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00:00:00He sends you those emails unintentionally.
00:00:02You're going to keep passing on my information.
00:00:04Carmen, how did the meeting go?
00:00:05That's it.
00:00:06Ren has beaten us to it.
00:00:08I'm telling you, Dolores, there's a mole here.
00:00:10Mole?
00:00:11No, how could there be a mole here, please?
00:00:13They fumigated two months ago.
00:00:15What if I want to go out with you?
00:00:17Hey?
00:00:21Because breaking up with someone is very difficult.
00:00:23The person who suffers is the same as the one who is dumped.
00:00:25So, of course, I thought, Irene, that you were going to look worse.
00:00:27Like the face you're making.
00:00:30It was just a matter of time before you fired me, wasn't it?
00:00:32So, the sooner the better?
00:00:34I have corrected myself and, as far as I'm concerned, what's past is past.
00:00:38I'm going to stay here in the north, Dad.
00:00:40I'm going to show you that I'm capable of taking care of myself, without having a tamibera.
00:00:43Yes, sorry, sorry, I didn't know I had a visitor.
00:00:46Because Zulíñe, besides being my friend, is...
00:00:49...my hairdresser.
00:00:51Zulíñe, I like you.
00:00:53A lot.
00:00:54Iñaki, your cousin told me, look, that you want me to compete with you.
00:00:59You don't care about pigs, do you?
00:01:00It's all yours.
00:01:01Zulíñe, huh?
00:01:02We're going to beat you in that Sea contest...
00:01:04...which had to be cooked.
00:01:07Marmilarco.
00:01:08Attention.
00:01:09Time begins...
00:01:12Already.
00:01:18I am his brother.
00:01:20I'm going to cry, Yoki.
00:01:22Go away, you're eager for the competition, and leave the men's flag alone, you've made me look good.
00:01:27I don't know if you're what I'm looking for right now.
00:01:30Oh, really?
00:01:33Did you say 3D ultrasound?
00:01:35Yeah.
00:01:39Today I can, Dolores.
00:01:40But I don't know what you're going to do, you weren't going to fire her.
00:01:43And what else can I do?
00:01:45Iñaki and Zulíñe!
00:01:47Dad!
00:01:49Dad!
00:01:50Dad!
00:01:51Dad!
00:01:54Dad!
00:02:13Thank you!
00:02:25Oh, I could just eat you up! So beautiful!
00:02:30Marichu, please, if you keep this up, neither we will make it to San Sebastián nor will your granddaughter live to see her first birthday.
00:02:35That lazy girl is so busy with Chuchón, girl!
00:02:37Oh, she's so beautiful! Oh yes, my darling!
00:02:41Oh, what a shame! Here!
00:02:42Well, let's see you when you meet your son, huh? Let's see who's worse, the two of you.
00:02:46Christopher, that guy, just to avoid messing up his hair, is capable of not kissing anyone.
00:02:51He can't even stand Chuchón, by the way, because of his allergies.
00:02:54Well, let's see how I find it.
00:02:55Wow, he's already asked for money twice, so that's a sign he's recovering perfectly!
00:03:00And a sign that he's in top form to ruin our trip.
00:03:03Okay, well, don't worry, I'm not going to give up on our trip because of the hype surrounding it.
00:03:07our emotion.
00:03:08Man!
00:03:10José, how are you?
00:03:11Huh? I'm fine, fine, how else would I be?
00:03:13Oh, consult your eyes, you're feeling a bit annoyed!
00:03:16And it's normal, it's normal, breakups aren't easy, daughter.
00:03:19No, man, I'm fine, I'm like the Feli bird that is reborn from joy, eh?
00:03:23Sure?
00:03:24I'm fine, what do you think? That I'm acting like a clown so you'll all relax?
00:03:27Good morning!
00:03:28Hello, Irene!
00:03:29How are you?
00:03:30Hello!
00:03:31Good morning, José.
00:03:32Hey?
00:03:33Oh, sorry, I was here with the...
00:03:36With the...
00:03:37I didn't realize, sorry Moe, I'm dazed.
00:03:40Good morning.
00:03:41You see.
00:03:43Hey, the administration gave me this for you.
00:03:48José.
00:03:49Oh, for me, thank you, sorry, it's just that I'm...
00:03:51I'm telling you, he's going to lose it, huh?
00:03:52I'm nobody until I've had my coffee.
00:03:54Thank you, thank you.
00:03:55Well, goodbye, okay?
00:03:56Goodbye, beautiful.
00:04:01Hey, I'm fine, damn it!
00:04:02Okay?
00:04:03Say...
00:04:03Okay, okay.
00:04:04Well then, don't speak ill of him.
00:04:05Okay, come on, let's go to the airport.
00:04:07Come on.
00:04:08Okay, yes.
00:04:08Come, with time, or carme.
00:04:09Oh, they're leaving already, what a decision, it makes a world of difference, man.
00:04:12A little coffee that I miss a lot afterwards, Mr. Beumea.
00:04:14Jose, that's enough, please, we're going to miss our flight.
00:04:17Oh yes, I have no right.
00:04:18Come on, enjoy yourselves while you can.
00:04:20I'll go with you and help you with the suitcases, and then the sofa will bring me back from the garden.
00:04:23Okay?
00:04:24Oh, José, you're not well, son.
00:04:26Look, what you need is to put some distance between you and me.
00:04:30Are you coming with us right now?
00:04:32To our trip?
00:04:33No, woman.
00:04:34Not on our trip, but to San Sebastián, with us.
00:04:37You'll see how the air of the Cantabrian Sea refreshes your head and you'll see things differently.
00:04:41Yes, yes, yes, I agree.
00:04:43José, I'm giving you the days off, go.
00:04:45Look, I'm not going to say no to a few days of vacation, but I'm broke.
00:04:48lost, really.
00:04:49And a hotel costs a fortune, and I'm not going to camp, it's too expensive.
00:04:51risk.
00:04:52What are you saying, kid? I didn't cost a penny or anything?
00:04:55You stay at Iñaki's house.
00:04:56Furthermore, he was actually coming today to sign something related to the sale of the bar.
00:05:00Yes, well, for that and to help you choose Nani to replace me while I'm away.
00:05:05Yes, Marichu, that's already been done.
00:05:07Well, José, what do you say?
00:05:08Iñaki.
00:05:09Hey Joselito, how's it going? Is everything alright over there?
00:05:12I wonder if something has happened to Elaya?
00:05:13Hey, what could have happened to Elaya?
00:05:14It must have been top-notch for him.
00:05:16Are you waiting for me with her best bib?
00:05:17Yes, I'm going to need a bib when I see her.
00:05:20Well, since you've sorted things out, you don't mind if I go up north and...
00:05:22Can I stay at your house?
00:05:23Of course not, no problem, man. How about 50 euros a night?
00:05:26The mother who changed you.
00:05:27Uh, no, I'm just kidding.
00:05:28Sorry, huh?
00:05:29How am I going to do that?
00:05:30Hey, José, please. Listen, I'm going to tell you something. If you give it a little sweep, I'll also...
00:05:34Thank you.
00:05:35Yes, of course. I'll give it to you like it's made of gold, buddy.
00:05:37Okay, bye.
00:05:44Oh, forgive me!
00:05:45No, it's just that it's so narrow.
00:05:48No, come in, come in. Come in, come in.
00:05:49Yeah.
00:05:50I was just checking that I hadn't forgotten anything.
00:05:53Yes, me too, me too.
00:05:55But hey, the calla is tiny.
00:05:57Yeah.
00:05:57So if you forget something, go from the kitchen to the bar, not from the bar to the kitchen.
00:06:02Yeah, well, but from here to Dos Hermanas, it's a three-hour trip, right?
00:06:08I'm going to Seville. Who am I going to? To Dos Hermanas.
00:06:10I?
00:06:11You to two sisters?
00:06:12Yeah.
00:06:12No, no, no, no, no, no, no, no, no, no, no, no, please, let's see, the golden wedding anniversary
00:06:17Your uncles weren't coming next week.
00:06:19No, no, Iñaki, I told you it was this week.
00:06:21No, well, it can't be that I go down to Seville.
00:06:23Already.
00:06:23I'm going down to Seville, I have to sign the bank papers, I have to talk to Carmen, and besides...
00:06:27It's going to stay on Agotona Street, where you and I are, those are the ones who are going to stay.
00:06:29Aunt Bego doesn't know how to cook.
00:06:31Iñaki, Iñaki, Iñaki, breathe, breathe, I know.
00:06:33And that's why I've spoken to Anchón, so that he can take charge of the Calla.
00:06:40Forgive me, Agotón, you're everywhere.
00:06:42Ah.
00:06:42You're an angel.
00:06:46Heaven as a companion, heaven as a friend, heaven in general, heaven more, more, more, heaven.
00:06:51Sure, thanks.
00:06:52Darling.
00:06:53Fuck.
00:06:55Hey, look, the sea...
00:06:56Yeah.
00:06:57Are you going to tell the steward?
00:06:59Yeah.
00:06:59Well, we won.
00:07:00You won, yes, just now.
00:07:02But anyway, you know I don't...
00:07:03No, no, no, no, no, no, no, no, no, no, no.
00:07:06And you know that I don't?
00:07:07Unclear.
00:07:08But?
00:07:09No, yes, of course, definitely.
00:07:11No, yes, yes.
00:07:11Yes, yes, yes, yes.
00:07:12Yeah.
00:07:14Well...
00:07:15Ah.
00:07:15One feels at ease after clarifying things.
00:07:18TRUE?
00:07:18Yeah.
00:07:19Crystal clear.
00:07:19Yeah.
00:07:20Did I get it right?
00:07:20Yeah.
00:07:21Well...
00:07:22Well...
00:07:28Here he is, Pello the Great.
00:07:31The next Nobel Prize winner.
00:07:32Ah, it's Pello.
00:07:33Yes, the presentation is there.
00:07:34Ah.
00:07:35Hey, hey!
00:07:36How is our favorite investigator doing?
00:07:38Highly strung?
00:07:39Peo, take out something to toast the future Jack Gustave Euskaldun.
00:07:44Oh, how I wish I could die.
00:07:45No, no, no, don't bring me out, give me a chamomile tea instead.
00:07:48Pello, you're not thinking of toasting with that watery mess, are you?
00:07:50It will bring you bad luck.
00:07:51Stop with the superstitions, what I need now is to be calm.
00:07:55But if you've been drinking chamomile tea all week, at this rate you'll be giving your presentation in your pajamas.
00:08:00As long as those who are there don't fall asleep...
00:08:02Are they going to sleep, man, Pello?
00:08:04I'm sure you'll find it very interesting.
00:08:05Come on, tell us, what's it about?
00:08:07Man, it is an osteochronological study to determine the age of sea turtles.
00:08:11Well, well...
00:08:14Hey...
00:08:14No.
00:08:15No, it doesn't really sound very fun, does it?
00:08:16Well, Bet, it doesn't necessarily have to sound fun, does it?
00:08:19It has to sound exciting, that's for sure.
00:08:21Hey, Pello, get your passport ready because that spot in the United States is yours.
00:08:25Look, the United States, now that's a real country.
00:08:28That you can carry weapons, damn it.
00:08:29Be quiet.
00:08:30And don't you jump to conclusions that...
00:08:32That remains to be seen, eh?
00:08:33Yes, Mac, I know you say that because you've heard me rehearsing at home and I do it terribly.
00:08:37No, you're not doing terribly, you're doing great.
00:08:39But you yourself said that he's introducing himself to a colleague who's really great, right?
00:08:41He's a genius.
00:08:42So.
00:08:43A star.
00:08:44Clear.
00:08:45That's what I need.
00:08:47Try it out, test it, of course.
00:08:49I could do it with you.
00:08:50Uh, no, no, no, because that would be a total spoiler.
00:08:53No, but, well, you'd say, let's see how it goes.
00:08:56I, therefore, could correct things.
00:08:58Of course!
00:08:58Yes, very good idea, because here you have Coldo and Anchón, because I have to go to Seville
00:09:02already.
00:09:02Now, I promise to be back for the party, because that spot, Pello, is yours.
00:09:06Yes of course.
00:09:07What if they don't do it?
00:09:08And so on.
00:09:09Well, to celebrate that he's staying.
00:09:11Go on, have your sandwich.
00:09:13Maybe with a full stomach you'll relax a little, daughter.
00:09:15Joa, more than a stench.
00:09:16Again, and do it the human way.
00:09:17No, no, you wouldn't believe the smell of feet in the barracks.
00:09:20Hey, well, they were yours.
00:09:22Look at the other one.
00:09:23Come on, let's go.
00:09:24Okay guys, see you later.
00:09:26Yes, me too.
00:09:27I'd better leave or I'll miss my flight.
00:09:29Go in peace, that kitchen is going to be smoking.
00:09:31In the good sense of the word.
00:09:34And you...
00:09:36Ferionea.
00:09:38Come on, good luck to everyone, eh, Pello?
00:09:40I can already imagine Elaya in New York, at the Abapello's house, studying English.
00:09:46Yes, yes.
00:09:48Come on.
00:09:49Goodbye.
00:09:50Goodbye, goodbye.
00:09:51Wow, I didn't know you were so fluent in English.
00:09:56Sunday, mande.
00:09:57Ah, for Carmen!
00:09:59What a day it is.
00:10:00I was just about to take a taxi to the airport.
00:10:03What? How is my little girl?
00:10:04Very good.
00:10:05She left her there with my brother Rafi fighting over a slice of ham.
00:10:08Oh, ham, ham.
00:10:10The ham is good.
00:10:11Thank goodness I'm going there to make her some cod cheeks.
00:10:14Well, girl, it's always the same thing here.
00:10:16Hey girl, would you like to come downstairs for a coffee?
00:10:18I'm sorry, Dolores, but I can't.
00:10:20Dolores?
00:10:22Dolores inviting you for coffee?
00:10:23Oh dear.
00:10:24Or he's got more nerve than sense.
00:10:26You haven't spoken to her, have you?
00:10:27I don't know, Iñaki, I need more proof to...
00:10:30I can't believe that Dolores is the one doing this to me.
00:10:33But come on, Carmen, what more proof do you need?
00:10:35I don't know about you or her doing voodoo on you with a little doll.
00:10:38I don't know what to tell you either...
00:10:39Goodbye, good luck.
00:10:40Goodbye, have a good trip.
00:10:56Ah, finally home.
00:10:58I was really looking forward to these dark clouds, this rain, this cold.
00:11:03What's happening?
00:11:05Oh!
00:11:06How are you?
00:11:08Let me see, let me see, let me see you.
00:11:10Hey, you look really handsome, don't you?
00:11:13You too, you're very handsome too.
00:11:14Hey, sorry I didn't come to pick you up,
00:11:16But I was taking a five-hour bubble bath.
00:11:18And I've been incredibly lucky.
00:11:19But look, look, look at my skin.
00:11:20Yes, yes, yes, I see you, you look great.
00:11:23And I fly you even better.
00:11:25I've made a list of the plans we're going to make these days.
00:11:27Oh, how wonderful, how wonderful that I'm here.
00:11:30Day one.
00:11:31Have breakfast at a luxury restaurant.
00:11:33Go shopping.
00:11:34Eat at a luxury restaurant.
00:11:35Go shopping.
00:11:36And then have dinner at a luxury restaurant.
00:11:37Okay, day two, Dad, day two, day two...
00:11:40Forgive us, forgive us, Christopher, but we'll see.
00:11:43Marichu and I had other plans, you know?
00:11:46Yes, plans for a date.
00:11:49Okay, let's see, we'll reserve a meal for you.
00:11:52Of course, man.
00:11:53Already.
00:11:54Thank you for the thoughtful gesture, Marichu.
00:11:56But as you know, Dad, we Menjumeños don't accept lemons.
00:11:58Okay, okay, let's see, Christopher, don't get like that, son.
00:12:00No, Marichu and I simply wanted to be alone.
00:12:03We need to spend more time together.
00:12:05That's it.
00:12:06Come on, I'll go with you.
00:12:07I'm going to take you to a tailor shop that you're going to love.
00:12:09No, no, thank you, thank you.
00:12:10I am loyal to my perfume and my tailor, thank you.
00:12:13Oh, that's a shame.
00:12:14Because that house made suits for Alfonso XIII.
00:12:18Alfonso XIII?
00:12:19I'll get my wallet and we'll go, okay?
00:12:21Okay, fine.
00:12:23Thank you, daughter.
00:12:25Oh, well.
00:12:26Very good.
00:12:27And three different species were identified.
00:12:31Chelonia agasici, Lepidocelis olivacea and Eretmoquelis imbricata.
00:12:37Through osteochronological analysis and with respect to the samples used,
00:12:44Two of them underwent the decalcification process and were subsequently included...
00:12:55Viral contamination was detected in the fourth sample.
00:13:03Bello, you have a lot left, I need a chon in the kitchen.
00:13:05Hey, hey, hey, no, you're fine here.
00:13:07Well, I was just finishing up, because you're distracting me and now I have to go back and see if I can catch it.
00:13:12the thread.
00:13:12Come on, hurry up.
00:13:14Hello.
00:13:15Thank goodness.
00:13:16José!
00:13:17José!
00:13:18What a joy!
00:13:19You were already in Gitalda, lost and heading north.
00:13:22Very good.
00:13:22Hey, welcome to the Oscars!
00:13:24What a joy!
00:13:25The affection you've shown me, huh?
00:13:28And what are you doing that you're not playing mu?
00:13:30Nothing here, no more of that nonsense that had us as guinea pigs, right?
00:13:33A guinea pig? Isn't he more of a fish person?
00:13:34No, no, no, I was just reading my research paper.
00:13:38It turns out there's a researcher position available.
00:13:40And if she takes it out, will she go to New York?
00:13:42Come on, man.
00:13:43But I'm not going to achieve it.
00:13:44No, no, I'm sure they'll give it to the other one, who's much better.
00:13:48Come on, man, cheer up, man, don't let it be said that it seems like it's going to be a penitent's week.
00:13:52Saint.
00:13:52Ah, but you didn't see how those two fell asleep there while I was reading the...
00:13:56Look, Peyo, you're not wrong.
00:13:57We got up early, yes, and we're a little tired.
00:13:59Nothing else.
00:14:00No, no, wide, but I asked you for honesty.
00:14:02The truth, do you want the truth?
00:14:03The truth is given, if the truth is asked for, the truth is given, yes.
00:14:06It can be given as constructive criticism.
00:14:09And if you promise us that you won't fall apart.
00:14:12Okay, let's look at the presentation, the speech, just as you have it, exactly as it is.
00:14:17Uh, pure chloroform.
00:14:18I mean, what a pain.
00:14:20But what have we done to you?
00:14:21Is there something behind this or what?
00:14:22The truth is, I don't even know why I'm applying.
00:14:24Fuck.
00:14:24No, Peyo, no, no, no.
00:14:25We are going to build.
00:14:26Let's see, the content.
00:14:27The turtle theme is great.
00:14:29Very good.
00:14:30You need to read a little more about this.
00:14:31Sure, maybe I'll throw in a little joke now and then, right?
00:14:33But how?
00:14:34Look, I'm going to stand before a court.
00:14:36I'm not going to a monologue competition.
00:14:37That?
00:14:37That court isn't going to kill you, damn it.
00:14:39We say to add a little sauce to the hosta.
00:14:40Trust me, I've got a lot of experience giving medical presentations.
00:14:44Peyo, trust us.
00:14:46Hey?
00:14:46When you give the speech, they're going to ask for an encore.
00:14:50Go ahead!
00:14:52Go ahead!
00:14:55Celia, Celia, Repunte, Two Sisters Cemetery, Kebab, Pixería, Chino, please, you eat badly Dolores.
00:15:06Trini!
00:15:08Trini, incoming call received!
00:15:10Oh!
00:15:15At last!
00:15:16But what are you doing with my phone, Carmen?
00:15:18That's what I say, Dolores.
00:15:19Where is your head?
00:15:20What do I have, your phone?
00:15:22Well, my mind is on work, girl.
00:15:24Where am I going to keep it?
00:15:25But I'm very surprised that you have my phone number.
00:15:27Yes, well look, here in my office I was.
00:15:30That's strange, because I haven't been in your office at all today.
00:15:32You might have come in without me noticing.
00:15:34No, man, I can't enter your office without your permission.
00:15:36Come on, I wouldn't do it.
00:15:37That's what I say, Dolores, because you wouldn't do anything behind my back, would you?
00:15:40Of course not, Carmen.
00:15:43Are you okay?
00:15:44Yeah.
00:16:03But you?
00:16:05No.
00:16:11Three different species were identified.
00:16:15Pelonia basici, Pidopolis bolivacea and Muquilis embricata.
00:16:20Okay, the internal skeleton and the external structure
00:16:25and were later included for the final stage, for observation.
00:16:36Relax, man, I'm not going to copy you.
00:16:39Reviewing?
00:16:40Yes, but well, only a little, because the truth is that I'm handling it great.
00:16:44Yes, last-minute insecurity, isn't it?
00:16:47I understand you.
00:16:48If I had a rival like me, the same thing would happen to me.
00:16:53What is Rome, man?
00:16:55Now, to be honest, when I found out you were applying for the scholarship, I was surprised.
00:16:59Because?
00:16:59Dude, a man like you, so shy, with such a sense of the ridiculous,
00:17:03who stutters when he gets nervous introducing himself like that.
00:17:06Hey, hey, hey, excuse me, I didn't...
00:17:08No, no, no, please don't take it as criticism.
00:17:10Seriously, that's awesome.
00:17:12If I had as low a profile as you,
00:17:14I would never have thought of presenting myself like that.
00:17:16And yet there you are, with your stutters, your sweating, but trying.
00:17:21Yes sir.
00:17:22Come on, cheer up.
00:17:31Hey, why don't you leave the shirts for another time and let's go eat a nice steak?
00:17:35Yeah, man, what do you want?
00:17:36Will the exastre get my contour areas back?
00:17:42Well, a salad then.
00:17:44Yes, the idea is to sit down for a while and chat calmly.
00:17:49So what are you and I going to talk about?
00:17:51Oh, well, I don't know, about business, what are we going to do together?
00:17:56Does that seem like a great deal to you: two or three custom-made ones, with a 5% discount and free glasses?
00:18:02So that he can then tell my father that I cost him a fortune.
00:18:11But you're loaded, aren't you?
00:18:13Let me get an idea.
00:18:15Which way do you lean more?
00:18:16For wineries, paintings, land?
00:18:19Well, for the moment, I'm going for this tie, they're top-notch and go well with my suits.
00:18:25Girl, does it have more colors?
00:18:30So, lovebirds?
00:18:32Where will that wonderful cruise take you?
00:18:34Oh, how I envy you, daughter.
00:18:35Through Italy?
00:18:37Rome, Genoa, Venice.
00:18:39And if we have time, we'll make the leap to Verona.
00:18:42The city of eternal lovers.
00:18:45Yes, well, stop jumping around, because on the last trip you fell out of the balloon, I remind you.
00:18:49And you're always there so...
00:18:52Enpiciosilla.
00:18:53Yes, man.
00:18:53See you later!
00:18:54Here comes your messenger.
00:18:56What did you bring?
00:18:56The best of the shop.
00:18:58A two-kilo monkfish, fresh, fresh, fresh.
00:19:00Two kilos of monkfish and three of mud.
00:19:02But have you noticed how you're wearing your boots, son?
00:19:04Did you see?
00:19:05Look, look.
00:19:06I went out for a jog in the mountains.
00:19:08You tell me I'm getting a little chubby.
00:19:10Oh, what's wrong?
00:19:11You're walking through the mountains thinking about Bavia and you don't look where you're stepping.
00:19:13But look at you, son.
00:19:15Go on, go on, go on and go home, you're making a mess of everything.
00:19:18Take.
00:19:19And while you're at it, take this with you.
00:19:20To the glass container.
00:19:22Green, you know.
00:19:23Don't forget, okay?
00:19:24And take off your boots before entering the house.
00:19:27What a man.
00:19:28Look, Begochu.
00:19:28You know I don't like to interfere where I'm not wanted.
00:19:31But I think you're being too harsh on poor Sabilo.
00:19:34What are you saying?
00:19:35Go on, go on, go on.
00:19:37But you already know what I'm like.
00:19:38We've known each other our whole lives.
00:19:39That's exactly why.
00:19:40So what?
00:19:41Well, we all have our limits, sister.
00:19:43Until your husband's saint's day.
00:19:45So many years of huffing and puffing.
00:19:47You'll see, one of these days he'll get fed up and run away.
00:19:50Benito, go on.
00:19:53Think about it.
00:20:03Wow, this girl sure eats a lot.
00:20:04It's because you have it in Basque.
00:20:06Poor thing, when her teeth come in, you're going to break baby bottles.
00:20:09Where is?
00:20:11Where is?
00:20:12Where is?
00:20:13That?
00:20:13That?
00:20:14Oh, oh, oh, oh.
00:20:15Turret, turret, turret, turret.
00:20:16Give it to me, give it to me, give it to me.
00:20:17That?
00:20:19Dude, oh my god, oh my god, how could you believe that?
00:20:22You don't love me very much.
00:20:23He just ate, huh?
00:20:25Yes, you miss your mom's purees, huh?
00:20:28Do you miss Grandma?
00:20:29No, neither she nor anyone else, because she's a pain.
00:20:32Look, if you haven't called, I came here eight times before he left.
00:20:35Listen, have you looked at the nannies' resumes?
00:20:37Yes, look, I'm actually bringing you the resume of the one who convinces me the most.
00:20:41Perfect.
00:20:42Totally agree.
00:20:43Yeah?
00:20:43Yeah.
00:20:44Look, just call her and we'll set up a date, okay?
00:20:46What do we have, Nani?
00:20:58No, no, no, I have a maid.
00:21:01Come on, give it to me, give it to me.
00:21:03Please.
00:21:04My little one, take a bath.
00:21:06But, but.
00:21:12Paper!
00:21:15That little pearl won't start, what kids are passing you on, they would have denied you the scholarship.
00:21:19Well yes.
00:21:21My tablet, with the research, has disappeared.
00:21:25Look, when I finished work I put it in my backpack, like always.
00:21:28Then I took the bus, and when I got off the bus, I started taking out my scarf and...
00:21:32He wasn't there!
00:21:33Are you sure you saved it?
00:21:34No, no, look!
00:21:35Damn it, no, no!
00:21:36If I don't leave her side, I won't even leave to pee, I mean...
00:21:42Yes, when I finished work I went to the bathroom and left my backpack outside.
00:21:47Kid, he has the light of an octopus.
00:21:48What a lack of class, kid!
00:21:49What a lack of community spirit!
00:21:50How did you come up with the idea of a backpack without a town?
00:21:52Look, they're not public restrooms.
00:21:54They're for the employees, because we all know each other there and...
00:22:03Andoni!
00:22:04No way!
00:22:05Did he try to take you out of the game?
00:22:07He hasn't tried.
00:22:08He's knocked me out of the game!
00:22:09Hey, Peyo, calm down.
00:22:11As in mus, until the game is over, we can still win.
00:22:15Exactly.
00:22:16We can still recover your tablet.
00:22:17As?
00:22:18Where would you keep it?
00:22:20Think.
00:22:21I don't know.
00:22:22In a place where not many people pass by.
00:22:27In my office.
00:22:28It's the first site we need to register.
00:22:30Your office?
00:22:30No.
00:22:31Andoni's office.
00:22:32Based on what I've said, go for it.
00:22:33The man from Andoniense is not going to enter.
00:22:36Anchon!
00:22:36Don't even think about leaving me alone, okay?
00:22:39Bego, don't get involved in this.
00:22:40It's a crew matter.
00:22:43But...
00:22:44I'm just as part of the crew.
00:22:46You're a real son, aren't you!
00:22:47Well, if you don't have any further questions...
00:22:50See you tomorrow.
00:22:52Bye.
00:22:54Dolores!
00:22:55Dolores!
00:23:00Hey...
00:23:01Can you...?
00:23:02I want to tell you something, come on.
00:23:03It's brief.
00:23:04I'm peeing myself.
00:23:05My spring is loose.
00:23:06Very brief.
00:23:07It's just that I have...
00:23:07I'm dying to tell you, because you're my best friend.
00:23:10Man, yes, of course.
00:23:11Affirmative.
00:23:12Let me tell you.
00:23:13Do you remember all the vaccine-related twists and turns?
00:23:16the doctor's escape, we thought Trini had a mole here,
00:23:20At the clinic, right?
00:23:21Uh, no, no.
00:23:22But we already saw that there wasn't a mole, come on.
00:23:25Wrong.
00:23:26Completely wrong.
00:23:27No.
00:23:27Yes.
00:23:28No.
00:23:28Yes.
00:23:29No.
00:23:29And why are you so sure?
00:23:32Because I followed the clues, I followed the suspects
00:23:35And I finally saw that there were no moles of any kind.
00:23:37I'm telling you...
00:23:38After what Trini did to me the other day,
00:23:40at the insurance company...
00:23:41I'm...
00:23:42Look, no, woman.
00:23:43That's just one of life's coincidences.
00:23:44Trini has a mind as quick as a weasel's.
00:23:47That's why he got there first.
00:23:48I'm telling you, Trini isn't on the list.
00:23:50No.
00:23:51No.
00:23:52And look, I'm sure we have a mole in the clinic.
00:23:56I've put microphones all over the hospital.
00:23:59That?
00:24:00Yeah.
00:24:01Micro?
00:24:01Yes, microbuses.
00:24:03This time, yes.
00:24:04Whoever it is.
00:24:05Whoever it is.
00:24:06Whoever it is.
00:24:07I'm going to pick his hair here.
00:24:09Please don't tell anyone.
00:24:12Because I'm telling you this.
00:24:13Because I trust him a lot.
00:24:18Don't worry, come on, because I...
00:24:21I haven't heard anything.
00:24:23Thank you.
00:24:36So, what are you Benjumeas?
00:24:39Man, we're much more into horses.
00:24:43Ah, look.
00:24:44Good heavens, man.
00:24:45Good heavens.
00:24:46Good heavens.
00:24:47What happens now?
00:24:48It reminded me of my horse's lightning bolt.
00:24:51I've missed him.
00:24:53I give him breakfast every morning.
00:24:55At one o'clock.
00:24:57A carrot with jam and alfalfa crumbs soaked in milk.
00:25:01I've underestimated it, I've underestimated it.
00:25:02Well, it's because you want it to be.
00:25:03Because there's plenty of green space in San Sebastián for them to graze on.
00:25:05Well, we could absolutely, because we have properties all over the peninsula.
00:25:09Oh, really?
00:25:09Look.
00:25:10I could cross Spain.
00:25:12In a quadriga.
00:25:13Refueling.
00:25:14Throughout my land.
00:25:16And in San Sebastián?
00:25:17Can you refuel?
00:25:18It could very well.
00:25:20That's minor.
00:25:21Do you mind if I call him on the phone?
00:25:22No, man, no.
00:25:25Seating!
00:25:26Get out of here, man!
00:25:28Dani.
00:25:29I'm Miren.
00:25:30Okay, okay.
00:25:32Hey, look at this...
00:25:33that I have a business up and running.
00:25:35And I'd like you to lend me a hand.
00:25:38Today.
00:25:39Today.
00:25:39Don't be offended, councilman.
00:25:42Yes, yes, yes.
00:25:43Yes, I know you're very honest.
00:25:44I know.
00:25:45But do you know what happens?
00:25:47It's because you owe me a little favor.
00:25:49And it's about time you paid me back.
00:25:51No?
00:26:19What are you doing?
00:26:20That?
00:26:21Micro, micro, micro.
00:26:22That?
00:26:23That?
00:26:24Hey?
00:26:29Table and chair.
00:26:30I have a table and chair at home just like this one, so I have to assemble it, assemble it, and then
00:26:37I'm looking to see the joint and apply them to see if they fit the same.
00:26:40Okay, okay.
00:26:41And why don't you take a picture of it?
00:26:42Otherwise you'll break your back there, woman.
00:26:45Clear.
00:26:46What nonsense.
00:26:47I'll be here for a little while, okay?
00:26:48Because I'm exhausted.
00:26:49And I have to be here until eleven at night and almost fall asleep on top of it.
00:26:53of the dialysis machine.
00:26:54Man, and that's the last thing, that's the last thing.
00:26:56And come on, it would be the last straw if you had to...
00:27:00Please.
00:27:02What is this?
00:27:06Dolores, darling, do you want to pick up the phone?
00:27:08That?
00:27:08Pick up the phone?
00:27:10Yes, yes.
00:27:14Dolores, please, what are you doing?
00:27:16Lower it to get zero power!
00:27:18Already!
00:27:19Take it down!
00:27:20The volume!
00:27:21Low!
00:27:21It's just that I have...
00:27:22Ah, the radio is on!
00:27:23And I don't even know!
00:27:24But turn it down...
00:27:26Yeah?
00:27:31Well, I'll sleep when I die or if I faint.
00:27:35Sorry!
00:27:42Trini!
00:27:43I can't speak!
00:27:44I can't speak!
00:27:46That?
00:27:47No no!
00:27:47That?
00:27:48I don't understand!
00:27:49No!
00:27:50Radio!
00:27:51The thing is...
00:27:52The thing is...
00:27:53The thing is...
00:27:53I can't download it.
00:27:54No, no, no.
00:27:54Because Carmen has put on a microphone.
00:27:56Because he suspects...
00:27:57There's some poop.
00:28:00No, no, just kidding.
00:28:02I have to go!
00:28:03Bye bye!
00:28:06Let's see that music, please, this is a hospital.
00:28:11Sorry!
00:28:12Sorry!
00:28:14Hey?
00:28:14Who is that?
00:28:15Do you already know that one?
00:28:17A little cheat?
00:28:19That...
00:28:19That's a man.
00:28:21Ah, look.
00:28:22And this...
00:28:23This is Gochone.
00:28:24We're just friends, okay?
00:28:25Hey...
00:28:26What if I send Gochone a message or what?
00:28:29Okay, yes.
00:28:29Let's send a little message to Gochone.
00:28:33Look...
00:28:33Did you know?
00:28:34We'd better talk to Osaba Pello.
00:28:36Hey?
00:28:36Do you want to talk to the crew?
00:28:37Okay, I'll put it on hands-free.
00:28:48What pots and pans I've told you about!
00:28:50Phones on silent!
00:28:53Beginnings!
00:28:53If it's yours, you're abnormal.
00:28:56Yeah!
00:28:57Hey!
00:28:58Aopa!
00:28:58Coat!
00:28:59How are you?
00:28:59What's happening?
00:29:00Well, right now, my rival is about to raid the office.
00:29:05What are you saying?
00:29:06What are you saying?
00:29:06What are you saying?
00:29:06The person who stole my tablet has it here, with all the investigation inside.
00:29:09I have to get her back somehow.
00:29:11My goodness, you can't be left alone, can you?
00:29:13Okay, we'll talk later, alright?
00:29:14Well, I hope it's not from the barracks.
00:29:16Okay, okay.
00:29:18Come on, Anchón Colbao.
00:29:19Come with me.
00:29:20So look for a faster one.
00:29:21José, you guard the door.
00:29:22And a turnip.
00:29:23I'm not alone, man.
00:29:25It scares me.
00:29:26And the one who is left alone always gets the short end of the stick.
00:29:28No way?
00:29:29Come and eat me.
00:29:29Gallows?
00:29:30The killer whale?
00:29:31Whoever it is, I don't know.
00:29:32You stay.
00:29:35Come on, you're scared.
00:29:36Come on.
00:29:36It's just that every time I come here, I end up committing a crime.
00:29:39There I am, by the sea, good.
00:29:43Come on.
00:29:44Look out there, where you have to stay far away.
00:29:50Hey!
00:29:51This shit has a lock!
00:29:52I'm sure it's here.
00:29:53Come on, try it.
00:29:54Open letters, yes, yes.
00:29:59Fuck!
00:30:00It's there!
00:30:01No, no, no!
00:30:02This is much better!
00:30:04Prodromos inhistoricum testacheorum!
00:30:07Hey?
00:30:08Introduction to a systematic history of shelled animals.
00:30:12Ah, ah, ah!
00:30:14Well, that's what their investigation is about.
00:30:16Look.
00:30:18See?
00:30:19All the...
00:30:21Well, it's the same.
00:30:23His thesis is just like this!
00:30:25Let's see, let's see.
00:30:26Let's see, let's see.
00:30:27What do you mean?
00:30:28What has he plagiarized?
00:30:29He has plagiarized from himself.
00:30:30You don't understand anything.
00:30:31He's telling you that I copied it all.
00:30:34Well, damn it, it's not like I copied it myself.
00:30:37What's up, what's going on?
00:30:37So, where is your thesis?
00:30:39Are you almost there?
00:30:40Ah, ah, ah, ah!
00:30:42Ah, ah, ah!
00:30:42Ah, ah, ah!
00:30:42What a scare!
00:30:43Will it curdle my morning yogurt?
00:30:45Damn, you big guy!
00:30:46You stay there and keep an eye on the host, they're going to catch us.
00:30:48Relax.
00:30:48I just checked and nobody's coming.
00:30:52No!
00:30:52Low!
00:30:53Low!
00:30:54Low!
00:30:54Low!
00:30:55You're a machine and this little hologram!
00:30:57Armoni!
00:30:58That?
00:30:59We're working, it's very late, isn't it?
00:31:00What are you doing in my office?
00:31:03Well, uh, uh, well...
00:31:05Tell him, tell him, tell him.
00:31:06The kid's a bit timid and doesn't dare to...
00:31:07Since he doesn't get paid enough, I've been worried sick, and now he's as stiff as a board.
00:31:10And then suddenly he said
00:31:11I'm going to make a little money cleaning offices, right?
00:31:13But we're finished, we're heading to port and leaving...
00:31:15But...?
00:31:16What, what, what, what are you saying?
00:31:17Well, I don't care. Nobody's moving from here until you tell me what's going on.
00:31:21Not a cocky one, huh?
00:31:22We came looking for Peyo's tablet.
00:31:25So you're already getting out the Peyo tablet and we're off, it's getting chilly.
00:31:31But which tablet?
00:31:32My tablet.
00:31:33With all the research.
00:31:34You knew it, and that's why you took it from me.
00:31:36What are you saying? And I've been in the middle of it all afternoon?
00:31:39Proof of payment.
00:31:43Six o'clock in the afternoon, urologist Carlos Aramendi. That's right.
00:31:47This one got on our nerves before the other one.
00:31:49Already.
00:31:50So how do you justify this?
00:31:53To have a book?
00:31:55Having a book that proves your research is plagiarized.
00:32:00Well, all that proves is that you broke into my office and forced open my drawers.
00:32:07We'll see tomorrow.
00:32:09Very good.
00:32:10Very good.
00:32:12But if you leave the book where it is and forget about everything,
00:32:15I'm not reporting you for entering my office.
00:32:17Well, I think it's a great idea.
00:32:20This goes in its drawer, which is its place.
00:32:22And that's it. This is trying to fix things yourself.
00:32:24I know that nothing has happened here.
00:32:25You're a wonderful guy.
00:32:26Nice to meet you, Andonis.
00:32:28Aur.
00:32:35Nothing, I just wanted to know how your day had been.
00:32:38Okay, give him a big hug from me, okay?
00:32:41To you, my dear.
00:32:45Sabino, not a word, Benito, eh?
00:32:48Well.
00:32:49Come on, Benito, leave your frying pan alone, it's getting cold.
00:32:52Go.
00:32:55Sorry, sorry, sorry, huh?
00:32:57I've been busy talking to my son Cristóbal.
00:32:59Okay, Benito, what did we say?
00:33:00No children or grandchildren.
00:33:02Yes, yes, I'm sorry, dear, but I felt guilty.
00:33:05for having left him hanging this morning.
00:33:07But hey, worries are over.
00:33:10From now on, I'm making everything yours again.
00:33:17Come on, let's eat.
00:33:20Well, let us know how the trip goes.
00:33:22Maybe Sabino and I will sign up in a moment.
00:33:24I wouldn't say no, would I, Sabino?
00:33:31Have you already gotten it dirty?
00:33:32No, it's a shadow of the shirt.
00:33:35Ah, a little shadow from the shirt.
00:33:37Sabino, always the same with you, son.
00:33:38Instead of grabbing a napkin and putting it on...
00:33:47Instead of scolding yourself,
00:33:48You could be changing your shirt,
00:33:50Because, after all, it's just a stain.
00:33:52No problem.
00:33:53There are two or three of them.
00:33:57Three, Sabino, my son!
00:34:01Well, it's okay.
00:34:02It's a shirt.
00:34:03It is taken away, put in the wash, and then ironed.
00:34:05No problem.
00:34:06It's just another shirt to wash and iron.
00:34:08In short, I'm the one who does the washing and ironing.
00:34:10If you did it, you certainly wouldn't get so dirty, Sabino.
00:34:13Look, take my loaf of bread, I'm going to get the soda.
00:34:16Of course, son...
00:34:25These types of crimes are committed in 90% of cases by people from the victim's social circle.
00:34:30Okay, we've reported the theft of a tablet,
00:34:33not a murder on the Orient Express.
00:34:35Don't interrupt my train of thought, okay?
00:34:37Well, since you are potential suspects,
00:34:39You put your things on the table for me.
00:34:42Okay, Julio, please don't talk nonsense, man.
00:34:44We would be incapable of doing that to Pello.
00:34:47If anything, humiliating him at mus, that's for sure.
00:34:49Well, fine, in that case I have no other choice.
00:34:52that make use of my geolocation device.
00:34:54Give him the user number, otherwise we'll end up at the police station.
00:35:02Pello, Pello, Pello, Pello, Pello, Pello, Pello, Pello, Pello, Pello.
00:35:08Pello, Pello, Pello, Pello.
00:35:10If I were to kiss you...
00:35:15Hey, do you want to locate the tablet, yes or no?
00:35:17Pello, Pello, Pello, Pello, Pello.
00:35:28What? Have you found it yet?
00:35:30No, no, no, what I mean is, good heavens, this is going so slowly.
00:35:33Okay, let's let technology do its work, I'll keep you informed.
00:35:38Did you spell "pello, pello" correctly?
00:35:40With V.
00:35:42Come on, the sleeping hair, 67, is nervous.
00:35:47Sorry, I just wanted to relax my mind a little.
00:36:06No! Damn sex! That's all I needed.
00:36:10God! Run!
00:36:13Hi, can I help you?
00:36:16Well, look, yes, yes, because I got a flat tire.
00:36:19And I have to catch a plane and I'm really pressed for time.
00:36:22Well, don't worry, I have some spray here to fix punctures.
00:36:24Oh really?
00:36:25You'll see how it's up and running in no time.
00:36:26Oh, thank you so much!
00:36:28Does that take long?
00:36:29Nothing.
00:36:30Hey, you're saving my life, huh?
00:36:34Look, that's it.
00:36:35This will get you to at least the next gas station.
00:36:37Okay, tell me how much that spray costs, and I'll pay you right now.
00:36:40No, no, don't worry.
00:36:41I do walk about 20 meters so that the wheel mixes well.
00:36:43Ah, okay.
00:36:44Do you have the keys in the ignition?
00:36:45Yes, yes, yes, they're on.
00:36:46Dale.
00:36:49Oh, thank you, huh?
00:36:50Nothing.
00:36:5320 meters, he says.
00:36:54It's already been done.
00:36:55Oh, it never stops.
00:36:56It doesn't stop.
00:36:57Hey, hey, thief.
00:36:59Thief!
00:37:04Thief!
00:37:08Why are you leaving home, Gotsune?
00:37:15Why have they been heard from Utrera?
00:37:17Utrera, look at the bag.
00:37:19That?
00:37:19The bag?
00:37:20Because?
00:37:21We already took Mr. Carrot this morning, you know, the beech tree and Mr. Carrot.
00:37:25Yes, yes, yes, yes.
00:37:27Oh my god, it's like I have a switch.
00:37:29We should have bought two.
00:37:30If this one is lost, then you and I are lost too.
00:37:33Okay, so we're going to the park.
00:37:34Okay, great.
00:37:35Hey, remember we have the interview with the nanny later.
00:37:38What's up?
00:37:39As?
00:37:41No, I'm just kidding.
00:37:42Oh, hey, I saw Dolores in the hallway.
00:37:44Has he confessed?
00:37:45No, but I got it.
00:37:47Okay, let's see, I've taken his phone.
00:37:48I shouldn't, I know, but I had no other way.
00:37:51And yes, this past week I had 50 missed and incoming calls from Trini.
00:37:55I don't think it's for drinking coffee.
00:37:57I can't believe it.
00:37:58Yeah.
00:37:58Did he marry you to her?
00:37:59No.
00:37:59No?
00:38:00No.
00:38:00Carmen?
00:38:01But I told him I've put microphones all over the hospital.
00:38:03So he gets paranoid.
00:38:05That's what I want.
00:38:06Let him confess.
00:38:07I'm going to stick my finger in him.
00:38:08As far as I can push my finger in really hard to...
00:38:11Okay, okay, Carmen, I know that when you show your claws...
00:38:13But she doesn't care, she's a rock, isn't she?
00:38:16Yeah.
00:38:16In other words, he doesn't care what you do to him.
00:38:17No, but he will confess.
00:38:19I don't know how, but he will.
00:38:21Hey, so, do you know what you can do?
00:38:23That?
00:38:24Look, hit him where it hurts the most.
00:38:25Go for someone who truly cares.
00:38:28Hey, how cute.
00:38:30I didn't know you had that Sadibaski twig.
00:38:34Oh, that's because behind this good boy face there's a rebellious soul.
00:38:37A bad boy.
00:38:40Ah.
00:38:42In the end.
00:38:44Oh.
00:38:44Yeah.
00:38:46That?
00:38:49Shall we go to the park?
00:38:50All good?
00:38:52Yeah.
00:38:52It's, uh, it's, uh, Peyo.
00:38:55Okay, I'll tell you later, alright?
00:38:57Come on.
00:38:58Come on.
00:39:03They're not, eh.
00:39:06It's like your car has been stolen.
00:39:08You're okay.
00:39:10Okay, calm down, calm down, I'll take Carmen's car and come get you.
00:39:13Send me your location, okay?
00:39:13What a mess, Elaya, what a mess.
00:39:16Ah, ah, yes, yes.
00:39:17Tuil, tuil.
00:39:18Well, well, I would die if the tulle disappeared from my wardrobe.
00:39:22I'll confess that sometimes I've gone crazy and worn a burgundy velvet blazer.
00:39:28Oh, burgundy, let's see, you're a savage.
00:39:31Oh, yes.
00:39:34Hi, Daniel!
00:39:36Daniel, finally.
00:39:38How are you?
00:39:39Very well and you?
00:39:40How are you?
00:39:41Good.
00:39:42Okay, how long?
00:39:43I present to you Cristóbal Benjumea.
00:39:45Two Sicilies.
00:39:46From the two Sicilies, yes.
00:39:48And he is Daniel Ahmed, city councilor for urban planning.
00:39:50Well, pleased to meet you.
00:39:51So, how about having a glass of wine?
00:39:53Yes, a Gran Reserva.
00:39:55What a good wine, there's no such thing as a bad drinker.
00:39:57And here I am trying to catch the two rays of sunshine that are available.
00:39:59Vampires can come out here at three in the afternoon, you know?
00:40:03Sure, I imagine it's hard for someone from the south to get used to the climate, right?
00:40:06Yes, it is difficult for me.
00:40:07And that's even though I have a little extra.
00:40:09Don Basilio Ayanz, first count of Onda Rieta, my great-great-great-grandfather.
00:40:13You don't say.
00:40:15That's why I saw a head shape like that which seemed familiar to me, like from here.
00:40:20Well, I imagine they had land around here.
00:40:22There's something to it here, because Philip V gifted some properties to the first count for services rendered.
00:40:28I think it was the year 1700...
00:40:32Yes, but, but, go a little further, because I love happy endings.
00:40:37What did he give her?
00:40:38Well, a bunch of Moorish horses and some properties a stone's throw from Mount Higuerdo, that's what I call it.
00:40:43Don't mess with me, you own land over there.
00:40:46Ah, not much, not much.
00:40:48Thirty or forty hectares, come on.
00:40:49Not even for half a short film.
00:40:56What's up, Julen? Any news?
00:40:59Yes, I have received a report for theft.
00:41:01Oh, and what did they steal?
00:41:03Well, a tablet.
00:41:06Your son's.
00:41:08Ah, well then, file it away, because he's probably lost it.
00:41:11Has he already lost three?
00:41:12No, it hasn't been lost, no.
00:41:13I tracked her using the geolocation tool.
00:41:16How does it work as a geolocation device?
00:41:17So, do you have all the teeth or what?
00:41:19Yes, they do have them, yes.
00:41:21And he told me that he's here, at the barracks.
00:41:26Well, that tells you that he's here and he's in Logroño.
00:41:30Rosamari, I'm not an engineer, but I know how to follow a little arrow.
00:41:33Are you going to make me look at your table?
00:41:43It's not what it seems, is it?
00:41:44Yes, yes.
00:41:45Hey, you don't have to give me any explanation.
00:41:47It's not because of hair.
00:41:47It turns out that if he wins, he'll go to the United States.
00:41:50And you know how naive that man is.
00:41:52It can't even last a minute and a half, huh?
00:41:53Yes, but maybe if you tell him about the opportunity,
00:41:56I could prove you wrong.
00:42:02Please, I'm asking you, okay?
00:42:03You don't say anything to him.
00:42:04No, no, no.
00:42:20Iñaki.
00:42:23Sorry.
00:42:24Sorry, sorry, sorry, sorry.
00:42:25What happened to you?
00:42:26Did they do anything to you?
00:42:27That is...
00:42:27They didn't have a damn thing for me, man.
00:42:29The thing is, I've been caught.
00:42:30But then Iñaki came along and...
00:42:31Okay, calm down, gozones, calm down, calm down, okay?
00:42:34It was a scare, but the important thing is that you're okay.
00:42:36Yes, I'm fine.
00:42:36But my clothes, Iñaki, look at my clothes.
00:42:38Hey, how long until your flight leaves?
00:42:40Three hours.
00:42:41Three hours, okay, then relax.
00:42:43We have time, okay?
00:42:44Let's go to Coldo's house, you can take a shower...
00:42:46Ah, okay.
00:42:46With that look, you won't even get through airport security.
00:42:49Come on.
00:42:49Thank you.
00:42:50Come on.
00:42:50Goes.
00:43:01I'm here now, Carmen.
00:43:30Dolores, I know who the mole is.
00:43:33Look, Carmen, I don't know what she could have heard in those microphones,
00:43:35But reality is sometimes not what it seems.
00:43:38Dolores.
00:43:43The truth...
00:43:46Oh, you'll have to forgive me, but it's important, she's the nanny, okay?
00:43:50It's okay, it just added more excitement to the situation.
00:43:56Yes, Susana.
00:43:57Yes, how are you?
00:43:59Oh, no, no, no, no, no, no problem.
00:44:03No not at all.
00:44:04Yes, yes, I see you now.
00:44:06Come on.
00:44:07Thank you.
00:44:13Forgive me, Dolores, but something unexpected has come up and...
00:44:18Let's talk later?
00:44:28Ten more gray hairs, Dolores.
00:44:30In two weeks you'll be able to do a rough brushstroke.
00:44:38Inaqui?
00:44:40Yes, Carmen, tell me.
00:44:42Where are you?
00:44:44Uh, well here.
00:44:46Where here?
00:44:48Be a little more specific, darling.
00:44:53Well, in the park next to my house with the nanny, why?
00:44:56Brilliant.
00:44:57Well, look, Susana just called, she's changed the appointment she had arranged.
00:45:00Go there and receive her, please.
00:45:02What, what?
00:45:03Well, Carmen, I'm going to take a little while, okay?
00:45:04He told me you were right next door to my house.
00:45:06Yes, yes, but with the stroller and all those cars that park on the sidewalk,
00:45:10Well, getting home is like an obstacle course, huh?
00:45:12Well, don't worry, if you're five minutes late, nothing's going to happen.
00:45:16Come on, go over there.
00:45:18Thank you.
00:45:18Bye.
00:45:19Okay, see you later.
00:45:23And here, have you covered my mouth?
00:45:25Look, Gotzón, if Carmen finds out I'm with you, I'll spend a year giving explanations, okay?
00:45:29That's true too, man.
00:45:30Believe me, it's better for my mental health this way, believe me.
00:45:33Yeah.
00:45:34There is another subspecies of turtle that appears in the Sargasso Sea.
00:45:39And in...
00:45:40Come on, Laser, come on.
00:45:41And in the...
00:45:42In it...
00:45:46God!
00:45:47You, no, no, I don't remember, you are
00:45:49eighty-five pages.
00:45:51It's not a tweet.
00:45:53Espira, it's not a tweet, go on, relax.
00:45:54It always goes like this, we leave the gap and move forward and then we fill it in.
00:45:57What do you mean, hollow?
00:45:58What do you mean, hollow?
00:45:58The joke has more patches than a third-division field, damn it.
00:46:02But I don't realize that it's impossible.
00:46:04What took me a year and a half to do, we're not going to write in three hours now.
00:46:09I give up.
00:46:09That?
00:46:11And you're going to let that wretch get the job?
00:46:16No, what I should have done was report that scoundrel.
00:46:20You can't believe it.
00:46:21Son of a stranger and covering up for a con artist.
00:46:23Okay, but let's see, let's see.
00:46:24Think about it a little, okay?
00:46:25What are you going to throw away?
00:46:26Is your dream overboard?
00:46:28Hey?
00:46:28Because of that freak?
00:46:29I just can't get it.
00:46:31Okay, there are less than two hours left and I still haven't got anything.
00:46:34Beautiful, beautiful, beautiful.
00:46:41Your tablet.
00:46:42You see, you see how it seems to me.
00:46:44I want a straw.
00:46:46My...
00:46:47My...
00:46:48My...
00:46:48What's up again?
00:46:49Start it, man!
00:46:50My tablet.
00:46:52Damn, Julen saved my life.
00:46:53Give me a hug.
00:46:54When are we...?
00:46:55No, no, no, no.
00:46:57We maintain the security perimeter; I remain a representative of the law.
00:47:01Hey, Julen.
00:47:02That?
00:47:03Where did you find it?
00:47:05Well, look, in an open field.
00:47:07Some shady guy came to sell it to me, but I confiscated it and came straight here.
00:47:11No, young man, how lucky.
00:47:12That happens in my neighborhood and I can't even find a phone case.
00:47:14Wow, now you call good police work luck.
00:47:17That?
00:47:18Can I get you something to thank you for?
00:47:19Uh, no, no, no.
00:47:20I'm not allowed to fraternize with civilians, huh?
00:47:23No.
00:47:23If you'll allow me.
00:47:26Everything is there.
00:47:27Everything is fine, thankfully.
00:47:28Everything is there.
00:47:29Hey, dude, where did you have your tablet?
00:47:31This is a foot tab that I don't see.
00:47:34Broad.
00:47:37No, this isn't foot odor.
00:47:40It smells of smoky Indiazabal, the same one that takes...
00:47:49Hey, Christopher, just out of curiosity, wouldn't you like to do something with those lands?
00:47:54What do you have here?
00:47:55Ah, of course.
00:47:56Ah, great, because Dani has a lucrative business, a real Basque-style windfall.
00:48:00Yes, but I just can't.
00:48:02Ah, yes, for sentimental reasons, I understand.
00:48:04But look, when you see those apartment blocks built, it's going to be like a monument to
00:48:09the memory of your great-great-grandfather.
00:48:10Yes, I can't.
00:48:10My father left the land to a tenant farmer.
00:48:13That?
00:48:14Are you telling me that those lands aren't yours?
00:48:16Well, morally yes, but come on, I assure you that José has no ancestors who
00:48:21to remove the lice from Philip V's wig.
00:48:23That?
00:48:24The louse, like Sartamonte, there.
00:48:25No, no, I mean, are those lands José's?
00:48:29That one, that one.
00:48:32Yeah.
00:48:34Here it goes.
00:48:35Hey?
00:48:35Isn't that Daniel Craig?
00:48:37Hey?
00:48:37Yes, yes.
00:48:38Are you going?
00:48:38Yes of course.
00:48:40No!
00:48:41Let's go!
00:48:41Ah!
00:48:42Let's go!
00:48:42Let's go!
00:48:45We have a problem.
00:48:46We have to convince the owner.
00:48:48Go away.
00:48:49That's how you don't have a penny to give your commission.
00:48:52Unless we give it to you after requalification.
00:48:55Ah, then, I'm sorry, but no deal.
00:48:58What do you want Gallo to sing?
00:49:01The hen in front, beautiful.
00:49:03Well, I have to get him to sell the land to Christopher.
00:49:05That one has his kidney well covered.
00:49:09Hey, I've got you wrong, haven't I?
00:49:10A baby is not like a plaster cat.
00:49:12That wasn't Jay Bond.
00:49:13No, that guy was Shino.
00:49:15Isn't a Shino Javi?
00:49:25Mother?
00:49:26Very beautiful.
00:49:27That?
00:49:27You've forgotten your keys inside the house again.
00:49:30No, no, I didn't come for that.
00:49:32I'm here because Julen found my tablet.
00:49:35See?
00:49:36I knew it.
00:49:37The thing is, you need to be more careful with those things, kid.
00:49:39Yes, but something very curious has happened.
00:49:41My tablet smells like cheese.
00:49:44Cheese and Diazabal to a mao.
00:49:46Jesus, boy.
00:49:47If that's all that could happen to your tablet, you're in luck.
00:49:51Yes, but it's the same as the one you eat for breakfast.
00:49:57I mean, Mom, did you have anything to do with my tablet disappearing?
00:50:01Let's see, in San Sebastián there are probably a hundred thousand of us who like Diazabal cheese.
00:50:06Yes, but you're the only one I know.
00:50:08Yes, but why would I want your tablet, kid?
00:50:11Well, I don't know.
00:50:13It was just as well that I would fail with the scholarship.
00:50:19That?
00:50:21You've never really trusted me.
00:50:24And for once, I could excel at something.
00:50:27What are you saying? I've always supported you in everything.
00:50:31Promise me you have nothing to do with this.
00:50:40Yes, Peño, it was me.
00:50:43My own mother.
00:50:46You are like a pipefish that eats its young.
00:50:49But, but, how could you do this to me?
00:50:51Because I thought that if you went to the United States you were going to have a terrible, terrible, terrible time.
00:50:56Man, then I realized I was going to have a really, really bad time.
00:51:01It was me because...
00:51:02Because I can't live without you.
00:51:06So, you were going to miss me.
00:51:08Look, the only two things that make me happy in life are good control
00:51:13blood alcohol level
00:51:13And that you greet me with a cup of coffee.
00:51:24You have hair there.
00:51:29Okay, promise me you'll write to me every day, okay?
00:51:33I still have to take it out, come on.
00:51:34Come on, go home quickly, you only have one hour left.
00:51:39Come on.
00:51:49Good morning, what's up? Are we in a hurry?
00:51:52Well, the truth is, yes, I'm sorry for the scare, officer.
00:51:54With this heat, we have to take it easy.
00:51:57Let's see, ID, car registration documents.
00:51:59No, no, no, look, later if you want you can even ask me for my birth certificate,
00:52:02But now I have to get to...
00:52:02The car's papers, man, please.
00:52:06Look at her, look at her, that's her.
00:52:08That's the nanny, the nanny.
00:52:09Yes, yes, yes, yes.
00:52:11But what does he do?
00:52:12He's trying to escape from us.
00:52:14No, no, no, no, no, no, no, no.
00:52:15No, it's just that that blonde is the nanny.
00:52:17Even if it's Mary Poppins.
00:52:18Either you show me the vehicle's registration documents or we're going to the police station.
00:52:21And here, give him the papers, okay?
00:52:23I'll take care of the nanny.
00:52:25Okay, goosebumps, okay, come on.
00:52:26Come on, run!
00:52:27Runs!
00:52:31I'm coming.
00:52:32Okay.
00:52:34They have to be around here.
00:52:37Just so you know, this isn't my car, it's my ex's.
00:52:42We'll be here for a little while.
00:52:50Wait, the phone.
00:52:52No, no, no, no, no, no, no, no, I don't want your phone number.
00:52:57Did you hang up?
00:52:58I haven't called.
00:52:59Better, better, because I've arrived.
00:53:02Alright.
00:53:03I?
00:53:03Because?
00:53:04Oh no, I work in a coal yard.
00:53:07Ah, cool.
00:53:08And you're the nanny, right?
00:53:10The one who's coming for the interview.
00:53:11Yes, it's me.
00:53:12Okay, okay.
00:53:12Well, I'm here on behalf of Iñaki, the father.
00:53:15Ah, he's parking.
00:53:15Here it comes.
00:53:16Are you Carmen?
00:53:17Carmen.
00:53:19Uh, no.
00:53:21No, I'm not Carmen, no.
00:53:22No, I'm the, um...
00:53:25The neighbor on the sixth floor.
00:53:32From the sixth landing.
00:53:34We're big on landings here.
00:53:35Yes, it goes a lot.
00:53:37Ugh, you have no idea.
00:53:40Sorry, Iñaki.
00:53:41Sorry for the delay, I was parking.
00:53:43Let's see when they make foldable ones for us, huh?
00:53:45Hey, whenever you want we can go up and talk, okay?
00:53:47Okay.
00:53:48My God, the cop, if it weren't for the fact that his mother was from Urrechu, would have asked me for my criminal record.
00:53:52dental.
00:53:53Here, take the keys to Coldo's house, okay?
00:53:55Third D.
00:53:55Leave us alone.
00:53:56Everything's under control, Iñaki, I followed them, okay?
00:53:57Ugh, ugh, ugh, ugh, ugh, ugh, ugh, ugh, ugh, ugh, ugh, it's so hot for this time of year, isn't it?
00:54:03You already are.
00:54:05Hi how are things?
00:54:06I'm Carmen.
00:54:08Susana.
00:54:09Nice to meet you.
00:54:09Sorry for the delay, but things happen.
00:54:12Don't worry, your neighbor told me.
00:54:14Yeah?
00:54:14Which one of hers?
00:54:15Did you see?
00:54:16Mercy, Lucy?
00:54:17I don't know.
00:54:18The one who works in a coal yard.
00:54:19As?
00:54:22Oh my goodness, these things, what are they hiding?
00:54:25Well, in that case, we'll go up.
00:54:27Come on.
00:54:35And this is the origin of whale migration.
00:54:38Thank you so much.
00:54:44Look, that's a lot of applause for this guy, isn't it?
00:54:47And he doesn't deserve any of that applause.
00:54:51Much ado about nothing.
00:54:53Oh, there he goes, you rascal!
00:54:55April 25, 2019.
00:54:57You'll need the date of the new call for applications.
00:55:02Come on, you rascal! Destroy it!
00:55:05Knowing that we are not on the note cheering for Real Madrid.
00:55:08That's great, thank you, members of the jury.
00:55:11My research deals with an osteochronological study
00:55:16to determine the age of sea turtles.
00:55:25Already in the Late Cretaceous,
00:55:29come on,
00:55:31which is when my mother made her First Communion.
00:55:34Well, well, eh!
00:55:36It occurred to me.
00:55:43And I also have three pots of mint.
00:55:45I use it quite a lot for cooking.
00:55:46Come on!
00:55:47What I don't have is any photos.
00:55:48No, no, it's not necessary.
00:55:50Thank you.
00:55:50Well, girl, we already know here that the girl has a plant nursery.
00:55:53At home.
00:55:54What I don't quite understand is, what does that have to do with being a nanny?
00:55:57Everything, everything.
00:55:58Because if you can't take care of the plants,
00:56:00Imagine our little girl.
00:56:02Okay, Susana, I have one more question.
00:56:04Other?
00:56:04Yeah.
00:56:05Just a moment.
00:56:07Girl, here, please.
00:56:09What other question do you want, huh?
00:56:11Let's see.
00:56:11You know I wouldn't leave the girl with anyone I didn't trust.
00:56:14How perfect!
00:56:15Yes, yes, yes.
00:56:16But that's the question.
00:56:17Okay, ask.
00:56:20Nothing.
00:56:21Everything is perfect, Susana.
00:56:22I only have one question left.
00:56:24One last question, okay?
00:56:25I'm bringing back the talcum powder!
00:56:27She is attentive.
00:56:28I like it.
00:56:29Fast?
00:56:29Yes, yes.
00:56:30No, it has nothing to do with that.
00:56:35Susana, you could start right now.
00:56:38I have an errand to run in the neighborhood and...
00:56:42Yes, he has a spark and an artistry that he can't resist.
00:56:46He's from the north.
00:56:48Welcome, Susana.
00:56:49Thank you so much.
00:56:50You look at Laia's room, I'm going to work.
00:56:53You know perfectly well what you have to do.
00:56:55Yes, don't forget Mr. Carrot.
00:56:59Thank you.
00:57:00Thank you.
00:57:00Thank you.
00:57:04We already have a nanny, yes.
00:57:06That's it, that's it.
00:57:07That girl certainly has patience, huh?
00:57:09Girl, here, because you forgot to look at her bag.
00:57:11Yes, yes, yes.
00:57:12But you're more at ease now, aren't you?
00:57:14Yes, let's go, of course.
00:57:15I would ping my email right now.
00:57:18Congratulations, Dad.
00:57:19Thank you so much.
00:57:20We're a great team.
00:57:21Hey, I'm here for whatever you need, okay?
00:57:24It is also my responsibility.
00:57:25Well, I'm going to work, because now it's my turn to make Dolores confess.
00:57:30Already.
00:57:31Hey, well I hope you get the whole truth out of him.
00:57:33Yeah.
00:57:33Now, that's true.
00:57:34Before he leaves, give him a chance to explain himself.
00:57:38It's Dolores.
00:57:39Yes, I'll give it to him, I'll give it to him.
00:57:41And a little something if I can, I'll give it to him too.
00:57:43Come on.
00:57:43I'll pick you up later to take you to the airport, right?
00:57:45Yes, okay.
00:57:46Come on.
00:57:48Don't be too harsh, okay?
00:57:49No.
00:57:51Bye.
00:58:04Gozone.
00:58:07Gozone.
00:58:08Iñaki.
00:58:12Forgive me, if you want I'll come back again.
00:58:15No, no, no, no.
00:58:15Wait, Iñaki.
00:58:17I need you.
00:58:18Do you need me, or why?
00:58:21So that?
00:58:22So you can lend me some clothes.
00:58:24Mine is ready to be incinerated.
00:58:27Yes, yes.
00:58:28Well, in that case I'd better lend you some cold-weather gear, because in my clothes you're going to look like...
00:58:32a scarecrow.
00:58:36Well, I'm going to...
00:58:37Okay.
00:58:38Bye.
00:58:39Well, I'm not in a position to be picky either.
00:58:44Don't get upset, okay?
00:58:45Any little thing you have lying around would be fine.
00:58:49Well, don't get too cocky.
00:58:50Coldo is no box of surprises, is it?
00:58:52Look, he's wearing a plaid shirt like a true Basque, jeans, and I've put socks in.
00:58:57And, well, you're going to need underwear, aren't you?
00:59:02Are they made of coldo?
00:59:03No no.
00:59:04These are mine from my suitcase.
00:59:07Are they clean?
00:59:08Please.
00:59:10Well.
00:59:16I, I, I, I, I, I was, uh, joy, was to see or touch.
00:59:22Clear.
00:59:22And it has touched, it has touched, it has touched, to touch, to touch.
00:59:25Playing, of course, playing is good, because watching is not, no, no, that's not the plan.
00:59:30You haven't played directly either, so...
00:59:35I'm almost there, I'm almost there.
00:59:39Ah, yes, yes, yes, of course, no, no, they're all yours.
00:59:47It's because of the helmet.
00:59:57The most widely accepted theory was that the shell of the turtles,
01:00:03biological group to which turtles belong,
01:00:07It comes partly from the internal skeleton and partly from external structures.
01:00:14The shells of these animals are a modification of the ribs and vertebrae.
01:00:22Come on, the whole structure comes from the internal skeleton.
01:00:30That's all, they've turned around.
01:00:34Like a pair of pants that are going to go in the washing machine.
01:00:39Now, now, the final little joke and we'll carry them out on our shoulders.
01:00:42And well, to finish up, and as a final note,
01:00:46Well, if they're going to buy a little turtle and baptize it,
01:00:52I can't think of a better name than...
01:00:56Shell.
01:01:04Well, if I had nothing more to say, one side will deliberate for a few minutes.
01:01:13Hey, don't take advantage either.
01:01:17Congratulations, Peyo.
01:01:18I thought you weren't going to move on to the next...
01:01:19Hi, I'm Peyo.
01:01:22Well, as you can see, not only have I not gotten stuck, but I've swept you aside.
01:01:25They're not going to give you that scholarship and you know it.
01:01:27And I'm glad.
01:01:28Not for me, but so they don't give it to a plagiarist like you.
01:01:31Imagine copying other people's work.
01:01:33One thing worse.
01:01:34Hey, I work a lot, you know?
01:01:37I've applied for five other scholarships.
01:01:38So if they don't give me this one, they'll give me another.
01:01:40A lottery.
01:01:41Come on.
01:01:43My son.
01:01:44My son.
01:01:45You've been wonderful.
01:01:47Well, and what a beating that cocky little punk gave us!
01:01:50I should have done more, Mom.
01:01:51What else are you going to do?
01:01:52You've been legendary.
01:01:53Man, for God's sake, you've done everything in your power.
01:01:55You're a star.
01:01:57You should feel proud.
01:01:58I should have done what you always taught me.
01:02:00That?
01:02:01Be upfront and honest.
01:02:02Man, that's always the case.
01:02:04Members of the jury, I would like to add just one thing.
01:02:08But what does he do?
01:02:09Where is he going?
01:02:09Well, the man has come up.
01:02:11Don't waste energy deliberating about anything.
01:02:14Neither of us deserves that scholarship.
01:02:17Well, because I went into Dr. Goñiz's office.
01:02:21I object, Your Honor!
01:02:22What are you doing?
01:02:23This is not a jury trial, and that's not right.
01:02:24But it helped me realize that Dr. Goñiz copied the entire work from an 18th-century book.
01:02:30Specifically from Father Arnaldo's book.
01:02:33To whom I want to give the credit he deserves.
01:02:38Hey, that's really thoughtful of you, isn't it?
01:02:40And I hope the jury members will take that into account.
01:02:43Well, the jury members need to meet to carry out a series of checks.
01:02:47We will contact the speakers as soon as we have made a decision.
01:02:50Thank you.
01:03:05My goodness, with a small glass of wine and betting five to a large, Coldo's twin sister.
01:03:09Let's see, and do SOTs fit?
01:03:10What's that supposed to mean? Is it a compliment or something?
01:03:12Well.
01:03:14Okay, Iñaki, I'm leaving now.
01:03:16Okay.
01:03:16The taxi is downstairs.
01:03:18Thank you so much for coming to my rescue, Iñaki.
01:03:20Look, if I hadn't come because of you I would have missed the car, the plane and even my accent, I'm telling you.
01:03:25No no.
01:03:26Thank you for hunting down the nanny.
01:03:28Hey, are you in shape?
01:03:29What are you saying?
01:03:30If they sell Adriano Zola, you're all set for the right wing, the real one.
01:03:34See you in San Sebastián.
01:03:36Yes, see you.
01:03:37Coldone.
01:03:42Goodbye.
01:03:44Goodbye.
01:03:46Goodbye.
01:03:50Goodbye.
01:03:55Goodbye.
01:04:14Hello, good day, smoothie.
01:04:17Well, Gozzone, let me introduce you to the neighbors.
01:04:19Neighbors, this is Gozzone, my companion from the street.
01:04:22Wow!
01:04:24Nice to meet you.
01:04:26Imagine bringing food from outside when this land produces such good produce.
01:04:34Well, I was just leaving, okay?
01:04:35Better.
01:04:36See you later.
01:04:37Yeah.
01:04:37Goodbye, goodbye.
01:04:39Look, I'm asking you, please, not a word about this, Carmen, okay?
01:04:43I prefer to tell him myself.
01:04:44Okay, but you're asking us to betray a good neighbor.
01:04:48And that causes a lot of tension, a lot of sadness, hunger.
01:04:52And now you're asking me for money, right?
01:04:54Look at the little Basque boy, he understands us so well when he wants to, girl.
01:04:58She's messing with him, go to this one, look.
01:05:00Hey, I'm giving you a hard time, but these people also need to have a snack, right?
01:05:03Snack time?
01:05:04But what do you have for a snack?
01:05:09There, there, there, ole, ole, ole.
01:05:11Yes, yes, of course, I understand.
01:05:15Thank you.
01:05:21Well, as for the office, they're not going to discipline me.
01:05:26That's normal, we barely forced the door, it was half open.
01:05:31Son, what about the scholarship?
01:05:33Well, they're going to declare the scholarship void.
01:05:35What did you do to me?
01:05:36That's a shame, mate, because you're, well, easily fooled, with your little jokes.
01:05:40You're the turtle machine, come on.
01:05:42I did it for science.
01:05:43For science, yes, yes, ha, ha, ha, ha.
01:05:47Pull, pull, pull.
01:05:48Let's have a glass of wine.
01:05:51Excuse me, excuse me, you're José, right?
01:05:53Yes, that's what my father named me, to mess with my brother.
01:05:57We haven't been introduced yet.
01:05:58I am Miren.
01:05:59Ah, nice to meet you.
01:06:00Bego and Sabino's daughter.
01:06:02Go ahead, bite the roll.
01:06:03And who do you take after?
01:06:04Because neither your mother smiles like that, nor does your father talk that much.
01:06:07Oh, how I love you men from the south, with that sense of humor.
01:06:11Well, when he says something funny, he's going to pee on you, right?
01:06:14Shall we sit down for a moment?
01:06:16Yes, come on.
01:06:19Bego, wake up, girl, we're going to be here forever.
01:06:22Okay, I'm coming.
01:06:35Sabino, what I want to tell you is that you look very handsome in that shirt.
01:06:41Thank you.
01:06:43Hey Bego, are you okay?
01:06:44Yes, of course I'm fine.
01:06:46What's wrong, can't I tell you that you're handsome?
01:06:47Yes, yes, yes, if you say I'm handsome, well, I'll be handsome, of course I will.
01:06:57Oh, what's wrong?
01:06:58I'm moving something in your head, wait for me, take it away, it's a bug.
01:07:01Having nothing in your head is insurgent.
01:07:02You just can't be affectionate with you.
01:07:12I'm here now, Carmen.
01:07:18Well, you know that secrets are my weakness.
01:07:26Tell me who the mole is.
01:07:29Dolores, but you know perfectly well who she is.
01:07:31I?
01:07:32No, no, no, not at all, absolutely not, no, no.
01:07:34Yes, yes, yes, yes.
01:07:35If you spend all day with her, well, I think nobody knows her better than you.
01:07:43It's Irene.
01:07:47Irene?
01:07:48Yeah.
01:07:49No, no, no, no, no, it's not her, no, no, really no, no, no, no, eh.
01:07:51Get it out of your head that...
01:07:53The same thing happened to me as to you, I couldn't believe it, with that innocent little face she has.
01:07:57But, but, what proof is there, Carmen, please?
01:07:59All.
01:08:01I've listened to all the conversations with Trini.
01:08:04Look, Irene has many relatives named Trini, even her father was called Trini...
01:08:08No, Dolores, no.
01:08:09I can perfectly understand what you're going through in your body, which is pain, a lot of pain and anger.
01:08:15But I'm going to kick her out tomorrow.
01:08:19I'm going to announce it at the morning meeting, so everyone can point the finger at her.
01:08:23And then she asks me, "But why, Carmen?"
01:08:25And I tell her, because yes, because you are a traitor, you are a bad person, a bad colleague, because you are the worst.
01:08:31No, no, no, no, Carmen, stop, please, you're not like that.
01:08:36But I just can't stand betrayal, Dolores.
01:08:42That's why tomorrow I'm kicking her out and the whole hospital is going to say goodbye, like
01:08:49We have to fire her.
01:08:50No, no, no, no, no, no, really, Carmen, listen, I'm the taupa.
01:08:57I.
01:09:04Dolores, I already knew.
01:09:10But didn't you just tell me it was Irene?
01:09:12Yes, but I wanted to check if you have a little bit of decency, because you're really lacking in it, huh, friend? Really lacking in it.
01:09:17But I can explain it to you, Carmen.
01:09:19I'm going crazy, you know, please, I'm going crazy for you to really explain it to me.
01:09:26Trini, you were blackmailing me.
01:09:29Yeah.
01:09:29Because I made a mistake with the emails and accidentally started sending them to my contact list and
01:09:34without knowing that she was still on the list, that I hadn't deleted her.
01:09:36And when I told him, instead of apologizing, he went and threatened to tell you.
01:09:44And look, seen from a distance it looks like a silly little thing, doesn't it?
01:09:49It truly is.
01:09:51What I can't understand is why you didn't tell me.
01:09:55I don't know, Carmen.
01:09:58I was lying, and the problem kept growing, and I kept lying more and more.
01:10:04And I was like Indiana Young, who could only run so the ball wouldn't catch me, and the more I ran, the more I ran.
01:10:09He ran, he lied, and the more he lied, the more he ran.
01:10:11Are you aware that things could have gone to shit at the clinic?
01:10:18I'm sorry, Carmen.
01:10:19If it's any consolation, those have been the worst days of my life.
01:10:24I, this is actually a relief that you've discovered me.
01:10:29It's no consolation to me, Dolores.
01:10:35Come on, I can go and get my things from the locker, right?
01:10:43I just don't know what I'm going to do with you, friend.
01:10:48I need to think, I really do.
01:10:51I understand.
01:10:52I understand perfectly.
01:11:10Carmen.
01:11:13I'm sorry, really.
01:11:24Well, everything is very badly organized.
01:11:29What about you?
01:11:30Are you just going to stand there like a fool?
01:11:31Aren't you going to help me?
01:11:32Yes, yes, yes.
01:11:35But, Bego, can you tell me what's wrong?
01:11:38I don't want you to leave me, Sabino.
01:11:40But where did you get that idea?
01:11:42What nonsense are you talking about, Bego?
01:11:44Because I'm more of a flirt than a cat.
01:11:46And I've been slashing at you for so many years that in the end...
01:11:49But what nonsense are you talking about, Bego?
01:11:51I like you just the way you are.
01:11:53Remember the wedding day when your father asked you if you would accept me as your husband.
01:11:57And you answered...
01:11:59What else can I do?
01:12:01That's true.
01:12:02I didn't remember.
01:12:03Well, I did remember.
01:12:04Because at that precise moment I realized that you were the woman of my life.
01:12:08And I wouldn't trade you for anyone else.
01:12:11Well, it's more than that.
01:12:12Every time you smile at me, which isn't very often, is it?
01:12:15You're really smiling at me.
01:12:17AND...
01:12:18AND...
01:12:19And I know that.
01:12:22Really?
01:12:24You?
01:12:26And what are you doing?
01:12:28What are you doing standing there like an idiot?
01:12:29Give me a kiss or something, won't you?
01:12:30With tongue, Bego.
01:12:31Oh, Sabino!
01:12:40Hey, what kind of women do you like?
01:12:43Me...
01:12:44Look, look.
01:12:45Look, right?
01:12:46Look, yes.
01:12:46Look, look.
01:12:48Look.
01:12:48I just don't have the body for that kind of thing right now.
01:12:51Come on, if we're talking about something.
01:12:53Yeah.
01:12:54Hey, and also to see if I have any chance.
01:12:59Well, to be honest, I wouldn't know how to tell you.
01:13:02Well, to be honest, I prefer brunettes.
01:13:05No, but I don't have any problem with that either, right?
01:13:07It's something that, as you've put it...
01:13:09Yeah, well, yes.
01:13:10I have a school, brunette, right?
01:13:12But come on, yes, like that, with light eyes and...
01:13:18And with a little gap here between the teeth and an innocent look that...
01:13:25And how good she looks in that freshly ironed uniform, wow.
01:13:29And he treats the sick with a kindness that...
01:13:31I was referring to how you like women in general.
01:13:35It's just that I don't like women in general.
01:13:39I like this woman.
01:13:41Ah.
01:13:42Okay, so who is that woman?
01:13:43If you don't mind me asking.
01:13:44My girlfriend?
01:13:45My girlfriend?
01:13:47Well, not anymore.
01:13:48Because I'm more lost now, to be honest.
01:13:51Whatever you think, mate.
01:13:52What a mess I've made.
01:13:53Well, maybe I can't fix it yet.
01:13:56Hey, look, thank you.
01:13:58By?
01:13:59For helping me realize what I'm missing out on.
01:14:04You are welcome.
01:14:12Come on.
01:14:14Carmen, Carmen, wait, my soul.
01:14:16Girl, the magazine that was outside Hermoso and they're going to take it away from you, now.
01:14:20What a boring magazine, come on.
01:14:22Nothing but wedges and calla lilies and calla lilies and calla lilies and wedges.
01:14:24That's what hospital advertising is like.
01:14:26Well, then I'm going to put you in a gossip magazine.
01:14:29A special feature on celebrity love handles is coming soon.
01:14:33Great.
01:14:33Oh, I'm going to forgive myself, girls, but I'm not in the mood for fun today.
01:14:37Because?
01:14:37What's the matter?
01:14:38Carmen, you already look unwell today, don't you?
01:14:41I'm tired of not being able to trust the people I love.
01:14:43That happens to me, Lucia.
01:14:44That.
01:14:45You already know, right?
01:14:48Yeah?
01:14:50What I don't know is how you all found out?
01:14:54Well, also with the antennas you have, what am I saying?
01:14:57Look, Carmen, we were going to tell you.
01:15:01Come on, don't think for a second that we sell ourselves for three measly snacks.
01:15:04Come on, no way, okay?
01:15:05What are you saying?
01:15:06He'd given us a few euros so we wouldn't tell you we'd seen him making out with the
01:15:10Basque.
01:15:11As?
01:15:13So you weren't referring to Ñagri, were you?
01:15:16No, I meant Dolores.
01:15:19As?
01:15:19Did he also kiss Dolores?
01:15:22Come on, this Basque guy is a predator.
01:15:24He doesn't even respect lesbians.
01:15:26I know, my love, that you're not understanding anything.
01:15:28What's happening?
01:15:28What's going on? Are we leaving the soap opera already?
01:15:30What's happening?
01:15:31What's happening?
01:15:31I'm going to buy a choneto.
01:15:45I need to start acting like a professional in the kitchen, because I can't do it with you here.
01:15:51You can't even tie an apron properly, you know, Iñaki, huh? Please.
01:15:54I'm just being silly, I'm being silly.
01:15:56You need to disconnect.
01:15:58Tomorrow we're bringing out that amazing body that can dance, right?
01:16:01Hey, well, let me tell you something, okay?
01:16:03I could really use a stroll with a view.
01:16:05Come on, I'm not going to be the typical mother who starts talking about her daughter.
01:16:09Have I realized that I'm still in love with Irene?
01:16:12How do you hear it?
01:16:13Come on, I'm going to find her and tell her right now.
01:16:19I have an offer you won't be able to refuse.
01:16:21You haven't seen me rejecting.
01:16:22Once in a restaurant I turned away a sea bream because it had eyes like this.
01:16:27It's a business where you can multiply your investment tenfold.
01:16:30Dad!
01:16:31Yes, I need money.
01:16:32I'd like you to be a double agent.
01:16:35So Carmen hasn't discovered anything about the mole in the end, has she?
01:16:39Can you imagine me as a double agent like Matajari?
01:16:43Never suggest that again.
01:16:46I haven't insinuated anything.
01:16:47Okay, I'm getting ahead of myself, aren't I?
01:16:52Are you ready, crew?
01:16:57Stop!
01:16:59Keep going!
01:17:01Stop!
01:17:02That's where the love of my life works.
01:17:03The one who was the love of my life.
01:17:04The ex-love of my life.
01:17:06Her name was Trinity.
01:17:07Hey, hey, crew!
01:17:09Come on, we're missing this little corner!
01:17:11Come on!
01:17:13Let's see, maybe he's found a girlfriend and hasn't told us.
01:17:22Thank you!
01:17:22Bride!
01:17:23Three, two, two!
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