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00:00:30Honey, get up now, I have to make the bed.
00:00:32I'm already up. I'm trying to get into the bathroom.
00:00:36What's happening?
00:00:37Just a moment, Dad, I'm putting on lotion.
00:00:40What's the cream for?
00:00:41Hygiene, now it's my turn, okay? Don't be cheeky.
00:00:44And he's saving my place.
00:00:46Seriously, that's not a bathroom. It's the queue for renewing ID cards.
00:00:51If you had gotten up earlier, it's because you spend the day sleeping.
00:00:55I dream beautiful things. My nightmare begins when I open my eyes.
00:00:59Look, Higienio, I've already planned the renovation. You see, you're going to knock down this partition wall.
00:01:03And from here we got a room for Moncho.
00:01:05Mamen, your son is 33 years old. At his age.
00:01:08I had already been working for 17 years. And married to you for 12.
00:01:13Damn, I've suddenly become so depressed.
00:01:16Now, access to housing is much more difficult.
00:01:19No way. It's a piece of cake.
00:01:21You say, "Dad, I'm coming home." And they give you a room.
00:01:25It's true, sometimes it seems like I'm the only one fighting for this family.
00:01:31No, woman. Everything's going great.
00:01:34I'm going to make a little room for my firstborn.
00:01:37Come on.
00:01:48Mauri.
00:01:49Hey, how's it going, Mr. President?
00:01:52Have you thought about my wife yet?
00:01:54She's going to end up taking it from someone.
00:01:56The fruit vendor stares at her a lot.
00:01:58Hygiene, I'm gay.
00:01:59What should I do? Should I put a sign on the door like notaries do?
00:02:02I understand.
00:02:04Hey, what about my brother-in-law?
00:02:05Who, Raquel?
00:02:06Yes, she's perfect for you. On the outside, she's a woman.
00:02:10You can hold her hand in the street without any problem.
00:02:12But then you get home and he's a guy with all his stuff.
00:02:17It's a two-for-one deal.
00:02:19Good morning, Higienio.
00:02:20But take someone with you, for God's sake.
00:02:23Yes, we're already full here.
00:02:27If this were Thailand, I'd sell them and buy myself a good sander.
00:02:31But of course, they won't let me here.
00:02:34My God.
00:02:35And now their eldest son is moving into the house.
00:02:37There are already five people crammed in there.
00:02:39Yeah.
00:02:40How envious they must be of those!
00:02:42What have you done with the saccharin?
00:02:43The move to the table is complete, and they are mine.
00:02:45Dude, I'm in a hurry, ask for excess.
00:02:47Careful, you're spilling my juice.
00:02:50Everyone out, please.
00:02:52At the maximum capacity of this kitchen.
00:02:54Two people.
00:02:55It's a Thailand that takes up a lot of space.
00:02:57That's true, daughter.
00:02:58This one is huge.
00:02:59I'm sure only one will come.
00:03:00How many do you want me to come?
00:03:01And what have they done?
00:03:03They have hidden themselves in the ultrasound.
00:03:04He's starting to find it funny with me, which is the worst thing I could do.
00:03:08Juan, well, there's not enough room for all of us here.
00:03:11This is not a home.
00:03:12It's a Colombian prison.
00:03:16Juan, do you want me to make you another room?
00:03:18Yeah, dude, yeah.
00:03:19No, thank you very much, Eugenio.
00:03:20If this is purely family logistics.
00:03:22I'll give you the neighbor's price, okay?
00:03:24No, no, really.
00:03:25You pay me in three installments without interest.
00:03:27No?
00:03:28And I'll have it ready in a week.
00:03:29Eugenio.
00:03:30Okay, okay, okay.
00:03:31I'll prepare the budget for you just in case.
00:03:35Well, Dad, we'll have to decide those things together, okay?
00:03:38We need a room here.
00:03:39It's true, I can't stay like this until I leave home.
00:03:42I am growing.
00:03:43I can't sleep on a sofa for 17 years.
00:03:45But until what age do you plan to stay at home?
00:03:49Until 30.
00:03:50I just rely on statistics.
00:03:51Okay, let's see.
00:03:52When the baby doesn't poop,
00:03:53You will want to form your own independent family unit.
00:03:57Come on, you're going to leave.
00:03:59Yago has a good job.
00:04:00He is head of studies.
00:04:02He can't hear me now because he's eating.
00:04:04Then you tell him.
00:04:05It's the same as listening to you.
00:04:06Well, initially we'd like to stay here
00:04:09in case something happens to the baby, so you can help us.
00:04:11How do you have more experience?
00:04:13Well, experience...
00:04:14Isabel, you have two children, right?
00:04:16Oh, but I don't remember.
00:04:18I think the episodes of Ana and the Seven are going to be released on DVD.
00:04:22I'll give it to you.
00:04:23Oh, my love.
00:04:24Come on, we have gynecologists.
00:04:26Yes, we are looking for a clinic in the United States
00:04:28so they can freeze our umbilical cord.
00:04:30Yes, yes.
00:04:31The more things you take out of the house, the better.
00:04:33Where do you want them to store it?
00:04:35Next to Merruta's sticks.
00:04:39Juan, they're going to stay and live there forever.
00:04:43Haven't you noticed that our lives are getting worse and worse?
00:04:47I've been warning you for a long time and you haven't changed your attitude.
00:04:50You're not even in a residence anymore, or you're playing at abandonment at a gas station.
00:04:53José Miguel.
00:04:54Juan, this child scares me.
00:04:56If Natalia and Diego got married, it would be easier for them to leave.
00:04:59Or no, in Russia young people get married and continue living with their parents for ten years.
00:05:05And Russia and Cuba have always had a very good friendly relationship, historically speaking.
00:05:11The Cubans give them cigars, the Russians give them missiles.
00:05:15And there, there, like...
00:05:16Okay, fine then, let Gine make us another room.
00:05:19Oh, more expenses.
00:05:20Fucking great!
00:05:21What children in my mouth, please!
00:05:24No one can live here, here, here.
00:05:26Not here, not here.
00:05:28Every day is like this.
00:05:31I couldn't imagine it when I came here.
00:05:33I was just looking for some peace.
00:05:35I wake up every day in the middle of a hurricane.
00:05:38No one can live here, here, here.
00:05:40Not here, not here.
00:05:42No, no, no.
00:05:43No one can live here, here, here.
00:05:45Not here, not here.
00:05:46No no.
00:05:47Almost a rumba over-start.
00:05:49I can't find the goalkeeper.
00:05:51My neighbors watch and listen to me.
00:05:54I can't stand being in this place.
00:05:57Put it in a cocktail shaker.
00:06:00You in an earthquake and a volcano.
00:06:04Yeah.
00:06:06And you'll have this ladder.
00:06:10No one can live here, here, here.
00:06:12Not here, not here, no, no.
00:06:14No one can live here, here, here.
00:06:17Not here, no, no.
00:06:19No one can live here, here, here.
00:06:21Not here, not here, no, no.
00:06:23No one can live here, here, here.
00:06:26Not here, not here.
00:06:28No one can live here, here, here.
00:06:31No one can live here, here, here.
00:06:33No one can live here, here, here.
00:06:36No.
00:06:40Hey, how are your parents doing with the divorce?
00:06:42Because if they talk, I'll put them together at our table.
00:06:44But if they don't speak to each other, I'll put your mother with my aunts in Murcia.
00:06:47And your father at the gay table, where he'll feel very comfortable.
00:06:50I don't know how things are, Mauro, and I haven't spoken to them.
00:06:52Well, find out, because this isn't easy.
00:06:54I have to accommodate 118 guests.
00:06:57How many?
00:06:58What's wrong, do you feel like a child for a day?
00:07:00Have you rented a corrala and are we going to greet people all the way to the courthouse?
00:07:03Should I rent it?
00:07:04Fernando, this is the most important day of our lives.
00:07:06I want something simple, but I want everything to turn out really well.
00:07:08So, where have you placed my law firm clients?
00:07:11Here, on the list of rejected candidates.
00:07:13Hey, you always have to make eliminations, even if it hurts.
00:07:15Ask Luis Aragones.
00:07:16Mauro, and since I've already told them I'm getting married, they're going to be offended.
00:07:19Fernando, we agreed that it will be an intimate wedding, just close friends and family.
00:07:22Oh, and your aunts from Murcia are friendly.
00:07:24But I don't know them, and I'm sure you don't either.
00:07:26Excuse me, yes, from summers in Mazarrón,
00:07:29that the eldest taught me how to ride a bike.
00:07:31Oh no, but she died.
00:07:33Bring it.
00:07:36117, perfect, I'll put your mother in here.
00:07:38Okay, we'll talk later, alright?
00:07:39That it has a conciliation hearing.
00:07:40Hey, kiss, kiss.
00:07:43Who aren't you going to come to?
00:07:44Well, I don't know, maybe for dinner.
00:07:45I'm just feeling overwhelmed.
00:07:47Don't worry, that's because you're good.
00:07:48You're the gay man of the law.
00:07:49Hey, what if I rent a movie and make some snacks?
00:07:51of Indian and Oriental varieties?
00:07:53Okay.
00:07:54Honey, we're getting married so soon.
00:07:56Yeah.
00:07:56Are you happy?
00:07:57A lot.
00:07:58Am I overwhelming you?
00:07:58No, it's just that I'm in a bit of a hurry.
00:08:00Come on, go tiger, go get them.
00:08:02Yeah.
00:08:07What a pleasure it is to shower without having to queue, for goodness sake.
00:08:11Hey, are you sure it's okay to come here?
00:08:12No, I've taken down the sign, it's for rent.
00:08:16And Emilio doesn't know that I've taken his key.
00:08:20Mariano, cover yourself up, man, you're too old now.
00:08:24Ingenuity, ludism is not a matter of age.
00:08:27It's a philosophy of life.
00:08:29Who do you think you are?
00:08:30At first, I wasn't ashamed.
00:08:32Well, it's normal.
00:08:33But when you get used to it, it's a relief.
00:08:37Look, take off your cloak and take a walk around the house.
00:08:41No, no, no, no.
00:08:41No, stop drinking milk.
00:08:43Yes, Ingenio, free yourself, show your body.
00:08:46Even if it's not perfect.
00:08:49As you can see, the elevator is completely new.
00:08:52The property is old, but it is very well maintained.
00:08:54And it's a community of only six homes.
00:08:56All elderly people, very quiet.
00:08:58Yes, yes, yes, yes.
00:09:00You have a video intercom, security cameras, and a 24-hour doorman.
00:09:04At night they plug me in to charge the battery,
00:09:07But hey, they can call me whatever.
00:09:08The apartment was renovated two years ago.
00:09:11She's in a mood.
00:09:14And he rents it to you furnished.
00:09:15Everything is about designs, nothing.
00:09:17It's a coin.
00:09:18Free yourself, Wit, free yourself.
00:09:19Yes, yes, yes, yes.
00:09:20Yeah.
00:09:28Hello.
00:09:29We're fixing the air conditioning.
00:09:33It's working now.
00:09:34We refilled the gas and it's worth it.
00:09:36Yes, yes, I'm even a little cold.
00:09:39I'm going to put something on.
00:09:40Now that you mention it, I'll do it too.
00:09:45Do the naked men come with the furniture?
00:09:47Or has the owner forgotten them?
00:09:48What a disgrace, for God's sake.
00:09:50Didn't you say the apartment was empty?
00:09:51Yes, yes, yes.
00:09:52The owner no longer lives here.
00:09:53I swear I don't know who those people are.
00:09:55He is the president of the community with a friend.
00:09:57Oh ok.
00:09:57I feel much calmer now.
00:09:58We will continue searching.
00:09:59Thank you.
00:10:02Emilio, I had almost rented it.
00:10:04Who are you leaving the keys with?
00:10:05I don't know anyone.
00:10:08Dad, what have I told you about the key box?
00:10:10But what if it's in case they break in and steal?
00:10:12They see it's already inhabited and don't even try.
00:10:14Don Ingenio and my father still,
00:10:15that has a stuck blood clot
00:10:17neither forwards nor backwards.
00:10:18But you, damn it, are the president of the community.
00:10:21Take care of your image a little.
00:10:22Well, it's okay.
00:10:23This makes it take longer to rent the apartment
00:10:25and we can't all enjoy it.
00:10:27Come on, let's go.
00:10:28Pull down.
00:10:29Pull down.
00:10:30Seriously, what a heavy burden, huh?
00:10:32Having a father like that...
00:10:33should be tax-deductible on the income tax return.
00:10:35Damn, I wouldn't get naked in front of a guy
00:10:37since I did my military service.
00:10:38Disgusting.
00:10:41Belén, we're going to the park with the child.
00:10:43Are you coming?
00:10:44Yeah.
00:10:44I have nothing better to do
00:10:46than going to the park to fool around with the child.
00:10:48Yes, that's how the sun hits you, you're very pale.
00:10:50That the sun is bad, it causes cancer.
00:10:52Oh, this one has gotten up and it's crooked.
00:10:54Yes, she's bitter.
00:10:55Hey, I can hear you, eh.
00:10:58And you?
00:10:58That you are in love.
00:11:00If the park is for happy people.
00:11:01What am I doing there?
00:11:03Honey, I'm sorry,
00:11:05But Aunt Belén needs therapy.
00:11:07No.
00:11:08No.
00:11:09No, no, no, no, no.
00:11:11Psycholesbian therapy, not now, man, because...
00:11:13No.
00:11:14What's the matter?
00:11:17Everything goes wrong for me.
00:11:19I marry a millionaire and he dies.
00:11:21Emilio leaves with a transsexual.
00:11:24I hate my job.
00:11:25I am awaiting trial for fraud.
00:11:27I have varicose veins, stretch marks, and I retain fluids.
00:11:30I'm still here.
00:11:31No, stand your ground.
00:11:32Oh, I know what's going on.
00:11:35Someone is envious of me and is casting a spell on me.
00:11:39But, Belén, who's going to be envious of you?
00:11:43Even my own theories fall apart.
00:11:45Belén, what you need is to meet someone.
00:11:47Well, we're screwed.
00:11:49Even my mother has found love.
00:11:50Keep an eye on Rafael, if she's not around the house.
00:11:53And what about me?
00:11:54Nothing.
00:11:54Belén, life is wonderful.
00:11:56You have to fight.
00:11:57So, what's your dream?
00:11:59At the moment.
00:12:00Yeah.
00:12:01Change the subject.
00:12:02No, no, no, no.
00:12:03Evil.
00:12:04You've spent 32 years hiding your head in the sand like an ostrich.
00:12:07No, woman.
00:12:08You have to go out there and conquer the world.
00:12:10No.
00:12:10I'm sure I'll gain weight.
00:12:12Well, that's it, we're going to the park.
00:12:14Yeah.
00:12:14Oh, and you're not going to comfort me anymore?
00:12:16What a load of rubbish therapy.
00:12:18Already.
00:12:18You're going to end up depressing us.
00:12:20To us.
00:12:21We're not here to eat, are we?
00:12:23No.
00:12:24And what about me?
00:12:25Am I going to eat alone?
00:12:28Belén, stop complaining already, damn it, man.
00:12:31Stop complaining already.
00:12:33Face life and show the world what you're worth.
00:12:36You're worth a lot, man.
00:12:38Oh, but I'm not wearing pajamas.
00:12:42Oh!
00:12:43Girls!
00:12:46Moncho, get up.
00:12:47Are you coming to help me with the renovation over there?
00:12:49Come on, Dad, the construction sector doesn't fulfill me.
00:12:52So what fulfills you?
00:12:53Well, I don't know.
00:12:54It's just that I'm currently in a stage of existential bewilderment.
00:12:57What do you think?
00:12:57Am I okay like this?
00:12:58No, I suffer.
00:13:00Vital bewilderment.
00:13:02It's amazing.
00:13:03Hey, what I don't understand is why you're going to do the renovations for the Cuestas before...
00:13:06us.
00:13:07Damn, because I'm getting paid for what's in front.
00:13:09And this is not it.
00:13:10Mamen, everything in its own time.
00:13:11Well, I'm leaving.
00:13:12Where to?
00:13:13To a spa.
00:13:14It will get oxygenated.
00:13:15Ten days.
00:13:17And forget so much displeasure.
00:13:19Oh, but don't worry.
00:13:20Don't worry, I'll take care of it.
00:13:21I'm coming back.
00:13:25Hey, who pays for that?
00:13:26Because he doesn't work.
00:13:28I'll invite her.
00:13:29Because that's what my sister is for.
00:13:30Well, let's see if he knows any bisexual masseurs there.
00:13:33Or a stressed-out drag queen.
00:13:38Wit.
00:13:39I couldn't help but overhear your conversation.
00:13:42Hey, if you have to make a room for your son, it's not a problem.
00:13:45We're waiting.
00:13:46No, no, no, no.
00:13:47That's perfect for me.
00:13:48This gives me time to think about how I did it.
00:13:50Come on, tell me what you want to do.
00:13:52Wait, wait, I'm coming with you.
00:13:54I know I'm sure I'll come up with some idea.
00:13:55But it's only going to be an hour, for crying out loud.
00:13:57It's not necessary.
00:13:58Yeah.
00:14:00Honestly, I don't understand why this is always falling apart.
00:14:04My eyes are micro-seisms, imperceptible earthquakes,
00:14:07that continuously shake the tectonic plates.
00:14:11Dad, how come with all your knowledge you've had such a bad life?
00:14:13Out of duty.
00:14:14It's the price of living outside the system.
00:14:19Hi, Raquel.
00:14:20Please, I'm begging you.
00:14:21Don't start crying again, or the whole floor will collapse.
00:14:24No no.
00:14:24If I've already cried all I needed to cry,
00:14:27I'm going away for a few days to finally forget you.
00:14:29Don't worry, as soon as I finish, you'll definitely get back to your thing.
00:14:33My son is very fussy.
00:14:35Come on, Dad, go out to the patio for a little while and get some sun.
00:14:37You can't even open your mouth.
00:14:40Emilio, can we talk privately for a moment?
00:14:42Don Rafael, who was my father, is a compulsive freeloader.
00:14:45He took the key to his house from me.
00:14:46Yes, the agency has already called me.
00:14:48Control that old man.
00:14:49For God's sake, put it somewhere.
00:14:50Let's see if I've applied for a grant from the European Union.
00:14:53But they must not have understood my handwriting.
00:14:55What, what, what, what...
00:14:58I want you to go up to apartment 3A and clean it thoroughly.
00:15:00I need it for tonight.
00:15:02And what type of wash do you want? One, two, or three?
00:15:04As?
00:15:05Well, it has the basic wash, which is to disguise 20 euros.
00:15:09The special one with antibacterial disinfection for kitchen and bathroom.
00:15:12And then there's the superplus, which includes any hard-to-reach corner of your home.
00:15:16The ultimate bonus. I want the floor to be perfect.
00:15:18Ah, well then, that's 50 euros.
00:15:20So what? Have I already rented it, or is he having a wild night with Torrijas?
00:15:23No, no, a friend is coming with his partner.
00:15:25His other partner, come on.
00:15:27Disconnect the security cameras, it's completely confidential.
00:15:30Don Rafael, and who's coming?
00:15:31Well, he's a very important man, you're not interested in knowing more.
00:15:36Emilio, can I trust you?
00:15:38Of course, I'm a professional with 10 years of experience in the field.
00:15:41Okay, then, let's clean.
00:15:46Who will that person be who is coming?
00:15:48And how should I know, he hasn't told me.
00:15:51What a goalkeeper.
00:15:52Young people don't value traditions.
00:15:55What are you doing here now?
00:15:56Come inside now.
00:16:00Nothing, this is a very simple thing.
00:16:02You just put up a couple of partition walls here with a sliding door and that's it.
00:16:06And make sure it has plenty of electrical outlets, okay?
00:16:07Man, if I pecked you here I'd change the floor.
00:16:10Because look at how she is.
00:16:12How are you doing?
00:16:14Alright?
00:16:16Nothing, nothing.
00:16:17There are now some floating platforms that make you fall backwards.
00:16:21Juan, and here we are?
00:16:22Why don't we paint our bedroom?
00:16:24We removed the gotilí.
00:16:25That time.
00:16:26And it depresses me a lot.
00:16:28Hey, you're going to paint our room now.
00:16:30One looks peach-colored and the rest are a pretty cream color.
00:16:32Okay, okay, calm down.
00:16:33No, what we need is a built-in wardrobe.
00:16:36We have many things.
00:16:37Iago, you have no opinion on decorative matters here.
00:16:40Look, I used to paint the whole house.
00:16:42Playing with soft textures and serene colors, huh?
00:16:45Seeking a chromatic harmony to create a welcoming atmosphere.
00:16:50Mom, look at the state of the countertop.
00:16:51Oh, well, I'll make some now in red quartz.
00:16:54And did they replace the pipes?
00:16:55Lead candles are carcinogenic.
00:16:57Mine are made of copper, you know?
00:16:59Stop, stop, stop.
00:17:00Isabel, can you come here for a moment?
00:17:04What are you doing kicking the ground?
00:17:06Isabel and Juan are going to do some renovations.
00:17:09It's because of the affection that this is getting out of hand.
00:17:11But, Juan, the house is in very bad shape.
00:17:14When was the last time they did any renovations?
00:17:15Well, Paloma made one relatively recently.
00:17:18And so relatively?
00:17:19I hadn't been born yet.
00:17:20Where are we going to get the money?
00:17:22Can you explain it to me?
00:17:25I'll pay for it.
00:17:26I'll take it out of the investment fund on the 31st.
00:17:30It scares me a little.
00:17:32My house is my castle.
00:17:34Yes, but the castle is falling down.
00:17:40It's mine.
00:17:41Everything's OK.
00:17:42No, no, no.
00:17:43Everything's OK.
00:17:43No, I want a detailed quote
00:17:45with the materials and labor hours.
00:17:48Ah, but you'll want a receipt.
00:17:49Because then I have to add VAT.
00:17:51No, everything's fine, everything's fine.
00:17:52Long live the V.
00:17:53Oh ok.
00:17:53And the important thing is that you do the renovation by zones.
00:17:57To minimize discomfort
00:17:58in our daily family life.
00:18:00No, no, no.
00:18:00You cannot stay here.
00:18:02You have to leave home for two weeks.
00:18:04I'm going to set up a Christ statue here.
00:18:05as if I didn't want you in the way.
00:18:06And where are we going to go?
00:18:07There are four of us in the family.
00:18:10Five.
00:18:11No no.
00:18:12Don't worry about Natalia and me, okay?
00:18:13We can go to sleep now.
00:18:14to the headquarters of Aldeas Verdes.
00:18:16Hey, Jose, can I come over to your house?
00:18:17Also, since my sister isn't here,
00:18:19can sleep with Candy.
00:18:20Oh ok.
00:18:21No, Mommy, that's not a good idea.
00:18:24Yes, woman,
00:18:24that the two children together
00:18:25They can have a great time.
00:18:26Yes, we'll play a game of trivia or something.
00:18:29Already.
00:18:30You can come to my house.
00:18:32I have a spare room.
00:18:33No, thank you very much, Vicenta.
00:18:34Juan and I are going to stay in a hotel.
00:18:36Well, wait.
00:18:36It's an option.
00:18:37Of course.
00:18:38Don't waste your money.
00:18:40No, but what about the pension?
00:18:41It doesn't suit him perfectly.
00:18:42It's just around the corner.
00:18:43That they have presented
00:18:44a settling of scores between gangs.
00:18:46Well, that's better.
00:18:47Can you give us a discount?
00:18:49No.
00:18:49Come on,
00:18:50Take these things.
00:18:51I'll be waiting for you downstairs.
00:18:52Listen,
00:18:52And what about Doña Concha and Marisa?
00:18:53Aren't they going to say anything?
00:18:55No way?
00:18:56I don't know anything about them.
00:18:57That means they're having a good time.
00:18:59very good at the residence.
00:19:02Let us go, you fucking bitch.
00:19:03Director.
00:19:04He has us tied to the bed.
00:19:06But for God's sake, remedies.
00:19:07They're just very aggressive.
00:19:09Look at the scratches
00:19:10that they have done to me.
00:19:11But she did it herself.
00:19:12He self-harms.
00:19:14And poor Bartholomew
00:19:15They threw the controller at him
00:19:16distance to the head.
00:19:17Have you seen the gap it has?
00:19:18That's a lie.
00:19:19He tripped in the garden
00:19:21with an expander.
00:19:22Pussy!
00:19:23But what happened to them?
00:19:24if when they arrived
00:19:24Were they okay?
00:19:25It's just that at certain ages
00:19:26the head no longer...
00:19:29Okay, girls.
00:19:31Now it's about getting married a little bit.
00:19:32Until dinner, okay?
00:19:33But take the blanket away from us
00:19:34which is what it's going to give us
00:19:35heat stroke.
00:19:37Just a moment
00:19:37I was told they were cold.
00:19:38They're going to drive me crazy.
00:19:40Take them up to the top floor
00:19:41Let's see if he's coming
00:19:42an inspection.
00:19:43Alright.
00:19:48That?
00:19:50Are you happy?
00:19:51You won't complain about the attention.
00:19:53You've got the wrong old ladies!
00:19:55That's all I'm saying!
00:19:59Marisa,
00:20:00We have to get out of here
00:20:02one way or the other.
00:20:04Fuck!
00:20:05In the movies
00:20:06the good ones
00:20:07They always come loose.
00:20:08Pussy!
00:20:14How was your day, darling?
00:20:16Okay, okay.
00:20:17Very good.
00:20:18Do you want me to tell you?
00:20:19No.
00:20:20No, no, no.
00:20:20He has arrived home
00:20:21And now it's time to disconnect.
00:20:22I have everything ready.
00:20:23Dinner is served
00:20:24and the movie inside the DVD.
00:20:26What have you looted?
00:20:27Brokeback Mountain.
00:20:28What's that about?
00:20:32In the deep
00:20:33and conservative
00:20:34American West
00:20:34Ennis and Jack
00:20:35are hired
00:20:36to act as shepherds.
00:20:37They will begin there.
00:20:38a friendship
00:20:38that little by little
00:20:39will become
00:20:40in a passionate
00:20:41forbidden love story
00:20:42that will last
00:20:42more than two decades.
00:20:43which is drama.
00:20:45Drama? No, a real drama.
00:20:46Mauri, I've been here all day
00:20:47working,
00:20:47listening to shit
00:20:48of the people.
00:20:49There was no comedy
00:20:49by Eddie Murphy
00:20:50or one of those
00:20:51from Alien
00:20:51against Spiderman.
00:20:52Fernando,
00:20:53That's not cinema.
00:20:54What they told me
00:20:54It's a western.
00:20:55gorgeous gay man
00:20:56And since there was no way
00:20:57of dragging you to the movies
00:20:58Let's see her,
00:20:58I brought it to your house.
00:20:59Okay, fine.
00:21:00Brokeback Mountain
00:21:01or whatever.
00:21:02Come on,
00:21:02Get comfortable
00:21:03And you're going to love it.
00:21:04Let's see who cries the most.
00:21:15Emilio,
00:21:16pick that up for me
00:21:17that I dropped.
00:21:19Emilio!
00:21:24Clear,
00:21:25if the worker
00:21:26that is filling me
00:21:27the portal to me
00:21:27and the shitty elevator
00:21:28He is also the president.
00:21:30What am I complaining about now?
00:21:32This is a paradox
00:21:33community.
00:21:34Son,
00:21:34You have a shitty job.
00:21:36Don't overthink it.
00:21:38Having studied.
00:21:39Let's see,
00:21:40runs.
00:21:40Run inside,
00:21:41Go on.
00:21:42Well,
00:21:43You're not finished yet.
00:21:45What are you doing?
00:21:46It's because I get distracted
00:21:47reading the news.
00:21:48Hey,
00:21:49hey,
00:21:49Did you know it's urgent?
00:21:50the creation
00:21:50of breast milk banks?
00:21:53Hey,
00:21:53Wit,
00:21:54It's already a bit late
00:21:55to begin the reform,
00:21:56and I don't want to violate
00:21:57the regulations
00:21:57of noise pollution.
00:21:59But if it's about not coming back
00:22:00to my house.
00:22:00You know what relaxes me,
00:22:02the jackhammer.
00:22:03Hey,
00:22:04try to take your time
00:22:05as little as possible.
00:22:06I don't know if I'll get used to it
00:22:08to Vicenta's house.
00:22:10Come on,
00:22:10dear,
00:22:10Come on, he's waiting for us.
00:22:11Yeah,
00:22:12Ah,
00:22:12and keep me informed,
00:22:13Hey?
00:22:14And all?
00:22:16Come on.
00:22:18What's happening?
00:22:18Mom and you
00:22:19You have problems.
00:22:20And why do you put
00:22:21that tone
00:22:22Why is it any of your business?
00:22:23Because it hurts
00:22:24that I'm not well.
00:22:25Know?
00:22:25Do you know what it has?
00:22:26Would it be good to work together?
00:22:27That we'll be able to talk
00:22:28of many things,
00:22:29dad.
00:22:29No way,
00:22:30Don't threaten me,
00:22:31Hey?
00:22:31Oh,
00:22:33Juan,
00:22:33This is like being
00:22:34at the door
00:22:34from the passage of terror.
00:22:36Do you know you're going to have a bad time?
00:22:38And now, yes,
00:22:38You enter.
00:22:39Isabel,
00:22:39You think about the money
00:22:40that we're going to save.
00:22:41Please do me a favor
00:22:42to be nice.
00:22:46Forward,
00:22:47forward,
00:22:48welcome.
00:22:49Do you have a list yet?
00:22:50the suite?
00:22:50Thank you so much,
00:22:51Vicenta,
00:22:51You are very kind.
00:22:53You can see how much it costs me,
00:22:54I am alone,
00:22:55the other way around.
00:22:57This is your room.
00:23:01Oh,
00:23:02What a bad mood!
00:23:05It used to be the one with the shell,
00:23:07But I've changed.
00:23:07the sheets and everything,
00:23:08especially now with the heat
00:23:09He was sweating a lot.
00:23:10Silly,
00:23:11Why did you bother?
00:23:13If you'll excuse us,
00:23:15Let's get settled in.
00:23:15Hey?
00:23:16Yeah,
00:23:16Yeah,
00:23:17very good,
00:23:17You are at home.
00:23:19I'm warning you
00:23:19for dinner.
00:23:21Oh!
00:23:24Oh!
00:23:26Oh!
00:23:27How awful!
00:23:28We haven't changed.
00:23:29floor,
00:23:30we have changed
00:23:31of the century.
00:23:32That elevator
00:23:32It must be the machine
00:23:33weather.
00:23:34Lower the tone
00:23:35that he's going to hear you.
00:23:36Besides,
00:23:36Don't exaggerate.
00:23:37It's not so bad either.
00:23:38Everything is very clean.
00:23:39Phew!
00:23:39Yeah,
00:23:41clear,
00:23:41If I were
00:23:41with cobwebs,
00:23:43It would be the castle
00:23:44of the Count of Gracula.
00:23:45Look at the bed!
00:23:46Please!
00:23:47He should have died here
00:23:48El Greco.
00:23:49No,
00:23:50No,
00:23:50El Greco died
00:23:51in Toledo
00:23:51in 1614.
00:23:53Yeah,
00:23:53Wait,
00:23:54Let's see what we find.
00:23:55tomorrow in the bathroom.
00:23:57Will it have a cup?
00:23:58Or will it be a hole?
00:23:59Those with two macas?
00:24:01Wait,
00:24:02I'm feeling very ill.
00:24:03of the balance.
00:24:04Hey,
00:24:04that I haven't asked you
00:24:05What would you like for dinner?
00:24:07I have roosters,
00:24:08I have meat in sauce.
00:24:09I can make potatoes
00:24:10Rioja style
00:24:11or a scramble
00:24:12of tender garlic shoots.
00:24:13Me with a little salad
00:24:14normal.
00:24:15I'm in!
00:24:16to the potatoes
00:24:16Rioja style.
00:24:17Very good.
00:24:18Do you want me to show you?
00:24:19the rest of the house?
00:24:20No,
00:24:20That's for tomorrow.
00:24:21with more light.
00:24:24Look,
00:24:25at least
00:24:26We have the letter.
00:24:27I'm going to do it
00:24:28a pipe.
00:24:30Hey,
00:24:32So Rafael
00:24:33has become
00:24:34third A
00:24:34in a riding arena.
00:24:35Do you rent it by the hour?
00:24:36No,
00:24:37let's see,
00:24:37he left it
00:24:37to a friend
00:24:38very important married
00:24:39so that it can be seen
00:24:39awhile
00:24:40with her pussy
00:24:40secretly.
00:24:41That's a bad place.
00:24:42They have chosen.
00:24:43And who will it be?
00:24:44male?
00:24:44Let's see,
00:24:45Let's see
00:24:45if he/she didn't want to
00:24:46say
00:24:46who
00:24:47It's because
00:24:47We know him
00:24:47And if she didn't want to
00:24:48go to a hotel
00:24:49It's because he's famous.
00:24:50And if he's a friend
00:24:51by Rafael
00:24:51what's more
00:24:52It is powerful.
00:24:53What does it tell us?
00:24:54all this,
00:24:54Hey?
00:24:56I don't know,
00:24:57Are you going to finish?
00:24:58the phrase?
00:24:58No,
00:24:59I don't know either.
00:25:00It's a rhetorical question.
00:25:01We can set up guards
00:25:02at the door
00:25:02Let's see who shows up.
00:25:04No,
00:25:04It's not going to happen here.
00:25:04nobody anything,
00:25:05Hey,
00:25:05that Rafael
00:25:06She gives very good tips
00:25:07and has deposited
00:25:07their trust in me.
00:25:08And then
00:25:09Why are you telling him?
00:25:12Let's see,
00:25:12child,
00:25:13What are you doing here?
00:25:14Are you trying to annoy me or what?
00:25:15Car,
00:25:15car,
00:25:16car,
00:25:16car?
00:25:17No,
00:25:17No,
00:25:17No,
00:25:17one moment,
00:25:18hey,
00:25:18hey,
00:25:18hey.
00:25:21No,
00:25:21No,
00:25:22No,
00:25:22That's not it,
00:25:22It hasn't stopped.
00:25:23You are worse than old women,
00:25:24Hey.
00:25:25Well,
00:25:25I'm leaving.
00:25:25that tonight
00:25:26I sleep with my daughter
00:25:26from the president.
00:25:27What are you saying?
00:25:28Are you hooked on Candy Candy?
00:25:29No,
00:25:29But they're putting it on me.
00:25:30Hell yeah.
00:25:32Fuck,
00:25:32I get to the night
00:25:33for the radio patio.
00:25:34Is there a mystery?
00:25:34Teenage sex?
00:25:35I don't know
00:25:36Why am I telling you this?
00:25:36things,
00:25:37Hey.
00:25:37In the end it turns out
00:25:45It smells like a classic combination,
00:25:47businesswoman presenter,
00:25:50folkloric bullfighter
00:25:51or top model footballer.
00:25:53We can make a betting pool,
00:25:54at 10 euros,
00:25:55For example.
00:25:56Wit,
00:25:57you as president
00:25:57what you should do
00:25:58it is calling for order
00:25:59to Rafael.
00:26:00Hey,
00:26:00I'll replace the baseboards for you.
00:26:01Or I'll give you the one you have.
00:26:03Tell him to put you on
00:26:04halogens in the kitchen.
00:26:06Are you listening to me?
00:26:07We cannot allow it
00:26:08that a landlord
00:26:09I lent him the apartment
00:26:10to his friends
00:26:10for their meetings
00:26:11extramarital affairs.
00:26:12In this community
00:26:12There are children.
00:26:13Ah,
00:26:14Well,
00:26:14But those are already lost.
00:26:16Hey,
00:26:16But he's famous,
00:26:18that exclusive
00:26:18It might be worth some money,
00:26:19No?
00:26:20Now the magazines
00:26:21They buy your photos.
00:26:22Oh,
00:26:22Yeah?
00:26:23I have one
00:26:24with Rafael Carrá.
00:26:25No,
00:26:25but it has to be
00:26:26current affairs.
00:26:27That's already part of the historical record.
00:26:29Well,
00:26:29come on,
00:26:29everyone
00:26:30would assume
00:26:30that Mr. X
00:26:31It's about to arrive.
00:26:33This is shameful.
00:26:34What are we, neighbors?
00:26:35Or paparazzi?
00:26:36Hey,
00:26:36where is
00:26:37the digital camera
00:26:37that good one
00:26:38What did we buy in Melilla?
00:26:39When have we been
00:26:40Us in Melilla?
00:26:45Hello.
00:26:46Hello.
00:26:47Paco,
00:26:47Recommend a movie to me
00:26:48so that it passes quickly
00:26:49tonight.
00:26:50A romantic one?
00:26:51No,
00:26:52romantic no.
00:26:53One of shots
00:26:54with violence,
00:26:55noise,
00:26:56viscera.
00:26:58Brain Dead,
00:26:59your mother has eaten
00:27:00to my dog.
00:27:01Hey?
00:27:01The debut film
00:27:02by Peter Jackson.
00:27:03Well,
00:27:03there is a sequence
00:27:04in the end
00:27:05that the uncle takes
00:27:05a cutter
00:27:06of grass,
00:27:07She puts it like this,
00:27:08begins to dismember
00:27:08zombies,
00:27:09heads jump,
00:27:10arms,
00:27:10blood,
00:27:11all.
00:27:11that,
00:27:11that,
00:27:11that,
00:27:11that,
00:27:12that,
00:27:12that,
00:27:12that,
00:27:12that,
00:27:12that.
00:27:19Are you OK?
00:27:22Yeah,
00:27:23No,
00:27:24evil,
00:27:25regular,
00:27:26Well,
00:27:26It doesn't matter.
00:27:27Come on,
00:27:27what are you,
00:27:28I don't think you're here.
00:27:29That.
00:27:30It's just that sometimes
00:27:31I think,
00:27:31What am I doing?
00:27:32with my life?
00:27:33If every day
00:27:34They seem the same to me.
00:27:35Me too.
00:27:36I'm opening the video store,
00:27:37I'm closing the video store.
00:27:39I'm going back home.
00:27:39If I am
00:27:40like an amoeba.
00:27:41I don't know where I'm going,
00:27:42I don't know where I come from.
00:27:44Under the blind,
00:27:45I heat up dinner.
00:27:46Eight hours standing
00:27:47by giving him cologne
00:27:48to the people,
00:27:48And what for?
00:27:49And I turn on the television
00:27:50because it's always
00:27:51I need to have it on.
00:27:52And then I get home
00:27:53And the thing is, nobody understands me.
00:27:54Even though I'm not interested
00:27:54what they are giving,
00:27:55It doesn't matter,
00:27:55I need it.
00:27:56Clear,
00:27:57my mother with her boyfriend,
00:27:59the lesbians with the child.
00:28:00Clear,
00:28:00I'm not going to bed
00:28:01until I'm dead
00:28:02sleep
00:28:02to avoid thinking
00:28:06many times
00:28:06You know how I feel.
00:28:08I am very lonely.
00:28:15Well,
00:28:16well
00:28:17I'm going to
00:28:18to see the lady
00:28:19This one eats dogs.
00:28:21Okay,
00:28:22Let's see if you like it.
00:28:23Bye bye.
00:28:25Bye bye.
00:28:33Clear,
00:28:34It's normal for them to fall in love.
00:28:36So many hours together
00:28:37riding alone
00:28:38through those parts.
00:28:39Fernando,
00:28:40Are you falling asleep?
00:28:42No,
00:28:43No,
00:28:43No,
00:28:43They are there
00:28:44with the horses
00:28:45and so.
00:28:53Great movie!
00:28:53Hey?
00:28:54Yeah,
00:28:54Oscar,
00:28:55the best director.
00:29:01Fernando,
00:29:02I'm going to stop the movie.
00:29:03I don't want it to be that way.
00:29:03I'm watching it.
00:29:04You're falling asleep
00:29:05if you almost broke
00:29:06a cervical spine.
00:29:07Well,
00:29:07Okay,
00:29:07Yeah,
00:29:08I'm exhausted.
00:29:08But it's okay,
00:29:09Keep watching it.
00:29:10That's no fun.
00:29:12Who should I discuss it with next?
00:29:13Well, with me,
00:29:14I just saw it tomorrow.
00:29:15No,
00:29:17that the discussion
00:29:18It needs to be done right afterwards,
00:29:19while hot,
00:29:19like Garci.
00:29:20Ah,
00:29:21that after the movie
00:29:22You wanted us to stay and talk.
00:29:24Leave it.
00:29:24It's my fault
00:29:25for romantic reasons.
00:29:26I buy a movie
00:29:26with all the enthusiasm in the world
00:29:28to enjoy my boyfriend
00:29:29the short while
00:29:30that we can spend together
00:29:31if you go and fall asleep.
00:29:32That's great.
00:29:32Mauri,
00:29:33You're doing a
00:29:34Brockback Mountain
00:29:34of sand grenade.
00:29:36Wait,
00:29:37with all of you
00:29:38Fernandito de la Calzada.
00:29:39But do you know
00:29:40the pressure I'm under?
00:29:41I had three trials today,
00:29:42six meetings
00:29:43and two acts of conciliation.
00:29:44But if it's strange
00:29:45is that he has managed
00:29:46to arrive home.
00:29:46And what am I here?
00:29:47the old lady?
00:29:48I don't work.
00:29:48Yes, yes,
00:29:49But yours is different.
00:29:50You sit there
00:29:51to write your things,
00:29:52at your own pace,
00:29:52calmly.
00:29:53Let's go to bed
00:29:54This looks very bad.
00:29:55No no,
00:29:55I just don't understand
00:29:56that you make a scene
00:29:57because I'm sleepy.
00:29:58But who is you
00:29:59Are you making a fuss?
00:30:00I'm just saying that already
00:30:01I don't feel like watching the movie.
00:30:02They can all go to hell
00:30:03the cowboys
00:30:04with their hats
00:30:04and their cows.
00:30:05Let's see,
00:30:06But what's going on?
00:30:06Have you never slept?
00:30:07Watching the movie?
00:30:08Never,
00:30:09I would be incapable.
00:30:10If I'm sleepy,
00:30:10I don't wear it
00:30:11and even less so if I'm with someone.
00:30:12It's disrespectful.
00:30:20What's happening?
00:30:21Aren't you coming to bed?
00:30:22No,
00:30:22I've stayed up all night.
00:30:23I'm going to see how it ends.
00:30:35Attention,
00:30:36It has stopped
00:30:36a car
00:30:37in front of the portal.
00:30:38He can be our man.
00:30:40I repeat,
00:30:41He can be our man.
00:30:42And why is he talking?
00:30:43Like a mission impossible?
00:30:45Leave him alone, woman.
00:30:46that a moment ago.
00:30:48What are you doing?
00:30:49A very important gentleman
00:30:50comes to use
00:30:51the third A of Picadero
00:30:52and we don't know who he is.
00:30:53Rafael's?
00:30:53But he hasn't told me anything.
00:30:56Why would I tell you?
00:30:57They're together.
00:30:58Who?
00:30:59There.
00:31:00Bye bye.
00:31:01What's happening?
00:31:02We are delighted.
00:31:03Attention,
00:31:04that you don't pay attention to.
00:31:05They are going down
00:31:06Two men got out of the car.
00:31:08They look like bodyguards.
00:31:13Is Emilio the goalkeeper?
00:31:14Yeah.
00:31:16Out.
00:31:17That?
00:31:17Get involved
00:31:18inside the goal.
00:31:20But you're talking to me
00:31:21with education,
00:31:21I'll smash you.
00:31:24Mr. X
00:31:25It's coming out
00:31:26of the car.
00:31:27It's going to go up.
00:31:28And who is it?
00:31:29What are you looking at?
00:31:31Negative identification.
00:31:32He wears sunglasses,
00:31:34cap
00:31:34and I have astigmatism.
00:31:37Dad,
00:31:37Who are you talking to?
00:31:38Give me the phone.
00:31:40Come on,
00:31:40the peepholes
00:31:41everyone.
00:31:42The first one to recognize it
00:31:43Do you have a a discount
00:31:44in the community fee.
00:31:45That's demagogic.
00:31:46Really,
00:31:47You're all so morbid.
00:31:54Mine is the one in the middle.
00:31:56You each have one.
00:31:57See?
00:31:58Now that's practical.
00:31:59The truth,
00:31:59is that you force me
00:32:00to do things I don't want to do.
00:32:03Be quiet.
00:32:05I don't see anyone.
00:32:07Mariano,
00:32:08here they take us up
00:32:09my God.
00:32:09Are you sure he's in?
00:32:10Yeah,
00:32:11They are going up in the elevator.
00:32:13Clear.
00:32:14Mamen,
00:32:15Pussy,
00:32:16the elevator.
00:32:17You guys do seem new.
00:32:33Shit.
00:32:35It's because I'm getting older all the time.
00:32:37I'm not going to kill myself doing Pilates
00:32:39or even the goat.
00:32:40You've already gone up
00:32:41by the elevator.
00:32:42I was with the escort.
00:32:44We need to focus more on gold.
00:32:45We've forgotten
00:32:46that works.
00:32:47As we are not used to.
00:32:49Mr. X is already inside,
00:32:51But the lover is missing,
00:32:52No?
00:32:52If he's famous,
00:32:53It's in the magazines.
00:32:54I'm sure I recognize it.
00:32:55And then you get charged more.
00:32:56for the exclusive,
00:32:58No?
00:32:58What exclusive?
00:32:59No,
00:32:59No,
00:32:59No,
00:32:59No,
00:32:59Hey.
00:33:00Don't mess with me
00:33:01that put me in a difficult position.
00:33:02Don Rafael asked me to be discreet.
00:33:03Come on,
00:33:03everyone to my house
00:33:04that from there
00:33:04We see them arrive.
00:33:06But,
00:33:07Where are you going?
00:33:08We're going in the elevator
00:33:09It already works.
00:33:10The elevator,
00:33:10the elevator.
00:33:10Oh,
00:33:11Yeah,
00:33:11Yeah.
00:33:11Hello.
00:33:11Yeah.
00:33:13No,
00:33:13No,
00:33:13No,
00:33:13No,
00:33:13but everyone,
00:33:14No?
00:33:15Maximum four people,
00:33:16300 kilos.
00:33:17Hey,
00:33:17I'm the oldest!
00:33:18And I'm the president.
00:33:19Well,
00:33:20What share do we have?
00:33:21Careful.
00:33:22Wait,
00:33:22There are only three of you!
00:33:24Go on,
00:33:24that?
00:33:24Can they be blocked?
00:33:26in there?
00:33:26No,
00:33:26no experiments
00:33:27that the elevator
00:33:28It's still under warranty.
00:33:29Well,
00:33:29Well, let's go up the stairs.
00:33:31Oh,
00:33:32Yeah,
00:33:32Why did I say anything?
00:33:34Mr. John,
00:33:34but you too
00:33:35gossiping.
00:33:36My illusion is crumbling.
00:33:37Hey?
00:33:37Oh,
00:33:37God,
00:33:38that's itching me
00:33:38Now curiosity.
00:33:39No,
00:33:39And me too,
00:33:41but...
00:33:42Well,
00:33:42come on,
00:33:42We're going up.
00:33:44Nevertheless,
00:33:45I would convene tomorrow
00:33:46a purge joint
00:33:47to analyze
00:33:48and correct
00:33:48this behavior
00:33:49that we are having.
00:33:50But that's for tomorrow.
00:33:51Yeah,
00:33:51tomorrow,
00:33:51tomorrow.
00:34:00Hello.
00:34:01Hello.
00:34:02Well, that's it.
00:34:03Here we are.
00:34:05It's the first night
00:34:06that I sleep with a girl.
00:34:08Each in her own bed,
00:34:09But you have to start somewhere.
00:34:10Look,
00:34:10Cosemi,
00:34:11I don't know how you managed it
00:34:12to stay here overnight,
00:34:13but...
00:34:13Hey,
00:34:14that I haven't done anything,
00:34:15It was your mother.
00:34:16Well,
00:34:16I don't care.
00:34:17We're going to get along,
00:34:18Hey?
00:34:18that we have to be like this
00:34:19a week.
00:34:19Your father has done two
00:34:20And with that thing about not liking it
00:34:22that color,
00:34:23Plug me another socket here,
00:34:24This will stay in a month.
00:34:25You'll see.
00:34:27Cosemi,
00:34:28I'm sorry,
00:34:29I know you like me,
00:34:30But you're wasting your time.
00:34:31really,
00:34:31Leave it.
00:34:32You think you're really hot,
00:34:33No?
00:34:34No,
00:34:34I don't.
00:34:35Well, believe it.
00:34:36Because you are,
00:34:37But that's not going to work with me.
00:34:39You're going to have to work hard for it.
00:34:41That I'm going to have to work for it?
00:34:42It's because I'm super gifted,
00:34:44This is very important to me.
00:34:50Good night.
00:34:53Hey,
00:34:54Are you like that?
00:34:55Always in bed?
00:34:57I mean,
00:34:58If you don't like to talk,
00:34:59to comment on something,
00:35:00How was your day?
00:35:01What's the weather like?
00:35:03Will you shut up now?
00:35:04Okay,
00:35:05Okay,
00:35:05go to sleep.
00:35:07Fuck,
00:35:08What a girl.
00:35:12We look like a married couple
00:35:13from the old days,
00:35:14angry here,
00:35:15each in their own bed.
00:35:17Moncho.
00:35:18Okay,
00:35:18Okay,
00:35:18Okay,
00:35:19calm down.
00:35:26Three,
00:35:27I go inside,
00:35:29story ten,
00:35:29I'll eat Mariano
00:35:30And I count twenty.
00:35:32Where are you going?
00:35:33Where are you going?
00:35:34Were you here?
00:35:34No.
00:35:35Eugenio,
00:35:36Your turn.
00:35:37Eugenio.
00:35:38Look,
00:35:39Look at what the kitchen is like.
00:35:40You could take advantage
00:35:41and change it too.
00:35:42I can hear you,
00:35:43Hey?
00:35:44Time,
00:35:45change of peephole shift,
00:35:46Whose turn was it to be the fourth one?
00:35:47Me,
00:35:48I'm getting lost
00:35:49such as interest.
00:35:51Let's see,
00:35:51coffee for everyone,
00:35:52that we need to be awake.
00:35:53Hey,
00:35:54This is the fourth one
00:35:54of the lesbian,
00:35:55No?
00:35:55Mariano,
00:35:56please.
00:36:03He's leaving,
00:36:04that is coming out.
00:36:06How can he leave now?
00:36:07If it hasn't arrived yet
00:36:08the girl.
00:36:08She stood him up.
00:36:10Juan,
00:36:10I know that man.
00:36:12Isn't he a coach?
00:36:13soccer?
00:36:13Let's see,
00:36:14sorry,
00:36:14let's see,
00:36:15No,
00:36:16No,
00:36:16No,
00:36:16No,
00:36:17That's the mayor.
00:36:18Oh!
00:36:19I'm going to remind him
00:36:20the senior citizens' center
00:36:21that he promised us.
00:36:22What does it say?
00:36:22Where is he going?
00:36:23How else?
00:36:23But who will be the lover?
00:36:25to stand someone up
00:36:25to a mayor?
00:36:27Well, some female councilor
00:36:28from the opposition.
00:36:29Well,
00:36:29Well, nothing goes away.
00:36:30Or do we do something?
00:36:31or we're leaving
00:36:32To bed?
00:36:33I propose to convene
00:36:34to an urgent attachment
00:36:35for tomorrow
00:36:36and ask him for explanations
00:36:37all of them to Rafael.
00:36:38Yes, yes, yes,
00:36:39And me first,
00:36:40that I am his girlfriend
00:36:40And he hasn't said anything to me,
00:36:41hey.
00:36:41I think it's extremely serious.
00:36:42that we are providing shelter
00:36:43to the mayor
00:36:44of this municipality
00:36:45for these things.
00:36:46Well,
00:36:46Well, that's better.
00:36:47Because if you go to a hotel
00:36:48We ended up paying for it
00:36:49taxpayers.
00:36:50But if he is capable
00:36:50of cheating on his wife
00:36:51that it wasn't with the citizens.
00:36:53I'm stopping payments
00:36:54the road tax
00:36:55immediately.
00:36:56If you don't have a car.
00:36:57But I owe an old
00:36:59from when the motorcycle.
00:37:00It's because I love all three of them.
00:37:20Oh, oh, forgive me.
00:37:22I woke you up.
00:37:23Do you want breakfast?
00:37:24Uh, yes, yes, thank you.
00:37:27How are you?
00:37:28How did the movie end?
00:37:29Good, good, very good.
00:37:31It has an ending
00:37:31beautiful.
00:37:33And you didn't see it?
00:37:34Uh, no, no.
00:37:35What's happening?
00:37:36Are you still angry?
00:37:37No, no, no, not me.
00:37:38And you?
00:37:38No, not at all.
00:37:39But it's nonsense.
00:37:41He was tired.
00:37:41Fernando, it's not necessary either.
00:37:42Give me an explanation.
00:37:43I love you just the way you are,
00:37:45with your virtues
00:37:45and your flaws.
00:37:47Yes, but the thing is
00:37:47fall asleep
00:37:48watching a movie
00:37:48It's not a defect.
00:37:49Yes it is.
00:37:50No, it isn't.
00:37:51Damn, you're even dumber.
00:37:52Watch a movie
00:37:53watched over by my boyfriend,
00:37:54terrified they'll close on me
00:37:55the eyes.
00:37:55Okay, I'm off to an interview.
00:37:56work,
00:37:57that they want me as a panelist
00:37:58on a morning show
00:37:59from TV.
00:38:00Ah, the ones that put
00:38:01your mother when she irons.
00:38:02No, a serious discussion
00:38:04on the problem
00:38:05political-social
00:38:06daily
00:38:07for one year.
00:38:07And does anyone see that?
00:38:09Yes, there are people who do.
00:38:10There are people who don't sleep.
00:38:11Ah, I'll be late.
00:38:12because then I'm going to take
00:38:13a coffee with my crazy gang.
00:38:15Or do you want to come?
00:38:16No, no, calm down,
00:38:16I'll be waiting for you at home.
00:38:17Good luck, eh?
00:38:18and get caught.
00:38:19Thanks my love.
00:38:27Oh!
00:38:27Hello, is Bea there?
00:38:28Bea!
00:38:29I'm here?
00:38:30Hello, I need advice.
00:38:32professional.
00:38:33How much of this
00:38:34I can put
00:38:34in the wine to Mauri
00:38:35without endangering their lives?
00:38:36What is Viagra?
00:38:37No, not really.
00:38:38But, but, Fernando,
00:38:39These are sleeping pills.
00:38:41Yes, I want to
00:38:42let him go to sleep
00:38:42watching a movie.
00:38:43In other words, that it falls perfectly.
00:38:44that he goes headfirst
00:38:44against the coffee table.
00:38:46Look, I don't know
00:38:47What happened between you two?
00:38:48I don't even want to know, okay?
00:38:49It has happened to me.
00:38:50We don't want to!
00:38:51Look, don't drag me into this.
00:38:52in your moves
00:38:52because in the end
00:38:53I always get the short end of the stick.
00:38:54Bea, I'm going to do it
00:38:55with or without your help.
00:38:56He's going to self-medicate
00:38:57without knowing it.
00:38:58Mauri's life
00:38:59It depends on you.
00:39:01Okay, let me see.
00:39:02the prospectus.
00:39:05Let's see.
00:39:07It says here that it's sold by the kilo.
00:39:09How much does Mauri weigh?
00:39:10I don't know.
00:39:10It's been a long time.
00:39:11I can't grab his arm.
00:39:12I lately
00:39:13He looks a little chubby.
00:39:14Isn't that right?
00:39:14I just can't get it
00:39:15that he exercises.
00:39:16Let her do the dissociative diet.
00:39:17that does not mix
00:39:17carbohydrates with protein.
00:39:18And how is that?
00:39:19Why do I have this here?
00:39:20a perpetual Michelin star
00:39:21no matter how much I jog
00:39:22it...
00:39:22Are you familiar with the Tibetan garlic cure?
00:39:24No, what I do
00:39:25It's drinking grapefruit juice
00:39:26fasting,
00:39:27which is good
00:39:27for prostatitis.
00:39:28Okay, let's get down to business.
00:39:29Or what?
00:39:30We are.
00:39:32Give it at most
00:39:33two capsules,
00:39:33But at most, okay?
00:39:34And don't be an animal?
00:39:36No.
00:39:36Don't put it in the wine
00:39:37that cannot be mixed
00:39:37with alcohol.
00:39:38Give him something to eat first,
00:39:39but dissociated.
00:39:40Don't mix meat with pasta
00:39:41nor fruit with...
00:39:42She's a bit heavy, isn't she?
00:39:44Thank you so much, girls.
00:39:45See you later.
00:39:47Nera.
00:39:49These two are like children.
00:39:53Good morning.
00:39:54How did you sleep?
00:39:55My buns?
00:39:57Hey,
00:39:58that I was thinking
00:39:58that we could go with the child
00:40:00to the park for a little drink
00:40:01of the sun,
00:40:01We're very pale, aren't we?
00:40:02Belén, are you okay?
00:40:04Yeah.
00:40:04Lion mouthwash
00:40:05It needs to be spit out.
00:40:06Don't swallow it, okay?
00:40:07No,
00:40:07I'm fine.
00:40:08That's the weird thing.
00:40:15It's just that last night
00:40:16I met a boy.
00:40:18Well,
00:40:18I didn't really know him
00:40:19because I already knew him,
00:40:20but not in that way
00:40:21I met him last night.
00:40:22And who is it?
00:40:24No no,
00:40:25I'm not going to say it.
00:40:25But he's handsome.
00:40:26No,
00:40:27I'm not going to say it.
00:40:27Two clues,
00:40:28We know him and he's ugly.
00:40:29Okay, fine.
00:40:30It's Paco, damn it.
00:40:30No, no, no,
00:40:31Don't say we're
00:40:31on the point of...
00:40:33Paco?
00:40:33What Paco?
00:40:35Paco, Paco.
00:40:35Paco Paquito?
00:40:37Paco, Paquito, Paco.
00:40:38Aunt Paco?
00:40:39Well,
00:40:40what's happening?
00:40:40No, no, no,
00:40:41Nothing happened either.
00:40:42It was just like a flash.
00:40:44Like when the child
00:40:45the sixth sense
00:40:46I saw the dead.
00:40:47Well, he's doing
00:40:48References to film, huh?
00:40:49How does he do it?
00:40:50That's love.
00:40:51Wow!
00:40:51That's love.
00:40:51Wow!
00:40:52Wow!
00:40:52Come on, please!
00:40:53Hey,
00:40:55I won't say a word to you.
00:40:56Nobody, okay?
00:40:57That lesbians
00:40:58You guys talk too much.
00:41:03But,
00:41:03Which Bethlehem?
00:41:04Bethlehem, Bethlehem?
00:41:05Yeah,
00:41:05Bethlehem, Bethlehem.
00:41:06Nativity scene,
00:41:07the one from third B.
00:41:07Nativity scene,
00:41:08Emilio's.
00:41:08No, no, no,
00:41:08Emilio's ex.
00:41:10But Paco Tronco,
00:41:11who is the bride
00:41:11from a friend,
00:41:12That must be respected.
00:41:13But it's no longer there
00:41:13going out together,
00:41:14fuck.
00:41:15If we haven't done
00:41:15nothing,
00:41:16What happened yesterday was a...
00:41:17I don't know what it was.
00:41:18Paco,
00:41:18which is a mess.
00:41:19Why does he have you?
00:41:19Belén liked
00:41:20right now
00:41:21Do you see her every day?
00:41:22Because we end up wanting
00:41:23what we see every day.
00:41:23Hannibal Lecter said it
00:41:24in the silence
00:41:25of the lambs.
00:41:25And you're going to trust me?
00:41:26about a guy who eats people
00:41:27And is he wearing a muzzle?
00:41:28You are endangering
00:41:29your friendship with Emilio.
00:41:30No, no, no.
00:41:30Me with Emilio
00:41:30I will continue to be
00:41:31Just like always.
00:41:32Paco,
00:41:32I want to have bleach
00:41:33I've run out.
00:41:34Hey, Emilio!
00:41:35Hey, buddy!
00:41:37All good?
00:41:38Yeah,
00:41:38I'm going to give you,
00:41:39I'm going to give you,
00:41:39I'm going to give you a new one.
00:41:42Ouch!
00:41:42The thing is,
00:41:43Yeah,
00:41:44sorry.
00:41:44No problem,
00:41:45Yes, I had to reorganize.
00:41:46the shelves,
00:41:47It's the same.
00:41:48Leave it,
00:41:48Leave it,
00:41:49Yeah,
00:41:49You'll pay me back another day.
00:41:51And now I'm going to leave you
00:41:52because I'm going to the warehouse
00:41:54that I need to reorganize
00:41:55things.
00:41:56That made me happy
00:41:57I'd love to see you.
00:42:00Come on,
00:42:00bye bye.
00:42:04What's wrong with this guy?
00:42:05that he has swallowed
00:42:05the chrome in the light bulb?
00:42:07It's the monkey of love,
00:42:08which is very bad.
00:42:10Yeah,
00:42:10about Lourdes
00:42:11It has left him very shaken.
00:42:12Pablo,
00:42:12Watch me so I don't fall
00:42:13in drugs,
00:42:14who is a very good kid.
00:42:24What are you doing?
00:42:25I love this room,
00:42:27It's like your mother's.
00:42:28of psychosis.
00:42:32Isabel,
00:42:32please,
00:42:33stop opening drawers for him
00:42:33to Vicenta.
00:42:34It fascinates me,
00:42:35I feel like Indiana Jones.
00:42:36Look,
00:42:37Oh,
00:42:38What photo album?
00:42:39please.
00:42:41Do you remember
00:42:42from the movie
00:42:42The Others?
00:42:44Come on,
00:42:44Leave that where it is.
00:42:46We make love.
00:42:48The thing is,
00:42:49this room
00:42:50It brings back memories.
00:42:51I lost my virginity
00:42:52at Miria's house
00:42:53and there at the parties
00:42:54of the people.
00:42:55I'm going to mess you up.
00:42:56Just for a little while, okay?
00:42:57No, no, Isabel,
00:42:58No, please.
00:42:58No, not here.
00:42:59Isabel,
00:42:59please.
00:43:01Good morning!
00:43:04Breakfast!
00:43:08Dear,
00:43:08breakfast.
00:43:10Since I didn't know
00:43:11that you liked,
00:43:12I have put
00:43:12a little bit of everything.
00:43:13My dear wife
00:43:14He shouldn't have bothered.
00:43:16Do you have clothes?
00:43:16To wash?
00:43:17No,
00:43:18Oh my God.
00:43:19Yeah,
00:43:20that one over there.
00:43:21And my blouse
00:43:22I wash it
00:43:23with cold water
00:43:24and by hand.
00:43:30Notice that he is
00:43:31starting with me
00:43:31I like this.
00:43:33There's no rush.
00:43:34with the work.
00:43:34Let them make it for us.
00:43:35good, good,
00:43:36good, good, good.
00:43:39Vicenta,
00:43:39lovely!
00:43:40What are you doing here?
00:43:41Women,
00:43:42that gave us
00:43:43very sad
00:43:44that you were so alone.
00:43:46It smells so good!
00:43:47Have you made toast?
00:43:48No,
00:43:48wait,
00:43:49I have guests.
00:43:55How are you?
00:43:56Good morning.
00:43:57Oh!
00:43:58But what are they doing?
00:43:59Are they here?
00:44:00They're doing construction work.
00:44:01at home.
00:44:01They're going to stay
00:44:02until they finish.
00:44:03You shouldn't have left.
00:44:04Shell,
00:44:04You have squatters.
00:44:06Go away,
00:44:07Mr. Cuesta!
00:44:08Go away!
00:44:16Rafael,
00:44:17this community
00:44:18of neighbors
00:44:18it demands
00:44:19an explanation
00:44:20about the activities
00:44:21that is developing
00:44:21in your home
00:44:22a character
00:44:23of political stature.
00:44:24Juan,
00:44:25I am the president.
00:44:27What the hell
00:44:28the mayor was doing
00:44:29at your house?
00:44:30Look, I told you
00:44:31that you shut your mouth,
00:44:32Hey?
00:44:32Don Rafael,
00:44:33You have been my father.
00:44:34We had a mole.
00:44:35Let's see,
00:44:36The mayor came last night
00:44:37with their partner.
00:44:38That's it?
00:44:38It's my house.
00:44:39I have the right.
00:44:40to invite whom
00:44:40whenever I feel like it.
00:44:42Which couple?
00:44:43If it didn't go up
00:44:43not a single woman.
00:44:44No,
00:44:44he was only
00:44:45a while up
00:44:46with the escort
00:44:46and the...
00:44:47Ah!
00:44:50Is he with the bodyguard?
00:44:51Yeah,
00:44:52Yeah.
00:44:53Pussy,
00:44:54has the syndrome
00:44:55Princess Stephanie of Monaco.
00:44:56But they're serious.
00:44:57Hey?
00:44:57They've been almost
00:44:57a legislature together.
00:44:59The mayor is gay.
00:45:01And I voted for him.
00:45:02It's our fault.
00:45:03that we didn't read
00:45:05the electoral programs.
00:45:06And what do you want me to put?
00:45:07I promise to increase
00:45:08citizen security
00:45:09and come out of the closet.
00:45:10I don't understand.
00:45:11If the mayor is gay,
00:45:12Why is she getting married?
00:45:14Well, on the surface.
00:45:15There is a segment of the electorate
00:45:16which I would not look upon favorably
00:45:17to a homosexual leader.
00:45:19He doesn't govern me
00:45:20a sodomite.
00:45:21See the example.
00:45:23Well,
00:45:23Let's not bring it up either
00:45:24things are out of whack.
00:45:25It's normal
00:45:26that he was born
00:45:27the love between them.
00:45:28Many hours pass
00:45:29working together.
00:45:30It can happen to you
00:45:31to anyone.
00:45:31No,
00:45:32because by that rule
00:45:33of three
00:45:33Mr. Juan and I
00:45:34We would have already gotten involved
00:45:35a long time ago.
00:45:36Emilio.
00:45:37Well, I once
00:45:37I've thought about it,
00:45:38Hey?
00:45:38Because you get too involved
00:45:39in the accounting room.
00:45:41Listen,
00:45:41The mayor is coming
00:45:42tonight again.
00:45:43His wife doesn't arrive
00:45:44with the children
00:45:44see you tomorrow.
00:45:45I ask for your respect.
00:45:46and discretion
00:45:47who is a personal friend.
00:45:48Besides,
00:45:49I'm behind him
00:45:49so that I can be requalified
00:45:50some land.
00:45:52Well,
00:45:52The session is adjourned.
00:45:54Hey,
00:45:54That's what I say,
00:45:55Hey?
00:45:57The session is adjourned.
00:45:58Hey,
00:45:59Do you have a tendency?
00:46:02I have ended the session,
00:46:03Hey?
00:46:04I'm saying this just in case
00:46:04You have things to do.
00:46:05I with this
00:46:06I see the mayor
00:46:07a very clear exclusive.
00:46:09What do you want me to say?
00:46:10Man,
00:46:10the people have the right
00:46:11to the information
00:46:12And what if on top of that
00:46:13They give us a little money,
00:46:15Well, look.
00:46:15Can we go on a cruise?
00:46:17all the neighbors?
00:46:18Clear,
00:46:18And that's how you benefit.
00:46:19And you change the bathroom too.
00:46:21Let's see, let's see,
00:46:21you are talking
00:46:22of a person's life.
00:46:23You're going to sink
00:46:24the political career
00:46:24and marriage
00:46:25from someone
00:46:25that he hasn't done anything to you
00:46:26for a dirty exclusive.
00:46:28I once
00:46:28I almost fell
00:46:29in a ditch
00:46:30And that's the fault of the family.
00:46:31from the mayor,
00:46:32of all time.
00:46:33But that
00:46:34It is immoral.
00:46:35man,
00:46:35It can't be done.
00:46:37What does it matter?
00:46:37Who does she sleep with?
00:46:38The important thing is
00:46:39how he governs.
00:46:40That's also true.
00:46:42We must respect
00:46:42private life
00:46:43of public figures.
00:46:44Well, that's it.
00:46:45Well, we respect it.
00:46:47Let's see,
00:46:48What choice do I have?
00:46:48Very good,
00:46:49I am pleased to confirm
00:46:50that you react
00:46:51with political responsibility.
00:46:53You'll see.
00:46:53how are you going to feel
00:46:54everyone is much better.
00:46:54I insist
00:46:55in which the board
00:46:56It is up
00:46:57a while ago,
00:46:58Hey?
00:46:59Hey.
00:47:04No,
00:47:04What pisses me off
00:47:05in the advertisements
00:47:06that's what they mistreat
00:47:07to the characters.
00:47:08For example,
00:47:08which has been
00:47:08of the clown of my color.
00:47:10It has not returned
00:47:10to know about him.
00:47:11It wasn't one,
00:47:12There were two of them.
00:47:13He killed him.
00:47:13faded
00:47:14in an attack
00:47:14envious.
00:47:15Well,
00:47:15and Mr. Proper,
00:47:16pure strength
00:47:17with lemon freshness.
00:47:18It was a classic.
00:47:19He was gay.
00:47:19man,
00:47:20would get married
00:47:20with the butler
00:47:21of the ten.
00:47:21Clear,
00:47:22and they set up a barbecue
00:47:23and they ate
00:47:23to the laughing cow,
00:47:25to Norris's little lamb
00:47:26and the bunny
00:47:26from Duracell.
00:47:27No,
00:47:28the Duracell bunny
00:47:29He tried
00:47:29in Hollywood.
00:47:30He started out as an extra.
00:47:31in The Lion King.
00:47:33If only
00:47:33You don't notice.
00:47:34And that one
00:47:35of the breasts
00:47:35and the motorcycle
00:47:36that I was already looking for
00:47:37Every Christmas,
00:47:38that?
00:47:38She's already retired.
00:47:39he hit a braquetazo
00:47:40with Captain Pescanova
00:47:41and they'll be around.
00:47:42cruise
00:47:42through the Greek islands.
00:47:44Hello,
00:47:44Paco,
00:47:45I need a movie.
00:47:46Well, you've come
00:47:47to the worst place,
00:47:47It has less and less.
00:47:48If Rafael
00:47:48He won't let me anymore.
00:47:49buy more new releases,
00:47:50as he doesn't know
00:47:50what to do with the premises.
00:47:51What do you prefer?
00:47:52Homedia,
00:47:53drama,
00:47:53thriller.
00:47:54I'll find one for you.
00:47:56Hey,
00:47:56hey,
00:47:56but don't mess it up
00:47:57on the shelves.
00:47:58Leave him be.
00:47:58man,
00:47:59That's how he entertains himself.
00:48:00Well,
00:48:00look,
00:48:00I don't care about gender.
00:48:01Give me the longest one
00:48:02that you have.
00:48:03Well,
00:48:03There's a great movie
00:48:04by an Afghan director,
00:48:05Hamid Remal,
00:48:06which lasts 78 hours
00:48:08in a single shot.
00:48:09Well,
00:48:09According to critics,
00:48:10It's a harsh portrait
00:48:11of social reality,
00:48:12the class struggle,
00:48:13but then the director
00:48:13He acknowledges that he has let himself go
00:48:14the forgotten camera
00:48:15on the street.
00:48:16And of course,
00:48:16They cut off your hand there, like they do there.
00:48:17for stealing,
00:48:17because nobody dares
00:48:18to touch it.
00:48:19That,
00:48:19that,
00:48:19the table.
00:48:20But if I don't have it,
00:48:21if it is not listed.
00:48:22I've been here a month
00:48:22I downloaded it from the internet.
00:48:23Well, give me one that you have.
00:48:24Paco,
00:48:24Don't confuse me.
00:48:25Come,
00:48:26No,
00:48:27the car race will be
00:48:28Fernando Alonso
00:48:29of the Roman Empire.
00:48:30Let's see,
00:48:30King Kong lasts 184 minutes,
00:48:32Titanic,
00:48:33190.
00:48:33Titanic,
00:48:33Titanic.
00:48:34Total mess,
00:48:35that.
00:48:35But that's very sad.
00:48:36And DiCaprio freezes.
00:48:37and sinks into the ocean,
00:48:39He'd eat a tuna or something.
00:48:41It's the cycle of life.
00:48:42Thank you,
00:48:43Emilio,
00:48:43I hadn't seen her.
00:48:45What, you haven't seen Titanic?
00:48:46No.
00:48:46What are you like there?
00:48:47Hey?
00:48:48Do not forgive women
00:48:49that they take away your handsome boys.
00:48:51I'll bring it down for you tomorrow.
00:48:52I already paid you back.
00:48:52Don't worry,
00:48:53if there's no rush,
00:48:53if I charge a fine.
00:48:55It falls!
00:48:55It's falling!
00:48:57José,
00:48:57Couple,
00:48:57Oh my God!
00:48:58But what are you doing?
00:48:59My God.
00:48:59Sometimes they go to have sex.
00:49:02Clear,
00:49:02And why are you wearing it?
00:49:03With this heat already?
00:49:05Well, damn it,
00:49:06because that's where I carry all my stuff,
00:49:09Otherwise I'll get confused.
00:49:10like the woman with the handbags.
00:49:13What a shame about that kid.
00:49:16Not here,
00:49:17Not here,
00:49:18Nobody can live here.
00:49:23Son,
00:49:23It's here
00:49:24The mayor with his boyfriend.
00:49:27Don't look out
00:49:28what if he gets scared
00:49:29Our plan is ruined.
00:49:30But look,
00:49:31calls,
00:49:31calls.
00:49:32Careful.
00:49:38Hello,
00:49:39I am a reader.
00:49:40Look,
00:49:41I buy your magazine
00:49:41every week.
00:49:43The thing is,
00:49:44Congratulations indeed.
00:49:45They have already arrived
00:49:46the lovers of Teruel,
00:49:47They are rising.
00:49:49Look,
00:49:49We have an exclusive.
00:49:51The mayor is having an affair.
00:49:52How much do you pay for that?
00:49:54Tell him he's gay.
00:49:55that raises the rate.
00:49:56They'll already have some tables
00:49:57as an estate.
00:49:59Yes,
00:50:00that it's complicated
00:50:01with his escort.
00:50:02They meet in a flat
00:50:03from here,
00:50:03from my community.
00:50:04Send a photographer,
00:50:05a cameraman.
00:50:05Tell him he's gay, no.
00:50:07better metallic.
00:50:09I, the goalkeeper,
00:50:10a professional
00:50:10of the information.
00:50:12Yes,
00:50:12which is insurance.
00:50:13If I know him,
00:50:14He once shook my hand
00:50:15down the street
00:50:15when he was campaigning.
00:50:17Well,
00:50:17Am I going out too?
00:50:18Or do you just want photos of him?
00:50:20Hey, Dad,
00:50:21Who is Mom talking to?
00:50:21With the press.
00:50:23The mayor is gay.
00:50:24and they can be seen here
00:50:25at a neighbor's house.
00:50:27Ah,
00:50:27journalism and investigation.
00:50:28That,
00:50:29clear.
00:50:30Pass me the bread.
00:50:32Bread,
00:50:32Pussy.
00:50:37A
00:50:40and two.
00:50:47And three.
00:50:51Hi, Mauri,
00:50:51how are you?
00:50:52How was your day?
00:50:53Wow, what a tone
00:50:53pants down
00:50:55that there has been a day
00:50:55for reflection.
00:50:56Yeah,
00:50:56I've been thinking
00:50:57and with the little time
00:50:58that we spent together
00:50:59that I fall asleep
00:51:00watching a movie
00:51:01when you never fall asleep
00:51:02It's unforgivable.
00:51:03Man,
00:51:03unforgivable no
00:51:04Because I forgive you.
00:51:05You're really stubborn,
00:51:07dear.
00:51:08But to compensate you
00:51:10I have prepared
00:51:10the little dinner
00:51:11and the Titanic nail.
00:51:12Titanic?
00:51:12Yeah,
00:51:13eleven Oscars,
00:51:14ten more than yesterday.
00:51:15Come on,
00:51:15Let's make a toast.
00:51:16Wait,
00:51:17I'll open a little wine.
00:51:17No no,
00:51:18no wine
00:51:18a cocktail
00:51:19that I have done
00:51:20with all the love in the world.
00:51:21The Virgin,
00:51:22How have you left the kitchen?
00:51:23Mauri,
00:51:23focus,
00:51:24romantic moment,
00:51:25Cheers!
00:51:26For us.
00:51:29All,
00:51:29all,
00:51:30all,
00:51:30that if it isn't bad luck.
00:51:30Huh?
00:51:31There,
00:51:32let's see,
00:51:32let's see.
00:51:34Oh,
00:51:37Good boy!
00:51:39But this doesn't have alcohol in it?
00:51:41Already,
00:51:42But what if after the movie
00:51:43and the colloquium: we want sex,
00:51:44Well, because I'm at one hundred percent.
00:51:46Fernando,
00:51:46But how are we going to have dinner without wine?
00:51:47We have many things to celebrate.
00:51:49They've picked me as a panelist.
00:51:51What are you saying?
00:51:52I'm going to be there for a whole year
00:51:52leaving television.
00:51:54You're going to have a famous boyfriend.
00:51:55Because I'm starting out as a panelist,
00:51:57But this will end up being
00:51:58Mauri's breakfasts,
00:51:59You'll see.
00:51:59Yeah,
00:52:00Well,
00:52:00Let's have dinner
00:52:01and while I put on the movie.
00:52:02But again, Titanic,
00:52:03I've already seen it.
00:52:04Why don't we go
00:52:05Straight to bed?
00:52:07No,
00:52:08movie,
00:52:08movie.
00:52:09Movie.
00:52:10Okay.
00:52:17Paco.
00:52:18Hello.
00:52:19Hello.
00:52:21Nothing,
00:52:22I was just about to return the movie.
00:52:23because I've already seen it.
00:52:24It's very nice.
00:52:25Yeah.
00:52:25Did you like the sequence?
00:52:27when the mother
00:52:27Does nature lose its ear?
00:52:29A lot.
00:52:31I'm going to take another one.
00:52:33But today I feel like it
00:52:34one a little bit more
00:52:37romantic.
00:52:39Ah,
00:52:39Well, look,
00:52:41barefoot through the park
00:52:42with Robert Réfury
00:52:43and at Fonda
00:52:44newlywed young people.
00:52:46It's very nice.
00:52:47She's very cute,
00:52:48very...
00:52:48Again.
00:52:57And what can I tell you?
00:52:58that...
00:52:59Does it have extras?
00:53:00And outtakes?
00:53:01No,
00:53:01not this edition.
00:53:02Well,
00:53:02Well, that's it...
00:53:03Already...
00:53:03If so,
00:53:04tomorrow...
00:53:05We already...
00:53:06Come on.
00:53:08Bye bye.
00:53:09Oh,
00:53:10I said yes,
00:53:11Pussy,
00:53:11respecting friends.
00:53:12No,
00:53:13who is no longer with Emilio,
00:53:14Look at the other one.
00:53:15And then the ad says
00:53:16than the lipstick
00:53:17Don't squirm.
00:53:18Who gave you a hard time?
00:53:20One euro.
00:53:23One euro.
00:53:25Take,
00:53:25go on,
00:53:25take,
00:53:26take.
00:53:26What are you doing spying there?
00:53:28Go away.
00:53:31Here,
00:53:32Yeah.
00:53:33There it is.
00:53:33Oh,
00:53:34I've been through.
00:53:37I rented a movie.
00:53:41That?
00:53:43Nativity scene,
00:53:43You kissed Paco.
00:53:45I can't believe it.
00:53:47No,
00:53:47No,
00:53:48No,
00:53:48No,
00:53:48No,
00:53:48But Bethlehem,
00:53:49Look at yourself,
00:53:50please.
00:53:53And how is he as a kisser?
00:53:54Does he kiss well?
00:53:55I swear I don't know what happened,
00:53:57I wasn't going there for that.
00:53:58Hey,
00:53:58be careful,
00:53:59The poor guy's wife just left him.
00:54:00and he is desperate,
00:54:01Hey?
00:54:01What's happening?
00:54:02Do we have to be desperate?
00:54:03to kiss me?
00:54:04No,
00:54:04What I mean is
00:54:05It's because he has an emotional deficiency there.
00:54:07big,
00:54:08Hey?
00:54:08And that it tries to fill
00:54:09with the first one he finds.
00:54:09He's fixing it.
00:54:10Hey?
00:54:11Well,
00:54:11let's see,
00:54:11It's not that serious.
00:54:12Dear,
00:54:13Yeah,
00:54:13who is Paco,
00:54:14This needs to be analyzed.
00:54:15But do you like it?
00:54:18Well, I don't know.
00:54:19But then,
00:54:19Why are you kissing me?
00:54:20Well,
00:54:21I don't know.
00:54:22Hey,
00:54:22Don't overwhelm me,
00:54:23Hey?
00:54:23Don't overwhelm me.
00:54:43What special affection,
00:54:44Hey?
00:54:45Yeah,
00:54:45That's just how Americans are.
00:54:55She looks great.
00:54:57She has a class.
00:54:58She was nominated,
00:54:59but not...
00:55:09I'm going to the bathroom for a moment.
00:55:11Should I stop her?
00:55:12Yeah,
00:55:13Give it to the poncho,
00:55:13which is very interesting.
00:55:17Careful.
00:55:38Angel,
00:55:39Can't we continue to see them this way?
00:55:40In a borrowed house.
00:55:42This isn't romantic,
00:55:43It's nothing.
00:55:44There, Caesar,
00:55:44We've already discussed this.
00:55:45The city council plenary sessions are now underway.
00:55:47as if to come out of the closet.
00:55:48Go on,
00:55:48Go on.
00:55:56But at some point
00:55:57You'll have to tell your wife.
00:55:58No?
00:55:59I feel terrible.
00:56:00Every time I eat at your house
00:56:01It's horrible.
00:56:02Well,
00:56:02We are going to finish the legislative term
00:56:03and then we'll decide.
00:56:07My mother wants to meet you.
00:56:09Have you told him about me?
00:56:10A bit.
00:56:10She's delighted.
00:56:11He told me that next time
00:56:11I'm kicking you out.
00:56:12Cease,
00:56:12we didn't agree that this
00:56:13We would keep it a secret.
00:56:17What's the press doing out there?
00:56:18I don't know.
00:56:18Ask your friend.
00:56:19Fast,
00:56:19to the elevator.
00:56:20Did they take any pictures of me?
00:56:20No,
00:56:21I've shut down my time.
00:56:22Rafael,
00:56:23I can't leave your house.
00:56:24Who called the press?
00:56:30Mauri,
00:56:31are you OK?
00:56:33Mauri.
00:56:36Go,
00:56:36go.
00:56:38I've taken something
00:56:39which hasn't sat well with me.
00:56:48And you haven't received any coffee?
00:56:50But,
00:56:50Didn't you say something made you feel unwell?
00:56:52Yeah,
00:56:52But coffee is good for digestion.
00:56:53They discovered it recently.
00:56:54Come on,
00:56:55Mauri,
00:56:55that have already collided with the iceberg.
00:56:56You've left me at the best part.
00:56:58Okay,
00:56:58Okay,
00:56:59Press play.
00:57:02Hey,
00:57:03Did the light turn on?
00:57:04Because?
00:57:05Are you afraid of shipwrecks?
00:57:07No,
00:57:08It was from...
00:57:10Look,
00:57:15Water is starting to come in.
00:57:22Do you want me to stop it?
00:57:23No,
00:57:24Why are you going to stop her?
00:57:25No,
00:57:25I don't know,
00:57:26It's just that I get the feeling
00:57:27that you're falling asleep
00:57:28And that's a shame.
00:57:29for a while
00:57:30that we can be together.
00:57:31No,
00:57:32no.
00:57:33No,
00:57:34No,
00:57:34I was already wondering about myself
00:57:35Because like you
00:57:36You never fall asleep
00:57:37watching a movie.
00:57:40Hey,
00:57:40Mauri?
00:57:43Mauri?
00:57:51Let's see,
00:57:52So.
00:57:55Oh,
00:57:56How beautiful.
00:57:57Look.
00:58:02Good night
00:58:15Nobody leaves here
00:58:16Until I find out
00:58:16Who called the press
00:58:17I'll ruin your lives
00:58:19One by one
00:58:26You too
00:58:27It's Mamen's fault
00:58:29He showed me some bathrooms
00:58:30And why are you making such a fuss?
00:58:32But what exactly do they know?
00:58:33Those journalists?
00:58:34Nothing to do with the mayor being gay
00:58:35And that you're involved
00:58:36They have no further information
00:58:37Don't worry, they have no proof
00:58:39That's why they're coming.
00:58:40To have them
00:58:41This is the end
00:58:42My political career is over.
00:58:43As spokesperson
00:58:44And former president of this
00:58:45Our community
00:58:46I apologize.
00:58:47Because of this intolerable
00:58:48Intrusion into their private life
00:58:50What a mayor!
00:58:52Cheating on his wife
00:58:53And to the citizens
00:58:55Ma'am, do you know
00:58:55How am I doing?
00:58:56César and I have been in love for a long time.
00:58:58Almost five years
00:58:59The 27th is our anniversary
00:59:01And if we haven't made it public
00:59:02What we had before
00:59:03It was because of my children
00:59:04And for my voters
00:59:06It has been very difficult for me
00:59:07To get to where I am
00:59:08And I would like to
00:59:09That they would remind me
00:59:10That's why I'm doing
00:59:11Through this city
00:59:12And not because of my sexual orientation.
00:59:14Mayor
00:59:42Mayor
00:59:44No, man, no
00:59:44That roof is secure
00:59:46With pigeonhole partitions
00:59:47Our building is collapsing
00:59:48Okay, calm down.
00:59:49The journalists
00:59:50They're not going to stay there
00:59:50They're not going to stay there overnight
00:59:51When they see that nobody comes out
00:59:52They will leave
00:59:53Let's kill some time
00:59:54If my wife
00:59:55Arrive early
00:59:55A.m
00:59:56Hey, I'm bringing the party
00:59:58We could also discuss
00:59:59Regarding the situation in the municipality
01:00:01I have many proposals.
01:00:02I could...
01:00:03Oh, that's true.
01:00:03Mayor
01:00:05What's happening with the senior citizens' center?
01:00:07What pisses me off
01:00:08They are the parking meters
01:00:09You arrive with the vans
01:00:10To the sites
01:00:10And they hit you with some sticks
01:00:12Damn, that...
01:00:12And I can have an opinion
01:00:14Jail for the propaganda people
01:00:24Marisa, don't smoke here, man
01:00:25It's not a vice, damn it.
01:00:27That's my breakfast
01:00:30They're still there
01:00:30But they're not going anywhere.
01:00:32No, Angel
01:00:32But you don't take responsibility
01:00:33But well, it's just that
01:00:34They have no family
01:00:35They don't eat breakfast
01:00:36They never go to the bathroom
01:00:37Come on, let's go
01:00:39Mr. Mayor
01:00:40They are trained
01:00:41They are Green Berets of the news
01:00:42Many can endure for several days
01:00:44Without food and without drink
01:00:45In full or just
01:00:46Waiting at the door
01:00:46Pantoja or Jusulín
01:00:48It's normal for them to wait
01:00:49Without the mayor's photo
01:00:49They have nothing
01:00:50They know
01:00:51They have spent the night here
01:00:52What if we throw away a flowerpot?
01:00:54Like a seashell?
01:00:55There are many
01:00:56We have no ammunition
01:00:58Rafael, I just love him
01:00:59This shelf
01:01:00Where did you buy it?
01:01:02Mame, don't start now
01:01:03TRUE!
01:01:05I know how we're going to get out of this.
01:01:06To the mayor of here
01:01:07As?
01:01:08It's a perfect plan
01:01:09The only thing it's going to have
01:01:10Some expenses
01:01:11Whatever
01:01:12Whatever it is
01:01:13Mr. Mayor
01:01:14Trust in Mr. John
01:01:16What is an expert?
01:01:16From extreme situations
01:01:35Oh, forgive me, darling.
01:01:36I have woken you up
01:01:37Do you want breakfast?
01:01:40Auri
01:01:42Mauri
01:01:44Mauri
01:01:45Mauri, wake up
01:01:46What's happening?
01:01:48What am I doing here?
01:01:49You fell asleep watching the movie
01:01:51I have a photo
01:01:52Look
01:01:52Printed with a computer
01:01:54You fell asleep
01:01:56You fell asleep
01:01:58What time is it?
01:01:5911:15
01:02:00Shit, the discussion
01:02:01What discussion group?
01:02:03God
01:02:03It has already begun
01:02:04Look, my name is
01:02:05Who?
01:02:05But were you starting today?
01:02:07Yes, it's today.
01:02:08It was live
01:02:09And why didn't you tell me?
01:02:11We simply don't have communication.
01:02:12Mauri
01:02:12Look, Fernando
01:02:13Don't overwhelm me
01:02:14Please
01:02:15But how could you have put me to sleep?
01:02:17Because I set my alarm clock.
01:02:19I don't know
01:02:19Sometimes it happens
01:02:20You'd be shirtless
01:02:21I'll take your car
01:02:22How am I doing?
01:02:24Awful
01:02:24It doesn't matter
01:02:25Let me put on makeup
01:02:25Damn, I don't have
01:02:26What a disaster
01:02:57Why didn't you tell me?
01:03:19Mother!
01:03:20Wait, wait, wait, it's okay!
01:03:22Wait!
01:03:30Hello.
01:03:32Oh, sorry, I woke you up.
01:03:34No, no way, no way, yes, I was sleeping.
01:03:35So, yes, but it works out really well for me.
01:03:37Because yes, I take advantage of the morning, tell me.
01:03:40Paco, we need to talk about what happened yesterday.
01:03:42Yes, about what happened yesterday.
01:03:44Ah, about the kiss.
01:03:46That's it, the kiss.
01:03:47So what do I do? Do I apologize? Do I give you another one?
01:03:51Well, that's what we need to talk about.
01:03:55Mayor, we're ready downstairs.
01:03:57Yes, his hearse is already waiting.
01:03:59But what hearse?
01:04:00I don't know.
01:04:01Juan, what have you done?
01:04:07But how am I going to get out of there?
01:04:09It's the safest thing to do.
01:04:10No paparazzi are going to peek out to look.
01:04:12But will he be able to breathe there?
01:04:13Well, they're not designed for that, but it'll hold up for a while.
01:04:16With the rope to the north that is there.
01:04:18Eugenio, set an alarm on your mobile phone.
01:04:20My love, if you see that you are drowning, give a little something.
01:04:22Yeah.
01:04:23Hey, I'll be back later, I'm going to pick up your wife at the airport.
01:04:28Well, thank you all very much.
01:04:30Really.
01:04:31I'll call you, Mr. Mayor.
01:04:32It would be an honor for me to be part of your next government team.
01:04:36Remember the senior citizens' center.
01:04:38And let's see if they'll make it happen on the pedestrian street for the meetings, especially.
01:04:41Yes, yes, because we risk our lives out there.
01:04:44And see if you remember those plots of land I own.
01:04:46Come on, move the lid, we're leaving now.
01:04:48Oh, it's kind of creepy to see him in there, isn't it?
01:04:51We're going to take the part of the feet that weighs less.
01:04:53And why do I have to be the one to crack?
01:04:56If this is worse.
01:04:57It was by lottery, I'm sorry.
01:04:58Mom, José Miguel got into my bed and touched my breast.
01:05:01That?
01:05:02Candela, don't do this to me now with nonsense.
01:05:04Damn, what are you doing?
01:05:05Hey man, look, take this.
01:05:07I?
01:05:07Yeah.
01:05:09Vicenta, are you ready?
01:05:10Yes, go ahead.
01:05:20Oh, my sister!
01:05:25Oh, Marisa, they've taken her tobacco!
01:05:29Come on, please, show some respect to the widow.
01:05:31I mean, the sister.
01:05:33Come on, woman, cheer up.
01:05:35If she's in a better place now.
01:05:37Oh, what a great shame!
01:05:41But don't exaggerate so much, or you're not going to get a Goya Award.
01:05:44Holy shit!
01:05:46Mr. Juan, I think your mobile phone is ringing.
01:05:48Okay, I'll answer later.
01:05:50This is heavy.
01:05:51No, no, no, no.
01:05:51It's playing inside, huh?
01:05:53Hey?
01:05:53No, it's a free service we have now, in case of catalepsy.
01:05:57You wake up, you call our free 900 line.
01:06:01Well, how mean, I don't think he'll take it, will he?
01:06:04Yeah?
01:06:04Pussy!
01:06:06Yes, César is coming to pick you up at the airport.
01:06:09No, it's just not right now...
01:06:10But what does he do?
01:06:11The woman is in bad shape.
01:06:13Honey, I'm sorry, but I can't talk.
01:06:15I'm at a press conference.
01:06:16Mayor, what are you doing in here?
01:06:18Are the rumors that he's gay true?
01:06:19Are you having problems in your marriage?
01:06:21No, uh, calm down, calm down, I'm fine.
01:06:22Thank you for showing so much interest.
01:06:24Thank you so much.
01:06:25Well, Mr. Juan, at least we tried.
01:06:27Look at him, what a macabre metaphor for his political career.
01:06:34Mauri, it's me again.
01:06:35I saw that the program ended and she didn't come out, I don't know.
01:06:38Call me and tell me, okay?
01:06:40Come on, kiss.
01:06:44Yeah?
01:06:44Hey Fernando, it's Bea.
01:06:47We're at the hospital, but don't panic.
01:06:49If you tell me that, I get scared.
01:06:51What happened?
01:06:52Uh, nothing, Mauri had a collision with your car, but he's okay.
01:06:56Uh, they're just running some tests on him.
01:06:58Damn, I'm going there.
01:07:01Oh, damn.
01:07:08Yeah?
01:07:09Bea, but tell me which hospital you are in.
01:07:11Yes, I was going to tell you, but you hung up on me.
01:07:17Hello, how are you?
01:07:18But how could you even think of letting him drive the car after you'd pumped him full of sleeping pills?
01:07:22How many did you give him?
01:07:23What you told me, two.
01:07:25Fernando.
01:07:26Three, but the capsules were half empty.
01:07:29It's a scam.
01:07:29Seriously, when are you going to grow up?
01:07:31When?
01:07:32He started it.
01:07:33But you know the fuss he made about me falling asleep watching Brock Van Montaigne.
01:07:37Oh, how beautiful.
01:07:38Let's see if they release Riana's version.
01:07:40I want to go in a wheelchair and I'm fine with that.
01:07:43I don't know, I'm impatient.
01:07:44Wait a moment, the doctor will be here shortly.
01:07:46Mauri, what happened to you?
01:07:47I fell asleep while driving.
01:07:49Luckily he was going slowly.
01:07:51I hit a lady from behind who was standing at a traffic light putting on makeup.
01:07:54She's put the eyelash curler in one eye.
01:07:57They're looking at her to see what's wrong with the poor thing.
01:07:59Of course, if you're not a good driver, it's better to take a taxi to places.
01:08:03Fernando, don't be so narrow-minded.
01:08:04What's happening?
01:08:05Mauricio.
01:08:06I?
01:08:09Mauricio.
01:08:10But how could you even think of driving after taking sunscreen?
01:08:14No, no, I haven't taken anything.
01:08:15Well, your analysis makes that perfectly clear.
01:08:18What's the matter?
01:08:19Are you depressed?
01:08:20Do you want to talk to the psychologist?
01:08:21But that's not possible if I haven't taken anything.
01:08:24I only had a little wine and the cocktail.
01:08:26What do you say?
01:08:28Bea told me it wasn't a dangerous amount.
01:08:30Sorry, I told you to give him two, not three.
01:08:32I already said it wasn't a good idea to try it.
01:08:34Lana, you didn't say anything, sweetheart.
01:08:35Mauri, wait, that...
01:08:36Stay still.
01:08:37Don't come near me, please, I'm really scared, okay?
01:08:40But don't worry, come here and I'll explain.
01:08:44So, we do you a favor by taking the child into our home, and then he goes and attacks our daughter.
01:08:48Alright, alright, can I talk? I need a lawyer.
01:08:51I slipped on my sock and grabbed onto whatever I could.
01:08:54If you were taking a picture of me with your mobile phone.
01:08:56Oh, so you were pretending to be asleep.
01:08:57Mamen, I warned you.
01:08:59They are 13 years old; in other parts of the world they would already be married and have a family.
01:09:03Of course, that's how the child is, with that kind of upbringing.
01:09:06Well, I was already chasing after my cousin when I was 11.
01:09:08You're done, it's over, okay?
01:09:09Find someone else to do the renovation.
01:09:11But come on, I've already started.
01:09:12Hey, but you're not going to leave us like this.
01:09:15No, it's just that you always have to be touching everything.
01:09:24Well, it's not so bad.
01:09:25Isabel, this is San Francisco after the earthquake.
01:09:28Hi, how are those works going?
01:09:30We have more ideas.
01:09:31Ah, but things are way ahead of schedule.
01:09:33Oh, and you finally decided to try cooking, right?
01:09:35Oh, yes, since we were on the subject.
01:09:37Ah, it's going to look really cool.
01:09:38Right, Juan?
01:09:39Yes, we just need someone to finish it for us.
01:09:42That?
01:09:42My son, who has stood us up because your brother touched the neighbor's breast.
01:09:48Well, I'm about to give birth.
01:09:50Ah, don't worry.
01:09:51Juan, we'll finish this.
01:09:52Don't get overwhelmed, okay?
01:09:54No, I already...
01:10:01Mauri, I've already apologized to you.
01:10:03It bothered me a lot that it bothered you so much that I fell asleep.
01:10:05But that's it, there's no need to blow things out of proportion, right?
01:10:08That he doesn't take out...
01:10:09Look, you lie to me, you drug me, you make me lose the best job I've ever been offered.
01:10:13and you almost killed me.
01:10:16Fernando, you love me.
01:10:17Of course I do, how could I not love you?
01:10:19Because you tell me, that's it.
01:10:20We didn't get married, it's okay.
01:10:22I'd rather stay alive, I really would.
01:10:24Listen to me, I'm sorry.
01:10:26And when we have another move, however silly it may be,
01:10:28I swear I will never again take chemical reprisals against you.
01:10:32And I love you.
01:10:34You already look very handsome.
01:10:35The sleep cure has done you a world of good.
01:10:38Okay.
01:10:40Invite me to a nice, romantic, and expensive restaurant tonight.
01:10:44And I forgive you.
01:10:45Made.
01:10:47And if you want, we can watch a movie later.
01:10:51I was just joking, it was to help us relax a little.
01:10:53Dr.
01:10:58Oh.
01:10:59Oh.
01:11:01Oh.
01:11:03Oh.
01:11:05Oh.
01:11:06Oh.
01:11:06Oh.
01:11:07Oh.
01:11:08Oh.
01:11:14So, how's it going?
01:11:18Good, good, good, good
01:11:22Paco, I have to tell you something
01:11:24That?
01:11:25I'm peeing myself
01:11:27Wait, wait, wait
01:11:35Beautiful
01:11:37But you don't have a door?
01:11:38Well, no, that's not the case anymore.
01:11:41Hey, Belén
01:11:43What are we now?
01:11:45Are we dating?
01:11:46Are we a couple?
01:11:47Are we friends who sleep together?
01:11:50Well, we're friends.
01:11:52They're trying to find out what they are.
01:11:55But without anyone knowing.
01:11:57Which is prettier
01:11:58Paco!
01:12:01Wait
01:12:02One moment!
01:12:04One moment!
01:12:04I'm coming!
01:12:05I'm coming!
01:12:08I'm in the bathroom!
01:12:09Since when have you been shutting down?
01:12:12Hi how are things?
01:12:15No, Paco, no
01:12:16What have you done?
01:12:18I haven't been
01:12:19It was her!
01:12:20I was sleeping!
01:12:21Hey, I'll call Lourdes
01:12:23To tell her how happy I am
01:12:24Stay still, don't call her!
01:12:25Wait, wait, yes, yes, let me, let me
01:12:26Let me!
01:12:28Lourdes!
01:12:29Lourdes!
01:12:29It's me!
01:12:30Yes, me!
01:12:31Hey, I'm with someone else.
01:12:32I'm in love
01:12:33Hello!
01:12:34And just so you know, it's much better!
01:12:35You in bed!
01:12:36Don't hang up now, don't stoop so low, gang!
01:12:38Give me a moment
01:12:38That you restrict it
01:12:39One moment!
01:12:40Lourdes!
01:12:42She's hung up!
01:12:43It's spicy!
01:12:44It's spicy!
01:12:45It's spicy!
01:12:46You're not ready for a relationship, huh!
01:12:48Yes, man!
01:12:48No!
01:12:48That's it!
01:12:49This is going to be the one!
01:12:50You'll see!
01:12:51Should I call her again?
01:12:53Goes!
01:12:55Goes!
01:12:56Goes!
01:12:57Goes!
01:12:57Goes!
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