time
00:16:19I just invented
00:16:20A ride-on car with an airbag
00:16:21Yeah
00:16:21He's trying it out with his grandmother
00:16:23Because he has no teeth
00:16:25Hey, well
00:16:26You've seen that you've become quite the artist
00:16:27No?
00:16:27How he's painted the walls
00:16:28Can we paint the walls?
00:16:30It's good that they express themselves freely
00:16:32In the Scandinavian school
00:16:33They recommend that
00:16:34Well, he's like Michelangelo
00:16:35With the Sistine Chapel
00:16:36No?
00:16:37That he was there
00:16:38Waiting to confess
00:16:38And to
00:16:39All the way up
00:16:39And then when the Pope caught him
00:16:41Said
00:16:42Okay, then.
00:16:42Leave it
00:16:43Sure, sure
00:16:44Well, nothing much.
00:16:45Nico, we're leaving.
00:16:46Hey?
00:16:47Well
00:16:48Did you have a good time?
00:16:49Hey?
00:16:49Yeah
00:16:49See you later, champ
00:16:51To the
00:16:52And goodbye
00:16:52Precious God
00:16:53Bye
00:16:55Bye
00:16:55Bye
00:16:58Bye
00:16:58Hey, that's not the one you were talking about, is it?
00:17:01But why do you always like the ones I like?
00:17:03You are sick
00:17:04Do you want to be like me?
00:17:06Sorry?
00:17:06I mean, I remind you
00:17:07I was with Lucia before you
00:17:09I was with Bethlehem before you
00:17:11And I'm going to be with Mommy before you.
00:17:12You're going to be a piece of shit
00:17:14Oh, and the Sistine Chapel thing
00:17:15It was mine
00:17:16Did you step on it?
00:17:17Please, Roberto
00:17:18You're talking about Altamira
00:17:19And I'm from the Basilica of Saint Paul.
00:17:20You are in prehistory
00:17:21And I am a Renaissance man
00:17:23Guys, what can we do?
00:17:24Oh
00:17:25Hey, hey, hey, where are you going?
00:17:26It's story time!
00:17:27You have to play Gretel
00:17:29I can't be Hansel
00:17:32José Miguel, put on your glasses
00:17:33I won't tell you again.
00:17:34Leave him alone, he's going off the road on every corner.
00:17:36I'm putting three seconds on him per lap.
00:17:37You're going to shit yourself
00:17:41Come in, come in
00:17:42Juan, look
00:17:43This is Adriana
00:17:44Adriana
00:17:45This is the teacher who will make you love math.
00:17:48Just passing in principle is enough for me.
00:17:51Yes, you're right.
00:17:52I'm off now, I'm going to yoga.
00:17:56Okay, Adriana
00:17:57That?
00:17:58Are you nervous?
00:17:59Because?
00:18:00I don't know
00:18:01Sit there
00:18:02We'll be more comfortable
00:18:03Ah, these are my children.
00:18:04Alex and José Miguel
00:18:06How are you?
00:18:07Hello
00:18:07To your room
00:18:08Adriana and I have to work
00:18:10Well, today we're basically going to dedicate
00:18:12Let's get to know each other a little better
00:18:14Let's see
00:18:15What is your favorite subject?
00:18:17None
00:18:18I'm going to be a top model
00:18:20My height progression is 1.78 meters
00:18:22In addition, my father is a cosmetic surgeon
00:18:24When I'm older, I can correct my imperfections.
00:18:27Ah, that's very good.
00:18:28I will study art history
00:18:30But to combat the stereotype
00:18:32That supermodels are dumb
00:18:34Okay, okay, let's get to work
00:18:37José Miguel
00:18:38Do you want to sign up for the class?
00:18:39No
00:18:40Was
00:18:41Okay, I'm leaving.
00:18:42It's good.
00:18:43What are you saying, kid?
00:18:45We're going to remove this
00:18:47Unintentionally
00:18:48One goes
00:18:49The list
00:18:50AND
00:18:52AND
00:18:53Well, this business thing is great.
00:18:56People working for you
00:18:57Creating jobs
00:18:59Of course
00:19:00As God intended
00:19:01But do you pay them anything?
00:19:02Well no
00:19:03So that?
00:19:04If they are both behind me
00:19:05God
00:19:06God
00:19:06What are you doing?
00:19:08Oh!
00:19:09Oops!
00:19:11Oh!
00:19:12Don't you grow hairs in your nose?
00:19:13Well, no, no
00:19:14The truth is, no.
00:19:15Hey, is that dress mine?
00:19:17Ah, yes
00:19:18I got it from the clothesline
00:19:20It was already dry
00:19:20Huh?
00:19:21Hey, I ironed it for you, okay?
00:19:23Where are you going?
00:19:24Have you arranged to meet Emilia?
00:19:26No way?
00:19:26If they keep messing around with the Rottenmeyer
00:19:29Well, I'm happy with the new matchmaking agency.
00:19:32Much more luxurious
00:19:33They ask for a photo and a resume.
00:19:34Even blood tests
00:19:36Clear
00:19:36They only want good-looking people
00:19:38Tonight
00:19:39I'm having dinner with a businessman
00:19:41Of these
00:19:42I'm already loaded
00:19:43I'm bored
00:19:44Do I want a family?
00:19:46Clear
00:19:47She'll be tired of dating TV presenters
00:19:49Models
00:19:50And he will have said
00:19:50Now I want a real woman
00:19:51A mother for my children
00:19:53Someone to manage for me
00:19:54My hundreds of thousands of euros
00:19:55I mean
00:19:56I
00:19:58Belén, don't get your hopes up.
00:19:59Then
00:20:00Excuse me, beautiful
00:20:01But this week
00:20:01Big changes await me.
00:20:03In my love life
00:20:04Have you read your horoscope again?
00:20:05Yeah
00:20:06But only my sign
00:20:08Well, and Emilio's too.
00:20:09To see if he's doing worse than me
00:20:10Ah
00:20:10And you have low mental energy.
00:20:12And emotional problems
00:20:13What you have to solve
00:20:14Okay, well, that's it.
00:20:15Thank you very much, huh?
00:20:16Hey
00:20:16I'm calling you from his yacht
00:20:21Well yes
00:20:22The truth is that I have
00:20:23Very low mental energy
00:20:24Oh well
00:20:25Will she do it?
00:20:30What I'm saying is
00:20:30It's that a country
00:20:31In which the coach
00:20:32Soccer
00:20:32He charges ten times more
00:20:33That the president of the government
00:20:34It can't work properly
00:20:35Man
00:20:35Do not compare responsibility
00:20:37From the coach
00:20:38With the president's
00:20:39The selector
00:20:40He knows he's going to make a fool of himself.
00:20:41That
00:20:41It has to be paid for
00:20:42Oh well
00:20:43You're chatting away again.
00:20:44Hey, watch out, okay?
00:20:46We are within our rights.
00:20:47We bought panchitos
00:20:48Paco, in what language
00:20:49I have to tell you
00:20:50That you are only enabled
00:20:51To neglect your professional obligations
00:20:52In cases of extreme severity?
00:20:54Hey, Josemi has fallen in love
00:20:56Do you want to see it?
00:20:57See?
00:20:58For example
00:21:05Hey, Adriana
00:21:06That?
00:21:06Hey, how was class?
00:21:08Good
00:21:08Your father is very nice
00:21:09Yes, that's what it's like.
00:21:10You're coming tomorrow, right?
00:21:11Yes, when I get out of the swimming class.
00:21:13I need to widen my back a little.
00:21:15To be proportionate
00:21:16Ah
00:21:16Okay, okay
00:21:17Bye
00:21:19Bye
00:21:24What's happening?
00:21:26Nothing, nothing
00:21:27What's happening?
00:21:29You're coming tomorrow, right?
00:21:31Yes, when I get out of the swimming class.
00:21:33I was saying goodbye, okay
00:21:35I know that having a little education
00:21:37Come on, Josemi
00:21:38You're infatuated
00:21:39That?
00:21:40I like
00:21:40What are you on about?
00:21:41Look how strong!
00:21:42How red it turns
00:21:42Yes, yes, yes
00:21:43The ball, the ball, the ball
00:21:44Okay, fine.
00:21:45She's hot, so what?
00:21:46Josemi, don't go too far
00:21:47What a minor, huh?
00:21:48Those pedophiles from that
00:21:49Yeah
00:21:50I'm also a minor
00:21:51Well, worse.
00:21:51That's an aggravating factor.
00:21:52With malice aforethought
00:21:53And childhood vices
00:21:55How old is that girl?
00:21:57Thirteen
00:21:58It's out of your reach, man.
00:21:59He's a year older than you
00:22:00At your age
00:22:01That's an insurmountable wall.
00:22:02Of course
00:22:03It's as if Paco wanted
00:22:04To hook up with a top model
00:22:05Well, to laugh with one
00:22:06In general
00:22:07But what's going on?
00:22:08Why can't he notice me?
00:22:10I bet I'll hook up with her, Bocas
00:22:11You're all a bunch of loudmouths
00:22:14Well, he certainly doesn't lack morals.
00:22:16How beautiful is childhood love
00:22:18It brings back some memories.
00:22:19Hey
00:22:19And what if we put Josemi in the mailbox?
00:22:21A love letter
00:22:22As if he had written to the girl
00:22:23Come on
00:22:24Come on, you bastard
00:22:25He's always making fun of my man
00:22:26Okay
00:22:27That's why I use bifina.
00:22:28No, no, no, no
00:22:30Let's see
00:22:30I think it's cruel.
00:22:32At this age
00:22:32These things affect us a lot.
00:22:33Me as a child in class
00:22:35I always...
00:22:36let's do it
00:22:37Come on
00:22:37Let's see who has the lyrics
00:22:39More like a little girl
00:22:44Carlos
00:22:46No
00:22:47Is it for a girl?
00:23:18What are you doing, you wretch?
00:23:18He always opens the doors with a card.
00:23:20Sure, Dad
00:23:21Because he sleeps in hotels
00:23:22Well, it's okay.
00:23:23If you spend less than with credit cards
00:23:25The devil is in the details.
00:23:26Andrew
00:23:27The key, please
00:23:28That's quite a few signs of violence.
00:23:38I'm going for the jewels
00:23:40And the DVD
00:23:41You
00:23:42Grab those hideous little frames
00:23:44Okay, grab what you can.
00:23:45If they don't catch you
00:23:46I'm going with the president
00:23:47I have diplomatic immunity
00:23:48This is about stirring everything up.
00:23:58But what does he do?
00:23:59Damn, pushing the safe
00:24:00Damn, isn't it easier?
00:24:02Take down the picture?
00:24:02It's the modus operandi
00:24:04Of the criminal
00:24:04If you're going to start on me
00:24:06To discuss everything
00:24:06I'm washing my hands of it.
00:24:08I'd steal this, wouldn't I?
00:24:09It's a go
00:24:10To cook Chinese style
00:24:11Low in calories
00:24:12Emilio, only valuable things
00:24:14Of course, 89.90
00:24:15On the infomercial
00:24:17Leave this
00:24:17That is mine
00:24:19Let's leave this here
00:24:20At your house
00:24:20At my place
00:24:21Are you crazy?
00:24:22It's only two days.
00:24:23Store it under the bed
00:24:25Isabel doesn't clean
00:24:26I see it.
00:24:27An unnecessary risk
00:24:28We haven't put on gloves
00:24:29Here are more footprints
00:24:30That on the buttons
00:24:31From a dog's swallow
00:24:32This wasn't even viral, man.
00:24:33Damn, that's good
00:24:34It was snow without a swimsuit
00:24:36Dad, leave that alone.
00:24:36It's a private matter, damn it.
00:24:37Come on, let's go
00:24:43Well, my father had a wine press.
00:24:44And I started selling cider online
00:24:46Who would have told me
00:24:47That the Japanese
00:24:48Were they going to like it that much?
00:24:49Then I started selling them
00:24:50Cabrales too
00:24:51Sausage
00:24:52Corujo
00:24:53It's a spectacle
00:24:54Watching them eat fabada
00:24:56With toothpicks
00:24:57You can't even imagine it
00:24:59So, just like that, foolishly and silly
00:25:02I saw myself at 27 years old
00:25:03And a thousand kilos in the bank
00:25:05I understand you
00:25:05In other words, understand me
00:25:07I put myself in your situation
00:25:10Hey, so much money
00:25:11Where do you put it?
00:25:12In a pension fund?
00:25:14One of those colorful beads
00:25:15What's happening now?
00:25:16More champagne?
00:25:16No no
00:25:17Okay, come on
00:25:20Know?
00:25:20When I saw your photo at the agency
00:25:21I imagined you would be different
00:25:23But I was still surprised.
00:25:24Thank you
00:25:26But for better or for worse?
00:25:28For the best, woman
00:25:28For the best
00:25:30Know?
00:25:30I feel relaxed with you
00:25:31It's not like with the others
00:25:32You know what they're going for
00:25:33Clear
00:25:34That's what I always say.
00:25:35You have to be
00:25:36Well, that's it, natural.
00:25:37You need to have a little bit of...
00:25:39Shall we go to bed?
00:25:40Yeah
00:25:44I don't know if I'll be able to sleep.
00:25:45With my sister's jewelry
00:25:46Under my bed
00:25:47I'm screwed for a plural
00:25:48In goal
00:25:49No, Dad.
00:25:50That we will be
00:25:51The main suspects
00:25:52We're like the Mariodomo in Cluedo.
00:25:54Now everyone go home
00:25:55As if nothing had happened
00:25:57Nieves has to be there
00:25:58About to arrive
00:26:01Look
00:26:02It has arrived
00:26:03You can tell they've had singing lessons
00:26:05That's an E flat.
00:26:06Mezzo soprano
00:26:09My jewels, Juan
00:26:10The great-grandmother's cameo
00:26:12They have stolen our past.
00:26:13And my lapis lazuli pendant
00:26:15That brought me good luck
00:26:16How did I do now with the lottery?
00:26:19It has also been carried out there
00:26:20A photo of me
00:26:21From when we used to spend our summers in Vigo
00:26:23Oh, the photo too.
00:26:24These people respect nothing.
00:26:26I'm sure they'll put it online.
00:26:27Well, that's it.
00:26:28As soon as we find
00:26:29What they have stolen from him
00:26:30We'll call her
00:26:31And do they usually find it?
00:26:32Uh, no
00:26:35Good night
00:26:38Just a moment
00:26:38Have you noticed that the lock has been forced?
00:26:40But does it open and close perfectly?
00:26:42Yes, yes
00:26:43Very good
00:26:44Vicenta, please
00:26:45Do not disturb these gentlemen
00:26:46I think they had a key
00:26:48And that they must have made a copy
00:26:49And you know what else I find really strange?
00:26:52Ma'am, I've stopped thinking.
00:26:53I smell like something's burning
00:26:54They are robbing us.
00:26:55And you doing nothing
00:26:57Sausage!
00:26:58What do you mean, no?
00:26:59Emilio summons the neighbors
00:27:00Urgent meeting
00:27:01But tomorrow would be better, wouldn't it?
00:27:02If they're not going to rob us today
00:27:03The killer is the only one
00:27:04He returns to the scene of the crime
00:27:05The thief is smarter and runs away.
00:27:06Emilio, now
00:27:07Okay, okay, okay
00:27:08But that's overtime, right?
00:27:10I'm writing them down.
00:27:11You aim
00:27:13What was thrown at you?
00:27:16Okay, a little silence.
00:27:18In the crisis cabinet
00:27:19That the president
00:27:20He's going to explain his emergency plan to us.
00:27:21Against crime
00:27:22Neighbors
00:27:23Crime has struck
00:27:24To this our community
00:27:25It's her fault.
00:27:26This and his father
00:27:27They don't watch.
00:27:28What are we paying you for?
00:27:30Emilio couldn't do anything
00:27:31He was at...
00:27:33Where were you?
00:27:35Uh, well, I was messing around
00:27:36To the accountants
00:27:37That tomorrow comes from the light
00:27:38They have been professionals
00:27:39They had it under control
00:27:41Our opening hours
00:27:42They are the commercial postmen
00:27:43Many are scouts
00:27:44Of the mafias
00:27:45Well, this doesn't do anything for me.
00:27:46Not funny at all
00:27:47I have a small child at home
00:27:48Not anymore
00:27:49See if he was taken to the lawyer
00:27:50What was his name?
00:27:51Pink
00:27:52She is the father
00:27:53Please, let's not get sidetracked.
00:27:55First it was Nieves
00:27:56But the next one could be anyone.
00:27:57From us
00:27:58This is like a lottery
00:27:59Ah, then let's not worry
00:28:00We'll probably never get it.
00:28:02Juan, what about those of us who have
00:28:04Armored door and alarm
00:28:05Can we leave?
00:28:05I say this because I'm sleepy.
00:28:06Hey, you're middle class now.
00:28:09Low medium
00:28:09Don't rub your money in our faces
00:28:13Hey, we could put
00:28:14All armored doors
00:28:15Juan, you hadn't
00:28:17Informed about prices
00:28:18Yes, I had planned for that.
00:28:19In my catalog
00:28:20Of spring spills
00:28:21Summer
00:28:22But in view
00:28:22From the circumstances
00:28:23I want one, okay?
00:28:24I vote yes
00:28:25And what are they going to give me?
00:28:26A bulletproof curtain?
00:28:27Well, I like sluts.
00:28:28I don't put anything on them, okay?
00:28:29If they steal it
00:28:30It's their problem.
00:28:31Madam, with a reinforced door
00:28:33The property value increases.
00:28:35Ah, if it's for speculation
00:28:36Yeah
00:28:37Put one down for me
00:28:38I can't live in fear.
00:28:39Doors alone are not enough
00:28:41I would put in a metal detector
00:28:43On the portal
00:28:44Then to Doña Concha
00:28:45It's always going to whistle at him
00:28:45They have the column
00:28:46More platinum records than Bilbao
00:28:48The levy has been approved.
00:28:49Tomorrow
00:28:50We lifted the iron curtain
00:28:51Not even God can enter here anymore.
00:28:54What am I going through?
00:28:55I don't have a security door
00:28:56Yes, but the thing is
00:28:57I was thinking of betting
00:28:58For some rustic fronts
00:29:00And of course, you would have to adapt.
00:29:01That's what's called
00:29:02Aesthetic solidarity
00:29:04Okay
00:29:04Okay, well, that's all.
00:29:06I'll call my decorator.
00:29:07And that he gets in touch with you, okay?
00:29:14Emilio will say whatever he wants
00:29:15But these mailboxes are crooked.
00:29:16Dad, now that I think about it
00:29:18Yes, they would come in handy.
00:29:19Private lessons with you
00:29:20For refreshments and such
00:29:21Of course, son
00:29:22As soon as I'm done with Adriana
00:29:24You and I will get on.
00:29:25Or with her
00:29:26If you know what's good
00:29:27Being super gifted
00:29:28I can level up whenever I want
00:29:29Look, you have a letter
00:29:30I?
00:29:32Who wrote to you?
00:29:33Let's see
00:29:37A colleague from Gandía
00:29:39Yeah
00:29:39Ah
00:29:40It's nice to see
00:29:41To a kid your age
00:29:42Giving up on new technologies
00:29:43From the email
00:29:44And giving in to pleasure
00:29:45From writing letters by hand
00:29:47Yeah, it's pretty cool
00:29:48I kept the ones your mother
00:29:50He used to write to me when he was young
00:29:51They wouldn't let him use the phone
00:29:53So he would write to me until
00:29:53To tell me
00:29:55That she had her nails done
00:29:58He's coming, he's coming, he's coming
00:29:59I know you're not listening to me.
00:30:01In fact, you've left.
00:30:03So technically
00:30:04I'm talking to myself
00:30:06Therefore, I'll be quiet.
00:30:08But it was beautiful.
00:30:10They held a discussion with us
00:30:13Hey, losers
00:30:14Letter from Adriana
00:30:15My aunt wants to talk to me.
00:30:16What are you saying?
00:30:17Come on, go on
00:30:17Don't be a ghost.
00:30:18You wrote it yourself
00:30:19It's in my handwriting
00:30:20Dude, ready
00:30:20So, what does he tell you?
00:30:21Read it to us, won't you?
00:30:22They post very intimate things here.
00:30:24This cannot be told
00:30:25Okay, a short passage
00:30:26Even if it's
00:30:27Okay, but don't get used to it, okay?
00:30:29I don't like to talk
00:30:30About my private life
00:30:32José Miguel
00:30:33I am Adriana
00:30:34I am writing you this letter
00:30:35Because I'm very embarrassed
00:30:36Talk to you
00:30:37With your father present
00:30:38Normal
00:30:40You're a very handsome guy
00:30:41You're a little chubby
00:30:42But I don't care.
00:30:43You have very beautiful eyes
00:30:45They are like two suns
00:30:46Auntie's a bit grumpy
00:30:48Sorry, but it's not goodbye
00:30:50It's a beautiful metaphor
00:30:51Let him continue
00:30:52Man, please
00:30:53I like you a lot
00:30:54But I'm very shy
00:30:55Why don't you write to me?
00:30:57Below I've put my address
00:30:58Send it to me urgently
00:30:59A kiss
00:31:00Adriana
00:31:01Ah, he looks very handsome with the glasses.
00:31:03I don't know why you're taking them off.
00:31:04And here he put me
00:31:05A kiss with the lips
00:31:07Dude, that's love.
00:31:09And who said
00:31:10I had nothing to do, huh?
00:31:12Dude, you've really made it.
00:31:13And kiss the saint.
00:31:14That's a gift, kid.
00:31:15You're the Fernando Alonso of love
00:31:17Well, sorry
00:31:18That I can't stay with you
00:31:20But Adriana is coming to see me
00:31:21Ah, of course.
00:31:21Be careful
00:31:23Don't scare her
00:31:24She is very shy
00:31:26Damn, how did he swallow that?
00:31:27Let's write her another one
00:31:29I'm feeling romantic today.
00:31:30Okay, but today it's his turn
00:31:31Someone else put on the lipstick
00:31:32No, no, no
00:31:33We didn't write anything.
00:31:33He sings a lot
00:31:34Now we'd better wait.
00:31:35To answer
00:31:36How nerve-wracking, huh?
00:31:40Okay, so, what does he write?
00:31:41You, keep an eye on your email.
00:31:43That we have put
00:31:43At your home address
00:31:44Let's see how unromantic you are
00:31:45That's how it goes for you
00:32:02Nativity scene
00:32:03You were amazing last night
00:32:05You are a wonderful woman
00:32:07I'll leave your thing on the nightstand.
00:32:10I'll leave yours.
00:32:19What is this?
00:32:20I just don't understand anything
00:32:21So, he's inviting me to dinner.
00:32:22We had an amazing night
00:32:24He's coming home
00:32:24We went to bed
00:32:25Belén, yes, she called me
00:32:26To make me jealous
00:32:27You're wasting your time, huh?
00:32:28Because I'm delighted with Carmen.
00:32:30Who has a university degree
00:32:31B1 License
00:32:31Two bra sizes larger
00:32:32No, no, you idiot.
00:32:34That's not it
00:32:35The strange thing is that this morning
00:32:36When I got up
00:32:36He's gone
00:32:38And he left me an envelope.
00:32:40With two thousand euros
00:32:42What are you saying?
00:32:43But you threatened him
00:32:43You told him you wanted to marry him
00:32:44No, no
00:32:45No, Belén
00:32:46Have you checked yourself to see if you're missing a kidney?
00:32:48Turn around
00:32:48Run, let's see if it has the scar
00:32:49Or maybe he's left you
00:32:50The money for the taxi
00:32:51But I'm at home.
00:32:52You're right
00:32:53This doesn't add up.
00:32:54Let me think
00:32:54It's true
00:32:55Let's see, Belén
00:32:56What type of marriage agency
00:32:58Have you gone in?
00:32:58Well, in one of these
00:32:59From the newspaper, look
00:33:00There
00:33:01Okay, this
00:33:02Let's see, high-end agency
00:33:04Financially secure gentlemen and executives
00:33:06High-class ladies only
00:33:08Belén, this is not a marriage agency
00:33:10What do you mean, no?
00:33:11High-level?
00:33:12No, this is an agency
00:33:13Of young ladies of...
00:33:15Whore faces
00:33:16Stupid and a whore
00:33:17Excuse me, but it was a lovely date.
00:33:20With...
00:33:22You are right.
00:33:23I'm a whore
00:33:24Yeah
00:33:25Belén, you change jobs so often!
00:33:27They don't know what you're doing anymore
00:33:28Damn it, focus
00:33:28Settle down
00:33:29Okay, okay, let's see
00:33:30Let's see
00:33:31You, you, you
00:33:32You haven't noticed anything
00:33:33And maybe he
00:33:34Well
00:33:35Well, he left the money on the nightstand.
00:33:36And that's it.
00:33:37Well, that's another gap in the story.
00:33:38Because
00:33:38How can he give her two thousand euros?
00:33:40For sleeping with her?
00:33:41Excuse me, but that's what I'm worth.
00:33:42And much more, eh?
00:33:42That was a sick man.
00:33:43A cellulite addict or something
00:33:44Okay, let's see
00:33:45You're calling him now, huh?
00:33:46You tell him to give you back the money
00:33:47And you can rest easy
00:33:49That's two thousand euros.
00:33:50Belén, please
00:33:50Yes, yes
00:33:51I'll call him, I'll call him
00:33:52I'd keep it, you know?
00:33:53Because that's like a proposition
00:33:54Indecent
00:33:54Except he's already done it
00:33:55But her in the movie
00:33:56They offered him a million dollars
00:33:57Yes, but she was
00:33:58Demi Moore
00:33:59And this is Belén López Vázquez
00:34:00It's starting
00:34:01It's a launch offer
00:34:02Okay, fine.
00:34:02I'll call him and return it.
00:34:04But I'll stick with
00:34:05One hundred euros for the little annoyance
00:34:07No no
00:34:08I'm going to take some more time.
00:34:09Hey, really
00:34:10Stay still
00:34:10That's awful, Belén
00:34:12Thank goodness you haven't fallen in love
00:34:13No
00:34:15It was perfect.
00:34:17That's where she lost it, woman
00:34:19What a pity
00:34:23José Miguel, you're not going out today.
00:34:25Are you okay?
00:34:26Yes, I'm reading this.
00:34:28Ah, summits for things
00:34:31A masterpiece of 19th-century Romantic literature
00:34:34I didn't know you liked this type of reading
00:34:36Well, there you have it.
00:34:39I also see you wearing glasses
00:34:40Yes, Dad
00:34:41I've realized that they are necessary
00:34:43Aesthetics cannot take precedence over health.
00:34:45José Miguel
00:34:47It makes me feel like a good father
00:34:48Okay, but don't get too excited, okay?
00:34:51Where are you going with that?
00:34:52To clean up a bit
00:34:54You always do it
00:34:55And that cannot be.
00:34:56Also, I'm at a moment
00:34:57I feel like doing new things.
00:35:00Mary Poppins was having a lot of fun
00:35:02Cleaning
00:35:02Well, but no
00:35:04I'm not starting with the bedroom
00:35:05Honey, you can start here
00:35:06If there is a lot
00:35:07So what?
00:35:09If the order of the aspirations does not alter what is aspirated
00:35:12Yes, yes
00:35:13No, but the baby is about to arrive
00:35:14And the hall is more urgent.
00:35:16Besides
00:35:17The vacuum cleaner is always passed in a pyramid order.
00:35:19In other words, from a large space to a small space.
00:35:21All the manuals say so, darling.
00:35:28It was bound to happen.
00:35:29It was bound to happen.
00:35:35Juan
00:35:36Hey
00:35:38I clean under the sofa
00:35:40Or that's for when we move, right?
00:35:42No, no, the sofa is important
00:35:43That's where the highest concentration of cytophagous mites is found.
00:35:46What is this?
00:35:47That?
00:35:48Ah
00:35:48It's the...
00:35:50Juan
00:35:51It's beautiful.
00:35:53Thank you so much
00:35:54The lapis lazuli is my favorite stone
00:35:57Who told you that?
00:35:58Well, I don't have my sources.
00:36:01Oh
00:36:01I love the little girl
00:36:03This is how it works with a pullet.
00:36:08What was it?
00:36:09She has taken it away
00:36:14Hello
00:36:17What's up, little cow?
00:36:19Susana, really
00:36:20Don't pull Pedro Alonso's hair
00:36:22Phew
00:36:22Your father told you.
00:36:24I won't say any more.
00:36:24Hey, Lucia
00:36:25What is that girl doing with the bleach?
00:36:27He's going to poison himself
00:36:28Roberto
00:36:29Roberto
00:36:29Help me, cordon off the kitchen
00:36:30Cordon off the kitchen
00:36:36Watch out, watch out
00:36:37Where are my children?
00:36:42Don't cry
00:36:43That I'm a good clown
00:36:44No, it's just that...
00:36:45Carlos, take this off
00:36:46You look like you're about to rob a bank
00:36:47I should have gone all military on the sidelines
00:36:49That is more ours
00:36:51You look very handsome.
00:36:52To babysit, right?
00:36:54And what about you?
00:36:54How long have you been using hair gel?
00:36:56It's not hair gel
00:36:57It's foam, wet effect
00:36:58Like Figo's
00:36:59Okay, that's all for now.
00:37:00What do you think?
00:37:01Am I stupid?
00:37:01Seriously, stop fighting already
00:37:03I don't want you to lose your friendship because of me.
00:37:05What friendship?
00:37:06You're here because of me, aren't you?
00:37:08Then it's best if you leave.
00:37:09Because I'm not going to get involved with either of them.
00:37:10So I'll find someone to help me.
00:37:12Come here, darling.
00:37:14Well, for you and for the children
00:37:16Yes, yes, yes
00:37:17You just get used to them, honey.
00:37:18They fill the void you leave us.
00:37:20Huh?
00:37:21So you're going to start acting like adults now?
00:37:23Exact
00:37:24Yeah
00:37:24So, can I go window shopping for a little while?
00:37:26Yes, yes, yes
00:37:27A bit
00:37:28Yeah
00:37:28Yeah
00:37:28Yeah
00:37:28Yes, yes
00:37:28Open, open the door
00:37:31Hey, what are you doing, dude?
00:37:33Hey, let me go
00:37:34Leave me
00:37:37Hi guys
00:37:38Hello
00:37:38What's wrong with you?
00:37:40Uh, the children who exhaust
00:37:42We had a pony race.
00:37:45I won
00:37:47Okay, honey
00:37:48Behave yourself, okay?
00:37:49Don't be a nuisance.
00:37:50Hello
00:37:53Okay, goodbye
00:37:54Hey, hey, Yolanda
00:37:55Why don't we meet tonight?
00:37:57And what about Nicholas's progress?
00:37:59When coloring, you can hardly go outside the lines.
00:38:01Okay, then let's want
00:38:02That way I get to know you both a little better
00:38:04No, no, no
00:38:05But I meant you and me going together
00:38:07No, no, no, of course!
00:38:08The three of us stayed
00:38:10Yeah, the thing is
00:38:12Roberto won't be able to come
00:38:13Because her mother is having open-heart surgery this afternoon.
00:38:16No, it's been delayed.
00:38:18The valve has been ordered from Germany
00:38:19But it doesn't arrive
00:38:21Sure, but I don't think you can come, right?
00:38:23Didn't you have a day of self-flagellation with your sect members today?
00:38:26No, no, no, no, no
00:38:27I left
00:38:28I've now become an Atleti member
00:38:29Which is another act of faith
00:38:32Ah, okay, okay
00:38:34Well, there, there, at the back on the right.
00:38:36But Roberto, please, accompany him, eh?
00:38:39Well, I'm off, you're all very busy.
00:38:40Shall we meet at ten o'clock at my house?
00:38:42Yes, yes, yes, yes, yes, yes
00:38:43Okay, then, nothing.
00:38:45Goodbye, my love
00:38:46Bye
00:38:46Bye
00:38:48Did you see who he was looking at last?
00:38:50Out of pity
00:38:51It's a consolation prize.
00:38:52Like diplomas at the Olympic Games
00:38:54But she likes me, Roberto, please
00:38:55Pay attention to body language there.
00:38:57But what body language?
00:38:58Sulnormal?
00:38:59If all their pheromones were coming towards me
00:39:00He's into me, you sentimental shortsighted fool.
00:39:02Hey, but you're stupid
00:39:03If she likes me, dude
00:39:04He likes me
00:39:05Okay guys, calm down, really.
00:39:06Nor is it in the cúrnicova
00:39:08Oh, how difficult it is to be a woman
00:39:12Nico!
00:39:13Nico!
00:39:15Mom and I
00:39:17We've made plans!
00:39:18Viva!
00:39:19But a challenge?
00:39:21What have you given yourself?
00:39:27I don't know
00:39:32You can boast
00:39:34Having the most secure doors on the market
00:39:35These armored doors
00:39:37They have been set up for such illustrious figures
00:39:39As
00:39:39Esther Koplovich
00:39:40Ronaldo
00:39:41Or Pocholo himself
00:39:42Next, I will explain
00:39:44What are its characteristics
00:39:45It is an armored model
00:39:47With a solid internal structure
00:39:48And highly stable
00:39:49Composed of
00:39:49A particleboard
00:39:50Enclosed around its perimeter with steel
00:39:51Fire-resistant electro-galvanized coating
00:39:52Iron and aluminum lock
00:39:53With 16 anchor points
00:39:54Four up
00:39:55Four at the bottom and eight on the sides
00:39:56Adjustable hinges
00:39:57Opening limiter
00:39:57Anti-traction staples
00:39:58Plague titrado de estímil
00:39:59Millimeters and symmetrical key
00:40:00Not even the gates of heaven
00:40:01They are so safe
00:40:02Yes, that sounds great!
00:40:03I haven't finished.
00:40:05If they are not happy
00:40:07With the exterior finish
00:40:08We have other woods available.
00:40:09Mahogany, cherry, American cedar
00:40:11It is carried by izade, hiró
00:40:12Communcalis, apellis, surname
00:40:13With optional elements such as
00:40:15One, central knobs
00:40:16Two skylights
00:40:16Three, stained glass windows
00:40:17Or four, isolations
00:40:18Rock wool
00:40:18I
00:40:19As long as it has a peephole
00:40:21Now they have doors
00:40:23Absolutely impregnable
00:40:26Here are your keys
00:40:28One more thing
00:40:30The warranty is for two years.
00:40:31But make no mistake
00:40:32That these doors
00:40:32They will outlive them
00:40:35To all
00:40:37Good morning
00:40:39Well, if they invade us
00:40:41I already have a shelter.
00:40:46Our key doesn't work!
00:40:48Hey, sir!
00:40:50They must have made a mistake
00:40:52What are the king's?
00:40:56Ma'am, what are you doing?
00:40:57Oh, oh, oh!
00:40:58Forgive me, son
00:40:58Oops!
00:40:59I've become disoriented!
00:41:01But what floor is this?
00:41:05What are the ones on the slope?
00:41:08But do you know the mess?
00:41:09What have you gotten me into?
00:41:10Let's see now
00:41:10How do I remove it now?
00:41:11Isabel, the damn
00:41:12Lapis blazuli
00:41:12Yes, because like Doña Nieves
00:41:14I see her with the position
00:41:14To the grass
00:41:15She plucks the petals like a daisy
00:41:16Well, tell them they've made a mistake.
00:41:18In the store
00:41:19And you buy him something else
00:41:20If it's more expensive
00:41:20He'll like it more
00:41:21That never fails.
00:41:22I don't think so
00:41:22I didn't see her that excited
00:41:24From our meetings
00:41:25In the accounting room
00:41:26Well, don't go into too much detail.
00:41:28We should have pawned the loot.
00:41:30We had saved ourselves
00:41:31Some hard cashews
00:41:32And removed evidence
00:41:33And why don't you pretend?
00:41:34A robbery at your home?
00:41:35You get the Lapis Blazuli
00:41:37And that's it
00:41:37And on top of that
00:41:38You collect the insurance.
00:41:39No no
00:41:39We've already faked Nieves's theft
00:41:40I don't plan to commit any more crimes.
00:41:42And much less in my own house
00:41:43So it was you.
00:41:45The shell you make here
00:41:46I'll tell the crazy one
00:41:48Right now
00:41:49Be quiet
00:41:50That's going to spoil the surprise.
00:41:51But what a surprise!
00:41:53Teach John
00:41:54Explain it to him
00:41:55Uh, yeah
00:41:55It's a gift
00:41:57We faked a robbery.
00:41:59At Nieves' house
00:41:59So that the insurance will pay her.
00:42:00And with the money
00:42:01Buy whatever you want
00:42:02Yeah
00:42:02It's like a gift card
00:42:04From a department store
00:42:05So I would beg him
00:42:06Let him keep it a secret
00:42:07Nieves is very difficult to give away
00:42:09Since it already has everything
00:42:10What a bunch
00:42:12What a shame!
00:42:18Stay still, I'm not in the mood for the day
00:42:20There's a kick in the balls
00:42:23Hello
00:42:24Hello
00:42:24What a good dog
00:42:25What hair
00:42:27Hector is there
00:42:28Leave her alone, she says
00:42:29I'll eat myself now.
00:42:29Thank you
00:42:30Hello
00:42:31But what are you doing here?
00:42:32Oh God, this is blackmail
00:42:33How much do you want?
00:42:34No, no, no
00:42:35On the contrary
00:42:35If I came to return the money
00:42:37That?
00:42:38Yes
00:42:38There has been a misunderstanding
00:42:39That I have nothing
00:42:40Who is Hector?
00:42:42Is...
00:42:43Nativity scene
00:42:43She is an employee of the company
00:42:45Yeah
00:42:46Nines, my mother-in-law
00:42:47Nativity scene
00:42:47Nines
00:42:49I came to bring some papers
00:42:51But he was already leaving.
00:42:51TRUE?
00:42:52No, woman
00:42:52Don't go
00:42:53Happens
00:42:53We have enough cake for everyone.
00:42:55Come in, come in
00:42:56What do you mean, cake?
00:42:57Yes, woman
00:42:57Yeah
00:43:00Happy Birthday
00:43:03Happy Birthday
00:43:06We wish you all the best.
00:43:11Happy Birthday
00:43:16Bravo
00:43:17Nativity scene
00:43:17So you work with my husband
00:43:19Yeah
00:43:20Well, he'd never mentioned you to me before.
00:43:21The thing is...
00:43:22Well, I'm new.
00:43:23Because I come from the United States
00:43:25To study a master's degree there
00:43:27Ah, very good.
00:43:28And where?
00:43:30At Monica Levinsky University?
00:43:31Yeah
00:43:32No?
00:43:33No, I mean, no
00:43:33In Boston
00:43:35In the center
00:43:36Okay, we opened the presents, huh?
00:43:38Yeah
00:43:40What have you brought me here for?
00:43:42Ah, well, a little money
00:43:44So you can buy yourself a doll
00:43:46Or a pony
00:43:47How delicious!
00:43:49Come on, have a piece of cake
00:43:51My daughter made it
00:43:52It's really good.
00:43:52No, really
00:43:53If I'm going to have to leave
00:43:54What's happening?
00:43:55You can sleep with my husband
00:43:56But you can't try my cake
00:43:57Hope, please
00:43:58No, no, I'll eat it.
00:43:59No, no, I'll eat it.
00:44:00I'll eat it up
00:44:00I'll eat it up
00:44:04Here, here, here
00:44:06There is no one who lives
00:44:08Here, here, here
00:44:10There is no one who lives
00:44:11How old are you turning?
00:44:15What a disappointment
00:44:17My jewelry
00:44:18My savings
00:44:19And the collection of cigar bands
00:44:22From my husband
00:44:24Hey
00:44:25This was in one minute
00:44:26While I've taken Valentín down to the street
00:44:28But how did they get in?
00:44:29Through the patio window
00:44:30Oh, excuse me
00:44:32But the thing is
00:44:33I'm very nervous
00:44:35Well, that's it.
00:44:37If he ever stays
00:44:38The space downstairs is free
00:44:39Let us know
00:44:40This is how we set up the police station here.
00:44:42And we save ourselves the travel time
00:44:44So they enter through the courtyard
00:44:46And you all haven't seen anything
00:44:47These two need to be kicked out, Juan.
00:44:49They're just for decoration.
00:44:50That's true, Emilio
00:44:51You haven't been paying attention.
00:44:52But Mr. Juan
00:44:53If I don't...
00:44:54Don't argue with me, Emilio
00:44:55Or I'll open a disciplinary file against you
00:44:59It's very strange.
00:45:01Concha says the thief
00:45:02He broke in through the patio window.
00:45:04But on the kitchen floor
00:45:06But there are no windows
00:45:07He would be a white-collar thief.
00:45:09Clear
00:45:09And he cleaned them so the dog wouldn't get cut.
00:45:11Well, there are no remains in the trash.
00:45:13He must have brought his own vacuum cleaner
00:45:15This smells fishy to me.
00:45:16But what are we going to spend money on?
00:45:17A paste in armored doors
00:45:18And then they enter through another place?
00:45:20Man, the door is an element
00:45:22Important deterrent
00:45:23I don't pay for mine
00:45:24Take her away
00:45:24Me neither
00:45:25What a silly expense
00:45:27You can't do that
00:45:28If the doors are already installed
00:45:29And I have the check ready for...
00:45:30Give me back the old one
00:45:32And with the money I'll get an alarm system installed.
00:45:33One of those that's connected to the police
00:45:35And to the army
00:45:36And to everything
00:45:39And look at the mess he's made
00:45:41Oh, but what's wrong?
00:45:43I'm giving myself a gift
00:45:45In case I don't make it to my birthday
00:45:50Roberto, can you tell me what's going on?
00:45:52Don't worry about it, okay?
00:45:54It seems like more than it is
00:45:55Okay
00:45:55Goes
00:45:57God
00:45:58It's just amazing
00:46:00But, but, but
00:46:01What's wrong with this child?
00:46:02Well, it's because it fell headfirst off the sofa.
00:46:05Like, like the bump is here
00:46:06I think if you style it a little like that
00:46:07He can't see ahead
00:46:10Honey, are you okay?
00:46:11Does it hurt?
00:46:12What's going to hurt him?
00:46:13They're even made of rubber.
00:46:15Can you explain to me what I should say to the mother now?
00:46:17Well, it turns out he's been butting heads with another kid.
00:46:19Well, it's a normal thing.
00:46:20Haven't you seen any documentaries?
00:46:22Clear
00:46:22They are the two dominant males of the litter
00:46:24Hey?
00:46:25Why do you think they pee?
00:46:27Well, to mark the territory
00:46:28The problem is that we put diapers on them and they get frustrated.
00:46:32Hello
00:46:33Hello
00:46:34How are you?
00:46:34Come get Nicholas
00:46:35Yes, yes
00:46:36That?
00:46:36What have you gained?
00:46:38Oh, well, like a prince
00:46:39Because he fell headfirst off the sofa
00:46:41And I haven't even let it get moldy.
00:46:42That?
00:46:43That?
00:46:44I do
00:46:45If you don't see a clear vocation in him at 18
00:46:48I'm telling you, okay?
00:46:48What a parachutist
00:46:49But seriously, what's with the bump on his head?
00:46:51But why haven't you taken him to the doctor?
00:46:53I'm sorry, really.
00:46:54I just stepped out for a little while.
00:46:55Because I was a little stressed and...
00:46:56Nicholas, if you don't like children
00:46:57Why the hell are you opening a daycare?
00:46:59I'm sorry, really.
00:47:00Don't worry, you won't have to take care of anything anymore.
00:47:02Because I plan to report you.
00:47:04Hey
00:47:05Yes, love, yes
00:47:10Okay, so what?
00:47:10He hasn't even noticed, has he?
00:47:12No, not at all.
00:47:13Carlos wants to sue me.
00:47:15Don't worry, we'll fix it tonight.
00:47:16We both arranged to meet her.
00:47:18That?
00:47:21We were helping you with the children
00:47:22Because we like Yolanda
00:47:23Oh, so you're not both behind me?
00:47:25Uh, well, yes, yes, yes, also
00:47:27Come on, man, don't be fake.
00:47:29Hey, don't close any doors on me.
00:47:30I liked it originally too.
00:47:31So, you're going to ruin my business.
00:47:32Just for messing around with that mother
00:47:34She's not a mother
00:47:34She's a goddess
00:47:35Get out of here
00:47:36But it's going to be fixed, Lucia
00:47:38Out
00:47:38Hey, Lucia
00:47:39One night of sex with me
00:47:41And that's how his anger passes.
00:47:42You know it
00:47:43Tell him once and for all
00:47:44That I'm better in bed
00:47:44Because then one gets deceived
00:47:45No, you know what's up
00:47:49Well, nothing much.
00:47:50Next time
00:47:52Think about it a little bit more
00:47:54Because this weighs
00:47:56When will the old doors be installed?
00:47:58The old doors?
00:47:59We've already thrown it away
00:48:01What do you mean they threw them away?
00:48:02This cannot be left like this
00:48:03No, man, they should buy new ones.
00:48:05But how can we even go without doors?
00:48:06Okay, are you happy now?
00:48:07Open house in the community
00:48:09Free rein for criminals
00:48:10Martial law is imposed
00:48:12At ten o'clock
00:48:13Curfew
00:48:14And the portal closes.
00:48:15I don't know where I put the key.
00:48:16No problem
00:48:17Emilio can stand guard all night
00:48:19Oh no, no, no, no, no, no
00:48:21I've already done quite a bit of military service
00:48:22Well, I have a trauma
00:48:23Like those who returned from Vietnam
00:48:24I don't trust this guy.
00:48:26Have a neighbor accompany him
00:48:27I have very poor long-distance vision.
00:48:30Oh, I still don't have an excuse.
00:48:31I'll give it to you later.
00:48:32So a draw is held
00:48:33Period.
00:48:34That's like when they call you from a polling station
00:48:36If it's your turn, tough luck.
00:48:38We've already encountered the thieves.
00:48:39What do we do?
00:48:40Shall we read them the bylaws?
00:48:42No problem
00:48:42I am ready
00:48:45Zipote
00:48:45It's because of God
00:48:46Where did he get that from?
00:48:47If it's Dad's
00:48:48Don't you remember?
00:48:49I took her to the schoolyard one day
00:48:51I take the children and go to a hotel
00:48:53Will Nieves please keep that?
00:48:55What's happening?
00:48:56It's better to have it and not need it.
00:48:58The opposite
00:48:58That's what the National Rifle Association says.
00:49:01And Charlton Heston
00:49:03He can't be wrong.
00:49:04What a handsome boy!
00:49:05There has never been a sexier man in film
00:49:08Ben-Hur
00:49:09El Cid
00:49:10The Ten Commandments
00:49:11And the Planet of the Apes
00:49:13Even the monkeys were following him
00:49:17Good
00:49:17Let's take a brief look at the situation
00:49:20We've run out of commission
00:49:22We are without doors
00:49:23Isabel kept the pendant
00:49:25And Nieves, in turn, has a gun
00:49:27Why not lie?
00:49:28The plan has gone a little wrong.
00:49:29How a little?
00:49:30Tragedy is brewing here.
00:49:31Juan, stay calm.
00:49:33Keep your distance
00:49:34You need to see the situation in perspective.
00:49:36If everything is in our favor
00:49:38Isabel and the children go to a hotel
00:49:40You will be alone
00:49:41Sleeping peacefully
00:49:43The thieves will enter
00:49:44You will get up when you hear some noises
00:49:46They will hit you
00:49:47They will tie you up
00:49:48They will steal the lapis lazuli
00:49:49And they will flee with impunity
00:49:51What sons of bitches
00:49:52But that must be avoided at all costs.
00:49:53Emilio
00:49:54We are the thieves
00:49:56No, not me
00:49:57I'll be patrolling the stairwell
00:49:58Exact
00:49:58How are we going to get in with the gate closed?
00:50:00And the neighbors keeping watch?
00:50:02Through the window
00:50:03Like an orc.
00:50:04You've seen it, Lord of the Rings
00:50:06What a week!
00:50:07I'm not going back to Ibiza
00:50:08Furthermore, we are supposed to be doing the Camino de Santiago.
00:50:11The important thing was to fix things between us.
00:50:12No?
00:50:12Have we fixed it now?
00:50:13Well, we're still not seeing the whole picture
00:50:15Let's see if there's another trip
00:50:17But it won't be much of a freeload on your aunt.
00:50:18If it's lined
00:50:19Have you ever been to Venice?
00:50:21No
00:50:22Well, then you're asking me to marry you.
00:50:24Just go with the flow.
00:50:28Hello
00:50:30Okay, okay
00:50:31But look who's here
00:50:34How was the Camino de Santiago?
00:50:37Have you strengthened your relationship?
00:50:39Yes, yes
00:50:39The relationship has improved a lot.
00:50:40Yeah
00:50:41But we're not entirely sure.
00:50:43Whether it's a clear improvement
00:50:44Or is it just a patch?
00:50:45You guys are so tanned, aren't you?
00:50:46Yes, well
00:50:47In the end, we did
00:50:48The Jacobean-Balearic Route
00:50:49Balearic?
00:50:50And what route is that?
00:50:51For Ibiza
00:50:52It is a poorly documented period
00:50:53In the life of Santiago
00:50:54But it's one of the most beautiful routes
00:50:56There were so many pilgrims that day
00:50:57Yes, it has enriched us spiritually.
00:51:01But if we could do
00:51:02A more romantic trip
00:51:04I don't know
00:51:04Through Venice
00:51:06Of course
00:51:07I'm telling Andrés
00:51:08And the four of us are leaving.
00:51:09We can have gondola races
00:51:11No, but it's more of a couple's trip.
00:51:13Well, that's it
00:51:14Two and two
00:51:15We went down to Rome
00:51:16And we see the catacombs
00:51:17I'm going to call the agency right now.
00:51:20Andrew
00:51:21We're going to Venice!
00:51:23Oh, if it's not there
00:51:26Awesome
00:51:26Family vacation
00:51:28I'll pass, okay?
00:51:29Well, it's up to you.
00:51:30Do you know how the guys are doing in Italy?
00:51:36See?
00:51:36If only I'd come home
00:51:38And we're already in crisis.
00:51:39Guys
00:51:41I have a love letter
00:51:42It's richer
00:51:43I sent it by messenger
00:51:44Open it, damn it!
00:51:46I've already read it
00:51:46It's more caught
00:51:47It's a shame.
00:51:48Because the relationship is really beautiful.
00:51:49Let's see
00:51:50Look, go on, bring it
00:51:51However you read it
00:51:52We're in trouble.
00:51:52Excuse me, but I have
00:51:53A Hercelian addiction
00:51:57Adriana
00:51:58I have read your letter
00:51:59And I rubbed it in her face
00:52:00To my colleagues
00:52:01They're a bunch of losers
00:52:02Because they can't eat a single thing
00:52:03They think I'm just like them.
00:52:05Well, it has portrayed you well.
00:52:07That's just how it is.
00:52:08You are the prettiest girl
00:52:09That I have met
00:52:10Well, my neighbor Lucia
00:52:12It's also very good.
00:52:14But it is in the midst of a crisis.
00:52:15Of the thirty
00:52:16She wants to have children too.
00:52:17And I'm not ready.
00:52:19Look at him
00:52:19Yes, yes
00:52:20I'm going for it, damn it.
00:52:22You are very sweet
00:52:22I get up in the morning
00:52:24And the only thing I think
00:52:25Are you coming home?
00:52:26And I'll be able to see you
00:52:27And listen to you
00:52:28Hidden in the hallway
00:52:29Dreaming of caressing your hair
00:52:31How beautiful
00:52:32But how does this child write?
00:52:33Hold on
00:52:33There's not much time left.
00:52:34I'm very shy too.
00:52:36And I'm in no hurry.
00:52:37I don't want to do anything
00:52:37Until you're ready
00:52:39That's enough for me.
00:52:40By continuing to see you
00:52:41José Miguel
00:52:43He's a romantic.
00:52:44Like me
00:52:44This relationship is already mature
00:52:46I think it's about time for a kiss.
00:52:48Okay then
00:52:49Adriana
00:52:50It warms up the atmosphere
00:52:51Come on
00:52:51So what should I put?
00:52:53I want you to kiss me
00:52:54It's just that when he finds out
00:52:55He's going to make a stupid face.
00:52:56That's why
00:52:57Come on
00:52:58Male
00:52:58Today it's your turn
00:52:59No
00:53:00What will you notice?
00:53:01Those are someone else's lips
00:53:01That's like fingerprints.
00:53:03Each one has different ones.
00:53:04Paco
00:53:05What difference does it make to you?
00:53:06Fuck
00:53:13Shell
00:53:13Every day we leave the bingo hall later and later.
00:53:15Twelve balls state
00:53:16With twenty-eight for bingo
00:53:18You see that as normal
00:53:20I'm starting to think
00:53:21Do you have a problem?
00:53:22With the game
00:53:23Yeah
00:53:23That it never happens to me
00:53:26Password
00:53:28Go away, Mr. Cuesta
00:53:29Go away
00:53:29No, no, no
00:53:30That's the one over there.
00:53:31And it's already past twelve
00:53:32What's today's date?
00:53:33One moment
00:53:33I have it written down here
00:53:34This girl always looks so cute
00:53:37Correct
00:53:39Let's see, ma'am.
00:53:40It's not the right time.
00:53:41And there's a curfew.
00:53:42I'm going to have to give a report
00:53:43This that we are doing
00:53:44It's ridiculous.
00:53:44Is it just me?
00:53:46Mauri
00:53:46If you've been assigned to patrol
00:53:47Well, it's your turn.
00:53:48That's the tough part
00:53:48That of democracy
00:53:49So come on
00:53:50Escort these ladies
00:53:51It's for the first one
00:53:52It's a lot of fun
00:53:53Tomorrow it's my turn
00:53:54And what are you doing
00:53:55Using a steam cleaner at this hour?
00:53:57That makes noise.
00:53:58It is a defensive weapon
00:53:59I have it charged
00:54:00With water and bleach
00:54:01But it's lacquer
00:54:01It's my little chest
00:54:11Mr. Juan
00:54:12Green light for the operation
00:54:13Lapis Lazuli
00:54:20Clear path
00:54:21Be careful with the flowerpots
00:54:22Come on
00:54:23To the board
00:54:25I'm staying down here
00:54:26Holding the ladder
00:54:28Don't fall
00:54:29Because of people like you
00:54:30You lost the war
00:54:31War?
00:54:32All
00:54:38Well
00:54:38Above all, don't make noise.
00:54:40Look
00:54:40Then to tie you up
00:54:41I have two types of strings
00:54:43This is packing
00:54:44It scrapes.
00:54:45And it leaves marks.
00:54:46And this other one
00:54:47The shopkeeper's
00:54:47Which one do you see yourself with?
00:54:48It's not essential either.
00:54:50Tie me up
00:54:50I may not have woken up
00:54:51Put yourself in their hands
00:54:52From what we understand
00:54:59What was that noise?
00:55:00What noise?
00:55:02Ah, that one
00:55:03That's the ladder
00:55:03That when it gets cold at night
00:55:04It contracts
00:55:05And it creaks
00:55:06It is a physical phenomenon
00:55:07Something's happening
00:55:07Come on
00:55:08No, wait, wait
00:55:09I hope the steam cleaner cable doesn't reach me.
00:55:10We will be defenseless
00:55:13Mauri!
00:55:14Okay, wait
00:55:15I'm going forward
00:55:16You don't sacrifice yourself
00:55:16That you have a studio
00:55:18Hey!
00:55:18I stopped breaking things
00:55:20You go to Isabel's jewelry box.
00:55:21I'll take care of the living room
00:55:22Whatever you say
00:55:23But it will be much less believable.
00:55:35Mauri
00:55:36These people are military personnel.
00:55:37They have Russian weapons
00:55:38They buy from black markets.
00:55:39Shut up already!
00:55:40Take the police
00:55:41And what are you going to do?
00:55:45I'm going to teach you
00:55:46Stealing from others
00:55:47Mauri!
00:55:48Nor should we be too harsh with them.
00:55:49Then they'll report you.
00:55:51But help me!
00:55:52Oh yes, yes, yes!
00:55:54Take that, you bastard!
00:55:55Take!
00:55:56I'd even go as a porter!
00:55:57What does it cost!
00:55:58You bastard, you son of a bitch!
00:56:00Family, you're killing me, damn it!
00:56:02But what are you doing, you idiot, stealing from yourself?
00:56:04Let's see if he can explain it to you.
00:56:05It still left them with lasting effects.
00:56:06Mauri, put yourself in my shoes
00:56:08I'm unemployed
00:56:09And I have to support a family
00:56:11And the insurance companies
00:56:13They have a lot of money
00:56:14They didn't lose with the wizard
00:56:15Are they going to lose with this?
00:56:16So, it was a scam.
00:56:18To the insurance company
00:56:19To have started there
00:56:20This is humiliating
00:56:20Please, I would like it to remain before us
00:56:23What's going on here?
00:56:24Have you been affected too?
00:56:27They escaped through the window
00:56:28We didn't arrive on time.
00:56:29Nieves, how does the gun feel?
00:56:31Have you ever thought about being a girl, Bol?
00:56:35No, it will be very good for us to get out a bit
00:56:36She was already fed up with children.
00:56:39Look, the plan is as follows
00:56:41You when you realize you're not needed
00:56:42In about ten minutes
00:56:43You pack up and leave.
00:56:44I'll take care of convincing her
00:56:46So that she doesn't report Lucía
00:56:47No, sorry.
00:56:49Breeding against a large reserve
00:56:51Let's see
00:56:54Man
00:56:55Hello
00:56:55You'll see how happy Nico will be when he sees you.
00:56:58Take
00:56:59I've brought you a luxury wine
00:57:00Go
00:57:00No, no, no
00:57:01Thank you
00:57:02Well, you've arrived just in time to help me
00:57:04Come on in
00:57:05Of course
00:57:07We put the champion to bed and the three of us rested peacefully
00:57:11How lucky I am to have met you
00:57:13Because I'm having trouble rebuilding my life
00:57:15And all because I like wine
00:57:18Are they all yours?
00:57:19Yeah
00:57:20Well, two biological and four adopted
00:57:22And they are my in-laws
00:57:24They stayed with me when I separated
00:57:26Two skies
00:57:27How are you?
00:57:28Hello
00:57:28Well, you're going to be working overtime today, aren't you?
00:57:30What a beautiful picture, isn't it?
00:57:32Familiar, like...
00:57:33So a bit like a node
00:57:34Yes, yes
00:57:38Oh, I have to go
00:57:39The valve from Germany has arrived.
00:57:41They take my mother into the operating room
00:57:42That?
00:57:43If that's the case, you stay.
00:57:44No, no, no
00:57:45A friend has to be there in these situations.
00:57:47But you're going to stay with us for a while
00:57:49I had promised them that you were going to tell them a story
00:57:51Yeah, you put on a DVD, that's more popular
00:57:53Come on, come on
00:57:55There's no way to hook anyone, huh?
00:57:57At least these guys brought wine
00:57:59Live here!
00:58:03Above all, don't touch anything
00:58:04And do not destroy evidence
00:58:06Well, I'm going to sit down
00:58:07My knees can't take it anymore
00:58:10Why haven't they entered mine?
00:58:11Otherwise, the coroner was already here.
00:58:13Neighbors, I know the situation is worrying
00:58:15But from here I want to make an appeal for calm.
00:58:17Go back to your homes
00:58:19Mr. Juan, you remind me of the king of February 23rd.
00:58:21And how can you leave me alone?
00:58:23Were they able to enter and force me
00:58:24Or stage one of those express kidnappings?
00:58:27Man, I would have thought twice about it.
00:58:28We're going to call the police
00:58:29Again
00:58:30But it's useless.
00:58:31That makes three robberies
00:58:33Maybe they'll send us a commissioner soon.
00:58:35Either they put a GEO on us or something.
00:58:36One moment
00:58:37The thief is believed to have entered through the terrace
00:58:40So why isn't the door forced?
00:58:42That? Why?
00:58:43Juan probably left it open to air out the house
00:58:46At midnight
00:58:48If it's still cool
00:58:49And Juan gets cold very easily.
00:58:50Maybe someone opened the door from the inside.
00:58:53Like Nieves opened
00:58:54And the one in my kitchen
00:58:55The thing is, Nieves's was forced.
00:58:57So that we would believe they were forcing their way in.
00:58:59But here, as you know
00:59:01He's on patrol
00:59:02Emilio and Mauri
00:59:03They didn't dare to make a sound
00:59:05Nor to break any glass like at my house
00:59:07Given that the door downstairs is closed
00:59:09Everything is very clear.
00:59:10The robberies were committed by a neighbor
00:59:13But that lady is like Don Quixote
00:59:14We have to burn his books
00:59:15No, no, no, no
00:59:16Vicenta is right.
00:59:17The thief must have been one of you.
00:59:20And couldn't it have been you?
00:59:23This lady is already watering us
00:59:25And what have I done?
00:59:26I have stolen from myself
00:59:27Well, it's not that strange.
00:59:29Well, let's not speculate.
00:59:30Nor should we bear false witness
00:59:32I would leave everything in the hands of the police.
00:59:33Not at all.
00:59:34We're starting the house-by-house searches right now.
00:59:37Starting with the ones at the top
00:59:39They're broke.
00:59:40Hey, wait
00:59:41Is this my case?
00:59:43Your influence on the community is noticeable again, isn't it?
00:59:44Without doors and all the barriers
00:59:46Come on, let's be joyful
00:59:48Mariano
00:59:49We have to hide everything we've stolen
00:59:51In goal
00:59:52You'll see, huh?
00:59:53But I torture myself a little, I speak
00:59:54The dentist knows my whole life story.
00:59:56Stay calm
00:59:56I've already taken care of the merchandise.
00:59:59What has he done?
01:00:02Let's see
01:00:03If we were a slut
01:00:04Where would we hide a DVD?
01:00:06It has to be near the TV
01:00:08Otherwise, the cable won't reach.
01:00:10But what are they doing here?
01:00:12Commission of inquiry
01:00:14You have the right to remain silent
01:00:16There's a sausage in this building.
01:00:18And you are a suspect
01:00:20But what are they saying?
01:00:21I found it!
01:00:22Case closed!
01:00:23Hey, that's not mine.
01:00:24Of course, what do you mean it's mine?
01:00:26What a disappointment, Belén!
01:00:28I who treated you like a daughter
01:00:30Did someone actually put this here?
01:00:32Dad, how could you even think of blaming the robbery on Bethlehem?
01:00:35It was her or the posh girl
01:00:36And the dick has a door
01:00:37Belén fits the profile of a scapegoat
01:00:40Mariano, those things are consulted.
01:00:41My sister is armed
01:00:42Juan, a politician with a conscience, isn't going anywhere.
01:00:46And what has he done with the lapis lazuli?
01:00:47Well, put it in there, big bump
01:00:49You're leaving here first thing tomorrow.
01:00:51Otherwise, we will report you.
01:00:52I'm not leaving!
01:00:53I haven't stolen anything!
01:00:54Well, we dragged you out by your hair!
01:00:56Are you threatening me?
01:00:57No, nobody here is threatening anyone
01:00:59But we have a gun
01:01:01We're telling you this as good neighbors.
01:01:03But Juan, please, what's going on?
01:01:05I haven't stolen anything.
01:01:06I would like to love you, Belén, for real.
01:01:07But I am dismayed
01:01:08In our community there is no place for crime
01:01:11The best thing for everyone is for you to leave.
01:01:13The law of the ladder is going to fall on you.
01:01:15You could end up buried in the meter room
01:01:18Juan will tell us where the previous president ended up.
01:01:21Mariano, don't make things up
01:01:22There's nobody down there
01:01:23Oh, no?
01:01:24Well, I've seen will-o'-the-wisps.
01:01:26Emilio, say something
01:01:27You know me
01:01:28Do you know that I am incapable of stealing?
01:01:29Yes, but they pay me.
01:01:30I am a messenger
01:01:31Belén, leave before they report you
01:01:34You're going to end up in jail
01:01:39I feel terrible
01:01:40This poor girl
01:01:41It's not that I mean to offend the owners.
01:01:44This is a bunch of sons of bitches.
01:01:45Well, we've saved our skins.
01:01:47What do you want?
01:01:48Juan, when one forgoes
01:01:50Difficult decisions must be made.
01:01:52Bus does this every day
01:01:54Already
01:02:00Mauri?
01:02:01I'm going, I'm going, I'm going
01:02:02I'm coming, wait.
01:02:07Wait
01:02:08Hey
01:02:09This is super convenient, isn't it?
01:02:10It's a barricade of anti-ladies
01:02:13Until they install a new door
01:02:14What happened to the old one?
01:02:15Ah, if you lived here you would know
01:02:17You're going to live with Rosa in a building full of normal people.
01:02:19With their dull lives and their doors
01:02:21And of course, we miss this, don't we, my girl?
01:02:23Mauri!
01:02:24Urgent lottery!
01:02:25But wait, you'll see when he has to stay at the door
01:02:30Oh!
01:02:30Oh!
01:02:31Oh, what a hassle to get in!
01:02:33Hey, does it work with electrified barbed wire in the Gaza Strip?
01:02:36Vicenta, what do you want?
01:02:37We've already discovered the thief.
01:02:39Melén was the one who was robbing us all.
01:02:41What does it say?
01:02:42Melon
01:02:42We're going to drag her out by her hair!
01:02:47That?
01:02:48Are you in?
01:02:49But ladies, please, don't talk nonsense.
01:02:51What will Melén be like?
01:02:52Yeah
01:02:54Hey, Mauri
01:02:54When I leave, I'll close the sofa for you or leave it open.
01:02:58Melén, I am truly sorry for everything that is happening
01:03:00If he has submitted my resignation
01:03:02But they have denied it to me as their essential
01:03:04Emilio, you are the most despicable, most obsequious person
01:03:06And the most miserable thing I've ever seen.
01:03:08Insult me if it will make you feel better
01:03:10Look, here I am, as a human shield.
01:03:11And on top of that, this doesn't make sense to me now.
01:03:13Hey, so where are you going there?
01:03:14Well, how should I know where I'm going to go?
01:03:15The furthest point from this building for the mentally ill
01:03:18Okay, you have two thousand euros.
01:03:19What does that mean, managing it well?
01:03:20No, I don't have them anymore.
01:03:21Because I returned them to Hector
01:03:23Damn it, Belén, you're going to sink all on your own.
01:03:25Look, if you want, I'll make room for you in goal.
01:03:27Sure, with your dad making us omelets
01:03:28Since that's so broad
01:03:29Yes, we put a mattress in the shower.
01:03:32And we put our arms like this, Dracula-style, and we rest.
01:03:34Look, Emilio, leave me alone
01:03:35I'll manage on my own.
01:03:37Bethlehem, but then what is this, a goodbye?
01:03:39No, it's not goodbye.
01:03:40It's a fuck-up
01:03:41Come on, Belén, damn it, don't leave angry
01:03:43It's not that I thought we were friends
01:03:45But we're friends.
01:03:46Look, right now I'm in love with Carmen
01:03:48But if you want, we can play one last time.
01:03:49So you can leave with a smile
01:03:50Looking on the bright side of life, huh?
01:03:52But I'm not going to let you throw the nightstand at him.
01:03:54I'll put the condom on you, period.
01:03:55Do you really think I'm going to sleep with you now?
01:03:57But if it's to get out of the rut
01:04:00Go in, if it's open.
01:04:01Hello
01:04:02Can we talk for a moment?
01:04:03Yes, of course, who are you?
01:04:04No, Emilio, it's for me.
01:04:06Hector, I already had a bad enough time yesterday
01:04:08My wife and I are getting a divorce
01:04:10Oh, I'm so sorry.
01:04:11I just wanted to give you back the money.
01:04:13Oh, damn, but you were the pimp.
01:04:15But you have to meet a lot of famous people.
01:04:17Emilio, please
01:04:18No, woman, nothing's wrong.
01:04:19If my marriage was already dead
01:04:21I love you, Belén
01:04:22I really want to get you off the streets.
01:04:24No, man, no
01:04:25You don't have to take me out of anywhere
01:04:26I am not a prostitute
01:04:28I went to the wrong agency
01:04:29And I thought that was a normal date and...
01:04:31Well, much better.
01:04:32Everything's prettier, isn't it?
01:04:34No, man, no
01:04:34That I'm not going out with someone
01:04:36He's paying for it somewhere.
01:04:37Stop, stop, to do that
01:04:38Please give me another chance
01:04:40He's telling you no.
01:04:41Go now, I'm going to start delivering.
01:04:43Three thousand euros
01:04:43I'll give you three thousand euros
01:04:44Okay, let's talk.
01:04:46Emilio Delgado, representative
01:04:47Get out of here, get out of here
01:04:48Four thousand, four thousand euros
01:04:49If we reach six thousand
01:04:51That's love, huh?
01:04:52Hector, I'll tell the TV station about it.
01:04:56Well, that's another possibility.
01:04:57To the Celebrity Club for a quickie
01:04:59And you get out of here, okay?
01:05:00Get out of here
01:05:01Go grovel to the neighbors
01:05:02Carrion
01:05:03That it won't be carrion
01:05:05And on top of that, I can't slam the door.
01:05:06Because there is no door
01:05:13My God
01:05:14Doña Concha will have a fit.
01:05:17Hello
01:05:18We have good news.
01:05:19And another bad one
01:05:19The bad news is that I haven't gotten involved.
01:05:21With Yolanda
01:05:21The good news is that Carlos doesn't either.
01:05:23But come on
01:05:23If he wants to report you
01:05:24I have a law firm
01:05:25Of twenty lawyers
01:05:26They'll eat her alive
01:05:27It doesn't matter
01:05:27Daycare is over
01:05:28I've closed it
01:05:30Almost better
01:05:31If anyway
01:05:32They were going to close it anyway.
01:05:33But this is not the way
01:05:34If you had left it
01:05:35Bring
01:05:37Bring
01:05:38But if Yolanda
01:05:39You are absolutely right
01:05:41It's depressing
01:05:42I don't like children
01:05:43What kind of mother am I going to be?
01:05:45But don't think about that now.
01:05:47If you don't even have a boyfriend
01:05:49No
01:05:49I don't have a boyfriend
01:05:51And you, the one about consoling
01:05:52Not much, is it?
01:05:53Give me the ice cream, Carlos.
01:05:54No, no, not the ice cream.
01:05:55Give me the ice cream or I'll kill you
01:05:57Being stressed by children
01:05:58Of the others
01:05:58It doesn't mean
01:05:59When you have one
01:06:00Don't be a good mother
01:06:01Nothing else, it's all ridiculous
01:06:03I thought they were
01:06:04The two behind me
01:06:05And you would have been
01:06:06Using to bind us
01:06:07To a mother
01:06:08What's happening?
01:06:09Do I look good now?
01:06:10Yes, yes, yes
01:06:12The thing is
01:06:12You've been spending a lot of time lately
01:06:14With Bethlehem
01:06:14And you drag yourself through a world of shadows
01:06:17You know how I feel.
01:06:19But I can't wait for you forever.
01:06:20Me too
01:06:21Because I have more patience
01:06:22How I love you more
01:06:23You're a clown
01:06:24Roberto, please
01:06:25Don't ruin a beautiful moment
01:06:27What are you on about?
01:06:28Of my children
01:06:34Who touched my breast?
01:06:37Hey?
01:06:38I think it was me
01:06:39But unintentionally
01:06:39I was looking for the waist
01:06:42If you eliminate yourself
01:06:47José Miguel
01:06:48I've never kissed a boy
01:06:49I'd like you to be the first.
01:06:51Okay, okay, okay
01:06:53Dude, what do you want me to do, kiss her?
01:06:55José, you are like a brother to me
01:06:56I'm going to give you some advice
01:06:58No, I'll give you something else instead.
01:07:00Take
01:07:01Dude, what's your deal?
01:07:02No, if it's not for you to use.
01:07:03It's my lucky charm
01:07:05I've had it since I was 14.
01:07:08It's here
01:07:12Yeah?
01:07:13Hi, I'm Adriana
01:07:14Go up, go up
01:07:17Come on, kid
01:07:18To take the alternative
01:07:19Hey, hey
01:07:20And will he want it with or without tongue?
01:07:22If you see that he tilts his head a lot
01:07:23Language
01:07:23If you go straight ahead
01:07:24Little beak
01:07:25There, take off your glasses.
01:07:26That become cloudy
01:07:26And then you don't calculate the distance correctly.
01:07:28Okay
01:07:28And when I have my tongue inside
01:07:30What I do?
01:07:30Do I move it from side to side?
01:07:31Side plan
01:07:32Or clockwise?
01:07:34Whatever comes up
01:07:35Don't stress
01:07:35You've never practiced
01:07:37With the arm like this
01:07:39Dude, you're messed up, aren't you?
01:07:40Second floor
01:07:41Young fashion
01:07:42Cowboy territory
01:07:43Hey, hey
01:07:43And what do I do with my hands?
01:07:44Can I get you anything?
01:07:45There it is
01:07:46What she leaves you
01:07:49Hello
01:07:49Hello
01:07:51What have you done with the door?
01:07:53We are protesting
01:07:54Due to the indiscriminate felling of trees
01:07:55Ah
01:07:58My father is coming now.
01:07:59Go file a complaint
01:08:01We were robbed last night.
01:08:02Normal
01:08:04Well
01:08:06How can they not rob us?
01:08:08We need to put a door on it, Juan.
01:08:10Houses have doors
01:08:11Now even the Eskimos
01:08:13They're already putting the door on the igloo
01:08:16Oh
01:08:16I was so happy with my pendant
01:08:19For once you give me something
01:08:21Well
01:08:21The important thing is that the police officer
01:08:23Who has attended to us
01:08:23He assured me that they are working on the arm.
01:08:26Juan
01:08:26The bifidus bacteria in yogurts
01:08:28They work harder than that man
01:08:30But how can you be so calm?
01:08:32So that you don't lose your temper
01:08:33But I've already lost them.
01:08:34Don't hold back.
01:08:38But girl, what are you doing?
01:08:39José Miguel, by God blessed
01:08:41I plan to tell my parents.
01:08:42Ah, Diana, please
01:08:44José Miguel is such a joker
01:08:46And as soon as he gains confidence
01:08:47You stuck your tongue out
01:08:48Disgusting!
01:08:49Well, you shouldn't have bent over.
01:08:50José Miguel, you can go ahead and put a nice landscape on your computer screen.
01:08:53Because you don't set foot on the street until you turn 18.
01:08:55How could you even think of kissing my student?
01:08:57Juan, his hormones are out of control
01:08:59They have staged a coup and are
01:09:02Dad, calm down
01:09:03You hear
01:09:03No, no, listen to me
01:09:05Look
01:09:06I know your body is changing
01:09:07But you have to control your instincts.
01:09:10But seriously, what do you think?
01:09:11That doesn't happen to me.
01:09:11Oh, really?
01:09:13Isabel, please
01:09:13I'm talking to the child
01:09:14Do you know how some mothers used to come and talk to me at school?
01:09:17With those jeans these days
01:09:19With a low waist
01:09:20They were bending down to put a sweater on the child
01:09:22And of course
01:09:23There
01:09:24The elastic band of the thong
01:09:26But Dad
01:09:27Don't stress about it
01:09:27I can explain it to you.
01:09:28And in the unemployment line
01:09:29In the unemployment line, there are some who clearly have their own agenda.
01:09:32So what do I do?
01:09:34Well, I'll get my papers stamped even though I feel like I'm being watched.
01:09:36That's what distinguishes us from animals.
01:09:38The fact that?
01:09:39Unemployment?
01:09:39No
01:09:39Sexual self-control
01:09:41Just imagine if people went out into the street without holding back.
01:09:43I would be...
01:09:44It would be interesting.
01:09:45But there are rules.
01:09:46Are you finished?
01:09:47Let's see, Dad.
01:09:48I'll explain it to you, okay?
01:09:49Adriana has been writing to me
01:09:51She's fallen for me and wanted me to kiss her
01:09:53What are you telling me for?
01:09:54No
01:09:55These lyrics are not Adriana's
01:09:57What do you mean, no?
01:09:58Let's see
01:09:58No
01:09:59This is a man's handwriting, look.
01:10:01Small, slanted
01:10:02Irregular
01:10:03And then the falls and the F's
01:10:05That denotes an unstable and immature personality.
01:10:08And then he writes the M's and N's backwards
01:10:12Severe emotional deficiencies
01:10:14Okay, I don't need any more information.
01:10:16Now, drumroll
01:10:17Where are you going, José Miguel?
01:10:18You are punished
01:10:18Sure, but you can't lock him up because there's no door.
01:10:22Mr. Juan
01:10:23Belén is leaving, so I'm sure you'll have to do something, won't you?
01:10:26Do what?
01:10:27No, I'll be right back.
01:10:28Don't worry, darling.
01:10:29But when you tell me not to worry
01:10:31It's that I'm more worried about them
01:10:35And more, and more, and more
01:10:36Mother
01:10:38Come and get me now
01:10:40No, I don't want to take any more classes with that man.
01:10:43Adriana, wait a moment
01:10:44Don't come near me, I'll scream!
01:10:46And I have a spray in my backpack.
01:10:48If that's colony
01:10:49Yeah, but it stings your eyes, huh?
01:10:51Look, I wanted you to be interested in me.
01:10:53Because some colleagues have been writing letters as if they were you.
01:10:56Which colleagues?
01:10:57A bunch of losers who get together at the video store and are probably laughing their heads off now
01:11:01How humiliating, right?
01:11:02Yes, but those were two precious seconds.
01:11:05Look, if you're not doing badly
01:11:08Same with other hair
01:11:09The thing is, I already have a boyfriend.
01:11:12Okay, okay, yes
01:11:13But if you want, we can do something with your friends.
01:11:16But you have to take off your glasses
01:11:18Okay, if I already have some, you can get some blue contact lenses.
01:11:21No, no, no
01:11:23Do you know you're a bunch of bastards?
01:11:25Does that mean we can't laugh anymore?
01:11:27I think so
01:11:29Isn't love beautiful?
01:11:31In your case it will be true
01:11:32The saying that you never forget your first kiss
01:11:34What's happening?
01:11:34He told you no
01:11:35But if you write that you disarm
01:11:36But let's see
01:11:38Your lives are so empty
01:11:39Just for fun
01:11:41You have to play such a mean prank on him
01:11:42To a 12-year-old boy
01:11:44Yeah
01:11:45Well, I don't know how to thank you.
01:11:47Hey?
01:11:50Hi José, I've finished the class.
01:11:52How are you?
01:11:53Now, very good.
01:11:58Shall we go?
01:11:59Look, these guys with their mouths open
01:12:00They are my colleagues
01:12:01She is Adriana
01:12:03Hello
01:12:03Hello
01:12:04Well, carry on with your loser stuff
01:12:06I have better things to do.
01:12:09How beautiful
01:12:10I knew it
01:12:11Come on, don't mess with me
01:12:13What a bastard
01:12:13What a bastard
01:12:14Does she have an older sister or a mother?
01:12:16Or a grandmother
01:12:17Screw you, love has triumphed
01:12:18Well, it will always look beautiful, right?
01:12:20When is it your turn here?
01:12:22I don't know
01:12:26Nativity scene
01:12:26Are you OK?
01:12:27I?
01:12:28Delighted with life
01:12:29A bunch of psychopathic neighbors
01:12:31They kicked me out of my house accusing me of being a thief
01:12:33Come on
01:12:34I've stopped jumping for joy
01:12:35In case I bother Nieves
01:12:36And come up and shoot me
01:12:37Woman, look on the bright side
01:12:39It's an opportunity to turn your life around
01:12:41To know the world
01:12:42With 60 euros in the account
01:12:43Well, you can always go back to your parents.
01:12:45That's nice.
01:12:46No talking, Mr. Juan
01:12:47Cinderella lives with her luxurious stepmother
01:12:50Compared to her
01:12:50Look, Tom
01:12:51The boarding house, Loli
01:12:53Since the last raid, it's a very quiet place.
01:12:55And then the Health Department gave them a warning.
01:12:56Now you can eat quite well
01:12:57I went with the children on Sunday.
01:12:59And the rice pudding was superb.
01:13:02Yeah
01:13:03Beautiful, you're coming down now.
01:13:04Or we have to come up and get you.
01:13:05I want to put up a "For Rent" sign
01:13:08Yes, I'm already going down
01:13:11Oh, God!
01:13:13Belén, join the army
01:13:15That's where you travel
01:13:15You drive tanks
01:13:16Yes, I've already called.
01:13:17The age limit is 30 years
01:13:19Well, then, to a nun
01:13:20Marry God
01:13:21Now that's a real blow!
01:13:22Look, just leave me alone already
01:13:23Thank you so much for your help.
01:13:24But it arrives too late
01:13:31Sir, when you know
01:13:32That I have never betrayed him
01:13:33But I'm almost there, okay?
01:13:34I have a feeling about Belén
01:13:35I'm not really sure what about.
01:13:36But it cannot be denied
01:13:37And what he's doing
01:13:39That's a really awful thing to do, very uncharacteristic of you.
01:13:40You're right, Emilio.
01:13:42Political mistakes must be acknowledged.
01:13:44Or that the lie doesn't go anywhere
01:13:46I'm going to talk to the neighbors
01:13:48Now yes
01:13:49Now it's you, Mr. Juan
01:13:50So come on, let's get going!
01:13:52And that beard, so tall
01:13:54To the
01:13:56This gulf
01:13:57I've got her figured out.
01:13:59Since he rented me the apartment
01:14:00But you've all gone mad
01:14:01How could Belén be a thief?
01:14:03Yes, we caught her
01:14:04To me gays who are sensitive
01:14:06You make me feel sick
01:14:07I'm telling you this with love.
01:14:08But Belén is like just another owner
01:14:10He's lived here all his life
01:14:12Three years, right?
01:14:13Only
01:14:13I thought there were 30
01:14:15How slowly time passes in this building
01:14:16Well, it shows on you.
01:14:18You didn't have those wrinkles before.
01:14:19When you arrived
01:14:20Your face looks more droopy.
01:14:22I think it's since Fernando left her.
01:14:24No, it's just that children get ruined a lot
01:14:26How about you?
01:14:28Okay, let's see
01:14:29Here we are talking about Bethlehem
01:14:30That's what's criticized about not being there.
01:14:31Let's see if we respect the rules.
01:14:33Neighbors
01:14:33I need to talk very seriously with all of you.
01:14:36We are about to commit an irreparable injustice.
01:14:38I have to tell the whole truth
01:14:40Which?
01:14:41No, leave me alone
01:14:41But what's going on?
01:14:45Belén is a kleptomaniac
01:14:46Oh my God!
01:14:48What's that?
01:14:50From the Greek kleptos
01:14:51Who has the habit of taking away as property
01:14:54Of course, that's why we kicked her out.
01:14:55Because we caught her klepting us
01:14:58Okay, be quiet for a bit
01:14:59Please
01:15:00What do you mean Belén is a kleptomaniac?
01:15:01Well, he doesn't admit it yet.
01:15:02It is in phase 1
01:15:03They are outbreaks
01:15:04We have tried to enroll her in the Winona Ryder Foundation.
01:15:07But the trip to the United States is extremely expensive
01:15:09So we all have to help her.
01:15:11With understanding
01:15:12To the other one with heart
01:15:14No, if in the end
01:15:15We're going to end up putting a bust of him in the doorway
01:15:17Oh my God!
01:15:18How exciting!
01:15:19We can start adding them all.
01:15:20Yes, and we charge admission.
01:15:22The House of Terror
01:15:24Look, here he comes
01:15:25Snow?
01:15:26And how are you wearing that?
01:15:28I already told him
01:15:29For safety reasons
01:15:29It's best to keep it stored at home.
01:15:32I'm going to buy a lottery ticket now.
01:15:33And it brings me luck.
01:15:34Hey, what?
01:15:35I know two junkies from the park
01:15:36For a small tip
01:15:37They'll leave this wherever you want.
01:15:39Ah, look how nice!
01:15:40A farewell committee
01:15:42Doña Concha
01:15:43The bail
01:15:44But what bail?
01:15:45The 800 euros we paid him
01:15:47When we rented the apartment
01:15:48No
01:15:49You've broken a lot of things
01:15:51Look, don't get me worked up, okay?
01:15:52Don't get me worked up.
01:15:53I'm really looking forward to it
01:15:54Bethlehem, calm down, Bethlehem, calm down!
01:15:56I have a mother figure for her!
01:15:57If he wants to hit me!
01:15:59Like I told you!
01:16:00Slut!
01:16:00Belén, but how come you haven't told us?
01:16:02Were you a kleptomaniac?
01:16:04What do I know?
01:16:05From the Greek, kleptos
01:16:08A picket line
01:16:09And I don't have an escort.
01:16:10Herbs, come here and participate
01:16:12That in the community we are all
01:16:14But what are you doing with my blue pencil?
01:16:16This one's mine!
01:16:17But how can it be yours?
01:16:18Did Juan give it to me?
01:16:19She's the thief!
01:16:20What have you taken from me!
01:16:21You haven't taken me!
01:16:23Please!
01:16:24Please, just a moment!
01:16:25Listen to me, everyone!
01:16:26Belén is innocent, I confess
01:16:27It was Andrés and me
01:16:29We say a robbery in the second B
01:16:31So that you all would put
01:16:32Armored doors
01:16:33And take a commission
01:16:34Andrés was the instigator
01:16:35I, the political victim
01:16:36And Emilio and Mariano
01:16:37The enforcement arms
01:16:39Oh, so it was you, too?
01:16:40Silly girl, take advantage and go up there
01:16:42But did you guys orchestrate all the robberies?
01:16:44Almost all
01:16:45Concha faked hers
01:16:46And he was blatantly taking advantage of me.
01:16:48Daughter, I'm already losing my mind
01:16:51Well, you can clear that up at a meeting
01:16:53If you don't mind, could you give me back the hanger?
01:16:54But I haven't heard you say it's bell pepper.
01:16:56But what a gift!
01:16:58He hasn't given me the bandana yet!
01:16:59He gave me all his hair!
01:17:04Can you see me? What have you done?
01:17:05I took it out to disperse
01:17:08And someone pushed me
01:17:10And I thought it was discharged
01:17:14We have all been reborn
01:17:16I'm just saying this
01:17:20This community is already starting to develop a strong tradition
01:17:21Look, bullet holes
01:17:23As in Congress
01:17:24From now on we could set this day
01:17:26Community Festival
01:17:27The day of the armored doors
01:17:29Something terrible is going to happen here.
01:17:31And if not, time will tell.
01:17:32And what if the neighbors are armed?
01:17:33I want a bonus and a bulletproof uniform
01:17:35Relax, Emilio
01:17:36Yes, calm down, calm down.
01:17:37But with peace of mind
01:17:39Hey, and where did Niebre get a pipe?
01:17:41My father is a retired colonel.
01:17:42I've already told him to give it back.
01:17:44That he at the residence
01:17:45Well, she cleans it and keeps herself entertained.
01:17:46In any case
01:17:47I believe this sad event
01:17:49He's definitely going to score
01:17:50A turning point
01:17:51In the coexistence of this our community
01:17:53The neighbors have taken it very well
01:17:55My political mistake
01:17:56But what do you mean they're not going to pay me?
01:17:58What have they stolen from me?
01:18:00Again, ma'am
01:18:01That you don't have any insurance
01:18:03With us
01:18:04Of course, because the community pays for it.
01:18:06But how will the community pay?
01:18:07Home burglary insurance?
01:18:09You have to hire that yourself
01:18:10Sure, I thought it was strange.
01:18:12Churizo!
01:18:13You've left us uninformed
01:18:15And what about me?
01:18:15Why aren't they paying me?
01:18:16If I have a valid policy
01:18:18Yes, what it doesn't have is a door
01:18:19Furthermore, this lady told me
01:18:21That the thieves have been
01:18:23Her brother and her boyfriend
01:18:24So, do we all get paid or none of us?
01:18:26In any case
01:18:27If you have any complaints
01:18:29Send it in writing
01:18:30To the company
01:18:31Of course I plan to do it
01:18:33Because I have my rights.
01:18:34Not even this making yourself pretty
01:18:36When you get angry
01:18:37And you're doing very well, huh?
01:18:38You're doing very well.
01:18:39What a president!
01:18:40And we missed him
01:18:42With Carlitos this
01:18:44It didn't happen
01:18:45And if it happened
01:18:45He paid for it
01:18:46I promise you
01:18:47That Andrés and I
01:18:48We'll pay for new doors for you
01:18:50Simple, lacquered
01:18:50In accordance with the aesthetic
01:18:52From the facade
01:18:52Mr. Juan
01:18:53And where are you going to get the money?
01:18:54I'll have to ask Isabel.
01:18:55Let's see what can be done.
01:18:57Isabel, darling
01:18:58I'd like to talk to you.
01:18:59Just a moment
01:19:00But once you give me something
01:19:02And if you have to steal it
01:19:03To your sister
01:19:10Wait a little while
01:19:11Because today is not a good time
01:19:12To ask for loans, huh?
01:19:13He keeps telling stories
01:19:14I just can't seem to hit rock bottom.
01:19:16I really want to
01:19:17Already
01:19:17Come on
01:19:18Let's go to karaoke
01:19:19That's where we miss them.
01:19:20All evils
01:19:21I don't feel like it.
01:19:21From singing now
01:19:22Yes
01:19:22What we set out to do
01:19:23One to three
01:19:24Of the bills
01:19:25That's a vocal challenge
01:19:26It's just that I'm more
01:19:27By Joe Cocker
01:19:28It's more in line with my record
01:19:29Damn, not many
01:19:30From Emilio Aragón's
01:19:31Beware of Paloma
01:19:32What have they told me?
01:19:32He's in a coma.
01:19:35It's not funny
01:19:36Well, kind of like that, right?
01:19:37There is no one who lives
01:19:44There is no one who lives
01:19:45There is no one who lives
01:19:45There is no one who lives
01:19:45There is no one who lives
01:19:46There is no one who lives
01:19:46There is no one who lives
01:19:46There is no one who lives
01:19:46There is no one who lives
01:19:46There is no one who lives
01:19:46Thank you.
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