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00:00:00Wait a minute, wait a minute. Farewell to what farewell?
00:00:02Let it go!
00:00:05Cabozos, I've brought the ring.
00:00:07For the sheet of paper!
00:00:11Let's get them!
00:00:19Bastards!
00:00:22Hey, that's not Celia's new assistant, is it?
00:00:25That seems to be the case.
00:00:26The doctor has left, but you can come in for the check-up with me.
00:00:28And we thought Trini was the worst competition we could have.
00:00:32We don't have any beans ready.
00:00:33Unless Trini is willing to give us the documentation.
00:00:36I present to you the new director of ISPARED.
00:00:40Aren't you going to have children?
00:00:42No.
00:00:42But, Iñaki, what are you saying?
00:00:44Well, I don't know. I haven't told him.
00:00:46I'm going to leave the girl with you for an afternoon.
00:00:49No.
00:00:51Hello!
00:00:53We have a ruin, and you know that not even a miracle from the Virgin of Rocío can fix this.
00:00:57Raci! Raci, sit down!
00:00:58Raci, sit down!
00:00:59Oh, we're burning! There's fire, fire!
00:01:02Let it fall, let it feel!
00:01:03Isabel.
00:01:04Yeah.
00:01:06I'm going to sell the bar.
00:01:07This is my resignation as director of the clinic.
00:01:10That?
00:01:10Yeah.
00:01:11I've just been offered a great job in the health department.
00:01:14You are the best director ISPARED ever had.
00:01:21Sit down.
00:01:22Will you marry me?
00:01:25I don't want to have children, Iñaki.
00:01:27I don't want so many.
00:01:30I don't want to have children, I don't.
00:02:05I don't want to have children
00:02:20Now everything is clear
00:02:25Don't rush into anything
00:02:26No, precisely for that reason, Iñaki
00:02:28Because I think we're rushing things.
00:02:31That's why
00:02:32Don't say that
00:02:38Iñaki, be honest
00:02:41I would really say the same to you.
00:02:42To have children or not to have them
00:02:44You wouldn't have made that face.
00:02:46As if I had stolen the last yogurt from the fridge
00:02:52Maybe you don't see it now
00:02:54But today you do change your mind
00:02:56Look at Griezmann
00:02:57It seemed like she was going to stay in the royal family for the rest of her life.
00:02:59And you see it now.
00:03:01I'm sorry Iñaki, but
00:03:04I don't think I'm going to change my mind
00:03:08I'm going to call the housekeeper to cancel it tomorrow.
00:03:13Look, I can't tell my mistress
00:03:15We've cancelled tomorrow's dinner.
00:03:16Come on, his head's going to explode.
00:03:25Gozone, I love you
00:03:27And I want to be with you.
00:03:33But understand me if
00:03:34In the short or medium term
00:03:36I want to find him a little brother.
00:03:37To Laia's little sister, right?
00:03:41And what if you don't want to?
00:03:44At least we'll have to discuss it, right?
00:03:50Place
00:03:52You're right, Iñaki, yes
00:03:55We'll give it a couple of days, okay?
00:04:10Man, Mr. Mejumea
00:04:12So, roughly calculating, huh?
00:04:13Spark more or less
00:04:14Minimum, minimum
00:04:16We would need, then
00:04:17A da Vinci
00:04:18A new mammogram machine
00:04:19And a non-linear diagnostic system
00:04:21Minimum
00:04:22I'm going to tell you what he tells me
00:04:24My mechanic
00:04:24In euros, in euros
00:04:26Translate it for me in euros
00:04:27Okay, I'll translate for you.
00:04:30Are you seated?
00:04:32No
00:04:33One moment
00:04:36Come on, tell me
00:04:38Twelve million euros
00:04:41Only?
00:04:42Oh, well, nothing.
00:04:43I'm going to break the piggy bank.
00:04:44And we start counting coins
00:04:46Don Mejumea
00:04:47But how can you feel like joking?
00:04:48Ah, I don't think so
00:04:49It doesn't worry me.
00:04:50But when you reach a certain age
00:04:52And after having survived
00:04:53As a balloon falls
00:04:54So you start looking
00:04:55Problems in a different way
00:04:57It's been a real nuisance, to be honest.
00:04:59That they didn't give us the loan
00:05:00Because that
00:05:01He would have saved us from a lot of trouble.
00:05:02When you request a loan
00:05:04The strange thing is that they grant it to you.
00:05:05But I trust you, Carmencita
00:05:07Yeah, yeah
00:05:08Don't let me trust you at the clinic for nothing.
00:05:10You are a resourceful woman
00:05:12Thank you
00:05:15How are you, Miss Guadalquivir?
00:05:17Excuse me for a moment
00:05:18But, kid, I'm on the phone.
00:05:20Wait, I'm going to tell you something.
00:05:21Just a moment
00:05:21I don't care if he hangs up the phone
00:05:22Well, kid, what do you think?
00:05:23Okay, calm down.
00:05:25Who is it?
00:05:25Who is it?
00:05:25My father
00:05:26Goodbye, Dad
00:05:27See you later
00:05:29Listen to me
00:05:51Tell me
00:06:21Well, I'm telling you, you're doing great.
00:06:23As?
00:06:27A Flor
00:06:28A Flor
00:06:29That?
00:06:33Flower
00:06:55Dad
00:07:04Nobody's going to do anything!
00:07:05Well, there you have it!
00:07:06Aid!
00:07:07Wait, wait!
00:07:09Hang in there!
00:07:10Hold on here!
00:07:12Aid!
00:07:14Wait, now!
00:07:16I'm coming!
00:07:18Hold on to this!
00:07:20Aid!
00:07:22Aid!
00:07:47Oh, thank goodness!
00:07:49Oh, Mom, Mom!
00:07:51Was I going there to...?
00:07:53Yes, yes, yes, son, but thank goodness Julen was here, huh?
00:07:57Hey, buckle up!
00:08:00Julen, I saw you there.
00:08:02You've been absolutely wonderful!
00:08:05Muítico!
00:08:11Okay, Peyo.
00:08:13Did you save a swimmer's life, let's be honest?
00:08:16Yes, that's how it is.
00:08:17And how are things?
00:08:18Peyo, please.
00:08:19You are a two-time world champion of the mus championship at the chimista bar in the Gros neighborhood.
00:08:24And a marine biologist at the best aquarium in the world.
00:08:27She's not proud of you.
00:08:28She is a Basque mother.
00:08:29It's more demanding than a rock musician in a hotel.
00:08:32I wouldn't be proud of you, even if you were a lendacari.
00:08:34That's true.
00:08:35Anyway, that's not the problem.
00:08:38The problem is figuring out what's wrong with you.
00:08:42Yes, you're right.
00:08:43Something's wrong with me.
00:08:43I argued with Gochone.
00:08:45Do you know what's happening?
00:08:46She doesn't want to have children, but I do.
00:08:48I think you need to discuss that with Gochone.
00:08:50We cannot help you.
00:08:52But that's not the problem that's worrying you.
00:08:56Hey?
00:08:58Yes, son, I don't know.
00:09:00Okay, this is just between us, alright?
00:09:02I had a dream.
00:09:04Well, that's normal.
00:09:06In other words, a dream.
00:09:07No, no, no, no.
00:09:08A dream, an erotic dream, fuck.
00:09:10Damn, good luck.
00:09:11No, it's your turn.
00:09:12No, no, no, no, no.
00:09:13No luck, no luck.
00:09:14Because you know what happens?
00:09:15You didn't go with Gochone.
00:09:16It was with Carmen.
00:09:20Are you sure, Ñequi?
00:09:21Has that dream been put to sleep?
00:09:25Eh, eh, eh, eh, let's see, eh, Anchón?
00:09:27Let's see.
00:09:28I'm sure I love Gochone and I want to marry her, okay?
00:09:32But doesn't it seem strange to you that it happened right now, huh?
00:09:38Dr. Cruz?
00:09:39Yes, at the back on the right.
00:09:40No, you see, I'm Luis Santos, from Rumores magazine.
00:09:42Are you treating Joao Lima, the footballer?
00:09:46One quick question, Luis Santos, journalist.
00:09:48Do you like Iberian pork?
00:09:50I love it.
00:09:50But?
00:09:50It's delicious.
00:09:51Because, you see, I'm more about professional secrecy.
00:09:54Yeah, well, it's no secret how well-endowed he is as a Brazilian.
00:09:58And well, since you're a urologist, right?
00:09:59Of course, you assumed I was going to talk about centimeters, right?
00:10:02Well, my magazine would be happy to reward any information on the matter.
00:10:05Oh really?
00:10:06Clear.
00:10:06But okay, okay.
00:10:07Moni, moni.
00:10:09Would a plaster mold we made of it work for you?
00:10:12Oh, that would be fantastic.
00:10:14What a coincidence that I have it here.
00:10:16Look, take a look.
00:10:17Let's see, let's see, look, look, look, look, look.
00:10:20Ah!
00:10:22Zap!
00:10:22Zap!
00:10:23There is no more hunger, rumors, or whispers.
00:10:29Who was it? Who was that?
00:10:30No, no, he was trying to get information out of me about Joao.
00:10:33Ah, now I know what kind of information you wanted.
00:10:35And is it true?
00:10:36The fact that?
00:10:36Okay, Lore, your topic of the cow.
00:10:38Will you do it too?
00:10:39Come on, I'm really busy.
00:10:40Girl, you know that I don't like this topic, but it's purely professional rigor.
00:10:44But what's wrong with you?
00:10:47What are you searching for so intently?
00:10:48Well, I took a report home yesterday and I can't find it anywhere, Dolores.
00:10:51Let me know if you can leave it on the bus.
00:10:53Don't worry, there's always a digital copy.
00:10:55No, because he has private information about you-know-who.
00:10:59Hey, Bea!
00:11:00How are you?
00:11:01Look.
00:11:01We were just talking about you and the amazing time we had last night, huh?
00:11:05Well, yes, we had a great time.
00:11:07Look.
00:11:08And this?
00:11:09A new little one to thank you for yesterday's dinner.
00:11:11Oh!
00:11:12The cannelloni are delicious.
00:11:13I've never tasted such delicious frozen food.
00:11:15It doesn't surprise me.
00:11:17Thank you very much, huh?
00:11:18You are welcome.
00:11:19Okay, I'm leaving.
00:11:20Come on.
00:11:21Bye.
00:11:21Bye bye.
00:11:21See you later.
00:11:27Just a little bit, huh?
00:11:28Yes, that's great.
00:11:30Didn't you tell me that I had brought the reports to your house yesterday?
00:11:36No.
00:11:36No.
00:11:37I mean, no, please, please, don't start with the Beatriz thing again, okay?
00:11:42This girl stayed in the living room for quite a while while we were preparing the homemade instant flan.
00:11:47Look, Dolores, really, you sound like a world reporter with all these conspiracy theories.
00:11:51Stop trying to impress me, it's a viper.
00:11:53And since we opened the doors of our house to him, we have to notify the police.
00:11:56Yes, of course, because what this issue needs is precisely for us to give it publicity.
00:12:00Look, I was always sure, absolutely sure, that this woman was not to be trusted.
00:12:05Then I doubted, but then I became sure again.
00:12:07And then I doubted again.
00:12:08And now I'm very, very, very, very sure that it's a real beach bar.
00:12:11Well, I'm sure, absolutely sure, that it wasn't her.
00:12:14Oh, no?
00:12:15Well, if you're so sure it wasn't her, have a chocolate of whatever kind...
00:12:20has given us.
00:12:21Of course I'm going to eat one of the chocolates she gave us.
00:12:23And the whole box, come on, and the floor above and below, look.
00:12:25And man, he's going to give you a hard time.
00:12:26No, no, no, the dark-skinned one.
00:12:28The dark-skinned one, look.
00:12:30Oh, I'm getting old!
00:12:32Ah, son, out of compassion, help!
00:12:36That you dare, that, that, that, that you're even more of a cheat.
00:12:40No, no, no, no, no, no, no, no, no, no, no.
00:12:51Don't worry, Aita, I really understand perfectly.
00:12:54But you need to start taking better care of yourself, okay?
00:12:57Come on, a lot, Itacho.
00:12:58Agurro.
00:13:00Hey, you're back from Seville now, right?
00:13:03Here I am again.
00:13:04In the morning I go with the Aya, in the afternoon I return with Benito.
00:13:08Come on, I travel more than a suitcase.
00:13:10And that face?
00:13:12Has any of your sauce curdled?
00:13:13Oh no, no, my dear Ita, she won't be able to come to dinner.
00:13:15It's bad.
00:13:16Crime?
00:13:17A broken leg.
00:13:18Yeah.
00:13:19Nothing, he climbed to the top of a tree and was there practicing high-altitude cutting with the
00:13:21Izcora and has fallen.
00:13:23Imagine.
00:13:23Well Maria, what bad luck!
00:13:24Imagine how unlucky he is to have married my mother.
00:13:28But hey, it's been a year since they separated, and what I think is that the fall has
00:13:32It has been karma that has come to collect so much happiness.
00:13:35I've already said it.
00:13:36Well, daughter, I feel very sorry for him.
00:13:38Well, for him and for me.
00:13:39Because look at the beautiful tablecloth she had brought from the Poor Clares for dinner.
00:13:43Made of thread, huh?
00:13:44And now, of course, it will have to be cancelled.
00:13:46Oh no, no, no, I wish, but it can't be because my mother is coming with her boyfriend, Carlos.
00:13:52Well, I'm glad your mother is coming.
00:13:56I'm sure we'll get along great.
00:13:59In addition, grandmothers always have something in common.
00:14:03Oh, really?
00:14:04In what?
00:14:05White hair?
00:14:06Hey, girl.
00:14:07Grandchildren?
00:14:08Grandchildren?
00:14:09Grandchildren, grandchildren?
00:14:10Yes, that thing that children have so that parents can spoil them.
00:14:16I'm sure she's looking forward to being a grandmother.
00:14:18Yes, well, you'll have to be a little patient because these things take time.
00:14:23It depends, you know?
00:14:23Depends.
00:14:24Look at ñaqui's father, there he is.
00:14:27First time, boom, listen.
00:14:29The wedding night, Diana.
00:14:35No, no, man, this one's on the house, which is also your house, come on, and yours too, of course,
00:14:40and the home of all.
00:14:41My house was, she isn't, someday she will be again, but I don't know.
00:14:44You understand me, right?
00:14:45Regular.
00:14:46I'm going to sell a bar.
00:14:47As?
00:14:49Well, I don't know whether to put up a conventional ad or something more modern, online.
00:14:54No, Rafi, why are you going to sell the bar?
00:14:56Oh, look, baby, I'm sorry you're finding out like this, but I just can't stand this situation anymore.
00:15:00Having such a heavy business on your shoulders is very unstable, it's a mess, for me it's a
00:15:05mess.
00:15:05And I want comforts, to have my salaries like a ten out of ten, because like almost everyone else, really.
00:15:09Look, brother, if it's for your own good, I think it's fine. Congratulations.
00:15:13Oh, baby, I'll bring you your coffee.
00:15:15Rafi.
00:15:16Hey?
00:15:18Since you're going to invite me to bring you a snack.
00:15:21Don't punish, man.
00:15:24What kind of face do you have?
00:15:25Well, the man isn't going to invite me either, huh?
00:15:27Besides, we have something to celebrate, huh?
00:15:29The clinic is nominated as the deadliest, the most expert from Europe and abroad.
00:15:34That's not exactly right, but it is.
00:15:36Well, for that kind of event you need to go with a good handbag on one arm and a good barometer on the other.
00:15:41the other.
00:15:41I know where you're going, but I can't go with you because I have some very bad dates coming up and
00:15:44The label makes me feel regulated.
00:15:46I tightened my back a lot, I have a wide neck like Fernando Alonso.
00:15:48The neck in the hand.
00:15:49It's not about you, man, it's about the little Galician guy.
00:15:52Let's see.
00:15:53If I suggest to Llego that he accompany me, it's not because I need any man.
00:15:58It's because the guy is a very good professional and would give the clinic a very good image.
00:16:03Because it certainly has an image, right?
00:16:05You are nobody!
00:16:08So what are you waiting for to wear it?
00:16:09Well, let's see it.
00:16:11Well, there you have it.
00:16:13Where?
00:16:13There.
00:16:15Behind.
00:16:18Please, I'm not ready right now.
00:16:21Come on.
00:16:21Well, we're just going to say it.
00:16:23No, no, no.
00:16:23Jaco!
00:16:24What's up, dude?
00:16:26That?
00:16:29Come on, come on, come on.
00:16:31Come on, come on, come on, let's get to the bull.
00:16:32Come on, come on, come on.
00:16:36Oh, look.
00:16:37Do you care how you feel about me?
00:16:39Well, the truth is yes, because I'm a lone wolf and I don't like company.
00:16:45Look, I'm going to sit down anyway, because since I'm the boss, I don't care.
00:16:49I like women with character.
00:16:52What is it you would like to tell me?
00:16:53Look, I came to tell you that you're going to accompany me to the gala, that's all there is to it.
00:16:57Oh, I would love to, I would love to.
00:16:59But I already made a commitment, they just invented a friend for me, the director of the snow clinic.
00:17:07And I've already made a commitment; I'm a man of my word.
00:17:12No problem.
00:17:14Sure?
00:17:15Well then, see you at the event, right?
00:17:17Equal.
00:17:19See you there.
00:17:20Yeah.
00:17:23We nailed it, I swear, we nailed it.
00:17:25Peep.
00:17:26Your Galician is just okay.
00:17:28I'm not a meril or a climber either.
00:17:29I feel so bad, you know?
00:17:30Yes, yes.
00:17:34Okay, okay.
00:17:35But how we longed to meet the woman who had inserted herself into the very heart of this art venue
00:17:40northern.
00:17:42What is this man saying?
00:17:44Nothing, Mom, you just made a very beautiful daughter.
00:17:46Oh, but do you know my daughter Maida?
00:17:50Sorry.
00:17:52This spoon, who could it be from, Chinese?
00:17:56What strength, Gozone!
00:17:58You can really see the genes from the banks of Burumea, huh?
00:18:02To be honest, I wasn't expecting much from this meeting, but now I'm glad I came.
00:18:07Hey, well, that's great, isn't it?
00:18:09We all know each other already.
00:18:10Look, we almost won't even need to get together for dinner.
00:18:16How funny, Gozone.
00:18:17Do you find it funny?
00:18:18Hey, no, you don't smell burnt, Gozone, really.
00:18:21Yes, yes, yes, yes.
00:18:22Yes, yes, yes.
00:18:27Gozone, do you want to loosen up? You're tighter than the nuts on a submarine, damn it.
00:18:30Is everything going well?
00:18:31Nothing can go right even with my mother around.
00:18:34Let's see, I don't know, is her boyfriend nice?
00:18:36Well, that's precisely what worries me the most.
00:18:39Why would a normal person want to be with my mother?
00:18:41Hey?
00:18:42He's definitely hiding something.
00:18:43No, maybe he's not hiding anything and you're just being paranoid.
00:18:46Look at me.
00:18:47Everything is fine.
00:18:49And if not, we can always, I don't know, get drunk during dinner.
00:18:52Okay?
00:18:53How about we take a selfie to immortalize this moment?
00:18:58Ah, well then.
00:18:59Like young people do.
00:19:01What am I saying?
00:19:02There's plenty of youth here.
00:19:08Go up a little more.
00:19:09Let's see if I can absorb all that beauty.
00:19:15I don't know if I could impress my mother somehow so that she would then feel
00:19:20She's proud of her son.
00:19:23Yeah, like, they're robbing him, you come along and take down the robber with a flying kick, right?
00:19:27No, look, I meant more, like, that it falls in the bathtub.
00:19:30I have to call 112, a moment of imprisonment.
00:19:33Two minutes and I've just arrived.
00:19:35Well, Pello, maybe today is your lucky day.
00:19:38Because?
00:19:40Maybe we should wait another day when he's with a younger one, right?
00:19:43Midway around here.
00:19:43Come, Pello.
00:19:44It's time to choose.
00:19:46Either you lose your teeth or you lose your mother.
00:19:48Something has to be lost.
00:19:48Okay, wait, wait, wait.
00:19:50I need to think about it, okay?
00:19:52This isn't it either...
00:19:53What do you mean, think?
00:19:54Come over there.
00:19:55You are a scoundrel.
00:19:57That?
00:19:57Okay.
00:19:58What's happening?
00:20:00Let's see...
00:20:01You don't talk to my mother like that.
00:20:02Pello, don't interfere in my work.
00:20:04Or am I going to the aquarium to interfere with the work you do with the porpoises and those creatures?
00:20:09What are you doing around here?
00:20:09No, Mom, what I'm not going to allow is for this lunatic to talk to you like this.
00:20:12Well...
00:20:12Especially when he's doing his job.
00:20:14Ah, so your mother's job is to go around messing with people, right?
00:20:17No, no, no. Their job is to protect and care for the citizen, that's what they swore an oath to do.
00:20:21And what you can't do is park the car like that.
00:20:24Look, I left the car there for two minutes to take my son to the doctor, because he broke something.
00:20:27the arm.
00:20:27The time it took your mother to give me a ticket.
00:20:30Mom, that's true.
00:20:32The law is the same for everyone and must be obeyed.
00:20:35Spot.
00:20:35Let's see, because his son has broken his arm.
00:20:38He had to take her to the doctor.
00:20:39It takes two minutes.
00:20:41It's okay, it's an exception.
00:20:44Listen to your son, ma'am, he has more common sense than you.
00:20:47Okay, another one.
00:20:48Another fine of 50, for contempt of authority.
00:20:52Oh, Mom!
00:20:52And you, be very careful, because I can also give you another one of 50, okay?
00:20:56In your case, due to the aggravating factor of kinship.
00:21:00And I'm going to put it on for you too, look for one.
00:21:04So the little Galician guy already had another one, right?
00:21:06With whom she dances the muñeira.
00:21:08Yes, daughter.
00:21:08Well, I don't like him as much anymore.
00:21:09Oh, I had a haircut, I was so embarrassed.
00:21:12Let's go to one day.
00:21:12What are you saying?
00:21:13Very big, José.
00:21:15Oh, little girl, don't be embarrassed, I'll go with you.
00:21:18Come on, even if I have to put a label or barcode on me, you're not going alone.
00:21:21Really?
00:21:22Go!
00:21:22Also, is there any gratin food available yet?
00:21:24Yeah?
00:21:24That's it.
00:21:25I love you.
00:21:30Hey girl, what's wrong with you? You look like Isia.
00:21:32I can't find the report anywhere.
00:21:35I'm going to the lost and found in Tuzán to see if it happens to be there.
00:21:37Okay, don't worry, if anyone asks about you, I'll say they'll give you a little squeeze and you'll be fine.
00:21:41gone to change you.
00:21:42But anyway, I would look elsewhere.
00:21:45María de los Dolores, Ocaña, Monotema, RKR, give it to the drum, Manolo, and give the donkey the wheat, what a nightmare!
00:21:50Hey?
00:21:54Hey, whoa!
00:21:56Oh, well!
00:21:58That Adriclinica nominates you for some awards.
00:22:00Hey, Carmen, you're going, right?
00:22:02And who are you going with?
00:22:03And what dress are you going to wear?
00:22:04Oh, I really have imagined myself going to an event like that so many times.
00:22:08of this category, and me arriving in such a tight dress, with my hair up, makeup, heels, and
00:22:15pim, pim, pim, pim, pim.
00:22:17And I've imagined it too.
00:22:19And why did we stop imagining?
00:22:21Come on?
00:22:22Oh really?
00:22:22Of course, and accompany José.
00:22:23That is, if José doesn't mind, of course.
00:22:26No, man, what do I care if I'm in love?
00:22:28I mean, I'm delighted, and I don't want to leave you alone either.
00:22:32No problem.
00:22:34I am accompanying Christopher.
00:22:35Oh really?
00:22:36Oh, Carmen, really, thank you so much, you have no idea how happy it makes me.
00:22:40Look, I'll babysit for you with the beech tree whenever you want, okay?
00:22:42Brilliant.
00:22:43Well, not tonight, I have a gala.
00:22:44I understand.
00:22:46Coming right up, a mega sandwich for the anchovy of the perché.
00:22:49Oh, please don't hold it against me, but I'm not going to eat it.
00:22:53Hey?
00:22:54Because I'm going to make room for the heavy meal I was going to have tonight.
00:22:57Serious?
00:22:58No, no, no, no.
00:22:59Because I have to put on a little dress and I have to take care of myself.
00:23:03Tell me, tell me what the little dress is like.
00:23:04Well, you see.
00:23:05I'm going.
00:23:06Look, it's just that I'm going to lose it.
00:23:07Raspi, give me some baby food, Raspi.
00:23:09Hi, would you like something to drink?
00:23:11Always.
00:23:12There's no waiter.
00:23:14Does anyone want to accompany Cristóbal to the gala?
00:23:17Because I won't be able to.
00:23:19I've lost my nanny.
00:23:20What happened?
00:23:20Did he leave you for a less fussy baby?
00:23:22No, he has a virus.
00:23:24Who?
00:23:24Does the beech tree have a virus?
00:23:25No, the nanny.
00:23:27Ah, the nanny.
00:23:28Ah, well, of course.
00:23:28That's why you need another nanny.
00:23:30Another nanny.
00:23:31That?
00:23:32Uncle Colgo to the rescue, man.
00:23:34As?
00:23:35So, I'm keeping her, man?
00:23:36I have this free...
00:23:37Really?
00:23:38Come on, I'm really excited about this.
00:23:40Come on.
00:23:41Count me in.
00:23:42Let's see.
00:23:43So, what should we do?
00:23:44How do you take care of a baby?
00:23:46What needs to be done?
00:23:48Oh!
00:23:50It's so nice that he called me to have a drink.
00:23:52Would you like a coffee?
00:23:53I don't need it, Mena.
00:23:54You don't miss me, you don't miss me.
00:23:56Look, I'm going to tell you something.
00:23:57Uh, I have a call right now.
00:24:00You go and tell Rafi to bring us the sandwiches.
00:24:02And that's how we're making progress, okay?
00:24:04Come on.
00:24:04And that's it.
00:24:19Hahaha.
00:24:22Do you know that I'm going to have to tell you that I'm leaving?
00:24:24Because I have a rather urgent matter.
00:24:26But another time we'll have our sandwiches and talk and stuff, okay?
00:24:30Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha,
00:24:35ha ha ha.
00:25:03Why are you shouting?
00:25:04Man, why did you yell at yourself?
00:25:05But what are you doing standing there?
00:25:08Because, listen, Carmen, we need to talk about what we're going to give the jury as a gift, okay?
00:25:14Elbow?
00:25:15Well, we have to do a little something for him.
00:25:17Look, I was thinking, what do you think about a large Swiss watch that says Hispali on it?
00:25:22the sphere
00:25:22so that you know who to vote for when the time comes.
00:25:24Look, Christopher, that's cheating.
00:25:26No no.
00:25:27In Spain, that's called not being a fool.
00:25:30Look, this clinic has three quality seals.
00:25:33Three.
00:25:34And them?
00:25:34They have a jury returning from Cancun and loaded to the teeth with gifts.
00:25:37Carmen, girl, what world do you live in, man?
00:25:39Are these awards bought?
00:25:40Does everyone know that?
00:25:41Please, Christopher, I have never cheated in my life, okay?
00:25:45And how many times have you won?
00:25:50Well, if I was writing a thank-you speech, I'd better leave it, okay?
00:25:55It's music.
00:26:02You were pissed off by what happened at the parking meter.
00:26:04No no.
00:26:05If you keep losing points with your mother, you're going to go from only child to a mere acquaintance.
00:26:10Very good, Anchón.
00:26:10I'm getting excited.
00:26:11If I say this for your own good, Peyo, you are not a man of action.
00:26:15You're not one for physical confrontations.
00:26:17No, because you are a man of science, of knowledge.
00:26:21You're facing fish.
00:26:23Beware, some fish are wild and can be very dangerous.
00:26:29Of course, most likely.
00:26:31Peyo, you have to remember something you've done in your life that you're proud of.
00:26:35You must have done something heroic.
00:26:38I don't know, because when I hunted the tiger.
00:26:41Tiger?
00:26:42Which tiger?
00:26:44The tiger fish is 90 centimeters long.
00:26:47No one entered the aquarium.
00:26:49It ate all the little ones, the fry, everyone.
00:26:51What a bastard that guy was.
00:26:52Hey, with the tiger, huh?
00:26:53No, no, no.
00:26:54Well, you had to see me.
00:26:55That's when I got into the pond with the net in one hand.
00:26:58It was like watching man versus tiger.
00:27:01They called him the tiger of the tides.
00:27:03I won't say any more.
00:27:04I'm getting goosebumps.
00:27:05So what happened in the end, did you catch him or...?
00:27:07No, yes, of course.
00:27:08I have it stuffed as a trophy there in the office.
00:27:11Well, even though that's not much, it's not enough.
00:27:14That is your heroic act.
00:27:15That's what your mother, the tiger, has to do with it.
00:27:17The tiger.
00:27:18Tiger?
00:27:19The tiger.
00:27:21Of course, the tiger.
00:27:23And I'm going to show it to my mother.
00:27:24And she's going to start valuing me because she's going to see my trophy.
00:27:27My European Cup, Anchón.
00:27:29Yes, the tiger of the tides.
00:27:32Of course.
00:27:33You're right, Anchón.
00:27:34By the tiger.
00:27:35It's a real helmet.
00:27:36Nothing.
00:27:37Yacht.
00:27:42How modern, how modern.
00:27:44Let's see what you have here.
00:27:48Shit.
00:27:49Coming here to spy and double-parking is not compatible.
00:27:53Hey, let's see.
00:27:55Let's see.
00:27:57Just a moment, they're...
00:27:59I'm coming down now.
00:28:06Think.
00:28:12Honey, I just found the report.
00:28:15And I was really suspicious of Bea.
00:28:17Can you be any more of a fool?
00:28:19Do you want to bet?
00:28:20Because I win.
00:28:34Wow.
00:28:36I had arranged to meet someone named Elaya, but I see I've gone to the wrong apartment because a model lives here.
00:28:45Totally ridiculous.
00:28:46I've always been terrible at giving compliments.
00:28:48Hey, well I loved it.
00:28:49Yeah?
00:28:49Yeah.
00:28:50Well, you look gorgeous.
00:28:52Thank you so much.
00:28:53I honestly don't know why I'm putting myself on such a tight leash.
00:28:54When I am convinced that the flower has bought the prize.
00:28:57But what are we going to do?
00:28:58I'll stay here, delighted with my daughter in her pajamas.
00:29:01Oh, sorry, but that's my plan.
00:29:03Already.
00:29:03You go to the gala and enjoy yourself.
00:29:04Besides, who's to say that in this country, of the four honest people left, one of them isn't...
00:29:08part of the jury?
00:29:09Yes, but I don't do anything with an honest person.
00:29:11Oh, here's the list of things you have to do, okay?
00:29:14Okay, correct.
00:29:15Leave.
00:29:16Hi, have a good time.
00:29:18Shh, don't wake me up.
00:29:21Son of this woman.
00:29:23Hey, I'm ready now.
00:29:25Review the...
00:29:25Listen, Dr. Aliendre.
00:29:28Doctor.
00:29:29The first thing you need to do is leave the girl with us because you don't know how to take care of even one
00:29:32Chaste, huh?
00:29:33Sorry.
00:29:33That's it, that's it.
00:29:34The girl will be best off with her aunts.
00:29:37Yes, the Basques are very brutish.
00:29:39And are you able to fit a ribeye steak in the Vive?
00:29:42Excuse me, but I'm a doctor.
00:29:43Does that qualify me to take care of anyone?
00:29:46Are you going to be a doctor?
00:29:48If you're dedicated to neurons, and that's neither visible nor known for its purpose.
00:29:54Shut up, four-eyes, you're boring us.
00:29:58Look, you've already woken up the little girl.
00:30:00Well, that's true, or it's your fault.
00:30:02Try putting some pomace brandy on his pacifier, go on.
00:30:04Orujo?
00:30:04Yeah.
00:30:05On the pacifier.
00:30:06Look, I'm going to try something else.
00:30:08Let's see what you think.
00:30:14Of course?
00:30:15Will it be flavorful?
00:30:16Okay, okay.
00:30:17We'll have to toast to the upcoming wedding.
00:30:20Chin-chin.
00:30:21Chin-chin.
00:30:22Chin-chin.
00:30:27How's the divorce going, Ñequi?
00:30:30Did the Andalusian woman take a big cut from you?
00:30:32Okay, let's see.
00:30:34I know Carmen perfectly well and I know she's not the type of woman who's going to try to pull something out of her.
00:30:39benefit of a divorce.
00:30:41As?
00:30:43Don't tell me you're not divorced.
00:30:51No, no, but almost.
00:30:54There's just one more step, a simple signature.
00:31:00Ñequi, can you help me with the monkfish?
00:31:14Ñequi, did you tell me that the divorce issue was resolved?
00:31:18Yes, and it is, and it is.
00:31:19The lawyers have the documents.
00:31:20Just one more signature and that's it, it's over.
00:31:22No, well if it's already done, why haven't you done it already?
00:31:28When, huh?
00:31:29When?
00:31:29If you already know that we're working until the day, please.
00:31:33Are you sure that's all it is?
00:31:35Of course that's all it is, Watson.
00:31:37What are you implying?
00:31:39Nothing.
00:31:40No, no, sorry, sorry, Ñequi.
00:31:43You're absolutely right.
00:31:45My mother drives me crazy.
00:31:46Well, you're not the only one.
00:31:48And forgive me.
00:31:49No, no, no.
00:31:50I promise I'll go down there one of these days and do it, that's it.
00:31:52Okay, my aunt.
00:31:54Come on.
00:31:56You take the monkfish, okay?
00:31:57I'm so nervous.
00:32:07The monkfish is here.
00:32:09Wow, that looks delicious.
00:32:11It looks like a still life by Rubens.
00:32:14If you do everything half as well,
00:32:17We're going to have some beautiful grandchildren.
00:32:19Yeah.
00:32:20If my daughter continues to have fertile ground.
00:32:24Yes, you're just as good at metaphors as you are at changing the subject.
00:32:29But...
00:32:29That, for now, will have to wait.
00:32:32That's what you were saying 15 years ago.
00:32:35He definitely wants to have more children.
00:32:37Right?
00:32:38Well, the truth is, yes.
00:32:43Okay, well, let's start eating, shall we? Otherwise, everything's going to get cold.
00:32:48You're right.
00:32:49We tell him.
00:32:53Family, we're getting married.
00:32:56Hey?
00:32:58When?
00:32:59At Christmas.
00:33:01You have to see, you have to see the year of celebration, huh?
00:33:04Well, well, well, not even '92.
00:33:06I can't believe you're going to do this to me.
00:33:09Daughter, it seems you don't like that you're going to marry me off.
00:33:12Well.
00:33:14No.
00:33:16Not at all.
00:33:34Oh, thank you, darling.
00:33:35I don't know what you've been up to.
00:33:36I thought I was going to have to swing down from the facade like Spider Woman.
00:33:40Spider-Woman?
00:33:41And why don't you use your Aranid sense to listen to me, Dolores?
00:33:46Now that's color!
00:33:47What are you two doing here?
00:33:48At my place.
00:33:52Okay, Bea.
00:33:53Well, look, the truth is we're here because we thought you had stolen Joao Lima's report from me.
00:34:04Well, that's it.
00:34:06I'm not angry anymore.
00:34:07Oh, no?
00:34:08Oh, thank goodness, really.
00:34:10They're good people.
00:34:11Let's have some tapas and some beers.
00:34:12Now I'm just hurt.
00:34:14But how did he think he was going to do that?
00:34:15Don't blame her.
00:34:16It's all my fault.
00:34:18I'm always going on about sex, jealousy, and all that, and don't even get me started.
00:34:21good.
00:34:22Isn't that folder from the clinic?
00:34:24That?
00:34:25No.
00:34:26Yeah?
00:34:27No.
00:34:28Yeah?
00:34:29No, those are personal matters.
00:34:34Luis Santos, right?
00:34:36The journalist from the gossip magazine?
00:34:39Let's see, look.
00:34:45That's what they offered me for the photocopy of the report, which, even divided between three, is quite good.
00:34:55Take.
00:34:59What do you mean I can't pass?
00:35:00You don't know who you're talking to, do you?
00:35:03With Trinidad Lozano, from the Ministry of Health.
00:35:06He's told me four times already, but he's not on the list.
00:35:11Well, let's see if I appear as the director of the clinic and hospital.
00:35:15Don't bother, I'm telling you it doesn't appear as such.
00:35:18Hello.
00:35:19Hi Carmen, how are you?
00:35:20Sure, sure, sorry.
00:35:21You know what?
00:35:22I suddenly thought that maybe they hadn't had time to update it.
00:35:26Yes, well, that was a bad idea.
00:35:27What's happening?
00:35:28Why are such important people from the department not letting her in?
00:35:30Yes, yes, of course.
00:35:32The problem is that this gentleman can't find me on the list.
00:35:36Oh.
00:35:37Already.
00:35:37Carmen Almonte and the guests of the Hispani clinic.
00:35:42Forward.
00:35:43Thank you.
00:35:44Well, you have no idea how happy that makes me, huh?
00:35:46Carmen, really.
00:35:47Yeah.
00:35:47Yes, yes.
00:35:48Hey, look, and one more thing.
00:35:49Now that we've cleared this up, I imagine you won't mind telling this gentleman
00:35:54I'm coming from your clinic, right?
00:35:55No, I won't be able to tell him.
00:35:57Man, like you said, how can you take credit for someone else's work?
00:36:00It's best to wait for the advisor to arrive.
00:36:02It's because it's inside, Carmen.
00:36:04Oh, wow.
00:36:05Well, wait until it's a little hot and he wants to get some fresh air.
00:36:12We would help you, but we don't really like you...
00:36:16Trini.
00:36:18Christopher.
00:36:20You're not going to leave me here alone, are you?
00:36:26The young lady will be my companion.
00:36:28You already have a companion.
00:36:40Go on, throw it.
00:36:44Oh, Christopher.
00:36:45Who would have thought it?
00:36:47Hey, can you tell me what you said to him?
00:36:48Okay, fine, I told Chantela that she was very much in tune with me, and not at all unsettled.
00:36:51if he didn't tell his boss that he was being a jerk in jail.
00:36:54Didn't you notice the five dots he had tattooed on his hand?
00:37:04Let me make you forget about stories.
00:37:06No, no, I can manage on my own.
00:37:08Save the compliments for your future wife.
00:37:10It's up to you, but if you don't want her to know, she doesn't have to.
00:37:20This guy is a scoundrel.
00:37:23He's been hitting on me ever since we were introduced.
00:37:25Marichu, you don't have to put up with this.
00:37:27We need to tell Edurne what a disgrace she's gotten involved with.
00:37:30Look.
00:37:32I don't know about her, but I have a pretty good idea of what that scoundrel is like.
00:37:37Do you know what a hummingbird is?
00:37:39Well, it's pretty much that.
00:37:40Yes, yes, yes, yes, yes.
00:37:41He keeps hitting on me.
00:37:43Let's go, from the very beginning when we were introduced.
00:37:45Are you telling me something?
00:37:46Yes, yes, yes.
00:37:46I already knew that someone who was with my mother couldn't be very normal.
00:37:51Well, we have to teach him a lesson.
00:37:53Well, but they're not visible and everything kills him, huh?
00:37:55And he just got out of jail.
00:37:56Okay, stop chatting and come to the table.
00:38:00What did you say we were doing?
00:38:01All good?
00:38:02Yeah.
00:38:05I'm getting an idea.
00:38:07That?
00:38:07You're still going along with that idiot.
00:38:09I don't know if I'll be able to, you know?
00:38:11It's going to be very difficult for me.
00:38:12But he did.
00:38:13Come on.
00:38:15Sabine.
00:38:16Come on.
00:38:17Come on.
00:38:18Come on.
00:38:24Impressive, Dad.
00:38:26Awesome.
00:38:27The site is top-notch, I couldn't have done it better myself.
00:38:30Exactly the same.
00:38:31I was thinking, wasn't I?
00:38:33Carmen, we're going to Don Borti and say, let's get something to eat.
00:38:36Come on, you want to eat me, yes.
00:38:38Prin, do you want something?
00:38:40Sure, sure.
00:38:41Hey, isn't that the minister?
00:38:44I'll be right back.
00:38:49If you're still acting like this, you don't really know her anymore.
00:38:52He's a leech.
00:38:53As soon as you get what you want, he leaves.
00:38:55Ah, but it has a certain something, I don't know what, that I then forget and...
00:38:59Disgusting!
00:39:01Hey, isn't that the new guy at the clinic?
00:39:02Yeah.
00:39:05Hey, hey, why don't you come outside with me?
00:39:07Where to?
00:39:08To the cloakroom.
00:39:09So that?
00:39:09Well, time to leave the seatbelt.
00:39:11Hey, look how beautiful.
00:39:13Excuse me, Mr. Christopher.
00:39:15How are you doing?
00:39:15How are you?
00:39:16Yeah.
00:39:16I wanted to introduce you to Monica, the director of the Las Nieves clinic.
00:39:20Man, Monica.
00:39:22Nice to meet you.
00:39:22Nice to meet you.
00:39:23Well, it looks like we're competing tonight, right?
00:39:26Well, no, we don't compete.
00:39:28That's not what it means.
00:39:29Let's say we played, we participated.
00:39:32That?
00:39:32As?
00:39:33I haven't said anything.
00:39:35That's what I say, because they don't say anything.
00:39:37Why are you so quiet?
00:39:38Me, silent?
00:39:39No, man, no.
00:39:39The cherub is silent here.
00:39:41He hadn't told us he had such a beautiful wife.
00:39:43Cherub.
00:39:44No, she's not my wife.
00:39:45We are not married.
00:39:47We had a shared past, we were boyfriend and girlfriend, but married to someone else, right?
00:39:52Yeah.
00:39:53And two years later I took him to sign the divorce papers.
00:39:55But now I'm doing great.
00:39:56Well, less so if I hear the Argentinian accent, of course.
00:39:59Aren't you nervous about tonight's prize?
00:40:02No, that's what I was getting at.
00:40:03She's not nervous because she's not a candidate, she's not nominated.
00:40:06He is a member of the jury.
00:40:08You're part of that jury.
00:40:10That cool?
00:40:11That cool?
00:40:12Well, Christopher told me he was eager to participate in it.
00:40:16Because he admires you so much.
00:40:17The thing is, of course, being nominated would be strange.
00:40:20But that's strange, the way these things work.
00:40:22I don't know if...
00:40:23And since we don't know how these things work, what do you say we leave?
00:40:26I mean, because we don't know when these things start, right?
00:40:29Okay, bye.
00:40:31Nice to meet you.
00:40:31And enjoy the gala immensely.
00:40:33Equal.
00:40:34Why haven't you told us that everyone on these juries is corrupt?
00:40:36Because it might seem like, I don't know, that I'm competing for attention, because it really gets to me.
00:40:40And that's not the case.
00:40:42You really like Trini.
00:40:44To me, Trini?
00:40:45Yeah.
00:40:45I like Trini, you know?
00:40:46I like Trini.
00:40:47Well, I like it a little bit.
00:40:48But because I've been in jail with nothing and...
00:40:51Of course.
00:40:53Look, do you know what it can do?
00:40:54Go find her.
00:40:55And behave like you did at the door, like a mafia.
00:40:58She loves that.
00:41:00Yes or what?
00:41:01Yeah.
00:41:01Go, go, I'm telling you, he's going to love it.
00:41:04I'm going there, Carmen.
00:41:05I'm going there.
00:41:06Yeah?
00:41:06I'm going to stop being a silkworm stuck in a box and making a cocoon.
00:41:10From now on I'm going to be a macho arfa.
00:41:12Come on, come on, get out of the box and fly.
00:41:20I'm starving.
00:41:21I'm going to eat everything, even the flowers.
00:41:23Don't tell me I haven't eaten all day so I could put on the dress, and getting in was...
00:41:27Easy, but with what I'm planning to eat tonight, getting rid of it is going to be more complicated.
00:41:32The truth is, your voice really suits you.
00:41:36Oops, sorry, it just brushed against your butt without me noticing.
00:41:41She's gorgeous, she's so hot I could eat you up.
00:41:43And I'm not saying that because I'm feeling faint, okay?
00:41:47Is it just me, or is there a little climate change happening here?
00:41:51Hey?
00:41:52That?
00:41:53That?
00:41:54That?
00:41:54I don't know.
00:41:55Hey, I'm seeing these canapés over there, they're kind of staring at me and saying 'eat me, eat me, eat me.'
00:42:01I think he's going to come and look at me.
00:42:02Like an hour, right?
00:42:03Yes, yes, yes, let's go.
00:42:05Take advantage of the fact that...
00:42:07No, it's how she eats.
00:42:09He does everything well.
00:42:11I'm going to get one that will do me without anything.
00:42:13Excuse me.
00:42:15What are you doing?
00:42:20She is deaf and mute, yes, she is deaf and mute and I am showing her where the fourth year is, the woman is lost.
00:42:26I know the men's version, not the women's, okay?
00:42:29And don't take any more canapés, man, we'll get it out now, we'll get it out now, okay?
00:42:33Less talk, more action, so put on your bow tie, we're going to get the food out.
00:42:39Ah, yes, heard, boss, excuse me, excuse me, excuse me, excuse me.
00:42:43Excuse me.
00:42:44I'm so angry, I'm so angry, I'm so angry, crazy.
00:42:46Find a quiet place, we're going to get all hot and bothered.
00:42:50No, you haven't heard, have you?
00:42:51No.
00:42:52Find a place and since he thinks he's a waiter, now I'll bring out all the trays.
00:42:55Ah!
00:42:55Come on, come on, I'll come get you now.
00:42:59Come on, this boss is not easy to work with.
00:43:00I'm telling you.
00:43:01All he's missing is the whip.
00:43:03And money-grubbing, but what the hell, this isn't well paid, not that it was well paid.
00:43:06Like I said, mate, for the capichuga, let's get the trays out full blast and we'll finish sooner.
00:43:10Come on, let's go.
00:43:18Holy, little one!
00:43:19It took me so long to get you to sleep, my dear.
00:43:22My God.
00:43:26That's it, that's it.
00:43:29Oh!
00:43:31What a drag!
00:43:32So small and so gaucho.
00:43:34Oh, it's finally over.
00:43:36Oh, eh!
00:43:37You've put my arm to sleep.
00:43:38Small, but substantial.
00:43:45Yes, it's me, yes.
00:43:48As?
00:43:48Let's see.
00:43:49But is it an urgent emergency or a less urgent one...
00:43:53Yeah.
00:43:54Okay, a stroke, yes.
00:43:56It's an urgent emergency.
00:43:59Oh, he ran!
00:44:00Can you imagine?
00:44:01I'm sorry, ma'am.
00:44:02Sorry.
00:44:03Hey?
00:44:04Oh, José.
00:44:05But what are you doing serving, kid?
00:44:06I'm not paying you either?
00:44:08No, I've seen how overwhelmed he was.
00:44:09I mean, I'm going to make him a bracelet.
00:44:10Carmen.
00:44:12Hello?
00:44:12Other.
00:44:13José.
00:44:14I'm not asking, I'm not very tall.
00:44:16Do you want one?
00:44:17Okay, what are they made of?
00:44:18This is the morejo.
00:44:20This...
00:44:20This is raspberry.
00:44:22The Nazarene stings.
00:44:23And that...
00:44:24That's about cheese.
00:44:26Well.
00:44:27Mother.
00:44:27Thank you.
00:44:28See you later.
00:44:28Nothing, that...
00:44:29I can get nervous.
00:44:31Carmen, which I didn't tell you before.
00:44:32You look gorgeous.
00:44:34Thank you so much.
00:44:34You too.
00:44:35And your companion is beautiful.
00:44:37Yeah.
00:44:37Monica is a very good person.
00:44:39Yeah.
00:44:39He's having a hard time.
00:44:40Her father recently passed away and left her the clinic full of debt.
00:44:44He's just hanging around there.
00:44:46Oh really?
00:44:47Yeah.
00:44:47Well then I understand that the girl needed a push, of course.
00:44:53I didn't understand.
00:44:54A push?
00:44:55What do you mean?
00:44:56I want to say help.
00:44:58Oh, yes, look, leave it, I shouldn't have to say anything to you anyway.
00:45:01Sorry.
00:45:02Carmen, can you tell me whatever you want?
00:45:03No, leave me alone.
00:45:04Yes, trust me.
00:45:05Yes, let's see, it's...
00:45:08Carmen.
00:45:09I've heard that the jury is bought off by the flowers.
00:45:14As?
00:45:16Are you implying that Monica is bought off?
00:45:19Let's see, if the jury is bought, then yes Monica...
00:45:21No, no, no, I think you're mistaken, eh?
00:45:24It's impossible.
00:45:26I've known Monica for many years and she would never do something like that.
00:45:28What's more, if I found out, I would report it.
00:45:32Well, hopefully, right?
00:45:33You could also ask the girl.
00:45:36No, I'm not going to ask because I trust people, Carmen.
00:45:39Or I'm going to ask him something like that.
00:45:40Look, forgive me, you're absolutely right.
00:45:43She's your friend and she shouldn't have said anything to you.
00:45:46I'm sorry.
00:45:47Excuse me?
00:45:55Yes, man, I'll leave the cards here for you to look at.
00:45:57Since I don't know how to fuck you guys or anything, what do you want?
00:45:59Shh, forgive me, have mercy, you're going to wake her up.
00:46:02Man, the whole Tito thing is a bit much for you, isn't it?
00:46:04Oh no, you're not going to believe this, it turns out he called me urgently.
00:46:09It's an emergency and I'm the only neurologist on call.
00:46:11So, it's going to be two hours.
00:46:13Can you keep the girl?
00:46:14Come with Tito Verche, my little bread roll.
00:46:17Oh, my child, we're going to teach her what a colored staircase is.
00:46:22I really don't know what I would do without you.
00:46:24I mean, I really don't know how to thank you.
00:46:26I don't know how I'm going to pay for it.
00:46:27Yes, yes.
00:46:28Look, with a seafood platter and an open bar of sherry.
00:46:31And dessert.
00:46:33For three.
00:46:35Done? Go ahead, count on it.
00:46:37Where are you going so fast, little Basque?
00:46:39No? Is there milk in the fridge?
00:46:41In the fridge?
00:46:42Yes, the thing is, the little girl uses this one.
00:46:44This one's a formula, you know?
00:46:47Come on, son, not that one.
00:46:48If it's for us, we were going to make some cappuccinos
00:46:50And since we're operating on a shoestring budget,
00:46:53Well, we need milk.
00:46:54Okay, well, you have the keys, right?
00:46:56Yes, let's go inside.
00:46:58Rooms.
00:46:58Thank you very much, huh?
00:46:59Oh, the beech tree.
00:47:01Oh.
00:47:02Okay, fine, we'll pass it on.
00:47:03What a great gift, Mom.
00:47:05Now more trays are coming out, man.
00:47:07You have to come to these places with a snack, or sir, eh?
00:47:10How do you see people with anxiety, old man?
00:47:12The young lady had ordered a first-class platter
00:47:14and another second-hand one.
00:47:15Oh, not you either.
00:47:16I'm going to shower you with kisses.
00:47:17Come here right now.
00:47:20Oh.
00:47:21No wonder the guests are complaining
00:47:22of a waiter without a bow tie.
00:47:24Oh no, boss.
00:47:26Excuse me, let me explain.
00:47:27The girl was going to the bathroom
00:47:28she is tripped,
00:47:29He has a sprain on his ankle
00:47:30And I'm bringing the canapés here for her,
00:47:31which he has the right to, right?
00:47:32True, true.
00:47:33Shall we talk now?
00:47:36You're fired.
00:47:37Or I don't give a damn.
00:47:40Sorry?
00:47:40Sorry, Maradona.
00:47:41What you are hearing,
00:47:42I'm going to start crying,
00:47:43with the crap he pays.
00:47:44Look, I'm going to get paid in kind.
00:47:46Trinca, trinca,
00:47:47I'm going to get two more trays.
00:47:48He's shameless.
00:47:49Get out of here.
00:47:50Well, you know what?
00:47:50That's the only thing that leaves.
00:47:52Me too.
00:47:53Well, I'm leaving too.
00:47:55That's right, comrade, mate.
00:47:56Good.
00:47:57Stroke.
00:47:58Look, bring me one of the cheese ones
00:48:00and another one of these pork loins,
00:48:01which I like very much.
00:48:02Look.
00:48:06Bego, Chu.
00:48:07This is really hot.
00:48:09Oh well, I'll go get another one that's cooler.
00:48:12Because, like Sabino, I went to recycle the glass.
00:48:14No, no, no, don't worry,
00:48:15I'll be right there.
00:48:16Ah, well remember that
00:48:18the freshest ones are in the freezer.
00:48:21Oh, really?
00:48:22It's true.
00:48:29Well, taking advantage of this opportunity
00:48:31I'm going to have a cigarette.
00:48:33Ah, well look,
00:48:34I'm going to take advantage
00:48:35And I'm going to help Marichu
00:48:36to choose the wines,
00:48:37because she knows a lot about barmitacos,
00:48:38But it's all about inks, right?
00:48:40I'm going with you.
00:48:41But I already know where it is.
00:48:43No, no, I'm going with you.
00:48:45Ah, well, then it's settled with me.
00:48:47Well, daughter,
00:48:49I imagine that after this dinner
00:48:51You'll start the diet now, right?
00:48:53Because you wouldn't plan on coming to my wedding
00:48:55with those thighs.
00:49:05From what we can see here,
00:49:06There are fewer waiters
00:49:07than the Iberian lynx.
00:49:08What's going on?
00:49:09As?
00:49:10There are no waiters, Cristóbal.
00:49:12Ah, well, I have no idea.
00:49:14And your minister?
00:49:15My minister?
00:49:16As soon as canapas stopped appearing
00:49:17It's been extended, like everyone else's.
00:49:19It happens sometimes.
00:49:20People get what they can out of you.
00:49:21and then leaves you alone.
00:49:23You seem a little tense, Cristóbal.
00:49:27What a joke, woman.
00:49:28I don't hold a grudge against you.
00:49:29You even did me a favor.
00:49:31Huh?
00:49:31Now I am a new man.
00:49:35Well, I don't know, you know?
00:49:36Because people don't change.
00:49:37That's true.
00:49:39It changes your life.
00:49:41I see that prison has turned you
00:49:43Quite the poet, isn't he?
00:49:44Hey, have you eaten anything?
00:49:46I'm starving.
00:49:47Well, he's going to have a tough time.
00:49:48Things are short.
00:49:50Already.
00:49:51But hey, I'm sure a boy
00:49:53as smart as you
00:49:54You can get me a snack, right?
00:49:56But remember, I have allergies.
00:49:59to the caviar substitute, huh?
00:50:01Well, be careful not to pick it up.
00:50:02Don't get poisoned.
00:50:05Okay.
00:50:06Okay.
00:50:07If that's the case...
00:50:08I'll go by myself.
00:50:12Kid, bring some wine over here
00:50:13and some caviar to snack on.
00:50:15Well, I'm sorry, miss.
00:50:16But we're short-staffed.
00:50:18Well, if you don't have staff,
00:50:19He'll come to you and bring it to you.
00:50:20Look here, sir,
00:50:22Don't squeeze me, I'm asking you.
00:50:23I don't have enough staff.
00:50:25They've all stood up to me.
00:50:26Ah, they've all stood up to him.
00:50:28Well.
00:50:29Well, let me talk to them, man.
00:50:30I have experience in riots.
00:50:33Start.
00:50:39Oh, I saw you eating me whole,
00:50:40It is ingrained in my life.
00:50:41Oh, I won't eat you with potatoes.
00:50:43I'm so in love with her
00:50:45I'm getting the urge to have one.
00:50:47Oh, it just can't be done dry.
00:50:48She's prettier than this girl, for God's sake.
00:50:51What is the lip?
00:50:51So bald.
00:50:52It is not known whether you are a boy or a girl.
00:50:54TRUE?
00:50:54Daughter, who is very young.
00:50:57To have long hair, daughter.
00:50:59It's because meat too
00:51:00It's because you saw her without a bit of glamour.
00:51:03Right, Mesa?
00:51:04If only I had, I don't know,
00:51:05some little ruffles,
00:51:07some bundles,
00:51:09or had some little earrings in her ears.
00:51:12Let's not talk about it anymore.
00:51:14Breasts will solve problems.
00:51:17As?
00:51:18Do you remember?
00:51:19The other day.
00:51:20It was super funny, wasn't it?
00:51:22But anyway, let's talk about what's important.
00:51:24We understand, right?
00:51:25What we are going to do,
00:51:25what we're going to talk about and all that.
00:51:27So...
00:51:28Yes, yes, yes.
00:51:29That?
00:51:30Deliberating, aren't you?
00:51:31Just a moment.
00:51:32Forgive me, Monica.
00:51:33Yeah.
00:51:34One little thing.
00:51:34Yeah.
00:51:35Yeah.
00:51:35Yeah.
00:51:37Look, with all this fuss
00:51:38I didn't ask you
00:51:39How are things going?
00:51:41the clinic,
00:51:42If you managed to go float it or...
00:51:44Well, look,
00:51:44In the end, a foreign investor will come in.
00:51:46So I'll probably sell it.
00:51:48Ah, well look,
00:51:49That's great news.
00:51:50But that means
00:51:51that the clinic is going to change owners.
00:51:54I thought your father
00:51:55He wanted her to stay in the family,
00:51:57which was his dream, come on.
00:51:58Okay, let's see,
00:51:59I know they're going to manage it well,
00:52:00They already have experience,
00:52:01They own another clinic in Seville.
00:52:04Oh, they own another clinic.
00:52:05It won't be the flowers, will it?
00:52:12Yes, but we're not going to talk about work.
00:52:14No, no, no.
00:52:14Let's talk a little more
00:52:15from investors
00:52:16which coincidentally
00:52:17They are also candidates
00:52:17to the prize you are awarding.
00:52:19Or that new wig
00:52:20that you spend
00:52:21which is made of solid gold.
00:52:22I thought you had pawned
00:52:24all because of this scam
00:52:25from the clinic.
00:52:29That's the clock
00:52:30from my grandmother.
00:52:30My grandmother, my foot!
00:52:31That's the clock
00:52:31which is completely new.
00:52:32Monica, please.
00:52:34Because my grandmother is quite good.
00:52:35Neither grandmother nor bagpipes.
00:52:36Monica, we know each other.
00:52:37I think this jury thing...
00:52:38It's proving very profitable for you.
00:52:40Suddenly you have an investor,
00:52:41a gold wig,
00:52:43All you need is the cookware set.
00:52:45I don't know what you're implying,
00:52:46But you're wrong.
00:52:47I'm not implying anything.
00:52:49I only ask you
00:52:50that you speak with the jury
00:52:50and that you be fair.
00:52:52Because when you give the prize,
00:52:53If I see that you hadn't gone,
00:52:55I'm going to talk to the press
00:52:56and with whomever I need.
00:52:57I'm going to sink.
00:52:58Did you see it?
00:53:06Good night.
00:53:07Who is here?
00:53:07The one who cuts the cod?
00:53:08And I don't mean
00:53:09to make the carapés.
00:53:10Well,
00:53:11A young gentleman is already bringing it.
00:53:12to fix the mess.
00:53:13You have to be the leader, right?
00:53:14Yes, man, yes.
00:53:15You look like you have talent.
00:53:17What are you doing, my sister?
00:53:18What are you doing, man?
00:53:19What does your boss think?
00:53:20report it
00:53:20for breach of contract?
00:53:22And as far as I know
00:53:23labor law
00:53:24He's got the upper hand, huh?
00:53:26So if I were you
00:53:26I went back to work
00:53:27but pouring milk.
00:53:28Because the only thing
00:53:28that you will be able to get
00:53:29It's a little raise, huh?
00:53:30But the thing is...
00:53:31Yes, yes, yes.
00:53:31I'm going to be guided.
00:53:32I'm going to be guided.
00:53:32Pass it to me.
00:53:33I'll see what I can get, okay?
00:53:39You're in for a rough time, huh?
00:53:41The contract they have
00:53:42It's abusive.
00:53:43And as far as I know
00:53:44labor law
00:53:45They're the ones who have the upper hand, aren't they?
00:53:46Otherwise, no.
00:53:47I'm going to guide you.
00:53:48I'm going to guide you.
00:53:49I've spoken to them, you know?
00:53:50And I have succeeded
00:53:51that they return to work
00:53:51for one euro more per hour.
00:53:53Yeah.
00:53:53It will be cheaper for you
00:53:54That's what it might cost you
00:53:55a lawyer
00:53:56like they give you heaven
00:53:57from the party, man.
00:53:58Okay.
00:53:59Whatever.
00:54:00But they should go back to work.
00:54:01shitting milk.
00:54:04Okay, let's see.
00:54:05I've got you
00:54:06that they raise the salary
00:54:07one euro more per hour.
00:54:08If I were you
00:54:09I'd accept the deal, huh?
00:54:12Deal done.
00:54:15We brought out dinner.
00:54:17Thank you very much, teacher.
00:54:19I don't know how he did it,
00:54:20But it saved my life.
00:54:22What are you doing, what are you doing, man?
00:54:23What are you doing?
00:54:24He quoted him, man.
00:54:25It smells like a stick of jellyfish.
00:54:26In favor, in favor, in favor.
00:54:27Basque.
00:54:29The...
00:54:29The little thing.
00:54:31Gordí.
00:54:32It's been fantastic.
00:54:34Don't you know yet?
00:54:35who sells him a polo shirt
00:54:36a penguin?
00:54:37Ah, yes.
00:54:38And will you sell me one?
00:54:40What kind do you want it?
00:54:49Oh, Marichu.
00:54:50Finally alone.
00:54:52I've understood your challenges.
00:54:55Marichu, don't move like that
00:54:56I'm getting lost.
00:54:57I already knew that I too
00:54:59You liked it.
00:55:00Why don't we meet another day?
00:55:01in a small hotel around here?
00:55:05Thank you for your offer,
00:55:06gentleman,
00:55:06But I am a man
00:55:07happily married.
00:55:09Go on,
00:55:10What a silly misunderstanding.
00:55:11I thought she was my wife.
00:55:15And your wife too
00:55:16Her name is Marichu, right?
00:55:18Explain to me what you said about the little hotel.
00:55:19man.
00:55:19Explain to me what happened with the little hotel.
00:55:20Yes, dude, please.
00:55:21Calm down, Benito,
00:55:22that you just got out of jail.
00:55:24I told you not to let her find out.
00:55:25That's what it was.
00:55:26or that would ruin the whole plan.
00:55:28But what's going on here?
00:55:29What's happening?
00:55:30So, what's going on?
00:55:31Sabino, what are we doing?
00:55:32Some Like It Hot?
00:55:34Happens
00:55:34that your boyfriend
00:55:35It's a hummingbird.
00:55:36Yeah,
00:55:37that he's been throwing
00:55:38Marichu's things
00:55:39since he entered
00:55:39through that door.
00:55:40That's what happens.
00:55:41That?
00:55:41Let's see,
00:55:42This is all a misunderstanding.
00:55:44Misunderstanding
00:55:44I'm going to give it to you.
00:55:45How am I going to throw it?
00:55:46the belongings to that woman?
00:55:48What more could she want?
00:55:50Now yes.
00:55:57I think I already know
00:55:58what's happening here.
00:55:59Could it be that you've stirred up trouble?
00:56:01I already know
00:56:02that you can't stand Carlos
00:56:03and that you just want
00:56:05to discredit him.
00:56:05No,
00:56:06No, Mom,
00:56:07no, no, no.
00:56:07You, Carlos,
00:56:08He's already discrediting himself.
00:56:10He doesn't need anyone.
00:56:10do it for him.
00:56:11Well, then,
00:56:12Whatever you do,
00:56:13It doesn't matter.
00:56:14Because I plan to marry him
00:56:15no matter how much it annoys you
00:56:16May my wedding overshadow yours.
00:56:19Well...
00:56:20if that's really what it is
00:56:21Do you care, Mom?
00:56:22peaceful,
00:56:23that there won't be a wedding.
00:56:25Ha!
00:56:25Yeah, man,
00:56:26Because you say so.
00:56:28I mean...
00:56:30to our wedding.
00:56:32That?
00:56:32That?
00:56:36Cosone,
00:56:36Tell me this is a joke.
00:56:37But what are you saying?
00:56:38please?
00:56:39Not here,
00:56:41You're carrying the whole dinner
00:56:43dropping hints
00:56:44about wanting to have children.
00:56:46Thinking you're going to convince me
00:56:49and not.
00:56:52But you hadn't woken up
00:56:54maternal instinct.
00:56:55No, Marichu,
00:56:56No.
00:56:57He hasn't even woken up,
00:56:58He's not going to wake up.
00:57:01I don't want to have children.
00:57:03Peaceful.
00:57:03Well, maybe you're doing the right thing, daughter.
00:57:05Because of that sour disposition
00:57:07what do you have,
00:57:07Maybe it's best if you continue
00:57:08focusing on the kitchen,
00:57:10which is what you're there for.
00:57:11Shut up already!
00:57:12Please be quiet.
00:57:13that you're giving me dinner,
00:57:14What for?
00:57:15Look, you have no idea.
00:57:17Whose daughter is she?
00:57:19Cosone not only
00:57:20She's a top-notch cook.
00:57:22It's sweet,
00:57:23It's fun
00:57:24And there you have it.
00:57:26can get
00:57:27everything that is set out to do
00:57:28in life.
00:57:30Not for anything in the world
00:57:31I would get lost
00:57:32marrying someone like that.
00:57:37Well said, nephew.
00:57:40Well, Carlos,
00:57:41let's go.
00:57:42That's clear
00:57:42that these people
00:57:43he just wants
00:57:45ruining our mouths.
00:57:45Come on, there it goes.
00:57:46There goes from there.
00:57:47Bienito, please.
00:57:48You gave me such a fright.
00:57:55The mother who bore you.
00:57:57If you've put it on your to-do list.
00:57:58Oh, eh, eh,
00:57:59But very clean, huh?
00:58:00No hole
00:58:01and without a thread.
00:58:02We have taken her
00:58:03To the pharmacy, huh?
00:58:04And he put it on
00:58:05a professional.
00:58:06Come on,
00:58:07Hypoallergenic tart.
00:58:08The latest trend
00:58:09in technology.
00:58:11Technology?
00:58:11But you don't know
00:58:12that Carmen
00:58:12I didn't want to put earrings on her.
00:58:14Oh, what does that say?
00:58:15That sounds familiar to me.
00:58:16Fatty, it's okay.
00:58:17We are the only ones
00:58:18that we wanted
00:58:19It was to give it a touch
00:58:20more feminine.
00:58:21Well, another day
00:58:22You paint her nails
00:58:23of the feet
00:58:23because the touch
00:58:24Carmen is going to give it to me
00:58:25to me, but right in the face.
00:58:26Well, here I have it
00:58:27one on a Tuesday.
00:58:28Hey, hey,
00:58:29that it was a joke.
00:58:29Save that.
00:58:33Bye.
00:58:35Carmen,
00:58:36Where are you going?
00:58:37I'm leaving, I'm leaving.
00:58:38I'm going to look for Christopher
00:58:39because it makes no sense
00:58:40that I stay here.
00:58:41Why not?
00:58:41If they are going to give the prize.
00:58:43That's exactly why.
00:58:43No, Carmen,
00:58:45Listen, I spoke
00:58:45with my friend
00:58:46that the jury...
00:58:48Good night
00:58:48And welcome,
00:58:49Ladies and gentlemen.
00:58:50Without further delay,
00:58:51We will proceed
00:58:52to the awards ceremony.
00:58:54We begin with the prize
00:58:55to the best address
00:58:56from the clinic.
00:58:58And the prize is
00:59:00for...
00:59:02Carmen Almonte,
00:59:03clinic director
00:59:04Hispanic.
00:59:13The important thing is to participate.
00:59:20Congratulations.
00:59:23Thank you.
00:59:26Thank you.
00:59:28Thanks a lot.
00:59:28The truth is, I didn't expect it.
00:59:32This award belongs to the Hispani clinic.
00:59:34of each of the employees
00:59:35who work on it every day.
00:59:37I want to thank you
00:59:39for your dedication,
00:59:40for their effort,
00:59:41because of his humanity,
00:59:42for teamwork
00:59:43and for believing in me.
00:59:46Thanks to Don Benito Benjumea
00:59:47for being so generous
00:59:48and so immense.
00:59:49And I would like to thank him
00:59:51also to Iñaki,
00:59:52who is the father of my daughter.
00:59:55because for me
00:59:56It has been the best team in my life
00:59:57that I've ever had.
01:00:15Iñaki.
01:00:20That?
01:00:25Things
01:00:26those you mentioned
01:00:27down there,
01:00:31Do you really think so?
01:00:32Or have you said it?
01:00:34just to shut my mom up?
01:00:37Gozzone, please,
01:00:38What do you think?
01:00:45Iñaki.
01:00:50I feel that
01:00:53We think differently.
01:00:56In important matters,
01:00:57I mean,
01:00:58and
01:00:59that we haven't talked about them.
01:01:05Let's see, Gozzone,
01:01:07To be honest,
01:01:10me neither
01:01:11I expected this situation.
01:01:13Furthermore,
01:01:15until now
01:01:16I had never considered it
01:01:17if I wanted to have
01:01:17more children or not.
01:01:20And you're right.
01:01:22We haven't spoken
01:01:23of things,
01:01:24of important things.
01:01:29But also
01:01:31I've been
01:01:32going around in circles
01:01:33and
01:01:34I have arrived
01:01:35to a conclusion.
01:01:37Have
01:01:38to Elaya,
01:01:39I have my little one.
01:01:41And knowing
01:01:42to the mother
01:01:42and a little to the father,
01:01:43I think that
01:01:44the girl
01:01:45warrior comes
01:01:46And for now
01:01:46it does not need
01:01:47more reinforcements.
01:01:52Gozzone,
01:01:54together
01:01:56we will go
01:01:57finding a solution
01:01:58to all problems.
01:02:02Okay.
01:02:04Okay.
01:02:08I'm going to give
01:02:11a shower
01:02:12that I need it.
01:02:16Okay, fine.
01:02:31And then, two more sandwiches.
01:02:33What kind of eating is that, you creature?
01:02:35What's happening?
01:02:35Haven't they given you
01:02:35There in that deserted cove?
01:02:37Well,
01:02:38eat, eat,
01:02:38what you might call eating
01:02:39We haven't eaten.
01:02:39Well,
01:02:40we caught
01:02:41four canapés.
01:02:42Well, four.
01:02:43Two bands.
01:02:44And I also
01:02:45I'm going into a shift now,
01:02:46I need to be well fed.
01:02:47Well, look,
01:02:48I'll bring you two more sandwiches,
01:02:49That's how I end with the genre
01:02:50before selling.
01:02:50Goes?
01:02:57Hey, José,
01:02:59did you know
01:03:00This has been
01:03:00one of the best
01:03:01nights of my life?
01:03:03Really,
01:03:03I just don't remember
01:03:04from the last time
01:03:05I had such a good time.
01:03:12I do remember.
01:03:17Never.
01:03:29Manu, what's wrong?
01:03:30No, no, Manu.
01:03:31Irene, Irene.
01:03:41I'm going to take off her earrings.
01:03:43Before your mother comes, okay?
01:03:44No!
01:03:45That?
01:03:45What, what, what a poor thing
01:03:46What's going to hurt him?
01:03:47I am a surgeon.
01:03:48Well, I'll take it.
01:03:49with both hands,
01:03:49but the earrings
01:03:50He doesn't take them off.
01:03:51No, no,
01:03:52It won't make any difference.
01:03:53they will be noted
01:03:53anyway
01:03:54the holes.
01:03:55Shit,
01:03:56Well, you could have done it.
01:03:56having realized
01:03:57before putting them on, right?
01:04:00My God,
01:04:00That's Carmen.
01:04:01Oh, what a girl.
01:04:02What the hell, Carmen and Carmen?
01:04:03We're still early.
01:04:05Is that Carmen?
01:04:08Oh, yes, it's Carmen.
01:04:10Oh well,
01:04:11And what are you all doing here?
01:04:13What's going on?
01:04:14Has it happened?
01:04:14No, what's going to happen?
01:04:15That they have come,
01:04:16They have come as good neighbors
01:04:17to give her a kiss
01:04:18Good night
01:04:19That's the place, isn't it?
01:04:20My little girl?
01:04:21Why does she have it?
01:04:22So many little countries?
01:04:22Let me see my treasure.
01:04:24Oh, treasure!
01:04:25Is that the prize?
01:04:26Yeah!
01:04:27You've won yourself the prize!
01:04:28Oh, darling!
01:04:29Give it to me, I want it
01:04:30teach my baby!
01:04:31Nothing, just rest.
01:04:32I'll take it
01:04:32Time for bed
01:04:33for whatever you need
01:04:33For once I...
01:04:33Chiqui wants to leave the girl with me!
01:04:34What do I want to see, my baby?
01:04:36Okay, my girl...
01:04:37Chiqui wants to leave me, daughter!
01:04:38Chiqui, I'm leaving you, yes!
01:04:43But what have you done to her?
01:04:44It was them.
01:04:46They?
01:04:46They.
01:04:47And what were they doing?
01:04:48with my daughter?
01:04:50Well, I had it.
01:04:51to leave with someone
01:04:51because it has come up
01:04:52a very urgent emergency.
01:04:54What's come up for you?
01:04:55a very urgent emergency?
01:04:57Look,
01:04:58that she knows it's the first
01:04:59and the last time
01:05:00I'm leaving your niece with you.
01:05:01Everyone
01:05:02for your house,
01:05:02But now.
01:05:06Bravely.
01:05:15But the seafood platter
01:05:16It's still standing, huh?
01:05:20Oh, how I'm going to feel!
01:05:41Oh, now, now!
01:05:46Hello.
01:05:47Do you live here?
01:05:48Uh, yes, I think so.
01:05:50Yes, I saw it in the mailbox.
01:05:52Uh-huh.
01:05:54Sorry, it's very late.
01:05:55annoying.
01:05:56No, no, no,
01:05:57It doesn't bother me at all.
01:05:58And, well, late according to...
01:06:01Why, I ask?
01:06:03No,
01:06:05passed by here
01:06:06I felt a kind of homesickness.
01:06:09How come we didn't say goodbye?
01:06:10at the gala?
01:06:12That's very bad of you.
01:06:13Yes, I thought about it.
01:06:14Very badly,
01:06:14Yes, especially on my part.
01:06:16Uh, I don't know,
01:06:18I say we'll have it.
01:06:18That needs fixing, right?
01:06:21That's why I came.
01:06:23See you tomorrow.
01:06:25Tomorrow?
01:06:27Yeah.
01:06:27Do you have now, I don't know,
01:06:28Any plans for tonight?
01:06:31No.
01:06:32Good.
01:06:34Happens?
01:06:36Happens?
01:06:54Oops!
01:06:55A pig.
01:06:56The girl.
01:06:57The girl.
01:06:58The girl.
01:06:59Yes, the girl.
01:07:07The girl.
01:07:10Let's see, Rosamario,
01:07:11I think you have
01:07:12that you go with your son
01:07:13Because you're going to be surprised
01:07:15when Peyo teaches you
01:07:16the tiger.
01:07:17If I tell my mother
01:07:18that I'm going to teach him
01:07:19the tiger,
01:07:20It's a real blow to my face.
01:07:21Well, and rightly so, huh?
01:07:21Excellent!
01:07:22So, what are you laughing at?
01:07:23But what do you know?
01:07:23What is a barracuda?
01:07:25that measures more than one meter
01:07:26I caught him
01:07:26and I love
01:07:26in the pond.
01:07:27I have it stuffed
01:07:28so that you can see it
01:07:29like a trophy,
01:07:29so you can see
01:07:30that I am from the same...
01:07:32That's it.
01:07:33I knew you were leaving
01:07:34to laugh our heads off.
01:07:35No no,
01:07:35If I knew that...
01:07:42Let's see,
01:07:43no, no, no, no.
01:07:47Look, kid,
01:07:49You have two options.
01:07:50A,
01:07:51lower your weapon
01:07:52and hand me the gun
01:07:53and another.
01:07:54Go away
01:07:55Where did you come from?
01:07:56And we'll catch you.
01:07:56Another day, you understand?
01:07:57I can also hit you
01:07:58two shots.
01:07:59Yes, man.
01:07:59And I'm perfectly happy with that.
01:08:00This lady
01:08:01Don't touch a hair on his head.
01:08:02And what are you going to do?
01:08:03With that loser face?
01:08:04Come on,
01:08:05the paste in the box
01:08:06Or I'll make a skylight for it.
01:08:07in the head.
01:08:08Point at me,
01:08:09Hey?
01:08:09Sign me up
01:08:09that I have a bigger head.
01:08:10Okay, Peyo,
01:08:12be quiet.
01:08:17Wow!
01:08:19Look, look.
01:08:20You're becoming more and more like Peyo.
01:08:21You won't have the elegance
01:08:22from James Bond,
01:08:23but you still hit the same number of times.
01:08:24Like I said,
01:08:25He's an artist with the tray.
01:08:28Peyo, I'm coming.
01:08:31Thank you
01:08:32What you've done, huh?
01:08:33Love, you know
01:08:34that I would never allow
01:08:35that he would do anything to you.
01:08:36Don't do it again
01:08:37in your life.
01:08:38Can you hear me?
01:08:39Man,
01:08:39that he could have shot you.
01:08:41You leave the matters
01:08:42for Jules or for me.
01:08:43What's wrong, Mom?
01:08:44That you don't feel proud.
01:08:45How can I be proud?
01:08:46Tell me about the head there
01:08:47than a barnacle, kid.
01:08:48We're here, we're here.
01:08:49I do this wrong too.
01:08:51Let's see,
01:08:52Mind your own business.
01:08:54Do I take care of shrimp?
01:08:55No, right?
01:08:56Well, you just leave yourself alone.
01:08:57to my robbers.
01:08:58Okay?
01:09:00Clear.
01:09:01Come on, let's go!
01:09:03That.
01:09:04Take it away.
01:09:14And by our director.
01:09:17Viva!
01:09:17Okay, guys,
01:09:18that the prize
01:09:19It belongs to everyone, right?
01:09:20Wow, that's great!
01:09:21No, look, how wonderful!
01:09:22From all over the world.
01:09:22So,
01:09:23one million turkeys
01:09:23Let's each finish
01:09:25through the clinic.
01:09:26What's up?
01:09:27Raffi,
01:09:28Fill in a little bit here.
01:09:29Carmen,
01:09:29I know we have
01:09:30to go back to work,
01:09:31But the occasion warrants it, doesn't it?
01:09:33Come on, man.
01:09:34That's it, that's it.
01:09:36Oh, Isabel,
01:09:36Do you realize?
01:09:37This is the last celebration
01:09:39What do we do?
01:09:39As owners of this, huh?
01:09:41Of course, darling.
01:09:44But for that very reason
01:09:45Let's enjoy it
01:09:46as never before.
01:09:47Come on.
01:09:48My wife is right.
01:09:49Raise your glasses!
01:09:50With joy!
01:09:51Above!
01:09:52Above!
01:09:55Carmen,
01:09:57Carmen, forgive me.
01:09:57Tell me.
01:09:59Hey,
01:10:00I just wanted
01:10:01to apologize
01:10:01because of what happened last night.
01:10:02Very sorry.
01:10:03Last night?
01:10:05What happened last night?
01:10:05I don't remember.
01:10:06How do you remember?
01:10:07about the girl
01:10:08To the earrings?
01:10:12Thank you.
01:10:13To you.
01:10:14He told me
01:10:14which he loved.
01:10:15Did he tell you that?
01:10:16It's just that this girl
01:10:17is the one that
01:10:17How the hell is he going to tell you?
01:10:18What if he doesn't know how to speak?
01:10:19No, please.
01:10:21The one who liked it
01:10:21Much has been mine.
01:10:22Thank you.
01:10:23You don't know how
01:10:23I apreciate it,
01:10:24dear.
01:10:24Thank you.
01:10:26Oh, sorry.
01:10:26Yes, yes, yes.
01:10:27Will you forgive me for calling me?
01:10:28Yes, yes.
01:10:29Hey, Rafi,
01:10:30Pour me a small drink,
01:10:30Go on.
01:10:31They are pieces.
01:10:33Where is
01:10:34the best director
01:10:35from Andalusia?
01:10:36Oh!
01:10:38Congratulations, daughter.
01:10:38Although the latter
01:10:39I already knew that, you know?
01:10:40Thank you so much,
01:10:41Mr. Bejumea.
01:10:42How infuriating!
01:10:42that you were unable to
01:10:43be here
01:10:43to pick it up.
01:10:44Well,
01:10:45It's not important.
01:10:46How are you
01:10:47Dinner with the in-laws?
01:10:49Well,
01:10:49It was, to say the least,
01:10:51curious.
01:10:52Tell me,
01:10:53Tell me about it,
01:10:53How did everything go?
01:10:54And my son?
01:10:55Did it let you say thank you?
01:10:56or he hogged the microphone
01:10:58Just for him?
01:10:59Christopher,
01:11:00If I lost sight of him,
01:11:01I don't know where he went.
01:11:02Come on,
01:11:03who didn't even collect the award.
01:11:04How odd?
01:11:06Where could it be?
01:11:07Where did that child get involved?
01:11:10Oh, Christopher!
01:11:12Oh my God
01:11:13what has changed you
01:11:14From jail, huh?
01:11:14Gordi,
01:11:15It's because in jail
01:11:16A boy entered,
01:11:17But a man came out.
01:11:25Shit!
01:11:26Shit, shit!
01:11:27In Galicia
01:11:28We say two days.
01:11:29I'm sorry,
01:11:30paringue,
01:11:31that we have stayed
01:11:32asleep
01:11:33And José is there.
01:11:34Oh, Joseph,
01:11:35but...!
01:11:36What a great vibe!
01:11:36It brings it, doesn't it?
01:11:37What brings you here
01:11:37The lover, or what?
01:11:40I'm going to do something
01:11:40that I should have done
01:11:41a long time ago.
01:11:43I'm going to become independent.
01:11:44Hey,
01:11:44What are you doing here?
01:11:45That's not here
01:11:45about the reform,
01:11:46not here.
01:11:47Oh my, oh my, oh my!
01:11:48What is it?
01:11:49What is it?
01:11:49Oh dear, oh dear, oh dear!
01:11:50What is it?
01:11:51Oh dear, oh dear, oh dear!
01:11:51What is it?
01:11:51Oh dear, oh dear, oh dear!
01:11:53What is it?
01:11:59What's happening?
01:12:01Oh, I left him feeling bad.
01:12:03You don't say.
01:12:04I invite you, I invite you,
01:12:05Shot, I'll buy you a shot!
01:12:06Ole, ole!
01:12:07I'm leaving!
01:12:08to Seville
01:12:08to live with you!
01:12:10Ah, mame,
01:12:10I have to go and sign
01:12:11the divorce papers.
01:12:12The girl what?
01:12:13Ah, look.
01:12:14Are you keeping her?
01:12:15I'm going to give you a coupon
01:12:16before looking at it
01:12:17They say that if it passes
01:12:19to the children
01:12:19from behind
01:12:21It brings good luck.
01:12:22Arragate,
01:12:23Get ready, it's your turn.
01:12:2435,000 euros per coupon.
01:12:28Neighbors?
01:12:31Neighbors?
01:12:32The following
01:12:32to sign a divorce papers?
01:12:34Us.
01:12:35Sorry,
01:12:36We were there before.
01:12:38Ah,
01:12:38you thought you were
01:12:39to get married,
01:12:39how you were doing too.
01:12:42For!
01:12:43This looks like asbestos.
01:12:45Asbestos,
01:12:45asbestos,
01:12:45This is something that can be sold
01:12:46like copper.
01:12:47Don Bejumea,
01:12:48We have to close the clinic.
01:12:50Nor will I allow it
01:12:51close the clinic
01:12:52I'm not going to lose you again.
01:12:54Is that clear?
01:12:55Chabanita.
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