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Aquellas Maravillosas Series

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Transcript

00:00:00What have you seen in my friend, huh?

00:00:02Friend?

00:00:02What kind of friend will it be?

00:00:04To my soulmate, to my buddy, to Fraquito, eh.

00:00:07What's wrong with a man not coming to work one day?

00:00:10What am I saying? What's wrong with a man not coming to work one day?

00:00:13Totásio, do we have to prepare the wedding today?

00:00:14Well, it's okay because I'll do it myself.

00:00:16This isn't going to end like this, Robert.

00:00:18You think you saw me angry, but you're very wrong.

00:00:22Be careful, train, be careful.

00:00:25Perhaps you're talking about a new clinic director.

00:00:27And now I'm really leaving, because neither the taxi nor the plane will wait, so...

00:00:33My mother, Don Pascua, is not with us.

00:00:38He died.

00:00:38He abandoned us.

00:00:39He abandoned us, ñaqui, to heaven.

00:00:40What we've lost is a friend.

00:00:43No, and as silly as ever.

00:00:45Or we wouldn't be friends when it's been lost.

00:00:49Draw?

00:00:50Do you want me to close the door so they don't see you cry?

00:00:52But how can it be a tie? Mrs. Pineda withdrew her support.

00:00:54Yes, but I've moved my thread.

00:00:56Voices, elbow, again on both sides.

00:00:58Look, both of them have chosen me and I don't know how to say no.

00:01:01No, no, it's already noticeable just by looking at the flap you have on your nose.

00:01:04Do you trust me?

00:01:05Man, I'm no more in love with anyone else.

00:01:06You are welcome?

00:01:07Ah, you shut up, brother, because this morning he left me in tatters.

00:01:09Well, I know the person who's going to be in charge of your wedding.

00:01:13Oh, really? Who?

00:01:14A protocol expert who won't let you down.

00:01:17With fireworks in honor of the couple.

00:01:23Carmen and Iñaki.

00:01:30Fasquito, damn it, what a scare!

00:01:32And you're here sleeping off your hangover, aren't you?

00:01:35Fasquito, wake up.

00:01:36It is cold and has no pulse.

00:01:38What is that, Antonio? A riddle?

00:01:40What, damn it?

00:01:41I just found Fasquito.

00:01:47No, no, no, no, no.

00:02:19Hey, but let's see, Antonio, I'm sure Fasquito didn't have a pulse.

00:02:22If he didn't have it, he wouldn't have it hidden, because I haven't found it.

00:02:24Fuck.

00:02:26I need to find a doctor.

00:02:27Wait, damn it, my daughter works here.

00:02:29But why don't we call a doctor from somewhere else?

00:02:31Antonio, I think it's about time Carmen found out everything.

00:02:33But that's not all, not all, not a damn thing.

00:02:36We don't even know what happened.

00:02:37He's right about that.

00:02:39Because according to you, what we have is a dead body in the car.

00:02:42Oh, good afternoon.

00:02:44I'm not saying Fasquito is dead, damn it.

00:02:46What I'm saying is that I haven't found his pulse.

00:02:47Great, Antonio.

00:02:48Brilliant.

00:02:49What can I do?

00:02:50Am I a doctor?

00:02:51That's why we need to find a doctor.

00:02:52But again, damn it, the.

00:02:54What you have is truly medical.

00:02:55Let me explain it to you again.

00:02:57Antonio.

00:02:58Well, I'm going to see Fasquito.

00:03:01Of course, Antonio.

00:03:10Antonio.

00:03:12And the car?

00:03:13How should I know?

00:03:14I was here, son, you know?

00:03:20Cabenzos.

00:03:25Hey!

00:03:26Hey!

00:03:27Stop, damn it!

00:03:28Don't let it happen to my colleague!

00:03:29Hey!

00:03:31Damn it, Antonio!

00:03:33Damn it, Antonio!

00:03:33But how could you even think of leaving him alone with the car?

00:03:36I don't know, man.

00:03:37And now I'm putting up a sign that says

00:03:39It does not carry a body inside.

00:03:41Didn't you notice it was parked badly?

00:03:43Neither are you, damn it.

00:03:45Okay, I didn't notice either.

00:03:46But right now the crane

00:03:47He's taking the car with Fasquito inside.

00:03:49Already?

00:03:50Because it's Fasquito, right?

00:03:51It wouldn't be a sack of acorns.

00:03:54Bellotas is all he has in his head, damn it.

00:03:55And show some respect to my Fraquito, okay?

00:03:57I recognize my friend

00:03:58Even the smell, damn it.

00:04:00Well, he'll be your buddy.

00:04:01But right now they're taking it to the impound lot.

00:04:03Of corpses?

00:04:04No, man, no.

00:04:04To the municipal car department.

00:04:06Come on, let's go.

00:04:07Before things get worse.

00:04:08Clear.

00:04:12Damn, it's Carmen.

00:04:14Look, of course, let's go,

00:04:15I don't just get out of one situation and into another.

00:04:17What should I say to him/her?

00:04:18You're not good at telling white lies, are you?

00:04:20A shush, damn it.

00:04:21And don't tell him anything until Fasquito shows up, man.

00:04:23Damn, my dear, I keep more secrets with a sense of surprise.

00:04:27Hello, little one.

00:04:28Iñaki, darling, forgive me for bothering you, son,

00:04:30But I'm going to be a little late.

00:04:31to get home,

00:04:31that today we have a very high emergency.

00:04:33I don't know, but so many misfortunes, my love.

00:04:36Yeah, if it were just emergencies.

00:04:38That?

00:04:38No, no, nothing, nothing.

00:04:39Hey, you just do your thing, okay?

00:04:42And don't be in a hurry to go home.

00:04:44Okay, bye, bye, bye.

00:04:47And that face?

00:04:48What's going on now, man?

00:04:49Well, for once luck is on our side.

00:04:53What is it?

00:04:54Let's go, Antonio.

00:04:57But anyway, where did this one come from?

00:04:58Well, from a party, a flamenco show.

00:05:00What about a party, a flamenco show, and then what?

00:05:02Has he been blocking the road too much?

00:05:03No, apparently he's a banker

00:05:04and I was with a lot of Japanese investors.

00:05:06But he invested it in bonds,

00:05:07because he has lost his dignity.

00:05:09Take it for yourself, C1, you already see the doctor.

00:05:10Hey, what do you think?

00:05:12Well, honey, I can see you're not up for investing in the stock market.

00:05:24So, nine, four, one, nine, A, S.

00:05:34One, nine, nine.

00:05:39Oh, this has crashed!

00:05:41Hanging?

00:05:42What else would I hang on you if you didn't lighten up a bit?

00:05:44Okay, okay, okay.

00:05:45Listen, please, you can't let them in.

00:05:47I already told him that his friend is inside the car.

00:05:49And let's see if we can look inside before taking anything, damn it.

00:05:52And you had to be careful too, right?

00:05:55So as not to leave people inside.

00:05:56Stop it, man!

00:05:57Yeah!

00:05:58Darling!

00:05:59Okay, the registered woman tells me, please.

00:06:01Again!

00:06:02What kind of mud is there?

00:06:03It's to clarify.

00:06:04How do I know the car is his?

00:06:06Because it's the only car that has a person inside, damn it.

00:06:09Yeah!

00:06:11Little bottle!

00:06:12If you're there, hold on, I'm coming now.

00:06:14Okay, so we have 9, 4...

00:06:219, 4, 1, 9, A, S!

00:06:241, 9, A, S.

00:06:30There it is.

00:06:31Oh!

00:06:32Well, this is 144.50.

00:06:36Oh!

00:06:37With three lambs, that's it, damn.

00:06:38He's going to pay me in cash with a card.

00:06:42Pay for it yourself, damn it.

00:06:43Now we're talking, right?

00:06:45Okay, here goes.

00:06:47Come on.

00:06:49And keep the change.

00:06:51I'll call emergency services in the meantime, okay?

00:06:53They're sure to be lighter.

00:06:55Okay, let's go then.

00:06:56Listen, it's urgent...

00:06:591.

00:07:02Yeah.

00:07:03Iñaki will go to Zabaldezía.

00:07:05What a little bottle, damn it!

00:07:06He left there, if you think so, I've taken note.

00:07:08I'm here, buddy!

00:07:09Uh, talk to an operator.

00:07:11That?

00:07:11Uh, yes, hello.

00:07:12Look, we have an emergency.

00:07:14We have a man who has spent many hours inside a car.

00:07:16No, driving us, hopefully.

00:07:17He's not here.

00:07:18He's not here.

00:07:18What do you mean it's not there?

00:07:19What's not there?

00:07:20This.

00:07:21It's not here!

00:07:22It's not here!

00:07:22He's not here!

00:07:23He will know how to buy tobacco.

00:07:25Hey, he's not here.

00:07:26Yes, yes, the car is there.

00:07:28The one who is not there is the man.

00:07:30The one from...

00:07:301.

00:07:31He...

00:07:31Yeah!

00:07:33I swear I was there, Iñaki, I was there, listen, crumpled up in the blanket like a fritter.

00:07:36Well, he's not here now.

00:07:37What do we do?

00:07:38Well, take the car out for now, because otherwise you're going to pay a surcharge.

00:07:41Yes, of course everything is easy with you, huh?

00:07:43That's just how it is.

00:07:45Come on.

00:07:45I was there, Iñaki, I was there.

00:07:47What's happening?

00:07:47I see people where there aren't any.

00:07:48I don't know, but if the little bottle isn't there, where the hell is it?

00:07:53Where are we?

00:07:54Where are we?

00:07:55Where are we?

00:07:56Where are we?

00:07:57Where are we?

00:07:57Here we go, here we go, here we go.

00:07:59Hey, I already have the title, huh?

00:08:02That is.

00:08:07Come on!

00:08:20What Basque?

00:08:21AND?

00:08:22AND?

00:08:22But what are you doing?

00:08:23Where did you come from?

00:08:24From hell.

00:08:26I feel terribly dizzy, huh?

00:08:28And a worse body than a stepped-on lizard.

00:08:30Come on, you need to see a doctor right now.

00:08:32And what about today, kid?

00:08:32Today we are at...

00:08:33What do you mean, "here today"?

00:08:34What are you doing?

00:08:35What are you? Still drunk at the farewell party?

00:08:36What drunk?

00:08:37Not even drunk?

00:08:37I hardly drank, man.

00:08:39What I have is a tampon on my head, huh?

00:08:41Isn't Holy Week over yet?

00:08:43Yes, it's over for you.

00:08:45And you will come out resurrected.

00:08:46Oh, these Basque fools who almost wiped us out.

00:08:49Name?

00:08:51Little bottle!

00:08:52No, not the nickname.

00:08:53First and last name.

00:08:56Francisco Pancorvo García!

00:08:58Where do you live?

00:08:59You don't know that already.

00:09:00In the small farmyard.

00:09:01If you've been there a few times.

00:09:03No, don't worry, Frasquito.

00:09:04If this is even a protocol.

00:09:05As?

00:09:06No no.

00:09:06Is there a way to know if you have any brain damage?

00:09:09I don't get hit on the head by anyone, okay?

00:09:11You can take that for granted.

00:09:13Little bottle, my love!

00:09:14Oh, Carmela!

00:09:17Oh!

00:09:17No, no, no!

00:09:18Okay, okay, okay!

00:09:19What happened to you, king?

00:09:20What did José tell me? He arrived completely disoriented and stumbling around.

00:09:24No no!

00:09:24I'm fine, Carmela.

00:09:26All I need is some fresh water.

00:09:28No!

00:09:28Now, now we're going to give you a little bit of water.

00:09:30We're going to give it to you now.

00:09:31What you need to do is stop drinking other things.

00:09:34And go on, parrot to the lathe, I'm saying that I hardly drank.

00:09:38Look, I felt dizzy.

00:09:39Yeah.

00:09:40And I lay down in the car.

00:09:42Yeah!

00:09:42And what were the Maras?

00:09:44From the Sevillian lights?

00:09:46That's what we have to find out, Carmela.

00:09:48However, falling asleep in a lanrobe on the ground in Seville didn't help you much.

00:09:51What do you mean, in the Lanrobe?

00:09:52What did you keep?

00:09:53Asleep in my father's lanrobe?

00:09:54Yeah.

00:09:54But my father is on his way to the farmhouse.

00:09:56Well, he must have walked, because I woke up in the lanrobe a while ago.

00:10:00However, it wasn't where we had parked it.

00:10:03Little bottle, darling.

00:10:05What happened?

00:10:07Well, to tell you the truth, Carmela, I don't remember anything.

00:10:10But you know that in the city I get more lost than a donkey at a fair.

00:10:16Well, stay here quietly, because I'm coming for you now, okay?

00:10:18Go see how you get well.

00:10:24What about you?

00:10:25What do you think?

00:10:27I don't think you have anything serious.

00:10:28Now, after spending a little time with your boyfriend, I don't know how something bigger happens to us.

00:10:32Take advantage of this situation to mess with Iñaki.

00:10:35Man, he comes to Seville with his mother and his mother ends up in a coma.

00:10:38He takes me hunting and I end up with a gunshot wound and almost dead.

00:10:42And poor Frasquito gets taken to the bachelor party, and look at that plan.

00:10:46Come on, she's with your boyfriend doing an extreme sport.

00:10:48The analysis is done, Robert.

00:10:50All good.

00:10:50This person has less alcohol in their blood than a Mormon.

00:10:53Are you watching it?

00:10:55What did you call me, girl?

00:10:56Mormon!

00:10:58Kid, but...

00:10:59That's what we need to see, Frasquito.

00:11:01That's why you'll be kept under observation tonight.

00:11:03As?

00:11:04Yeah.

00:11:04But I'm going to be watched.

00:11:05No, no, no.

00:11:06How can you believe me?

00:11:06No, no, no, no.

00:11:07Hey, stay still!

00:11:07With the things I have to seal the name.

00:11:09Are you in favor of listening to Carmela?

00:11:11Man, Robert, thanks.

00:11:12I'll take care of it.

00:11:14Listen to me, my love.

00:11:16Look, you're going to be kept under observation tonight.

00:11:18And nothing will happen to you.

00:11:19Because the champion isn't going to move there.

00:11:20And who should I tell your father?

00:11:22He'll be looking for me in Seville.

00:11:23Now I have to feed the pigs.

00:11:25Okay, so let's do one thing.

00:11:26I'll take care of everything.

00:11:27I'll take care of the pigs and everything else.

00:11:30Specifically, two piglets.

00:11:32But stay there, my love.

00:11:34Okay?

00:11:35For your Carmela.

00:11:36We're here!

00:11:38We're here!

00:11:39Come on, I'm coming for you now.

00:11:40Yeah.

00:11:41Now.

00:11:42Ouch!

00:11:54So dead.

00:11:55And why wasn't he in the car?

00:11:57Because Frasquito is now a walking dead man.

00:11:59And what about me, huh?

00:12:00I saw him looking so down.

00:12:01Man, Frasquito isn't a bell.

00:12:03Well, look, Garajaula.

00:12:04I just can't stay calm, damn it.

00:12:06Come on, let's go to the police, damn it.

00:12:07I'm sure they can find it.

00:12:09Okay, we've already been to the police station.

00:12:10and they have recommended that we wait.

00:12:12They're not going to do anything today.

00:12:13Oh, Frasquito, my friend, damn it!

00:12:15That you, so as not to bother anyone,

00:12:16capable of having taken you up to heaven

00:12:18and don't bury yourself or anything.

00:12:19Of course, Antonio, don't exaggerate.

00:12:21Hey?

00:12:22He probably fell asleep in the car

00:12:25and woke up disoriented.

00:12:28He began to wander the streets.

00:12:32He's probably on a bus right now.

00:12:34going to the farmhouse.

00:12:35But Frasquito Civil isn't going anywhere.

00:12:37Look, I'm clear about one thing.

00:12:38I'm not going to lie to Carmen anymore.

00:12:40For your mother's sake, you bastard.

00:12:41Now, please,

00:12:42Don't tell Carmen anything, okay?

00:12:44At least until we get back from the police station,

00:12:45She's got enough on her plate with the wedding, isn't she?

00:12:47You mean, "Wedding me."

00:12:48I'm not saying it for that reason, damn it.

00:12:50I say this so as not to add more worry to the top.

00:12:55Okay, okay.

00:12:57But of course,

00:12:58I'm starting to have more secrets with you than with her.

00:13:02Hello.

00:13:04Little one.

00:13:08Well, we've been lucky because it hasn't arrived yet.

00:13:11Who hasn't arrived?

00:13:13Carmen.

00:13:14Ah.

00:13:15Carmen.

00:13:16Who hasn't arrived?

00:13:17Well, the order.

00:13:19The supermarket order.

00:13:21Because I don't know if you've seen the refrigerator,

00:13:22But it's such a shame.

00:13:23Come on, I'm going to start putting sweaters in.

00:13:25to make the most of the space.

00:13:32Just in case, I'll go down to the supermarket and buy some food, right?

00:13:35No, no, no, it's not necessary, Antonio.

00:13:36You'd better stay here,

00:13:37with us, as a family.

00:13:39Of course, Father.

00:13:40Please stay here with us, as a family.

00:13:43Listen, I'm staying for dinner, Dad.

00:13:45Uh, I was going, yeah?

00:13:47But I've reconsidered.

00:13:48Well, I didn't feel like driving at night.

00:13:50Because you know,

00:13:51Well, it's just that over there

00:13:51A boundary marker is mistaken for a wild boar.

00:13:53You did very well, father.

00:13:54I feel much more at ease now, that's for sure, you know?

00:13:56Thank goodness we already have Frasquito.

00:13:58Oh.

00:14:00Because Frasquito is there, right?

00:14:02At the farmhouse, I mean.

00:14:06Sure, little one.

00:14:07And where else would it be?

00:14:07Where else would it be?

00:14:08Of course, where else would it be?

00:14:09And he will have left very early.

00:14:11Yeah, quite something, huh?

00:14:12You know I see a paved street.

00:14:13And let's go,

00:14:14He gets more nervous than Curro Romero in front of a Miura bull.

00:14:17Yes, it's a little bottle.

00:14:18Do you know what else makes Frasquito very nervous, Dad?

00:14:21But very, very nervous, huh?

00:14:24Traffic lights?

00:14:25No, leave him stranded in a car.

00:14:28Oh, really?

00:14:30Logical, on the other hand.

00:14:33Will you two stop this nonsense?

00:14:35Frasquito arrived at the hospital dizzy and dehydrated

00:14:38because he fell asleep in a car.

00:14:40My little bottle, don't mess with me.

00:14:42Are you kidding me?

00:14:43It will get better, thank God.

00:14:45In your car, Dad.

00:14:46In your car.

00:14:48Well, then nothing has happened to Frasquito.

00:14:49That's fine, isn't it?

00:14:49Thank God, I'm going to see it right now.

00:14:51No!

00:14:51You're going to see him nowhere.

00:14:53Frasquito is being very well cared for in the hospital.

00:14:55Thank God.

00:14:57I will never forgive you, Antonio Almonte.

00:14:59Never!

00:15:00And you shut up, because you're in for a treat too.

00:15:03Look, I did it to get along with your father.

00:15:05And it's very difficult to say no to Antonio, isn't it?

00:15:07A lot.

00:15:24I move my rook to A3 and check the queen.

00:15:28Look how clever my Marichu is.

00:15:31And how jealous she is, only letting me have one consort.

00:15:35Leave it, you're not going to distract me.

00:15:37I intend to win this game.

00:15:39I don't doubt it, my aunt.

00:15:41That's why I've always backed the winning horse.

00:15:44Well, I don't know how.

00:15:45Why did I eat your two horses?

00:15:47No.

00:15:47I'm referring to my little palace.

00:15:49That fear was too small for something as important as your son's safekeeping.

00:15:54So I've made some strategic moves.

00:15:57Benito, you're scaring me.

00:15:58You didn't rent the Monte Carlo casino, did you?

00:16:01No, much better.

00:16:02I have asked a friend of mine from Cordoba to lend me his palace in Viana for a couple of days.

00:16:08So we took advantage and spent the weekend.

00:16:10But is so much waste really necessary?

00:16:12Look, in my family weddings have always been celebrated in the village pelota court.

00:16:16Ah, Marichu, don't worry.

00:16:18When you see it, you'll surely change your mind.

00:16:20Thank you, Benito.

00:16:22I don't know what to say.

00:16:24I do.

00:16:25Look, Queen C8.

00:16:28Checkmate.

00:16:30You're hopeless.

00:16:32Well, goodbye, Benito.

00:16:35Goodbye, my aunt.

00:16:41Well, you guys finally showed up.

00:16:44You're glad to see us again, huh?

00:16:46Not so much.

00:16:47But if you survived Ñaki's farewell, surely he did too.

00:16:52Well, it wasn't that big of a deal, was it?

00:16:55No, don't believe it.

00:16:56He was there.

00:16:57On that fine line between calm and boring.

00:17:00Already.

00:17:01And how did you get that neck pacifier in the shape of the province of La Rioja?

00:17:07To the table, right?

00:17:08At the table.

00:17:12Damn, suck my dick.

00:17:15Well, Madrilla, we'll have to talk about this, won't we?

00:17:18Ah, yes, yes, yes.

00:17:19Because I'm also clear about it.

00:17:21Oh, really?

00:17:21Yes, yes.

00:17:23I'm not going to renew my gym membership.

00:17:27What gym?

00:17:28No, I'm referring to Ñaki's wedding gift, which we're leaving until the last minute.

00:17:33Don't worry.

00:17:34We'll put that together in a minute, the three of us, and come up with a bunch of ideas.

00:17:38Come on.

00:17:38Come on, then.

00:17:40Hey, Issa.

00:17:43Damn, this is going to haunt my thoughts, huh?

00:17:45I don't know which one to choose.

00:17:46Damn, this is a stop-start.

00:17:47Well, it's not that easy, you know?

00:17:49Choosing a wedding gift like that on the spot.

00:17:52Diver, dive, dive, a diving course for the two of us, to see crystal clear waters.

00:17:56Yes, yes.

00:17:58Crystal clear in the Guadalquivir, which is dark green, everything.

00:18:01No, maybe not.

00:18:02Let's see.

00:18:03A romantic getaway like this for couples to a rural tourism establishment, meaning it's outdoors.

00:18:09So what do we tell them?

00:18:10Hey, since the honeymoon trip to Cancun is so overdone, we've decided to treat ourselves to a weekend getaway.

00:18:16in Ribabellusa.

00:18:18You know what I'm saying?

00:18:19Let's see if you can come up with a brilliant gift idea.

00:18:23And if that's the case, you can come and tell me about it, okay?

00:18:26Formenta ideas, borraca de ideas, joder.

00:18:29Ugly!

00:18:33Dolores, please stop what you are doing right now.

00:18:35One of the patients has...

00:18:37Oh, don't tell me that the granny from number 12 has died.

00:18:39That's a shame.

00:18:40And with the affection I've grown for that woman, truly, she's aged remarkably well at 105,

00:18:44Hey?

00:18:44Very few teeth, but a lot of zest for life.

00:18:47Yeah.

00:18:47Luckily for you, Grandma has already been discharged.

00:18:50Oh.

00:18:51The patient who has died was the banker.

00:18:53The one at the party with the Japanese people?

00:18:55Yes, that one.

00:18:56Stop crossing yourself, you're making me a little nervous.

00:18:59Oh, sorry, no, I won't do it anymore.

00:19:00Again!

00:19:01Look, do you know what's wrong with me?

00:19:02The thing is, as soon as death is mentioned, I connect directly with the Monjal school.

00:19:05Incense, Holy Week.

00:19:07And I just can't stop, I just can't stop.

00:19:09Please, you're making me very nervous.

00:19:11It's like a you.

00:19:13Well, forget about yourself and call one of the nurses to get the banker ready.

00:19:17That his family is already on the way.

00:19:19OK.

00:19:20Okay.

00:19:22You can count on it, okay?

00:19:23I get like...

00:19:25And right now...

00:19:27Oh.

00:19:29Hello.

00:19:30Hello.

00:19:31Uh, it smells like toast in here, doesn't it?

00:19:34It's delicious.

00:19:35And hey, by the way, how are you getting on with your new diet?

00:19:37Lovely.

00:19:38I'm not doing it.

00:19:39But you should see how good it looks there on the fridge door with the Marbella magnets.

00:19:43Prices.

00:19:44Okay, Irene or Angela, one of the two has to go as soon as the banker's body can be fixed.

00:19:49Okay?

00:19:50He has died.

00:19:53Uh, not me, not me, not me, not me, not me, not me.

00:19:55If I have an operating room in 15 minutes.

00:19:57Goodbye.

00:20:00Mane, I'll go.

00:20:01But, Dolores, that laugh, now you're going to give me indigestion.

00:20:04That's going to make you choke.

00:20:05Drink coffee.

00:20:15Hey, kid, just a moment.

00:20:17Okay, Antonio.

00:20:19You wouldn't happen to know which room my friend has, would you?

00:20:21Well, I don't know who his friend is.

00:20:23Ah, well, a guy who was kind of ugly, but a really nice guy, who came in yesterday through the emergency room, at the last minute.

00:20:27Yes, it's not someone who's been partying, is it?

00:20:32Yes, it's just that he's not used to going out, you know, the hustle and bustle of crowds, well, it doesn't suit him.

00:20:36Regular, you know what I mean?

00:20:37Oh, don't tell me then that you were friends with...

00:20:40Carmela told me that he was very unwell, he came in very sick, but that he recovered quickly.

00:20:44He's just very strong-willed, but the guy's very reserved.

00:20:47Yes, yes, considering how bad things were, well, he got better right away.

00:20:49The thing is...

00:20:53Well, he's no longer with us.

00:20:57But don't tell me.

00:20:59What did you want to see, Alta?

00:21:01No, that...

00:21:02Quite the opposite.

00:21:05Yes, please stop making me feel sick, I'm getting a knot in my stomach.

00:21:08Oh, you see, Antonio, that...

00:21:10Well, his friend came over...

00:21:12That?

00:21:12And in the end, well, he gave her a big hug and...

00:21:17AND?

00:21:18He has died.

00:21:19And?

00:21:20My little bottle?

00:21:22Well, I...

00:21:22But even less so if you can't, okay?

00:21:24I don't know what his name was, but...

00:21:26Yeah.

00:21:27Oh, how wonderful, my God.

00:21:28Oh, I'm so sorry, Antonio, really.

00:21:30Oh, I came so happily to give him a hug and apologize for getting lost.

00:21:34And now it turns out you're lost for life.

00:21:38Oh, really, I'm so sorry, Antonio.

00:21:40I don't know if you want us to go to the bathroom, or have a drink, right?

00:21:44Thank you, thank you.

00:21:45Thank you, thank you, but first, if possible, I'd like to see my buddy.

00:21:49Can you tell me which room you're in, daughter?

00:21:51Of course, of course, it's upstairs, it's on 217.

00:21:55What do you mean?

00:21:56In the 217, which I'm going to fix now.

00:21:59Yes, my little Franco.

00:22:03And all Franco-era.

00:22:13Hey, what's up, father-in-law?

00:22:15I've come to bring some snacks to the girls.

00:22:17A little snack?

00:22:18You're dead!

00:22:20Damn, what bipolarity!

00:22:22Is it going up or down, Antonio?

00:22:25Franco is dead.

00:22:27Yes, yes, yes, Franco is dead.

00:22:29Jar, damn it!

00:22:30Again?

00:22:31But this time for real, you clown.

00:22:33He couldn't make it through the night, my dear friend, my buddy.

00:22:37I'm sorry, Antonio, I don't know what to say.

00:22:40Well, you already said it, and that gave me the answer.

00:22:42Robert, you're going to be right about what you said.

00:22:44What does Robert say?

00:22:45You're such a jinx!

00:22:47"I'm a jinx!" says Robert!

00:22:48Go on, and I wish I had killed him.

00:22:50Besides, Franco wasn't in the mood to light fireworks, was he?

00:22:52Look how thin he was, those suggestive...

00:22:54The thing is, now you're going to bring up my deceased husband, buddy.

00:22:57No, no, no, no.

00:22:58Look, ever since you put those doe eyes on my daughter,

00:23:02We have had nothing but misfortune.

00:23:03So let me tell you something.

00:23:05I withdraw my blessing and flee.

00:23:07Now I'm going to pay my respects to my friend.

00:23:10Don't even think about showing up there, okay?

00:23:12We are, we are, we are.

00:23:17Fuck?

00:23:18Had he given me his blessing?

00:23:29Yes, let's see, maybe we've gone too far.

00:23:31and we should give more consideration to their proposals.

00:23:34And lie to him?

00:23:35I'd rather tell him he has some shitty ideas

00:23:38than being a bad friend.

00:23:41Hey, buddy!

00:23:42Wow!

00:23:43Coldo, look, we've been thinking

00:23:46And that, well, yes, right?

00:23:48You're right.

00:23:49and from now on

00:23:50We'll be more open to your ideas.

00:23:54Great, Peyo!

00:23:55because I've had a great idea.

00:23:56Look, to avoid any bad vibes,

00:23:58I'm going to give Iñaki a gift myself.

00:24:00See what a shitty idea he just had?

00:24:03How are you doing?

00:24:04the squad's statutes?

00:24:06What statutes or what bullshit?

00:24:08Look, what I don't think

00:24:09It's arriving empty-handed

00:24:10to my friend's wedding.

00:24:12You understand me?

00:24:13Iñaki is like two peas in a pod with me.

00:24:15I don't intend to let him down.

00:24:16That's it.

00:24:16And what are Peyo and I?

00:24:18hair and skin?

00:24:19No, no, I'm not saying that to you,

00:24:21But you have to understand

00:24:22that Iñaki's best friend is me.

00:24:24That's right.

00:24:25Wait, what are you saying?

00:24:26Okay, Iñaki and I

00:24:27we have been colleagues

00:24:28of class at the Icastola.

00:24:29Okay, here's the only one

00:24:30who has met Iñaki

00:24:31That's me without a mustache.

00:24:32Okay, Peyo, sorry, okay?

00:24:33Relationships don't live in the past.

00:24:35I'm talking about now, in Seville.

00:24:37Who lives in the south with him?

00:24:39Well, this is bringing us much closer together.

00:24:40We're practically growing up together.

00:24:42What passion!

00:24:43All you need to say is

00:24:44that you are lovers.

00:24:46Iñaki admires me.

00:24:48Yes, you.

00:24:49Me.

00:24:50From the day I introduced him to Arzac,

00:24:51That's where he discovered his vocation as a cook.

00:24:53Do you really believe that, Acho?

00:24:54Yes, but if you couldn't

00:24:55place neither the dishwasher nor the one at Arzak,

00:24:57and now...

00:24:58Please come here.

00:24:59As?

00:24:59And you're telling me this?

00:25:00that you have turned him against you

00:25:02of your entire neighborhood in Seville?

00:25:03Yes, you.

00:25:03You know what I'm saying?

00:25:04That I didn't have to imitate you, your mouth.

00:25:06Sorry?

00:25:07Yes, Pablo, you deserve to go alone.

00:25:09Only?

00:25:09Yes, like you,

00:25:10that you don't even have deodorant with you.

00:25:11Look, well, to be like this

00:25:12I might not go to the wedding.

00:25:14Maybe I'm the one who hasn't gone yet.

00:25:16Oh no, the game is suspended!

00:25:17But what criteria is this?

00:25:19And what is that?

00:25:20Why aren't you going to Iñaki's wedding?

00:25:22Look, if I find out,

00:25:23You don't come in here

00:25:24not even to use the bathroom.

00:25:31Oops!

00:25:35Fascito!

00:25:37What are you doing?

00:25:38What do the assistants do?

00:25:39I have never left

00:25:40to make the bed in 50 years,

00:25:41Carmela,

00:25:42And I'm not going to start now.

00:25:43Man, that's all you need

00:25:44it's putting nails in

00:25:44to scare away mosquitoes.

00:25:46I'm going to clean up, okay?

00:25:47There are knives in there.

00:25:48Yes, and it radiates too.

00:25:49to cut your nails.

00:25:51Go on, knife, pull.

00:25:53What type?

00:25:56Oh my God.

00:25:57From me...

00:25:58Oh my, oh my, oh my!

00:25:59This smells like the Portal of Bethlehem.

00:26:01Come on, this is a...

00:26:03little gift.

00:26:04Well.

00:26:05Little bottle, darling,

00:26:06I'm leaving!

00:26:07My father's coming now!

00:26:08Yeah!

00:26:09Be careful with the water

00:26:10And don't drown.

00:26:12Yeah!

00:26:13That.

00:26:17Carmen.

00:26:19How are you, little one?

00:26:21Well then.

00:26:24If my soul stinks,

00:26:25It sucks that he doesn't see me.

00:26:27Does it stink?

00:26:27Yeah.

00:26:28What it's like having the child here

00:26:29It's a whole life on top of it, son.

00:26:30Oh!

00:26:32But come on,

00:26:33I'm going to tell you something.

00:26:35I,

00:26:35Me, huh?

00:26:36I would burn it all.

00:26:37Carmen, please,

00:26:38How can you say that?

00:26:39Hey?

00:26:40Please, a little sensitivity.

00:26:42That?

00:26:42Is the little bottle here?

00:26:43Yeah.

00:26:44It would be best if I went to see him, wouldn't it?

00:26:46Well,

00:26:46Whatever you want,

00:26:47But now I'm sure that he

00:26:48It doesn't matter.

00:26:50Carmen.

00:26:59Where is?

00:27:01He's not here.

00:27:03Again?

00:27:05Carmen.

00:27:07Carmen.

00:27:08Please.

00:27:08That?

00:27:09Carmen.

00:27:10Carmen.

00:27:11What's missing?

00:27:12What isn't here on time?

00:27:12Ah!

00:27:13Come on!

00:27:14Carmen.

00:27:16That shower is incomprehensible, isn't it?

00:27:17How sweet,

00:27:18Now I'm coming

00:27:19And I'll explain it to you, okay?

00:27:20Yeah.

00:27:24Is this guy alive?

00:27:26I mean,

00:27:26The little bottle is alive.

00:27:28Inaqui, my love.

00:27:30You,

00:27:30since you came

00:27:31from the farewell of the lottery winner,

00:27:32You're not quite right in the head, are you?

00:27:34You've already lost it.

00:27:35No!

00:27:35Oh, come on!

00:27:37Ah, but...

00:27:38So your father?

00:27:40Where has he gone?

00:27:45Where has he gone?

00:27:48Oh,

00:27:49my little bottle,

00:27:51I who have come running,

00:27:53eating the streets

00:27:54to see you recovered

00:27:55and in the end,

00:27:56all my joy

00:27:57I went up the hill.

00:28:00I told you so,

00:28:01You always by my side

00:28:02And your balls

00:28:02that the low

00:28:03They are thugs

00:28:04that the floozies

00:28:04from the rontico

00:28:05and to you the city

00:28:06It ruins you,

00:28:07But you,

00:28:07Ah!

00:28:08You always were

00:28:09a free spirit,

00:28:10Excuse me.

00:28:11Hey?

00:28:12Who are you?

00:28:13Oh, excuse me

00:28:14I haven't seen it.

00:28:15I'm the guy

00:28:16from my friend.

00:28:17Compari?

00:28:18I didn't know

00:28:19that he had such... friends

00:28:21country folk.

00:28:22Well, he used to hang out

00:28:23with everyone,

00:28:24whether they had two or four legs.

00:28:25He liked them all.

00:28:25What is he talking about?

00:28:27That the countryside makes you hot.

00:28:28He liked it very much

00:28:29that tranquility

00:28:30and not be joyos three

00:28:31of the city.

00:28:32The countryside?

00:28:33But he hated the countryside.

00:28:35You say so, ma'am,

00:28:36Yes, my friend.

00:28:37He never left the farm.

00:28:38But did he own a farm?

00:28:40Go on,

00:28:40And he certainly fell for it.

00:28:41in the declaration of assets.

00:28:42I have to call

00:28:43to my lawyer.

00:28:44Hey, ma'am,

00:28:44Hey,

00:28:45but that has gotten wet

00:28:45not even with those funds,

00:28:46Hey?

00:28:46If I had so little

00:28:47my brother

00:28:47He left it to me,

00:28:48sure?

00:28:49Did he have a secret brother?

00:28:51But let's see,

00:28:52Who are you?

00:28:53I, his wife.

00:28:55From a small bottle.

00:28:56But what little bottle?

00:28:57One moment.

00:28:58Wait a minute, okay?

00:29:02Oh, my son!

00:29:04Ma'am, I'm sorry,

00:29:05uh, excuse me, uh.

00:29:06Bye bye.

00:29:07Listen,

00:29:08but then

00:29:08about the farm.

00:29:11Hello, Daloré, darling.

00:29:13Can I ask you a favor?

00:29:14Can you give me a ride?

00:29:15This doesn't mean this to me

00:29:15To the dry cleaners?

00:29:17What is this?

00:29:18A carpanta costume?

00:29:20Already.

00:29:21What is the suit

00:29:21on Sundays

00:29:22From my little bottle, daughter?

00:29:23I'll empty your pockets

00:29:24And you're taking it?

00:29:26Come on,

00:29:26I'll bring it to you.

00:29:27Look at him,

00:29:28Look at it,

00:29:28even my little bottle

00:29:29that they have the spikes

00:29:30from the bar.

00:29:31What do you see, huh?

00:29:32Carmen,

00:29:33I'm going to do you a favor,

00:29:35But one thing I'll tell you,

00:29:36These would need to be packaged.

00:29:37into the void

00:29:38because it smells

00:29:39pony ankle.

00:29:40Thank you.

00:29:41You are welcome.

00:29:44The things in my little jars,

00:29:45Hey?

00:29:56Eva Morales.

00:30:04Eva Morales.

00:30:05Carmela,

00:30:05daughter,

00:30:06Do you know here?

00:30:07where they put you

00:30:08So, a good pot of coffee?

00:30:09Yeah,

00:30:10I'm going to bring you

00:30:10a little coffee.

00:30:11I would like

00:30:12that he would explain to me

00:30:12small bottle

00:30:13what have I gotten out

00:30:15from your jacket.

00:30:16Well,

00:30:17If you say so

00:30:18about the toothpicks,

00:30:19I keep them

00:30:19because it suits me very well

00:30:20when to the sieves

00:30:21they are left with a pebble

00:30:22hooked to the hoof,

00:30:23You know what I'm saying?

00:30:23No,

00:30:24I don't mean

00:30:24to the chopsticks.

00:30:28What letters do you exchange?

00:30:29with my mother?

00:30:30That's none of your business.

00:30:31Pussy,

00:30:31which is not my doing.

00:30:33Small bottle,

00:30:34my mother knows

00:30:35of my life for you.

00:30:37Since when

00:30:38Do you correspond with her?

00:30:42Small bottle,

00:30:42please,

00:30:43that I don't know

00:30:43nothing from my mother

00:30:44since he abandoned us.

00:30:45That's exactly why.

00:30:47Listen to me.

00:30:47and forget about this matter.

00:30:48How do you want

00:30:49that I forget

00:30:49about this matter?

00:30:51Small bottle,

00:30:53if you don't love me

00:30:54of cinema

00:30:54Don't tell me anything,

00:30:56But tell me

00:30:56at least

00:30:57the address.

00:30:58I don't know

00:30:59Where does Anina live?

00:31:00or anything at all.

00:31:00Oh, no?

00:31:01So,

00:31:01How do you correspond?

00:31:02with her?

00:31:03By carrier pigeon?

00:31:05That I don't have

00:31:05the address,

00:31:06Carmela.

00:31:07Small bottle,

00:31:07And my father?

00:31:08Your father

00:31:09He cannot find out

00:31:10none of this,

00:31:10who has no idea,

00:31:11we are?

00:31:17The postmark

00:31:18He's from Seville.

00:31:20I know you're close,

00:31:22Small bottle,

00:31:23at least tell me

00:31:26Why did he abandon us?

00:31:30Carmela,

00:31:31There are things in this life

00:31:33which is medium

00:31:33Do not remove.

00:31:37and my friend,

00:31:39This is joy

00:31:40bigger

00:31:41since he settled

00:31:42brucanoz and bovine,

00:31:43balls.

00:31:44There goes the rubbish.

00:31:45Yeah.

00:31:46Little girl,

00:31:47that?

00:31:47There's no need for you to stay longer,

00:31:49little menu,

00:31:49I'm already here

00:31:50to take care of my brother.

00:31:51Yeah,

00:31:51I'll leave it here

00:31:51to the two brothers.

00:31:53Yeah,

00:31:53I know your brother

00:31:53He won't bother you.

00:31:55Your brother doesn't open his mouth

00:31:56not even for boating.

00:31:58Bye.

00:31:59See you later.

00:32:00Cape in your castes.

00:32:02What a close call!

00:32:03mammon.

00:32:04Don't stop.

00:32:06There.

00:32:11Iñaki,

00:32:11son,

00:32:12a little more salt

00:32:13with the grill,

00:32:14we have three clients

00:32:15expecting.

00:32:15Ah,

00:32:16and to the samorejo

00:32:17It lacks his touch

00:32:18of extra virgin.

00:32:19Forgive me,

00:32:19Isabel,

00:32:19But when did you buy

00:32:20you the bar

00:32:20and you hired me

00:32:21me as a waiter

00:32:22to give me orders?

00:32:23I say this because I'm lost,

00:32:24Hey?

00:32:24Hey,

00:32:25son,

00:32:25How suspicious.

00:32:26Well, that's it.

00:32:26I'm not going to tell you anything else.

00:32:27Yeah,

00:32:28Then if people complain,

00:32:29Your thing.

00:32:34Sorry,

00:32:35Iñaki,

00:32:35this afternoon

00:32:36I have to leave at five

00:32:37about the appointment

00:32:38from the dentist,

00:32:38do you remember,

00:32:39No?

00:32:39Yeah,

00:32:40You are very young

00:32:41to go to the dentist so often,

00:32:42No?

00:32:44The thing is,

00:32:44Do you know what's happening?

00:32:45When I was little

00:32:46I ate a lot of junk food,

00:32:48But of course,

00:32:48Nobody told me

00:32:49that were made

00:32:49of oil.

00:32:50Clear.

00:32:51At five o'clock.

00:32:52Yeah.

00:32:53By what coincidence?

00:32:55At the same time

00:32:56in which there is a convened

00:32:57a march

00:32:57against climate change.

00:32:59Hey?

00:33:02Well,

00:33:03Yeah,

00:33:03Iñaki,

00:33:03You caught me.

00:33:04But it's something

00:33:05very serious,

00:33:05Okay?

00:33:06Clear,

00:33:06It doesn't matter to you

00:33:07climate change

00:33:08because that way you can have

00:33:09the open terrace

00:33:09longer,

00:33:10No?

00:33:10Ah,

00:33:10but,

00:33:11Let's see if it's possible.

00:33:17Opa,

00:33:18Wide!

00:33:18Whoa!

00:33:19That?

00:33:20Is Frasquito still missing?

00:33:21No,

00:33:22No,

00:33:22please.

00:33:23He appeared unconscious

00:33:24in the car,

00:33:24then he disappeared

00:33:25and then it reappeared

00:33:27at the clinic.

00:33:27A long history,

00:33:28But the important thing

00:33:29That's fine.

00:33:30Ah,

00:33:30and that my father-in-law

00:33:31He thinks I'm a jinx.

00:33:32It's already here.

00:33:32What nonsense,

00:33:33No?

00:33:33Yeah,

00:33:34You see.

00:33:34Hey,

00:33:35And how are you all doing?

00:33:36Well, I almost didn't go to your wedding.

00:33:38That?

00:33:38No,

00:33:39Don't pay any attention to me,

00:33:40Iñaki.

00:33:41I would like to know,

00:33:43So,

00:33:43in general,

00:33:44What things do you have?

00:33:45on the head?

00:33:46Ah!

00:33:47Delusion,

00:33:48great enthusiasm,

00:33:49to start a new life

00:33:50with Carmen.

00:33:51I'm referring to things

00:33:52more materials,

00:33:53something you bring with you

00:33:54in hands.

00:33:56right now

00:33:56a grill

00:33:57and some Moorish kebabs,

00:33:58by...

00:33:58Come on,

00:33:59spontaneous curiosity,

00:34:00Iñaki,

00:34:00to learn a little more

00:34:01your interests.

00:34:02Anchón,

00:34:03Is something wrong?

00:34:04No,

00:34:04then update

00:34:06our relationship

00:34:06that is said,

00:34:07No?

00:34:08He notices you a little

00:34:10thick.

00:34:11Hey,

00:34:12Put me through to Coldo,

00:34:12which also

00:34:12I'm going to talk to him for you.

00:34:14Well, it's not there.

00:34:15here with me.

00:34:15Ah,

00:34:16Well,

00:34:16I'll call him then.

00:34:17to the mobile.

00:34:23Dad,

00:34:23Coldo!

00:34:24Dad,

00:34:24Iñaki!

00:34:25Hey,

00:34:25Are you coming?

00:34:26only to the wedding

00:34:27Or accompanied?

00:34:27I'm telling you because

00:34:28is that the son

00:34:29from Don Benjuma

00:34:29It's a pain

00:34:30with the protocol.

00:34:31Yeah,

00:34:31Well,

00:34:31I'm definitely going with someone,

00:34:32what I don't know

00:34:33whether one or two.

00:34:34Fuck,

00:34:35Coldo.

00:34:35Okay,

00:34:35And what do I put on the label?

00:34:37Coldo and his fan club.

00:34:38Look,

00:34:39You do what you want,

00:34:39But don't drag me into this.

00:34:41Ah,

00:34:41hey,

00:34:41And another thing,

00:34:42Do you know what's wrong with the guanchón?

00:34:44It says something

00:34:45of not going to the wedding.

00:34:45No,

00:34:46nothing,

00:34:46Don't pay any attention to him.

00:34:47You know that always

00:34:47He's been a bit of a loudmouth.

00:34:48Well,

00:34:49Yeah,

00:34:49if you say so.

00:34:50Hey,

00:34:51Is Pello around?

00:34:52And that's how the round ended.

00:34:53Coat,

00:34:53I don't even know where it is.

00:34:54Look,

00:34:55Maybe you'll call him

00:34:55to your mobile phone,

00:34:56Hey?

00:34:56Come on,

00:34:57a hug.

00:34:57Okay,

00:34:58Okay,

00:34:59agurro.

00:35:05Coat.

00:35:06Opañe here.

00:35:07Coat,

00:35:08look,

00:35:08I know that you in principle

00:35:09You're not coming to the wedding with a date,

00:35:10oh well,

00:35:10I'm asking you just in case,

00:35:12I don't know,

00:35:12if there's a hookup

00:35:13last minute.

00:35:14Well no,

00:35:15more than close ties,

00:35:17I'm currently in mode

00:35:19in my own way,

00:35:20you already know.

00:35:21Hey,

00:35:22really,

00:35:23Is something wrong?

00:35:23You all seem strange,

00:35:24as distant.

00:35:25I don't know why you say that.

00:35:28Iñaki,

00:35:28the skewers.

00:35:29Go,

00:35:30go.

00:35:30Well,

00:35:31Coat,

00:35:31hey,

00:35:31I leave you,

00:35:32which apparently

00:35:32Now I have a boss.

00:35:53Hey,

00:35:53look,

00:35:53chick,

00:35:54I'm making myself a coffee

00:35:55of the ones you like.

00:35:56Loaded,

00:35:56loaded,

00:35:56It can be chewed,

00:35:57come on.

00:35:57He has one.

00:35:58Dad,

00:35:58What can I tell you?

00:35:59I'd better prepare

00:35:59a tank of linden tea.

00:36:00Oh,

00:36:01daughter,

00:36:01Don't be mysterious,

00:36:02that you already know

00:36:02that you're very apprehensive.

00:36:03Rafi,

00:36:04I've discovered something about Mom.

00:36:07That?

00:36:09I found a letter

00:36:10in the pocket of the little bottle

00:36:11And apparently

00:36:11they corresponded

00:36:12I don't know since when.

00:36:14Mother,

00:36:14Is there a small bottle?

00:36:15Yeah.

00:36:16But Dad knows this.

00:36:17No,

00:36:17And thank goodness.

00:36:18because otherwise,

00:36:18Troy is burning.

00:36:21He knows everything,

00:36:22He knows everything about us.

00:36:23You know you're married

00:36:24with Isabel,

00:36:24You know Rosita exists,

00:36:25You know I'm getting married

00:36:26in short.

00:36:27Mother,

00:36:28Are you sure?

00:36:28What is a mom?

00:36:29Yeah.

00:36:30Man,

00:36:30If you ask about us

00:36:31It's not going to be our lame aunt,

00:36:32No?

00:36:32Besides,

00:36:33because of the relationship

00:36:33that I had a little bottle

00:36:34I'm sure.

00:36:35But come on,

00:36:35I don't know why

00:36:36he wants to come

00:36:36with a little note,

00:36:37because it has had

00:36:37more than 30 years

00:36:38and a granddaughter

00:36:38which is a lot,

00:36:39a granddaughter

00:36:39to come and see us

00:36:40in person.

00:36:43Rafi,

00:36:44I believe,

00:36:44I have a feeling

00:36:45that there really is a reason.

00:36:47Well, it won't be

00:36:48at a distance

00:36:48because of the postmark

00:36:49He's from Seville.

00:36:49Okay, Rafi,

00:36:50Rafi, please.

00:36:53Rafi,

00:36:54my life,

00:36:56I think that

00:36:57We should look for her.

00:36:58And I think you

00:36:58You're becoming alienated,

00:36:59because it has had

00:37:00a long time to come.

00:37:01If you haven't come before

00:37:01for a reason,

00:37:02Or would you prefer I tell you?

00:37:03the face,

00:37:03Look, daughter,

00:37:04I don't want to see you.

00:37:05Do whatever you want,

00:37:06but with me,

00:37:07aguente.

00:37:08Rafi,

00:37:09What's up, brother?

00:37:10brother?

00:37:10Oh,

00:37:12What are you talking about?

00:37:12So serious?

00:37:14Nothing, Dolores,

00:37:14that Rafi and I

00:37:15from time to time

00:37:16We can't agree.

00:37:21What's happening?

00:37:22Is it because of the little bottle?

00:37:23Because of the wedding?

00:37:24Don't say anything.

00:37:26You have finally

00:37:27contracted

00:37:27a flamenco choir.

00:37:28She is my mother.

00:37:29What about your mother?

00:37:29Does it have a flamenco choir?

00:37:31No no,

00:37:31that the little girl has discovered

00:37:32that they corresponded

00:37:33with a small bottle.

00:37:33Ah,

00:37:35I see.

00:37:36With a small bottle?

00:37:37And now the silly girl in the boat

00:37:38I wanted to look for her.

00:37:39Ah,

00:37:40I see,

00:37:41I see.

00:37:42Oh well,

00:37:42What's going to happen?

00:37:42Who is going to invite her to the wedding?

00:37:43Why invite her?

00:37:44if we don't know

00:37:45where you live?

00:37:45Well,

00:37:45We know he's in Seville,

00:37:46but...

00:37:47Oh well,

00:37:47It won't be that difficult either.

00:37:49Well, I don't know.

00:37:49Dolores,

00:37:50You tell me,

00:37:50that you know so many things.

00:37:51How many moral Eves

00:37:52Could there be any in Seville?

00:37:52How many, right?

00:37:53Tell me,

00:37:54Tell me how many.

00:37:54I see,

00:37:55I see.

00:37:55But don't watch so much,

00:37:56Pussy,

00:37:56You look like a chest eye.

00:37:57Wow, what a mess I'm in today.

00:37:58The only thing I'm missing

00:37:59It's that they tell me

00:37:59Rosita is not mine.

00:38:08Yeah.

00:38:14How is the patient?

00:38:16Well, here,

00:38:16eating a meal

00:38:17that has less color

00:38:18that Iniesta's face,

00:38:19Look.

00:38:20Couldn't he be

00:38:21bring this man

00:38:21a pork rind roll

00:38:22or something?

00:38:23Yeah,

00:38:23clear,

00:38:23and a wineskin.

00:38:25Okay,

00:38:25But better in a short glass.

00:38:27Father,

00:38:27please,

00:38:27that we are in a hospital.

00:38:28Besides,

00:38:29My little bottle is weak.

00:38:30What weak?

00:38:31What I am

00:38:31it's more like

00:38:31of fine bone.

00:38:32Yeah,

00:38:33like a chicken mule

00:38:33I know they've put it on.

00:38:34Do you think so?

00:38:35that a country man

00:38:36can get ahead

00:38:36with so little bit of meat?

00:38:39Well, listen to me,

00:38:39father,

00:38:40Why don't you go to the bar?

00:38:40And you bring him a little bottle

00:38:41A little purge?

00:38:42A little purge?

00:38:42That I am a man,

00:38:43balls,

00:38:44not a spider.

00:38:45That is to say,

00:38:45I'm going to bring you

00:38:46a little meal

00:38:46but with substance

00:38:47so you can

00:38:47burp

00:38:48after eating,

00:38:49balls.

00:38:49Yeah.

00:38:54Something tells me

00:38:55that doesn't come

00:38:55only

00:38:56to get my attention.

00:38:58Well no.

00:38:59Oh,

00:38:59I wanted to tell you, little bottle

00:39:00I want you to stay

00:39:02don't worry.

00:39:03How quiet?

00:39:04Well, that

00:39:04I have decided

00:39:05to leave this whole topic aside

00:39:07paragraph.

00:39:09It's good.

00:39:10Look at life

00:39:11It's worth looking at

00:39:11always forward,

00:39:12backwards

00:39:12and to gain momentum.

00:39:14Venlo en el campo,

00:39:15that might come

00:39:16a brave tone from behind.

00:39:35Marichu,

00:39:35It's not to give you a job

00:39:36But you're not giving

00:39:37Not one.

00:39:38Mine

00:39:38It's the skewer.

00:39:39And what about me?

00:39:40Coffee?

00:39:41I've been here for a while

00:39:42waiting for a wine.

00:39:43The coffee

00:39:43It's for the glasses.

00:39:44Ah, look,

00:39:45Now I'm the one with the glasses.

00:39:46Excuse me, Marichu,

00:39:47but mine

00:39:48It's coffee.

00:39:49I don't have

00:39:50both serves

00:39:50like others.

00:39:52Fuck,

00:39:53and on top of that

00:39:53He's calling me now.

00:39:54drunk.

00:39:55Well, if it's not a coffee

00:39:56You can imagine.

00:39:57And if not,

00:39:58You already exchange

00:39:59among yourselves

00:40:00the drinks.

00:40:07Hey, crew.

00:40:08Sabine,

00:40:09Let's see if you put

00:40:10a little bit of foundation

00:40:11in this crew

00:40:12of nonsense.

00:40:13They've been here all morning

00:40:14without speaking

00:40:15because they don't put them on

00:40:16OK

00:40:16in the gift

00:40:17Iñaki's wedding.

00:40:18Women,

00:40:18who are older

00:40:19to make do.

00:40:20You think?

00:40:22Look,

00:40:23I don't care.

00:40:24If they get angry,

00:40:24But they're talking.

00:40:25of not going to the wedding

00:40:26by Iñaki

00:40:27And if they don't go,

00:40:28I'll send them myself

00:40:29to Seville with a slap in the face.

00:40:32We'll leave the slapping thing out of the way.

00:40:33as a last resort.

00:40:39Yes, kid.

00:40:41Yes, yes,

00:40:41I've received the list

00:40:42divinely.

00:40:43Thank you very much, huh?

00:40:44Yeah.

00:40:45Dolores,

00:40:46What's wrong, daughter?

00:40:46That?

00:40:48Dear,

00:40:49Do you mind?

00:40:49Give me the report

00:40:50of the fifteenth?

00:40:50Right now,

00:40:51than a bride

00:40:52on the door

00:40:52We shouldn't make her wait.

00:40:53Name?

00:40:55Sergio Aguado.

00:40:56Sergio?

00:40:57What a coincidence,

00:40:58like my cousin.

00:40:59Vibe,

00:41:00Look at this news.

00:41:01Well, don't be so sure.

00:41:02who is the only one

00:41:03that I have an official.

00:41:04And he works at the town hall

00:41:05where they can find you

00:41:07information about the land registry,

00:41:08Regarding registration,

00:41:10the citizens.

00:41:11Dolores, darling,

00:41:12The report?

00:41:13Come on,

00:41:13that my cousin

00:41:14can find you

00:41:14your mother easily.

00:41:17How did you manage?

00:41:18It was Rafi.

00:41:20And that thing about saving you

00:41:21a secret

00:41:22Like, nothing, right?

00:41:23Let's see,

00:41:24It's so easy

00:41:25find a list

00:41:26of all the moral Eves

00:41:27that there is in Seville

00:41:27And my cousin does that for you.

00:41:29Who?

00:41:29Sergio.

00:41:30Actually,

00:41:31His name is Fermín,

00:41:32but I didn't know

00:41:32How to get started

00:41:33This conversation.

00:41:34Look,

00:41:34Dolores,

00:41:35dear,

00:41:35Thank you.

00:41:36But I have decided

00:41:38leave this

00:41:39completely isolated.

00:41:42Are you sure you want to

00:41:42Let it be?

00:41:50What is this?

00:41:51Chile's list.

00:41:52Little girl,

00:41:52What's it going to be?

00:41:52The list,

00:41:53which he has already gotten for me

00:41:53my cousin.

00:41:56Look,

00:41:57Dolores,

00:41:58This is my private life

00:41:59and not.

00:42:01It's true.

00:42:03Sorry,

00:42:03you're right.

00:42:05Should I break it?

00:42:06Yeah.

00:42:07Okay.

00:42:08I break it,

00:42:09that's it,

00:42:09and it breaks

00:42:10and this,

00:42:10And I'm not getting involved anymore.

00:42:11in what doesn't concern him

00:42:12And that's it.

00:42:14Sorry.

00:42:15Nothing.

00:42:21But you'll have a copy,

00:42:22No?

00:42:22And a USB drive.

00:42:23Thank you.

00:42:33Come on,

00:42:33man,

00:42:33make peace

00:42:34at once.

00:42:35Tell Coldo

00:42:35Let him make them.

00:42:36which apparently

00:42:37He likes to do things

00:42:38on their own.

00:42:41Says,

00:42:41Yanchón,

00:42:41You start.

00:42:42Already,

00:42:43Tell Peyo and Yanchón

00:42:44that if they didn't put it on

00:42:45so many obstacles

00:42:46and help choose

00:42:47the gift,

00:42:47There wouldn't be any problem.

00:42:51Coldo says

00:42:52stop making excuses

00:42:53and help with the gift

00:42:54so that there are no more problems.

00:42:56Well, tell Coldo

00:42:57that maybe the problem is

00:42:58which he believes

00:42:59who is best friend

00:42:59that we.

00:43:02Hey,

00:43:03forgive me,

00:43:03But that's just how it is

00:43:04There's no way.

00:43:05Tell Sabino

00:43:06if he wants to be a mediator

00:43:07that he shouldn't complain.

00:43:09Tell Anchón.

00:43:10Okay, fine.

00:43:11Fuck,

00:43:11This seems

00:43:12the conversation

00:43:13from a broken phone.

00:43:14You are determined

00:43:15in seeing who is the better friend

00:43:16by Iñaki

00:43:16And you have forgotten

00:43:17that you too

00:43:18You are friends.

00:43:19The members

00:43:20of a crew

00:43:20separately

00:43:21They are nothing,

00:43:22but together

00:43:23They function as a single brain.

00:43:25Come on,

00:43:26all together.

00:43:27What are we?

00:43:33What are we?

00:43:35What are we?

00:43:35Madrilla.

00:43:36And what does the crew do?

00:43:37Peace,

00:43:39Ribeye steak

00:43:40And we threw.

00:43:41AND?

00:43:42And what about making a joint gift?

00:43:44For Iñaki?

00:43:45Damn it, Sabino,

00:43:46We're going to have to promote you.

00:43:47Instead of substitute member

00:43:49You're going to be a member

00:43:50fixed intermittent.

00:43:51Ah, I don't know.

00:43:52And to Ebas,

00:43:53being Iñaki's uncle,

00:43:54It is in a neutral zone

00:43:55which I think should

00:43:57choose the gift.

00:43:58Sorry, crew,

00:44:00But Bego and I

00:44:01We've already bought it from him

00:44:02a gift for Iñaki.

00:44:04A set of towels.

00:44:06Ah, well we're going to have

00:44:07that we need to reach an agreement again.

00:44:09Yeah,

00:44:09and work

00:44:10as a single brain,

00:44:11as a team that we are.

00:44:15Say,

00:44:16What do you think?

00:44:17if we each buy one

00:44:18a separate gift

00:44:20And that's it?

00:44:21That seems fine to me.

00:44:22Ah, me too.

00:44:35Okay,

00:44:36So here we have

00:44:37at three

00:44:38Eva Morales

00:44:39born in '61

00:44:40and neighbors of Seville.

00:44:43So what do we do now?

00:44:45So what?

00:44:46AND?

00:44:47Dolores?

00:44:47With my father here,

00:44:48little bottle?

00:44:49Yes, well, that's it.

00:44:49that you're getting married.

00:44:50In two days

00:44:51give it to the woman

00:44:51at least some time

00:44:52to buy a Pamela.

00:44:53Oh, Dolores,

00:44:54we need to talk

00:44:54many things.

00:44:55I don't know,

00:44:56I don't know,

00:44:56I have it too.

00:44:57something to think about.

00:44:58No, really,

00:44:58you're right.

00:44:59These things

00:44:59We need to reflect.

00:45:00Yeah,

00:45:01I'm going to give you

00:45:01a little bit of time

00:45:02food for thought.

00:45:03Have you thought about it yet?

00:45:06Okay, fine.

00:45:07come on, go ahead

00:45:07Okay, yes, yes.

00:45:09But first I'm going to do

00:45:10One thing, okay?

00:45:22Hello.

00:45:24Hey, little one!

00:45:27Dear,

00:45:28I wanted to tell you

00:45:28this afternoon

00:45:29I have to go out

00:45:30to run an errand.

00:45:32From Carmen,

00:45:33Your eyelid is twitching,

00:45:34all good?

00:45:34Yeah,

00:45:35let's see,

00:45:35It is very important,

00:45:36Well,

00:45:37very, very important.

00:45:53Chet!

00:45:54because this afternoon

00:45:55I'm going with Dolores

00:45:56to buy her a headdress

00:45:56that wants to be put

00:45:57like a peacock.

00:45:58Bye, bye,

00:45:59Bye.

00:46:00Yes, yes, yes.

00:46:03The further away

00:46:04all of you today

00:46:04From me, better.

00:46:13Fewer gifts

00:46:14that I bought

00:46:15to Iñaki,

00:46:15Huh, Marichu?

00:46:16As soon as I see it

00:46:16you're going to want it

00:46:17marry me

00:46:18instead of with Carmen.

00:46:19That is until I see

00:46:20mine,

00:46:21that Iñaki enters

00:46:21I have always

00:46:22a special connection.

00:46:23Let's see,

00:46:24that Iñaki,

00:46:24we are like

00:46:26twin brothers

00:46:27separated at...

00:46:30Hey?

00:46:31Today's guess was spot on.

00:46:32early!

00:46:33I nailed it!

00:46:34Let's see if you can top this.

00:46:39Habbing shots!

00:46:41Kitchen robberies.

00:46:42Hey,

00:46:42when I told you

00:46:43that you have

00:46:44to agree,

00:46:45I wasn't referring to this either.

00:46:47That's it,

00:46:48then you will have

00:46:49to return them,

00:46:50Hey?

00:46:50Oh, no,

00:46:50I can't,

00:46:51I've already lost the baby,

00:46:52You pay it back.

00:46:52I?

00:46:52And why have I

00:46:53Will I pay it back?

00:46:53It doesn't bother you,

00:46:54return it.

00:46:55But that's enough,

00:46:56Hey?

00:46:56The discussion is over.

00:46:58Return them all.

00:46:59Well,

00:46:59except this one,

00:46:59I'll keep it.

00:47:01Let's see,

00:47:02badly done,

00:47:02but let them continue

00:47:03for Iñaki.

00:47:03Already,

00:47:04Well, now it's

00:47:05for the mother

00:47:05Damn it.

00:47:06Besides,

00:47:07I deserve it

00:47:07for putting up with you

00:47:08every day.

00:47:09So what do we do now?

00:47:10What should we give her?

00:47:11To Iñaki?

00:47:12Let's see,

00:47:12neither

00:47:13It's so difficult,

00:47:14man.

00:47:15to Iñaki

00:47:15what excites me most

00:47:16It makes him...

00:47:17to have a memory

00:47:18of you.

00:47:19I think that

00:47:20You have to think

00:47:20in something

00:47:21that makes him feel

00:47:22that has nearby

00:47:23his crew.

00:47:25I think I've got it now.

00:47:29Let's see,

00:47:29your attention,

00:47:30please.

00:47:31Here I bring you

00:47:31all the suits.

00:47:32Look,

00:47:33the cocktail one,

00:47:34tomorrow's,

00:47:35the halftime one,

00:47:36It rains anyway

00:47:37and the one for a stroll.

00:47:39Hello,

00:47:40really,

00:47:40Do you have more models?

00:47:41than Barbie.

00:47:41Go on,

00:47:42go on,

00:47:42please,

00:47:43It would have to be presentable

00:47:44the wedding day.

00:47:44Don't you see that I am

00:47:45the host?

00:47:46Ah,

00:47:46I almost forgot,

00:47:47the welcome sign.

00:47:49My God,

00:47:49I, who am nothing more

00:47:50I have one

00:47:50for winter

00:47:51and for summer.

00:47:51At most I'll get

00:47:52an undershirt.

00:47:53But this Don Benjumea

00:47:54Don't touch him

00:47:55to you very much

00:47:55because it's made

00:47:56on an iridescent fabric

00:47:57gorgeous blue

00:47:58that are marked

00:47:59even the waves

00:48:00from the breeze.

00:48:01Well,

00:48:01since we were there

00:48:02Marichu seems to me

00:48:03that he won't run

00:48:03a lot of air.

00:48:05What romance do we have?

00:48:06Mr. Benjumea?

00:48:07You should have told me.

00:48:07and would have done

00:48:08I'm wearing pajamas.

00:48:09in wild silk.

00:48:10Don't listen to this man.

00:48:12Well,

00:48:12I'm going to prepare all of this for you.

00:48:15And you throw,

00:48:16that now that I'm going to leave

00:48:18I need the fort

00:48:19that I entrust to you

00:48:20of the sensitive material.

00:48:22Don Benjumea again

00:48:23because he doesn't forget it

00:48:24Raffi who has

00:48:25less of a cover-up than me.

00:48:26Don't talk to me about Raffi

00:48:27than the last time

00:48:28that I asked

00:48:28that he would save me some brandy

00:48:29He put them underneath

00:48:30of the sinks

00:48:31and goes to Isabel

00:48:31and throws them out

00:48:32to the stews.

00:48:33Well,

00:48:34don't worry

00:48:34That's what I'm here for.

00:48:35Now that the intermediary

00:48:37it will always be carried

00:48:38a percentage.

00:48:39I was expecting that.

00:48:41And one more thing

00:48:41I'm going to tell him

00:48:42Let's see if one day

00:48:43This is what I value.

00:48:43as God intended

00:48:44because the day

00:48:44I hope Trini catches me

00:48:45with the cigars

00:48:46and with the liquors

00:48:46My hair is going to fall out.

00:48:47Well,

00:48:48I trust your expertise,

00:48:49José.

00:48:49Hey,

00:48:50look,

00:48:50and for you to enjoy

00:48:51I'm going to leave you

00:48:52my collection

00:48:53Soprano Aria

00:48:54by Verdi.

00:48:55That?

00:48:55Hey?

00:48:57I was retracing my steps

00:48:57I, the one by Verdi

00:48:58of this.

00:48:59I already knew that.

00:49:01Hello,

00:49:02They're still there.

00:49:02running tests on him.

00:49:03I don't know

00:49:04what the hell

00:49:04They're going to find him

00:49:05if my jar

00:49:05it's more natural

00:49:06than a cow's snot.

00:49:07Well,

00:49:08dad,

00:49:08natural,

00:49:09that maybe

00:49:10There are things in little bottles

00:49:10that you don't know.

00:49:11Hey,

00:49:12I'm surprised now

00:49:13that we've gone too far

00:49:14so many nights

00:49:15together devastations

00:49:15that when he hears him

00:49:16a wild boar

00:49:17I jump.

00:49:18Well,

00:49:18Here's the important part

00:49:19I hope he gets better.

00:49:20and get on with your life

00:49:20and leave the others'.

00:49:24Rafi,

00:49:26Is something wrong?

00:49:27son?

00:49:28No,

00:49:28Nothing's wrong with me.

00:49:29dad.

00:49:29What I want

00:49:30things

00:49:30return to normal.

00:49:31That's it,

00:49:31that's it,

00:49:32that,

00:49:32nothing else,

00:49:32that's it.

00:49:33Son,

00:49:34really,

00:49:34Look how they affect you

00:49:35You're into weddings, aren't you?

00:49:36Hey?

00:49:36I wish!

00:49:37seeing you like this

00:49:37in a bullfight,

00:49:38Damn.

00:49:39Let's see,

00:49:39Rafi,

00:49:39Here is the sea...

00:49:41Man,

00:49:42Antonio,

00:49:43that?

00:49:44Any other deaths

00:49:45that throws in my face

00:49:46while I have taken

00:49:46How to make this marmitako?

00:49:47The little guy is very funny.

00:49:49Hey?

00:49:50That I,

00:49:50that it was a misunderstanding,

00:49:51Damn.

00:49:52Yeah,

00:49:52which makes clear

00:49:53which side is each one on.

00:49:55And what do you want?

00:49:55Should I apologize?

00:49:57I haven't killed anyone

00:49:57not even an elephant,

00:49:58man.

00:49:59Well,

00:50:00I'm satisfied

00:50:01with you coming back to me

00:50:01to give the blessing.

00:50:03As?

00:50:04Have you blessed him?

00:50:05Yeah,

00:50:06Yeah,

00:50:06I didn't even know,

00:50:07apparently

00:50:07your father takes away

00:50:08and gives titles

00:50:08like the monarchs.

00:50:11Sacrum,

00:50:13I'll tell you again

00:50:14with your approval.

00:50:17Goes.

00:50:21For now.

00:50:22Well,

00:50:22That coming from you

00:50:23It's all unfulfilled.

00:50:24Careful,

00:50:25Raffi,

00:50:25It's on fire.

00:50:26And this?

00:50:27And the marmitako

00:50:28also.

00:50:29Well,

00:50:29Take these little bottles to them

00:50:30that the ham

00:50:32raises a dead man.

00:50:34AND?

00:50:35Have they selected

00:50:36Already to the young bulls?

00:50:37Yeah,

00:50:37This face is on them

00:50:38and they have winnowed the hay

00:50:39for the calves.

00:50:40Yes,

00:50:41small bottle,

00:50:41Damn.

00:50:42Do you want to stop being

00:50:42already so annoying,

00:50:43balls?

00:50:44You,

00:50:44worry about being well

00:50:45and to rest.

00:50:46Rest from what?

00:50:47And I do nothing?

00:50:48Man,

00:50:50if they are here

00:50:50Don Quixote

00:50:52and Sancho Panza.

00:50:52What's wrong, Galen?

00:50:53Does it give me freedom?

00:50:55Well, rather

00:50:55I'm going to give you the conditional.

00:50:56Well, now we know

00:50:57what it has

00:50:57And you're going to have to go through

00:50:58periodic reviews.

00:50:59Vibe?

00:51:00And what's in the little bottle?

00:51:01Well, it has

00:51:02a previous cervical injury

00:51:03that causes him

00:51:04a strong compression

00:51:05neurovascular.

00:51:06And what is that?

00:51:07Well, that's the reason.

00:51:08the one that makes you faint

00:51:09and for which they give you

00:51:10dizziness.

00:51:11And how was that possible?

00:51:12Well, I suppose so

00:51:13from work,

00:51:14of carrying weight,

00:51:15I don't think so, little bottle

00:51:15be at the farmhouse

00:51:16picking daisies,

00:51:17No?

00:51:17Yeah,

00:51:18And why are you?

00:51:19He hasn't said anything to me,

00:51:19extremely brutal?

00:51:20Because that way they don't hurt

00:51:21the jobs, buddy.

00:51:23What a piece of work you are.

00:51:25In the end,

00:51:25from now on

00:51:26Take care.

00:51:27Very good,

00:51:27instead of throwing me out

00:51:27two ropes on the shoulder

00:51:28I'll have one.

00:51:29Oh no, damn it.

00:51:30No, no, no,

00:51:30I don't think I'm...

00:51:32Explaining it well, no.

00:51:33Let's see,

00:51:33I'm talking

00:51:34going to the physiotherapist,

00:51:35of giving massages,

00:51:36hot-cold jets,

00:51:37rosemary bath.

00:51:38Yes, man, yes.

00:51:39And you,

00:51:39Who do you think you are?

00:51:41Cleopatra?

00:51:42Jar,

00:51:43If this is the case,

00:51:44That's how it is, huh?

00:51:45Let's go.

00:51:46It's my fault

00:51:47for having made an effort

00:51:48The machine, damn it.

00:51:49And now how do I compensate you?

00:51:50I, you

00:51:50for having ruined you

00:51:51For life, huh?

00:51:52No, let's see,

00:51:52unfortunate either,

00:51:53Antonio.

00:51:53This,

00:51:54As soon as we put it on

00:51:55the prosthesis inside the neck

00:51:56It's already...

00:51:56As?

00:51:57The mother who gave birth to me.

00:51:58I don't interfere in the body

00:51:59nothing that does not come from God,

00:52:00Hey?

00:52:00No, well it gives you the idea

00:52:01that I am the Holy Father,

00:52:02Pussy.

00:52:03Mister,

00:52:03Give me patience.

00:52:05I'll take it, okay?

00:52:07Eat.

00:52:08Here everyone wins

00:52:08with my uncle.

00:52:11Irene,

00:52:11sorry,

00:52:12Do you have anything?

00:52:13For stains?

00:52:14I?

00:52:15I don't.

00:52:15But it's going to come to you.

00:52:16very good,

00:52:17Because, of course,

00:52:17at your age

00:52:17They're starting to come out now

00:52:18the leading brands.

00:52:19Especially here,

00:52:20look,

00:52:20the bags under the eyes...

00:52:21Irene, darling,

00:52:22I'm referring to the stains

00:52:22of the jacket.

00:52:23Besides,

00:52:24How old do you think you are?

00:52:24What do I have?

00:52:25And the brat?

00:52:27Well,

00:52:27And what is that, ink?

00:52:29Yes, it's ink.

00:52:30But you either have it or you don't.

00:52:31No, woman,

00:52:32Don't get angry,

00:52:32that you're going to get

00:52:33more expression lines.

00:52:34Again?

00:52:35Looking at Jose's little cupboard

00:52:36or in the broom closet,

00:52:37He has a solution for everything.

00:52:40Thank you.

00:52:41Except for antipathy.

00:52:56Go with José's remedies.

00:53:00Dolores, darling,

00:53:01Are you sure?

00:53:01Is this the way?

00:53:02No, not this way.

00:53:03but I preferred

00:53:03to go around

00:53:04because I've been wearing

00:53:05all the time in Serrano.

00:53:06I have a free afternoon

00:53:07since the burial

00:53:08from my cousin The Enlightened One.

00:53:09What was wrong with him?

00:53:10Did you have visions?

00:53:11No, he was an electrician.

00:53:13Oh, Dolores,

00:53:13really,

00:53:14these stories

00:53:14I think they're fantastic,

00:53:15But I remind you

00:53:16that we came to find

00:53:17to my mother, okay?

00:53:17I know perfectly well,

00:53:19I know.

00:53:19No, I'm saying

00:53:19because you printed

00:53:20in the guide

00:53:21of the best tapas in Seville.

00:53:22It's the week

00:53:23of the lid.

00:53:24Little girl,

00:53:24I have to take advantage of it

00:53:25That's ridiculous.

00:53:26that I don't know

00:53:26to my own city,

00:53:27like this little square,

00:53:28For example.

00:53:28Look how pretty.

00:53:30Lovely,

00:53:30But please,

00:53:31Let's get down to business.

00:53:32Let's see,

00:53:33It says here that the first address

00:53:36around there.

00:53:38Okay then,

00:53:38come on.

00:53:40What happens now?

00:53:41Dolores,

00:53:42I don't know if we are

00:53:42doing well.

00:53:43Yes, yes,

00:53:44we're doing well there,

00:53:44that I don't get disoriented

00:53:45nor inside a washing machine.

00:53:47I'm not saying it for that reason,

00:53:49Dolores,

00:53:49What I mean is,

00:53:50And if my mother sees me

00:53:52and he doesn't recognize me

00:53:52and if my mother

00:53:53He doesn't want to meet me.

00:53:55and if...

00:53:56And if,

00:53:56and if,

00:53:57and if,

00:53:57like the group,

00:53:58really,

00:53:59Hey?

00:53:59You know

00:53:59how to clear

00:54:00all those and yes,

00:54:01and in di.

00:54:03Yes, Dolore,

00:54:03But I don't know

00:54:04What can I say?

00:54:04What should I say to him/her?

00:54:06Hi, Mom.

00:54:07No,

00:54:08Hi, Eva.

00:54:09Mother or Eve,

00:54:10I don't know.

00:54:10How should I know, daughter?

00:54:12We could do a drill.

00:54:13I'll play your mother

00:54:14And you play the daughter.

00:54:15Now?

00:54:15Right now,

00:54:16Just a moment.

00:54:16Okay, fine.

00:54:18Hi, Mom.

00:54:19No, sorry,

00:54:22Oh, please,

00:54:23Look how beautiful you've grown!

00:54:24But if you want a marvel

00:54:25so precious.

00:54:27I want it so badly

00:54:27to get to know you

00:54:28and...

00:54:28One thing I'll tell you.

00:54:30Tell me,

00:54:31when you go out on the street

00:54:32Always bring a change of clothes.

00:54:33clean panties

00:54:34Because then it happens to you

00:54:35any mishap

00:54:36and we find ourselves in shame,

00:54:37Hey?

00:54:38And those shoes

00:54:38You put them on.

00:54:39No, Mom,

00:54:40that hurts me a lot

00:54:41because they are very narrow.

00:54:42Yes, you put them on.

00:54:42Oh my God, Mom,

00:54:43because it gives me a blister.

00:54:45What type of drill

00:54:46Is this it, please?

00:54:47What is this for you?

00:54:48Or for me?

00:54:50Strip.

00:54:51I've lost it, huh?

00:54:53Oops, I forgot.

00:54:54to be carried out by the character.

00:54:56Character.

00:54:57That's the way, right?

00:54:58Yes, over there.

00:54:59But this is the building, isn't it?

00:55:02No, I think so.

00:55:04I'm a little worried

00:55:05because if he doesn't remember

00:55:06of my pain, huh?

00:55:07For sure yes.

00:55:08I don't remember her.

00:55:10No, he'll remember something.

00:55:11Well,

00:55:12It's going to sound a little ridiculous to you,

00:55:13But I remember its smell.

00:55:15Well?

00:55:17To Jammine.

00:55:18It has always smelled like me

00:55:19nor Jammine.

00:55:20Well, it's about time.

00:55:20to have more memories.

00:55:22What are you doing?

00:55:23No, no, please,

00:55:24Wait.

00:55:24Because one thing leads to another,

00:55:26one for the other

00:55:26And in the end you'll have

00:55:27to come and present it

00:55:28to his grandchildren.

00:55:29Dear,

00:55:30let go of me a little

00:55:31the arms

00:55:31that won't work for me

00:55:32not even to hang my bag on.

00:55:35Yeah.

00:55:37Good,

00:55:38Is this the house?

00:55:38by Eva Morales,

00:55:39please?

00:55:40Who's asking about her?

00:55:42Well, you see,

00:55:43We both came.

00:55:44We are the sisters

00:55:45of the convent

00:55:45right next door.

00:55:46Ah,

00:55:48Come in, come in,

00:55:49sisters.

00:55:49The nun from the convent

00:55:51next door?

00:55:51I haven't thought of it anymore.

00:55:52another thing and also

00:55:53to whom he denies

00:55:54the entrance a wet one.

00:55:58This way, please.

00:56:00Excuse the mess.

00:56:01Oh,

00:56:02you haven't seen

00:56:02our kitchen

00:56:03when we get

00:56:03to make the little ones

00:56:04and the bones

00:56:04and those things we do.

00:56:06Would you like something to drink?

00:56:07No,

00:56:08No,

00:56:08thank you so much,

00:56:09gentleman.

00:56:10We really

00:56:11we wanted to talk

00:56:11with Eva Morales.

00:56:14As?

00:56:16But they don't know it.

00:56:19The fact that?

00:56:20My wife,

00:56:23My wife died

00:56:24last month.

00:56:26As?

00:56:27There is pain,

00:56:28You've told me that before,

00:56:29that we have arrived late,

00:56:30Dolores,

00:56:30We've arrived late,

00:56:31my child.

00:56:32Too late for what?

00:56:33To give the victory.

00:56:35My mother is dead,

00:56:37my dead mother.

00:56:37Sorry,

00:56:38She is his mother.

00:56:38Eva cannot be her mother,

00:56:40But you weren't nuns.

00:56:41Well,

00:56:41technically the nuns

00:56:42We also have mothers.

00:56:45Dear,

00:56:46let's see,

00:56:46Let's clarify this.

00:56:47Dolores,

00:56:48Let's clarify this.

00:56:49Gentleman,

00:56:50We are not nuns.

00:56:53I am Carmen Almonte

00:56:54and we came to find

00:56:55to Eva Morales,

00:56:56who is my mother.

00:56:57But that's impossible.

00:56:58Look,

00:56:59This was my wife,

00:57:00Eva Morales.

00:57:04And not the color,

00:57:06It's not from the sun,

00:57:07No?

00:57:07She is black,

00:57:08black stockings.

00:57:10What do you mean?

00:57:11She's not my mother.

00:57:13No.

00:57:13She's alive!

00:57:14Dolores!

00:57:15She's alive!

00:57:17We're sorry.

00:57:19lot,

00:57:20gentleman.

00:57:21The soul.

00:57:22Yeah.

00:57:24The soul,

00:57:24Hey?

00:57:25We're leaving.

00:57:26Yeah.

00:57:27We're not doing it anymore.

00:57:28Nothing, nothing.

00:57:39Don't worry,

00:57:39don't worry,

00:57:39small bottle,

00:57:40don't worry,

00:57:42don't worry,

00:57:43don't worry,

00:57:43small bottle,

00:57:43that this won't hurt you.

00:57:44Well, you're looking at me.

00:57:45as if I were leaving

00:57:46back there,

00:57:47Hey?

00:57:47Well, look,

00:57:47the same,

00:57:47if it made you feel more at ease.

00:57:48Pussy,

00:57:49Angela,

00:57:49That little bottle has been wonderful.

00:57:51As,

00:57:51capo.

00:57:52No,

00:57:52Pussy,

00:57:52with the prosthesis.

00:57:53Clear,

00:57:53although for the moment

00:57:55You're going to have to bring this.

00:57:56Go on,

00:57:57go on,

00:57:57Go on.

00:57:58What is that?

00:57:59A small mountain,

00:57:59Pussy.

00:58:00But,

00:58:01What's going on here?

00:58:01Where are you going?

00:58:03Where are you going?

00:58:14Where are you going?

00:58:15What the hell is going on?

00:58:16What I don't want

00:58:17It's carrying the burden of your paralysis.

00:58:19It is?

00:58:19If it's just a cervical injury,

00:58:21Pussy,

00:58:21that this seems like the holy innocent.

00:58:22Come on,

00:58:23come on,

00:58:23leave me alone.

00:58:24Come on,

00:58:24small bottle,

00:58:25I'm going,

00:58:25and at the count of one,

00:58:26On the count of two.

00:58:28Good!

00:58:39Hello,

00:58:40José.

00:58:40Man,

00:58:41boss,

00:58:42I have to take care of you,

00:58:43Don't leave me,

00:58:44step on the mops,

00:58:44It might fall.

00:58:45Hey,

00:58:46José,

00:58:46a question.

00:58:47Do you know anything?

00:58:48why

00:58:48the broom closet

00:58:50It seems so suddenly

00:58:51a bar?

00:58:53A bar?

00:58:54Yeah,

00:58:54a cantina.

00:58:56I say this because

00:58:57I've come across...

00:59:00José,

00:59:00I want to stop washing up now,

00:59:01It's making me nervous.

00:59:03Okay,

00:59:03arrest,

00:59:04Hey?

00:59:04But don't tell me later

00:59:05which is not my job.

00:59:06Which one?

00:59:07The physiotherapist,

00:59:08the caretaker

00:59:11Or the smuggler's?

00:59:14Smuggler?

00:59:14Can we know?

00:59:15what are you doing

00:59:16a box of bottles

00:59:17of brandy

00:59:1830 years old

00:59:18next to the polish?

00:59:20Is this brandy?

00:59:21What's this going to do, brandy?

00:59:22Man,

00:59:22This is a disinfectant.

00:59:24awesome!

00:59:24that my aunt from the village does.

00:59:26Already,

00:59:26Well, your aunt from the village

00:59:27choose some bottles

00:59:28very peculiar

00:59:29to store it,

00:59:30No?

00:59:30Yeah,

00:59:30I was losing her.

00:59:33Now he makes a disinfectant

00:59:34Excellent!

00:59:35home,

00:59:35this,

00:59:36this,

00:59:37and puts it in

00:59:37in the first bottle

00:59:38that catches,

00:59:38You know?

00:59:39This.

00:59:40How it smells,

00:59:41male,

00:59:41this,

00:59:41look,

00:59:42that's all

00:59:42throw it out,

00:59:43So,

00:59:43And it's already visible,

00:59:45look,

00:59:45as soon as I throw it in,

00:59:46look,

00:59:47please,

00:59:47that,

00:59:48that,

00:59:48that...

00:59:48José,

00:59:48one little thing,

00:59:49next time

00:59:50that you see

00:59:50to your aunt from the village

00:59:51tells him that his disinfectant

00:59:53It doesn't fit in my clinic,

00:59:54understood?

01:00:04If my browser isn't deceiving me,

01:00:06The next one has to be

01:00:06around here.

01:00:07Already,

01:00:07But I think that

01:00:08We asked you to call

01:00:09before,

01:00:09Dolores,

01:00:09to check

01:00:10who is in this world,

01:00:11No?

01:00:12Give me a phone number

01:00:12that's out there.

01:00:13Yeah,

01:00:13look,

01:00:13here,

01:00:14this,

01:00:14No?

01:00:15That,

01:00:15this.

01:00:16Oh,

01:00:17please,

01:00:17Thank goodness you're calling,

01:00:18Dolores,

01:00:18because I can't anymore

01:00:19especially with nerves,

01:00:20Hey?

01:00:20I don't know

01:00:21How exciting!

01:00:21He's taking me to the wedding.

01:00:23Hello?

01:00:24That?

01:00:24Is it her?

01:00:25It hasn't been spoken yet.

01:00:27TRUE.

01:00:28Yeah,

01:00:29Look,

01:00:29please,

01:00:30He was asking for Eva Morales.

01:00:33Ah,

01:00:34that cannot be found,

01:00:34is not available at this time.

01:00:36But it cannot be found.

01:00:37at this moment

01:00:37at home

01:00:38or it cannot be found,

01:00:40You'll see,

01:00:40let's say,

01:00:41among the living.

01:00:43Ah,

01:00:44Okay,

01:00:45Ah,

01:00:45Yeah,

01:00:46Okay.

01:00:47And where could I find her?

01:00:48please?

01:00:50Ah,

01:00:51Ah,

01:00:52Ah,

01:00:53Okay,

01:00:53thank you so much.

01:00:54thank you,

01:00:55bye bye,

01:00:56bye bye.

01:01:04Look, my mother is like a prison.

01:01:06Little girl,

01:01:06Maybe it's here

01:01:07for a minor offense.

01:01:08I don't know,

01:01:09who has not converted

01:01:09in a minor infraction

01:01:10or has gotten involved

01:01:11on a Sara t-shirt

01:01:12in the bag

01:01:12when no one was watching,

01:01:14although I returned it later,

01:01:15because it wasn't good for me.

01:01:18Bye bye.

01:01:28hello,

01:01:30Eva Morales?

01:01:31The same.

01:01:32Who are you?

01:01:33my new lawyer?

01:01:34Because the other

01:01:35He should have learned from his choice.

01:01:36a YouTube tutorial.

01:01:37Hey,

01:01:39am

01:01:41her daughter,

01:01:42daughter?

01:01:45Yeah,

01:01:45clear,

01:01:46But my daughter,

01:01:46but,

01:01:47how are you doing?

01:01:48Well, the truth is

01:01:49that right now,

01:01:50I don't know,

01:01:51surprised

01:01:52and with many questions

01:01:53what to do.

01:01:54Oh,

01:01:54Who doesn't have them?

01:01:56Hey,

01:01:56You smoke,

01:01:57Would you give me a cigarette?

01:01:59I don't smoke,

01:02:00I'm sorry.

01:02:01That's very good,

01:02:02my daughter,

01:02:02You smoke very badly.

01:02:03Hey,

01:02:04Do you have any spare change?

01:02:06It's your mother

01:02:06her sugar is a little low

01:02:07and doesn't know

01:02:08what they cost

01:02:08the little bones

01:02:09in the commissary.

01:02:10Well, I don't know,

01:02:10lady,

01:02:12let's see,

01:02:12He caught me

01:02:12a little bit like this,

01:02:14I don't know,

01:02:16two euros.

01:02:17Two euros?

01:02:18Is this what you have?

01:02:20After I sprawled out

01:02:21on a stick of God

01:02:22to take you out for yourself.

01:02:23Do you like them?

01:02:24The admins?

01:02:26Hey?

01:02:27Yeah,

01:02:27clear,

01:02:28I love them.

01:02:29Could you bring me

01:02:30some

01:02:30on your next visit.

01:02:31Hey,

01:02:32Eve,

01:02:32And out of curiosity,

01:02:33How did you come up with that?

01:02:34What is your daughter's name?

01:02:36Well, it occurred to me

01:02:37one morning...

01:02:38It would be winter,

01:02:39No?

01:02:40As Rocío put it.

01:02:41Clear,

01:02:42Exactly.

01:02:43I was between,

01:02:44between dew and snow,

01:02:46But he stayed with Rocío.

01:02:47Already.

01:02:48Lady,

01:02:49My name is Carmen.

01:02:50Carmen,

01:02:50first,

01:02:51But then I named you Rocío

01:02:52second.

01:02:52Had no one told you?

01:02:54Enough is enough.

01:02:55Carmen,

01:02:55This woman is a fraud.

01:02:56Let's go.

01:02:57Well,

01:02:57Who has believed you?

01:02:59Carmen Rocío,

01:03:00I don't trust this woman.

01:03:00You're trying

01:03:01contaminate against your mother.

01:03:02No, no, no, no.

01:03:04No, no, no.

01:03:19Look at your father

01:03:19He's in love

01:03:20of all the wild ones,

01:03:21But I couldn't imagine

01:03:22I wish he liked it

01:03:23such an orc.

01:03:24Well,

01:03:24at least

01:03:25We have good news.

01:03:26Well, I don't know what.

01:03:26because you have given

01:03:27the last two euros

01:03:28that we had left

01:03:28for the parking.

01:03:29No, little girl,

01:03:29what we have left

01:03:30in the last direction.

01:03:31On the third try

01:03:32This time it's the charm.

01:03:42Sabine,

01:03:42boy,

01:03:42that you can't be seen.

01:03:44Come on,

01:03:44let's see,

01:03:44now,

01:03:45now.

01:03:46There are fewer,

01:03:47stand here,

01:03:47next to Peyo.

01:03:49Let's see,

01:03:49If we line up,

01:03:50some come out cut.

01:03:52Similarly,

01:03:53footballer mode here.

01:03:54No,

01:03:55Well, not there either.

01:03:55Sabine,

01:03:56then they cut you off at the bottom

01:03:56and you look like a floating head.

01:03:59Come on,

01:03:59Take the picture already,

01:04:00malicho.

01:04:00Come on,

01:04:01malicho,

01:04:01Take the picture already.

01:04:02Let's see.

01:04:05Oh,

01:04:05Jesus Mary,

01:04:06What a flash!

01:04:07You should have told me

01:04:07that were placed

01:04:08the long flashes.

01:04:09Let's see,

01:04:09Marichu,

01:04:10that you've thrown

01:04:10the photo of you,

01:04:11Turn your phone over.

01:04:12You'll see.

01:04:12Oh,

01:04:13Oh,

01:04:13sorry.

01:04:14Okay.

01:04:15Well,

01:04:15very good,

01:04:15Now say potato.

01:04:18Potato.

01:04:20Potato.

01:04:21Okay,

01:04:22Okay,

01:04:23better to say potato,

01:04:23but mentally.

01:04:27At one o'clock,

01:04:28at two

01:04:30and at...

01:04:32We look like one of those boy bands.

01:04:34The Basque One Direction.

01:04:38Not very big,

01:04:39No?

01:04:39No,

01:04:39That's fine.

01:04:40life size.

01:04:41So that Ñequi can hug us

01:04:42when he misses us.

01:04:43Clear!

01:04:44Let's find some wrapping paper

01:04:45according to our photogenic qualities.

01:04:47Hey?

01:04:48Hahaha!

01:04:50What a cashier!

01:04:51He's not going to sing!

01:04:52It turned out beautifully!

01:04:53No!

01:04:54Elegant!

01:04:55Careful!

01:04:56Careful!

01:04:58Then,

01:04:59the gift,

01:05:00the towel set,

01:05:01which might be a little too small for us.

01:05:06Well,

01:05:07Well, thank you very much for everything.

01:05:08Robert,

01:05:09son.

01:05:09And don't worry,

01:05:10Hey?

01:05:10We're going to keep an eye on him.

01:05:11That's great.

01:05:12Go ahead,

01:05:13go ahead,

01:05:13Antonio.

01:05:14And if necessary

01:05:15buy him mushroom shirts

01:05:16so you don't have to carry weight

01:05:17nor anything,

01:05:17Well, I'll buy them.

01:05:18balls,

01:05:18ten for nothing.

01:05:21Small bottle,

01:05:22come on,

01:05:22Don't fall behind,

01:05:24balls,

01:05:24that you are walking

01:05:25of a royal.

01:05:26Like a bullfighter,

01:05:27ñado.

01:05:28I'll screw you over with the maopas.

01:05:30Among the armidon

01:05:31that they've put on the suit

01:05:31and this contraption,

01:05:33No,

01:05:33I just can't

01:05:33nor lift my fly.

01:05:36Don't worry,

01:05:36which is temporary.

01:05:37Do you think so?

01:05:37that I can impose myself

01:05:38a fighting bull

01:05:39Looking like this,

01:05:40Antonio?

01:05:40As?

01:05:40And they put armor on you,

01:05:41Small bottle.

01:05:42Come on,

01:05:43let's see,

01:05:43Let's go now,

01:05:44that the farmhouse awaits us.

01:05:45To the countryside,

01:05:46school.

01:05:46Yeah.

01:05:50Well,

01:05:50Small bottle,

01:05:51no reason,

01:05:51It has been a pleasure,

01:05:53Can I,

01:05:54balls?

01:05:54I look like myself

01:05:55arrested

01:05:56taking this

01:05:56by the neck,

01:05:57man.

01:05:58No problem

01:05:58Thank you for letting me help you,

01:05:59I mean,

01:05:59llamas is dead.

01:06:00Shut up,

01:06:01Antonio,

01:06:01Yes, I know.

01:06:02I'm dying

01:06:02in here.

01:06:03I'm telling you.

01:06:05I need to know

01:06:05You're such a pain in the ass.

01:06:06that lets you die

01:06:07there,

01:06:07it's me.

01:06:08Of course,

01:06:08It's a pleasure,

01:06:09How grateful they are!

01:06:10the patients.

01:06:15Compare,

01:06:16when we hit the road

01:06:17I'm driving.

01:06:17But the one who's going to drive

01:06:18and you can't even turn your eyes,

01:06:20It looks like a plaster owl,

01:06:21Damn.

01:06:21All your mules.

01:06:22Pigheaded.

01:06:23That's it,

01:06:23with remaná.

01:06:24Booth.

01:06:26Yeah.

01:06:33Of course,

01:06:35I'm so glad

01:06:35if it hadn't finished

01:06:36related

01:06:37with this family,

01:06:38Pussy.

01:06:41It must be this way.

01:06:42This is.

01:06:45I would put

01:06:45the paper in the bag,

01:06:47But I have

01:06:47the arm completely

01:06:48stiff under pressure.

01:06:49Oh,

01:06:49forgive me,

01:06:50Dolores,

01:06:50dear.

01:06:51It's just that I'm never around

01:06:52so close to meeting her.

01:06:53Well,

01:06:54near,

01:06:54You still have

01:06:55another little ski slope

01:06:56that go through.

01:06:58Dolores,

01:06:58dear,

01:06:59did you know?

01:07:00That you don't know

01:07:00I appreciate that.

01:07:01Thank you for everything you're helping me with.

01:07:03But I think that

01:07:05I have to go alone.

01:07:06Yeah?

01:07:07Yeah.

01:07:08You're waiting for me here,

01:07:08I'll wait for you.

01:07:09Take.

01:07:10Thank you.

01:07:11Luck,

01:07:12dear.

01:07:17Go.

01:07:18Come on.

01:07:34Come on,

01:07:35come on,

01:07:36come on.

01:07:36Yeah,

01:07:37Yeah,

01:07:37Yeah.

01:07:39What lowers the arrest rate.

01:07:40mother.

01:07:40No, no, no.

01:08:12No, no, no.

01:08:41No no.

01:08:43There is nobody there, and I don't think anyone lives there.

01:08:47Ah.

01:08:48Can we ask these neighbors here?

01:08:50No.

01:08:50Please, let's go.

01:08:52I'm getting a little tired too.

01:08:55We'd better leave.

01:08:55And no, but we're not going to the hospital, are we?

01:08:59Where do we go, and if not?

01:09:00Well, let's go to the pastry shop back here, they make some good pestiños and that way you'll be

01:09:05sweetens the bitterness a little.

01:09:08Go on, throw it!

01:09:18Hello.

01:09:19Hello.

01:09:24What? How did it go?

01:09:26The fact that?

01:09:27Dolores's headdress?

01:09:29Ah! Nothing, we came away empty-handed.

01:09:33Well, if it's any consolation, my day hasn't been great either.

01:09:37Why's that?

01:09:38Damn it, no!

01:09:38Well, then...

01:09:39He didn't leave the garage door open for you!

01:09:41A cat has come in and pooped on my rug!

01:09:43Well, to finish off the job of these.

01:09:44I'll be right out with the drinks and the pantos!

01:09:47Well, since you're getting the glasses out, you might as well get the bleach out and I'll clean the rug too.

01:09:51That's it! And be careful, don't bite yourself.

01:09:53Don't worry, girl, I'm going to put on my corduroy pants.

01:09:57No! I'll tell the cat!

01:10:00Look, honey, you know what? I'm going to bed now.

01:10:04Without dinner?

01:10:04Yeah.

01:10:05Are you OK?

01:10:07I'm fine.

01:10:08Laura.

01:10:09Okay, I'll make myself a sandwich, alright?

01:10:11OK, honey.

01:10:12Girl, listen.

01:10:14Is a little bit of ham enough to lure the cat?

01:10:16No, ham isn't about looking, listen.

01:10:25Yeah?

01:10:27Cool guy?

01:10:29What's happening?

01:10:30Yes, yes.

01:10:32How are you?

01:10:34Yes, Noa.

01:10:37As?

01:10:42Okay, okay.

01:10:45Thank you for calling.

01:10:47A hug.

01:11:04Eva Morales.

01:11:09It was a small bottle.

01:11:11He says you would have found the letters you've been sending him.

01:11:14No, no, he doesn't know anything.

01:11:15And it seems he's going to let it be.

01:11:28Oh, Carmen, Carmen.

01:11:31That your mother is no longer the woman you remember.

01:11:45What do you think about both of them, man?

01:11:46I'm a gentleman, man.

01:11:48Hey man, what are you doing with this in Singapore on a business trip?

01:11:51No, I want to tell you that everything is squared.

01:11:59Surprise?

01:12:00I?

01:12:01Given that?

01:12:02Start now, man, a little more rhythm and feeling.

01:12:05No, it had already started.

01:12:06Hey?

01:12:07Had it already started, damn it?

01:12:08Officially the new tutor of Mom...

01:12:12Mother...

01:12:12Mamadou.

01:12:14I am Diego Escudero, the doctor from the NGO who accompanies Mamadou.

01:12:17And now for the best part of the palace.

01:12:19Ah!

01:12:20Man, that's anguish!

01:12:21Is this the best part of the palace?

01:12:23I mentioned Mamadou because I know Trini likes children, less than a hippie stall...

01:12:27The child is doing great.

01:12:28The boy is thrilled with Trini.

01:12:30They got along wonderfully.

01:12:31I can't take it anymore.

01:12:32I can't take it anymore.

01:12:34Remind me to get my tubes tied, okay?

01:12:36But I want you to know that tomorrow you're going to have an unforgettable day, you'll see.

01:12:40That's Pedro.

01:12:42Well then I don't know why you took charge, I don't understand it, to be honest.

01:12:46Excuse me.

01:12:47You must be Roberto Hernaná.

01:12:49I am Diego, the doctor from the NGO.

01:12:51Ah!

01:12:53Now I understand.

01:12:54Hey, José, I was just thinking that you...

01:12:58Are you going to the wedding alone?

01:13:00Yeah.

01:13:01Ah.

01:13:02Elena, wait.

01:13:03That?

01:13:04Does Turbocay make me?

01:13:05Yes of course.

01:13:06Oh, you're a missionary.

01:13:07That's how it is.

01:13:08In the order of the chaste servants of Jesus.

01:13:11Chaste?

01:13:12Look, son, I am your mother.

01:13:14And I'm sure no mother would want to miss her son's wedding.

01:13:18I'm so jealous of my mom.

01:13:20Now I know what I have to do.

Allí abajo - 2x13 - El resucitao - HD 1080

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