Aquí no hay quien viva - 5x13 - Érase un adiós - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Aquí no hay quien viva - 5x13 - Érase un adiós - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:22Subscribe to the channel!

00:00:43Subscribe to the channel!

00:00:59Come on, are you going to be like this the whole honeymoon?

00:01:02Well, yes! You'll just have to put up with it!

00:01:06My mother!

00:01:07Wait, wait, wait.

00:01:09If she knows how to disrespect me, I'll lie to her.

00:01:12Yes, about time.

00:01:16Hello!

00:01:17Elen! How are things in Cuba? How are you all?

00:01:21Very good, very good. This is a dream.

00:01:26Honey, come take a bath, the water's really nice.

00:01:29Be careful with the sun, it's very strong there.

00:01:34Well, it's cloudy, huh?

00:01:36And it's the rainy season. We've also put on sunscreen with SPF 65, just in case.

00:01:41Waiter, two caipirinhas.

00:01:43King, go into the water, I'll go now.

00:01:45Hey, take lots of pictures, okay?

00:01:49Oh dear, that's not going to work, because Emilio has put the camera in his swimsuit pocket

00:01:54and it went into the water and got damaged.

00:01:56Good heavens.

00:01:57Well, it's okay. The best part is the memories we'll have forever.

00:02:01Of course.

00:02:03And Jacobo, I'm glad you've finally found happiness.

00:02:07Yes, yes, me too, Mom.

00:02:10Bye bye.

00:02:11Goodbye, beautiful, goodbye.

00:02:14Turn that off.

00:02:15Am I drowning?

00:02:16No, open your cunt, we don't want anyone to see us.

00:02:19Emilio, we've been locked up for seven days. I'm going crazy.

00:02:22Sure, if we had a little bit of sex, we'd entertain ourselves just like that.

00:02:26I don't want to sleep with you, man.

00:02:28Okay, let's keep playing. I spy with my little eye.

00:02:32Emilio, I want a divorce.

00:02:33We're here, Belén.

00:02:35You have to see the positive things.

00:02:37You have my love.

00:02:38You've said the positive things.

00:02:40You have a great car.

00:02:41Rafael is going to give you a job.

00:02:43I have the goal in my name and I'm going to make it beautiful.

00:02:46Damn, life doesn't smile, you smile a little at life.

00:02:49There it is.

00:02:51Are you sure you don't want to have a quickie?

00:02:53It's just a moment.

00:02:55Here, here, here, nobody lives.

00:02:58Not here, not here.

00:03:00Every day is like this.

00:03:02I couldn't imagine it when I came here.

00:03:04I was just looking for some peace.

00:03:06I wake up every day in the middle of a hurricane.

00:03:09Here, here, here, nobody lives.

00:03:11Not here, not here.

00:03:13No, no, no.

00:03:14Here, here, here, nobody lives.

00:03:16Not here, not here.

00:03:17No no.

00:03:18The house above begins to collapse.

00:03:20I can't find the goalkeeper.

00:03:22My neighbors are watching and listening to me.

00:03:25I can't stand being in this place.

00:03:28Put it in a cocktail shaker.

00:03:32You in an earthquake and in an earthquake and in a mouth.

00:04:02Here, here, here, here, nobody lives.

00:04:04Here, here, here, here, nobody lives.

00:04:06No.

00:04:17Thank you very much, huh?

00:04:19You're welcome, ma'am. Goodbye.

00:04:21Hello. See you later.

00:04:23Bye.

00:04:29Please tell me they are two of your mother's lovers.

00:04:32No, they're from a furniture store.

00:04:35Oh God. Oh God. Oh God.

00:04:42Honey, look at this bedroom, it's so passionate.

00:04:45But what have you done?

00:04:47We had the brand new futon.

00:04:50Yes, but you didn't like it.

00:04:51Yes, I loved it. It was already turned off.

00:04:54And look at the canapé.

00:04:55The amount of stuff we can fit in here.

00:04:58Well, if there's a lot of room in there, I'll keep quiet.

00:05:01The problem is that I've calculated incorrectly.

00:05:03The chest of drawers doesn't fit.

00:05:04Oh, look, I feel so sorry for you.

00:05:06It's okay, woman.

00:05:07It is returned and...

00:05:08No, you see. I thought that since...

00:05:10Oh, come on, lower this.

00:05:13Since you haven't finished the renovation of the second A yet,

00:05:16If you moved the partition wall a little bit that way,

00:05:19Well, now everything fits perfectly.

00:05:21What are you saying?

00:05:23Does it take away square meters or does it cost them?

00:05:25Go on, go on, go on.

00:05:26Ah, but it's only going to be 40 centimeters.

00:05:29Something like that.

00:05:31Mommy, but you're wrong.

00:05:32You can't make people's houses smaller.

00:05:35It's a crime.

00:05:37But they're not going to find out, come on.

00:05:39And besides, it gives us life.

00:05:41Listen, listen.

00:05:43I'm about to finish.

00:05:44We're giving it the final coat of paint.

00:05:47All we need to do is install the plugs.

00:05:49Look, if you move this partition, I promise you

00:05:52that I'm not going to buy any more furniture for the next two years.

00:05:57I want it in writing.

00:06:02It's unbelievable, but this is going to end.

00:06:05Don't say that out loud, man, you'll mess it up.

00:06:08Okay, so the bedrooms are already painted, right?

00:06:12My father will come now and install the electrical outlets and all that.

00:06:16We don't know anything about electricity.

00:06:17No, no, not anymore.

00:06:18I never thought this house would ever look like this again.

00:06:21Oh wow, but...

00:06:23I have suffered a lot.

00:06:25Hey, one little thing.

00:06:26Is E.T.'s spaceship going to stay with us for long?

00:06:29Or is he going to return to his planet soon?

00:06:32I just don't know what to do with the pigeon's ashes.

00:06:34He never told me where he wanted to rest.

00:06:36No, but at this point it's a bit difficult for me to say anything.

00:06:38We'll have to decide.

00:06:40We can buy a Ouija board and see what it tells us.

00:06:43And why don't we throw them into the sea? It's very romantic.

00:06:46No, no, not into the sea, because I didn't know how to swim.

00:06:50Let's see if this is just a matter of thinking a little bit.

00:06:53Where was he happy?

00:06:55Paloma, during the sales we can throw some into one of those drawers full of clothes.

00:06:58that remove the old ones while they stick.

00:07:05What? What do you think?

00:07:07This is almost done, huh?

00:07:08Yes, we'll take my granddaughter for a walk while you install the electrical outlets.

00:07:11And you'll prepare the invoice for us, okay?

00:07:12No, wait. You have to be out of the house for about five hours.

00:07:16We're going to give all the walls a protective coating.

00:07:20The polis finis, which is quite toxic.

00:07:23Does that exist?

00:07:24Yes, yes, it's a new American thing. You shut up.

00:07:28You don't really need to be clever. This is perfectly fine.

00:07:31Take my word for it, it's worth it.

00:07:34Then your grandson will make a mess of things on the wall with markers.

00:07:37Wipe it with a damp cloth and...

00:07:39No, it's a girl.

00:07:41Well, with makeup, it's all the same to me.

00:07:43Well, Juan, whatever.

00:07:45That's five hours.

00:07:47We have had two months of anguish and despair.

00:07:50I never want to hear about reform again in my life.

00:07:53Cheer up, guys. It's already done.

00:08:01Polis finis?

00:08:02But what the hell is that, Dad?

00:08:03Go on, get some bricks, we need to move a partition wall in the bedroom.

00:08:06But I just painted it.

00:08:08For once I finish something I start?

00:08:10That's your mother's way of doing things.

00:08:11Look, but don't let anyone see you.

00:08:12Don't let anyone see me.

00:08:13Okay. And how do I get the bricks?

00:08:15Do I wrap them up and say I'm getting all tangled up?

00:08:16It's a challenge that life throws at you, Moncho.

00:08:19I'm so pissed off at this.

00:08:21Okay.

00:08:22Polis finis.

00:08:25In the end, it turned out well.

00:08:30It takes a while.

00:08:31But how do I work?

00:08:33I would put the kitchen here, on the wall where you found the dead man.

00:08:38And I took the bedroom to the back, because that way you have more privacy.

00:08:43Sure, and if you can't fall asleep, open up the little terrace and listen to it, radio patio bulletins.

00:08:49My idea is to leave it all open-plan, like an urban industrial love space.

00:08:53Of course, and with the wooden beams, they create a rustic-avant-garde contrast.

00:09:00But what's going on here?

00:09:03I'm laying bricks.

00:09:05Yes, yes, yes, yes, I see it now.

00:09:06Hey, what's back here?

00:09:08The bank manager's office.

00:09:10It's going to be difficult to beat him there, Vetro.

00:09:12Mariano, can you tell me what's going on here?

00:09:14I want to surprise Emilio, so that when he comes back from his honeymoon, he finds his

00:09:19The little house is already assembled.

00:09:20But this is an alteration of common elements. How could they even think of boarding up the gatehouse window?

00:09:24Hey, careful, between the ground and the left, okay? Speak to me respectfully, from owner to owner.

00:09:30And have you asked the community for permission? Where is the building permit?

00:09:33Shh, we said we wouldn't mention such terrible words again.

00:09:37In addition, the exterior woodwork of the door must match the rest of the doors in the building.

00:09:42It is a basic aesthetic principle.

00:09:44Well, the rich girl put on a different colored armored car and nobody said anything to her.

00:09:47No, we did say something, but she didn't listen. In fact, she's been reprimanded wherever she is.

00:09:52But what's going on here?

00:09:54Hey, I'm laying bricks.

00:09:57Oh, they were missing. Well, I'm going to take the girl for a walk.

00:10:01Oh, wait, I'll go with you.

00:10:02No, woman.

00:10:03Oh yes, wait, wait.

00:10:05But hey, this is a joke. We've got construction upstairs, construction downstairs.

00:10:10What are you laughing at?

00:10:11I don't know, I got scared, thank you very much.

00:10:14Well then, son, enjoy it.

00:10:17Mariano, this seems terrible to me.

00:10:19The community has statutes that must be respected.

00:10:21If we each do what we want, we will find ourselves in a difficult situation with others.

00:10:24coexistence becomes unsustainable.

00:10:27Of course, Vicenta, of course.

00:10:28Vicenta, Benito, please.

00:10:29Yes, it's me.

00:10:30Ah, we've come to install the air conditioning.

00:10:32Ah, yes, yes, yes, come this way.

00:10:34You have asked for permission for this.

00:10:37We are elderly.

00:10:38Do you know how many old people die from the heat?

00:10:41Sir, this is what we shoemakers should be paid for.

00:10:44Dude, I'm having to put my underwear in the fridge, like Marilyn Monroe.

00:10:50And I'm getting cystitis.

00:10:53Well, you're going to contribute to the greenhouse effect.

00:10:56You are overheating the planet.

00:10:57I don't give a damn about the planet.

00:10:59Just to keep the living room cool?

00:11:01Well, I don't intend to allow anarchy to spread.

00:11:03Mariano, I urge you to stop this reform until Belén and Emilio return.

00:11:07And as the owner, request the necessary permits from the community and the town hall.

00:11:12But leave him alone, man, we've put up with your work for more than two months and we haven't said a word.

00:11:17You're so annoying.

00:11:19Well, Emilio and Belén will be thrilled to return from their honeymoon and find the goal looking so nice.

00:11:24Belén and Emilio have fooled everyone, you suckers.

00:11:26If they don't love each other, they've organized the wedding to take your money and you've fallen for it.

00:11:31What are you saying?

00:11:33Do you want me to tell you the whole story?

00:11:35Yes, yes, but come here to the intercoms.

00:11:41Marisa, what are you doing?

00:11:43Say.

00:11:44Who is it?

00:11:45What do you mean, who is it? What did you call?

00:11:48Stay tuned. Radiopatio online.

00:11:50Paco, whenever you want. You're on the air.

00:11:52Yeah.

00:11:58Bye bye.

00:11:58But what are all those people doing there waiting for us?

00:12:01Because we are the owners.

00:12:02They make sure we don't stop paying our dues.

00:12:06How much is it?

00:12:07That's two euros.

00:12:08You are the laziest customers I have ever seen.

00:12:11You take a taxi for 150 meters.

00:12:13But my wife has a deviated spine.

00:12:15Didn't you see it when you came in?

00:12:17Pussy.

00:12:20But seriously, what are you all doing here at the door?

00:12:23Waiting for you.

00:12:24How was the honeymoon?

00:12:25Good, good, good. Very good.

00:12:27No, Emilio, don't lie.

00:12:28We haven't stopped arguing the entire trip.

00:12:31I think we're going to get divorced.

00:12:33Honey, those are just little wedding squabbles.

00:12:36You have to fight a little for your partner.

00:12:38No, Emilio, what we had is already dead.

00:12:40It's sad, but that's how it is.

00:12:41How can you get divorced if you're expecting a child, right?

00:12:45Hey?

00:12:45I'm going there.

00:12:47Ah!

00:12:49Ah!

00:12:50I've lost it.

00:12:51Terrible.

00:12:52One thing.

00:12:54Tell them, tell them, how was it?

00:12:56We decided to go scuba diving.

00:12:59with a gas canister and coralpon for the sharks.

00:13:03And Belén didn't say she was pregnant.

00:13:06And of course, we dived so deep to see some corals.

00:13:10that the fetus depressurized upon ascending.

00:13:14A Caribbean tragedy.

00:13:15Yes, but well, that's better, because that child was going to grow up in a home

00:13:18without love and without anything.

00:13:20Please, don't continue with this charade.

00:13:22Paco has told us everything.

00:13:24This is an insult to our intelligence.

00:13:26Well, some more than others.

00:13:29He told us that you don't love each other and that you only got married because you didn't love each other.

00:13:32to take money from all of us.

00:13:34Well, don't pay too much attention to Paco either.

00:13:35He's there, resentful and...

00:13:37Let's see, you suddenly get married in an open field.

00:13:39For the banquet, you're taking us to McDonald's.

00:13:41And you're not going on your honeymoon.

00:13:42What do you mean, no?

00:13:43But we're coming from the airport.

00:13:44But if you just paid the taxi driver two euros,

00:13:47that we have seen from here.

00:13:48No.

00:13:49It turns out the bus that was bringing us here got a flat tire in the square.

00:13:51He was stopped by the Civil Guard.

00:13:53And seeing that he wasn't wearing a reflective vest,

00:13:55Well, he's taken eight points off his license.

00:13:57And the man said, "For the four I have left..."

00:13:59I went home and he left us stranded.

00:14:01And of course, we've taken another one because Belén is coming.

00:14:03with economy class syndrome.

00:14:06Blood clot, hematoma...

00:14:07Emilio, just stop it.

00:14:08Huh? Just drop it.

00:14:10Yes, that's true.

00:14:12We've been pretending.

00:14:14Damn it, then say it sooner,

00:14:15that I'm here making up stupid things for nothing.

00:14:17But how were you able to scam the entire community?

00:14:19Yes, because it's important to the family.

00:14:21But to your neighbors...

00:14:22And what about your friends, the two of them?

00:14:24And I'm defending you for free at the trial.

00:14:26Daughter, I was so excited about this wedding.

00:14:29And me with my grandson.

00:14:30I've spent all week buying things for the baby.

00:14:31The park, the stroller, toys, clothes...

00:14:34Well, but let's not lose sight of that, okay?

00:14:35Let it rule.

00:14:37Those are scammers!

00:14:38And you have bitten the hand that feeds you.

00:14:41Give us back the goalpost.

00:14:42I don't return anything.

00:14:43That goal is mine.

00:14:45I've earned every brick.

00:14:47I've been working here for over ten years

00:14:48earning a fucking pittance.

00:14:50Emilio, the minimum interprofessional wage.

00:14:52Well, that's it, a fucking mess.

00:14:54And they've had me for more than seven years

00:14:55working without a contract

00:14:57and without social security.

00:14:58What if I have an accident?

00:15:00Well, we'll wall you up, Comanemesius.

00:15:02And besides, you gave me the goalpost as a gift.

00:15:04because it didn't cost them a penny.

00:15:06And while we're at it, to have one more little drum.

00:15:08paying community

00:15:09so that it's cheaper for them.

00:15:11So don't get so high and mighty with me.

00:15:13They're just as much scum as we are.

00:15:17Not you, Mr. Juan.

00:15:20Oh, now that he owns it

00:15:21He gets cocky.

00:15:22Well, you'll see at the meetings.

00:15:24You're going to shit yourself!

00:15:26Okay, okay, let's be honest.

00:15:27He has a point, doesn't he?

00:15:29But very little.

00:15:30You can't take the goal away from this one.

00:15:33No, not anymore.

00:15:34It has been separated from the common areas.

00:15:35He has a deed in his name.

00:15:37Wow, what an idea!

00:15:39the one about giving him the goalpost.

00:15:40Sausage!

00:15:41It wasn't my idea.

00:15:42No, it was the lesbians.

00:15:45No, no, no.

00:15:45Not us, no.

00:15:47Wait, now it's going to turn out

00:15:48that it was nobody.

00:15:49Hey, what about Belén?

00:15:51They've escaped

00:15:52for picking on the other one.

00:15:54Don't worry, this

00:15:55I'll catch her at home now.

00:15:57That's if not.

00:15:58Belén, you're a mess.

00:16:00You're a disaster.

00:16:02A selfish and a liar.

00:16:04You don't deserve to have anyone by your side.

00:16:06Well, and even less so to me.

00:16:07I'm the one who suffers the most.

00:16:08watching you sink and sink

00:16:10in quicksand

00:16:12of your miseries.

00:16:13Like you guys, you can decide something, right?

00:16:15It's just that until now

00:16:15He's right about everything.

00:16:16You know what I'm saying?

00:16:18I'm going to live

00:16:19at Rafael's house.

00:16:20And that I deserve to be happy

00:16:21And it's impossible with you by my side.

00:16:23That's it.

00:16:27And what are you doing there?

00:16:28We were waiting

00:16:29until the argument was over.

00:16:30Well, it's over now.

00:16:31There won't be any more fights.

00:16:32in this house.

00:16:33At least with me.

00:16:35Well, now I'll have the bed

00:16:37just for me.

00:16:37You won't be long in coming back.

00:16:39to put someone in.

00:16:41Well, I don't know who.

00:16:41He had nothing left of the building.

00:16:43Hello, we've come to pick up Ezequiel.

00:16:45We took him to the zoo.

00:16:46Yes, there's a new show.

00:16:48of enslaved lords.

00:16:49They ride tiny bicycles

00:16:50with the beak,

00:16:51they pedal,

00:16:51They throw earrings.

00:16:52It's beautiful.

00:16:54Hey, Mauri,

00:16:55I bought it from Ezekiel

00:16:56a ball and a gun

00:16:58and he doesn't pay them any attention.

00:16:59He spends all day playing

00:16:59with the toy kitchen

00:17:00that you gave him.

00:17:01AND?

00:17:01We are worried.

00:17:03He seems a little soft.

00:17:04Of course, you're his father.

00:17:06He sees you and imitates you.

00:17:07What are you saying?

00:17:08Am I being a wimp?

00:17:09to my son?

00:17:09Mauri, but you turned it up

00:17:10in a carriage

00:17:11at the demonstration

00:17:12of gay pride.

00:17:12Because the atmosphere is very beautiful.

00:17:14It's very colorful.

00:17:15Hey, lots of heterosexuals

00:17:16They join the party.

00:17:17Entire families.

00:17:18That's where you put Mickey Mouse.

00:17:19wearing a thong

00:17:20and there is no difference

00:17:21with Urio Disney.

00:17:22Mauri, please.

00:17:23But if Ezekiel

00:17:23He didn't even notice.

00:17:28Oh, how delicious.

00:17:29Did your dad call you?

00:17:30No, he always calls me Dad.

00:17:31Well, I don't want to

00:17:32that my son is gay.

00:17:33That's it.

00:17:34What kind of comment is that?

00:17:36You are a homophobic lesbian.

00:17:37No.

00:17:38The thing is

00:17:39I don't want her to suffer.

00:17:41But who suffers?

00:17:41I don't suffer.

00:17:42You suffer.

00:17:43Bea, please,

00:17:44who is a year and a half old.

00:17:45No, sorry.

00:17:45According to Freud, it is entering

00:17:46in the phallic stage

00:17:47of their psychosexual development.

00:17:49Well, pick up the ball.

00:17:49we'll take it

00:17:50to play football.

00:17:51Come on, tough guy.

00:17:52Wait, wait.

00:17:53We have you

00:17:54than to tell another story.

00:17:55What's happening?

00:17:55Have you signed him up for the legion?

00:17:56or he goes to Afghanistan

00:17:57to become a man?

00:17:58No.

00:17:59We bought

00:18:00an apartment on the outskirts.

00:18:02Yes, it's a very cute bass

00:18:03with a private garden

00:18:05so that Ezequiel can play.

00:18:06That?

00:18:07But what does that mean?

00:18:08Are you leaving?

00:18:10This week.

00:18:11But when did you think

00:18:11Tell me?

00:18:12This week.

00:18:14And what about Ezekiel?

00:18:15What's going to happen?

00:18:16Nothing.

00:18:16You can come and see

00:18:17Sundays

00:18:18and also on vacation.

00:18:19We're not going to Miami

00:18:20like Bisbales.

00:18:21We're going 20 kilometers.

00:18:22If you're trying

00:18:22to distance myself from my son

00:18:23And I don't intend to allow it.

00:18:24No, really.

00:18:25We had already thought about it.

00:18:26before.

00:18:27But Mauri

00:18:27that we cannot live

00:18:28rented my whole life.

00:18:29Yes, you can.

00:18:30You've set it up very badly

00:18:31but badly fatal.

00:18:34Oh well

00:18:34So what happens now?

00:18:35Are you going to leave me alone?

00:18:37But Bethlehem

00:18:37It's because you were going to get married.

00:18:39No, it was a lie.

00:18:45We have to demand

00:18:46child custody

00:18:47How do we do it?

00:18:48No, Mauri

00:18:48It's impossible.

00:18:49take away custody

00:18:50from a son to his mother.

00:18:51I would have to do

00:18:51something very serious.

00:18:52I have it.

00:18:53That?

00:18:53Bea is a drug addict

00:18:54and schizophrenic

00:18:55And Ana sells her body

00:18:56to the executives

00:18:56of the air bridge

00:18:57He takes them home

00:18:58The child sees them pass by

00:18:59and suffers a lot.

00:19:00That's great!

00:19:00The problem is that

00:19:01It has to be proven.

00:19:02Well, you're the lawyer

00:19:03Is that your job?

00:19:05Okay, listen.

00:19:05It's very normal.

00:19:06who want to get out of there

00:19:06and have their own house.

00:19:08It's very uncomfortable.

00:19:08living with strangers

00:19:09to the couple

00:19:10is like us

00:19:10Now with your mother.

00:19:11Wow, how clever!

00:19:12have you been

00:19:13to bring up the topic.

00:19:14Right

00:19:14I've been here for a while

00:19:15turning it over in my mind

00:19:16Let's see how he did it.

00:19:17Fernando

00:19:17I don't want to either.

00:19:18having my mother at home

00:19:19I know it affects the couple

00:19:20But what you want

00:19:21I'm telling the poor thing

00:19:21Mom, I love you so much

00:19:22But go away.

00:19:23That's the concept

00:19:24But it has to be said.

00:19:25pretty.

00:19:26And how do you say that, beautiful?

00:19:28I don't know

00:19:28You are the journalist

00:19:29That's your job.

00:19:30My mother's problem

00:19:31It's because she's alone.

00:19:33If I knew someone

00:19:35Leonard

00:19:36I can't go on.

00:19:37hiding

00:19:37my feelings

00:19:38every time I see you

00:19:40pass through the portal

00:19:42I curse fate

00:19:43for not having crossed

00:19:44our paths

00:19:4535 years earlier.

00:19:47Mariano

00:19:47I am a widow

00:19:49I just left

00:19:49of a relationship

00:19:50I cannot offer you

00:19:52more than a nice friendship.

00:19:53Ah, well I'm leaving.

00:19:54because to be here

00:19:56wasting time

00:19:57Hey, but where are you going?

00:19:59He persists a little.

00:20:00otherwise this

00:20:00It's not funny.

00:20:02Ah, you're being so narrow-minded.

00:20:04Clear.

00:20:07I'm out of practice.

00:20:09Forgive me, darling.

00:20:12Hey, you wouldn't happen to know, would you?

00:20:13an attractive judge

00:20:14about 60

00:20:15no prostate problems

00:20:16lover of the countryside

00:20:17And the widows?

00:20:18I don't know, Mauricio

00:20:18It's that men

00:20:19at those ages

00:20:19They prefer to play golf.

00:20:23What are you doing?

00:20:24We're going to have a drink

00:20:25a horchata

00:20:26nice and cool.

00:20:26Horchata?

00:20:27Yes, it's good.

00:20:28for cholesterol.

00:20:29Fernando, what's wrong?

00:20:30in there?

00:20:31Nothing, damn it,

00:20:32that occurred to me

00:20:32a plan.

00:20:32You always complained

00:20:33I can't think of anything.

00:20:35I know that face.

00:20:36Let me through.

00:20:37Have we been robbed?

00:20:37No, no, Maurino.

00:20:38Wait, wait, wait.

00:20:39No...

00:20:39Hello.

00:20:40How are you, darling?

00:20:42So nothing was happening, huh?

00:20:44Hey?

00:20:45Mom, how awful!

00:20:46That's the sofa.

00:20:47No, it's a sofa bed.

00:20:48It's just that he was leaving me

00:20:49the back from sleeping there.

00:20:50And what have you done?

00:20:51with my two armchairs

00:20:52tangerine color

00:20:52700 euros per piece?

00:20:54No, don't worry,

00:20:55I've downloaded them

00:20:55to that storage room

00:20:56that you have on the portal.

00:20:57Mom, it's not a storage room,

00:20:59which is the fourth

00:20:59of accountants.

00:21:00Ah, well it's full of shit.

00:21:02Oh my God,

00:21:03that have blown me up.

00:21:07By a hair, huh?

00:21:08They saved me

00:21:09my feline reflection.

00:21:10Can we know?

00:21:11What were you doing?

00:21:11This gentleman,

00:21:12who is very kind,

00:21:13He was flirting with me.

00:21:14Yes, if the problem

00:21:15It's because you let yourself be taken advantage of, Leonor.

00:21:16Well, it's not like that either.

00:21:17I have nothing better to do.

00:21:18And you?

00:21:19You are reckless.

00:21:20But how did he come up with that?

00:21:21break into our house

00:21:21to give it to you

00:21:22with Mauri's mother?

00:21:23Fernando,

00:21:24I need to talk to him.

00:21:25I need your blessing.

00:21:27When is the best time?

00:21:28Not now.

00:21:29Come on, go away,

00:21:29that he will return.

00:21:30Wait, wait,

00:21:31that there's a little skeleton

00:21:32leaning against the window

00:21:33from the kitchen.

00:21:34I always have

00:21:35an escape route.

00:21:37He's like a Romeo

00:21:38consumed by life.

00:21:40I'll see you later, Leonor.

00:21:42No, then no.

00:21:43Mother,

00:21:44The armchairs are not there.

00:21:45Well, I take them there.

00:21:46Someone has taken them.

00:21:47Don't be annoying.

00:21:48Well,

00:21:49that all the unpleasantness

00:21:50Those must be them, right?

00:21:56Dad,

00:21:56This is obvious.

00:21:57The bedroom

00:21:58It is much smaller.

00:21:58No,

00:21:59that with the furniture

00:22:00It looks bigger.

00:22:00Come on,

00:22:01Hurry up.

00:22:01The furniture,

00:22:02what furniture,

00:22:02if they don't fit.

00:22:04Hello.

00:22:05Iginio?

00:22:06Shit!

00:22:07Yes, yes, yes,

00:22:08go.

00:22:09Goes.

00:22:10Throw it at the brick.

00:22:12Through the courtyard?

00:22:14No,

00:22:14to the dance.

00:22:15It seems that way to you.

00:22:19The fucking winds

00:22:20air-conditioned

00:22:21It cannot be taken

00:22:23The sun is here now.

00:22:30How ephemeral

00:22:31in existence.

00:22:32she.

00:22:35Well,

00:22:35so,

00:22:36Is everything ready?

00:22:37Well yes,

00:22:38Yeah,

00:22:38It's over

00:22:39the reform.

00:22:40Eginio,

00:22:40We did it.

00:22:43Yeah,

00:22:45that's it.

00:22:46Yes, that's for sure.

00:22:47if everything comes to pass

00:22:48in this life.

00:22:50Hey,

00:22:50that instead

00:22:52invoice

00:22:53I've done it to you

00:22:54a receipt

00:22:54excluding VAT

00:22:54and with nothing.

00:22:55So that

00:22:56we're going to put

00:22:57to the Treasury

00:22:57on this

00:22:58with the mess

00:22:59What do they have now?

00:23:00Ah,

00:23:00well yes,

00:23:01Well, look,

00:23:01I have here

00:23:02the check

00:23:02What have I done to you?

00:23:03Hey,

00:23:03one moment,

00:23:04like 31,000 euros,

00:23:05you told me

00:23:0623,500.

00:23:07Juan,

00:23:08He's gone

00:23:09price

00:23:09Because of you.

00:23:10I'm the delays

00:23:11I have to collect them.

00:23:12But what delays

00:23:13Have you left?

00:23:14No,

00:23:14male,

00:23:14You stopped my work

00:23:15for not having a license.

00:23:17You threw me out the window.

00:23:18Those little things

00:23:19They take up my time.

00:23:21Eginio,

00:23:21You said it was

00:23:21a terrified budget.

00:23:23But when

00:23:23Did I tell you that?

00:23:24What does it give us?

00:23:25Well, I'll write another check.

00:23:27I don't feel like it.

00:23:28But I'll treat you.

00:23:3023,500 and that's it.

00:23:32And if you're not satisfied,

00:23:34You're reporting me.

00:23:35Things aren't like that,

00:23:36Hey, Juan?

00:23:37And don't tell anyone again.

00:23:38Not with me at all.

00:23:39No,

00:23:39I wasn't planning to do it.

00:23:41And what about you?

00:23:42Do you want to or what?

00:23:43Hey!

00:23:44Yes,

00:23:44yes,

00:23:44that I totally here

00:23:45I can't stop now.

00:23:48Why do we have to be

00:23:49always arguing

00:23:50with the neighbors?

00:23:51This looks like it

00:23:52the strip of

00:23:53of gaza.

00:23:54I'm already here

00:23:54fed up with receiving

00:23:55aggressions

00:23:55and turn the other cheek.

00:23:57I don't think anymore

00:23:58to live meekness.

00:23:59Let's see,

00:24:00Spartacus,

00:24:01We have a house

00:24:02entire,

00:24:02clean,

00:24:03whistle,

00:24:03pretty.

00:24:04Let's enjoy it

00:24:05already from life.

00:24:08Mr. John,

00:24:09Can you come down for a moment?

00:24:09We have a problem

00:24:10in the goal.

00:24:11Oh no!

00:24:11It doesn't go down anywhere.

00:24:13Go away!

00:24:13Out!

00:24:14And that guarantee

00:24:14It is very important,

00:24:15Hey?

00:24:16What happens now?

00:24:17We were here

00:24:18chopping

00:24:18to leave

00:24:19the exposed beam

00:24:19and we have met

00:24:20the cake.

00:24:21And since we are the owners

00:24:23we have taken

00:24:23freedom

00:24:24to call this gentleman

00:24:25under the care of the community,

00:24:27logically.

00:24:29Sirs,

00:24:30there is no doubt,

00:24:31They are termites.

00:24:32But it could be

00:24:32an old attack,

00:24:33None are visible anymore.

00:24:34Clear,

00:24:34They must have taken it badly.

00:24:35And they're gone.

00:24:36if this wood

00:24:37it has to be

00:24:37already past its expiration date.

00:24:39Make no mistake,

00:24:40that they don't see them

00:24:41it does not mean

00:24:42that they are not there.

00:24:43Termites

00:24:44They have negative phototropism,

00:24:45They flee from the light,

00:24:46but they may be attacking

00:24:47the wood

00:24:47from anywhere

00:24:48of the building.

00:24:49What year is it from?

00:24:50I,

00:24:51of 69 Pisces.

00:24:52I,

00:24:53Capricorn.

00:24:54Me too,

00:24:54Sagittarius.

00:24:55I'm referring to the building.

00:24:56In what year was it built?

00:24:58It's from the 19th century,

00:24:59of 1880.

00:25:00Look,

00:25:01bigmouth.

00:25:02So,

00:25:02the entire structure

00:25:03It's made of wood.

00:25:05It is vital to discover

00:25:06if there still are

00:25:06thermitic activity.

00:25:07How can you tell?

00:25:09One,

00:25:09wedding flights

00:25:10of breeding stock.

00:25:11Two,

00:25:11direct location

00:25:12of female workers.

00:25:12Three,

00:25:13appearance of galleries

00:25:13of roses.

00:25:14Four,

00:25:14wood detection

00:25:15and/or worm-eaten furniture.

00:25:18But the only way

00:25:19to check

00:25:19if they have affected

00:25:20the structure

00:25:20is locating

00:25:21aerial termite mounds

00:25:22above

00:25:22from the subsoil level.

00:25:25Zipot,

00:25:25And how is that done?

00:25:29Listening.

00:25:31But please,

00:25:32discreetly,

00:25:32Let's not generate

00:25:33neighborhood alarm.

00:25:35I don't like this guy

00:25:37It sounds familiar

00:25:37to an advertisement.

00:25:39José María,

00:25:39what's the matter?

00:25:40It's getting worse and worse.

00:25:41that announcement.

00:25:43Male,

00:25:43Don't let them see you

00:25:44the ladies

00:25:44and this device

00:25:45that they take it away from you,

00:25:45Hey?

00:25:49What are you doing?

00:25:50Gossips?

00:25:51Hello,

00:25:52Bea.

00:25:53He's a technician

00:25:53from the city council.

00:25:54It is checking

00:25:55if the device

00:25:56air conditioning

00:25:56of the ladies

00:25:57of the first

00:25:57complies with regulations

00:25:59municipal

00:25:59about vibrations

00:26:01low frequency.

00:26:02What?

00:26:02The city council.

00:26:03Come on,

00:26:04Enough with the questions.

00:26:05The rented ones

00:26:06circulating,

00:26:07please.

00:26:07Oh well,

00:26:08You're an idiot.

00:26:09And let's see if we can get down

00:26:10by the elevator,

00:26:11that scrubs better

00:26:12than the stairs.

00:26:13We'll go down where

00:26:13whenever we feel like it.

00:26:14It's dripping.

00:26:15But don't treat her like that.

00:26:17Let's see if he's going to catch me.

00:26:18to Juaní.

00:26:19Emilio,

00:26:20since you became the owner

00:26:21I've noticed you're being ruder.

00:26:22Yes, Mr. Juan,

00:26:23if I have

00:26:23a lot of accumulated resentment.

00:26:28I hear them.

00:26:30They are eating.

00:26:32Let's see,

00:26:33The ladies are the same.

00:26:34What a cunt

00:26:34It makes a lot of noise.

00:26:36So now

00:26:36They're eating

00:26:37the wood.

00:26:37Mistake.

00:26:38Termites

00:26:39they feed

00:26:39of cellulose

00:26:40contained in the wood

00:26:40and its derivatives

00:26:41that synthesize

00:26:42thanks to the action

00:26:42of the protozoa

00:26:43and its digestive system

00:26:43that's what they live on

00:26:44in symbiosis.

00:26:45But you

00:26:45You haven't studied those things.

00:26:47What difference will that make now?

00:26:48Yes, you can hear them.

00:26:49They are putting up fences.

00:26:51But how are they going to be heard?

00:26:51through a partition?

00:26:52How many are there?

00:26:53Termites

00:26:54They live in colonies

00:26:55up to three million

00:26:55of individuals.

00:26:57I'm not going to lie to you.

00:26:58At this moment

00:26:59they may be devouring

00:27:00the entrails

00:27:01of your building.

00:27:02Mr. John,

00:27:03What am I doing?

00:27:03brand new

00:27:04as the owner?

00:27:05This is a stick

00:27:05very large.

00:27:06Well, imagine how it is for me

00:27:07that I just

00:27:08to finish the reform.

00:27:09What if we go

00:27:10high?

00:27:11Shall we take

00:27:11some anthills

00:27:12and what goals

00:27:13and the language

00:27:13by the harvesters?

00:27:15If Maria Cunt

00:27:15Think about it for a bit.

00:27:16There are three million.

00:27:17of termites.

00:27:18It won't have

00:27:18so hungry.

00:27:20Well,

00:27:20that they blow on them

00:27:21Take her away

00:27:21in a toupee.

00:27:23This is not a joke.

00:27:25Sirs,

00:27:26I recommend

00:27:27that they convene

00:27:27to the neighbors

00:27:27as soon as possible.

00:27:28No, no, no.

00:27:29We're going to fix this

00:27:30among us.

00:27:31I don't want to

00:27:31Let panic spread.

00:27:32The treatment

00:27:33of complete thermitic

00:27:34That's four thousand euros.

00:27:36massive.

00:27:37Let panic spread,

00:27:38Mr. Juan.

00:27:39I am going to convene

00:27:39a meeting right now.

00:27:43My God,

00:27:44I'm coming back.

00:27:49This is a disgrace.

00:27:50The president

00:27:51He's having dinner

00:27:52in the middle of the meeting.

00:27:53Well,

00:27:54the deputies

00:27:54they fall asleep

00:27:55in Congress

00:27:56And nobody says anything to them.

00:27:57Juan,

00:27:58is that you are calling

00:27:58the boards

00:27:59in a few hours.

00:28:00If you send it to me

00:28:01to say before,

00:28:02There were some croquettes.

00:28:03I'm bringing sausages

00:28:04grillers,

00:28:05I'll bring the barbecue.

00:28:06Let's see,

00:28:07that this is not

00:28:07a country party.

00:28:08It's an urgent meeting.

00:28:10because of a problem

00:28:10very serious that we have.

00:28:12A side note,

00:28:12They have disappeared

00:28:13from the meter room

00:28:14two seats

00:28:15tangerine color.

00:28:15Does anyone know anything?

00:28:16And why do you put them there?

00:28:18Isn't that a storage room?

00:28:19Already,

00:28:20I insist,

00:28:21Does anyone know anything?

00:28:21They cost me

00:28:22700 euros each.

00:28:23Well, you've messed up.

00:28:24Now it's not showing up for you.

00:28:25No way.

00:28:28Oh well,

00:28:29How did you come up with that?

00:28:29assemble the board at my house?

00:28:31I did not give permission.

00:28:32Well, I'll see it rented.

00:28:33There are three million

00:28:34of empty homes

00:28:35in Spain.

00:28:37You are contributing

00:28:38to the price increase

00:28:38of the rentals.

00:28:40Speculator!

00:28:41Why are we here?

00:28:42Everyone envies us.

00:28:43And you get up

00:28:44from my massage chair.

00:28:45Ah,

00:28:45What gives massages?

00:28:46Let's see,

00:28:47Well, watch it.

00:28:47Oh well,

00:28:48What's the problem?

00:28:49please?

00:28:50Emilio,

00:28:50You tell it

00:28:51I'm having dinner.

00:28:53Let's see.

00:28:54We have new tenants

00:28:56in the building.

00:28:57Three million,

00:28:58Specifically.

00:29:00He's going to explain it here.

00:29:01the expert in the field.

00:29:02Sirs,

00:29:04your property

00:29:05is serving

00:29:05support

00:29:06to a colony

00:29:06of reticulitermes

00:29:08lucifugus.

00:29:10Hey,

00:29:10sorry?

00:29:11More foreigners here?

00:29:13No.

00:29:14In other words,

00:29:16who are being attacked

00:29:17by termites.

00:29:19The termite mound

00:29:20it is usually located

00:29:21underground,

00:29:22at more than 40 meters

00:29:22from the place

00:29:23in which they are detected

00:29:23their signals.

00:29:24access the wood

00:29:25of the houses

00:29:26from the inside

00:29:26passing through walls

00:29:27and walls

00:29:28forming tunnels

00:29:28sand compounds

00:29:29and excrement

00:29:30cemented by saliva.

00:29:31The behavior

00:29:32of the community

00:29:32It is regulated

00:29:33through a discipline

00:29:33iron

00:29:34coordinated by

00:29:35the secretion

00:29:35of pheromones.

00:29:36How lucky!

00:29:37They don't have

00:29:38things to do together.

00:29:39The building

00:29:39It has the beams

00:29:40wooden.

00:29:41In goal

00:29:41we have seen

00:29:42one that is

00:29:42quite affected.

00:29:43And for that

00:29:44Do we need an expert?

00:29:46We bought insecticide

00:29:46And that's it.

00:29:49Don't be naive.

00:29:52We're talking about termites.

00:29:53The invisible army.

00:29:55A machine

00:29:56to destroy

00:29:56perfected

00:29:57along

00:29:57of 350 million

00:29:58of years

00:29:59of evolution.

00:30:00They devour everything.

00:30:01Furniture,

00:30:01books,

00:30:02they go through anything

00:30:03as long as they arrive

00:30:03down to the wood.

00:30:04The concrete

00:30:05if necessary.

00:30:06There have been plagues

00:30:06that have forced

00:30:07to vacate

00:30:07entire neighborhoods.

00:30:08Thousands of people

00:30:09They have lost their home.

00:30:10Really

00:30:11They believe that with their

00:30:12pathetic insecticides

00:30:13they can't even

00:30:14slow down its progress?

00:30:18Okay,

00:30:18You've scared the hell out of us.

00:30:19to everyone

00:30:19So what do we do now?

00:30:20The treatment

00:30:21termite repellent

00:30:21It costs 4,000 euros

00:30:23massive

00:30:23that will have to be paid for

00:30:24with the corresponding

00:30:25spills

00:30:25500 euros

00:30:26per dwelling.

00:30:27500 euros

00:30:28per dwelling.

00:30:30Emilio,

00:30:31your first spill.

00:30:32How quickly you've lost

00:30:33virginity

00:30:34owner.

00:30:35Yes, beautiful,

00:30:36Yes, yes.

00:30:36We cannot

00:30:37now pay a special assessment.

00:30:38We just bought

00:30:39one bedroom.

00:30:40And we

00:30:41in air conditioning.

00:30:42Then return it.

00:30:43Vicenta,

00:30:43that does

00:30:44a dreadful noise.

00:30:45And it overheats

00:30:46the patio.

00:30:46That's a guop.

00:30:47Well,

00:30:48And how long does it take us?

00:30:49in killing

00:30:49These creatures?

00:30:51No.

00:30:54We did not intervene

00:30:55until an architect

00:30:56do not guarantee

00:30:56integrity

00:30:57of the structure

00:30:57of the building.

00:30:59I'm not going to put

00:31:00endangered

00:31:00to my men.

00:31:02I already did it once.

00:31:03And that

00:31:04It was a massacre.

00:31:07Good night.

00:31:09President,

00:31:10I recommend

00:31:11leverage

00:31:11and pass

00:31:12to the technical inspection

00:31:13of the building

00:31:13that we already have

00:31:14accumulated

00:31:14two fines

00:31:15due to delays.

00:31:16Oh well,

00:31:16That's another spillover.

00:31:17Correct.

00:31:18If the president

00:31:19would have taken care of

00:31:19to pass the IT

00:31:20when it has to be done,

00:31:21we would have detected

00:31:22the problem

00:31:23of the termites

00:31:23long before.

00:31:24And what do I know?

00:31:25Go away,

00:31:26Mr. Heredia.

00:31:27Go away!

00:31:28Man,

00:31:29If I leave.

00:31:30Shitting like hell.

00:31:31Hey,

00:31:32that you are the president.

00:31:33No,

00:31:34not anymore.

00:31:35I resign.

00:31:36I'm going to get some yogurt.

00:31:38Look at the date.

00:31:39Great,

00:31:40with termites

00:31:40and without a president.

00:31:42Well, let it premiere.

00:31:42Emilio,

00:31:43which is the last

00:31:43that has arrived.

00:31:44I,

00:31:44president,

00:31:45with this brown,

00:31:46Here we need

00:31:47a veteran

00:31:47tanning

00:31:48in thousands of crises.

00:31:54Alright.

00:31:56I assume the presidency

00:31:57in these difficult times.

00:31:59With transparency

00:32:00that has characterized

00:32:01always at my command,

00:32:02I will face

00:32:02to this crisis

00:32:03trying to minimize

00:32:04the economic impact

00:32:05about the neighbors,

00:32:06but always guaranteeing

00:32:08security

00:32:09and the future

00:32:10of our community.

00:32:11Look at them,

00:32:12He just loves it.

00:32:14The session is adjourned.

00:32:16I'm sorry,

00:32:17It's closed.

00:32:20It's closed.

00:32:20Didn't you hear me?

00:32:21Well, go ahead and open it.

00:32:22bastard,

00:32:23that you and I

00:32:23We need to talk.

00:32:24No,

00:32:24we have nothing

00:32:25What to talk about.

00:32:25Hey,

00:32:26Get out of here,

00:32:27Get out of here.

00:32:31Careful,

00:32:32Careful, they might catch me.

00:32:33the fingers,

00:32:33Hey?

00:32:33I'm not letting go

00:32:34kicks.

00:32:35Okay,

00:32:35don't worry,

00:32:35don't worry.

00:32:37Don't worry,

00:32:37I'm going now.

00:32:41I'll get you.

00:32:42Clear.

00:32:43If it's closed,

00:32:44It's closed.

00:32:45And even more so for you.

00:32:48Already.

00:32:50Thomas,

00:32:51What a load of crap.

00:32:51Hey,

00:32:52that are ordered.

00:32:53Hey,

00:32:53You have a job

00:32:53for tomorrow.

00:32:54What's happening?

00:32:55What's happening?

00:32:55Do you want war?

00:32:56Do you want war?

00:32:57Suck it,

00:32:58chusa,

00:32:58No, you're jumping on me.

00:32:59a madman with a stick,

00:33:00Hey?

00:33:01What's happening?

00:33:01Bitch.

00:33:02But what are you doing?

00:33:04Careful,

00:33:04that he's going to get out of it

00:33:05the drawing.

00:33:06Paco.

00:33:09I swear it's started

00:33:11he.

00:33:11I was just sitting here, so peaceful,

00:33:12making money.

00:33:13Oh well,

00:33:13They call this

00:33:14a love triangle.

00:33:15Nativity scene,

00:33:16I had to do something.

00:33:17This tongue-tipper

00:33:18He is a traitor.

00:33:19Hey,

00:33:19sorry,

00:33:20sorry,

00:33:20But who is the bigger traitor?

00:33:21The traitor who betrays,

00:33:22betrays,

00:33:22the traitor who betrays

00:33:23the one who has betrayed him.

00:33:26listen,

00:33:26I want to talk to you.

00:33:28The blame for all this

00:33:29I have it.

00:33:30Well yes,

00:33:31That's pretty clear.

00:33:32Hey,

00:33:32Be careful how you speak to him

00:33:33to my wife,

00:33:33That keeps bothering you.

00:33:34Will you all shut up?

00:33:37Let's see,

00:33:38I'm going to be very honest with you,

00:33:40I'm so confused.

00:33:41Well, as always.

00:33:43It's because I love you both.

00:33:45Oh, no,

00:33:45Well, I don't do threesomes.

00:33:46let's see,

00:33:46Leave her alone, she's talking.

00:33:48Each one of you has

00:33:49good things

00:33:50and many other bad things,

00:33:52then I need

00:33:53a little time

00:33:54food for thought

00:33:55and see the bad ones,

00:33:57How bad they are

00:33:57and the good ones

00:33:58And they're good enough.

00:34:00And then,

00:34:01Well, I have to decide.

00:34:02But let's see,

00:34:03Who do you think you are?

00:34:04Are we both going to be there?

00:34:05waiting like two idiots

00:34:06that you choose

00:34:07as if we were flavored yogurts?

00:34:09I do.

00:34:10Well,

00:34:10me too,

00:34:11But we'll have to get started.

00:34:12a little bit dignified,

00:34:13No?

00:34:13Let's see,

00:34:13I promise you that tomorrow

00:34:14I'll give you an answer,

00:34:16Okay?

00:34:18Come on,

00:34:19that we have a day

00:34:20for reflection.

00:34:21Fuck,

00:34:22How awkward is this?

00:34:29Well,

00:34:29that?

00:34:30Will you buy me a beer?

00:34:31The balls.

00:34:33I really don't know

00:34:34What could he have seen in you?

00:34:35Hey?

00:34:35What an unpleasant guy.

00:34:41This sofa has

00:34:43Besides being ugly

00:34:43It's uncomfortable.

00:34:45Do you have to sink your ass?

00:34:46No,

00:34:47Not me.

00:34:48Guys,

00:34:49Do you mind finishing?

00:34:49from watching the movie

00:34:50in the bedroom?

00:34:51I'm just a little tired.

00:34:53Yeah,

00:34:54It's been a tough day,

00:34:55No?

00:34:55Lots of activity.

00:34:56No,

00:34:57if I haven't moved from home.

00:34:59No,

00:34:59I haven't been needed.

00:35:00Fernando,

00:35:01What's wrong with you and my mother?

00:35:02Nothing,

00:35:02I think she looks fine.

00:35:04that it is not necessary

00:35:04that she remains logged in here.

00:35:05I discharged him,

00:35:06Hey?

00:35:06Mother,

00:35:07Are you okay?

00:35:08Hey?

00:35:09No,

00:35:10But I just cried

00:35:11in the bathroom

00:35:12because I dropped it

00:35:13toothpaste.

00:35:15No problem,

00:35:16Hey?

00:35:16Don't worry,

00:35:17There's no rush.

00:35:18Stay as long as you need to.

00:35:19My God.

00:35:20Good night.

00:35:31Good night.

00:35:32Leulon,

00:35:33it's me.

00:35:34But you're crazy,

00:35:34Wait a little while.

00:35:36I was falling asleep.

00:35:38Look,

00:35:38Mariano,

00:35:39We're burning bottle caps

00:35:39very quickly.

00:35:41Why don't we meet tomorrow?

00:35:42and we rented ourselves

00:35:43a small boat on the lake?

00:35:44There is no time,

00:35:45Leonor.

00:35:46In the race of love

00:35:47we already

00:35:48We have to skip

00:35:49the traffic lights are red.

00:35:50Yeah,

00:35:50But my son

00:35:51It's in there.

00:35:53Tell me to leave.

00:35:54And I will leave.

00:35:55Go away.

00:35:55Your lips tell me to go away

00:35:57But your eyes scream

00:35:59possess me.

00:36:00Who should I listen to?

00:36:01Alright,

00:36:02I don't like to argue.

00:36:03Ah,

00:36:03stay,

00:36:04come on.

00:36:07I didn't know,

00:36:08if he knew.

00:36:09Can we know?

00:36:09What are you doing here?

00:36:10Don't worry,

00:36:10I know what I'm doing,

00:36:11Hey?

00:36:12I've always been better

00:36:13lover than husband.

00:36:14Let's see,

00:36:14let's see,

00:36:14Why don't you go home?

00:36:15What if it's empty?

00:36:16I just had fun.

00:36:17It reminds me of boarding school.

00:36:19Let's see,

00:36:20eject the movie from the DVD

00:36:21and bring it to you.

00:36:22Go,

00:36:23I was asking him

00:36:23Apologies to your mother

00:36:24because of the rudeness before.

00:36:26Ah,

00:36:27Okay,

00:36:27Okay.

00:36:29Excuse me.

00:36:30Bye bye.

00:36:30Okay,

00:36:31to bed.

00:36:31Have.

00:36:36Come on.

00:36:38Come on.

00:36:39Just a little while longer and you'll leave.

00:36:40Hey?

00:36:40Stay alert,

00:36:41Don't let it go out,

00:36:42Hey?

00:36:42Shut up already.

00:36:43Pussy.

00:36:47This is a fucking covent.

00:36:49I'm going to finish up now.

00:36:52The truth is,

00:36:53Damage aside,

00:36:53Termites are fascinating.

00:36:55The termite mound's diet

00:36:57It is produced by trophallaxis.

00:36:59They transport the food

00:37:00in the stomach

00:37:01and they transmit it

00:37:02from one individual to another

00:37:03through the anal canal.

00:37:05Oh,

00:37:06Disgusting,

00:37:06please.

00:37:08Hey,

00:37:09Don't you notice the bedroom?

00:37:10smaller?

00:37:12Yeah.

00:37:13It's the color of the walls

00:37:14that we have chosen,

00:37:15that?

00:37:16No no,

00:37:16I mean physically.

00:37:18I would swear

00:37:18that there had previously

00:37:19more space

00:37:20between the bed

00:37:21and the wardrobe.

00:37:22And the window

00:37:23It's kind of stuck on.

00:37:24to the wall,

00:37:24No?

00:37:25And here too,

00:37:27But of course,

00:37:27Both.

00:37:28Well,

00:37:28The truth is, never.

00:37:29I had noticed.

00:37:30I think they are

00:37:31on its site.

00:37:32And don't make me

00:37:33much attention,

00:37:34But I think

00:37:35that there had previously

00:37:35There's a socket there.

00:37:36Isabel,

00:37:37There has never been one there.

00:37:37a plug.

00:37:38Are you feeling well?

00:37:39dear?

00:37:39Yes,

00:37:40that I have loaded

00:37:41the mobile phone there once,

00:37:43I put it right here on top.

00:37:44Listen,

00:37:45It's normal.

00:37:46that you find

00:37:46disoriented

00:37:47and confusing.

00:37:48I feel it too.

00:37:48like an emptiness inside.

00:37:49It's depression.

00:37:50by reform,

00:37:51an urban pathology

00:37:52of our time.

00:37:58boy,

00:37:58I don't know.

00:37:59I find

00:38:00a room

00:38:00smaller.

00:38:07Oh,

00:38:08excellent,

00:38:08we have been left with

00:38:09This now,

00:38:10TRUE?

00:38:10What a change

00:38:11It's stuck.

00:38:12Yeah,

00:38:12there is nothing

00:38:13how to reduce square footage

00:38:13to the neighbor

00:38:14to gain width.

00:38:16Oh,

00:38:16You have to put me down

00:38:17the rubble

00:38:17into the trash.

00:38:18Well,

00:38:19Wait a few days,

00:38:20let's pretend

00:38:21a bit.

00:38:22Oh,

00:38:22look,

00:38:23We have also won

00:38:24a plug.

00:38:24Here.

00:38:26Ah,

00:38:26Well, you plug it in there.

00:38:27whatever you want,

00:38:28that the hills pay,

00:38:30Fuck them.

00:38:31No,

00:38:31wit,

00:38:32No,

00:38:32This already seems wrong to me.

00:38:33You're not a good neighbor.

00:38:35I mean,

00:38:36We can take meters away from them,

00:38:37but not watts.

00:38:39I'll put it on tomorrow.

00:38:39an extension cord there

00:38:40and we plugged it in

00:38:41the refrigerator

00:38:42and the washing machine,

00:38:43which is what it spends the most on.

00:38:44They owe me a kilo.

00:38:46This pays us.

00:38:46in the light

00:38:47for two years.

00:38:50Oh,

00:38:56good morning.

00:38:57Mother,

00:38:58come on,

00:38:59lift.

00:39:00You can't stay

00:39:00in bed.

00:39:01We must fight

00:39:02against depression.

00:39:03You have things to do.

00:39:04Look,

00:39:04We're having breakfast now

00:39:05and we're leaving

00:39:06to the city council

00:39:07to sign up

00:39:07to that course

00:39:08internet

00:39:08for adults.

00:39:09It's not that you're older,

00:39:10That's what it's called.

00:39:11You'll see how chatting works

00:39:12You know someone wonderful.

00:39:13The last thing to lose

00:39:16is...

00:39:18Mauri,

00:39:18Do you shower?

00:39:18Or should I shower?

00:39:22I'll take a shower myself.

00:39:27This is a joke.

00:39:28I mean,

00:39:29that we just finished

00:39:30the reform

00:39:30and they have to send us back

00:39:31Back to chipping away at the walls again.

00:39:44Well,

00:39:44Miguel,

00:39:45How can someone be so young?

00:39:45and have a vision

00:39:46so pessimistic about life?

00:39:47It's because I'm super gifted.

00:39:49Let's see,

00:39:49the architect

00:39:50He has to write letters

00:39:50in each home

00:39:51to check

00:39:52the condition of the beams

00:39:53in case reinforcement is needed

00:39:54some point in the structure.

00:39:55Hey,

00:39:56Juan,

00:39:57if you agree

00:39:57we would like to leave

00:39:58on vacation to Cuba

00:39:58to meet my family.

00:40:00Already,

00:40:01I would love to go,

00:40:01But now

00:40:02That's a lot of expenses.

00:40:03Hey?

00:40:03No,

00:40:04No,

00:40:04if I don't say it

00:40:05so that you may come,

00:40:06I say this so that you will stay

00:40:07a month with the girl.

00:40:08That?

00:40:09No,

00:40:10No,

00:40:10Dad,

00:40:11We already have the tickets.

00:40:12Juan,

00:40:12We deserve a vacation,

00:40:14We've spent a few months

00:40:14very hard.

00:40:15And what about me?

00:40:16I don't?

00:40:18Juan,

00:40:20Look at this photo

00:40:21of the first communion

00:40:22by Cosimi.

00:40:23But why were you with me?

00:40:24What have I done to you?

00:40:25What's happening?

00:40:25We are Paloma and I

00:40:26dresses like those of the consortium.

00:40:28Here,

00:40:29Hey?

00:40:30There's a plug,

00:40:31No?

00:40:32Well then.

00:40:36What happens now?

00:40:37I don't know,

00:40:38Every day is different.

00:40:40Those are really bad ages.

00:40:41We need to be patient.

00:40:48Here's a plug

00:40:49And there's no electrical outlet there.

00:40:54And look at the distance

00:40:55between the window and the wall.

00:40:58It's true?

00:41:00This is not normal.

00:41:01Juan,

00:41:02that has shrunk us

00:41:03the room.

00:41:04No,

00:41:05Things don't shrink on their own.

00:41:09But how did he come up with that?

00:41:10get into my bed

00:41:10and take advantage of my mother

00:41:12Is she depressed?

00:41:13Maury,

00:41:13We haven't done anything.

00:41:14We're just getting to know each other.

00:41:15Mother,

00:41:16who has slept in your bed.

00:41:17Careful,

00:41:18that I have respected her,

00:41:19Hey?

00:41:19We will make love

00:41:20only when she is ready.

00:41:22Mariano,

00:41:22Nobody is prepared

00:41:23to do it with you.

00:41:24Out.

00:41:25Man,

00:41:25I have breakfast first.

00:41:26at least,

00:41:26No?

00:41:27Yeah,

00:41:27What is food?

00:41:28most important of the day.

00:41:29Out.

00:41:30Holy God of my life,

00:41:31But why do you do everything?

00:41:32Because?

00:41:33Why is it so hot?

00:41:34In the first

00:41:35There is no air.

00:41:35Hey,

00:41:36And my clothes?

00:41:36I'll throw it to her.

00:41:37through the cloth.

00:41:38Look,

00:41:39I think it's awful.

00:41:40that you treat me like this

00:41:40to such a kind neighbor

00:41:41and so polite.

00:41:42No, it's not.

00:41:43I just can't believe it

00:41:44I hope you like it.

00:41:45Mariano.

00:41:45If I don't like it,

00:41:47It's because it entertains me.

00:41:48Well, I'll give you a gift

00:41:48a sweater.

00:41:49Ah,

00:41:49No,

00:41:49a gentleman is better.

00:41:50that you don't have to pick him up

00:41:51the poops with a bag.

00:41:52Mother,

00:41:53You don't know him,

00:41:53I do,

00:41:54this gentleman

00:41:54It's very strange.

00:41:55No,

00:41:56It's not unusual,

00:41:56He's metrosexual.

00:41:58That's what he says.

00:41:59Oh,

00:41:59Well, I don't know why.

00:41:59you get like this.

00:42:00Look,

00:42:01Fernando knew it

00:42:02and he liked it very much.

00:42:03Oh,

00:42:04if he hasn't shaved me.

00:42:05You and I will talk now.

00:42:07Mother,

00:42:08I forbid you

00:42:09that you see Mariano again,

00:42:10never again,

00:42:11in your life.

00:42:11Hey,

00:42:12hey,

00:42:12because I'm already grown up,

00:42:13Hey?

00:42:14And I'll do whatever I want.

00:42:15No,

00:42:16sorry,

00:42:16as long as you live under this roof,

00:42:18You will do as you are told.

00:42:23The same, but in reverse.

00:42:24Well, you were absolutely right,

00:42:25You are grounded.

00:42:26Well, I'm leaving home.

00:42:27What are you leaving home with?

00:42:29Yeah,

00:42:30to me the only person

00:42:31what does he tell me

00:42:31what I have to do

00:42:32He is my endocrinologist.

00:42:34Bye bye.

00:42:36She's not going out in a nightgown,

00:42:37mother.

00:42:42Forward,

00:42:43You,

00:42:43Where are you going?

00:42:44Con que polis finis.

00:42:46Moncho,

00:42:46talk to him.

00:42:47Hey?

00:42:48It's slipping through.

00:42:48the neighbor,

00:42:49Pussy.

00:42:49Of course,

00:42:50Well, I already told you.

00:42:50that it was obvious.

00:42:51No,

00:42:52But he wasn't

00:42:52there.

00:42:53Already.

00:42:55Dear,

00:42:56It's stuck

00:42:57he.

00:42:58Look at him,

00:42:58They have stolen meters from us.

00:43:00That's my plug.

00:43:01Juan,

00:43:02It was Mamen

00:43:02that gave me bad new bowling pins

00:43:04and it didn't fit.

00:43:05Can you let me get dressed?

00:43:06please?

00:43:07I'm at home.

00:43:08No,

00:43:08sorry.

00:43:09Now I'm doing my own thing.

00:43:12And what have you plugged into there?

00:43:13I don't know,

00:43:14It must have been the maid.

00:43:16I told you.

00:43:19That?

00:43:23If it's just three little things,

00:43:24Juan,

00:43:24if the cable

00:43:24It doesn't reach us from TV.

00:43:26My mother is the one who...

00:43:26No,

00:43:27No,

00:43:27wait,

00:43:27No,

00:43:27touches that are already there

00:43:28centrifuging.

00:43:28Juan,

00:43:29Juan,

00:43:29that?

00:43:30What happened?

00:43:31This is not a meal.

00:43:32This is the Wild West.

00:43:34They miscalculate the furniture.

00:43:35and instead of changing them

00:43:36They're moving a wall on us.

00:43:38Well, let's go to the police station.

00:43:40They know us there,

00:43:41We don't have to queue.

00:43:43Hey,

00:43:43You owe us a million

00:43:44and we to you

00:43:46two square meters.

00:43:47Well,

00:43:47Well, at the price it is,

00:43:48the ground in the center.

00:43:49We are at peace.

00:43:51Well.

00:44:00Juan,

00:44:00A gentleman has entered

00:44:01in our house

00:44:02and it has become

00:44:02to make holes in us

00:44:03on the walls.

00:44:04Ladies,

00:44:04He is the architect,

00:44:05You have to check

00:44:06the condition of the beams.

00:44:07Pussy,

00:44:07Well, let him break into another house.

00:44:09That is breaking

00:44:11in all of them.

00:44:12Mr. John,

00:44:12go downstairs, the architect

00:44:13wants to talk to you.

00:44:14What did he say?

00:44:15How's the situation?

00:44:16Mamen,

00:44:17For God's sake,

00:44:17Get dressed.

00:44:18Well, if you won't let me.

00:44:20You guys are amazing.

00:44:23Look,

00:44:23I've clicked on other sites

00:44:25and all the beams

00:44:26They are the same,

00:44:26But how long?

00:44:27They hadn't had their IT inspection done.

00:44:29I don't think so.

00:44:29We've never been through it.

00:44:31Ah,

00:44:32Yeah,

00:44:33Yeah,

00:44:33recently,

00:44:34once.

00:44:35Well,

00:44:35Tell us,

00:44:35How much is it going to cost us?

00:44:36reinforce the structure

00:44:37Without beating around the bush?

00:44:38Look,

00:44:38It's just not possible.

00:44:39What do you mean it can't be done?

00:44:40No,

00:44:41it can't be done,

00:44:41it can't be done.

00:44:42In this state

00:44:42the only solution

00:44:43It would be a rehabilitation

00:44:45complete.

00:44:45Demolish the building,

00:44:47respecting the facade

00:44:48if possible,

00:44:48and lift it up again

00:44:49again.

00:44:51How are we going to throw it away?

00:44:52But it's a building

00:44:54historical.

00:44:55This is heritage

00:44:55of humanity,

00:44:56at least.

00:44:57Yeah,

00:44:57and the forbidden city

00:44:58from Beijing too

00:44:59and they're eating it

00:45:00termites.

00:45:00Well,

00:45:01Well, it won't be fixed.

00:45:02And that's it.

00:45:03It's not going to fall either.

00:45:05Or is it?

00:45:06Look,

00:45:06I don't know exactly when,

00:45:08but this

00:45:09It's going to collapse.

00:45:10Hey?

00:45:11I have to give notice.

00:45:11to the city council

00:45:12and the firefighters

00:45:13so that they vacate

00:45:13the building

00:45:14and seal it

00:45:15immediately.

00:45:16What are you saying?

00:45:17Wait,

00:45:17wait,

00:45:17Many families live here,

00:45:19We have nowhere to go.

00:45:20I just did

00:45:21a reform.

00:45:21Good,

00:45:22I'm sorry,

00:45:23I am doing

00:45:23my job.

00:45:24No,

00:45:25No,

00:45:25You're not going anywhere.

00:45:27But buy.

00:45:28The man wants

00:45:28things got worse.

00:45:29But you've gone mad.

00:45:30But let me go,

00:45:31man.

00:45:33José María,

00:45:34the architect,

00:45:35that they don't escape me.

00:45:39There you have it.

00:45:40What has he done?

00:45:41What has he stolen?

00:45:42Come on,

00:45:42we delivered

00:45:43in the attic.

00:45:44But what are you doing?

00:45:45Gain time.

00:45:46To those from the Calmer neighborhood

00:45:47They sealed off their houses

00:45:49and they weren't allowed in

00:45:50not even for the cat.

00:45:51What was it,

00:45:51John?

00:45:52Emilia,

00:45:52The news needs to be broken.

00:45:53Warn the neighbors.

00:45:54To everyone!

00:45:55Oh,

00:45:55My God,

00:45:56my goal.

00:45:57Help me,

00:45:57Pussy,

00:45:58that weighs.

00:46:00Emilio!

00:46:05Fuck,

00:46:05What a huge meeting.

00:46:07This is a record audience,

00:46:08Hey?

00:46:09Juan,

00:46:10What about the architect?

00:46:11It is said

00:46:12that you have kidnapped him.

00:46:13Ah,

00:46:14Yeah,

00:46:14We heard shouting upstairs.

00:46:16Yeah,

00:46:16blows and aid.

00:46:17What have they set up?

00:46:18Some staircases.

00:46:20No,

00:46:21No,

00:46:21let's see,

00:46:21We have detained him preventively

00:46:23so that it wouldn't reach the town hall.

00:46:25Yeah,

00:46:25And you've put it in the attic for me.

00:46:27Why am I paying rent?

00:46:27You don't have a contract.

00:46:29You don't have a contract.

00:46:29Be quiet.

00:46:30Let's see,

00:46:31let's see,

00:46:31that we have kidnapped

00:46:32to an architect.

00:46:33But don't worry,

00:46:34which is fine.

00:46:35She has overcome the nervous breakdown

00:46:36and is aware

00:46:37with a stable pulse

00:46:39and he has started to eat.

00:46:40At this moment

00:46:41We are negotiating with him

00:46:42so that he doesn't report us.

00:46:43But I'll tell you in advance

00:46:44It's going to be complicated.

00:46:45Oh well,

00:46:46What has he done to you?

00:46:47That poor man?

00:46:48He was going to the town hall.

00:46:49to say

00:46:50that they would evict us from here.

00:46:51Juan,

00:46:51what's happening?

00:46:53It seems to be

00:46:54that the problem

00:46:55of the termites

00:46:55It's more serious.

00:46:56than it seemed.

00:46:57The architect assures

00:46:58that the building

00:46:59It is no longer habitable.

00:47:01There is a serious risk

00:47:02that it will collapse.

00:47:06But it can be fixed.

00:47:07No?

00:47:08Clear,

00:47:09New beams can be installed

00:47:10Or I don't know.

00:47:11No,

00:47:12the only solution

00:47:13It would mean demolishing the building.

00:47:14and rebuild it.

00:47:18And we're done

00:47:19to spend

00:47:20four million

00:47:21in a renovation?

00:47:23It's great.

00:47:27Mr. John,

00:47:28Misfortune follows us

00:47:29and runs faster than us.

00:47:31But what are we going to do?

00:47:33Where are we going to live?

00:47:34Where are we going to work?

00:47:36They are our homes.

00:47:38I was born in this building,

00:47:39I've always thought

00:47:40that he would die here.

00:47:41Well,

00:47:42by staying

00:47:42until it falls.

00:47:44I recommend

00:47:45that you get in touch

00:47:46with your respective

00:47:47home insurance

00:47:47Let's see what compensation they'll get.

00:47:48They give us.

00:47:49Juan,

00:47:49that they are going to give us

00:47:50a load of crap.

00:47:51Aurillo,

00:47:51What do you want me to say?

00:47:52I'm describing the situation.

00:47:53But do something.

00:47:55Let's get a second opinion.

00:47:56Call another architect.

00:47:58In the attic

00:47:58There's room for more,

00:47:59We put in six or seven.

00:48:01Relax,

00:48:01no problem.

00:48:02I have another option.

00:48:06What is this?

00:48:08Purchase and sale agreements.

00:48:09They carry

00:48:10your name

00:48:13and the quantity.

00:48:14I offer you 60 million

00:48:15per dwelling

00:48:16at a price

00:48:17well above

00:48:18of market value.

00:48:19I accept.

00:48:20The goal is

00:48:2120 million.

00:48:23Good heavens,

00:48:24even owner

00:48:25I'm in second class.

00:48:26And what do you want it for?

00:48:27buy this

00:48:28Is it going to fall?

00:48:30Maria Jesus,

00:48:32please.

00:48:33Yeah.

00:48:35Feel

00:48:36like a stewardess

00:48:37of the fair price.

00:48:41I present to you

00:48:41to the Álvarez Tower.

00:48:43Eight plants

00:48:43and 1,600 meters

00:48:44Office space for rent.

00:48:45With the most advanced

00:48:46technology

00:48:47at your service

00:48:47of the company

00:48:48of the 21st century.

00:48:50Ah,

00:48:50and 130 parking spaces

00:48:53distributed

00:48:53in three basements.

00:48:54And here you will need

00:48:55A goalkeeper, right?

00:48:56No,

00:48:57I don't feel it.

00:48:57It's all computerized.

00:48:58Hey,

00:48:59And what about renters?

00:49:00Aren't you giving us anything?

00:49:01Hey,

00:49:01who is a businessman,

00:49:02No Santa Claus.

00:49:03All of this

00:49:04You had it planned.

00:49:05It was you

00:49:06who has brought us

00:49:07in termites.

00:49:08Clear,

00:49:09I have a breeding farm

00:49:09in my garden,

00:49:10But please.

00:49:11Me too

00:49:11I've grown fond of him

00:49:12to this building.

00:49:13But it falls.

00:49:14It's a fact.

00:49:15Things get old.

00:49:16Tell that to Concha.

00:49:18Well,

00:49:19as it is

00:49:20the situation

00:49:20It's an offer

00:49:21much more than reasonable.

00:49:24We're going to burn it.

00:49:25Me too.

00:49:26But we're going to separate.

00:49:28after so much time.

00:49:30Oh,

00:49:31Vicenta,

00:49:31Let's talk

00:49:32Clearly, once and for all.

00:49:33Never here

00:49:34We got along well.

00:49:35That's true,

00:49:36We've done everything to each other.

00:49:37Coexistence

00:49:38It's been a disaster.

00:49:40We signed too.

00:49:41I didn't say that,

00:49:42I was just reflecting.

00:49:43But Maury,

00:49:44What do we do?

00:49:45Yeah,

00:49:45I'm going to sign too.

00:49:47But you will pay me back

00:49:48what I lent you,

00:49:48No?

00:49:48Yes,

00:49:49mother,

00:49:49yes.

00:49:50Another move,

00:49:51the mother who gave birth to me.

00:49:53Dear,

00:49:53the floor

00:49:54It's become too small for us.

00:49:55No,

00:49:55It hasn't become too small.

00:49:56More people have come

00:49:57of the expected,

00:49:58which is different.

00:49:59Yeah,

00:50:00It's true,

00:50:00Fuck it.

00:50:01It's the best,

00:50:02sign,

00:50:03take the money

00:50:04and each one on his own.

00:50:05No,

00:50:05Well, I'm just here alone.

00:50:06I'm not staying.

00:50:07The building collapses

00:50:08and who should I discuss it with?

00:50:15Well,

00:50:16Well, we

00:50:17we're going to pick up

00:50:18our things.

00:50:19Yeah,

00:50:20that thing about this

00:50:20may fall

00:50:21with Ezekiel inside,

00:50:21to me as a mother

00:50:22I'm a little worried.

00:50:23One little thing,

00:50:24to the architect

00:50:25He'll end up firing him

00:50:26at least someone.

00:50:27She will have a family.

00:50:29I say

00:50:29that we'll have to let him go,

00:50:30No?

00:50:30Or not,

00:50:31like in the pyramids,

00:50:32to those who designed them

00:50:33They buried them inside

00:50:34with the pharaoh of the day.

00:50:37Marisa,

00:50:38please.

00:50:39Man,

00:50:40I was already expecting it

00:50:41to move,

00:50:42that he sues us

00:50:42when we are no longer here.

00:50:44Good,

00:50:46This has been

00:50:46the last meeting

00:50:47of owners

00:50:48of Disillusionment 21.

00:50:50Good luck to everyone.

00:50:53There are none here.

00:50:56whoever lives

00:51:02There are none here.

00:51:07whoever lives

00:51:08whoever lives

00:51:10Really,

00:51:11for once

00:51:12that life

00:51:12He treats me well.

00:51:13that soon takes it away from me.

00:51:14Male,

00:51:14Don't complain

00:51:15that they're going to give you

00:51:1520 kilos.

00:51:16But Dad,

00:51:17What do I get out of that?

00:51:18I'm going to be unemployed.

00:51:19I am a goalkeeper,

00:51:20a species already on the verge of extinction.

00:51:22That's what I was going to ask you.

00:51:23What are you going to do?

00:51:24with your life?

00:51:25Where are you going?

00:51:26Yeah,

00:51:26I'm going to tell you.

00:51:27I don't stumble

00:51:28twice

00:51:28with the same stone.

00:51:29I'm not telling you.

00:51:30because I'm leaving

00:51:31with Leonor.

00:51:32Which Leonor?

00:51:33Mauri's mother.

00:51:34We're going to live

00:51:35to Marbella.

00:51:36He has an apartment

00:51:36with a view to the courts.

00:51:38You won't get bored there.

00:51:40So you're

00:51:40Are you making fun of me?

00:51:41I swear to you

00:51:42that we have a faith.

00:51:43We have passed

00:51:44the night together.

00:51:45Yeah,

00:51:45but there has been no sex.

00:51:47But has he fallen in love?

00:51:48Are you related to my father?

00:51:49Well,

00:51:49It keeps me company,

00:51:50He knows how to program the video.

00:51:52What ironies

00:51:53has life.

00:51:54Thanks to your fake wedding

00:51:56I have found

00:51:57my true love.

00:51:58Well,

00:51:59But from what I see

00:52:00Mauri knows nothing

00:52:00because he is still alive.

00:52:02Mauri knows it

00:52:02and it's in process

00:52:04to assume it.

00:52:04There's no rush.

00:52:07Look,

00:52:08talking about Mauri

00:52:09and upon entering

00:52:10the guilt complex.

00:52:11It's for rich people.

00:52:14What do you want?

00:52:15Mother,

00:52:16sorry,

00:52:16It's that before

00:52:17He hasn't been at his best.

00:52:19Look,

00:52:19Life is very short.

00:52:20If that man...

00:52:21It makes you happy,

00:52:22something I will not be able to

00:52:22grasp

00:52:23in my next few days

00:52:24of reincarnations,

00:52:25forward.

00:52:26I support you.

00:52:27Thank you, son.

00:52:28Anything else?

00:52:29That the house

00:52:30It's collapsing on us.

00:52:31So I imagine

00:52:32that you

00:52:33you won't mind

00:52:34welcome us into yours

00:52:34until we find something.

00:52:36Like us

00:52:37We have welcomed you

00:52:37because generosity

00:52:38from a mother

00:52:39It is only comparable

00:52:40with that of a son.

00:52:41Yeah,

00:52:41You can stay home

00:52:42all the time

00:52:43whatever you want.

00:52:44I'm going to Barbella

00:52:45to live with Mariano.

00:52:46Okay,

00:52:46Well, make me a copy.

00:52:47That?

00:52:48I'll tell you later.

00:52:49Bye.

00:52:53Did he tell you no?

00:52:55No,

00:52:56He said yes,

00:52:57that we have the house

00:52:58just for us

00:52:59And now he's leaving.

00:53:00to live in Marbella

00:53:01with Mariano.

00:53:02Ah,

00:53:02awesome.

00:53:03No?

00:53:03Yeah.

00:53:06Goes,

00:53:07goes,

00:53:07that's it,

00:53:08that's it.

00:53:10Hotel Bahía

00:53:11Benidorm Beach.

00:53:12Wait,

00:53:13That's something to think about.

00:53:14at its best.

00:53:15The Suide

00:53:15on the 28th floor

00:53:16with pool,

00:53:18if we keep it

00:53:19for one year,

00:53:20What are they leaving us with?

00:53:22Fuck.

00:53:23How much?

00:53:24Hey,

00:53:25a more modest one

00:53:25so from the first floor

00:53:26even though I don't have

00:53:27Sea views.

00:53:29With an extra bed?

00:53:31No,

00:53:32He's not a child,

00:53:32He is an adult,

00:53:33adult.

00:53:35Well,

00:53:35Well, take note.

00:53:36Marisa Benito,

00:53:37We're going there,

00:53:38Hey?

00:53:39Marisa,

00:53:39the 60 million

00:53:40the apartment is mine,

00:53:41probably

00:53:42I don't want them

00:53:42spend on a hotel.

00:53:43Man,

00:53:44if it costs us

00:53:445 million a year,

00:53:46we can live

00:53:47like queens

00:53:4812 years old.

00:53:49What if we lived

00:53:50longer?

00:53:50So we have

00:53:51what to decide

00:53:52in what order

00:53:52We prostituted ourselves.

00:53:53Vicenta,

00:53:54you don't see anymore

00:53:54What problems.

00:53:55Girl,

00:53:56let's spend

00:53:56the pasta,

00:53:57if you don't have

00:53:58who to trust.

00:53:58In the cunt.

00:54:00They will allow pets.

00:54:01No?

00:54:02Sure,

00:54:02do they allow children,

00:54:03Pets are allowed.

00:54:04Hey,

00:54:04Will they let us?

00:54:05install three peepholes

00:54:06in the room?

00:54:07Of course,

00:54:08if the good

00:54:08of living in a hotel

00:54:09It's that we don't have

00:54:10neighborhood associations.

00:54:12We're going to get bored.

00:54:13You'll see.

00:54:16It seems unbelievable.

00:54:17that we leave

00:54:18to leave from here,

00:54:19with the amount

00:54:20of happy moments

00:54:20that we have lived

00:54:21in this house.

00:54:23So many family meals,

00:54:24so many meetings.

00:54:26You're not growing,

00:54:27But you've taken

00:54:28weight lately,

00:54:29Hey?

00:54:30Thank goodness

00:54:30from now on

00:54:31You're going to eat healthy.

00:54:32Yeah,

00:54:33Yeah,

00:54:33I'm very happy.

00:54:34Of course,

00:54:35all shoulder-length.

00:54:35Okay,

00:54:36Okay,

00:54:36Okay.

00:54:40To Juan,

00:54:41I've spent

00:54:42four kilos

00:54:43in the reform

00:54:44And now we have each other.

00:54:44that go live

00:54:46with your sister.

00:54:48Dear,

00:54:48It's something temporary,

00:54:49only until

00:54:49Let's find another home.

00:54:51Already,

00:54:51But the thing is

00:54:52I don't like the plan.

00:54:53I don't like it at all.

00:54:58Herbs,

00:54:59I know that never

00:55:00We hit it off,

00:55:01We are women

00:55:02very different,

00:55:04But my brother

00:55:04He loves you,

00:55:05He will know why.

00:55:06And I'll open for you

00:55:07the doors

00:55:07from my house

00:55:08with all my love.

00:55:10Oh,

00:55:10Nieves,

00:55:11thanks a lot,

00:55:12really.

00:55:13Are

00:55:14hills

00:55:15yes indeed,

00:55:16pipes and weird stuff

00:55:18No,

00:55:18Hey?

00:55:20We're leaving

00:55:21to the airport

00:55:21and to my law

00:55:22She's fast asleep.

00:55:24Well,

00:55:25not anymore,

00:55:25But come on,

00:55:26That's fine.

00:55:27Hey?

00:55:27If you want something from Cuba,

00:55:28You know.

00:55:29Well,

00:55:29Juan,

00:55:29thanks a lot

00:55:30throughout,

00:55:30really.

00:55:31Man,

00:55:32Here we are, the grandparents,

00:55:33Hey?

00:55:35Oh,

00:55:36I'll take this

00:55:36for the trip.

00:55:37Don't worry,

00:55:38that one month

00:55:38It goes by very quickly.

00:55:44Hey,

00:55:44What is this?

00:55:45Careful,

00:55:45It's Paloma.

00:55:47Nieves,

00:55:48please.

00:55:49But,

00:55:51Juan,

00:55:52I had told you

00:55:52that this

00:55:53It cannot be had here.

00:55:54José Miguel,

00:55:55Bring me the dustpan.

00:55:55Go on.

00:55:56For God's sake,

00:55:56What a lack of respect!

00:55:57and everything.

00:55:58It was an accident.

00:55:59Yeah,

00:56:00because she is my mother.

00:56:01Juan,

00:56:02I have nothing

00:56:03against Paloma

00:56:04and even less so like this,

00:56:05But this at my house

00:56:06You can't take it from me.

00:56:07if we don't know

00:56:09what to do with the ashes.

00:56:11Hey,

00:56:12I've had an orgasm

00:56:12a very romantic idea.

00:56:14Which?

00:56:16Well,

00:56:17I think

00:56:17that everything is ready.

00:56:21Are you sure you're going?

00:56:22Are you okay on your own?

00:56:23yes,

00:56:24heavy,

00:56:25come on,

00:56:25leave.

00:56:26No,

00:56:27I'm not going to cry.

00:56:28Well,

00:56:29But I do.

00:56:29I think so too.

00:56:33But we have to put up with it.

00:56:34me too.

00:56:36So I'm going to throw

00:56:37much less.

00:56:38It tasted like you.

00:56:42Hey,

00:56:43aunt,

00:56:44that you have

00:56:44to return the deposit.

00:56:45No,

00:56:46that you broke me

00:56:47the washing machine.

00:56:48But that wasn't it.

00:56:48Our fault.

00:56:49Yeah.

00:56:51Hey,

00:56:51which was the same,

00:56:52we're not going either

00:56:52to discuss

00:56:53now over something trivial,

00:56:54No?

00:56:54It's true.

00:56:55And we love each other very much.

00:57:01Hey,

00:57:03Why don't you come?

00:57:03with us?

00:57:04Yeah,

00:57:05aunt,

00:57:05if we have three bedrooms

00:57:06We'll give you a price.

00:57:07Okay?

00:57:07No.

00:57:09No,

00:57:10thank you,

00:57:10but not.

00:57:11I feel like I'm starting

00:57:12a new stage

00:57:13in my life

00:57:14in which

00:57:14I need to be alone

00:57:16to mature

00:57:17and grow

00:57:19as a human being.

00:57:20But,

00:57:20TRUE?

00:57:21You don't know

00:57:21being alone.

00:57:24Well,

00:57:24But I'll have it.

00:57:25that try,

00:57:26No?

00:57:27Yeah.

00:57:34Let's see.

00:57:35Yeah?

00:57:39Alice.

00:57:42Hey, hey, hey!

00:57:43I said

00:57:43three films each,

00:57:44You won't want to go to the shelves.

00:57:46Paquito,

00:57:46Can I keep the console?

00:57:48No, no, no,

00:57:48the console

00:57:48We need to let it go, okay?

00:57:49No,

00:57:50I'll take the stools

00:57:51These are dear.

00:57:52But don't be rats,

00:57:53Pussy,

00:57:53I won the last meeting

00:57:54of the Council of Wise Men.

00:57:55Come on,

00:57:56come on,

00:57:56a toast.

00:57:57Wait,

00:57:57wait,

00:57:58if we care

00:57:58I would like to say

00:57:59a few words.

00:58:00Yes, Dad,

00:58:01If we care,

00:58:02You don't spoil the moment.

00:58:03Well,

00:58:04Well, nothing.

00:58:05by the Council of Wise Men.

00:58:13Hey,

00:58:14those of you who do not have

00:58:15where to meet

00:58:16You can come

00:58:16to my aunt Lachoni's house,

00:58:18Pussy,

00:58:18There's plenty of room.

00:58:20Thank you,

00:58:21But for now, I'm not going to...

00:58:22I'm going with this snow house.

00:58:23It's a step backwards.

00:58:24But it's cheap.

00:58:25Me,

00:58:25Why won't they let me?

00:58:26But,

00:58:26I was going with you.

00:58:28I'm a little sad.

00:58:30Come on,

00:58:31man,

00:58:31if nothing happens.

00:58:32Now I have

00:58:33to unhook

00:58:34of you,

00:58:34There are already many things.

00:58:36But, José María,

00:58:36if we're going to keep seeing each other.

00:58:38Yeah,

00:58:38already.

00:58:39He told the same thing to the child,

00:58:41I'll be right here.

00:58:44And then he went back to his planet,

00:58:46would get married

00:58:47and to the child,

00:58:48Give him little.

00:58:50The only thing I ask of you is

00:58:51before we separated

00:58:53It's just that you two

00:58:54Make peace.

00:58:55Yeah,

00:58:55That's enough already.

00:58:56You are two founding members,

00:58:57You can't leave angry.

00:59:01Come on,

00:59:01Paquito,

00:59:01Give me a hug.

00:59:02No,

00:59:04Things aren't that easy.

00:59:05What do you want?

00:59:06Shall we give each other a hug now?

00:59:07As if nothing had happened.

00:59:09Yeah.

00:59:10Come here,

00:59:11come here.

00:59:14Hello.

00:59:15Oh,

00:59:15They make peace

00:59:16And this appears.

00:59:17They are women,

00:59:18They can smell it.

00:59:20Can you leave us

00:59:21A little while alone?

00:59:22If we're going to see it

00:59:23from the shop window.

00:59:24Well,

00:59:24Well, from the shop window.

00:59:31Behold,

00:59:33I've been thinking

00:59:34much in us,

00:59:36in all three,

00:59:37in you and me

00:59:40and in you and I

00:59:41And I think now

00:59:44I have things clear.

00:59:46We hold hands

00:59:47like the nominees.

00:59:49I love you all so much

00:59:50to both of them,

00:59:52But I'm not going to be happy.

00:59:53with none.

00:59:54nor you with me,

00:59:56if actually

00:59:57I'm doing you a favor.

00:59:59Yeah,

01:00:00But which one do you prefer?

01:00:02With none,

01:00:02Yes, I am saying it.

01:00:04No,

01:00:04You haven't said anything.

01:00:05Well, alone.

01:00:07Well,

01:00:08No,

01:00:08Not alone,

01:00:08I'm going with Alicia.

01:00:09to the United States.

01:00:11What are you saying?

01:00:12But you know

01:00:13the food is so bad

01:00:14And you're going to put

01:00:14like a cow.

01:00:15Well,

01:00:16Well, I'm in.

01:00:16to a gym

01:00:17or to a diet

01:00:18of those miraculous

01:00:19that they have.

01:00:19But what is he doing?

01:00:20Alice there?

01:00:22He says he's succeeding

01:00:23in Hollywood.

01:00:23but sure

01:00:24which is a lie.

01:00:25He will be working

01:00:26waitress

01:00:27on skates

01:00:27somewhere.

01:00:29Oh well,

01:00:30This is how you learn English

01:00:31at once.

01:00:34Well,

01:00:35Well, nothing.

01:00:37that...

01:00:38bye bye.

01:00:42Hey,

01:00:42that's leaving.

01:00:44That?

01:00:46Well,

01:00:47Well, let him go.

01:00:48Fuck it

01:00:49all.

01:00:50Look,

01:00:50Paquito,

01:00:50They're going to give it to me

01:00:5120 million

01:00:52And I'm going to buy

01:00:53a curl.

01:00:54Do you want to come?

01:00:55Let's travel with you

01:00:55the world

01:00:56Living adventures?

01:00:57Like what?

01:00:57water heater and electricity?

01:00:58Yeah,

01:00:59but more comfortable

01:00:59with kitchen and bathroom

01:01:00and a thrush

01:01:01to take a nap.

01:01:02Made.

01:01:03They're over

01:01:04forever

01:01:04women.

01:01:05Well,

01:01:06We're not leaving either.

01:01:07to put

01:01:07fundamentalists.

01:01:10ladies,

01:01:11please,

01:01:12that the tweezers

01:01:12wooden

01:01:13They are ours.

01:01:13What do you know?

01:01:14if you haven't had

01:01:16never?

01:01:16Let's see,

01:01:17a bit

01:01:18of silence,

01:01:19please.

01:01:20It's going to be

01:01:21one moment.

01:01:23Proceed,

01:01:23father.

01:01:25Siblings,

01:01:27We are here

01:01:27gathered

01:01:28so that the ashes

01:01:29of our beloved

01:01:30Pigeon

01:01:30rest forever

01:01:32In the peace of the Lord

01:01:33in this courtyard

01:01:34so narrow

01:01:35and so...

01:01:37Because

01:01:38Is it that hot here?

01:01:39It's the air conditioning.

01:01:41of the super-neras.

01:01:42Ladies,

01:01:43Can they turn off

01:01:43that noise

01:01:44which is a ceremony

01:01:45very emotional?

01:01:45It's because Valentín

01:01:46He bit the remote control

01:01:47and it doesn't work.

01:01:48We don't know

01:01:49how to turn it off.

01:01:50It's freezing cold

01:01:52And I believe

01:01:52that has given me a cold.

01:01:53The pity is that

01:01:54when it falls

01:01:55the building

01:01:55They're going to escape

01:01:56all the cooling capacities.

01:01:58When what falls?

01:01:59Nothing, father,

01:02:00You continue.

01:02:01Yeah,

01:02:01is that we have

01:02:02a problem

01:02:02with termites.

01:02:03We have been told

01:02:04that must be vacated

01:02:04the building.

01:02:05Ah,

01:02:06Well,

01:02:06well, quickly

01:02:07So, huh?

01:02:08But don't you have

01:02:09fear, father.

01:02:09Don't look

01:02:10that heals you.

01:02:11Of course, Father,

01:02:11if when you die

01:02:12He'll do it in business class.

01:02:13Yeah,

01:02:14But I'm in no hurry.

01:02:14for getting me the ticket.

01:02:16Juan,

01:02:16whenever you want,

01:02:17pour out your deceased.

01:02:20Goodbye, dove.

01:02:21May his immortal soul

01:02:23find peace

01:02:24that in life

01:02:24did not find

01:02:25nowhere.

01:02:26Amen.

01:02:27Amen.

01:02:27You may go in peace.

01:02:30The poor thing.

01:02:31Well, neighbors,

01:02:33This has been

01:02:33the latest broadcast

01:02:35from Radiopatio.

01:02:36Thank you so much

01:02:37to everyone

01:02:38by tuning in

01:02:38with us

01:02:39for so many years.

01:02:42That's how it's been

01:02:42things

01:02:43And that's how we've told them to you.

01:02:46What great acoustics!

01:02:47has.

01:02:47They don't make them anymore.

01:02:48patios like that.

01:02:50Ah,

01:02:50another thing.

01:02:51Let's see if we can coordinate.

01:02:52our respective moves

01:02:54to make them

01:02:54in the way

01:02:55as orderly as possible.

01:03:01Oh my God,

01:03:02Now this is it!

01:03:03an exit operation.

01:03:04Let's see,

01:03:04It's urgent,

01:03:05that this weighs heavily.

01:03:06And this too.

01:03:07Closing!

01:03:08Oh,

01:03:09to the ground,

01:03:10to the ground,

01:03:10my back is killing me.

01:03:11I need to get out of here.

01:03:12dad,

01:03:12I'm getting claustrophobic.

01:03:14Careful,

01:03:14that you will see

01:03:14how this falls apart.

01:03:16What a silly mistake

01:03:17if we all die here,

01:03:18Hey?

01:03:18Emilio,

01:03:19Are you going to leave us?

01:03:20I'm leaving the house

01:03:21Or what's going on?

01:03:22Please,

01:03:23one moment,

01:03:23yield the right of way,

01:03:24there's a traffic jam

01:03:25on the stairs.

01:03:26If the bed

01:03:26It doesn't fit through the hole.

01:03:27It doesn't turn.

01:03:28What do you mean, no?

01:03:28If that's the case

01:03:29We have to take it down to the street

01:03:30over the balcony

01:03:31wearing a t-shirt.

01:03:32Yeah,

01:03:33man,

01:03:33there is the building

01:03:34as if for walking

01:03:34hanging things on it.

01:03:36Let's see,

01:03:36Be careful with chipping paint,

01:03:37Hey?

01:03:37And what more of that is there?

01:03:38Come on,

01:03:39get down on the bed however you can,

01:03:40Pussy.

01:03:40If it works,

01:03:41It's the elevator.

01:03:42If it works,

01:03:42He's busy.

01:03:43Dad,

01:03:44What's wrong with the elevator?

01:03:46No!

01:03:49The lamp!

01:03:50Don't let it fall on my furniture!

01:03:51It won't fall on my furniture!

01:03:54It's Bethlehem's sofa

01:03:55that has become stuck.

01:03:57But let's see,

01:03:58if he has entered

01:03:58He has to leave

01:03:59then to physics.

01:04:01It doesn't matter,

01:04:01we moved on from the sofa

01:04:02And we'll leave it at that.

01:04:03Hey,

01:04:03Am I giving it to you for free?

01:04:05It's ugly.

01:04:06Nativity scene,

01:04:07It cannot be used

01:04:08the elevator

01:04:09like forklifts.

01:04:10It says it very clearly.

01:04:11the statutes.

01:04:12Juan,

01:04:12I'll tell you where

01:04:13I'll stop by.

01:04:13at this point

01:04:14your statutes.

01:04:15They're not mine,

01:04:16They belong to Don Bartolomé

01:04:17Méndez Zuloaga

01:04:18and you just took

01:04:19the last warning

01:04:20of this community of neighbors.

01:04:22Okay, then.

01:04:22that it be recorded in the minutes.

01:04:25Mr. John,

01:04:25We should have taken it out

01:04:26the owner's card

01:04:27per point

01:04:28and whoever lost them all

01:04:29a refresher course

01:04:30scrubbing landings.

01:04:31Hey,

01:04:32I would start letting go

01:04:33to the architect,

01:04:34Hey?

01:04:34It has 14 calls

01:04:35losses of his wife.

01:04:37I didn't pick it up

01:04:38in case the police

01:04:39triangulated our position.

01:04:41Yes, yes, of course.

01:04:42Someone let it go.

01:04:43Me, me,

01:04:44that I have to take out

01:04:44my attic things.

01:04:45You'll see.

01:04:45that in the end

01:04:46We never leave here.

01:04:55Emilio, leave him alone.

01:04:56if it's no longer needed.

01:04:57Well, Mr. Juan,

01:04:58But that way I leave it clean.

01:04:58if it doesn't cost me anything.

01:04:59This looks like the exodus

01:05:01of the Hebrews

01:05:01after seven

01:05:02plagues of Egypt.

01:05:03Well,

01:05:04Let's hope they pass

01:05:04the moving trucks

01:05:05before the garbage one

01:05:07so that there are no

01:05:08mistakes.

01:05:09If there isn't enough room

01:05:09the trucks all at once,

01:05:10They have to keep going.

01:05:11one by one.

01:05:11Moncho,

01:05:12where are you

01:05:13with the van?

01:05:14Wow,

01:05:15We're already spending the night here.

01:05:16Mr. John,

01:05:17Shall we order some pizzas?

01:05:19The latest spill.

01:05:20No, José María,

01:05:20and don't put on a peltatina

01:05:21that's not ours.

01:05:23Oh, yes,

01:05:23This is very nice.

01:05:24for your home.

01:05:26Leave him be.

01:05:27Does it slip through?

01:05:27Yeah.

01:05:28Oh, what a beating!

01:05:30For God's sake,

01:05:30I am dead.

01:05:32Listen,

01:05:33Those are my seats.

01:05:35Very good, Vicenta,

01:05:36very sharp.

01:05:38I knew it,

01:05:39Get up.

01:05:39Hey,

01:05:39You abandoned them

01:05:40in a common area.

01:05:41That was my mother.

01:05:42What do our seats want?

01:05:44And are they going to a hotel?

01:05:45They are going down to the beach,

01:05:46Pussy.

01:05:47How are they going to get down to the beach?

01:05:48with my seats

01:05:48700 euros?

01:05:49You three are insane.

01:05:51It's true,

01:05:52three demented people

01:05:53and two seats,

01:05:54Well, one is missing.

01:05:55Hello,

01:05:56I have the checks.

01:05:57I'll pay you here

01:05:58or we go up to a floor.

01:05:59No, no, no,

01:05:59here, here,

01:06:00Stop making a fuss.

01:06:01Well.

01:06:04Let's see,

01:06:06Juan Cuesta,

01:06:07Virginia Heredia,

01:06:09Belén López,

01:06:11Mauricio Hidalgo

01:06:12and Fernando Navarro,

01:06:14Vicenta Bonito,

01:06:15Belito

01:06:17and Emilio Delgado.

01:06:20To Bethlehem and me

01:06:20He can pay us in cash,

01:06:22We have problems

01:06:23with justice,

01:06:24We are supposed to be insolvent.

01:06:25Well,

01:06:26Stop by the office

01:06:26Let's see what can be done.

01:06:27Hey,

01:06:28You've discounted the girl's

01:06:29what I have paid

01:06:30of the mortgage,

01:06:30Yes, yes, yes, yes.

01:06:31Well,

01:06:31Congratulations to all.

01:06:32You've done a good deal.

01:06:34Me too, of course.

01:06:35I'll invite you.

01:06:36to the inauguration

01:06:36from the offices.

01:06:37There will be canapés

01:06:38and some celebrities.

01:06:40Rafael,

01:06:40I believe the municipal regulations

01:06:41does not allow building

01:06:43more than four stories here,

01:06:44Hey?

01:06:45For now,

01:06:46Juan,

01:06:46for now.

01:06:48Well,

01:06:48Kisses to all,

01:06:49Hey?

01:06:50You call me

01:06:51and you come to the pool

01:06:52Whenever you want,

01:06:52Hey?

01:06:53Bye bye,

01:06:53Huh, Mom?

01:06:54Hey,

01:06:54I'm going to see you,

01:06:55Don't play the victim.

01:06:56Go on.

01:06:57Yes, French toast.

01:06:58that he's set it up well.

01:07:00Well,

01:07:01Well, it has arrived

01:07:01the moment

01:07:02of the farewells,

01:07:02No?

01:07:03Oh no,

01:07:03more farewells,

01:07:04No,

01:07:04How awful.

01:07:06What a shame

01:07:07with the stuff

01:07:08that we have lived here.

01:07:09Oh,

01:07:10please,

01:07:11Let's save ourselves

01:07:12these kinds of comments.

01:07:13To all

01:07:15We feel very sorry.

01:07:16Yeah,

01:07:17But there's no reason to.

01:07:18be afraid.

01:07:19Life is change,

01:07:20It's an adventure,

01:07:21not knowing

01:07:22what's going to happen to you

01:07:23tomorrow.

01:07:24Clear,

01:07:25That's why you've been here.

01:07:26coupled for three years.

01:07:28What if all of this is a lie?

01:07:30The fact that?

01:07:30All,

01:07:31the idea that it's going to sink

01:07:32the building.

01:07:33I don't know about you,

01:07:34But I have him

01:07:34Much love to this house.

01:07:36I don't see the point.

01:07:36that it might fall.

01:07:37Me neither,

01:07:38really.

01:07:39Mauri,

01:07:39we have seen

01:07:40some beams

01:07:40and they didn't look good.

01:07:42But what's the point?

01:07:42do you want them to have

01:07:43120 years old?

01:07:44Has anyone seen

01:07:45Any termites?

01:07:46Well, supposedly

01:07:46that there are three million.

01:07:47Apparently

01:07:48They are photovoltaic

01:07:50negativists

01:07:50and they flee from the light,

01:07:51The expert said so.

01:07:52And who tells us

01:07:53that expert

01:07:53He hasn't paid Rafael

01:07:54and to the architect

01:07:55And everyone?

01:07:56Mauri,

01:07:56relax,

01:07:57that you love

01:07:57conspiracy theories.

01:07:58No,

01:07:59No,

01:07:59it just can't be.

01:08:00This building

01:08:01has been our life,

01:08:02everyone's

01:08:02and we are abandoning it

01:08:04without fighting.

01:08:05Not without a struggle,

01:08:06No,

01:08:06Juan,

01:08:06that they have given us

01:08:0760 million per house.

01:08:08And do you know

01:08:09what he's going to earn

01:08:10Rafael with those offices?

01:08:11Ten times more?

01:08:12I'm with Mauri,

01:08:13to this building

01:08:14Nothing's wrong with him.

01:08:15What are you betting?

01:08:15The gay man is right.

01:08:17We have to fight.

01:08:18Oh,

01:08:19the Virgin.

01:08:20I don't care.

01:08:20if we have been deceived,

01:08:21I'm not coming back

01:08:22to go upstairs with the furniture.

01:08:23Good afternoon,

01:08:24please,

01:08:25clear away furniture

01:08:25the sidewalk and the doorway,

01:08:26We need to seal it off.

01:08:27the building.

01:08:28And what about you?

01:08:29How many have paid?

01:08:30Who?

01:08:31What does it say?

01:08:32This is my house,

01:08:33I'm not going to leave

01:08:33without fighting.

01:08:34Mauri,

01:08:35No,

01:08:35please,

01:08:35Don't go in there.

01:08:35It's dangerous.

01:08:36No,

01:08:37wait,

01:08:37Mauri,

01:08:37I'm staying too.

01:08:38Me too,

01:08:39Let it go,

01:08:39Let it go, it's coming.

01:08:46It's Chanquete's boat,

01:08:48Let me through,

01:08:49Pussy.

01:08:50Right next to each other,

01:08:50chito.

01:08:52Why again?

01:08:52all together?

01:08:54But,

01:08:55Let it go,

01:08:55Pussy.

01:08:56Juan,

01:08:57This isn't the Titanic,

01:08:59that the president

01:09:00He doesn't have to die

01:09:01with the building.

01:09:03I believe my father

01:09:04Don Quixote was read

01:09:05and he has been deeply affected.

01:09:06Okay, then.

01:09:07Well, that's great.

01:09:08But,

01:09:08Why always

01:09:08Do we need to reach out?

01:09:10Excuse me,

01:09:11gentleman,

01:09:12Excuse me.

01:09:16From this our house

01:09:18They will not move us.

01:09:20From this our house

01:09:22We shall not be moved

01:09:23because this house

01:09:25It's our whole life.

01:09:28We will not be moved.

01:09:30Please,

01:09:31Get down from there.

01:09:32The structure is badly damaged,

01:09:34They are risking their lives.

01:09:35To this house

01:09:36Nothing's wrong with him.

01:09:37He has deceived us

01:09:38the bastard

01:09:38that one with the tie.

01:09:40See?

01:09:41If it makes you older,

01:09:42Why are you wearing it?

01:09:43Juan,

01:09:43I swear on my children

01:09:44that I haven't done anything.

01:09:45Have I only taken advantage?

01:09:46of the situation?

01:09:47Give us back our homes

01:09:48shameless.

01:09:50Look!

01:09:51Look how damaged it is!

01:09:51The structure is there!

01:09:53Come on, everyone!

01:09:54From this our house

01:09:55They will not move us.

01:09:57Okay,

01:09:58If they want,

01:09:58sing.

01:09:59But don't jump,

01:10:00please.

01:10:01From this house

01:10:02It's our whole life.

01:10:05We will not be moved.

01:10:08We're going to open

01:10:09an investigation.

01:10:10That,

01:10:11and we will appeal

01:10:12to the ordinary justice system

01:10:13if necessary.

01:10:14From this our house

01:10:16They will not move us.

01:10:22But what are you doing?

01:10:24Returning a movie.

01:10:25What do you think?

01:10:27Oh,

01:10:27What a crash!

01:10:28silly!

01:10:30Oh,

01:10:30Emilio!

01:10:31Are you OK,

01:10:32Emilio?

01:10:32Oh,

01:10:33Yes, of course.

01:10:34It was bound to happen!

01:10:36What's going to be true?

01:10:37The termite thing?

01:10:39Let's see,

01:10:39let's see,

01:10:39carefully.

01:10:40We're leaving

01:10:41one by one,

01:10:41Hey?

01:10:41Walk where I walk.

01:10:43Yeah.

01:10:43Stick to the walls,

01:10:45Hey?

01:10:45Safer.

01:10:45I saw it in a documentary

01:10:47of earthquakes.

01:10:48Yeah,

01:10:48Yeah.

01:10:49Let's go,

01:10:50that here

01:10:50There's no one left to live.

01:10:53That?

01:10:55That?

01:10:57That?

01:11:01That?

01:11:02That?

01:11:08That?

01:11:08We need to look back.

01:11:09We have to live.

01:11:10of hope,

01:11:11not from memory.

01:11:12Yeah,

01:11:12As Julio said,

01:11:13Life goes on,

01:11:17I'm a fool,

01:11:18I am a gentleman.

01:11:20And not,

01:11:21I think you're mixing them up.

01:11:23Mauri,

01:11:24I'm going to pick myself up

01:11:24to your mother

01:11:25we have many kilometers

01:11:26all the way to Marbella.

01:11:27Ah,

01:11:28And you're even going by car.

01:11:29Yeah,

01:11:29But don't worry,

01:11:30since they didn't renew my contract

01:11:31the driver's license,

01:11:32I'm being very careful.

01:11:34Take care of her for me,

01:11:34Hey,

01:11:35Mariano?

01:11:36Call me,

01:11:36dad.

01:11:37Well,

01:11:37little by little,

01:11:39And to think that here

01:11:40They were going to build offices.

01:11:42Fucking money

01:11:43that ends everything.

01:11:45Notice that now

01:11:45I even find it beautiful.

01:11:46It's a building,

01:11:47manorial.

01:11:48It's like a piece

01:11:49of each one's soul

01:11:50He'll stay in here.

01:11:52Fuck,

01:11:52Don't watch it

01:11:54when they get sentimental.

01:11:56Marisa,

01:11:57Are you crying?

01:11:58Excellent,

01:11:59The thing is that

01:11:59I have allergies

01:12:00to sad moments.

01:12:02I'm going to cry.

01:12:03Well,

01:12:03Okay, that's enough.

01:12:04No?

01:12:05Oh,

01:12:05Javi,

01:12:06What a great moment!

01:12:08Well,

01:12:08But don't be sad,

01:12:10that we are going to start

01:12:11a new life.

01:12:12No,

01:12:13new no.

01:12:14It's the same as always,

01:12:16but somewhere else.

01:12:17That,

01:12:18your soul.

01:12:19We can meet

01:12:19once a year

01:12:20and do something together.

01:12:22Well, a paella

01:12:23in the countryside.

01:12:24That's always said

01:12:24and then nobody

01:12:25never see anyone again.

01:12:27Come on,

01:12:27a souvenir photo.

01:12:28Yeah,

01:12:29come on.

01:12:33He is expected,

01:12:34dear,

01:12:34Otherwise,

01:12:34You're not in it.

01:12:36Hey,

01:12:37sorry,

01:12:37Do you mind?

01:12:37Let's take a picture?

01:12:38No.

01:12:42But I smiled a little,

01:12:43No?

01:12:43Yeah.

01:12:46Come on,

01:12:47Shall we go for drinks?

01:12:48Or what's going on?

01:12:48We don't have enough time.

01:12:49We lose the motorhome owner.

01:12:51Nativity scene,

01:12:52And you and I

01:12:52When are we going to get divorced?

01:12:53Well,

01:12:54when I return,

01:12:54don't worry,

01:12:55We'll see how it goes.

01:12:56Yeah,

01:12:56But you look for each other

01:12:57another lawyer,

01:12:57Hey?

01:12:58But we're leaving.

01:12:58or we stay

01:12:59to the collapse.

01:13:01I'm going to kick you out

01:13:01much less,

01:13:02Hey?

01:13:02And to think that already

01:13:03We're not going to see each other again.

01:13:04You never know,

01:13:05Emilio,

01:13:05You never know.

01:13:07Life takes many turns.

Aquí no hay quien viva - 5x13 - Érase un adiós - HD 1080

Categoría

Transcripción

Comentarios

Recomendada