Allí abajo - 3x16 - Dos viajeros, un parto y ninguna boda - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

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Transcript

00:00:00What is Iñaki? What is Horacio? He just filed for divorce and is already quitting his job.

00:00:03I'm not going to be separated from Iñaki and separated from Horacio.

00:00:06Are you enjoying Horacio?

00:00:07Don't know.

00:00:07You've finally done it.

00:00:08What do you think? That I wanted to divorce Carmen or what?

00:00:10So he didn't quit his job for you?

00:00:12So he didn't divorce me because of you?

00:00:13Just so you know, everything can be fixed, but it would be a heartbreak.

00:00:18Don't tell me it's lovesickness.

00:00:19You deserve a lot of credit, huh? Knowing that Iñaki and I...

00:00:22What about you, Iñaki?

00:00:23Well, I thought Iñaki was back on the market, wasn't he?

00:00:26You are Laia's father, and that's why I want us to be friends.

00:00:29Friends? For our little girl?

00:00:31Yes, for her.

00:00:32Oh, Antonio, what's happened to you, my dear?

00:00:33It's given me a hernia and left me more bent than a backwards axe.

00:00:37Oh, and did Carmencita tell you?

00:00:38Carmen didn't say a word, I haven't said anything to her.

00:00:40If you have problems with the boy you like, I don't know why you have to take it out on my Iñaki.

00:00:44What did I do? I have enough work-related food to worry about without thinking about personal food.

00:00:48Do you see any gynecologists around here?

00:00:50No, right? Do you know why?

00:00:51Because here we are, the parents and I, I am the father.

00:01:00Do you want to take Trinidad as your wife?

00:01:02Can't.

00:01:03That?

00:01:03My father just gave us the best gift in the world.

00:01:07The Seville Cathedral for us, honey.

00:01:09Dolores, please, will you stop with the nonsense?

00:01:11My father is fine.

00:01:13Yes, it's fine, really.

00:01:15But most likely he will need surgery.

00:01:17Since Carmen already brought it up here as a girl...

00:01:19I no longer have to be their mole and I have paid off my debt.

00:01:22Let's see if I can go down there.

00:01:24Okay, fine, okay, agreed.

00:01:25I promised you, and I'm a woman of my word.

00:01:27Carmen, Carmen, I'm going to Seville!

00:01:29And me with you?

00:01:30Take care of yourself, don't slip on that puddle you have there.

00:01:32Stop there, you...

00:01:38I've broken water, José.

00:01:39Take care of yourself, don't slip up in that puddle you're in.

00:02:09Let's see if you missed a little bit, huh?

00:02:11We've lived a lot, we're nervous.

00:02:13Will you stop talking nonsense, José?

00:02:14Listen, look at my face.

00:02:16Did I break the water?

00:02:17No problem.

00:02:18It's okay, it's okay.

00:02:19We remain calm, we are not nervous at all.

00:02:21Not at all.

00:02:21And we're here, at peace.

00:02:23Yes indeed.

00:02:24But I haven't messed it up, I'm going to put a mop on.

00:02:25Come here, please, calm down, breathe!

00:02:29No, let her breathe, let her fan me.

00:02:31Look, look, I'm going to put a chair there.

00:02:33Come on, sir, come on.

00:02:34You're not overthinking things.

00:02:35Come on, to the premature arza, come on with the roll already, come on.

00:02:37Come on, I'll bring you a doctor, let's go.

00:02:39But, but, but, listen to me, no, I still have a long way to go before I give birth.

00:02:42Let's see, I still have contractions to go.

00:02:43I'm telling you, I work in a gynecologist's office.

00:02:45And I'm the warden and I say sit down, sit down, come on.

00:02:47Well, it's because you're very nervous, huh?

00:02:50Oh, aren't the new uniforms cute?

00:02:53No, woman, it's just that I've got a new neighbor.

00:02:55I'm going to Christopher's place with Trini.

00:02:57Ah, that's right.

00:02:57Hey, what are you doing here, and like that too?

00:03:00Nothing, he's just come to see my father.

00:03:01And on the way I say, look, I'm going into labor.

00:03:05One moment.

00:03:06In labor?

00:03:07In labor?

00:03:07I'm in labor, yes I am, I'm in labor!

00:03:09That he's going to have a boy.

00:03:10Oh my God, José, we have to take him to a hospital.

00:03:12We are in a hospital.

00:03:13Irene, please calm down.

00:03:15Okay, please, can you all relax and stop talking?

00:03:17that they will be children who invite the fountain.

00:03:19And you can take me to see my father.

00:03:21Come on, your father, now the mess, come on.

00:03:24Come on, come on, let's go.

00:03:32Well, here's the monkfish.

00:03:34Straight from the Cantabrian Sea to our kitchen.

00:03:36Ah, very good.

00:03:38Now, do you still need to clean it, fillet it,

00:03:40cook it, prepare the sauce, marinate it, plate it

00:03:42And not screw up when it comes, and nothing?

00:03:44But, well, that's it.

00:03:45Are you okay?

00:03:46No, I'm not okay.

00:03:47Because there are two hours left until he arrives

00:03:48And I still don't know if everything will be ready.

00:03:51But take the monkfish.

00:03:54Hey, before you go to the kitchen

00:03:56I come in peace for a ham knife.

00:03:58I'm not bringing any rubber babies.

00:04:02Hey, do you want to check the attic in case Carmen's there or...?

00:04:05Well, no, I don't think he's very keen to see us.

00:04:08After yesterday's embarrassment, to be honest.

00:04:10Well, you're not wrong.

00:04:12To be someone about to become a father

00:04:13I didn't behave very much like an adult, did I?

00:04:16I'm wondering the same.

00:04:17Well, apart from the fact that he's about to become a father, of course.

00:04:20But what...

00:04:21Well, I came to propose a truce.

00:04:24Well, that sounds good to me.

00:04:26Enough with the childish games, okay?

00:04:28What are we?

00:04:29Mature.

00:04:32Of course.

00:04:34Hey, look, it works.

00:04:36I had put it in rice because of the buttons...

00:04:37Well, they both worked at the same time.

00:04:45Horace, Horace.

00:04:47Mature.

00:04:47Okay.

00:04:48Mature.

00:04:48First of all...

00:04:50Hey, you bastard!

00:04:52Iñaki!

00:04:52No, no, no, no, no, no.

00:04:53Okay, okay, my wife has gone into labor in Seville.

00:04:55I have to go.

00:04:56Once you go through that door, don't even think about coming back, okay?

00:04:59Because you'll be fired.

00:05:02Okay, Iñaki, let's see...

00:05:04It really annoys me to have to get like this, but...

00:05:07But understand that we are gambling with the future in the street.

00:05:11Good luck finding another cook.

00:05:13If you change your mind, I'll be in Seville.

00:05:14With my wife and daughter.

00:05:35Hello good morning.

00:05:36Good morning.

00:05:37Miss, would you like a ticket for the next flight to Seville?

00:05:39Yeah.

00:05:39Just a moment, please.

00:05:41Look, you know what?

00:05:42I don't care that you got here first.

00:05:44Because?

00:05:44Because I'm going to be on the same plane as you.

00:05:46Because?

00:05:46Because I know Seville better than you do.

00:05:48And I'll make a save at Monsal...

00:05:49Excuse me, miss.

00:05:50Excuse me.

00:05:50I've thought about it some more.

00:05:52If I wanted all the available tickets to fly to Seville.

00:05:55As?

00:05:55All.

00:05:55There are twelve tickets.

00:05:57Twelve bills?

00:05:58Perfect.

00:05:58No, I don't like being crammed in, you know?

00:06:01Fan of small cards.

00:06:02Yeah.

00:06:03And let's go.

00:06:04Everything, everything is good.

00:06:05That is.

00:06:05What, what, what, what, how dirty.

00:06:07I haven't seen...

00:06:08Mijao.

00:06:09Okay, he laughs.

00:06:11Your ID, please?

00:06:12Hey, here's my ID.

00:06:15Did you leave it here, miss?

00:06:16No no.

00:06:17But look...

00:06:19Was it you?

00:06:21I?

00:06:22You, you, you're stopping there.

00:06:23But you're crazy.

00:06:24Look, if I can't travel to Seville without my ID, please.

00:06:26It was him, miss.

00:06:28Uh, maybe it's a sign that you can't travel.

00:06:30A ticket to Seville, please.

00:06:31Yes, one moment, please.

00:06:32What, what, what, what?

00:06:33That my neighborhood laughs, no, no.

00:06:34Didn't you want dirty fire?

00:06:34Now show your ID.

00:06:35Let's see, let's see.

00:06:36Gentlemen, that's enough, please.

00:06:38I've been sent to the city through no fault of my own, miss, please!

00:06:40No, no, no!

00:06:41No, no, no!

00:06:42No, no, no!

00:06:42Security, we have a problem!

00:06:44You're the little house!

00:06:45Miss, it was your fault.

00:06:46I was going to pay.

00:06:46Here, here, here.

00:06:47He was going to steal the ID card.

00:06:47Here, please.

00:06:48Hey!

00:06:49Oh!

00:06:50At last.

00:06:51Delighted.

00:06:53Get this clown out of here.

00:06:55As?

00:06:59Look what you've accomplished.

00:07:00Let them fire both of us.

00:07:00But that was all your fault, please.

00:07:02My fault!

00:07:03I'm all about the money!

00:07:04Love the money!

00:07:05How selfish!

00:07:06Hoarder!

00:07:06It's simply that she's a first-time mother and labors tend to take longer, otherwise, honestly...

00:07:09Well, I hope so, huh?

00:07:09I hope so.

00:07:10Because if you don't make it, you'll be flying back, but with a single blow.

00:07:15Uh!

00:07:16Oops!

00:07:16What a great example!

00:07:17Seriously, huh?

00:07:19Look, it's over.

00:07:20See?

00:07:21Please don't talk to me for the rest of the trip.

00:07:22Look, pushing the pacifist Mahatma Gandhi.

00:07:25Here I am.

00:07:27That?

00:07:28No.

00:07:28I can't believe it.

00:07:29Don't mess with me, please.

00:07:30No no.

00:07:30This can't be.

00:07:31Hey, sir, I'd like to change seats.

00:07:33Yeah.

00:07:34And I don't care if Shakira does the "guaca guaca" for me, but you see.

00:07:36But there are free spots available, please.

00:07:38Look, sir, we make eight stops.

00:07:40In a little while there won't even be room to cross your legs here.

00:07:42So take your seat right away.

00:07:44Take your seat at once, sir.

00:07:58Come on, come on, let's go.

00:08:00My son just called and he's so nervous it's going to sound like there are four grooms at the altar.

00:08:06But wait, where were you?

00:08:08You are the witnesses.

00:08:09They can't get married without you.

00:08:11But thinking about it, there's no need to run.

00:08:14Excuse me.

00:08:15It's just that I'm used to walking in flats, and as soon as I put on heels I look like I'm drunk.

00:08:19Well, don't worry, when you open the open bar you won't be out of place.

00:08:24Sorry, sorry, I'm super late, sorry.

00:08:25But then I ran into José and, of course, since he was already there, I asked for help with the admission.

00:08:28Carmen's.

00:08:29By the way, Carmen looks so beautiful, doesn't she?

00:08:32As?

00:08:32Yes, yes, but beautiful, beautiful, huh?

00:08:34Well, she's a little chubby because of the pregnancy and all that.

00:08:36But there's a luster in her face, a light...

00:08:38Why don't I say that?

00:08:39Insubstantial.

00:08:40Carmen is hospitalized here in Seville...

00:08:44If I tell you yes, and that her water has broken, are you still going to yell at me?

00:08:47God!

00:08:48Her water has broken!

00:08:49Get out of here!

00:08:53I hope the priest has enough wine to calm Christopher down.

00:09:01The super father?

00:09:03Son!

00:09:04Chick!

00:09:04Toto!

00:09:06Are you in labor?

00:09:07Hey?

00:09:08Oh my god.

00:09:10Well, I already told you not to come, girl.

00:09:12Of course, with all this upset you're making me go into labor, aren't you?

00:09:14But what a disappointment, not a disappointment.

00:09:16What are you doing to me, Tito?

00:09:17Well, let's not get too excited, I still have a while before I give birth.

00:09:20The important thing is, how did the operation go?

00:09:22This is championship material, look.

00:09:23Patient successfully treated.

00:09:25This is wonderful, all it needs is a little rest.

00:09:27I've already told you, father, that you're not old enough to be weaving through so many olive trees.

00:09:31Do you know how much work it took to get this man to lie down on the examination table, baby?

00:09:33Hey?

00:09:34With everything the same as this, that big head must run in the family.

00:09:36What have you adopted from him?

00:09:37The head is yours for three positions, favor.

00:09:39Look at it!

00:09:40Father, right now all we need is peace and quiet.

00:09:44What are you doing here?

00:09:45How did you even think of traveling in your state?

00:09:47I'm also very happy to see you, Marichu.

00:09:50And how is the most beautiful expectant mother from both ends of Spain doing?

00:09:53Well, there you have it, out of place.

00:09:55As long as my granddaughter isn't Basque, she's capable of going into labor a month early.

00:09:59Oh, how charming!

00:10:01I've come to see my father, woman.

00:10:03Well, there you have it.

00:10:04Now to the room, get out.

00:10:06Waiting for the birth and staying very calm.

00:10:10Benito, call Cristóbal and tell him we're running late.

00:10:12Dolores, find a gynecologist.

00:10:14José, bring a rubber ball for the contractions.

00:10:17Irene, buy magazines to pass the time while you wait.

00:10:19But not breastfeeding ones.

00:10:21We cannot overwhelm them prematurely.

00:10:23And someone call Begochu.

00:10:26Already!

00:10:50Already!

00:11:03No, no, no, no, no, go to sleep, relax, there's still a long way to go.

00:11:08Ah, thank you.

00:11:21Holy shit! Holy shit! Holy shit! Hey, driver, you're assaulting me here, please!

00:11:27Yes, well, well, yes, it's all the same, it doesn't matter.

00:11:32I'll just do my own thing, I'm going to meditate a little.

00:11:34Yes, because we are the masters of our destiny, guardians of our soul.

00:11:42And thanks to meditation I've managed to stop anyone from bothering me, so no one is going to bother me.

00:11:49Yes! Hello!

00:11:51But what are you doing?

00:11:52Yes, yes, no, it's just a moment, you watch, watch, that's it, eh?

00:11:56Hey, hi, I want you all to pay a little attention here, right here, yes.

00:12:00Today is a very special day, today is my friend Horacio's birthday, huh?

00:12:05Yes, look at him all over there, the sleepyhead in the sixth row, huh?

00:12:09And I want us all to give Horacio a loud and enthusiastic round of applause.

00:12:13Come on!

00:12:15Louder! Louder, we can't hear it!

00:12:18Yes, okay, fine.

00:12:23Oh, guys! Carmen's in labor!

00:12:26Hey?

00:12:27Well, don't tell me I have to take him to the hospital now.

00:12:29No, no, he's already in the hospital, but in Seville.

00:12:31As?

00:12:32Yes, she had gone to see her father and went into labor there.

00:12:34But does Iñaki know where he is?

00:12:36Well, he's gone to Seville.

00:12:37And as far as I'm concerned, he can stay, okay?

00:12:39Because he no longer works here.

00:12:40As?

00:12:41What did you put on Iñaki?

00:12:42No, I've given him the option of keeping his job, okay?

00:12:45It's not my fault that he prioritizes his personal life over his work life.

00:12:48But why accessibility, Gochole?

00:12:49She's about to have a child, even Juan Mari will understand that.

00:12:52What he won't understand is why he's not present on the day the first review is made.

00:12:56No, if it's because of criticism, that's not going to be it, okay?

00:12:59It's worth a few now.

00:13:00Very funny.

00:13:01Okay, fine.

00:13:01And the bottle goes in the bin, okay?

00:13:03We recycle glass here.

00:13:04Yeah.

00:13:04Well, I'm off, I have to impress Inara Segurola.

00:13:08It will be with your sympathy.

00:13:10Team, I think that at a time like this we need to be close to Iñaki.

00:13:15Let's all go to the airport.

00:13:16Come on, what a joy!

00:13:17I'm going to be an uncle again.

00:13:19Okay, wait.

00:13:21If Iñaki is my nephew and he's had a daughter, then I'm the daughter of the girl...

00:13:25Sabine!

00:13:26Yes, we're going to the airport.

00:13:28Hey?

00:13:28Get in my car, it just came out of the garage.

00:13:30Hey?

00:13:31Come.

00:13:40All twins, hold your horses.

00:13:42So what do we do with the car now?

00:13:44Well, you give it away.

00:13:45You don't eat it, Sabino, but then...

00:13:47Iñaki needs us.

00:13:48He will be about to arrive in Seville.

00:13:50Come on.

00:13:50Buga!

00:13:50Careful, careful.

00:13:51Oh, oh, oh, oh!

00:13:52Careful, okay.

00:13:53I'm taking care of you, be careful.

00:13:54With music, at least.

00:13:57Come on, Carmen, take it, please.

00:14:00Does it communicate?

00:14:01Carmen.

00:14:01Hey, Carmen!

00:14:02What, what...?

00:14:02But if you're a son of a...

00:14:05Peace, sister.

00:14:06I'm on my way, okay?

00:14:07We are.

00:14:08We're on our way.

00:14:09Hey, no.

00:14:09I'm on my way too, Carmen.

00:14:11Yes, I think we'll be in Salamanca.

00:14:14But what are you doing there?

00:14:16Check the cervix.

00:14:18No no.

00:14:19Sorry, Adolfo.

00:14:20If it continues, you check what I need to check.

00:14:22Yes, it isn't.

00:14:23In a few minutes we'll make a stop in Villaverde de Guareña.

00:14:26Please, let him come.

00:14:28By bus?

00:14:29Yes, yes.

00:14:30It's a long story to tell, but I'll be there to help you right away.

00:14:33No, I'm here, I'm here to help you.

00:14:34I'm going to help you much more than he will.

00:14:35Look, Carmen, everything is fine here.

00:14:37Then I'll come back to see how the contractions are going and all that.

00:14:39Thanks, but come on, my gynecologists are already on their way.

00:14:41And the father!

00:14:42The father is on his way too!

00:14:43I am the father!

00:14:44Shut up, stay still!

00:14:45I am the father!

00:14:46I reckon I'll be there in about six hours, okay?

00:14:48We'll be there.

00:14:49Hey, please remember what I told you about breathing.

00:14:51Yes, yes, yes.

00:14:51Bye bye.

00:14:53Carmen, are you very serious?

00:14:55Have the contractions started?

00:14:57No no.

00:14:58Look, if what's happening now seems harsh to you,

00:14:59What's coming next is going to be like being struck by lightning, huh?

00:15:01Well, thank you very much, Barichu, for the encouragement.

00:15:04No, this face is because Iñaki is coming with Horacio on a bus.

00:15:08And is Iñaki coming by bus?

00:15:09Yeah.

00:15:10And what about Horacio?

00:15:11Yeah.

00:15:12Horacio, because he's my gynecologist, right?

00:15:14But come on, it's going to take six hours.

00:15:17Well, don't worry, Lastana, you're with me.

00:15:19Yes, thank you very much.

00:15:21I hope you're not offended, Barichu, but the ones I want here are those two.

00:15:25No, no, no, I'm not offended.

00:15:26And I'm also sure that Iñaki will arrive on time.

00:15:28because he is the father of the child.

00:15:30How is?

00:15:31And you are his wife.

00:15:33Barichu.

00:15:34Okay, okay, it's not the right time.

00:15:36No, it's not the right time.

00:15:39Look, but when you have a child, you rethink a lot of things.

00:15:43You'll see, when you see that beautiful little face,

00:15:46With those dimples, go to Zabalbeitia,

00:15:48You'll see, you'll see everything differently.

00:15:50And you'll end up forgiving him.

00:15:52Right, Carmen?

00:15:53Hey?

00:15:54No, Barichu.

00:15:56I find it shocking that she's here about to give birth to your granddaughter.

00:15:59and you're campaigning in favor of your son Iñaki.

00:16:02Please, Barichu.

00:16:03Okay, sorry.

00:16:04I'll tell you, I'll leave it at that.

00:16:04I'm going to get some ice, okay?

00:16:05You seem a little out of breath.

00:16:07And why is that?

00:16:09He'll keep going, tell your son to come and get there.

00:16:18Let's see, can someone explain why this is happening in the 21st century?

00:16:20Why don't you take a plane to see your daughter being born?

00:16:22Hey Rama, will you calm down, please?

00:16:24Shh!

00:16:24Please!

00:16:25We've had problems with...

00:16:28Time, huh?

00:16:29Over time, the fog, the drizzle,

00:16:31You know how San Sebastián is, love.

00:16:33We're going to make a 20-minute stop.

00:16:35We need to stop.

00:16:37some of us are in a hurry to get to Seville.

00:16:39And on top of that, you travel with that long thing.

00:16:42Look, I'm going to tell you something.

00:16:44Now, if you want to have any chance with Carmen,

00:16:46You better get your act together and show up here before him.

00:16:49We are?

00:16:50There are plenty of gynecologists here.

00:16:51But what Carmen needs right now

00:16:53It's her husband.

00:16:54Yes, okay, love, okay.

00:16:56A lot.

00:16:57Look, stop kissing and run.

00:17:07Look who was missing, the iron grandmother.

00:17:10Let's see, don't pester her, I can see you coming, okay?

00:17:12Let the path of life enter through here,

00:17:14Hey?

00:17:14Cheer up, little one, cheer up.

00:17:16You know that my little donkey Macarena

00:17:17He had a donkey the other day,

00:17:19But in the morning,

00:17:20Well, in the afternoon,

00:17:21It tied you up more than the horses on the menu.

00:17:23I won't say any more.

00:17:23But well, Don Antonio,

00:17:24How can you compare a donkey to my little girl?

00:17:26Or do you see?

00:17:27Don't listen to him, Carmen, for God's sake!

00:17:29But childbirth is the most beautiful process in nature.

00:17:32Yeah.

00:17:32Why don't you ever clean the delivery room?

00:17:34Will that place remain like the beach in Saving Private Ryan?

00:17:36Let's see.

00:17:45I'm going to take this opportunity to pee.

00:17:47Because the morning talk show doesn't forgive.

00:17:50The cha topic.

00:17:59Hey, I have a question.

00:18:00Don't you have a wedding to attend?

00:18:01Come on, Iro, you look gorgeous.

00:18:03And Dad, you rest.

00:18:04That's also true,

00:18:05Because by the time you start having contractions,

00:18:07It takes a long time, huh?

00:18:09Don't worry, I'm coming.

00:18:10before this girl leaves for Andorra.

00:18:11How is?

00:18:12Pelaya.

00:18:12Pelaya, Pelaya, darling.

00:18:14Don't go out without Aunt Dolores coming, okay?

00:18:16That.

00:18:16Aunt Dolores, aunt.

00:18:18Goodbye, goodbye, goodbye.

00:18:20Marichu, my son keeps calling

00:18:21and the sky has clouded over.

00:18:23Do you know what it means?

00:18:24Trini is making her entrance into the temple.

00:18:27Look, Benito, I'm sorry, but I'm staying.

00:18:30It makes me quite angry to go to that wedding party

00:18:32to take the risk on top of everything else

00:18:34to miss the birth of my daughter.

00:18:36Whatever you want, darling.

00:18:38Strong, heart.

00:18:39I still remember the first time

00:18:41that I held my son Christopher in my arms.

00:18:43My mother taught me that I was hungry,

00:18:44But I don't think so.

00:18:45that the child was looking for the wallet.

00:18:48Okay, I'll walk you outside.

00:18:50I'll be right back.

00:18:51Calm down, everyone.

00:18:52Come on, come on, enjoy it however long it takes you to enjoy it and all that.

00:18:55Come on.

00:18:55Ugh, what a pain, huh?

00:18:57Don't you see, old man, how he talks?

00:18:58She won't shut up and she won't give you water.

00:18:59Listen, aren't you going to the wedding?

00:19:00I've also been invited.

00:19:01I'll stay here with you.

00:19:03José, darling, thank you so much for everything.

00:19:05No, it's okay.

00:19:05It's okay, we're all here with our colleagues.

00:19:06We're here for you, colleagues, for whatever you need.

00:19:08Do you understand?

00:19:09Ah!

00:19:11Nove!

00:19:12He broke my finger.

00:19:15Novel?

00:19:15Does it hurt?

00:19:16Sorry, sorry, sorry.

00:19:17Don't worry, I still have nine left.

00:19:19It's already happening.

00:19:20Oh, Dolores, can you imagine if the bouquet falls on me?

00:19:23With the knowledge of you,

00:19:24You're more likely to get spat on.

00:19:25Come on, come on, let's hurry up

00:19:27that my son from Starboard owes the nervous breakdown.

00:19:29In the last half hour he has sent me 30 messages.

00:19:31We're coming.

00:19:32Celia says she's waiting for us at the door.

00:19:34Oh!

00:19:34Angela, I understand that fashion and you don't get along well,

00:19:37But darling, you can't.

00:19:38And that's how the wedding was dressed.

00:19:39No, girl, I just finished my shift

00:19:40and I haven't changed since.

00:19:42But don't worry, okay?

00:19:43I can get myself looking beautiful in a second.

00:19:46Thank you so much for the encouragement, colleagues.

00:19:50Please hurry,

00:19:51that my son with the protocol is worse than Winthor's hunt.

00:19:54And you'd better take the stairs,

00:19:55the elevator is so-so

00:19:56And the cheapskate owner doesn't want to fix them.

00:19:58The owner is a rat, who is my son?

00:20:01Effective.

00:20:03Let's go, let's go, let's go.

00:20:04I'm a bad person.

00:20:10Okay, folks, let's continue.

00:20:12Are we all here?

00:20:14Yes, yes, yes, we're all here.

00:20:16Come on, I've done a count myself.

00:20:17So now you know, to be a top-notch driver,

00:20:20Accelerate, come on.

00:20:23Let's go.

00:20:29Hey! Hey!

00:20:31Hey! Yours!

00:20:33Oh, sisters!

00:20:33Oh, sisters, come see him!

00:20:36Please!

00:20:37Please!

00:20:38I have defined feminine qualities!

00:20:40Now blind.

00:20:42Hey!

00:20:47Hey!

00:20:48How stupid you are!

00:20:56Gentlemen, I'm going to stop for a moment because something is wrong with the bus.

00:21:07Damn it!

00:21:24I'm going to find out which room Carmen is in, okay?

00:21:26Okay, tell them now that if they need moral support, we're at the bar.

00:21:29What? How? Are you going to eat?

00:21:32What are you thinking, Diego! That on the plane they only serve us stale, overcooked food.

00:21:35And I appreciate eels. He won't eat airplanes properly until someone takes him to go to

00:21:38Basque Country.

00:21:39Ah, very good. So you'd rather go fill your bellies than be with your friend.

00:21:43Ah, Diego! We're right there at the bar. Besides, we're either hinting at something, like betraying a woman, or having some tapas...

00:21:48Both things satisfy hunger.

00:21:50That's not true.

00:21:51Oh, look, look! I'm leaving, okay? Because I'm sure even Carmen's baby is more mature than the four of you.

00:21:56AND?

00:21:57Give him this!

00:21:59Get out of here!

00:22:01Hey, I'll pay.

00:22:15We've been waiting here for hours, really.

00:22:17Come on, don't exaggerate. We arrived half an hour ago.

00:22:19Ah, well, it must be that when I'm with you, time seems endless.

00:22:23Hello. Hello. Uh, do you know what the problem is yet?

00:22:25Yes, man. It's been a while. We're just taking advantage of the time to customize the bus.

00:22:29Look, please, fix this now. The future of my marriage depends on me getting to Seville.

00:22:32Look, without so much haste, I should have taken a plane.

00:22:34Wow! I hadn't thought of that.

00:22:37You thought you were going to get rid of me, huh?

00:22:38Look, I think about it every single moment.

00:22:39Oh, well, just so you know, when Carmen gives birth to that baby, I'll be there by her side.

00:22:44Not that baby, our baby.

00:22:46You find out about Carmen and me.

00:22:48It seems that he is very sure of that now.

00:22:50Look, Horacio, maybe you'd like to do the rest of the trip in the trunk.

00:22:52Oh, how scary!

00:22:55Oh, oh, listen!

00:22:57Violent!

00:22:58Okay, oh!

00:23:01Vegorio!

00:23:04Vegorio, my daughter! What joy! You're here!

00:23:06Oh, Marichu! Girl, but I know, doctor! How alienating!

00:23:09Shut up, shut up! Don't talk to me anymore!

00:23:11Well, how are you? How's the poor creature doing?

00:23:13Well, look, at this point, I reckon I've married that witch.

00:23:17That?

00:23:17No, man! I mean Carmen! The baby's already been born!

00:23:20Oh no, no, no! Not yet!

00:23:21And he'll be here for a while.

00:23:23And thank goodness, because Iñaki comes by bus.

00:23:25By bus!

00:23:27What's wrong with this kid?

00:23:28Daughter, well, at that rate I should have come walking.

00:23:30And on top of that, he's coming with Horacio.

00:23:31With Horacio?

00:23:32But what is he doing with Horacio?

00:23:34Daughter, I don't understand anything.

00:23:35That's what I say.

00:23:36Come on, I'll take you to see Carmen, she's feeling a bit nervous.

00:23:38It doesn't surprise me.

00:23:39Clear.

00:23:39First time?

00:23:40That's a good one.

00:23:41To give birth alone in the farmhouse like you and me.

00:23:43Do you remember?

00:23:44And being careful not to stain the carpet.

00:23:46Hush, hush!

00:23:48Daughter, I don't know what's wrong with this.

00:23:50I've been waiting for half an hour and nothing.

00:23:51It would have taken less time climbing the facade like Spiderman.

00:23:54Well then, let's walk, it'll take less time.

00:23:56Walking?

00:23:57Oh, Jesus!

00:23:59Hey, what about Sabino?

00:24:00Didn't he come with you?

00:24:01Clear.

00:24:02He stayed there on the terrace with the group.

00:24:03They say they were hungry.

00:24:04Oh girl, I'm always thinking the same thing.

00:24:06How awful!

00:24:07I've been given a trip, I'm telling you the truth.

00:24:09Me last time.

00:24:09Marichu.

00:24:12Benedict?

00:24:13But what are you doing here?

00:24:14I could just picture you dancing like little birds.

00:24:16Here the only little bird, or rather big bird, is Trini.

00:24:20It's because it flew away.

00:24:21That?

00:24:22What you are hearing.

00:24:23She arrived at the top, saw my son, turned around and ran away.

00:24:29Come on, it's like a runaway bride, but without Richard Gere.

00:24:31Well, maybe he's forgotten something and is coming back now, woman.

00:24:34Yeah.

00:24:34The only thing she's forgotten is decency.

00:24:37Well, Benito, don't worry about the stana, it's for the best.

00:24:41Look, that's what we wanted, to save Christopher of Sarpiaz.

00:24:44Yes, but I didn't.

00:24:45No parent cares if their child's heart is broken in front of half of Seville.

00:24:50That's also true.

00:24:52Oh, poor Christopher.

00:24:53Hey, by the way, where is he now?

00:24:55There he remained, broken, like an abandoned puppy.

00:24:59Yes, I was saying that maybe Trini could come back, but come on, the priest has been seen

00:25:03to eat already and all that, and no.

00:25:04Oh, you people here in Seville have a real knack for drama.

00:25:07It doesn't surprise me that flamenco is all about shouts, clatter, and wailing.

00:25:10Oh, well, what do we do now?

00:25:13Or work, because I refuse to let this count as a day off for me.

00:25:16No, no, no, no, no, the important question is, where is Trini?

00:25:45What's wrong, ma'am?

00:25:47Haven't you heard that white is very fashionable this season?

00:25:56True.

00:26:04Carmen, what are you doing here?

00:26:05I'm going, what about you?

00:26:07Well, today was my wedding day.

00:26:09Well, I didn't imagine you'd come dressed as a fallera, but aren't you married?

00:26:12Well, I was going to do it, Carmen, I was going to do it, but...

00:26:16Oh no, why does he continue with this charade?

00:26:17Well, it takes her a bit too far, don't you think, Trini?

00:26:20I think so, but Carmen, do you know when you look someone in the eyes and realize that they don't

00:26:24could be?

00:26:24Yes, but I wasn't talking about me, I was talking about you, wasn't I?

00:26:27That's right, Carmen, I need to ask you a very important favor, please.

00:26:30Don't tell anyone I'm here.

00:26:32I'm amazed, I've never heard you say the word 'please' before.

00:26:35Well, imagine how important it is, but please, swear to me.

00:26:39Carmen, promise me you won't tell anyone you saw me.

00:26:42I swear.

00:26:43Very well thank you.

00:26:43And don't worry, as soon as the hallway is clear I'll leave and I won't bother you anymore.

00:26:51Carmen, please, what are you doing? What are they going to find out about me?

00:26:55Paris, damn it, what am I going to do? Paris.

00:26:57Well, stop a little lower, okay?

00:27:02Hello?

00:27:06Carmen, are you okay?

00:27:07Yes, we heard you scream.

00:27:08Yes, yes, nothing, a contraction, nothing, nothing.

00:27:10How are you, Bego? Please, you shouldn't have bothered coming, darling.

00:27:13Yeah, man, and miss out on the soap opera that's going on here.

00:27:16Trini has left Cristóbal standing at the altar.

00:27:19What? I can't believe it.

00:27:21How do you hear that, Carmen?

00:27:23I have a feeling you won't be the only one suffering today.

00:27:26Look, you know what I'm saying?

00:27:27I'm going to call Trini right now and tell her to come and explain herself to

00:27:31Christopher.

00:27:31And she probably thinks we're going to stand up for her.

00:27:34What do you mean you're going to call Trini, Marichu?

00:27:37What a fright, girl. I'd forgotten my Andalusian ways.

00:27:40How are you? How was your trip, Bego? Tell me about it.

00:27:43Oh, hush, hush! This is much more interesting.

00:27:46I'll be quiet, I'll be quiet.

00:27:47Dale, no cog.

00:27:49You have to be a star to leave someone at the altar.

00:27:52Look, I have never wronged a woman, but when I think of my son being humiliated,

00:27:56in front of the cream of Seville.

00:27:58And part of it stains me...

00:27:59Look, say it, Benito, say it. And feel better for once.

00:28:02Trini is a viper!

00:28:04Please, Marichu.

00:28:06Stop with the insults, okay? The girl finds out about everything.

00:28:09Everything, absolutely everything.

00:28:20How's it going, boss? Do you know what's wrong? Could it be the transmission?

00:28:23Yeah, man. Now that you're a mechanic or what?

00:28:25Yes, it's the transmission.

00:28:27Ah!

00:28:28Which means we can't fix it.

00:28:30That?

00:28:30Let's see, let's see, let's see. Let's see.

00:28:32My wife is giving birth!

00:28:34And I have to treat her, which is much more important.

00:28:36Yes, sorry, that's true. Because there's only one gynecologist in the world.

00:28:39Oh no! There are thousands!

00:28:40Just like unfaithful husbands.

00:28:42I'm so scared!

00:28:44It was a mistake.

00:28:46Just like your marriage to Carmen.

00:28:48Grab this.

00:28:49What are you doing? What are you doing? How are you?

00:28:50Hey, what are you doing! We'll get out of here, please!

00:28:51That's enough! That's enough! Stop! It's over!

00:28:54Okay, guys.

00:28:55I have to take it to the main station and it's going to take quite a while for them to bring a bus.

00:28:58So I'm sorry.

00:28:59But that's how it is.

00:29:15Hey, where are you going?

00:29:16Look, I plan to get to Seville before you, even though you've climbed onto the roof rack of a car.

00:29:18It was superficial.

00:29:20The important thing is not to arrive in Seville first, but to reach its heart.

00:29:22Ah! Well guess it, that was me.

00:29:24Yes, it was you, yes.

00:29:26But you braked too late and ran him over.

00:29:28Yeah.

00:29:29And guess who picks up the pieces.

00:29:33Vulture.

00:29:34Adulterer.

00:29:55That's what you get for doing yoga!

00:29:56Host!

00:29:57What are you doing?

00:29:58Hold on, please!

00:29:59Can you give me a ride?

00:29:59No, don't take me!

00:30:00Take me with you!

00:30:02Where do you want to go?

00:30:03To Seville!

00:30:04Both?

00:30:05Yeah!

00:30:07Okay, now there are three of us.

00:30:09I'll get in the car, but I'll be pushing it.

00:30:10Come on, shoot!

00:30:13Thank you, thank you.

00:30:14You really saved our lives, sir.

00:30:17The bag is not to be touched.

00:30:19And you're in the back with your little friend.

00:30:22Okay.

00:30:23Come on, shoot.

00:30:24Should I close this for you?

00:30:25Yes of course.

00:30:27Pull that...

00:30:28Hey, thank you, really.

00:30:30You won't believe it, but even though I'm Basque, my wife is giving birth in Seville.

00:30:33And we have to...

00:30:34Well, I have to...

00:30:35I have to get there...

00:30:36No, we don't have any.

00:30:36Oh, by the way, this one here isn't my little friend.

00:30:38Well, I'm the gynecologist, imagine that.

00:30:40For all I care, you can be a Sucallista.

00:30:43Yeah, you see how it is, you see how it is.

00:30:44Wouldn't you prefer I go over here?

00:30:46I can talk to you.

00:30:47I look like I want to talk.

00:30:54I just don't understand it.

00:30:56How could she leave him standing at the altar?

00:30:58I've never seen so much wild silk running so fast in my life.

00:31:02On top of that, the woman has the nerve to dress in white.

00:31:04Please, stop already, you've been criticizing the girl for half an hour.

00:31:09Well, woman, we're letting it all out.

00:31:11Come on, it's not like he can hear us.

00:31:12That's what I'm saying, as if I could hear you.

00:31:14Well, just in case he heard me, I'd tell him anyway.

00:31:16And very clearly, you harpy.

00:31:17You're a harpy.

00:31:18What's wrong, Carmen?

00:31:19How are you handling the contractions?

00:31:21Good.

00:31:21Well.

00:31:24Hey man, what are you doing here?

00:31:25How did the wedding go?

00:31:26Don't ask me, son, don't ask me.

00:31:29Well, I brought you something refreshing.

00:31:31But I realized halfway there that you couldn't drink, so I grabbed it myself.

00:31:34Well, look, I'm looking at myself alive.

00:31:36No!

00:31:37Oh!

00:31:37Another contraction, daughter!

00:31:38No, no, no, no, no.

00:31:40You can't go into the bathroom.

00:31:42Because?

00:31:45Because only patients are allowed in, José.

00:31:47Little girl, how sad.

00:31:49I used to follow the rules when I worked here.

00:31:50Imagine that now.

00:31:51Also, the owners are here.

00:31:52Do you give me permission?

00:31:52Yes, I'm about to pee.

00:31:53No, but, but, but!

00:31:54José, please, it's full of private things.

00:31:57Private, little girl?

00:31:58But I've lived with you up north, I've done the laundry and everything, I know what they are.

00:32:02You're wearing bras, not because I'm going to take a leopard print room or anything.

00:32:05José, by private I mean something very intimate, special, rare.

00:32:10Ah, you're already high, didn't they give you anesthesia?

00:32:13Hopefully.

00:32:14Leave me alone, he really couldn't take it anymore.

00:32:16José!

00:32:16Leave me alone already!

00:32:25I've lost all desire for it.

00:32:26Really.

00:32:39Thank you again, sir.

00:32:40It's truly appreciated these days to find such kind people because it's not common anymore.

00:32:45Yes, yes, yes, because these days you can't even trust your own shadow.

00:32:48Shut them up now!

00:32:57The robber, after putting all the money from the bank branch into a sports bag, asks some witnesses.

00:33:03He fled in a Bordeaux SUV.

00:33:06The suspect, whom police have described as very dangerous,

00:33:09All that is known is that he travels alone and that he has a large tattoo on his arm in the shape of...

00:33:23And now that we know each other better, I'm going to play heavy metal.

00:33:29Come on, get heavy.

00:33:35This whole "eating a quick bite" thing has gotten a little out of hand, hasn't it?

00:33:39Man, here in southern Changuru they have no idea, but the fried food, they really fry it well, you know?

00:33:43Well, not me, it seems he's still hungry, huh?

00:33:46What have you done?

00:33:47It's for Bego.

00:33:48He sends me a message asking for a pork loin roll with red butter.

00:33:52Glad?

00:33:53Damn it, Bego!

00:33:54Oh, sorry, but he's been telling us to eat all our lives.

00:33:56And come on, he didn't exactly ask for a little salad, did he?

00:34:01You talking a little.

00:34:02Has Carmen given birth yet?

00:34:04No idea.

00:34:05If you want, I'll call Bego and ask her for the room number.

00:34:08Look, look, look.

00:34:09That he has done the heel prick test on Carmen's number 9.

00:34:11I'll leave it in the room and I'll see you now.

00:34:14Did Carmen do it?

00:34:25Excuse me, is this Carmen's baby?

00:34:27Yes, it was just born, but don't disturb the mother who needs to rest.

00:34:30Oh, what a cute face she has.

00:34:31Look, he seems like a little angel to me.

00:34:33This chin belongs to my grandfather.

00:34:35What will your grandfather's chin look like if you're related to him by marriage?

00:34:37Excuse me, but coincidences do happen.

00:34:39What do you want me to say?

00:34:40To me, all babies look, if you'll excuse the expression, like old people.

00:34:43Don't be an animal.

00:34:45This girl is at least going to be Miss Spain.

00:34:48Well, Miss Iberian Peninsula.

00:34:50Can't you see her chubby cheeks?

00:34:52Are they related?

00:34:53Yes, we're all guys.

00:34:55Well, great-uncle.

00:34:56Okay, so tell your mother when she goes out to take her out for a little while so she can get some sun, okay?

00:35:00Okay.

00:35:00Thank you so much.

00:35:01Life happens.

00:35:02When Carmen comes out, we'll tell her about the sun.

00:35:04He should take advantage of it here because in San Sebastián, unless he's put under a desk lamp...

00:35:07Shall we take him for a walk?

00:35:09Carmen needs to rest.

00:35:10Ugh, I don't know what to tell you.

00:35:11Will he leave us now?

00:35:12First-time mothers are kind of like koalas, aren't they?

00:35:15He's going to have to stop helping, damn it.

00:35:17What's happening?

00:35:17Is Carmen going to be like Bozzone now, or what?

00:35:18It remains in the air.

00:35:19Come on.

00:35:20Ah, this way, this way, this way.

00:35:22They have soft bones.

00:35:24Careful, okay?

00:35:24It's awful, it's awful.

00:35:32Nothing.

00:35:34Christopher doesn't answer the phone.

00:35:35If it weren't for his fear of messing up his hair, I'd swear he'd slept with Dalquí.

00:35:40Do you know what's happening, Don Begumé?

00:35:42There's no coverage here.

00:35:44Why don't you go up to the roof?

00:35:46Wow, that's great, what a good idea.

00:35:48And we showed the form to Begoña, which you probably haven't seen.

00:35:51And a really great profile.

00:35:52I mean, you're stupid, what rooftop, what rooftop.

00:35:54What if Carmen goes into labor?

00:35:56Well please, Marich, I'm so tired I could go into labor.

00:36:02Lobe, but the girl is already here.

00:36:04Don't worry about us, we're doing great here, right?

00:36:18Boyfriend?

00:36:20Viva?

00:36:20My mouth has finally fallen off!

00:36:27Damn boss, you shouldn't be getting married.

00:36:29Yes, but for that you need a girlfriend, Rafi.

00:36:33Sure, the girlfriend?

00:36:34I was all joy, Rafi, all joy.

00:36:38The music started playing, the gate opened, and I saw before me the most beautiful bride I had ever seen.

00:36:46seen.

00:36:48After the IDD, of course.

00:36:51Is this my sister's food?

00:36:56Rafi walked towards me, with a halo of light that came from the Santa Águeda flowerbed.

00:37:03And suddenly, I don't know, I dreamed about Rafi.

00:37:07The vine?

00:37:08No, I don't dream.

00:37:10Because when he saw me, when he saw me, Rafi turned around and became the favorite.

00:37:17No, I swear, I swear I've never seen anyone before.

00:37:22I run so fast in a silk suit.

00:37:26God, your voice is more like glasses than the Kennedy family, damn it.

00:37:29I don't know where my father is, but I don't know if he's going to give a hug or something to look for him.

00:37:35And have a little wine, it'll do you good.

00:37:38A little wine in these circumstances brightens things up a bit.

00:37:45That's awful, isn't it?

00:37:46That was awful, wasn't it?

00:37:52Horacio, on the count of three we jump out of the car.

00:37:54In the three, in the three, in the three, in the three, in the three.

00:37:55And in the three, in the three, in the three, in the three.

00:37:56I didn't remember.

00:37:57With my party at three o'clock, at three o'clock.

00:37:58In the three o'clock position, in the three o'clock position.

00:37:58I was telling my brother, just hitchhike, anyone can pick you up.

00:38:01What am I missing, Irene?

00:38:02Irene, really.

00:38:03You have a pen.

00:38:05You have your will.

00:38:05Well, I'm going to write a distress note, damn it.

00:38:08Can you tell me what you're all talking about?

00:38:09Yeah, we're working on travel songs, right?

00:38:11Yeah.

00:38:12From pará, from three, in the one of three.

00:38:15Take it, take it, take it, take it, take it.

00:38:17What else is there to me that makes me a client?

00:38:18No, he asks for a parchment, he's not kidding.

00:38:21Take it, take it, take it.

00:38:25Take it, take it.

00:38:25Take it, take it, take it, take it.

00:38:26Take it, take it, take it, take it, take it.

00:38:34Take it, take it, take it, take it, take it.

00:38:35Take it, take it, take it, take it, take it.

00:38:39Take it, take it, take it, take it.

00:38:41He's definitely going to an after-party.

00:38:43Há tak in the earth.

00:38:49What? Isn't it ever too early to teach some things?

00:38:53Who is the prettiest girl in Onda Rota on the seashell?

00:38:56Who is the prettiest? You, you.

00:38:57Who's coming in? You.

00:38:59Pello, I didn't know you were such a babysitter, you oyster.

00:39:01Sure, he feels close to the creature because of their mental age, you know.

00:39:08Hey Begochu, tell me.

00:39:10Uh-huh. Yes, I'll tell you right now.

00:39:12But where did you say you were?

00:39:14I'm coming now.

00:39:16Bego should bring her a snack.

00:39:18A short walk will do me good.

00:39:19Hey, just to comment, Sabino, wouldn't it be more practical, I mean,

00:39:22Will Bego install a remote control for you inside so she can operate you from a distance?

00:39:29Sabine.

00:39:31Remote.

00:39:32Place.

00:39:36Torri, torri?

00:39:37No, eh, vego, eh, vego, eh, vego.

00:39:39The hands.

00:39:40Osaba, pello.

00:39:41Ay, osaba, pello.

00:39:44You like it, huh?

00:39:45Cuchi, cuchi, cuchi, tó.

00:39:48Lua, lua, chur, chur, chur, chur.

00:39:50In the end, he's going to have a way with women.

00:39:52Yes, either that, or he's used to raising dolphin calves.

00:39:59Hello, Carmen.

00:40:01Hello.

00:40:01Bego, what are you doing in this room?

00:40:02If Carmen is, she is, she is pregnant.

00:40:09Look, the scoop.

00:40:10You've had nine months to figure that out, haven't you, Sabino?

00:40:14Bego, I'll be right back.

00:40:16Damn, damn!

00:40:19This man, look, I don't know if it's the heat or what,

00:40:22But every time he goes down to Seville he gets half-dazed.

00:40:24Padrilla!

00:40:25Padrilla!

00:40:27The girl, the baby, is not Carmen's, no.

00:40:31It's not ours.

00:40:32Okay, okay, okay, okay, don't scare her.

00:40:33We already know that biologically it is not ours,

00:40:36But we can love her just as much, or even more.

00:40:38No, no, no!

00:40:39It's not Carmen's, José!

00:40:40You've made a mistake, you fools!

00:40:42What do you mean it's not Carmen's?

00:40:44And how do you know that?

00:40:45Because I've seen it with my own eyes.

00:40:47I saw Carmen's little belly, damn it.

00:40:49But let's not get carried away, okay?

00:40:50I'm not saying you don't believe it, Sabino.

00:40:51If, as you say, you have seen Carmen,

00:40:53who is still pregnant.

00:40:54Fuck!

00:40:55We've kidnapped this creature!

00:41:14Guys, you have to leave.

00:41:15because I'm going to have a test done.

00:41:18Yeah.

00:41:18Intimate.

00:41:19What proof?

00:41:21What was it like?

00:41:22What did the man say to you?

00:41:23Did I serve?

00:41:24Beer.

00:41:25And what is that?

00:41:27A very modern one.

00:41:29Marichu.

00:41:29They didn't pull that on me, huh?

00:41:30I'm going to go, no, damn it!

00:41:32Okay, okay, okay.

00:41:33Hey, Jesus Maria, what a temper.

00:41:34Look, this girl's hormones are all over the place.

00:41:37And that's before the milk price increase has even happened.

00:41:38How sweet!

00:41:40Come on, come on.

00:41:42Carichada, man.

00:41:43Yes, yes!

00:41:44Trini, come on, you can come out now, Trina.

00:41:46Finally!

00:41:47Look, I'm telling you, I've been looking at myself.

00:41:48Look, I was seriously about to eat the flowers from nerves, you know?

00:41:51If you were nervous about eating the flowers, with all the shocks I'm having, the girl...

00:41:55They're going to do it with corkscrews.

00:41:57What do you want, Carmen?

00:41:58I didn't feel like putting up with it, so I hid wherever I could.

00:42:00Small but a great place, huh?

00:42:02No, of course not.

00:42:03But don't worry, I'm leaving now, okay?

00:42:05Let's see if I can find a place where it's not so chaotic.

00:42:19Well, it's not so bad here either.

00:42:22The real trouble and drama are out there.

00:42:27Cha, cha, cha, cha.

00:42:29Come on, come on, come on, come on.

00:42:31Come on, calm down, son, calm down.

00:42:33Well, because of the tear and that fluid I'm carrying in your tie,

00:42:38I have a feeling Trini hasn't come back, hasn't she?

00:42:40No.

00:42:41I would keep waiting, but...

00:42:44Did you know that cathedrals close too?

00:42:47And who's going to shut me down?

00:42:49This pain, Dad.

00:42:50Who?

00:42:52Jesus, give it to a woman in labor.

00:42:55Well, speaking of people who aren't where they should be, I'm going to call Iñaki.

00:43:00Yes, go on, go on.

00:43:02I'm so sorry, Cristóbal.

00:43:05I can't even imagine how you feel.

00:43:08I suppose bewildered, frustrated, defeated, desperate.

00:43:14Stop it now, Marichu, stop it now, you can't imagine how creative you get.

00:43:19Son, if there's anything we can do for you.

00:43:23I'm fine, Dad, I'm not fine.

00:43:25I just need a little time alone to digest this.

00:43:29Oh, I'm going to cardiology.

00:43:32Let's see if you can hit me, sweetheart.

00:43:41Oh, sorry, I'm getting a call.

00:43:42Yes, I see they're calling you.

00:43:44And you'd better be brief.

00:43:46Yes, I'm about to become a father, you know?

00:43:47Don't you have children?

00:43:48No, but I did have an alligator once, if that helps.

00:43:53Is that okay with you?

00:43:55Yes, that works for you, right?

00:43:56In the end.

00:43:57Hello, Aunt Bego, how is the alligator?

00:43:58I mean, how's Carmen?

00:44:00Well, she's having more and more contractions, so you'd better hurry, Iñaki.

00:44:03because you'll see that this girl has turned out to be a little impatient.

00:44:05Okay, but no, no, I'm almost there, I'm almost there, okay?

00:44:06You know what happened? A very kind gentleman picked us up.

00:44:10Hang them up now.

00:44:12Fuck your phone.

00:44:43What's happening?

00:44:43Always available, it's like gas stations, right?

00:44:46Yes, well, you should be a little more careful, look what you've done to me.

00:44:49I have nothing to change into here.

00:44:50I'll clean that for you with a little vinegar and it'll be perfect.

00:44:52Vinegar paste, no vinegar!

00:44:54This is flax from Goyerri, you're going to ruin it even more with vinegar.

00:44:57Rosús, what a choriburo you are!

00:44:59Remove.

00:45:00Do you sing?

00:45:01Then.

00:45:09Don't worry, Mrs. Guerra, your little girl has just been taken to have her heel prick test.

00:45:13And they're bringing it to her right now.

00:45:14Yes, daughter, but that's what they told me a while ago and I'm still waiting.

00:45:18What do we do now?

00:45:19Well, we tell you the truth.

00:45:21Almost a misunderstanding, that's all.

00:45:22Yeah, man, are you crazy?

00:45:25We have kidnapped a child.

00:45:26Damn, we're going to end up in jail collecting soap from the fight.

00:45:29Oh, stop it, man, you're going to upset her.

00:45:31Calm down, calm down, beautiful.

00:45:32We'll think of something.

00:45:35TRUE?

00:45:37Yes, yes, yes, yes, yes, yes.

00:45:42Carmen, I'm sorry to insist, but would you mind shouting a little less?

00:45:46Excuse me, Trini, excuse me for shouting, but I forgot that I'm losing in the middle of a breakaway.

00:45:51Are you going to stay here for a long time?

00:45:53Well, I don't know, I don't know, but come on, the only thing I don't want is to run into Christopher.

00:45:58nor with the rest of his family.

00:45:59Well, take advantage and order now, man, there's no need to make the girl nervous, man, not now

00:46:02There's a Moor on the coast, come on.

00:46:04Look out, José, look out, but if there's nobody here, man, don't come in.

00:46:07Oh no!

00:46:08Stop, stop, stop, you don't have to...

00:46:10Oh, oh, oh, oh!

00:46:14Look at these wonderful flowers, I'm going to water them.

00:46:16No!

00:46:18But if it's from the nurses, look at that lovely gesture.

00:46:21What do you know about what's happening? They're getting sick and turning yellow.

00:46:24What are they putting wrong? You're dumber.

00:46:25I'll see if I can find a glass.

00:46:27No!

00:46:28Okay, that's it. If she doesn't want to, she doesn't want to.

00:46:30I don't want to.

00:46:31There will be too many flowers in the cathedral today.

00:46:35Please, Benito, don't talk to me about the cathedral, okay?

00:46:38What Trinia has done to Cristóbal is unspeakable.

00:46:41Well, yes, it does have a name, but since I'm a lady, that word isn't going to come out of my mouth.

00:46:45What I hope for from that undesirable woman is that she's gone to look at this kilometer from here.

00:46:49Absolutely, she'd better get away, because if I ever come face to face with that wicked woman...

00:46:55Oh, oh!

00:46:57Look how my husband's disorder has affected me.

00:46:59Where is he going?

00:46:59To pour water.

00:47:00No, no, don't go.

00:47:01And what will the stain come from?

00:47:02It's because I'm going first, because...

00:47:04Oh, oh, oh!

00:47:04Oh, oh, oh, oh!

00:47:05Oops!

00:47:07Rini!

00:47:08But how dare you hide here after what you've done?

00:47:12Well, dressed like this, I haven't been able to find many places to go.

00:47:15You don't say!

00:47:16I'm thinking of one right now.

00:47:18You could go to the...

00:47:19It's become very clear to everyone.

00:47:21Please, can you go argue outside?

00:47:24I'm sorry, okay?

00:47:25I'm sorry.

00:47:26I thought I could go all the way, that I would be capable of doing anything for this clinic, but...

00:47:34When did you receive this this morning?

00:47:40Tenidad Lozano, lady of Benjomeo.

00:47:43Well, I would have chosen a different font, but other than that...

00:47:46That's not it, Benito, nor is it the fact that he ordered 10,000 at once.

00:47:51But when I read it, I realized that I couldn't be that person for even a second.

00:47:54the person on the card.

00:47:56It's a shame that you had to make my son's life miserable to realize this.

00:48:00And what did I think? That I was going to have a peaceful delivery?

00:48:04And I'll tell you something else, you greedy bitch.

00:48:08Christopher is not only a fool, a useless person, an insubstantial being...

00:48:12In fact?

00:48:12Christopher also has a heart.

00:48:14And very sensitive, by the way.

00:48:16I know.

00:48:17And I'm sorry.

00:48:20But don't worry, you won't see me around here again.

00:48:24I'm saying goodbye to the clinic, Isparis.

00:48:26Hey?

00:48:27No.

00:48:28I couldn't tell you, Mue.

00:48:30Thank you, José, but it's for the best for everyone.

00:48:33No, I said it because I came to Seville to see if he would sign my readmission to the clinic.

00:48:37But if it's a problem, we'll talk another day, right?

00:48:46Hey Angela, do you know if they've done the heel prick test on the girl from room 203?

00:48:50Because my mother keeps asking me questions.

00:48:51Piberiza, if she had four like me, she'd love to have one of them taken off Ben when, you know?

00:49:00Ole, ole.

00:49:01Let's see, let's see.

00:49:03We couldn't take advantage of a moment of inattention and leave the baby in a basket at the door of the room.

00:49:09In a basket, yes.

00:49:11And with a note that says, "Mom, I've stepped out for a moment because there was a big party where the newborns are."

00:49:15Come on, what do you say?

00:49:16But how can we leave the poor creature there on the cold ground as if it were an orphan?

00:49:20Well, maybe not on the cold ground.

00:49:23But on a doormat...

00:49:25In other words, what's clear is that she needs to be returned to her mother immediately.

00:49:29Loki!

00:49:30But, you scoundrels, what are you doing here?

00:49:32No, never mind.

00:49:32Are you playing hide-and-seek?

00:49:35And that baby?

00:49:37Don't tell me my sister already...

00:49:39No, no, no.

00:49:39So, that's my...

00:49:40I am!

00:49:42Champagne for everyone!

00:49:43I'm going to tell my dad!

00:49:44Rafi!

00:49:45And no, your sister hasn't given birth yet, this is a different one...

00:49:50Other...

00:49:51Another who? Who is that girl?

00:49:52It's a very long story.

00:49:54Likewise, Rafi, instead of asking yourself who this girl is, you should ask yourself...

00:49:58What can I do as Rafi?

00:50:00For that girl.

00:50:00That.

00:50:01Wouldn't you like to be the man who takes the children and hands them over to their parents?

00:50:04mother?

00:50:06No, no, no, no.

00:50:08I think you're right.

00:50:08I'd rather you didn't tell me anything about this strange Basque hodgepodge you're dealing with.

00:50:13No, no, no, no.

00:50:13I prefer to be like the princess.

00:50:15You know nothing.

00:50:16Rafi, all you have to do is say that you met him at the bar.

00:50:18The typical case of the abandoned baby.

00:50:20Don't you watch TV or what?

00:50:21Damn, what are you saying to yourself?

00:50:22But how is that going to happen?

00:50:23No, no, no, you are not an abandoned baby.

00:50:25What are you going to be?

00:50:25It's like you have no heart.

00:50:27Don't speak!

00:50:30I have enough on my plate, Anito.

00:50:32Come on!

00:50:32Good luck!

00:50:33Rafi, Rafi.

00:50:35I think we have to step up and tell the truth.

00:50:38After all, they tell me that with the truth you can always get anywhere.

00:50:42Well, this is...

00:50:43Well, the truth is, you end up in jail.

00:50:45And very direct.

00:50:46Well, we'd better start thinking of something, and fast, because we're in deep shit.

00:50:51And it's not just a figure of speech.

00:50:55Phew!

00:50:57Phew!

00:50:58Phew!

00:51:00Phew!

00:51:01Carmen.

00:51:02It's happening every three minutes now.

00:51:03That?

00:51:04This is here.

00:51:05Yeah.

00:51:05Focus a lot on your breathing, that's very important.

00:51:07I saw it on TV, right?

00:51:08Tell me, Mr. Gynecologist.

00:51:10You have to breathe very well.

00:51:11Focus.

00:51:11How do you want me to focus on my breathing?

00:51:13If he doesn't stop talking to me.

00:51:14I'm going to the delivery room, okay?

00:51:15I'll give a heads-up.

00:51:16You already brought the stretcher.

00:51:17No, I'll bring it!

00:51:18What the hell?

00:51:18What the hell? Where are they?

00:51:19Rigo, you bastard, I saw you.

00:51:20Oh, my little wink.

00:51:21Come on, now, now, now.

00:51:24Come on, come on.

00:51:25I'm there, Dad, thinking, rewinding to see what's happened.

00:51:29Why did he leave me like this without a reason?

00:51:32Without an explanation.

00:51:34Okay, okay, son, you know the saying.

00:51:36The heart has reasons that reason does not understand.

00:51:39I'm not in the mood for philosophy, man, please, okay?

00:51:41Please.

00:51:42Look, if Trini's motives have been quantified,

00:51:45I assure you that they have absolutely nothing to do with you.

00:51:49That's true.

00:51:51We were very happy together, Dad.

00:51:54A lot, a lot.

00:51:58Until you got involved.

00:52:01Ah, sure, sure.

00:52:04What do you think, huh?

00:52:06Didn't I notice your suspicious glances fixed on her?

00:52:09as if she were a common gold digger?

00:52:11Let's see, son, let's see.

00:52:12Isn't it also a matter of looking for a scapegoat?

00:52:14And what about the wedding, Dad?

00:52:16Organizing and disorganizing as you please?

00:52:18Look, if I had gotten married in that filthy room,

00:52:21This wouldn't have happened right now.

00:52:23But that's enough, Christopher.

00:52:26Do you want to know the truth?

00:52:29Well, the truth is that...

00:52:30You're absolutely right.

00:52:33Yeah.

00:52:35I am to blame for everything.

00:52:39Trini didn't seem like the right woman for you.

00:52:42I kept pressing her, I kept pressing her,

00:52:45And in the end, what happened, happened.

00:52:48I knew it.

00:52:50I cried so much when you died, Dad.

00:52:52And now I wish I had never returned from here to Sirva.

00:53:10Why did you do that, Belito?

00:53:13Because I'd rather he hate me than feel the humiliation of knowing that Trini never loved him.

00:53:22Yes, my friend, you have to throw her off your scent.

00:53:37Come on, you can do it.

00:53:38Come on.

00:53:44Caixo, good morning.

00:53:45Hello good.

00:53:46Isn't this traumatology?

00:53:47No, you're mistaken.

00:53:48What do you say?

00:53:49And could you tell me more or less which way to go...?

00:53:52What are you doing, hey?

00:53:53Ask a nurse, man.

00:53:54I wish I could, but I've been walking all morning

00:53:56And my hip is in terrible shape, you know?

00:53:58Well, I have all this lined with iron.

00:54:00Every time I pass by a magnet shop, I cause a huge mess.

00:54:02I'm really sorry, man, but look, I'm just not in the mood for bagpipes right now, you know?

00:54:05Oh, no?

00:54:06Hey, listen, listen!

00:54:07Nurse.

00:54:08Were you the one who took my daughter to have the heel prick test?

00:54:10Yes, of course, I left it with her uncle.

00:54:12To your uncle?

00:54:13Which guy?

00:54:14Are you going with Gada?

00:54:15That?

00:54:16But my most distant family is from Albacete, girl.

00:54:19Calm down, calm down, it's surely a misunderstanding.

00:54:22Come with me, let's ask about it.

00:54:35Oh, there it is.

00:54:38Come on, let's go.

00:54:43Beautiful!

00:54:44What are you like?

00:54:45Did she catch my finger with her little hand?

00:54:48No, no, no, don't make this any harder, darling.

00:54:51No, no, no, no.

00:54:51What if you don't give it to me?

00:54:52What if you don't give it to me?

00:54:53What if you don't give it to me?

00:54:54What if you don't give it to me?

00:54:56Oh, my child, thank goodness!

00:54:59Oh, I was already on the verge of a nervous breakdown!

00:55:01It's bad, it's bad, yes, it's bad.

00:55:02It's impossible to know why they've taken so long to do that darn little test on him.

00:55:06Okay, so who are you guys?

00:55:09Doctor Inchaustegui, neurologist.

00:55:11And they, they are my team.

00:55:13Méndez, cardiologist.

00:55:15Martinez, anesthesiologist.

00:55:17Dominguez, from the 212.

00:55:20My team, what you see is, my team, do you know what's going on?

00:55:22We have seen in the little head an indication of a possible cranio-synostosis

00:55:26and we've had to do some more tests on it.

00:55:28And?

00:55:29Is that okay or what?

00:55:31It's perfectly fine, there's no problem.

00:55:34Hey, that was me here.

00:55:35She looks like a newborn.

00:55:36Enjoy your motherhood.

00:55:39And we, the boat, every time we leave there, we laugh at the ostraca.

00:55:54That's all we needed.

00:55:59What are you doing there, you idiot?

00:56:02Anyway, thank you, good sir.

00:56:04When you're about to become a father, you know you can count on any help.

00:56:07I've already told you that I have no children and I don't plan to have any.

00:56:12I could crash into that van right now, and nobody would even notice.

00:56:17Don't mess with me, don't say that, don't say that, please, don't even think about saying that.

00:56:20No, because he surely has people around him who love him, right?

00:56:23Well, uh, friends, family, a mother.

00:56:25A mother?

00:56:26A mother?

00:56:27Of course I have a mother.

00:56:28Who do you think I am?

00:56:30Pinocchio?

00:56:31But all I do is upset him.

00:56:34Because I'm always getting into trouble.

00:56:38But I intend to get out of this mess, this very big mess, even if it means going feet first.

00:56:45No, no, let's see, who hasn't upset a mother?

00:56:48I once...

00:56:49Get out of there now!

00:56:50Come on!

00:56:51How are the doors locked?

00:56:53Didn't it come from the Jew himself?

00:56:54Look, Horacio, I'm going to tell you something.

00:56:55I've lost my dream job and I'm not going to miss the birth of my daughter because of a...

00:56:59Come on!

00:57:00...mental work.

00:57:01Come here, you know what?

00:57:02Come on, run!

00:57:03For the first time on the whole trip we're... I don't remember... about something.

00:57:05Shit!

00:57:07Wow!

00:57:11Just go with it.

00:57:12Yeah!

00:57:13Hey, I know a shortcut around here...

00:57:15Come on, run, run!

00:57:16Run for what you imagined!

00:57:17Give me that!

00:57:18Hey!

00:57:19No more, lauda!

00:57:21Praise!

00:57:24It's this way, Horacio, you idiot!

00:57:26Hey, I shit on your mom!

00:57:30And what about here? It doesn't arrive?

00:57:32Look, since it's not arriving, that's the last straw.

00:57:33On top of everything, he's quit his job.

00:57:34How can you quit your job, Bego?

00:57:36Didn't he tell you?

00:57:37What pigs he has thrown from the street.

00:57:38How can he throw pigs from the street if he told me they were together?

00:57:41Come on, come on, they're going to be together.

00:57:43If she's super distracted because she's in love with a...

00:57:47Oops!

00:57:47No!

00:57:48The mother who gave birth to Gochones!

00:57:50What's wrong, Bego?

00:57:52Did he tell you they're together and you believed him?

00:57:55Oh!

00:57:56This isn't the first time they've been together, is it?

00:57:58And the only one, Carmen, the only one.

00:58:00Because I assure you that since that day, Iñaki has been wandering around like a lost soul, going from one "yes" to another.

00:58:04In the end, he even gave up on silence.

00:58:06He silences his dream.

00:58:08No, Carmen, no, no.

00:58:09You are his dream.

00:58:11Don't you see, daughter?

00:58:14Carmen!

00:58:14No!

00:58:15Oh, my little girl is here!

00:58:17My little girl is here!

00:58:18What's happening?

00:58:19Is the childbirth course already running?

00:58:20No, he's here hanging around with Bego.

00:58:22Doesn't it bother you?

00:58:22What you have to do is bite into a Saul root.

00:58:26Hey?

00:58:26Did the women of the tribe do it?

00:58:28They don't cross-check me here anymore, eh, dear.

00:58:30And give her peace of mind.

00:58:31Carmencita, calm down, son, we're here now!

00:58:33Oh, baby!

00:58:33What, should I kill them now, baby?

00:58:34What do I pay them?

00:58:35Phew!

00:58:35I'm sorry, I'm sorry, I'm sorry.

00:58:37The delivery room is ready, huh?

00:58:38Come on!

00:58:39Let's go, we're leaving, eh!

00:58:40But how? Are they taking her away already?

00:58:41No, no, no.

00:58:42We don't even put a stamp here, we charge admission, here's the girl live and in person.

00:58:45No, no, no, it can't be, my son is about to fall and we have to wait for him.

00:58:48What are we going to have to wait for? Ruin for the cage now?

00:58:50Come on, show some respect, because the "carajaula" is the father of the creature.

00:58:53Don't remind me, don't remind me, it'll give me a hernia, but in my brain.

00:58:56Look, I'm still here, Antonio, and you're on sick leave.

00:58:59What's going down? I'm feeling great.

00:59:01Come on, I could throw the macarera on top.

00:59:08I say!

00:59:09Man!

00:59:10Is it a fault that the mule hasn't fallen on me so that it looks like a stumbele?

00:59:13I'm going to take this woman to the hospital and not let her rest in peace, damn it.

00:59:16Hey, José, hey, but...

00:59:17Uh, fuck.

00:59:27Dad, Emma!

00:59:28Where are you?

00:59:29Well, I'm in...

00:59:30I'm just arriving, I'm almost there.

00:59:33What was that?

00:59:34A contest of irrinches.

00:59:36What do you think?

00:59:37Carmen's screams.

00:59:38That?

00:59:38Carmen!

00:59:39I'll be right there, just wait!

00:59:41Who do you think you are?

00:59:42How do I pause it?

00:59:43Are you being mean to yourself?

00:59:44No!

00:59:45I killed him, I awakened him, and I didn't do anything illegal!

00:59:47Of course he's with me!

00:59:48Runs!

00:59:52Who do you think you are?

01:00:11Who do you think you are?

01:00:12I'm sorry, I'm sorry, I couldn't.

01:00:13No, no, no, don't say anything.

01:00:14I know what happened to you.

01:00:16The pressure got to you.

01:00:17They are very normal, they are very human.

01:00:19Hey?

01:00:20Wow, the number of times I've let the dentist take advantage of me.

01:00:23It's much more complicated than that.

01:00:25Complicated?

01:00:26I'm absolutely certain about it.

01:00:27My father, who hasn't stopped pressuring you until you finally exploded, daughter.

01:00:31Your father?

01:00:32My father, Marichu.

01:00:33The family that always gets involved in the great love stories.

01:00:36Look at poor Bashanon.

01:00:38Your father's intentions have always been good, Cristina.

01:00:40I couldn't care less about my father's intentions, fatty.

01:00:43For me, my father is as dead as he was a few months ago.

01:00:45Listen to me.

01:00:46That we can finally live our love freely.

01:00:49Look how beautiful Seville is.

01:00:50Look, ole.

01:00:50Look, I have a horse's advice at the door.

01:00:52Do you want children?

01:00:53We're going to have seven children.

01:00:54She looks gorgeous, honey.

01:00:55Ole, my chubby one.

01:00:56Listen to me, listen to me, okay.

01:00:57What do you want?

01:00:58Your family had nothing to do with it.

01:01:04And you know what?

01:01:07And now you should be with them.

01:01:10With the people who love you.

01:01:14And now it's not me.

01:01:30Bye bye.

01:01:32René.

01:01:52Okay, Benito.

01:01:55Call, Benito!

01:01:56Call, beware!

01:01:57Calls!

01:01:58Calls!

01:01:59Calls!

01:01:59Call that abandoned sword!

01:02:00Call that abandoned sword!

01:02:01He's had plenty of time to come!

01:02:03Okay, I'm already at full capacity here!

01:02:05Cisto, it can withstand at least 800 kilos!

01:02:07You have to take into account the stretcher, the placenta, the Milicay control.

01:02:10Oh, I want to have four or five buns for breakfast!

01:02:12Call me, I want breakfast, baby, man!

01:02:14Call me, I want breakfast, baby, man!

01:02:15Call me, I want breakfast, baby, man!

01:02:16Back again, up the stairs with the little money I have!

01:02:19Run, Benito, shoo, run!

01:02:22At last.

01:02:23Ah, finally, peace.

01:02:24Ugh, son, I'm not going to put zombie attack, dude.

01:02:27Now that we're calmer, look, look, look, it seems like time has stopped, doesn't it?

01:02:34I don't know about time, but I think the elevator has stopped.

01:02:37As?

01:02:37No, but he'll be able to fix all this, right, José?

01:02:39Clear.

01:02:40Oh, thank goodness.

01:02:41But I would have to be out.

01:02:43As?

01:02:44That I might not be able to from here.

01:02:46Jose, tell me you're going to fix this.

01:02:48Because of the little oxygen I've been breathing with here,

01:02:51Oh, it's just a little appetizer!

01:02:52It's okay, it's okay, because whoever made the elevator put this button there.

01:02:56not to go to the bell tower, but because it's a doorbell and you ring it and it doesn't hear.

01:03:00Oh, oh, oh, oh.

01:03:01No, look, not even a photo op is going to hear this, they laugh.

01:03:07Don't worry, I don't think he'll hear it if he's listening.

01:03:10Oh, oh, oh, oh, oh, I know.

01:03:12It hurts a lot, doesn't it?

01:03:16Oh.

01:03:38Christopher, what a beautiful wedding.

01:03:41And, look, I know there haven't been any weddings, but if there had been,

01:03:46It would have been the most beautiful wedding I had ever been to in my entire life.

01:03:52Thank you.

01:03:58Hello.

01:03:59Cocorro!

01:04:00Oh, have you heard that?

01:04:02Yes, I think it's coming from the elevator.

01:04:04Oh, thank goodness, I thought it was all in my head.

01:04:06Cocorro!

01:04:08Get us out of here, for God's sake!

01:04:10Oh my God, maybe he's trapped in the elevator.

01:04:13Run, call Jose to get it fixed.

01:04:14José is right here!

01:04:15My God, this changes the scenario a bit.

01:04:17For God's sake, give me the spur!

01:04:22If this isn't a red alert, then I don't know what is.

01:04:24Run, call the fire department.

01:04:26That way?

01:04:28Yes, she's coming, don't worry.

01:04:30Oh my God!

01:04:31Oh my God!

01:04:32Oh, oh, oh!

01:04:45Calm down, please, don't calm down.

01:04:48We just called the fire department and they should be on their way.

01:04:51Sure, just like the carajaola and the other unsalted bread, right?

01:04:54Look, everyone here will be on their way, but my little girl is there all alone, locked up.

01:04:57Look, Dad, that's not it.

01:04:58He is with José Lito, who is a friend and a healthcare worker.

01:05:00Healthcare worker?

01:05:02If I don't get a ticket to the banets, I'll be screwed.

01:05:05Please!

01:05:05Is there anyone who knows how to fix elevators?

01:05:08But where are the firefighters?

01:05:09Are you doing a calorie counter or what?

01:05:10I can't sink, I can't sink.

01:05:12Let me pass, you're not an agent, man.

01:05:13Please.

01:05:14Calm down, Christopher.

01:05:15We just called the fire department and they should...

01:05:16But if what I want is to talk to...

01:05:18My father.

01:05:20Dad.

01:05:22That...

01:05:23What I told you about the jungle, that...

01:05:24I wasn't serious.

01:05:26What did you say?

01:05:27I don't remember anything at all.

01:05:30You are the greatest thing I have.

01:05:32Dad.

01:05:33Apart from that great Spanish team, which is also...

01:05:35Okay, that's it, that's it.

01:05:36It's already staining the suit and it has to be returned.

01:05:38That's it.

01:05:38Hey!

01:05:40Ah, finally!

01:05:41What a relief!

01:05:41They're here!

01:05:42The firefighters!

01:05:43Oh, my aunt!

01:05:44Thank goodness you've arrived.

01:05:46Although I've seen what I've seen, there can't be much more to it.

01:05:47Okay, let's see.

01:05:48Let's have an interview.

01:05:49What's happening?

01:05:49And Carmen? Is she okay?

01:05:50Where is Carmen?

01:05:50Please, where is it?

01:05:51Fast.

01:05:52I need an operating room, an anesthesiologist, a midwife, an osteologist, and...

01:05:5610 milligrams of...

01:05:57I'll take Kaira, quick.

01:05:58I tacked a wrench onto the order, please.

01:06:00What needs to be taken out of Carmen?

01:06:01Let him bring out Don Serrano on the rise with a little creature, the poor thing.

01:06:03As?

01:06:04That?

01:06:04As?

01:06:04Okay, I'll pass to the father, I'll pass to the father.

01:06:06Pass to the father!

01:06:07Okay, Carmen.

01:06:08Carmen, don't worry, I'm here now.

01:06:09Carmen, calm down, I'm here too.

01:06:12Where were you there, you son of a bitch?

01:06:14Hey Carmen, look, I know it's a silly question to ask, but are you okay, honey?

01:06:18Are you okay, honey?

01:06:19Carmen, are you okay?

01:06:20Good.

01:06:21Oh, good, good, good.

01:06:24I'm fine.

01:06:26I'm fine.

01:06:27Carmen, please, can you tell me when you had your last contraction?

01:06:30I know.

01:06:31Turn one cheek, ma'am!

01:06:32Turn one cheek!

01:06:33Turn over one cheek, Joseph!

01:06:34It couldn't be more like everyone else in minutes and seconds.

01:06:36Ah!

01:06:38Here comes another one!

01:06:39Here comes another one!

01:06:40No!

01:06:40No, for God's sake, I know my nails are hurting, they're digging into me, and I'm getting a real contraction!

01:06:46No, for God's sake!

01:06:47But, but!

01:06:50Here it comes, here it comes, here it comes!

01:06:51He's not coming, he's not coming!

01:06:53Coming!

01:07:00Please, Carmen, please, this is way too much for me, man.

01:07:03I've only seen my little dog Caponata in Paris, and I still have nightmares.

01:07:07Yes, yes, yes.

01:07:08It's already happening, it's already happening.

01:07:10Oh, what a time to call the operator, I don't want to switch, what a pain.

01:07:14Oh, Horatio!

01:07:14Horace, Horace!

01:07:15Horacio!

01:07:16Horacio, please get me out of here!

01:07:18José, calm down, please.

01:07:19Now the most important thing is Carmen, okay?

01:07:22Yes, yes, if you can get her out, she can too, Pomeon.

01:07:25No, no, I mean I need your help.

01:07:27I need you to...

01:07:28Let my eyes, my ears, even my hands be in there.

01:07:30What are you talking about, man? What are you talking about, man? What are you talking about?

01:07:32I've done a lot of things in this hospital, but I'm not a doctor, I don't have a clue.

01:07:36José!

01:07:36Peaceful.

01:07:37Don't worry, nothing's wrong, don't worry, what I'm going to ask you is very simple, okay?

01:07:40I need you to check if Carmen is dilated.

01:07:42That's fine, she weighs the same.

01:07:44What, what weight?

01:07:45No, down there, please, down there, José.

01:07:47And how do I measure that?

01:07:48With a compass?

01:07:49I have nothing here, how wonderful!

01:07:50José!

01:07:51What are you going to do?

01:07:52Well, you have to put your fingers into what is essentially the...

01:07:55What? What?

01:07:55No, no, no, no, José, don't put anything in there, okay?

01:07:58José, listen.

01:07:58Go to the other one, I have no interest, man!

01:08:01Do a visual check.

01:08:02Look at it.

01:08:03Look, take a look.

01:08:05No.

01:08:06Calm down, calm down.

01:08:08Excuse me, Carmen, okay?

01:08:09José.

01:08:13What do you see?

01:08:14Tell me something, please, José.

01:08:17Oh, please, what are you doing to your head?

01:08:19Oh yes, that's what I'm trying to tell you.

01:08:24Okay, José, please don't scare Carmen.

01:08:27But I'm afraid she's going to give birth in there.

01:08:29That?

01:08:30Oh yes, you're so sweet!

01:08:32He doesn't see the thug, do he?

01:08:33What does it say?

01:08:34What are you saying, Horacio?

01:08:36Nothing, nothing, no, what's the man going to say?

01:08:39He says he's going to run out of Sardinian fish.

01:08:47There will be a step that reaches the crew.

01:08:50Can you tell me where he is, guys?

01:08:52It's a very long story to tell.

01:08:53And it has to be good, very long, but very beautiful.

01:08:55She's been so precious, so sweet, so, so...

01:08:58Peño, at the door.

01:09:00Don't blow it up.

01:09:03Come on, you go, and...

01:09:08Oh God, no!

01:09:10Oh God, no!

01:09:12What are you doing?

01:09:13Please!

01:09:14So, I can't stop here in all of this, okay?

01:09:16No, no, no, no!

01:09:17No, man, no!

01:09:18How's it going to get in here?

01:09:20No, no, no, no!

01:09:23Don't talk nonsense, man!

01:09:24No, for God's sake!

01:09:26But come on, what?

01:09:27Now that you've brought it up, it seems to me there's a possibility, huh?

01:09:29Give me a chance!

01:09:31Yes, Carmen!

01:09:32I think the same as you, okay?

01:09:33But I don't think the girl is thinking the same thing.

01:09:35Yes, yes, yes!

01:09:37Yes, yes, yes!

01:09:37You know that nobody appreciates brute force more than I do, but in this case...

01:09:41No!

01:09:41Okay, okay, let's see!

01:09:45Keep a cool head!

01:09:48It's because hatred has a lever in this hospital!

01:09:51A lever!

01:09:53I?

01:09:54The one I use to close up shop at the bar?

01:09:56No!

01:09:57Yes, yes, yes, yes!

01:09:59Yes, yes, yes!

01:10:00Yes, yes, yes, yes!

01:10:01Yes, yes, yes, yes, yes!

01:10:01Come on, now, now!

01:10:01Carmen!

01:10:03Carmen, listen to me, little one.

01:10:05I'm going to get you out of there, okay?

01:10:07José, put Carmen on.

01:10:08Oh my God!

01:10:09Talk to yourself!

01:10:11Horacio!

01:10:12Horacio, for God's sake, for your mother's sake, I can't stop here in the elevator, especially not like this

01:10:15you!

01:10:15Carmen, please!

01:10:16How clumsy that the creature won't even try to stand next to a straw!

01:10:18Carmen, say goodbye...

01:10:19He really does it with love, you know?

01:10:21Forgive me, but...

01:10:22No, not like the other thing here!

01:10:24Forgive me, forgive me, forgive me.

01:10:24Calm down, please, calm down.

01:10:26We're trying to get you out, okay?

01:10:28But we can't stop nature from taking its course, okay?

01:10:31Carmen!

01:10:32Oh, please!

01:10:33Carmen, you are scared.

01:10:34But I also know that if anyone can do it, it's you.

01:10:37I will not allow my daughter to be born in an elevator.

01:10:40Because you are the bravest and strongest woman I have ever known.

01:10:43Well, and...

01:10:44I have a feeling that the baby that is about to be born won't be lacking either.

01:10:50Let go, damn it!

01:10:52Iñaki!

01:10:56Thanks, Rafi.

01:10:59Carmen, one, two, three, push.

01:11:04One, two, three, push.

01:11:08Oh, please!

01:11:10Go, I saw, three!

01:11:12Go, Carmen, push!

01:11:13Here it comes, here it comes, here it comes, here it comes!

01:11:14God, God!

01:11:15Come on, Carmen, here he comes, here he comes!

01:11:16Arrive here!

01:11:18Go, I saw, three!

01:11:20Very good, push.

01:11:21Tecate!

01:11:22One, and, push!

01:11:26Goes!

01:11:27Go on, I saw it, push!

01:11:29Go, v, v, v, v, v, v, v, v, v, v, v, v!

01:11:31One, two, three, push!

01:11:43Is that my daughter?

01:11:44Well, I hope it's not José.

01:11:48So what?

01:12:10Close it?

01:12:12That?

01:12:15That?

01:12:22And this?

01:12:24I found him.

01:12:26It is known that the universe conspires to make us end up together.

01:12:30Well, I don't know who would contradict the universe about that, Dolo.

01:12:35I love you, Mom.

01:12:37Yeah?

01:12:47Zaskun, I am...

01:12:48It's done, it's been born.

01:12:50Yes, I'm an uncle. Well, we're uncles.

01:12:52Yes, everything is great, everything is perfect.

01:12:56And Zaskun, I lied to you.

01:12:58No, actually, I can't have children.

01:13:02Ah, you already knew that, yes.

01:13:04Yes, I'm a dog, a dog.

01:13:06Why do you want to have a dog?

01:13:07Like, do you want two?

01:13:09I'd love to paint the house in Zumaya white again.

01:13:13Like, if you want to have four dogs?

01:13:15No, it's just that... Okay.

01:13:16Let's see.

01:13:23Look, look, look.

01:13:25That's such a small load, isn't it?

01:13:27Look, now.

01:13:28Look, aunt.

01:13:35I know we've done it.

01:13:37We finally did it.

01:14:00And here...

01:14:02The daughters!

01:14:13Oh...

01:14:14Oh!

01:14:17Oh!

01:14:18Oh!

01:14:19Oh!

01:14:20Oh!

01:14:22Oh!

01:14:24Oh!

01:14:46Thank you!

01:15:00Thank you!

01:15:27Thank you!

01:15:31Thank you!

01:15:32Thank you!

01:15:33My God!

01:15:35Thank you!

01:15:40Damn! We've put the queatura to bed!

01:15:43Yes! Yes!

01:15:45Thank you!

01:15:49Ex!

01:15:51Yes! Oh, forgive me!

01:15:52It's a monkey! It's a monkey!

01:15:54And that's it!

01:15:57Wow!

01:15:58I'm sorry.

01:16:00No, no, don't feel that way.

01:16:08I'm going to be the godfather.

01:16:10No, it's going to be me.

01:16:11Or me.

01:16:12Why would you be?

01:16:13No no.

01:16:13You with that mindset.

01:16:19I have a new patient.

01:16:23Four.

01:16:23Oh, damn.

01:16:26I'm fine, I'm fine.

01:16:35Moment!

01:16:36Moment!

01:16:39This is going to be amazing!

01:16:41This is the gynecologist's office where you're trying to get me to look at it.

01:16:44How foolish you are, son!

01:16:47You're dumber than some of your uncles!

01:16:49Dumber than some guy!

01:16:52Stop this now!

01:16:52Hello, Plaza, damn it!

01:16:53Hello Plaza!

01:16:56Hello Plaza!

01:16:57Hello Plaza!

01:16:57Go to your mouths!

01:16:59That?

01:17:00I'm not pregnant!

01:17:06And what are you smoking inside the clinic?

01:17:08Look, don't get all flirty, okay?

01:17:12I won't forget you, okay?

01:17:13What you know, yes.

01:17:16So you take it out from your knee?

01:17:18I'm falling!

01:17:19Ha ha ha!

01:17:22Ha, ha, ha, ha, ha, ha!

01:17:24Come on, give it to me, Mr. Carmen!

01:17:25I'm leaving here, let's go!

01:17:27Where are you going?

01:17:28To Seville!

01:17:29Well, I'll see you there.

01:17:31Come!

01:17:32Come!

01:17:32Come to my side, cameras!

01:17:34Ha ha ha!

01:17:36Oops!

01:17:36I don't know why he's running away.

01:17:40Can't you see it clearly over there?

01:17:42He caught me!

01:17:43Get us out of here!

01:17:44Get out of here, kid!

01:17:46Get us out of there!

01:17:46Get out of there, kid!

01:17:48What did I tell you?

01:17:49Get out of there!

01:17:50Let's see!

01:17:53Noted.

01:17:53They will receive the full report tomorrow.

01:17:55Do you see the wood?

01:18:03This one makes you copper, huh?

01:18:05Say hello to your deck!

01:18:09Headbutts!

01:18:10Let's see, Colbo.

01:18:11I can't go to that conference

01:18:12and enter like a bull in a china shop.

01:18:14When did I ever tell you that?

01:18:15Did you tell me?

01:18:16Well, more or less.

01:18:16Oh, really?

01:18:17Do I have to...

01:18:17Yes, wait, we're...

01:18:19Ah, Marichu!

01:18:20No, yes.

01:18:20Go through!

01:18:25Enough is enough!

01:18:26No, yes.

01:18:28No, yes!

01:18:29Enough!

01:18:31Thank you!

Allí abajo - 3x16 - Dos viajeros, un parto y ninguna boda - HD 1080

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