- hace 8 horas
Categoría
📺
TVTranscripción
00:00:00What's with that letter, Peyo?
00:00:01Nothing, Nekane gave it to me so we could give it to Iñaki.
00:00:03I've even had time to regret writing it.
00:00:05It's the best thing you've done in 20 years.
00:00:06I know you're crazy about me, Iñaki.
00:00:09Yes, and let him know once and for all.
00:00:11It's Nekane, and she says she's in love with me.
00:00:14I suppose the girl will want an answer from you, right?
00:00:16And what do I tell him, Anchón?
00:00:17Thank you very much, but I'm passing on her.
00:00:18Didn't they take anything from here?
00:00:20No, nothing that I recall.
00:00:22What you omitted, Begoña.
00:00:24You'll see, in the end Iñaki will be yours.
00:00:26Who are those people, Carmen?
00:00:28We're going to Robert's father's cabin.
00:00:30If you want, you can come with us.
00:00:33Godmother!
00:00:33But this is from a bar!
00:00:35God!
00:00:35Take yourselves to this point, you have to let yourself go.
00:00:37Viva!
00:00:38Since we each already have a bank...
00:00:41What are you doing there, Iñaki?
00:00:43What a mess, huh?
00:00:44So, how are we supposed to go home now?
00:00:46Here, women touch you without knowing you at all.
00:00:48What are they playing for you, Iñaki?
00:00:49And they make you dance.
00:00:50And my little fish.
00:00:52Did you give her your phone number? Are you crazy?
00:00:53What am I going to...?
00:00:54What do I know, what do I know.
00:00:56Damn, he sent me his picture.
00:00:58The one I like, or think I like, is Carmen.
00:01:01I can't get it out of my head.
00:01:02And you have to get your act together, okay?
00:01:04And take the plunge.
00:01:05Nurses are in high demand here.
00:01:07And anyone can come along and take it from you.
00:01:09What does your sister Carmen like about a man?
00:01:11Look, my sister has been dreaming about a man dressed in shorts since she was a little girl.
00:01:13He declared his love for her while riding a horse in the middle of the Seville fair.
00:01:16Oh, Tartío! Ale! How wonderful!
00:01:18He is the representative of a franchise chain.
00:01:19He has made me an offer to buy the premises.
00:01:21Very advantageous.
00:01:22And I'm going to accept it.
00:01:23Now we're really going to be out on the street, dude.
00:01:24Why don't we buy the bar ourselves?
00:01:26The franchise offers more than 200,000 euros.
00:01:29You have to go to that girl and throw her a challenge.
00:01:31A daredevil and he leaves the Basque flag flying high, damn it.
00:01:34I want to buy the premises.
00:01:36I'm not in the mood for jokes, okay?
00:01:37Trini, it's 201,000 euros.
00:01:39These are savings that Aitan left me as an inheritance.
00:01:41Do you already have your own business in Seville?
00:01:42Thank you, Trini.
00:01:43Are you buying the bar for yourself or for someone else?
00:01:46Hello good.
00:01:47Have you prepared dinner?
00:01:49Hey, Basque, what's up?
00:01:50What is this?
00:01:51It's a memory of mine from my bar in the north.
00:01:54Something's wrong.
00:01:54What's left over?
00:01:55I told you to get lost.
00:01:57Good evening, Robert.
00:01:58I don't want us to get back together just because of a fling.
00:02:01I see you've stayed with a man?
00:02:02I?
00:02:03At all.
00:02:04I'm going to see if there's any dessert.
00:02:07Be careful with the sweets, they're cloying.
00:02:08I see you doing it!
00:02:10I see you doing it!
00:02:43No, no, no.
00:03:07No, no, no.
00:03:36Why do I have to tell you?
00:03:37Come on, come on. Bring it here and I'll fix it for you.
00:03:40There!
00:03:42Brand new.
00:03:44And I can only thank my chiropractic course.
00:03:47And now...
00:03:48To cook for my sister.
00:03:49You're not going to the boil, are you?
00:03:51I feel like a boiled egg today.
00:03:53Well, you could help me, with those hands you're surely capable of shredding the meat.
00:03:57Lucima, would you like me to give you a painkiller?
00:04:00What the hell is a painkiller?
00:04:02Basque and pain.
00:04:03You won't hear that in the same sentence.
00:04:05Go on, write it down.
00:04:0736.7.
00:04:10It's wonderful.
00:04:12You'll see, don't worry about the schedules.
00:04:14I'll look at it and fix it.
00:04:15Okay, now...
00:04:17Good morning.
00:04:18Good morning.
00:04:19Carmen, Carmen, accompany me to the healing room right now.
00:04:23You must have hurt yourself.
00:04:24Why me?
00:04:25Because you fell from heaven, didn't you?
00:04:27Because it is older.
00:04:28What's happening tonight? I haven't slept all night.
00:04:30Let's watch this infomercial.
00:04:32By the way, do you know that they're selling me some very curious gadgets?
00:04:34like to remove nose hairs?
00:04:36I've been thinking about buying a rhinolace.
00:04:38To give to my grandfather.
00:04:41As you can see, I haven't slept all night either.
00:04:44Total.
00:04:45We're both owls, aren't we?
00:04:47Well, I've always seen myself more as a berrapa,
00:04:50like an imperial eagle.
00:04:54Oh.
00:04:57José.
00:04:58You're always in the middle, man.
00:04:59In the middle, me, in the middle, me.
00:05:00Oh, no, what do you want? A haircut?
00:05:02No, what do I want? For this girl from Chipiona to give you a ride?
00:05:03Would you do me a favor and tell me?
00:05:04Yeah, yeah, yeah, man.
00:05:05Come on, don't mess things up by falling for her.
00:05:08Oh, hey Irene, I'm sorry.
00:05:10The painkiller you mentioned earlier is...
00:05:12Yes, do you want one?
00:05:14No, look, I'd rather take the whole box.
00:05:16Yeah.
00:05:32Holy shit.
00:05:33What do you want?
00:05:35Ah, my hair. They're getting me ready for a visit from a group of investors.
00:05:40And believe it or not, image is very important to those who handle money. Right, Feli?
00:05:44Of course, and yes.
00:05:45Yes, yes, very pretty. Well, I came to talk to you, but if this is a bad time...
00:05:49Come on, come in. Iñaki, if this guy still has to give me a sack of hairpins.
00:05:52Feli, don't hold back with the hairspray, okay? Ozo isn't that overrated.
00:05:57Okay, tell me.
00:05:59You see, I've been thinking and I believe I rushed into buying the restaurant.
00:06:05Fuck!
00:06:06Yes, that's what I said.
00:06:07What are you saying? Isn't there this one that's giving me some tugs?
00:06:09But come on, Feli, what are you using to comb my hair, a nit comb?
00:06:12Girl, if you move more than a plate of worms, I need my time too.
00:06:16Time, you say? What's that?
00:06:18Well, as I was saying, let's see, the signature is very recent.
00:06:22And I believe we are still here to be able to rectify.
00:06:25I don't know, Iñaki, you're the owner. You can do whatever you want with the bar.
00:06:27That's the problem. I'm the owner. And I don't want to be anymore.
00:06:32What did you say?
00:06:34Feli, let me have my hair now, please.
00:06:37Let's see, Iñaki.
00:06:40This isn't like giving your mother back the tape when she's cooked for you. This is a much bigger deal.
00:06:44more serious.
00:06:46Besides, I don't know, I don't understand you. You were so lively, what happened to you?
00:06:50That's my business.
00:06:52Well, look, darling, from now on the bar is also your responsibility.
00:06:54He has already completed all the necessary procedures with the bank, the administration...
00:06:57Oh! Well, it will be in record time.
00:06:59This is the first time in Andalusia that you've resolved something so quickly.
00:07:01Yes, son, yes.
00:07:02And so that you understand me, I'm going to give you an analogy in Basque.
00:07:05When you cut down a tree and then regret it,
00:07:08Don't try to staple it together!
00:07:13What if we call the franchise if you're interested?
00:07:15Look, look, look, don't talk to me about the franchise, I've already come off bad enough.
00:07:18And pray they don't put another bar in front of the clinic.
00:07:21Hey Feli, why would I write these messages? I look like the girl from The Exorcism!
00:07:25Let's see, Iñaki.
00:07:27If you want to get rid of the bar, turn it into a profitable business.
00:07:31And maybe one day I'll even buy it for you myself.
00:07:35Look, that's what I'm going to do.
00:07:37I'm going to give it my all at that place.
00:07:39And you'll see, in a few months you'll be eager to buy it.
00:07:42That's the skin, Iñaki.
00:07:45Goodbye.
00:07:45Goodbye.
00:07:53Asshole.
00:07:56And an idiot.
00:07:58Hortagot, they say.
00:07:59Damn it all.
00:08:03What a genius, kid, what a genius.
00:08:05I don't know who you're thinking about when you hit the ball, but I hope it's not me.
00:08:08Why would a Basque man want to buy a bar, Mr. Benjumea, when he already has one?
00:08:12Man, you guys have the faces of entrepreneurs, people with initiative, conquerors, with...
00:08:18With a stupid look on your face, say it, Mr. Benjumea, say it.
00:08:20I have a stupid face that will never go away.
00:08:23Oh, Iñaki, son.
00:08:25You see everything as black now, but you think that life can turn you around in an instant.
00:08:30other.
00:08:30No no.
00:08:31No more beating around the bush, please.
00:08:33I'm really looking forward to this Ferris wheel stopping.
00:08:35Holy shit.
00:08:36But think about the positive side of all this.
00:08:39Positive.
00:08:40I haven't known what that word means since I arrived in Andalusia, Don Benjumea.
00:08:44Well, it could have been worse.
00:08:47If you end up liking a granaina, you'll buy me the Alhambra.
00:08:53Oh, oh, oh, oh, oh.
00:08:55And from now on I'm going to dedicate myself exclusively to work.
00:08:58And the less I run into Carmen, the better.
00:09:02Or you live with her.
00:09:04And now you work with her.
00:09:08So unless I put a patch over each eye...
00:09:11Something tells me I'm going to spend a lot of time on this Benjumea rooftop.
00:09:20Afoncita.
00:09:22Afoncita.
00:09:24Afoncita.
00:09:25Afoncita.
00:09:27Afoncita.
00:09:40Afoncita.
00:09:41Afoncita.
00:09:42Man.
00:09:43I need time.
00:09:44But I know.
00:09:45In other words, Quilló is elite.
00:09:49How are you?
00:09:50How are you, Quilló?
00:09:51How are you?
00:09:52The uncle.
00:09:53How are you?
00:09:53Oh, Quilló.
00:09:54During that time we hardly saw each other.
00:09:57We haven't seen each other since we were altar boys for Don Cipriano.
00:10:01Do you remember?
00:10:01Regular agreement.
00:10:02Sometimes with the pizza wine, we didn't call, I mean, we were having a funeral or a wedding.
00:10:06No way?
00:10:07Oh, cool, cool, cool, cool, cool, cool.
00:10:09You look great.
00:10:10Yes, well.
00:10:11Well, we were here at the hospital, because he's not well.
00:10:12Ah, no, no, nothing, nothing, nothing.
00:10:15The ulcer.
00:10:16My wife insisted I get it checked out, but nothing worked, so they're going to admit me here for
00:10:19give me a little test.
00:10:20Well, bad luck.
00:10:21Okay, well, I'm going to look at it mainly because I have [something] next week
00:10:25You know, taking a trip to the Mardives?
00:10:27The Mardivas are not unlucky.
00:10:29No, well, come on, it's for work, right?
00:10:31Nothing, just some investments I want to make now, you know?
00:10:34We have opened a small luxury hotel.
00:10:36Deluxe?
00:10:36Luxury, luxury.
00:10:37Well, that would be the fifth one, huh?
00:10:38I already have one on every continent, I'm like Charles V.
00:10:44Can you do what?
00:10:45Here?
00:10:46Not here?
00:10:47Excellent?
00:10:48But what do you do for a living here?
00:10:50Here?
00:10:51Oh, really?
00:10:52And what are you doing?
00:10:54Something about it, well, that's obvious, isn't it?
00:10:56From doctor.
00:10:58Doctor?
00:11:01We have to save lives.
00:11:03Well, that's just part of the job.
00:11:05Some build hotels, and others of us build while waiting.
00:11:10Well, besides, I'm leaving, because I have something really important...
00:11:11I'm going to die, I'm going, I'm going.
00:11:13Yeah, but we'll see each other later, okay?
00:11:15You guys are cool, cool, awesome, huh?
00:11:17If we're not arches.
00:11:19Take care, man.
00:11:35Anchovies.
00:11:36Perfect, thank you, Daniela and Gopal.
00:11:38Look.
00:11:39Oh, oh, oh, oh, oh.
00:11:41How ridiculous I've made myself, Amaya.
00:11:43After that letter, I never write anything again, not even a shopping list.
00:11:45Look what I'm telling you.
00:11:46You should have shown more courage.
00:11:48Further?
00:11:48Do you think what I've done is insignificant?
00:11:50I only stopped short of ripping out my heart and sending it to him by messenger.
00:11:53No, fuck it.
00:11:55Necane, the tortilla, which is a little dry.
00:11:57Well, if you don't like it, don't eat it.
00:12:00Although compared to you, she's even juicy.
00:12:03Necane, daughter.
00:12:03What you need to do is forget about Iñaki and move on once and for all.
00:12:07Well, that's true, you're right.
00:12:09I'm not going to use another half-brain thinking about him.
00:12:11Is Iñaki ready yet?
00:12:12Forgotten.
00:12:13Who is Iñaki?
00:12:14Is my name Iñaki?
00:12:15Which Iñaki?
00:12:16Oh, what do you mean, Iñaki?
00:12:18Well, Iñaki is going to be your soul's Iñaki, daughter.
00:12:21Look, I bought this amazing extra virgin olive oil.
00:12:24I tried it in Andalusia and I'm going to serve it with some vegetables.
00:12:27Let's see if he can give me the phone number of the vegetable supplier and I'll put some greens in here.
00:12:30Well, since I don't have it there, among the papers.
00:12:32Well, look, let's see, go on.
00:12:34Otherwise, they'll all die of scurvy.
00:12:38But what are you doing here?
00:12:39Oh.
00:12:40Well, I don't know.
00:12:41But bring it, we're going to put it somewhere.
00:12:42This, this is promotion for the bar.
00:12:44Let's see.
00:12:45First prize for marmitako in Ibar.
00:12:47This, this is the category, man.
00:12:49We're going to put it here, look.
00:12:52There.
00:12:53Presiding over the room.
00:12:54Look how handsome he is.
00:12:55Here it is, it's mine.
00:12:57It's Iñaki.
00:12:58Hey, Iñaki!
00:13:00Iñaki, I've already kicked you out.
00:13:02We're starting from scratch.
00:13:03Fuck.
00:13:05Iñaki, Iñaki.
00:13:07Fuck.
00:13:08At this rate, you won't forget him even with a lobotomy, girl.
00:13:11Iñaki, Iñaki.
00:13:15Okay, shut up.
00:13:17Damn, I'm not saying anything.
00:13:18Me neither, Anchor.
00:13:21That?
00:13:21Okay, listen.
00:13:23How was the game with the Andalusian woman?
00:13:25Did the hordego see you yet, or didn't it?
00:13:28Look, stop being such jerks.
00:13:30Because of you I've gotten myself into trouble,
00:13:32But damn.
00:13:33Look, I've spent Aita's savings at the clinic bar.
00:13:36But not by drinking, okay?
00:13:37I bought it.
00:13:39What are you going to do?
00:13:40What did the clinic's bar buy with his father's savings?
00:13:42Hey?
00:13:43Don't mess with me.
00:13:44That's a fool.
00:13:45Fool.
00:13:45Iñaki, what have you done?
00:13:47Hahaha.
00:13:48Now, I'll tell you something else, okay?
00:13:49As a play, it's not bad.
00:13:51Because she probably didn't take long to throw herself into your arms, right?
00:13:54I'm screwed.
00:13:54I'm screwed.
00:13:55No.
00:13:56If he has laid his arms down.
00:13:58But from another perspective.
00:13:59Oh, and to top it all off, she's run off with someone else.
00:14:00That?
00:14:01What are you doing?
00:14:03Well, well, what a massacre, right?
00:14:05That's what I get for listening to you guys, damn it.
00:14:07Ah, yes.
00:14:08Now it's our fault.
00:14:09Hey, say something to him.
00:14:10Hey, hey, hey, you could have invited him to close up.
00:14:12Damn, it's not necessary.
00:14:13Buy the bar.
00:14:13Look, you only make bets when you have a card to play.
00:14:17And you don't even have any there.
00:14:18There it is.
00:14:19And look, we don't want to argue, you understand?
00:14:20Hey.
00:14:21Listen, what are you going to do?
00:14:22Now, I'll get rid of the bar as soon as I can.
00:14:26And in the meantime, let's just keep a low profile.
00:14:35Goodbye.
00:14:36Long live the mother who gave birth to the Basque.
00:14:38Long live the one who invented the pasaran and the one who built the hulenhou.
00:14:40The toy.
00:14:41Go on, Rosita, give Iñaki a kiss, because thanks to him we won't have to buy you the dress
00:14:45like me at the flea market.
00:14:46Runs.
00:14:49Gratitude, tension, and a few hip-hop steps.
00:14:52Shall I dance for you?
00:14:53What's up, girl?
00:14:54The Donkey Dance.
00:14:56Okay, okay.
00:14:57This man you see there, so small, this is the greatest thing.
00:15:00This is wonderful.
00:15:01As they say up north, go Iñaki and I'll cheer you on, your orthodox eggs.
00:15:07Leave me alone, for God's sake!
00:15:08You guys make a joke out of everything here, you idiot.
00:15:10But, should I dance for you or not?
00:15:13Yes, Rosita, little one.
00:15:15We'll leave the dancing for the end-of-year performance.
00:15:19And now, if we don't mind, let's get to work.
00:15:22That's the attitude.
00:15:24Well.
00:15:27Things are going to start changing here.
00:15:29Absolutely, from unemployed to employed.
00:15:30No, Raffi, no.
00:15:32Enough with the jokes.
00:15:33When I talk about working, I'm talking about transforming this place into a place you'd never have entered before.
00:15:38So you'd better take me seriously, because things aren't going to change much here.
00:15:45How's the boss coming?
00:15:46I'm almost done asking him if he's going to give us the long weekend, I wonder what happened to him.
00:15:50Look, that's where what happened to him comes in.
00:15:51Tita!
00:15:56Take!
00:15:57With this I'm going to become the king of Words With Friends.
00:16:00Look, look, look at that word.
00:16:01What you lack for having accepted me as an opponent.
00:16:05Sensibility.
00:16:07What a lousy word.
00:16:09Attentive.
00:16:11Your ñurra goes and you.
00:16:12I don't have enough hands to count the points.
00:16:15Why did you do it?
00:16:16What do you mean, no?
00:16:17Ask the Basque how to say prawn.
00:16:19Excuse me, could you tell me where the cafeteria is?
00:16:22I've been told I need to drink fluids.
00:16:24And have they specified yet?
00:16:26Because I have a little imported German beer that you have to drink at least three of to be able to pronounce the
00:16:32name.
00:16:32Of course, Mr. Benhumea, you don't miss a beat.
00:16:35Honestly, I didn't pay any attention to it.
00:16:36Take the elevator to the ground floor and ask there.
00:16:39No, if anything I'll accompany her, it's vermouth time.
00:16:42Oh, well thank you very much, that's very kind of you.
00:16:43Let's go.
00:16:45Hey, what makes you look like you've been here your whole life?
00:16:47Could you tell me where the clinic is located?
00:16:49From Dr. José Gregorio Narváez.
00:16:52Narváez, Narváez.
00:16:53That doesn't sound familiar, does it?
00:16:54That doesn't ring a bell.
00:16:55And you know, I know the entire staff.
00:16:57Better than Betis' lineup.
00:17:01Look at it, there it is.
00:17:02Dr. Narváez.
00:17:04José!
00:17:05Yes, interesting study on surgery.
00:17:07But if you're asking me, I think sometimes it's better not to get involved in anything.
00:17:11Sorry?
00:17:13Yeah.
00:17:14Dr. Narváez.
00:17:16Tell me.
00:17:17That?
00:17:17Does that ring a bell for my buddy?
00:17:19Yes, it does sound familiar.
00:17:21But you recently changed your major, didn't you?
00:17:25I don't know you anymore in primary care.
00:17:29What am I saying, primary school?
00:17:32First.
00:17:32Well, I have one...
00:17:35Dr. Narváez!
00:17:37Yeah.
00:17:37Just a moment.
00:17:39Out of curiosity.
00:17:41What field are you in now?
00:17:44I'm very glad you asked me this question.
00:17:48Because now I'm immersed in everything related to the organs of the system...
00:17:53Block.
00:17:53Trauma.
00:17:54Well, it's been a tough race, but I've already overcome it.
00:17:56I'm not traumatized.
00:17:59Traumatology.
00:18:01Traumatology.
00:18:03It's unbelievable, we're screwed by the nonsense these doctors are spouting.
00:18:07They don't have a guazo or anything.
00:18:09Of course, they face death every day.
00:18:12Yes, that's just how it is.
00:18:14Well, I'm off, I have to go and remove a...
00:18:17Argo.
00:18:17Hey, listen to yourselves, okay?
00:18:18Let's see if we can get together for a drink later, okay?
00:18:20I'd love to have a little garden because of your clinic.
00:18:23And you make me jealous of your life.
00:18:25Oh, that conversation has to be heard.
00:18:29Let's see.
00:18:32Good.
00:18:37Well then.
00:18:39Isabel, you and I in the kitchen are going to have to get along, whether we like it or not.
00:18:43They don't scare me...
00:18:44I don't care if you like it or not.
00:18:46I'm not afraid of challenges, I wanted to say.
00:18:48Ah.
00:18:50Good.
00:18:51Well then.
00:18:53Isabel, I want you to speak my language in the kitchen.
00:18:55But you want to, yes.
00:18:56But that's very difficult and...
00:18:57No no.
00:18:58Let's see, I'm referring to the codes.
00:18:59That we understand each other with a gesture, with a look.
00:19:01So that we both know what needs to be done without having to speak.
00:19:04Like when I get mad at Rafi, right?
00:19:06That we can go two days without speaking to each other,
00:19:08But he knows exactly what clothes to put on the girl, right?
00:19:11Yeah.
00:19:12Yes, that's more or less it.
00:19:21Have you said anything to him?
00:19:22Hey?
00:19:23It seemed to me that he was moving his eyebrow like that.
00:19:25No, no, look, Isabel, it must have moved on its own.
00:19:27Another thing.
00:19:28The kitchen.
00:19:29For me it's like a...
00:19:31Temple.
00:19:32A sacred place.
00:19:33Look, order and cleanliness are fundamental.
00:19:37To put it simply, that table should be able to perform surgery if the operating rooms are occupied.
00:19:41Don't give Trinike any ideas, just so you can profit.
00:19:43Tell me about it.
00:19:44Oh, look, and one more thing.
00:19:46Yeah.
00:19:46We're going to have to stop taking out the peaks, okay?
00:19:48We're going to take it out.
00:19:49Let's see, here are two slices of toast, open heart, overflowing with tomato.
00:19:52Rafi, let's stop using this clinic terminology now, okay?
00:19:55You have to call the toast that.
00:19:56We'll see what can be done.
00:19:59Well, honey, aren't you going to congratulate us?
00:20:02Congratulations?
00:20:04Congratulations, the toast is perfectly toasted.
00:20:07No, no, it's not the toast, it's Iñaki's thing.
00:20:09Didn't dinner tell you that last night?
00:20:11Hey Rafi, have you checked how many cauliflowers are in the camera?
00:20:14Which cauliflowers?
00:20:15If there aren't any, you just saw it.
00:20:17He believes you're hiding on your own.
00:20:19Hey Iñaki, what did you have to tell me about dinner last night?
00:20:22Well, nothing.
00:20:23The truth is that...
00:20:24Tell him now, you child.
00:20:28Yeah, well, I'll say it.
00:20:29The Basque man goes shopping in his entirety.
00:20:31And it keeps us as a staff.
00:20:33As?
00:20:35Oh really?
00:20:37Oh, what joy, Iñaki!
00:20:39Oh!
00:20:40Yes, well, anyway.
00:20:42What is this selfless act?
00:20:44Does he look Basque?
00:20:45Well, I've also seen a business opportunity.
00:20:48Iñaki, these bars are called popotas.
00:20:51Well, I wish you lots of luck.
00:20:54Well, we've had enough finger-biting, huh?
00:20:56We will continue working.
00:20:58Come on.
00:20:59Please, this boss is here.
00:21:01Man, you're the boss, babe.
00:21:03Who do you think you are?
00:21:04Are all the cooks from Comarguiña?
00:21:05Another day telling jokes.
00:21:07Well, then...
00:21:08Now that I'm a boss, I say,
00:21:10He'll be able to find his own place to live, right?
00:21:13Little by little.
00:21:17And how did Iñaki come up with the idea of buying the clinic's bar?
00:21:19What does he want?
00:21:20Should we put a bar in every autonomous community?
00:21:22In other words, he has neglected this
00:21:23and goes into that fair.
00:21:25Here you go.
00:21:26I won!
00:21:27I won!
00:21:28And?
00:21:28Are you going to tell me how it was in Andalusia?
00:21:33Andalusia?
00:21:33It's not that big of a deal, is it?
00:21:35Because what does Andalusia have?
00:21:36Heat, flies, that's all they have.
00:21:38No matter how much I think about it,
00:21:39I just can't get anything more out of it.
00:21:40In other words, even if I try,
00:21:42I don't get anything out of it.
00:21:44Leave him alone, Goldo.
00:21:45To say nothing,
00:21:45Less monologue than you've given.
00:21:47It fits!
00:21:50You look worse than Likra tights, huh?
00:21:52Yeah, you know it, damn it.
00:21:54Wide, but I'm...
00:21:55I'm very nervous about this issue.
00:21:57What about Iñaki?
00:21:59Which Iñaki?
00:21:59No, man, about the...
00:22:00Damn, I can't concentrate.
00:22:02I don't sleep.
00:22:02I feel kind of off-center.
00:22:04Damn, I almost messed up at work today.
00:22:07If it weren't for the nurse who stopped me,
00:22:09I crack open the head of a lady who came to remove a plug.
00:22:15Calm down, Goldo.
00:22:16We are all united in this.
00:22:18You don't get it, Anchón.
00:22:20You don't know.
00:22:22Look.
00:22:23Look how awful.
00:22:25Well,
00:22:26There are some with larger screens,
00:22:27But I really like this model, you know?
00:22:28No, damn it.
00:22:29This message I received.
00:22:31Read.
00:22:33Looking forward to traveling north.
00:22:34Who sent you this?
00:22:35No, yes, I'm reading.
00:22:37Ah, goodbye my weapon.
00:22:38Damn, it's mercy.
00:22:39Yours.
00:22:40What do you mean, mine, Ancho?
00:22:41Fuck you, Goldo!
00:22:43Yes, of course.
00:22:44You can understand how nervous I am, right?
00:22:46Because, what could it mean?
00:22:48What am I longing to travel?
00:22:50Or is he already traveling and looking forward to it?
00:22:53Ah, let's see, let's see.
00:22:54He can't just travel like that for no reason.
00:22:57Ah, that's it, that's what I'm saying.
00:22:58Well, not just like that either.
00:22:59What have you done, Goldo?
00:23:01Well, it seems that during the fair I invited him to come to San Sebastián.
00:23:03But I don't remember anything, Anchón.
00:23:05That's enough.
00:23:06And what are you going to say to Conchi, your wife?
00:23:08prepare three welcome curds?
00:23:10Oh, damn it, I have enough to deal with.
00:23:12Well, I realized that at least I didn't give him the address.
00:23:14That's going to save me.
00:23:15Okay, Lucy, take notes.
00:23:16Mundais, cadea, seis.
00:23:18That is, Mundais Street, number six.
00:23:20Six.
00:23:21Hey?
00:23:21Yes, I live right next door to Goldo's house.
00:23:24Yes, I'm stuck, I'm stuck.
00:23:26Okay?
00:23:27Okay, bye, beautiful.
00:23:29What the hell are you doing, you rascal?
00:23:31No, I'll give my address to Lucy.
00:23:34I left my deck of cards at his house.
00:23:36How did you come up with that?
00:23:38Look, he was my grandfather, whom I love very much.
00:23:40She gave it to me when I opened my first bottle of beer.
00:23:43with the eye socket.
00:23:46The eye socket.
00:23:48And that's it, this is the emergency entrance
00:23:51And this is where the ambulances come in.
00:23:53Hey?
00:23:54No, look, everything is fine.
00:23:57And the laundry, right?
00:23:58And the fourth counter, but...
00:24:00But, guide, I don't know, I'd like to see you in action.
00:24:02You know what I'm saying?
00:24:03I'm in the emergency room and I'm coming to the operating room there.
00:24:06Well, that's routine for me, you know?
00:24:08I like teaching this more,
00:24:10which are the inner workings of the clinic,
00:24:12The most authentic, right?
00:24:13This is what really makes all of this work.
00:24:15And the...
00:24:17Aren't you weird?
00:24:20You're like...
00:24:20Sit down, man, tell me.
00:24:22Oh no, no, no, no.
00:24:23Sit down, I'll sit down.
00:24:23No, no, no, no, no.
00:24:24Sit down, man.
00:24:25Sit down, he tells me.
00:24:29You seem tense, son, relax, it's me.
00:24:31No, I know, it's just that, look,
00:24:33Nothing, you're just there opening the doors of your life to me,
00:24:36I...
00:24:36I feel that...
00:24:39I haven't been entirely honest with you, have I?
00:24:41And you don't train for your body, huh?
00:24:43Deceived a childhood friend.
00:24:44I know, I know.
00:24:45I was embarrassed that...
00:24:48Let me explain this to you, because...
00:24:52I'm not actually here because of the ulcer.
00:24:53It's more serious.
00:24:55And people just don't believe it, you know?
00:24:57When I try to explain to him that money doesn't buy happiness.
00:24:59But no, man, no, no, I'm as strong as an oak tree,
00:25:01Listen, money makes me very happy, you know?
00:25:04The thing is, my problem is...
00:25:07Further down, yes?
00:25:10Dude, don't worry about that, man.
00:25:12That...
00:25:12Everyone has a bad day now and then.
00:25:13That everything is probably fine, healthy, right?
00:25:15And your little brother doesn't want to get up.
00:25:17What does "little brother" say about "little brother"?
00:25:19This!
00:25:20Like the bundled bundle.
00:25:21Little girl, what's your problem, Alfonsito, son?
00:25:26Hey, a fistula.
00:25:27A what?
00:25:27A big bump on the ass, damn it.
00:25:28Pussy.
00:25:29I've been sitting on a Mickey Mouse float for a month now.
00:25:32Wow, really.
00:25:34So, could you do me a favor?
00:25:38Yes, man.
00:25:38I had found you a float with a little more dignity.
00:25:42Look, listen, they want to operate on me tonight.
00:25:44But I would like to get a second opinion.
00:25:47You understand me?
00:25:48I already know that.
00:25:49Oh, right, yes, of course, I'm a doctor.
00:25:50Yes of course.
00:25:51Hey, would you mind taking a look at me?
00:25:54Look, I have it more towards the interior, right?
00:25:57But anyway, well, if I bend down, you know?
00:26:00All of that becomes more murderous.
00:26:02Do you understand now that I don't...?
00:26:03Yes, I understand you perfectly, okay?
00:26:06Look, the most important thing about a soufflé is that it rises well.
00:26:09I'm going to give you a bowl, Isabel.
00:26:12Hey, damn it, what about the bowls?
00:26:14Look, if you talk to me I can't concentrate.
00:26:17Damn, with the little egg.
00:26:19I've got it, I've got it, I've got it.
00:26:21Look, I don't have it anymore.
00:26:22Look, can you pass me the mop?
00:26:23If I knew where he was,
00:26:24that in this disaster nothing can be found.
00:26:27What makes it look more like a bazaar than a kitchen, you blockhead?
00:26:31Look, chickpeas, with chickpeas.
00:26:35Cilantro, with the spices.
00:26:37The breadcrumbs are here.
00:26:40And the cream for tired legs.
00:26:45Better in your bag, Isabel.
00:26:47Anything else?
00:26:48You have no idea, come on.
00:26:50Look, the painter is coming tomorrow.
00:26:51I've also called the decorator.
00:26:53Oh, and also...
00:26:54I've rearranged the tables.
00:26:58The mother who gave birth to the one who moved the chair.
00:27:01Iñaki, I've tripped over you four times already.
00:27:02I do the same.
00:27:03Oh, damn, the calendar.
00:27:04Out.
00:27:06Because, in short,
00:27:08It won't matter to you that it's Monday
00:27:09or Sunday.
00:27:10But hey, are you going to leave anything in its place?
00:27:13It looks like the horse has entered
00:27:14to throw away my kitchen.
00:27:17Don't be mistaken, Isabel.
00:27:19This is my kitchen.
00:27:21This is my restaurant
00:27:22And I also hope it won't be my downfall.
00:27:29And this?
00:27:30I mean, what the hell?
00:27:32The little virgin.
00:27:33Please do not blaspheme in front of her.
00:27:35Look, Isabel, what's a virgin doing inside the closet?
00:27:37Well, bring us luck.
00:27:38What's it going to be?
00:27:39You were right, darling.
00:27:40The curse has been fulfilled.
00:27:41Not the curse, Rafi.
00:27:42The blessing.
00:27:43Ah, that's it, that's it.
00:27:44The blessing.
00:27:44Well, bless you, Iñaki.
00:27:46This is surely because of all the prayers.
00:27:47that you have dedicated to Our Lady.
00:27:49So, what blessing?
00:27:50Well, now it's your turn to return it to the river.
00:27:52Otherwise, a hundred years of bad luck.
00:27:55But which river?
00:27:56What are you telling me?
00:27:57Nothing, come here, Iñaki.
00:27:58Paquito Orsonao,
00:27:59the man who used to work here,
00:28:01She was found in the river
00:28:02and she kept it thinking it would bring us good luck.
00:28:04And now that you've found it,
00:28:06You are in charge of taking her back to the river.
00:28:08Of course, you've brought us luck, haven't you?
00:28:10Then you throw it back into the river.
00:28:11so that the chain of luck continues.
00:28:15Clear.
00:28:18You're kidding, right?
00:28:20No joke.
00:28:21You will understand a lot about cooking,
00:28:23But here we know a lot about beliefs.
00:28:25Look, I believe in a job well done,
00:28:27That's what really brings good luck.
00:28:28But what effort does it cost him?
00:28:29If this is a release,
00:28:30He sticks to his little stroll and throws it
00:28:31without valid mode.
00:28:32It's a closure!
00:28:33Respect, for God's sake!
00:28:34Hey, you know what?
00:28:35No way.
00:28:36And now, if you don't mind,
00:28:37I'm going to put on my jacket.
00:28:38Even for making a soufflé
00:28:40Image is very important.
00:28:44Mine, not the religious one.
00:28:48Oh, my poor little thing.
00:28:53Oops!
00:28:54How the Basque gets close!
00:28:56Dolores, I'm in a hurry.
00:28:58Hey!
00:28:59How late is your first day going?
00:29:01Kid, stop for a second,
00:29:02I need something to eat during coffee time.
00:29:05Hey, one little thing.
00:29:06Now that you're a senior hotelier,
00:29:09You might be interested in
00:29:10who has a cousin
00:29:10on the father's side
00:29:11whose name is Manuel Tintilla.
00:29:13Sure, your cousin Tintilla,
00:29:14which is in turn
00:29:14cousin of your brother the Stitch.
00:29:16Yeah.
00:29:16If you want, Dolores.
00:29:17The shady dealings?
00:29:18Kid, you have no talent.
00:29:19to give ourselves names.
00:29:20Listen to me,
00:29:21The thing is, my cousin Tintilla
00:29:22It is shellfish harvested in the estuaries
00:29:23and he brings out some crabs with granddaughters
00:29:26and some snails that are...
00:29:27Dolores,
00:29:28your cousin, Tintilla.
00:29:29Yeah.
00:29:30Does he even have permission?
00:29:31Well,
00:29:32No, the theoretical one has it for now.
00:29:34Goodbye, Dolores.
00:29:35But do you want to see the pussy or not?
00:29:39With two little braids
00:29:43and a flower hair tie
00:29:47with two little braids...
00:29:50Oh!
00:29:50But look who's here, Marichu.
00:29:53The Robin Hood of desserts.
00:29:55Carmen,
00:29:56Would you mind taking my mother as an example?
00:29:57And do it all more quietly?
00:30:00Sorry,
00:30:00But I was singing her a song
00:30:02in case you hear me.
00:30:03Already,
00:30:03But I don't want my mother
00:30:04listen to no song,
00:30:06no fandango,
00:30:07no fandanguillo,
00:30:08no taranta,
00:30:08no tarantella,
00:30:09nor a tarantula.
00:30:10Oh!
00:30:11Marichu,
00:30:11I think someone today
00:30:12He got up on the wrong side of the bed.
00:30:14Already,
00:30:14It's just that here,
00:30:14if you don't wake up in the mood to party
00:30:16It seems you woke up on the wrong side of the bed.
00:30:18Well,
00:30:18sorry,
00:30:19nothing,
00:30:19look,
00:30:19I'm getting into mode
00:30:20Sunday of Lent.
00:30:24But I wanted to ask you something about...
00:30:27come on,
00:30:27I'll mention something about the apartment.
00:30:28And does it have to be here,
00:30:29in front of Ama?
00:30:30No,
00:30:30man,
00:30:31No.
00:30:32Oh well,
00:30:33What is his goal?
00:30:33Should we both go in there?
00:30:35No,
00:30:35man,
00:30:35I'm going to get my jacket.
00:30:38Ah,
00:30:39And me too.
00:30:40I have something to tell you
00:30:41on the floor.
00:30:42Now that I have the restaurant
00:30:44I'm going to look for something just for myself.
00:30:45And don't worry about the money.
00:30:46I'll pay you for the whole month.
00:30:48No,
00:30:48man,
00:30:48young guy,
00:30:48that he's going to pay me
00:30:49He's not going to pay me,
00:30:49kid,
00:30:50if you haven't made a purchase
00:30:51just this month.
00:30:52Anyway,
00:30:53Just take it easy.
00:30:55Take your time.
00:30:57That's certainly clumsy.
00:30:58Has this turned everything upside down for you?
00:31:00Crooked,
00:31:01Everything has gone wrong for me,
00:31:01But it's not necessary
00:31:02that you get so close,
00:31:03Carmen.
00:31:03But how awful!
00:31:04You see,
00:31:05your label,
00:31:06I have actually lived you.
00:31:07Hey,
00:31:08Carmen,
00:31:09really,
00:31:10that I already know
00:31:11I know how to fix this.
00:31:13And me too
00:31:13I know how to fix this,
00:31:15man,
00:31:15good,
00:31:16closing here well
00:31:17and pulling a little bit
00:31:18down there.
00:31:20Carmen,
00:31:22really.
00:31:35Hey,
00:31:35Well, yes, this
00:31:36It's a prestigious clinic,
00:31:37or not,
00:31:37they serve you the food
00:31:38to the same chef.
00:31:40Come on,
00:31:40love,
00:31:41And come on.
00:31:45Dolores,
00:31:46Can I ask you a favor?
00:31:47If it's about my cousin,
00:31:48right now
00:31:49And I'll call you,
00:31:49although it seems to me
00:31:50that until now
00:31:50He must be gathering shellfish.
00:31:51No,
00:31:52No,
00:31:52look,
00:31:53Dolores,
00:31:53I don't really know.
00:31:54if this is what I'm going to ask you
00:31:54It's very common.
00:31:55Let's see,
00:31:56what he's going to ask me for,
00:31:56because you Basques
00:31:57You have certain customs
00:31:58very disconcerting.
00:31:59Dolores,
00:32:00I'm going to ask you
00:32:00a change of nurse.
00:32:02A change?
00:32:04What do you mean?
00:32:05the thing is...
00:32:05I mean
00:32:05Carmen
00:32:06no more
00:32:07the nurse of the house.
00:32:09Oh,
00:32:10I ask you,
00:32:11Okay?
00:32:12Thank you.
00:32:13Look,
00:32:14I always take
00:32:14More balls, son.
00:32:15Look,
00:32:16And that's fine.
00:32:20That?
00:32:20Don't you know
00:32:21to Dr. José
00:32:21Leco de Narváez?
00:32:22Yeah.
00:32:23I always follow
00:32:23one that's available for work
00:32:23here
00:32:24which is a minute
00:32:24from above.
00:32:25Yeah.
00:32:28Man!
00:32:29If we have here
00:32:30to Dr. Narváez.
00:32:32That?
00:32:33What have you come for?
00:32:34To recognize me?
00:32:35Yeah.
00:32:37Well, it's not necessary
00:32:37to become a doctor
00:32:38to realize
00:32:38What are you doing?
00:32:39You're ridiculous.
00:32:39come on.
00:32:41Ridiculous?
00:32:42Look who
00:32:43He talks about ridiculous,
00:32:44man.
00:32:44One that becomes
00:32:45see a doctor
00:32:46saying that we have
00:32:46two pancreases.
00:32:47Which has an explanation,
00:32:48Don Mejumea,
00:32:49that...
00:32:49that Alfonsito
00:32:50and I don't know each other
00:32:51ever since we were kids,
00:32:51come on,
00:32:52We grew up together.
00:32:53And he seems to
00:32:54has landed on the square
00:32:55of the winner
00:32:55And I'm not doing any more.
00:32:56that fall
00:32:57in the garden to house.
00:32:59I'm not proud of it.
00:33:00but...
00:33:01But you don't see
00:33:01that I lied
00:33:02It makes you more of a loser.
00:33:04Already,
00:33:04but at least
00:33:04I'm not going to have him
00:33:05to see face to face
00:33:05of satisfaction.
00:33:08Rather, I'm going to have him
00:33:08to see something else.
00:33:10I don't understand you.
00:33:11He asked me
00:33:12a second opinion
00:33:13about a small problem
00:33:13that he has down there.
00:33:15The foot.
00:33:17One more mile up
00:33:19where the sun does not shine.
00:33:22What's he going to have on him?
00:33:23Why look at her ass?
00:33:24Yes, yes, yes.
00:33:25I don't know,
00:33:26a fictional character that has
00:33:26that needs to be checked out
00:33:27before they expect it
00:33:28this afternoon.
00:33:31Be careful,
00:33:32lest there be
00:33:32a gas leak.
00:33:34Very funny.
00:33:35Well, they can fake it pretty well.
00:33:36because if I find out
00:33:38that he has deceived her
00:33:38after having him
00:33:39with her ass in the air
00:33:40He sends you
00:33:41right
00:33:42to the death box.
00:33:43Yes or what?
00:33:44What would you do?
00:33:45But it makes me
00:33:46someone small
00:33:47and...
00:33:48Should I not kill him?
00:33:49Oh no, no, no!
00:33:52Go for it!
00:33:55Come on, go for it!
00:34:01Go for it!
00:34:02He's in great shape!
00:34:03Okay, fine.
00:34:04if you come by bus
00:34:05until eight hours from now
00:34:06It's impossible for it to appear.
00:34:08Wait, wait.
00:34:09There is a direct flight
00:34:10to Seville,
00:34:10where above
00:34:11and that arrives at twelve.
00:34:11What time is it?
00:34:12One o'clock.
00:34:13Hey?
00:34:14God,
00:34:15may appear
00:34:15whenever,
00:34:16fuck.
00:34:17Let's see, Elbow,
00:34:18that you're becoming
00:34:19paranoid.
00:34:19Call her,
00:34:20Let's see where he is.
00:34:21Yes of course.
00:34:22And feed the fire, right?
00:34:24Let's see, you don't either
00:34:25You are so irresistible.
00:34:26Be quiet!
00:34:29That?
00:34:29What are you looking at?
00:34:31Yes, yes,
00:34:32that I got on
00:34:32two shades of dye.
00:34:33What's happening?
00:34:34Vigo,
00:34:36I swear it's
00:34:37the first time
00:34:38I'm glad
00:34:38to see Vigo enter.
00:34:39Elbow.
00:34:40And if he comes,
00:34:41Well, nothing bad will happen.
00:34:43Hey,
00:34:43It also brings
00:34:44a small bottle
00:34:44fine
00:34:45or some prawns
00:34:47from Sanlúcar.
00:34:48How is it going to bring
00:34:48Some Sanlúcar prawns?
00:34:50Well, I don't know,
00:34:50look,
00:34:50Ask him yourself.
00:34:51Here it comes.
00:34:51Man!
00:34:53Man!
00:34:54If you were pale before,
00:34:56now you are more
00:34:56white as this ass.
00:34:58Shut the fuck up
00:34:59Damn it!
00:35:00I'm at 180
00:35:00and rising.
00:35:02Coat,
00:35:02Don't go overboard with Coldo,
00:35:03man.
00:35:04Have a little bit of...
00:35:05stone.
00:35:09What a bastard!
00:35:12Listen,
00:35:13Raffi.
00:35:13Table one,
00:35:14two,
00:35:15three,
00:35:15four,
00:35:15five,
00:35:16six.
00:35:16If I counted,
00:35:17tell me,
00:35:17F.
00:35:18Iñaki,
00:35:19fast,
00:35:19that you're uploading.
00:35:20Go.
00:35:21And from today onwards,
00:35:22tablecloths,
00:35:23but made of fabric,
00:35:23not paper,
00:35:24This is not a picnic area.
00:35:26Well, with the pulse I have
00:35:27We're going to spend a lot of money
00:35:28through the washer,
00:35:28Hey?
00:35:31At your service,
00:35:31to command.
00:35:34Let's take a look at that soufflé.
00:35:39What's going up?
00:35:40Isabel?
00:35:41Fuck,
00:35:42If you had come faster,
00:35:43I assure you that you were inflated
00:35:45as I have seen it.
00:35:46You don't have an inflator,
00:35:46TRUE?
00:35:47No.
00:35:48Well, this needs to be thrown out.
00:35:48Hey,
00:35:49But what are you going to do?
00:35:50We can take advantage of this.
00:35:51Put this in,
00:35:52I make some French toast
00:35:52that take away the sense.
00:36:00Well, it doesn't squeak.
00:36:01Hey?
00:36:02Never squeaked,
00:36:03José.
00:36:04Oh, no?
00:36:05I've been told,
00:36:06Stop by the clinic
00:36:07from Don Roberto,
00:36:07that creaks.
00:36:08The door,
00:36:10No, Mr. Roberto.
00:36:12What is it that he wants,
00:36:13José?
00:36:14You,
00:36:14the thing is,
00:36:15I didn't know how,
00:36:16I have a friend
00:36:17that has one,
00:36:19in it,
00:36:20Have you tried
00:36:21Have you ever had a fistula?
00:36:22José,
00:36:22I am a neurosurgeon,
00:36:24They catch me a little bit
00:36:25far from my field.
00:36:26What's happening,
00:36:27What does one have?
00:36:28No no,
00:36:28I don't,
00:36:28I don't,
00:36:29I won't have it,
00:36:30man,
00:36:30I have a little butt
00:36:31that,
00:36:32ready,
00:36:32ready,
00:36:32come on,
00:36:32I can think of
00:36:33the cachumbos to me.
00:36:35No, man,
00:36:35my friend,
00:36:36who is very worried
00:36:36And I've thought
00:36:37that the best
00:36:38Can you give me some advice?
00:36:38And I'll give it to him.
00:36:40then it is.
00:36:40My advice is that you go
00:36:41Let's see a doctor.
00:36:42José.
00:36:43And there you go,
00:36:43that's not me.
00:36:44Do you want me to
00:36:44Talk to a dermatologist.
00:36:46that you are from the house
00:36:46And are you sure they'll make room for you?
00:36:48You spend many hours
00:36:49sitting,
00:36:50I know.
00:36:50That's not me,
00:36:51balls,
00:36:51that's it,
00:36:51I can see it on the internet,
00:36:52man.
00:36:53I wouldn't recommend it.
00:36:54that you looked that up on the internet,
00:36:55the truth.
00:36:56No no,
00:36:57They are unpleasant,
00:36:59No?
00:36:59A little.
00:37:01Are those fistulas?
00:37:02That thing you have there,
00:37:03That's the...
00:37:11Don't you have a house?
00:37:12José?
00:37:12Happens,
00:37:13me from below.
00:37:14What's going on?
00:37:21And now Carmen, you're done.
00:37:22pouring the coffee into the sugar bowl,
00:37:24Hey?
00:37:24What do you want,
00:37:25daughter?
00:37:25I need a little bit of sugar,
00:37:26Kiki.
00:37:27Oh, well, pass me the chocolate milk,
00:37:28that I need too
00:37:29There's energy there.
00:37:31But come on,
00:37:31Anyone would say that,
00:37:32because this morning
00:37:32If I saw you all so sweet and affectionate
00:37:34with Robert.
00:37:36Well.
00:37:37Yeah,
00:37:38we are there,
00:37:39there,
00:37:39there.
00:37:40Yes, it was all just an illusion.
00:37:42I've seen more shine
00:37:43in people's eyes
00:37:44that was going to the kilophane.
00:37:45But if that's what you wanted,
00:37:46No?
00:37:47Yeah,
00:37:47Yeah,
00:37:48Yeah,
00:37:48I am happy.
00:37:50But I don't know,
00:37:51I'm missing the cramp.
00:37:53A cramp?
00:37:54Don't tell me that José
00:37:55It hasn't been fixed yet.
00:37:56the exposed cable of the ultrasound machine.
00:37:57No,
00:37:58Carmen is talking
00:37:59Robert's
00:37:59and he told us
00:38:00that no longer feels the same.
00:38:02Why doesn't he say it?
00:38:03via loudspeaker,
00:38:04queen?
00:38:05Man,
00:38:05Seriously,
00:38:06If you want, I'll do it.
00:38:07But it seems to me
00:38:07That's quite indiscreet.
00:38:09Oh,
00:38:10whatever you want.
00:38:11Carmen,
00:38:12outside,
00:38:13Don't worry,
00:38:14because I know many things
00:38:15that I don't count.
00:38:16Although I do have one
00:38:17that tell at least
00:38:18before he finds out
00:38:19the Trinity.
00:38:21Let's see,
00:38:21the fact that?
00:38:24The Basque has filled
00:38:25a request
00:38:26to change nurses.
00:38:27I've said it.
00:38:28As?
00:38:29But why is that?
00:38:31I don't know,
00:38:32already,
00:38:33How are you?
00:38:34every day together
00:38:34and you live together
00:38:36And you run
00:38:37the risk
00:38:38from getting tired
00:38:38from each other,
00:38:39Or not?
00:38:39Or I didn't take it.
00:38:40Personally,
00:38:41dear.
00:38:42But if precisely
00:38:42He's leaving my house.
00:38:44Dolores.
00:38:47Well, he'll like it
00:38:48more to Angela.
00:38:50Angela?
00:38:51Well,
00:38:52what's happening,
00:38:52that one can also
00:38:53to have its charms,
00:38:54that's what it's for
00:38:54I'm upstairs.
00:38:55help me.
00:38:58I'll take this.
00:38:59Because me too
00:38:59I'm going to put someone
00:39:00but straight.
00:39:04And this is the plant
00:39:05of income.
00:39:05Here we tell
00:39:06with the best professionals
00:39:07who dedicate themselves day and night
00:39:08for health
00:39:09of our patients.
00:39:10Professionals like Carmen,
00:39:11our head nurse.
00:39:13I'm sorry,
00:39:14I can't move the bar.
00:39:16That means there must have been
00:39:16any work accident
00:39:18or something.
00:39:18He'll see it anyway.
00:39:20The mother who gave birth to her.
00:39:24Shall we continue?
00:39:27Do you see that it's concave?
00:39:29This has to be
00:39:32convex.
00:39:32Isabel,
00:39:33convex.
00:39:35Rafi,
00:39:35What the hell are you doing?
00:39:37While we're at it,
00:39:38Why don't you water it?
00:39:38Let's see if it grows a little.
00:39:40Isabel,
00:39:41This soufflé is wrong.
00:39:42You're going to have to repeat it.
00:39:43Throw it away.
00:39:46How noticeable is it?
00:39:46that in the Basque Country
00:39:47Have you never experienced hardship?
00:39:49Well, I'll tell you one more thing,
00:39:50It doesn't matter if it comes out perfectly,
00:39:51because this is the simplest thing
00:39:52What are you going to do?
00:39:52in this restaurant.
00:39:54You, creature,
00:39:55to serve the tables.
00:40:00Those kokotxas at eight o'clock.
00:40:02Oh man,
00:40:02between the fact that I'm blunted
00:40:03and you change my route,
00:40:04My meniscus won't be ready tomorrow.
00:40:05Hey?
00:40:08Man, Carmencita,
00:40:09Can I help you?
00:40:10You do love me, darling.
00:40:11Here's the one that looks like
00:40:11I'm the one who's useless.
00:40:12Can we know?
00:40:13Why did you ask?
00:40:13The change of nurse?
00:40:15Well,
00:40:16That's my business.
00:40:18Is this your thing?
00:40:18What do you mean, "your thing"?
00:40:20And it's my thing too.
00:40:21What do I tell him now?
00:40:22to my boss?
00:40:22What face should I show?
00:40:23What reasons can I give him?
00:40:24Because I don't know
00:40:25What has he done so badly?
00:40:26so that you won't love me
00:40:27to see again.
00:40:28Carmencita,
00:40:28Are you sure you don't want to?
00:40:29Try the kokotxas?
00:40:30Look at the smell.
00:40:30We'll add a fan to this.
00:40:31and it looks like this
00:40:32the shell beach.
00:40:32Rafi, leave me alone at the beach.
00:40:34I want an answer.
00:40:35Why this man
00:40:35has been proposed
00:40:36save your job
00:40:37But ruin mine too?
00:40:38Look, Carmen,
00:40:39I don't want to ruin anything here.
00:40:41But I think Ama and I
00:40:41We need a change.
00:40:43If that's what worries you
00:40:44It's Trini,
00:40:45I'll talk to her.
00:40:45and I tell him that he doesn't have
00:40:46Nothing to do with you.
00:40:47That it has nothing
00:40:47What does this have to do with me?
00:40:48That it has nothing
00:40:49what to do with me
00:40:50Who does this have to do with?
00:40:51With my first one from town!
00:40:53Chick,
00:40:53Are you sure you don't want to eat?
00:40:54That's how your mouth is
00:40:55Quiet for a little while?
00:40:56Look Rafi,
00:40:56I'll tell you where they can...
00:40:57put the kokotxas in.
00:40:58We also have small fillets.
00:40:59I'm not going to eat here again.
00:41:00because if I am not
00:41:02good enough
00:41:02for your mother,
00:41:03your food either
00:41:03It's good enough.
00:41:05for me.
00:41:05We are?
00:41:06Oh, and if you can get
00:41:06today all things
00:41:07from my house
00:41:07much better.
00:41:08That way you have a change
00:41:09before, huh?
00:41:10Okay, fine.
00:41:11See you later.
00:41:12Enjoy your meal!
00:41:13colleague!
00:41:13What should I take advantage of?
00:41:14How can I not peck them?
00:41:17Don't get worked up,
00:41:18boss.
00:41:19Carmencita is like
00:41:19a fighting bull.
00:41:20He goes out to the square
00:41:21with great enthusiasm
00:41:21and in two minutes
00:41:22His anger passes.
00:41:23At eight o'clock.
00:41:25Or at six o'clock,
00:41:25It depends on the bull run.
00:41:26Rafi,
00:41:27the kokotxas at eight o'clock.
00:41:32Here are your kokotxas.
00:41:33The thing is
00:41:34I'm going to give him a hard time.
00:41:34It's gotten really cold, hasn't it?
00:41:42Thank you very much, Luisillo.
00:41:43Leave them there,
00:41:44wherever you can.
00:41:44Oh, and for tomorrow.
00:41:45You're going to bring me...
00:41:46For tomorrow
00:41:47talk to this
00:41:48Iñaki,
00:41:49the new owner.
00:41:50Luis Mendoza,
00:41:51to serve you fresh
00:41:52and fast.
00:41:53Good.
00:41:53And these are
00:41:54the best tomatoes
00:41:55from your Andalusia.
00:41:56Yes sir.
00:41:57Very good.
00:41:59Well...
00:41:59I'm staying...
00:42:01These four.
00:42:02The rest
00:42:02You can take them with you.
00:42:03From now on
00:42:04the genre
00:42:05It has to be top quality.
00:42:05But,
00:42:06He can't fit through that door.
00:42:07You and I...
00:42:08You and I
00:42:09we're going to take
00:42:09very, very good.
00:42:11Look,
00:42:11I have it in the van
00:42:12an onion
00:42:13She's hot,
00:42:14good,
00:42:14which are my 2015 onions.
00:42:17Ah!
00:42:17The Virgin of the River.
00:42:20Oh!
00:42:22Pretty!
00:42:23Sabel,
00:42:24Who could find her?
00:42:26On the shore, huh?
00:42:27How lucky he was
00:42:28Patrillo the famous one.
00:42:30Yeah,
00:42:30But for that
00:42:31First, we'll have to return
00:42:32to the river
00:42:32and there are some
00:42:33that they don't want.
00:42:34No, no, no.
00:42:35Boss,
00:42:35Hey, hey,
00:42:36No, uh.
00:42:36That's out of the question.
00:42:37I'm serious, okay?
00:42:39Don't even think about it.
00:42:40Or I can assure you
00:42:41that this business
00:42:41He's going bankrupt.
00:42:42Come on,
00:42:42Can I bring it now?
00:42:43a carrot
00:42:44one meter
00:42:45or a strawberry
00:42:46seven and a half meters?
00:42:47Okay, okay.
00:42:48Hey?
00:42:48That's enough.
00:42:56I have to tell you
00:42:57that the selection
00:42:57personal
00:42:58It is optimal.
00:42:59There is not a single doctor
00:42:59that he/she is not an eminent figure
00:43:00in their field.
00:43:08Excuse me,
00:43:09Where were you going?
00:43:15Take.
00:43:16Give this latrine
00:43:17And let God's will be done.
00:43:18He's going to call the angel.
00:43:19the Basque.
00:43:20Look, the Basque
00:43:21She does what she can, woman.
00:43:22What can
00:43:22to annoy me.
00:43:23Look, I don't feel sorry for you.
00:43:24Neither for me nor for him,
00:43:25by his mother.
00:43:26Of course, Carmen,
00:43:27I just can't believe it.
00:43:28No, neither do I.
00:43:29I just can't believe it
00:43:31with love
00:43:31that I have for that woman,
00:43:33that I want it to be
00:43:33until the copla
00:43:34that he likes the most.
00:43:35Carmen,
00:43:35Do you want to listen to me?
00:43:36Because, you know, that's what
00:43:37He promised not to say anything,
00:43:38But you have
00:43:39less seen than a mole
00:43:40in the waning crescent.
00:43:41Are you really
00:43:42You don't know what's wrong with him
00:43:43To the Basque Country?
00:43:44Well no.
00:43:46Oh my God.
00:43:48And there's the man.
00:43:50Come on, set up a herbivore
00:43:51which I believe was not
00:43:51neither tamed nor anything.
00:43:53Is that enough?
00:43:54You could have dreamed about it.
00:43:55with which they declared themselves to you
00:43:56in vespa
00:43:57at least
00:43:57You don't neigh.
00:43:58But this is driving me crazy.
00:43:59And who told you?
00:44:00Do I like that?
00:44:01I don't dream about that.
00:44:02ever since you were a girl.
00:44:03Well, imagine
00:44:04Who could have told him?
00:44:05The mother who gave birth to him
00:44:06my brother Rafa.
00:44:08Oh, oh, oh, oh, oh, oh.
00:44:09But I messed up, huh?
00:44:11Kid, you're going to get it.
00:44:12Oh, oh, oh, my God.
00:44:13Oh, oh, what a nice glass
00:44:14glued.
00:44:16Oh my God.
00:44:17Okay, José,
00:44:18For this, because really.
00:44:20Oh, that man has merit,
00:44:22It's commendable.
00:44:23Come on, because...
00:44:23with the allergy she has
00:44:25to everything Andalusian.
00:44:26Well, almost.
00:44:28But it just can't be.
00:44:29Come on, for me the only thing
00:44:30that I was missing
00:44:31that this man
00:44:31I would have bought it
00:44:32This one's for me.
00:44:32Ah, ah, ah, ah, ah, ah, ah, ah.
00:45:00I haven't seen anything.
00:45:01Neither do I.
00:45:02What a great day you're having, huh?
00:45:03You?
00:45:10Next week
00:45:11Bring me another one, okay?
00:45:12The ham flies off the shelves here.
00:45:14Very good.
00:45:18Rafi, do we have more yeast?
00:45:20But you had two whole photos.
00:45:22Yes, but somehow
00:45:23I'll have to make the soufflé rise.
00:45:25Then use your charms
00:45:27so that you can go up.
00:45:28That?
00:45:28Yeah.
00:45:30Iñaki, are you in there?
00:45:32It's not here.
00:45:33It must be burning
00:45:34some church.
00:45:35And you know, daughter,
00:45:35Don't be a fundamentalist.
00:45:37We don't know where she is, baby.
00:45:38It has been fixing
00:45:38a few little things.
00:45:39But come on, leave him alone.
00:45:40Don't tell him anything else.
00:45:41You've already said that enough.
00:45:42Look, I wouldn't have said anything to him.
00:45:43If you had told me
00:45:44The little horse trick, okay?
00:45:45Ah, so they've already told you.
00:45:46The one about Charlemagne, right?
00:45:47Well, look,
00:45:48if he had known
00:45:49that you had gone back to Robert,
00:45:50It saves you the gallop.
00:45:52Goodbye, go away, go away!
00:45:53Where is he going?
00:45:54I need to talk to him.
00:45:55Throw your whirlwind!
00:46:03Iñaki, how are you, ma'am?
00:46:05Okay, okay.
00:46:06No change.
00:46:08I, actually,
00:46:09I wanted to talk to you about another mother.
00:46:10The Mother of God.
00:46:12What are you saying?
00:46:13Hey, are you okay?
00:46:21Let's see, Aunt Bego,
00:46:23It's difficult to explain.
00:46:24But I have a figure
00:46:25of a virgin.
00:46:26Oh, Jesus Mary,
00:46:27But what are you doing?
00:46:28With a virgin, son?
00:46:31Nothing, I just ran into her.
00:46:32in the closet,
00:46:32by chance.
00:46:33In the closet?
00:46:34Yes, by chance.
00:46:36Let's see, Aunt Bego,
00:46:36look,
00:46:37What do you know?
00:46:37about these things like praying?
00:46:39They told me
00:46:39Otherwise I'll throw it in the river
00:46:40It's going to bring me bad luck.
00:46:41that I am the chosen one,
00:46:43or something like that.
00:46:43The chosen one, the chosen one,
00:46:44and your mother in a coma.
00:46:45Okay, okay, Aunt Bego,
00:46:46Look, I need your help.
00:46:47That's right.
00:46:48I mean, that could be it.
00:46:50Oh, son,
00:46:50Well, I don't know.
00:46:51If they told you that,
00:46:52do it.
00:46:53Do it because with that
00:46:53It's not a game.
00:46:54It's not a game because it involves beliefs.
00:46:55and in every place
00:46:56She has her own.
00:46:57And I will speak here
00:46:58with my Virgin of Begoña
00:46:59so that he will forgive you
00:47:00in case they're mistaken.
00:47:01Okay, okay, Aunt Bego.
00:47:03Hey, one thing,
00:47:04Put me through to Necane.
00:47:06Take,
00:47:06We need to talk to you.
00:47:08I wanted to talk
00:47:08with another virgin.
00:47:10Oh, be quiet.
00:47:15Necane.
00:47:18Hello.
00:47:20Hey, I read your letter yesterday.
00:47:23How embarrassing, Iñaki.
00:47:25No no,
00:47:26I liked it,
00:47:26I liked it.
00:47:28But,
00:47:29Did you like the calligraphy or...?
00:47:31No no,
00:47:32I liked it overall
00:47:33what it said and...
00:47:34Okay, let's go,
00:47:35that I'm not going to do to you
00:47:36a text commentary,
00:47:36but that...
00:47:37Your letter was the best.
00:47:39that happened to me yesterday.
00:47:44Hey, Necane,
00:47:44I have to go, okay?
00:47:47Eye!
00:47:48That's an amputated arm, huh?
00:47:51There goes from there.
00:47:54That?
00:47:54What does it say?
00:47:56That he liked the letter.
00:47:58That?
00:47:59Nothing else.
00:48:00He told me that
00:48:00and hung up.
00:48:07Well, you're going to the river.
00:48:35And I know,
00:48:36I can't thank you enough for this.
00:48:38really.
00:48:39Calm down, man.
00:48:40This, huh?
00:48:41I do this every day.
00:48:43It's not something either.
00:48:44that he/she has not studied.
00:48:46I know,
00:48:47Alright.
00:48:48You've gotten whiter.
00:48:48A sink, huh?
00:48:50Well,
00:48:50That's just how it is.
00:48:51This profession, right?
00:48:52I'm coming from an operation
00:48:53with an open heart
00:48:54and you have people's lives
00:48:57in your hands
00:48:57and what life is not.
00:48:59Okay, so what?
00:49:00Are we going to see more art or...?
00:49:02Yeah.
00:49:03Yeah.
00:49:04Rosaramos.
00:49:06Get naked, okay?
00:49:07And I'm going to wash myself
00:49:08the hands.
00:49:10That?
00:49:10With gloves.
00:49:11Because you never know
00:49:12Where have they been...
00:49:13Hey,
00:49:15go away.
00:49:18As you can see,
00:49:19We respect the architecture
00:49:20original from the beginning
00:49:21of the 20th century,
00:49:22but without neglecting
00:49:23the infrastructures
00:49:23than a clinic
00:49:24maximum performance
00:49:25needs.
00:49:26Now I'm going to teach you
00:49:27one of the rooms
00:49:28with better views.
00:49:37Good heavens!
00:49:39An ass?
00:49:41I'm going to show you the bar.
00:49:49Okay, so let's...
00:49:51Let's get to the point.
00:49:53What does it look like?
00:49:55God!
00:49:55That?
00:49:56Are we doing badly?
00:49:56No, no, I don't see it clearly.
00:49:59Do you want me to like you more?
00:50:00No, no, no.
00:50:01Sure?
00:50:01Yeah.
00:50:02Look, I have it.
00:50:02quite deep.
00:50:03Yes, that's great.
00:50:06But what are you doing?
00:50:08Fix a pipe.
00:50:09A conduit from where?
00:50:11Internal.
00:50:12And what are you doing dressed like that...?
00:50:14You have to see it, you have to see it, you have to see it.
00:50:15These nurses are beautiful.
00:50:17but every day the license
00:50:18It's getting greener.
00:50:20Okay, so what?
00:50:20What is your diagnosis?
00:50:21Right now...
00:50:23Reserved?
00:50:23Reserved?
00:50:24But what?
00:50:25Should I have surgery, or not?
00:50:27Yeah.
00:50:28Is that affirmative?
00:50:29Immediately.
00:50:29In fact, he's come to shave you.
00:50:31No, José Lillo?
00:50:31That's right, yes, that too.
00:50:38Now with the crisis,
00:50:39We doctors have to do everything.
00:50:41But let's see, José.
00:50:42But how are you going to shave me?
00:50:44No, how can you allow it?
00:50:45that a nurse
00:50:46Should I tell you, José Lillo?
00:50:47You're Dr. Narváez, damn it.
00:50:50Yes, I am.
00:50:52I'm confident too, aren't I?
00:50:53And the...
00:50:54It's also like...
00:50:56Like with the...
00:50:57Look, I'm not saying any more.
00:50:58Look, really.
00:50:59I really won't say any more.
00:51:01Look, I'm not a doctor, okay?
00:51:02I'm not a doctor.
00:51:03I'm a security guard, okay?
00:51:05Look, look, guard.
00:51:06José Gregorio Narváez, caretaker.
00:51:08Okay, I can start now, you piece of art.
00:51:10Watchman?
00:51:11Yeah.
00:51:12Can you hear?
00:51:14But they're permanent positions, right?
00:51:17Indefinite.
00:51:18But that's very good, José.
00:51:20Listen, they've given you a contract, damn it.
00:51:22That when you were a kid we thought
00:51:23that he wasn't even going to be quoted at noon.
00:51:26So he's not angry?
00:51:27Angry, not at all.
00:51:29If you, as long as you haven't died
00:51:30of a nation in a ditch,
00:51:31I'm ready to get started.
00:51:32Until...
00:51:33Come here, volley.
00:51:34Careful.
00:51:35Careful.
00:51:37It's just that...
00:51:38It's just that...
00:51:45Hey Carmen, I've finally found you.
00:51:47I've been looking for you all day.
00:51:48We saw each other more when we were angry.
00:51:50Yes, they are absolutely right.
00:51:51But right now I'm in a big hurry, you know?
00:51:53Hey Carmen, have you spoken to the Basque guy yet?
00:51:55Regarding the house issue?
00:51:56No, I haven't spoken to the Basque man.
00:51:57because I haven't seen it.
00:51:58Have you seen it?
00:51:59Not me, and you have no idea how glad I am.
00:52:03Robert, I have a question.
00:52:06What silly thing would you be willing to do for me?
00:52:09Me for you?
00:52:10Yeah.
00:52:10It would be able to go to the moon fully loaded
00:52:11with a bag of cement.
00:52:12Come on, that's a bigger load of nonsense, I don't know,
00:52:14however ridiculous it may seem to you.
00:52:15Something to impress me.
00:52:17That?
00:52:19Does he have dreadlocks?
00:52:21What, Carmen?
00:52:22I don't know, I don't understand.
00:52:23I don't know where you're going with this.
00:52:25Well, look, Robert, sometimes you get a cramp
00:52:27And other times you don't get the cramp.
00:52:28And me, well, I don't know where the cramp is.
00:52:37That?
00:52:53No, Bego, I'm not going to call him again.
00:52:55I'm going to appear as a stalker.
00:52:57What are you saying?
00:52:57If you only knew the tackle I made on my Sabino,
00:53:00Well, since then I think the last thing he chose
00:53:02It was the color of his underwear.
00:53:04Yes, but Iñaki hasn't exactly confessed his feelings to me either.
00:53:08Girl, that's enough, okay?
00:53:09Don't you see that the men here don't like to flirt?
00:53:11If it were up to them, they would do it for Morse.
00:53:14No, no, I'm not going to ask him.
00:53:16Wow!
00:53:16Wow!
00:53:18Well, either you ask him or I'll ask him, because we can't go on like this, okay?
00:53:21I got a call from the hospital and they told me you've been in the CT scanner all morning.
00:53:25Hey, sorry, I had a lot of patients, you know?
00:53:27Inside the tube, crouching.
00:53:29Cap it!
00:53:31This woman is going to be the death of me, damn it.
00:53:33Well, with that, then.
00:53:34You already know.
00:53:38What does it say?
00:53:39Wow!
00:53:40What's that?
00:53:40Hey, you were at my wedding, right?
00:53:42Yeah.
00:53:43I was very young, but I was there.
00:53:45Yeah, well, sure, sure.
00:53:45Well, you know we're going to celebrate our silver wedding anniversary now, right?
00:53:49Oh, I didn't know that, but well, congratulations.
00:53:51Thank you.
00:53:52Well, the point is that for those silver wedding anniversaries to be celebrated well, that is, perfectly, without any problems,
00:53:57I need you to call someone.
00:53:58Whom?
00:53:59To the priest to officiate it?
00:54:01If he comes every afternoon to pick up his little ones, can you tell him yourself?
00:54:03No.
00:54:04Let me say...
00:54:05What he means is that he needs you to call an aunt.
00:54:09Which aunt?
00:54:10The one you have in Murcia?
00:54:11Your uncle Jesus's wife?
00:54:12No, not to an Andalusian woman, damn it.
00:54:14And why would they target an Andalusian woman?
00:54:15Well, it's because she's fallen in love with Coldo and now he's afraid she'll show up here.
00:54:19Already.
00:54:21And I imagine it's a platonic love, of course.
00:54:25Listen, Annecana, I need you to pretend to be Conchi and tell her not to call me anymore.
00:54:30And why don't you tell him yourself?
00:54:31Look, Conchi is tough, okay?
00:54:33But there's enough to have a man's voice...
00:54:36But you're an idiot.
00:54:37Damn, Coldo, how embarrassing.
00:54:39You're definitely like animals.
00:54:41Just smelling a little bit of a woman is enough to cloud your intellect.
00:54:44But what do they give you down there?
00:54:45Hey?
00:54:46Does all this heat mean you're talking about your brain?
00:54:48Are you confused by so many moles?
00:54:49Or does all that palming make you stupid?
00:54:51I just don't understand, come on.
00:54:53Me neither, to be honest, Annecana, you're absolutely right.
00:54:57But you do call, you call, right?
00:54:59Look, look.
00:55:05And you call, right?
00:55:06I think so.
00:55:08Yeah.
00:55:11Yes, like that.
00:55:12Iñaki, irazuzza, irazazizzo.
00:55:15Oh, I sound like I'm from Cádiz.
00:55:16No, yes, Iñaki, little girl, a bald one like that, destined, the only Basque who must have a choir here in Seville.
00:55:22Have you seen it?
00:55:24Okay.
00:55:26Have you seen it?
00:55:28He hasn't seen her, but don't worry, we're with him right now.
00:55:32Iñaki, irazuzza, Balbeitia.
00:55:34Please come to the control desk on the first floor.
00:55:38My dear Mother, Dolores.
00:55:39Is this what you call pulling strings behind the scenes?
00:55:41Little girl, whoever asks me for something knows they're in for a treat.
00:55:44Now, we wait.
00:55:46Yes, until it clears up.
00:55:48That's enough, Carmen.
00:55:49I hope you have a good excuse for leaving me hanging with the investors.
00:55:52Well, it turns out I was working.
00:55:55Already working.
00:55:56At the bar, right?
00:55:57Well, look, I was working too.
00:55:59And it's lucky they left me a good amount of money, because otherwise I'd know which part of my salary to save.
00:56:04And what are you doing, Dolores?
00:56:05Hiding the potatoes?
00:56:06What have I seen in you?
00:56:08Look.
00:56:10Oh my God, it looks like I have a hidden camera in my bun.
00:56:52Don't look at me like that, blockhead.
00:56:57Fuck.
00:56:58If the one who needs luck with Carmen and my mistress is me.
00:57:12Oh my God, it looks like I have a hidden camera inside the ...
00:57:17on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera
00:57:18on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera
00:57:18on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera
00:57:18on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera
00:57:21on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera
00:57:22on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera on hidden camera
00:57:24on the hidden camera in the oc camera
00:57:30No, no, no.
00:58:12What? Do they sting?
00:58:19Wow!
00:58:22Irony!
00:58:23Each one with an Andalusian woman. What do you think?
00:58:26And that these seven brides would be for seven brothers.
00:58:28You leave me speechless, daughter?
00:58:29Yes, poor women.
00:58:31No, I'm not saying it because of them.
00:58:32What surprises me is that these backward people managed to hook up.
00:58:35It seems that down there, any scrap triumphs.
00:58:38Look, Bego, you know what I'm saying?
00:58:40Now that Iñaki has opened up to me a bit, I'd better hold on tight.
00:58:44Very good.
00:58:45You look more Basque than I've ever seen you.
00:58:49But what has Isabelita done? This looks like an experiment from the Anthill.
00:58:53Oh, what do I know?
00:58:54Oh, look, Rafi, you know what? I don't think I'm cut out for haute cuisine.
00:58:57Well, it's quite tall, isn't it? Taller than a queba.
00:59:00Québa, québa.
00:59:01What do I do? Do I call Iñaki?
00:59:03Well.
00:59:05Well, as if that wasn't enough, the mobile phone is now included.
00:59:09Grab it, grab it, before my head explodes.
00:59:14Not to fall.
00:59:15What are you? Prey from there?
00:59:17Take it, take it.
00:59:19Say.
00:59:22That?
00:59:26Say.
00:59:29Who was he?
00:59:30I don't know, one that was breathing.
00:59:32Is he a Basque pervert?
00:59:34Or a living being, Isabelita, for God's sake.
00:59:36She was a woman.
00:59:52If I didn't know perfectly well that you didn't like it even as a pet, I would be here right now
00:59:57I was so excited about all the walking around.
01:00:00What kind of tact does Dolores, my sister, have?
01:00:02If she were a UN ambassador, World War III would have broken out a long time ago.
01:00:06Ah, entrecoyote, he's not going to send us in secret, is he?
01:00:09Can you assist me confidentially?
01:00:12It's Carmen, right?
01:00:14Do you know anything about a cramp?
01:00:16Let's see.
01:00:18What would you be capable of doing for Carmen?
01:00:21You too with that stupid little question?
01:00:23All I'm saying, and let it be known that I haven't said anything, is that maybe there are
01:00:28someone who is putting all their eggs in one basket.
01:00:30How much meat are we talking about?
01:00:32Of a whole horse of meat and all his savings, Robert, another rooster has slipped in on you
01:00:36the corral.
01:00:37Okay, let's see, brother, you know Carmen, what options do I have?
01:00:41Me... and just so you know, I haven't said anything to you, I wouldn't relax too much. Not at all.
01:00:47Or, for not having said anything, he's said everything. I mean, I'm at the UBI, right?
01:00:50Let's just say... it has a little more cuneiform.
01:00:56Lusation.
01:00:58Not a tear, huh? A tear.
01:01:01No shooting, huh?
01:01:01No shot, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
01:01:49Wow, that's a lot of sweating, isn't it?
01:01:50Working in a kitchen must be tough.
01:01:54And so?
01:01:55That... that's a virgin.
01:01:57Any problem?
01:01:58No, no, not at all, on the contrary.
01:02:00Any little help would be very welcome to prostate patients.
01:02:04It's not going to stay there.
01:02:05No, I'm looking for a place for it.
01:02:08So, what's up? How was your first day as the owner?
01:02:12It couldn't have gone better.
01:02:15Yes, well I'm glad. That's the spirit.
01:02:18Let's see if you can find a house, you idiot.
01:02:21Hey, if you want the Virgin Mary statue, can't we take it to Carmen's house?
01:02:24May He bless us in this new stage together.
01:02:27No, no, not at all. I'd rather keep it for myself, okay?
01:02:30Say yes, damn it. Happiness is like winning the lottery. The more you spread it out, the better.
01:02:41I'm going to call myself the lady.
01:02:52I shouldn't smoke.
01:02:55Doctors are the first ones who have to set an example.
01:02:59That joke, Mr. Benhumea, that...
01:03:01It backfired on me. And I mean that literally.
01:03:05And so?
01:03:06They've caught me.
01:03:08Well, they caught me, I can't stand the pressure and I had to confess.
01:03:12And was the making before or after...
01:03:17What did that give me?
01:03:20After.
01:03:28Well, you'll make him happy.
01:03:32Well, look, yes.
01:03:34Because I had so little faith in myself that I didn't even believe I would ever be two.
01:03:38Come on, isn't it sad that nobody believes in you?
01:03:40Nobody.
01:03:41I do believe it.
01:03:43Furthermore, José, it's not so much about holding an important position,
01:03:49how to be important to someone.
01:03:52Can I speak a little more simply?
01:03:54I remind you that I don't have a degree.
01:03:55Damn it, José, you're just as important to me as the surgeon who fixed my hip.
01:04:00Yes, or what?
01:04:01Clear.
01:04:02Yeah, man.
01:04:03Are you getting senile already?
01:04:04No, no, I'm not senile.
01:04:06Look, José.
01:04:07If I get a new hip.
01:04:10And then I don't feel like going for a walk with you.
01:04:14It's useless to me.
01:04:19Come here, Don Benhumea, man.
01:04:20I didn't believe I was going to get so attached to a listrócata.
01:04:23Oh, oh, oh!
01:04:26Are you crying?
01:04:27Why am I crying, man?
01:04:28What are you going to be crying about?
01:04:29Hey?
01:04:30Tobacco, listen.
01:04:33Go on, go on.
01:04:39Okay, I'll go, I'll go, I'll go.
01:04:41Look, Bego.
01:04:42Go on, call again, maybe the lines got crossed.
01:04:45No, Bego, I'm not calling.
01:04:46Well, that's true, you're right.
01:04:47What you need to do is go there.
01:04:49Are you crazy, Bego?
01:04:51A Basque woman in Andalusia.
01:04:52And?
01:04:52I would have to wear flip-flops.
01:04:54Well, then you wear whatever is necessary.
01:04:56What are you waiting for?
01:04:56That he has a harem?
01:04:58Hey, you're not scared of Andalusian women, are you?
01:05:01We're Basque!
01:05:04Generations of female gardeners.
01:05:05We are not afraid of hair combs.
01:05:08And we're waiting for a man to drive us by in a cart.
01:05:10Man!
01:05:11Okay, Bego.
01:05:12You're right.
01:05:13That is.
01:05:14What buses are there to Seville?
01:05:15Live from Seville.
01:05:16You have it every five hours.
01:05:17There are twenty and twenty less.
01:05:21That?
01:05:22Coldo, just leave it alone.
01:05:23And concentrate on the game, please.
01:05:25Yeah.
01:05:26I'm very focused, okay?
01:05:29Okay, I'll send it.
01:05:30Coldo, we're playing dominoes.
01:05:32See how you can't concentrate?
01:05:33Look, you have to end this once and for all.
01:05:35Yes, of course, Bego.
01:05:37You're a smart one.
01:05:37You see it as very easy, don't you?
01:05:39What I do?
01:05:39I flee.
01:05:40I'm leaving the country for Santander.
01:05:42Look, to begin with, pick up those chips I dropped there.
01:05:45Which chips?
01:05:47There you have it, behind the kick.
01:05:48Where?
01:05:49You can't see it there.
01:05:51No, I can't see.
01:05:52Let's see.
01:05:53Yeah.
01:05:53What are you doing?
01:05:54Look, I'm Coldo.
01:05:56Look, I'm married.
01:05:58Don't call me anymore, please.
01:06:03Very good, very good.
01:06:06Thank you very much, huh?
01:06:07You are an animal, a beast.
01:06:08How could you do that to the girl, man?
01:06:09There will be a stall, poor thing.
01:06:11Don't you see that this has to do with flamenco and all that?
01:06:12They are very long-suffering.
01:06:15Skinny, please, you've done this to me.
01:06:16Now I'm going to have to call to fix it.
01:06:18See?
01:06:18Hey?
01:06:20Thank you.
01:06:21I have to say thank you.
01:06:22Now.
01:06:28Piety.
01:06:31I am Coldo.
01:06:32Durito, when you can?
01:06:33Coldo.
01:06:35No, without R.
01:06:36Coldo.
01:06:38That is...
01:06:41Well, no, not good at all.
01:06:43And?
01:06:44What are you doing?
01:06:48Well.
01:06:50Well, we've already taken a little stroll around Seville.
01:06:52We even took a bath.
01:06:53And now to sleep.
01:06:57There you are.
01:07:05Don't look at me like that.
01:07:07Lady.
01:07:09Virgin Mary, no...
01:07:11I'm not crazy.
01:07:13The thing is, since I got here I've had to talk to myself a lot.
01:07:16My poor mistress doesn't answer.
01:07:18And here, regarding what they say, well, that's it, I prefer to talk to myself.
01:07:22But anyway, since you and I get along well...
01:07:27Would a little miracle do me good?
01:07:31Goodbye.
01:07:34Hey, I'm closing this here.
01:07:36Yeah.
01:07:42Carmen, are you okay?
01:07:44I think you're seeing a ghost.
01:07:47Are you OK?
01:07:48No.
01:07:49Yeah.
01:07:50I don't understand you, Carmen.
01:07:52Yeah.
01:07:53Or not.
01:07:53But come on, that can't be.
01:07:54You're either okay or you're not okay.
01:07:56I don't know how I am.
01:07:57I don't know if I'm okay or not.
01:07:58I don't know what I feel.
01:07:59Or maybe I know what I feel, but I'm afraid to feel it.
01:08:02It doesn't matter, I won't be able to explain it to you.
01:08:03And you're not going to see me understand.
01:08:04But of course I understand you, you don't know if you're falling in love with Iñaki.
01:08:08Right?
01:08:09Sure, but if the same thing happens to him, you only have to look at him.
01:08:12You think?
01:08:13But of course, it makes the poor person feel sorry for him.
01:08:15Look, for the past few days he's been looking at you like a diabetic kid with chocolate cookies.
01:08:19And I thought you didn't know anything.
01:08:21Look, when that happens to me, and I don't know if I like a guy, what I do is
01:08:25It's the kiss test.
01:08:26The kiss test?
01:08:27Yes, look, you just grab her and give her a kiss, but just like that.
01:08:30And if you get goosebumps, it's because you like it.
01:08:33It's very easy.
01:08:34Besides, a kiss never hurts.
01:08:36The things this girl does...
01:08:38Hey, but don't say anything about this, okay?
01:08:39Don't worry, I'm not Dolores.
01:08:42Hey Carmen, if it doesn't work, don't worry, just find another one.
01:08:46Before you find the prince, you'll find a bunch of toads.
01:08:49Thank you very much, Irene.
01:09:03Wait, what the hell is this?
01:09:05Hey Iñaki, finally.
01:09:06Look, my cousin had to leave, but he's left you a little box of seafood here.
01:09:10so you can try it.
01:09:11Look, well, although it seems to me that you've come straight from fishing.
01:09:15Dolores, take this away from here.
01:09:18Kid, you haven't even seen the genre yet.
01:09:20Look, look, it's a crab.
01:09:21I don't want to suck a little foot.
01:09:21Look, Dolores, I don't want to suck anything.
01:09:24Me? But you've never seen these clams in your entire life.
01:09:26Look, even you won't see them.
01:09:27Bring this closer to me.
01:09:28Bring it here, bring the seafood here.
01:09:29Oh my God!
01:09:30What amazing animal treatment, they're so fresh!
01:09:33I look forward to your call and hope we can do business together.
01:09:41Screw seafood!
01:09:43But what does he do?
01:09:44I don't know, maybe he's allergic to iodine or something, but anyway, I'm going downstairs to get it because I can't.
01:09:48It's paid, it's not paid.
01:09:53Seafood on the patients' menu, huh?
01:09:55Where has that ever been seen?
01:09:57Oh!
01:10:01And crab?
01:10:04Well, huh?
01:10:04But what are you doing?
01:10:06I?
01:10:07Yeah?
01:10:07Go crazy?
01:10:08No, yes, I can see that now.
01:10:09No, no, no, you all managed it in the end, right?
01:10:12What was this?
01:10:12Did you have a plan from the beginning, or have you been improvising as you went along, or...?
01:10:18But, little girl, where are you going?
01:10:19Because of how hard it was for me to find you.
01:10:23Carmen, you'll lose sight of me tonight.
01:10:25And we're going to address each other formally, okay?
01:10:27That you worked better when there was more distance.
01:10:29Look, Iñaki, you don't need to leave.
01:10:31Yeah, you know what?
01:10:32But I want to leave.
01:10:33And I think I'll have something to say about all this, won't I?
01:10:36What do you think?
01:10:37That's great.
01:10:37That's great.
01:10:38But I don't want you to leave.
01:10:40And why?
01:10:41Because I have doubts.
01:10:42Ah, now you have doubts.
01:10:44Doubts about what?
01:10:44From you, from me.
01:10:46Look at that...
01:11:03Iñaki!
01:11:06Love.
01:11:07Love!
01:11:09Are you awake?
01:11:10Iñaki, what's wrong?
01:11:12Where am I?
01:11:15Iñaki, you love yourself, robe, please.
01:11:17Love, I'm here.
01:11:18Can't you hear?
01:11:18Here?
01:11:19Iñaki, you're there.
01:11:21Ama, do you want something?
01:11:21Water or...?
01:11:22Honey, she can hear us.
01:11:24Love.
01:11:24Love.
01:11:25Iñaki.
01:11:25Yeah.
01:11:26Marichu.
01:11:27Marichu, do you understand me?
01:11:29Because?
01:11:30But why are they giving it to me in such a strange way?
01:11:32Why do they tell me...
01:11:33Prisho!
01:11:34Prisho!
01:11:35Oh, he didn't have one of those spasms he gets, did he?
01:11:38So, he's woken up, right?
01:11:39Yes, he has woken up, he has woken up.
01:11:40Wow, really!
01:11:42But who are all these people?
01:11:44Love, these are the people who have been taking care of you.
01:11:47Love, you won't remember, you bumped yourself.
01:11:49Huh, mistress?
01:11:51Where am I?
01:11:52Where am I?
01:11:54Where?
01:11:54Well, here.
01:11:56Hey?
01:11:57Where to?
01:11:57In Neuskadi.
01:12:00In the hospital in Donosti.
01:12:01Where else would we be?
01:12:08I think the kiss we shared yesterday deserves some comment.
01:12:11Okay, I kissed you first.
01:12:12But you kissed me much more passionately.
01:12:15Come here, Iñaki!
01:12:17Ah!
01:12:18Iñaki?
01:12:19What did he tell his mother that they are in Neuskadi?
01:12:21But if it's not in Neuskadi.
01:12:22Who is this man?
01:12:23Ignacio Urrutia.
01:12:24Oh, man!
01:12:25I see you know Josechu, the deaf.
01:12:27If I wanted to know how to get through Vasca, like that.
01:12:30Is that from my granddaughter Sosena?
01:12:31Don't get into trouble with your friend.
01:12:34And it will be you, Juan.
01:12:35What do you give him?
01:12:36What do you mean, who am I?
01:12:37Menchu, from Quecho.
01:12:38If I don't bring him bonito from the north, he'll realize we're not in Neuskadi.
01:12:42Come on, Rafi, come on.
01:12:43I don't think it's that complicated.
01:12:45What, Columbus?
01:12:46Have you already shown mercy?
01:12:47Wait a minute, you freak, man, I just got here.
01:12:49Oh, yes, I thought she was your sister.
01:12:51Necane, my sister?
01:12:52No, no, no, no, no.
01:12:53I wouldn't know what to do without her.
01:12:55Come on, but hey, like Rafi and you, right?
01:12:56I want to find a ticket to London.
01:12:58For Jirro or for Gagui?
01:12:59No, for London, I just told you.
01:13:03Holy shit, have mercy!
01:13:04What is my navy doing?
01:13:05I wanted to tell you that you and I...
01:13:07That Marichu wants to open the window to ventilate and breathe the breeze of the Cantabrian Sea.
01:13:13What's that?
01:13:14So sing, Jondo, you can't spend all day singing.
01:13:19Love?
01:13:20God, why did I wake up?
Comentarios