2
- hace 4 meses
Categoría
📺
TVTranscripción
00:00What the hell did they give you? That you're going to open a restaurant in Australia?
00:04Yeah?
00:05Could we open the clinic with just the consultation rooms and the patient rooms?
00:09Gentlemen, we open the little house.
00:14Let the little lagoon oil.
00:18Ah, here it is! Look!
00:20The little lagoon, that property is mine.
00:22Apapadilla!
00:23Pigs!
00:24Hey, you wouldn't happen to know who this kid is, would you?
00:26What is my man? Whose is he going to be?
00:27He's only been in London for seven months...
00:31Karen Sots!
00:32This has belonged to the people since 1979.
00:35When, under the command of our leader, we occupied this estate and together, shoulder to shoulder, we built this olive mill.
00:40Are you the boss?
00:41Which boss?
00:41Most important person in my life.
00:43How's it going to be, man?
00:44To Benito, Benjumea, founder of Castro Fidel.
00:50What are you, a communist?
00:52Go!
00:53Oh! Oh, joint!
00:54I shouldn't have pressured you or Sabino so much to open the clinic so soon.
00:59The problem is that if I can't pay for the rest of the renovation without risking my assets, I can't afford the rest of the renovation.
01:04Yes, they have already told us that they are not going to intervene in the business at all.
01:08Come on, we'd be in charge of running the clinic.
01:11Come on!
01:12Let's get to work!
01:14Things are going to change a lot at this clinic.
01:18Under the sign of the dragon.
01:22Now tell me how you're going to convince Iñaki to go up to San Sebastián.
01:24We've been given invitations to the VIP box to watch the derby tonight.
01:28Hello!
01:28TRUE!
01:29Come, come!
01:31Fuck!
01:33Ucholo!
01:34Why haven't you told me anything?
01:35What is my son?
01:36What is my son?
01:38Iñaki, I have no other alternative.
01:40Yes, you do have it.
01:44Well.
01:46Welcome home.
02:16Welcome home.
02:25What are you doing here?
02:26Has Talmarello taken it?
02:28You haven't told him.
02:29Man!
02:30Man!
02:31No!
02:32No!
02:33Happens!
02:33Let's see, Coldo, let's see.
02:34I don't want to hide it from you, okay?
02:38Of course, that's why you close the curtains, right?
02:40Let's see, let's see.
02:41Elaya will be sleeping.
02:42And I don't think now is the time to tell him
02:44Hello Carmen, look, I'd like to introduce you to my new son.
02:47Do you know who his mother is?
02:48Do you know who his mother is?
02:49It won't be any better at breakfast, with a couple of muffins.
02:51That's perfect.
02:52Okay, I'll tell him tomorrow.
02:55And until then
02:58He doesn't have to know anything.
03:03Go, go, go, go!
03:07Come on, Jonchu, come on.
03:08Damn, you've got some serious lungs when you bellow!
03:11Damn, what bad luck!
03:13I notice that son of Gocho.
03:15And you and I, let's go.
03:18To the coffee.
03:19Oops!
03:20Carmen, for God's sake, take the batteries out of the little girl, daughter.
03:24Combio, Carmen!
03:26Give her a little bit of girly behavior, that helps her sleep.
03:28Clear.
03:29You fall asleep because you smash the whole bottle, Lucy.
03:33Okay, this is a bar.
03:34Turn off the light, or the silhouettes will be visible.
03:36Yeah.
03:36That's it, at eight o'clock.
03:37It's done now.
03:40Oops!
03:42Please, please.
03:44What scandal is this?
03:45Do you want to be quiet?
03:46My little girl isn't asleep.
03:49Leave the light on.
03:50He's like his uncle Peyo, he's afraid of the dark.
03:52Okay, but lower the pressure, they're going to see us.
03:54All those shouts come from the Córdoba stadium.
03:58Quick, quick!
03:59That's it, come on.
04:01Shit, here we go!
04:02What's happening?
04:03It's getting stuck, damn it!
04:14Carmen, this is John, my son.
04:18John, Carmen, you.
04:22Carmen.
04:23That's quite a unique souvenir to bring back from Donotti, isn't it?
04:27Better than a t-shirt, right?
04:32Congratulations, huh?
04:33Pepe, you're not staying...
04:34No!
04:36I sleep where I hang.
04:38Okay.
04:40Hello!
04:48Are you OK?
04:50Yes, Dad, I'm hyperventilating to see if I can lose consciousness.
04:55Carmen, Carmen, listen to me carefully, please.
04:57I didn't know Donotti was pregnant, okay?
04:58I swear.
05:01Let's talk tomorrow.
05:02And the explanations, now or never?
05:05Okay, but don't lose your breath, okay?
05:07You're getting really red.
05:14Oh, you had a child with mattresses and you brought him to Seville.
05:24And what do you want me to do, Carmen?
05:26What do you want me to do, my son, okay?
05:27But how are we going to fit a child into our lives?
05:30With lots of love, because he's very tiny.
05:32You're stupid!
05:33Iñaki, please!
05:35Things aren't exactly conducive to making this kind of joke.
05:38What's wrong with you, Iñaki, darling, is that you're stupid.
05:41And your ex is very...
05:45Take a breath, little girl!
05:47Your eyes will pop out of your head!
05:49There you go, José.
05:58Carmen, Carmen, I promise you this is going to be temporary, okay?
06:00Until Gozoni returns from Australia.
06:01Iñaki, who is not a dog, who is a child.
06:18Girls, how did it end up?
06:20So how did it end up?
06:22The bitch was screaming so loudly that she probably didn't hear it until eight o'clock in Australia.
06:27Did it end at five?
06:28Yes, it's over, it's over, no.
06:30No, he stopped to have a small glass of honey.
06:33He stopped after a while.
06:35Oh, what a headache.
06:38The dream.
06:51No!
06:52Holy shit, what did he do to it?
06:54It wasn't a nightmare, was it?
06:58Okay, okay, okay.
07:00Look, Iñaki, it's just that...
07:02I was there thinking, thinking and...
07:04Look, a few months ago we were on the verge of getting divorced, and the truth is I'm not sure that our
07:08The relationship can withstand the assistance of two, huh, creature?
07:12Ah, but Carmen...
07:13I've also been thinking that we're going to send children to Australia by courier, aren't we?
07:18Is that tone a question or a statement?
07:21The tone?
07:22I don't know the tone.
07:23Iñaki, I don't know what tone it is, or what I want, or anything.
07:26All I know is that I'm here with a piglet and it's yours, not mine.
07:31It's strong.
07:33It's strong if you look at it that way.
07:36If you look at it that way, it's strong.
07:38Look, really look, Carmen, really look.
07:42Do you think we can't pull this off, you and I, together?
07:46What do you want?
07:47And when they both cry, what are we going to do here?
07:52Wait a minute, you said let's go, right?
07:54And we're going is plural.
07:56I mean, it's not like when Rafa Nadal says "let's go," but it's just for him, right?
08:01No, darling, no.
08:05Come on, look, even both brothers look good in them.
08:09That's right, they are two brothers, aren't they?
08:11Yes, he is your son.
08:14You can see the big head he has.
08:16Man, thanks.
08:18Yes, come here.
08:21Carmen, really don't worry about anything, okay?
08:24And you keep at it with the clinic, that's another thing.
08:27The clinic!
08:28I need to take a shower and feed the baby breakfast, right?
08:31To the girl, no, to the girl, to the boy, to two, two, Iñaki, there are two.
08:34No, look at me closely, okay?
08:35I'll take care of it, okay?
08:36Who is Dad?
08:37I am a dad.
08:38Well, we need to buy a car to take both of them.
08:41No, no, no, no way, I've got it all figured out, okay?
08:43John goes in the backpack until Laya leaves the car, the car for John.
08:48It's because you're Basque, darling.
08:55Come on, take me to the Hispani, I want to have a look.
08:58What are you?
08:59Worried about the workers, huh?
09:01Because they should receive a fair wage, have a collective agreement, right?
09:04And if not, then what?
09:05Strike, picket, of course, man.
09:07Anything is fine with your son.
09:10Isn't it true that with Juan Quiro's arrival, he's keeping an eye on everything?
09:13Ah, I'm a friend of yours and the Chinese guy's, right?
09:15It's clear you have a lot in common.
09:19I'm going to take you somewhere you're going to love, man.
09:22Like this? Where?
09:26To Castro Finel?
09:27As?
09:27I can't go to that town, okay?
09:29Good luck, troublemaker, you're not old enough to jump in while moving.
09:32Don't talk to me like that, okay?
09:39Look how handsome, how beautiful, my grandson is.
09:42I'm going to call Iñaki, to see if he's grown.
09:44Oh, but what's going to grow, daughter?
09:45A day has passed.
09:47Okay, Chu, parents here,
09:49compared to the people of Seville,
09:51The tall giant is going to appear.
09:53Oh, Iñaki, now with two children, is going to go up even less.
09:57Oh, with this sad clientele,
10:00He'd be better off closing the tavern.
10:03Vego, Vego, bring out all the coldness we have.
10:05There are two crews who are very thirsty.
10:07Disk.
10:10Take it out, take it out, take it out.
10:11Come on.
10:12The routes for small-scale fishermen have been disrupted.
10:15Nobody puts azuritos or chiquitos in the neighborhood anymore.
10:17That?
10:17We need to be stronger than ever.
10:19and start taking action against gentrification.
10:22Of course, of course, we have to act.
10:24What is gentrification?
10:25How is it done?
10:26What is gentrification?
10:45This is gentrification.
10:48The deadly virus of cities.
10:50Rents are rising, and apartments are filling up with tourists.
10:52And in the taverns they make scooter parking areas.
10:55Look at the fish market, Mr. Jerry.
10:57Vicente looked worse than the monkfish on the counter.
11:00It closes after 40 years.
11:02Oh, what a misfortune, daughter.
11:04They are closing businesses to open things with English names.
11:07These people who walk around San Sebastián wearing flip-flops.
11:10Then you go with the hiking boots
11:11and they look at you strangely.
11:12That's why everything is at a standstill.
11:14Streets without crews don't make money.
11:16Let's see what we can do.
11:16As a cook, all I can think of is...
11:18Adding laxatives to meals to see if...
11:22Oh, Marichu!
11:23Let's go to the new store.
11:24The Nice Girls.
11:24Here we go, here we go.
11:30But on top of that
11:31These bastards leave him stranded in the middle of the street.
11:34Let's see what you're going to do.
11:34Let's see if you can hit the guirico.
11:35I'm careful.
11:36I'm from the hospital, you know?
11:37Excuse me, it's just that here
11:39everyone who wears a hat and has a beard
11:40It's usually from outside.
11:41Damn, but you are...
11:43Are you Antonio Olosco?
11:44No!
11:45Delighted.
11:46Okay, fine.
11:47One of the crew,
11:48Koldo, I'm a huge fan of yours.
11:50She has gotten over the divorce
11:51Thanks to your songs.
11:52It gives you a rush, it gives you a rush
11:53when that happens.
11:54Divorce?
11:54No, man.
11:55about things getting sorted out
11:56with the songs.
11:57Ah, yes.
11:58What am I saying,
11:59And why don't you tell him?
11:59Will the voice come one day?
12:01It's not going to happen.
12:02Do you know what's happening?
12:02Which has less ugly sun
12:03than the doorbell of a building entrance.
12:05But I'm not talking about singing.
12:06Let it come from the audience.
12:08Ah, it would ruin you too.
12:11What, shall we lie down in the sacks?
12:12The strongest uncle
12:13that the radio is deaf.
12:14Come on, let's go.
12:16Bye bye.
12:32I'm sorry,
12:34I owe you a bow.
12:35I don't know.
12:41Hi Amanda, how are you?
12:45Sorry for the delay,
12:47But I stopped to look
12:47the changes in the clinic,
12:49She's gorgeous, isn't she?
12:51I would like an opinion.
12:52about co-workers.
12:56Well, Paco,
12:57Well, keep it up.
12:58You're doing really well, huh?
12:59You're a titan.
13:00Thank you, see you later.
13:00See you later.
13:02Okay, next.
13:04No, Moses!
13:05How are you?
13:07Still single?
13:08Uh-huh.
13:09Okay, let's look at the analyses
13:11that you'll see tonight
13:11How are you going to laugh at bingo?
13:15Okay, don't miss a thing.
13:19Well, Moses,
13:20As I said,
13:21Don't forget
13:22Take the pill, huh?
13:23Be careful if you mix it with wine, okay?
13:25Okay, see you later.
13:27Hey, Carmen.
13:29Hey, Shanghai.
13:31Okay, Carmen.
13:33What have you seen?
13:34Impatient doctor.
13:35I mean, some attention
13:37detailed
13:38and nearby.
13:4121 minutes have passed.
13:43Director,
13:45How many minutes
13:45Would you recommend for a consultation?
13:4827, 28.
13:4915?
13:50Less?
13:5110?
13:519?
13:528?
13:536?
13:55If you read history
13:56before you receive it,
13:57patient.
13:59Under nursing supervision.
14:03The one with the brown
14:04It's my Carmenla, poor thing.
14:05Poor thing, what a mess...
14:07Well, I'm telling you, brown.
14:08But the child is not black.
14:09The child has Basque DNA.
14:11The boy,
14:12the child,
14:13You have to see it,
14:14has the same foot tone
14:14than a guajana.
14:17Rebound, my love,
14:18I'm going to have to leave you
14:19because it seems there are people here
14:20who doesn't know how to wait.
14:24is using
14:25during working hours
14:27personal call.
14:29No!
14:29No!
14:30He says it because of the stitching.
14:32It's the nickname
14:33from a plastic surgeon
14:35that we have.
14:36He is a surgeon
14:36that we have made of plastic
14:37marvelous
14:38who divinely sews the wounds
14:39that when the operation is finished
14:40You feel like telling yourself
14:41border your name
14:42Because...
14:43No, no, no, this person
14:45It's not me.
14:46I know what's happening to you.
14:47Being of an Asian descent,
14:49It is believed that all Westerners
14:49We are the same,
14:50But not at all.
14:50This woman is a hick.
14:52I am modern,
14:53He wears a hideous uniform,
14:54chochomola,
14:55that's worthless.
14:56And look at the uniform
14:57that we have
14:57that you have given us
14:58which is divine,
14:59that make you want to revitalize
15:00and mineralize.
15:02Look, here's your breakfast,
15:04Okay?
15:04And I've put it especially for you.
15:06Double portion, I'm coming.
15:09Favoritism paid for by the company.
15:10Look, I tell that to everyone.
15:12so they feel special
15:13and then everyone
15:14I'll give it a double portion.
15:18We are guaita.
15:21Oh!
15:22José at the bar.
15:23How odd,
15:24because not at all
15:25That's his style.
15:26You've been at it all morning
15:27there's the damn bread.
15:29Without doing anything,
15:30vicillo.
15:30He is from the Serbs,
15:31breakfasts,
15:32pre-breakfasts,
15:33for breakfasts,
15:33at lunch,
15:34I don't know,
15:34Go to work.
15:35That I can't,
15:36that I can't,
15:37I swear.
15:37If I would like to leave,
15:38But they've done
15:39the new uniform
15:39of a telamudura
15:40I have this,
15:41kid,
15:41I swear.
15:42Let's see, let's see, let's see.
15:43Urgent meeting
15:44at the end of the morning.
15:46They really are
15:46the best professionals
15:47from Seville.
15:54Antonio,
15:55I have something for you.
15:56It's part of our friend
15:57Koldo.
15:58And?
15:58Take.
16:05Sabine,
16:06Do you know Antonio Orozco?
16:07and you don't introduce me to him
16:08I like it so much
16:09my showing off at the hairdresser's.
16:10Antonio Orozco,
16:12Bego,
16:12my wife
16:12and Maricho,
16:13my sister-in-law.
16:14Delighted.
16:16Me much more,
16:18Antonio.
16:18Begocho,
16:19daughter,
16:19you have left him
16:19the mark of the snouts.
16:21Sorry,
16:21Antonio.
16:24No no,
16:24It's not necessary.
16:26It's not necessary,
16:28I'll take it off.
16:28in makeup.
16:29Thank you.
16:30Antonio,
16:30look,
16:31I'm thinking
16:31introduce myself to the voice
16:32because at karaoke
16:33Sibaliz's tone
16:34I'll address it.
16:38It's you.
16:40Something like water.
16:41Well,
16:41dear,
16:43Look, I have to go to Antena 3.
16:44I have auditions all afternoon
16:46And I hope it goes better than this one.
16:48the truth.
16:50Goodbye,
16:50no.
16:53I liked you.
16:55Goodbye,
16:56I liked you.
17:00We made this for Carmen,
17:01for you,
17:02For you, Mom.
17:02Elaya,
17:03all tasks
17:05that they find most tedious,
17:07we weighed the red wine,
17:08We've picked up the packages
17:10and now,
17:10Hey,
17:11guys,
17:12And this is a secret,
17:13So be quiet,
17:14Let's buy the ingredients
17:15to make his favorite dish
17:17because,
17:18hey,
17:19We are a family
17:20and we want her to be happy,
17:21we are?
17:21Yeah?
17:21Now,
17:22there.
17:24Come on!
17:31Hey!
17:33Oh, aunt!
17:34How's it going, auntie?
17:35Well,
17:36Yeah,
17:36Well, that's fine.
17:37Everything is going very well here.
17:38But those children
17:39They won't stop crying.
17:41And here you can't handle two,
17:42today under
17:43And I'll help you.
17:43Or the others,
17:44if it's about taking care
17:45from the youngest of the group,
17:47He quits his job
17:48If necessary,
17:48Hey?
17:49Hey,
17:49that I can't catch
17:50a couple of days,
17:50My sharks don't even notice.
17:52No, no, no,
17:53no, love,
17:53really,
17:54Thank you so much,
17:55But I'm fine.
17:55Okay?
17:55Everything is under control.
17:57What do you think?
17:59Aita is a crack
18:00with diapers.
18:01Hey?
18:02That child is dead,
18:03hunger.
18:04Love,
18:04really,
18:04I have to hang up on you.
18:05what do you want?
18:05Will it change you too?
18:07Yagi,
18:07You take care of the dwarves
18:08that we take care of
18:10from the calla.
18:10We're going to recover
18:12the little route of the neighborhood
18:13each time we.
18:14Very good.
18:18Iñaki,
18:18the cart!
18:27Hey!
18:28Well,
18:28We already have your brother,
18:29Hey?
18:32Fuck!
18:33The Aya,
18:34You couldn't wait
18:34a couple more hours,
18:35Hey?
18:36Aren't you going to give it to him?
18:36a little bit of quarters
18:37To the Father?
18:45Well,
18:46I see you've discovered
18:47that I have hidden from you
18:47part of the past.
18:48Can we leave now?
18:50Get out of the car.
18:51Get out of the car,
18:51brother,
18:52jump out of the car.
18:53Get out of the car,
18:54brother.
18:56Get out of the car,
18:56brother.
18:57Get out of the car,
18:58or put Manu
18:58a small volume
18:59so that they may come
18:59all the dogs
19:00flutes.
19:00Hey,
19:00You're stupid!
19:05It's just that I feel
19:06like a bastard,
19:07dad.
19:07It's because I'm looking at you
19:09And I don't know you.
19:10And I say
19:11that I have the right
19:11to find out what your past is.
19:12I mean, right?
19:14Oh well,
19:16farmhand,
19:16What are you doing?
19:17Back here again?
19:18No,
19:18here,
19:18taking a walk
19:19through the theme park
19:20from Rojilandia
19:21with my father.
19:22Look.
19:25This silence
19:26That's what happens
19:26when he makes a joke
19:27bad, bad, bad
19:28and does not have your servant
19:28to make you laugh
19:29graceless.
19:31I present to you,
19:32my father,
19:34the mayor's daughter,
19:35the mayor's daughter,
19:36my father.
19:37Doesn't that sound familiar?
19:38My father's face?
19:39No.
19:40Yeah, man,
19:40if he was a famous charlatan
19:42who was giving a speech.
19:43Yeah,
19:44I was a salesman
19:45in that area,
19:46I was selling it
19:47in psychopedia.
19:48Ah,
19:49the Google of the eighties,
19:50Yes, yes.
19:51I remember that I had
19:51one at home.
19:52Ah, well look,
19:53Maybe he sold it.
19:54Why doesn't he call?
19:55to your father
19:55And let it come
19:56Let's see if he remembers
19:57what was it like,
19:57He tells us,
19:57man.
19:58Well,
19:58well now
19:59I'll send him a WhatsApp message.
20:00If he's like
20:01a millennial
20:0150 years old,
20:02always with their mobile phone
20:03in the hand.
20:04No, no, no,
20:05women,
20:05Don't bother.
20:06Leave it,
20:07I'd better tell you.
20:08I know this firsthand.
20:09Let's go to the fork.
20:12And how are you?
20:13with the news,
20:13dear?
20:14Well,
20:15Well, after a while,
20:16good.
20:18I'm not well,
20:19I'm not getting along with him.
20:20He is responsible.
20:21say,
20:21of having the child,
20:22clear,
20:22and to bring it.
20:23that has remained
20:23with piglets
20:24in raising him
20:25without consulting me.
20:26On the other hand,
20:28Thank goodness too
20:28that he doesn't take it
20:29to piglets.
20:30Look,
20:30Dolores,
20:31I don't know.
20:32Don't know.
20:33Do you want
20:34that I mentioned it to him
20:34to Celia
20:35and let's go
20:36one night
20:36of this your house
20:37and let's do it
20:37a fine little job
20:38And that's it
20:39that thing about having children
20:39with others?
20:42Do you want to?
20:46Mr. Juan
20:47he asked me
20:47that I give to you
20:50These reports.
20:51It scares me.
20:54Let's see,
20:55Carmen,
20:56is this
20:56That's amazing!
20:57man.
20:58I mean,
20:58He controls us
20:59to the patients
21:00those we serve.
21:01The time we invest
21:01in each patient.
21:02All that's left is
21:03tell me
21:04Let's see how long it takes.
21:05I have to invest
21:06to pee in the bathroom.
21:08What about you?
21:08Didn't it count for you?
21:10It's eight minutes
21:11It's a lot.
21:12We'll see.
21:12if you're going to have cystitis.
21:14Bite into the roll,
21:14says I take
21:15plenty of rest.
21:16No,
21:17But I make up for it later.
21:19Yeah,
21:20leaving earlier.
21:22You have very few patients.
21:24daily
21:24and dedicates a lot of time
21:26to each one.
21:26That's why,
21:27template expands.
21:28He is Tommy Ochoa,
21:30worked in Miami,
21:31Singapore
21:32and from today
21:32at the East Palace.
21:35Yellow,
21:35yellow,
21:36My name is Paynes.
21:37How's Paynes doing?
21:38Paynes is pain.
21:40Paynes is pain.
21:42Yeah,
21:43That's fun.
21:44Hello everyone.
21:47I just wanted to tell you
21:48which is a real pleasure
21:50get to work
21:51with all of you.
21:54Juan,
21:55He has told me many things
21:57about you,
21:58But I'm just staying put
22:00with the good.
22:01Thank goodness.
22:02Thank goodness.
22:03Well,
22:06thanks a lot
22:07And welcome.
22:08Mr. John,
22:09I think that
22:11I understand that we want
22:11to attend to more patients,
22:12but with the staff
22:13that we have enough,
22:14No?
22:15Exactly.
22:15The thing is,
22:16let's see,
22:16we are who we are
22:16And we are who we are.
22:17What we cannot do
22:18It's the rhythm you set for us.
22:20This is a hospital, after all.
22:21It's not a factory
22:22from his country.
22:23And it's really true.
22:24Because apart from all this,
22:26the time used
22:27in the bathroom it's relative
22:28because sometimes it takes longer
22:29And sometimes it takes less time.
22:30because sometimes it costs more
22:31push and sometimes...
22:32What he means,
22:34Mr. Juan,
22:36It's because there's a culture clash.
22:39No?
22:39You are more effective,
22:41It gets straight to the point.
22:42And we, well, there are more of us...
22:45We got very carried away.
22:46We are Latinos.
22:47Tomi,
22:48one day send my story
22:49is a patient being treated.
22:50Normal,
22:5270...
22:5560...
22:5750...
22:58What a man.
23:01The same as him.
23:06Well,
23:07I'm sure
23:07that we will be able to attend
23:08to all patients,
23:09We are going to achieve all the objectives
23:11and there won't be any loss.
23:13They can work according to their own judgment,
23:15but pay
23:16by objective.
23:20No,
23:20That's exactly it...
23:23It wasn't...
23:24Very good, Carmen.
23:25Brilliant idea.
23:27Now,
23:27if you'll excuse me.
23:30Goodbye, Juan.
23:31See you later, Juan.
23:33What are these goals?
23:34Nothing,
23:35that they're going to pay you
23:35depending on what you do for a living.
23:36You're screwed.
23:379.
23:389.
23:399.
23:40I mean,
23:40That's a good reason
23:41to celebrate,
23:42They're finally going to pay him.
23:43everything that works.
23:45No.
23:47No.
23:47Let's say at the end of the month,
23:49José,
23:49the one who just left,
23:50He's going to have to pay her
23:51to Don Juan,
23:52the other man
23:53who had just left earlier.
23:55Don Juan.
23:57Fuck.
23:59Did you occupy this little house?
24:01From the Smurfs?
24:02And where did the staff sleep?
24:04Oh, I didn't have it there.
24:06And who removed your color
24:06Here at night?
24:08When I came to live here
24:10I had no service
24:11nor human
24:12nor ceramic
24:13for years.
24:15I knew Epi
24:16at university
24:17and we moved
24:18to live here.
24:19So I went on to occupy
24:20my house
24:21and my own lands.
24:22So you know that
24:23all this stuff about my old folks
24:24Do we just have to ask him?
24:24No, no, no.
24:25I never told him.
24:26Then
24:27to be noble and left-wing
24:29It was very frowned upon.
24:47Sorry.
24:48He told her with his toys.
24:50No, man.
24:50This is not a toy.
24:52This is a drone
24:52that I use
24:54to control the lands,
24:55to know when to water,
24:57When should olive trees be pruned?
24:59Sorry,
25:00Do we know each other from somewhere?
25:03Epiphanius,
25:04soul friend.
25:06Pequita.
25:08Mother of beautiful love,
25:09after 30 years
25:10without knowing anything about you
25:12and...
25:13And why did you leave?
25:15Well,
25:15life,
25:17you already know,
25:17the circumstance.
25:20I met someone.
25:22I thought I had died.
25:23No,
25:24not yet.
25:27Benedict.
25:29Gee,
25:30Gee.
25:31I didn't expect it
25:32this reception
25:33after so many years.
25:36Happens,
25:36happens,
25:37Sit down.
25:38Well,
25:38And if you send it to me
25:39to say before,
25:41I'll put on a parade for you
25:42in your honor
25:43You can laugh all you want.
25:44from whoever organizes it
25:45to Fidel when he came.
25:46Oh,
25:47But did you manage it?
25:48My God,
25:49the letter
25:50that we wrote to him
25:51so that he would come
25:51to visit our town.
25:53He didn't actually come.
25:54Oh, no?
25:55No, no, no,
25:56But how did he come to Galicia?
25:57in '92,
25:57I say,
25:58Come on, floats!
25:58out into the street,
25:59do you remember
25:59What did we do with the floats?
26:00Man,
26:01please,
26:01I won't remember,
26:02But if we spend,
26:03if we use more paint
26:04that for the municipal pelota court.
26:09And what a shame.
26:10You missed it,
26:11boss.
26:14Boss.
26:18Years ago
26:19that they didn't call me that.
26:20Well, I don't know.
26:21Where have you been?
26:22but for me
26:23you will still be
26:24the boss.
26:26You changed my life
26:27and that of many people.
26:29Even though you disappeared
26:31then,
26:31without saying anything,
26:32also.
26:33Ah,
26:33I'm sorry.
26:35The thing is
26:36I was embarrassed
26:37return.
26:37I felt
26:38that I had left you
26:40thrown away.
26:42I owe you
26:43an explanation
26:44very long,
26:45Yeah?
26:46But you're going to tell me that one
26:47to give at the bar,
26:48that now I'm sure
26:49that there are many people
26:49who wants to see you.
26:50You don't say!
26:51Come on, let's go!
26:52What are you doing,
26:53what are you doing!
26:53Good luck to my father!
26:54Don't worry,
26:55don't worry.
26:57I'm going to say
26:58that this whiner
26:59He's your son.
27:01Well,
27:03I think I should
27:04Let's start with that explanation.
27:08I am not
27:09the one who was.
27:10fortunately,
27:11goes,
27:11fortunately.
27:12Your comrade
27:13He is a marquis
27:15from Benjumea
27:15and two Sicilies,
27:17belonging
27:17to a family
27:18of high birth
27:18closely linked
27:19two letters
27:19that you hate,
27:20man.
27:21Pepe,
27:21private property.
27:23Benedict,
27:26Have you gone too far?
27:26to the dark side
27:27of the force
27:28policy?
27:33Hello,
27:34hello good.
27:34Could you give us a ride?
27:35please?
27:36Impossible,
27:36gentleman.
27:37I don't have a child seat in the back.
27:38I'm sorry,
27:39my brother.
27:40Nothing,
27:40nothing.
27:44Hello good,
27:44how are you?
27:45Look,
27:45Let's go to a gourmet shop
27:46which is precisely
27:47innocent.
27:48I cannot bring minors
27:49without country seats.
27:51Nothing,
27:52nothing.
27:57Hello,
27:58please,
27:58Could you give me a ride?
27:59Do I look like a nativity scene?
28:00I'm sorry,
28:01son,
28:01But I don't have
28:02little chair for Jesus Christ
28:03and the shepherds.
28:05Yeah,
28:05What a joke!
28:10Come on,
28:11let's go.
28:12Guys,
28:13Don't get discouraged now,
28:14Hey?
28:16Sevilla will not be able to
28:17with three Basques.
28:22Oh yes.
28:24Fuck,
28:25guys,
28:25I can't take it anymore,
28:26I look like a walking day.
28:28Come on,
28:29Here is the store.
28:48Yeah?
28:49Carmen,
28:50Yeah,
28:51I give up.
28:52About the car
28:53For the two kids?
28:54Forward,
28:55but,
28:56We're not going to get them out
28:57from home to both of them together
28:58never.
29:11Hey,
29:11Carmen,
29:12He was right.
29:12I confess.
29:13This car,
29:15This car is a blessing.
29:16Look how comfortable they are
29:17that they both go.
29:18We have changed
29:19a 600 for a Ferrari.
29:20Well,
29:21We've made good use of our day,
29:23Hey?
29:23There's the suit
29:24from Tinto,
29:25the packages at home
29:26and the whole family
29:27here,
29:28safe and sound.
29:29And what did you think?
29:29that things were going to change?
29:30What has changed?
29:31Nothing,
29:32No?
29:32Do you want me to tell you?
29:33what I think
29:34Or what you want to hear?
29:35That you're angry,
29:36You're angry.
29:37No,
29:37I'm angry,
29:38come here,
29:39But understand me,
29:39It's difficult for me too.
29:40to understand this whole situation.
29:42Apart,
29:43I'm also a little bit
29:43overwhelmed at work
29:44because John
29:45He's pressuring us.
29:48Okay,
29:49Well,
29:49so,
29:50José will look worse than I do.
29:52No,
29:52worse face than you,
29:53Nobody has it.
29:54Look,
29:54I'm going to prepare lunch
29:56and we took a nap,
29:57I don't want to leave you
29:58Just the two of them?
29:59No,
29:59No,
30:00Don't worry, Carmen.
30:00really,
30:01I'll take care of it.
30:02The trick is to keep them from coming out
30:03The two of them with Dad,
30:04as they will in adolescence.
30:07Oh,
30:07Well, this is terrifying.
30:08Take his temperature
30:09And be careful.
30:10and don't get stuck together
30:11both of them had a cold.
30:11Okay,
30:12peaceful,
30:12like chistora
30:13and the ice creams,
30:13separate rooms.
30:16Thank you, Carmen.
30:17To you,
30:18daddy.
30:26Let's see,
30:27Sots.
30:27These are the ones who are invading
30:29the neighborhood.
30:30Look,
30:30if none of them are from here.
30:41Take out six wines,
30:42kid.
30:43Let's see.
30:44This,
30:44It was a tavern
30:46of sawdust on the ground.
30:47There they were
30:47the first four baskets
30:49that I made in my workshop.
30:51What is this?
30:53Oh,
30:54mother,
30:55They put the wine
30:55in canning jars
30:57of the belly.
30:58Tell the manager
30:58Cosme should come out,
30:59that we want to talk to him.
31:00He's not here today.
31:01I'm sorry.
31:02Hello,
31:03Pachi.
31:04The one who was missing,
31:05the carrion vulture.
31:07Who is this?
31:08That's how it is.
31:10Property Hunter.
31:11I'll send it to you later
31:11My LinkedIn profile.
31:14Proper what?
31:15This,
31:15He is Judas,
31:16that is tempting
31:17to the people
31:18with gold coins
31:19so that they can rent out their apartment,
31:20so that they can make reforms.
31:21No,
31:21No,
31:21No,
31:22These are not reforms.
31:23I advise on
31:24remodeling business.
31:25That's the beauty of it,
31:26clean and perfect
31:27where is this bar?
31:28Well, that's what he wants to do.
31:29with the neighborhood.
31:29Everything you've said
31:30It's positive,
31:31You gave it a super like.
31:33But,
31:34But it's going to be false.
31:36impersonal,
31:36This is going to look like
31:37a theme park.
31:38These people
31:39is killing
31:39our essence.
31:41I came to tell you
31:42that the owner of the premises
31:42of the association
31:43has sold,
31:43so you won't be able to anymore
31:44meet there more often.
31:46Bye.
31:47That?
31:47What are you throwing at us?
31:48from our headquarters?
31:49Cabon Shots!
31:49That building hasn't helped!
31:51with his life!
31:51Cover this up!
31:53They have filled
31:54pachi's heads
31:55and of...
31:56What is this?
31:58Grasshopper!
31:59Cabon Shots!
32:00These people
32:01He needs a good ribeye steak
32:02and a good head of cabbage
32:03and I don't know in what order.
32:08Thank you so much,
32:09girl,
32:10Because it really is
32:11I can't do any more.
32:13Did you have to come?
32:13The three of them?
32:15We're coming for you
32:16because we want to know
32:16child's details
32:17of the eights.
32:18That,
32:18because what a mess
32:19yours,
32:19childcare
32:20that is not yours.
32:21Come on.
32:21With a figure,
32:22Excuse me for saying this
32:22that you can't see
32:23nor what he has.
32:24Look,
32:24Iñaki and I,
32:25Well,
32:25Iñaki,
32:26have...
32:28What the hell is this?
32:30Why haven't you brought this via?
32:31This one who's speaking now
32:32in Chinese too
32:32They point to it or...
32:33That seems to be the case,
32:34That seems to be the case.
32:35Yeah.
32:36Carmen,
32:37Can we talk?
32:38Give me a minute.
32:39Thank you.
32:40Maybe you've forgotten
32:41that we charge for the objectives
32:42And we've done the math.
32:43And the accounts
32:44They come out crystal clear.
32:45If we want to win
32:45a decent salary
32:46We need to attend
32:47a patient
32:47every eight minutes.
32:49And that's because,
32:49Look,
32:49Look how they've turned out
32:50to me, the arms
32:51of pushing the stretchers.
32:52And that's because,
32:52look,
32:52I look like a giant with a big head.
32:54Look,
32:54I'm not going to ask to ask
32:55not even a taxi,
32:55look.
32:57He can't even afford it.
33:01Oh,
33:01Oh.
33:04Let's see,
33:05guys,
33:05I am truly very sorry
33:06in the mess I've gotten you into.
33:08I understand you
33:10perfectly.
33:10Yeah,
33:11clear,
33:11That's what I usually tell him
33:12I to my patients
33:12with menopause,
33:13But it's a lie.
33:14No,
33:14Koldo,
33:15Juan has also put me
33:16objectives to me.
33:17And what objective
33:18Did he put you on?
33:18That you
33:19fulfill yours.
33:20God, you whore.
33:21You're Chinese,
33:21God, you whore.
33:22You're Chinese.
33:23Like Hilar Miyagi,
33:24your goal,
33:26their objective.
33:27So that's how I see it
33:28perfectly.
33:29It's not going to be like that.
33:30like the Chinese cat,
33:30pim,
33:31pim,
33:31pim,
33:31pim,
33:31pim,
33:31out into the street.
33:33Exactly.
33:33They're going to bring in new doctors.
33:34that meet those objectives
33:36that they are demanding
33:36And they're going to kick us out.
33:37out into the street,
33:38out into the street.
33:38Look,
33:39guys,
33:39I don't care about the objectives,
33:40I don't care about money,
33:41I'm worried about the clinic,
33:43what made it great
33:43to this clinic.
33:44What is it?
33:45The attention we give it
33:46to the customers,
33:47the care with which we do it,
33:48the enthusiasm we put into it.
33:50We have power,
33:51We are the fastest,
33:52the best for our patients.
33:54We are?
33:54Yeah!
33:55Yeah!
33:56Yeah!
34:00Yeah!
34:03Oh,
34:04But nothing,
34:04I thought it was a ritual
34:06welcome
34:06like when I went to work
34:07to the Masai village.
34:09It was amazing.
34:12Sorry.
34:14Tommy,
34:15Do you want something?
34:17More patients.
34:18I'm done with mine,
34:20I can lend you a hand.
34:21They're here now.
34:22Nobody overtakes me.
34:23on the left.
34:24As Don Juan would say,
34:26Ni Hao,
34:27Wang Tao.
34:28Very good.
34:29Or what?
34:29Don't know,
34:31But come on,
34:32come on!
34:32Come on,
34:33come on,
34:33Yeah,
34:33Pequi.
34:34Come on,
34:34come on.
34:38That the lands
34:39They were from your family.
34:40Why do you think so?
34:41Didn't they kick us out?
34:43Although my work
34:43I found it difficult,
34:44Hey?
34:45And you faced
34:46to your family
34:47to give him the lands
34:47to the workers.
34:49Benedict,
34:49You know I'm an atheist,
34:50But you're like a god.
34:52Come on,
34:53as if you had invented
34:54penicillin
34:55or the iPhone.
34:56Well,
34:56that I fall short.
34:57Are we done now?
34:58the little battle
34:59of the red guerrilla
35:00either...?
35:00If you hadn't left...
35:01If he hadn't left,
35:02I wouldn't have
35:03turned to the olive mill
35:03and we wouldn't have
35:04that having come
35:04to recover it.
35:07That?
35:08Ignore him,
35:09man.
35:10Shut up already.
35:11No,
35:11I will not be silent
35:12because he's an inheritance thief,
35:12except that...
35:13Benedict,
35:14This will not be
35:15a charade
35:16to give me
35:16a fist
35:17in a shady way.
35:18No,
35:18But no,
35:18which are things
35:19of my son.
35:20We don't need...
35:22We don't need
35:22that no one stays
35:23with our business.
35:26Benjumea.
35:28I'm running out
35:30the battery
35:31of pacifism.
35:32Strip!
35:33Strip!
35:36Strip!
35:38I just don't have
35:39The key!
35:40The mother
35:41Damn it!
35:54I'm going to get the pacifier.
35:57Pussy!
36:02That?
36:03What do you see?
36:04What do we have?
36:05Parental stress or what?
36:06Hey,
36:07If you need help,
36:08Peyo and I
36:09We went down in the car
36:10five hours.
36:11Yes indeed,
36:11the fines
36:12We paid half.
36:13Let's see,
36:13I don't need help.
36:14A little silence,
36:15Yeah.
36:15So stop calling me
36:16every two hours,
36:17Okay?
36:18Okay,
36:18sorry,
36:19Iñaki.
36:19Let's see,
36:20To the point.
36:21we have stayed
36:22without headquarters
36:23and there's a meeting
36:24urgent
36:24to stop
36:25gentrification.
36:26You go up.
36:26Okay.
36:27Anchón,
36:27look,
36:27You have my complete trust,
36:29So vote for me.
36:30AND,
36:31please,
36:31tell my mother
36:32stop calling me
36:33every two hours,
36:34Okay?
36:34Come on,
36:35Goodbye.
36:37Don't worry,
36:39Nobody's going to call you.
36:42Pacifier.
36:46Come on.
36:47Now,
36:48put it on.
36:48That's fine.
36:49I'll be right there.
36:50dear.
36:53Make me sweat
36:54It's going to cost you
36:54some others in Monaco,
36:55Hey?
36:56And then you would open the door for me
36:57some accounts.
36:57He's definitely a good guy.
36:59He's probably over it by now.
37:00the heat.
37:02That one buzzed.
37:03that's what it is.
37:08I'm going to cut myself
37:10the ears.
37:11There,
37:11there.
37:14He hears you,
37:15dad.
37:15He hears you,
37:15dad.
37:16He hears you,
37:16dad.
37:19Oh,
37:20Oh,
37:20Oh,
37:20Oh,
37:20Oh,
37:21Oh.
37:35It's covered!
37:41Ispali Clinic, tell me, just a second, okay?
37:45Mr. Lorenz, are you working from the bathroom?
37:47I just can't afford to spend free time looking for a bat.
37:50But come on, woman, don't exaggerate.
37:52Let's see if I can afford it. I think I can afford this too, right?
37:54No, you can't afford it either.
37:56Because the one in room 310 complained because his drip is empty.
37:59But hey, has he already sucked another bottle?
38:01But what's that guy? Is he a man or are you sponges?
38:06Ispali Clinic, tell me.
38:07This is Tivoli.
38:08Look how they've added a spark to the cars that look like these menus.
38:11Oh, look, they've caught me off guard!
38:12Look, look, look!
38:13I just took a picture of us and they're selling it at the door, huh, mate?
38:18And will I be able to do it with three?
38:20Come on, this isn't some circus, is it?
38:23Excuse me.
38:25How are you, Teresa?
38:26Hey, you've come in so red.
38:27Well, I mean clothes.
38:28You'll have to tell me where you bought it, okay?
38:29Look, I have your angiogram.
38:31Everything is perfect, you look like a rose.
38:32Come on, how's your son?
38:33I imagine it's fine.
38:34Glad to hear it.
38:35Come on.
38:35But seriously, what is this?
38:36Angiography.
38:43Following.
38:45Tell me what's wrong.
38:47Well, I got up quite early this morning.
38:49Your back hurts, Ray.
38:50I'm going to ask Rayos to take a look at it.
38:52It's not necessary.
38:53It's not very important.
38:54No, that's not it.
38:55Today at the residence is churro day.
38:59And of course, I love churros.
39:00The problem with heartburn is the stomach.
39:02I can prescribe a...
39:04No, doctor.
39:05A churro doesn't hurt anyone.
39:07The problem is sugar.
39:10He is diabetic.
39:11Hey, I'm a Sevilla fan.
39:13I'd rather die than have a disease that ends in 'Bético'.
39:17What the fuck?
39:19Well, this is very good.
39:21This is perfectly fine.
39:22The only thing is that in a few days you won't be able to get your head wet, so let yourself go, Rastafarians.
39:25Okay?
39:26Come on.
39:26See you next week.
39:28Start it, start it, Ramiro, please.
39:30I wanted to tell you about my father.
39:33Look, I have a lot of patients that your father...
39:35His mind is starting to fail him.
39:39Okay.
39:40Do one thing, okay?
39:41Come with me to the door and go with the flow, okay?
39:46Okay, see you next week.
39:48Oh, and we've finished, huh, Nora?
39:50Well.
39:51Oh, that mobile phone on my table is yours.
39:54How did you come up with that?
39:55Go on, go on.
39:55You're going to get it.
39:57What a head.
39:57Oh, these patients really slow me down.
40:00Look, I'm going, okay?
40:01I'm coming...
40:05Hurry, we have four minutes of extra time.
40:09And the postman wanted my wife to sign.
40:11But my wife is no longer here.
40:13And I am so sorry that your wife has passed away.
40:15But my wife isn't dead.
40:17My wife lives in the village.
40:18Come on.
40:19Sorry, as he said, for us passing by.
40:21Yes, yes, that's fine.
40:23Okay, okay.
40:23Uh, will you give me two seconds, please?
40:24Give me two seconds, please.
40:28Oh, my God.
40:29I had never been late before.
40:32Damian.
40:33Damian.
40:35I have given him fifteen possible diagnoses.
40:37Nothing is wrong with you.
40:38Of course it happens to me.
40:41I needed to talk to someone.
40:42But you weren't a doctor.
40:44He doesn't know how to listen!
40:49What?
40:57It's very hot, isn't it?
40:58Even for Seville.
41:05Damn, thirty-nine.
41:07Hey?
41:10Forty?
41:11No, no, no, no.
41:12Elaya, don't bother me.
41:13This is not an auction.
41:14Come on.
41:15I rushed to the clinic.
41:22I'm so sorry.
41:23But the hospital's policy changed with the acquisition.
41:27Carmen, is something wrong?
41:31Nothing.
41:32Nothing?
41:33But Cordó dismissed me?
41:34I mean, I don't even know if I should continue with the medication.
41:36This hospital doesn't care about patients.
41:38Just collect, collect the money.
41:39Man, of course.
41:42Sorry.
41:43They have a fever.
41:44Both.
41:45Yeah.
41:49He doesn't see me.
41:51He can't see with a telescope, Don Juan.
41:53The thing is...
41:53Are you OK?
41:54Didn't they catch his face yet?
41:56Are you worried?
41:57Does it hurt?
42:00No?
42:01Dolores, can someone please look after the children?
42:03Right now.
42:04Are you alright, Don Juan?
42:05Really.
42:05I'm sorry, gentlemen.
42:07This bad service will not happen again.
42:10This is going to kill me.
42:12It's the rhythm.
42:13Don Juan.
42:30Don Juan.
42:59She was your mother.
43:01What I experienced in my childhood.
43:02You really like populism compared to this people.
43:05Son, please.
43:06I'm asking you, please.
43:07Don't take away their soul, Sara, man, it's a means of livelihood.
43:10Yes, but it's ours.
43:11And I think it's very selfish of them to want to enjoy our land when I could be enjoying it myself.
43:15I'm asking you, please, Christopher, forget about all this.
43:18Let us live in peace!
43:19Okay, fine.
43:20But I'm going to look there, okay?
43:22Wait for me here.
43:39Take!
43:41Take!
43:42This is what happens to me for wearing perfumes from the provinces.
43:44I can smell them from a mile away!
43:49Don't close!
43:50No, no, don't shut the fuck up!
43:53Open up, the dogs have escaped from the junkyard and they're very dangerous, man.
43:56Open it, please.
43:57Oops!
43:58Oops!
43:59Sorry, sorry.
43:59The door has closed on me.
44:01Come on, man, the drone thing was just a joke.
44:04I'll let you in if...
44:06If you help me recover the olive oil mill.
44:08Open up, the olive mill belongs to the people!
44:09Are you the mayor?
44:10But it's a cooperative!
44:12Well, that's it, you're stuck there.
44:14Oops!
44:15Judging by the rumblings of those dogs, I have a feeling they haven't eaten since your friend Felipe was in power.
44:18Open, open, open, open, please!
44:21Open up, open up!
44:22Open up, open up!
44:22I'll help you!
44:24Open up, please!
44:25Open the door!
44:26Open the door!
44:27Open the door!
44:30Open the door!
44:31Not a word to my father about this, okay?
44:33The dry cleaners pay me for making me sweat.
44:35She's including it in next year's budget.
44:39Open!
44:40Open!
44:41Open!
44:41Pierrandito!
44:42Open!
44:43Close!
44:45Okay, Dad!
44:46A little more head-ripping, huh?
44:48And let's see how I make a living.
44:49Andy, look, same part until now.
44:53But, mother, it's obvious you're in shape from all that running we did with the greys.
44:56What am I saying?
44:57I hadn't run like that since May, '68.
45:12All good?
45:14Something very serious has happened at this hospital.
45:17And I am forced to take measurements.
45:19No.
45:20It is said to take.
45:21Take action.
45:24Or whatever you think is best.
45:28Don Juan, it was my fault.
45:30The noise of attending quickly gives me a fanfare, but in Paralympic style.
45:34I swear to you, it won't hit you.
45:36He has endangered a patient.
45:38I don't want to see him anymore.
45:40As?
45:42Just a moment, Mr. Juan.
45:44It's over.
45:45They are not to blame for anything.
45:47If anyone is to blame for anything here, it's you.
45:49It has forced us to meet impossible goals.
45:52To attend to patients quickly and without worrying about them.
45:56When they are very used to being treated with great affection here.
45:59As the director of this hospital, if you have to fire someone, let it be me.
46:10You're right.
46:12Virtue lies in the middle of yin and yang.
46:15There will be no layoffs.
46:17For now.
46:22Oh.
46:25Calm down.
46:26You've really shown some guts, haven't you?
46:28You've ironed it, come on.
46:29And your hand didn't tremble, did it?
46:30No, well, what is this?
46:32Parkinson's.
46:33And the important thing is that you have saved us all.
46:35And this is something to celebrate for all the fed-up people.
46:37Don't get carried away, I haven't received my first paycheck yet.
46:40Well then, cidriña, cidriña, cidriña.
46:43Cidriña, cidriña, for the boy, for the girl.
46:45Oh!
46:46Oh!
46:47Oh!
46:48Oh!
46:49Oh!
46:49Oh!
46:51Yoki! Yoki!
46:52Yoki!
46:52I am the liberal king.
46:54Everything I touch ceases to be communist.
46:55Bring my new nephew here, I'll vaccinate him.
46:57Bring it here!
46:57Hey, hey, hey!
46:58Leave the children alone, the children are doing wonderfully.
47:00Come on!
47:05What's happening?
47:05Yes, you're right.
47:06I'm stubborn.
47:08Look, I've tried to make sure that, under the least possible circumstances in our lives,
47:10and that I've managed to make him sick like his sister.
47:13Okay, honey, it's okay, right?
47:14But still...
47:15Give it to me, darling.
47:16If you hadn't changed their pacifiers, they wouldn't have gotten infected.
47:22Clear!
47:23My name is Anchón, telling me something about the "calla" thing, and I confused the pacifiers.
47:27Look, huh?
47:27Dad of the year.
47:29Iñaki, the children need one hundred percent of you.
47:32Before you only had Elaya, but now you have two.
47:35And he keeps quiet, things are going to get complicated, huh?
47:37Let's see, Carmen, it's clear, okay?
47:39John is my son and I'm raising him.
47:41But first I need to know something about you.
47:43I need to know that we're still, you know, a family.
47:48I know John is your son, that you're going to raise him, and that we're all going to be a family.
47:54But please understand me, Iñaki, darling.
47:56At this moment I find myself a little bit in a state of fact.
47:58Yes, Carmen, look, I understand you, okay?
48:01And I understand that you need time.
48:03But together we'll achieve it.
48:05Also, I really want to thank you for trying.
48:09And I also have to thank you for not kicking John and me to Australia.
48:13Okay, let's move on.
48:19I love you.
48:20Yeah.
48:21Hey, look, I'll take the kids, okay?
48:22And I need to make a call to Aunt Bego, because I want to know if she's fully in charge of the calla.
48:27Luck.
48:28I'm feeling great, Mom.
48:29Hello.
48:30Man.
48:31Hey, I've heard you had an epic chat with Juan.
48:33Thank you for taking care of us.
48:35Oh, don't remind me of the street, because I don't know how it hasn't thrown me out onto the street.
48:39Well, maybe you can't quit because your contract is watertight.
48:44As?
48:46I tried to protect the entire staff, but Juan refused.
48:49Hey, you saved the Hispani.
48:51Securing your future is the least that could be done.
48:55Don Bego, once again, thank you.
49:03This is like when we were in second place.
49:05My God, what desolation.
49:08Iñaki will get tired of putting in money and will close down.
49:10And let's see what I do.
49:12The silence fills my days, now that I'm leaving it's gone.
49:14And that serves as my excuse.
49:16I feel useful.
49:18Who is it?
49:22Let's not tell him that this is a shame.
49:24He has enough to worry about with the children.
49:27Yes, son!
49:29You've caught me right at the bar.
49:30I'm putting some skewers on you.
49:32Eight wines, eight.
49:33Goes.
49:34Okay, okay, well I won't keep you any longer, I'll leave you alone.
49:36Look, listen to me for something.
49:37I won't be able to be going up there so much with the kids and all that.
49:40Don't worry, this is fantastic.
49:43This month you're going to have double the cash.
49:45And what have you done to get more money?
49:49Hey...
49:49Oh, son!
49:50I have to go.
49:51I need to pour a little bit.
49:52Come on.
49:53Another eight minutes, pa.
49:54Wow!
49:55We already talked.
49:55Goodbye.
49:56Goodbye.
49:57Goodbye.
49:58Goodbye.
50:01Goodbye.
50:04Goodbye.
50:16Goodbye.
50:19Goodbye.
50:25Goodbye.
50:30Goodbye.
50:34Goodbye.
50:38Goodbye.
50:40Goodbye.
50:41Goodbye.
50:42Goodbye.
50:44Goodbye.
50:46Goodbye.
50:46Goodbye.
50:47Goodbye.
50:47Goodbye.
50:47Goodbye.
50:47Goodbye.
50:47Goodbye.
50:47See? You have to be really slow.
50:50Yes, yes, yes, yes. We're very interested in your business, Asier, but we don't want anyone to find out.
50:56Oh.
50:58Okay, fine. We'll talk.
51:08This one's almost done, huh?
51:10Oh, well, look at that. They can both go home now, because I can't take it anymore. I'm exhausted.
51:15I'm telling you, me too.
51:18Oh, well, that's how every day of the year is going to be, huh?
51:21Yes, the workload doubles.
51:24Congratulations, Dad. You managed both of them all by yourself today.
51:27Yes, it was just me, he says. Why did you come to the rescue? You're my wonder...
51:36Wow, looks like I've wasted a compliment.
51:40No, no, no, no, no, no!
51:46Anchón, will you stop calling me? No, I need you to come.
51:50I just wanted to tell you that. Your mother already told us you're a real trooper and that you can handle anything.
51:55Okay, so it's really delicious. Bye.
52:03I still haven't learned how to balance family and work.
52:17What do you want to do, picking olives?
52:21I would never do that in my life, you know? But I'm going to do it to get my family back and
52:24the minimum amount.
52:25Please, Juan, Juan, don't fire José.
52:28We also say goodbye.
52:28I am a much better worker and I will find a secure job.
52:32But this? Where does this fit into the counterwork?
52:34This man looks a lot like Benito.
52:37It is.
52:37Benito? Benjumea? Is he alive and a man?
52:42Oy, oy!
52:42He has a long career as a chef and has worked with Arzai...
52:47Shh! Please speak more quietly.
52:49When John wakes up, he screams so much he's going to fire me before he even hires me!
52:53You keep these keys to the holiday apartments I manage and give them to the tourists.
52:57Wow, like we were goalkeepers.
53:00Job!
53:00Already!
53:02Oh!
53:02Come on, José! Come on!
53:04Oh!
53:05Oh!
53:06Oh!
53:07Oh!
53:07It turns out that Carmen is making a list of the people she is going to fire.
53:12Oh!
53:13Oh!
53:14Excuse me, huh? I don't know about the Americans, but here they're really sucking up to their superiors.
53:19Ugly, really ugly, come on.
53:20Not like Carmen, who is radiant today, radiant as a bell.
53:25But you are stifling the little hill of the ground.
53:27Eyes!
53:27Sabino, because of these apartments, the neighborhood is changing.
53:31Long live Seville and long live the morning drink!
53:36Oh yeah!