Allí abajo - 1x09 - Agur Lehendakari - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

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Transcript

00:00:00Well, the distribution is done.

00:00:02Come here, little sea bream.

00:00:05Viva!

00:00:06Viva!

00:00:08So, what are you doing there?

00:00:09Iñaki!

00:00:11So, how are we supposed to go home now?

00:00:13Oh, my little fish!

00:00:16Both phones? Are you crazy?

00:00:17What am I going to...? I don't know.

00:00:19It's Nekane and she says she's in love with me.

00:00:23Hello.

00:00:23Your letter was the best thing that happened to me yesterday.

00:00:26What you need to do is go there.

00:00:28You're right, that's it.

00:00:29What buses are there to Seville?

00:00:30You can get a live connection from Seville here every five hours.

00:00:32There are twenty and twenty less.

00:00:34Hey, look, I'm Colo.

00:00:36I am married.

00:00:37Don't call me anymore, please.

00:00:38You are an animal, a beast.

00:00:39How could you do that to the girl, man?

00:00:40Now I'm going to have to call to fix it.

00:00:42Piety.

00:00:43If you want to get rid of the bar,

00:00:45turn it into a profitable business

00:00:46And maybe one day I'll even buy it for you myself.

00:00:49Well, that's what I'm going to do.

00:00:50I'm going to give it my all at that place.

00:00:52You'd better take me seriously,

00:00:53Because things are going to change a lot here.

00:00:55He bought the clinic's bar with his father's savings.

00:00:57And as a play, it's not bad.

00:00:59Because she probably didn't take long to throw herself into your arms, right?

00:01:03No, he did throw his arms out, but on someone else's.

00:01:05And the less I run into Carmen, the more likely I am to.

00:01:08Either you live with her and now you work with her.

00:01:11Now that I have the restaurant, I'm going to look for something for myself.

00:01:13Anyway, just take it easy.

00:01:15You don't need to get so close, Carmen.

00:01:17Do you really not know what's wrong with the Basque people?

00:01:19Well no.

00:01:20And there's the man.

00:01:21Come on, set up a herbivore,

00:01:22I think he wasn't even tamed or anything.

00:01:23But it just can't be.

00:01:25Come on, that's the last thing I needed.

00:01:26that this man had bought is for me.

00:01:29Ah, so you've already heard about Charlemagne, haven't you?

00:01:31Well, look,

00:01:32If he had known that he had died with Robert,

00:01:34It saves you the gallop.

00:01:35You don't know if you're falling in love with Iñaki.

00:01:37Right?

00:01:38Sure, but if the same thing happens to him,

00:01:40You only have to see it to believe it.

00:01:41What about you?

00:01:42You don't need to go.

00:01:43Yeah, you know what?

00:01:44But I want to leave.

00:01:45I just don't want you to leave.

00:01:46And why?

00:01:47Because I have doubts.

00:01:48Doubts about what?

00:01:49From you, from me.

00:01:50Yeah, look here.

00:01:53Iñaki!

00:01:55Love.

00:01:57Love.

00:01:58Love.

00:01:59Iñaki.

00:01:59Yeah.

00:02:00Marichu.

00:02:00Where am I?

00:02:02Well, here.

00:02:03Hey?

00:02:04Where to?

00:02:05In Neuskadi.

00:02:06Hey?

00:02:07Hey?

00:02:33Iñaki.

00:02:36Iñaki, my aunt, is that you?

00:02:37What happened to me?

00:02:39Calm down, love.

00:02:40Peaceful.

00:02:41You've been asleep.

00:02:43In a coma.

00:02:45But the important thing is that you are here now, among us.

00:02:48In a coma?

00:02:49Oh my God.

00:02:51And how long have you been asleep?

00:02:53Look, love.

00:02:55I don't know how to tell you this.

00:02:58Now cars fly.

00:03:00That?

00:03:03It's a joke, man.

00:03:05You've been there for two weeks.

00:03:06But for me, well, it's felt like an eternity.

00:03:09What are you doing?

00:03:12Nothing, nothing.

00:03:13Here, you had something on your forehead.

00:03:14Look, that's it.

00:03:15And who were those people?

00:03:18Who are they, love?

00:03:19The ones from before.

00:03:20Those who surrounded me.

00:03:23And they spoke to me so strangely.

00:03:25Oh dear, you must have dreamt that, huh?

00:03:27Or maybe you were heading towards the light and they were different...

00:03:31souls.

00:03:31What soul or what the hell?

00:03:33And where am I?

00:03:35In San Sebastián?

00:03:36Love, maybe I haven't told you the whole truth.

00:03:39But we're not in San Sebastián.

00:03:41We are in...

00:03:45Zarauz.

00:03:46Yes, in Zarauz.

00:03:47A new clinic that has opened.

00:03:48Private.

00:03:49Specializing in comas and all that.

00:03:51Oh really?

00:03:52Zarauz.

00:03:53Where did you tell him he is?

00:03:55In the Basque Country, at home.

00:03:56Damn, what do you want me to say?

00:03:58So, where are Coldo and Bego?

00:03:59Without them, this is impossible to sustain.

00:04:01They took the first plane, Iñaki.

00:04:02They'll be there by mid-morning.

00:04:03Even with the hurry your aunt is in,

00:04:05She might even feel like piloting herself.

00:04:07What did he tell his mother?

00:04:08They are in the Basque Country.

00:04:10But if it's not in the Basque Country.

00:04:11Damn, hairy.

00:04:12He already knows.

00:04:13Iñaki, when are you going to tell him the truth?

00:04:15Tell him what, Anchón.

00:04:17Tell him what.

00:04:18I've settled in Seville

00:04:19while she was in a coma.

00:04:21I've bought a bar

00:04:21and that I live in a woman's house.

00:04:23Well, I don't know, I haven't found the right moment, Anchón.

00:04:25I haven't found the time.

00:04:27Goodbye, I have to go.

00:04:31Forward.

00:04:34Hey, Iñaki.

00:04:35A for Rober.

00:04:36How are you?

00:04:36What did he tell you?

00:04:37Okay, okay.

00:04:39It's perfectly fine.

00:04:39Okay, but let's not get too confident, okay?

00:04:41The first 48 hours are crucial.

00:04:43The important thing now is that she doesn't get euphoric.

00:04:45Oh, euphoric, love.

00:04:46No, no, no.

00:04:47She has always been more of an inward-looking person.

00:04:50No, what I want to tell you is not to let him find out.

00:04:52Yes, that's exactly what I wanted to talk to you about, Robert.

00:04:54Do you remember when he woke up

00:04:56Did I tell him we were in the Basque Country?

00:04:57Yes, well, a trivial reaction.

00:04:59Yes, the thing is, he's getting paid.

00:05:01its small importance.

00:05:02Because now I've told him

00:05:03that instead of being in San Sebastián

00:05:04We are in Zarauz.

00:05:06Where?

00:05:07In Zarauz, in Gipuzkoa.

00:05:09On the beach.

00:05:10And not here anymore.

00:05:11And in the south.

00:05:12Hey, and haven't you told him?

00:05:13that what I'm wearing hanging here

00:05:14Is it a string of chistorra sausage?

00:05:17No, no, I wasn't needed.

00:05:18Because to her, you don't exist.

00:05:20Sorry?

00:05:22Yes, I told him that his doctor is Coldo.

00:05:24In Chostegui.

00:05:25Iñaki, are you out of your mind?

00:05:26Look, Robert, I promise you

00:05:27that you won't have to worry about anything.

00:05:29I will gather the nurses myself.

00:05:31and I will explain the situation to them.

00:05:32And Coldo and my aunt Bego are already on their way

00:05:34to give the matter more coherence.

00:05:37Okay, okay.

00:05:37What do you think about me wearing a loincloth?

00:05:39And I do the rain dance

00:05:40to create an atmosphere?

00:05:42Yes, yes, that's the attitude.

00:05:46Robert, you said it yourself.

00:05:48Don't let it get upset.

00:05:48What if I tell you to let it get some fresh air?

00:05:50what are you doing?

00:05:50Are you throwing it from the swivel or what?

00:05:51Robert.

00:05:54Alright.

00:05:5548 hours.

00:05:56Thank you very much, Robert.

00:05:57I really appreciate it.

00:06:02Hey, because...

00:06:03If I ask you to speak with a Basque accent,

00:06:06No...

00:06:07Come on.

00:06:17Well, Carmen,

00:06:18You know that the Basques

00:06:18We're not much of a talker.

00:06:22But...

00:06:22the kiss we shared yesterday

00:06:24I think it deserves some comment.

00:06:26Okay, Iñaki,

00:06:27Okay, I kissed you first,

00:06:28But you kissed me

00:06:29much more passionately.

00:06:32No, Carmen, no.

00:06:33The Basque is going to be scared.

00:06:35Damn it, Iñaki,

00:06:35what are you doing?

00:06:38Iñaki,

00:06:39Yeah...

00:06:40Your mother wouldn't have woken up.

00:06:42How would we have woken up?

00:06:44No, Carmen, no.

00:06:46No, Carmen, no.

00:06:49We have to sing a little bit

00:06:51to have a truly happy heart.

00:06:53I just don't do it.

00:06:57You see, Carmen,

00:06:58I saw my mother open her eyes

00:06:59And my moment was ruined.

00:07:02But just so you know, I liked it.

00:07:05and that he wouldn't repeat it to us.

00:07:06Well, that's it, man.

00:07:07If you want to repeat,

00:07:08I'll wait,

00:07:09that nothing should be left inside.

00:07:10No, no, don't worry.

00:07:12I've finished everything of his.

00:07:21Dolores, have you seen Carmen?

00:07:22I need to talk to her.

00:07:23What a joy that he has woken up

00:07:24Finally, Marichu.

00:07:25Yes, I think Carmen

00:07:26He has entered your mom's room.

00:07:28That?

00:07:29Don't mess with me.

00:07:30Don't mess with me.

00:07:32Don't mess with me.

00:07:43Daddy,

00:07:44to paperurena.

00:07:45Come here, Iñaki.

00:07:48Iñaki.

00:07:49Nekane?

00:07:50Iñaki.

00:07:51Marichu.

00:07:52Yekani?

00:07:53Are you awake, Marichu?

00:07:54Iñaki, are you awake, my beloved?

00:07:56Yes, yes, I know, he woke up last night.

00:07:57I told Coldo, so you're not here because of that?

00:07:59Hey?

00:08:00Clear.

00:08:01Sure, but it's so miraculous that I can't get used to it.

00:08:04But what are you doing here, daughter?

00:08:05Nothing, I just got back from...

00:08:07Next door? From the tavern?

00:08:08Oh! Look, you're freezing, you're so cold.

00:08:11Come on, let's have a coffee and you'll warm up.

00:08:14Come on, love.

00:08:16Already!

00:08:19Iñaki, why do you say we're in Don Nostra?

00:08:20I know it makes no sense or logic, but for my mom, she's being Don Nostra.

00:08:23Well, we're here.

00:08:25And while we're at it?

00:08:26What are you doing here so early?

00:08:27Will Coldo and Bego be on the plane?

00:08:28The news caught me on my day off, in Madrid.

00:08:30I had tickets to see The Lion King.

00:08:32What's that?

00:08:33Jungle Musical.

00:08:34No, no, no. This.

00:08:35This is just to get your mother's attention.

00:08:37But come on, seeing that vein on your forehead, maybe you should take it again.

00:08:41Look, we'll get your attention later, love.

00:08:43Now I want to talk to you in the nurses' room, okay?

00:08:45Okay, fine, but the attention...

00:08:46Next, next.

00:08:47Okay, but don't take too long.

00:08:50Please keep an eye on Mistress and make sure she doesn't leave the room.

00:08:53And please keep the blinds closed, there's more light in here than in a nuclear power plant.

00:08:56So what do I do? Do I keep her here in case she wants to go to the drum parade?

00:09:03Look what's possible here, the winning choir will go to the Vatican.

00:09:05To sing to the father of a little Frenchman.

00:09:07Oh, how exciting!

00:09:09This has to be the faces, Loli.

00:09:11Goosebumps, I tell you.

00:09:12Oh, I have a musim here, that goes up and down, I mean, I can't stand it.

00:09:15I don't believe it.

00:09:16I'm planning to take the card to have it blessed.

00:09:19Hush, hush, hush.

00:09:20Can you imagine us entering the Vatican, singing the zarandonga, knocking down the tower, the pope cheering and clapping his hands?

00:09:26And with the paw.

00:09:29There hasn't been that much high-level traffic there since Bozilán was there.

00:09:32Hey, but get real, we haven't won yet, okay?

00:09:34Oh, look, look.

00:09:35Oh, Charito.

00:09:37Hey?

00:09:38Hey?

00:09:38Where is the greatest female solo artist in Spain and beyond?

00:09:42Oh, she's coming here, to the clinic, great, because Luz and I are talking about the contest.

00:09:47What, what comes from patient?

00:09:49He has appendicitis.

00:09:51And I have a fringe on my ass and yet I'm going to sing in the choir, you know?

00:09:55Yes, yes.

00:09:56Daughter, and you can't postpone the operation for a couple of days, to see if we could.

00:10:01Yeah, like a beach ball.

00:10:03I'll take responsibility, I'll take responsibility.

00:10:05Yes, okay, okay, okay.

00:10:06Okay, see you later, see you later.

00:10:09We're without a soloist, Lucy.

00:10:11So what the hell do we do now?

00:10:13Now, I don't know about you, but my half hour for coffee has flown by.

00:10:16And I'm leaving, because that's something I'll definitely be aware of.

00:10:19Well, girl, I'm going to take advantage of this and do a little shopping.

00:10:22Come on.

00:10:22See you later, baby.

00:10:23See you later.

00:10:27Ardin, do you know that a bouquet of flowers has arrived in the nurse's office for you?

00:10:31With a little note.

00:10:32What do you mean, a bouquet of flowers for me?

00:10:34Don't even think about reading the note, okay?

00:10:36But little girl, why have you taken me?

00:10:37I have never read a note from you in my life, and I never will again.

00:10:41There you go.

00:10:42Hey girl, how about a little coffee?

00:10:43Please.

00:10:44Hey, what a joy, what about Iñaki, right?

00:10:46He told me, I found out.

00:10:48What did he tell you?

00:10:49How are you doing?

00:10:50Well, he's fine, happy, right?

00:10:52Normal, huh?

00:10:52Everyone is happy that their mother is waking up after so long, right?

00:10:55Well, less than psychosis.

00:10:57Of course, be like that.

00:10:58Well, in the end it wasn't that long, was it?

00:11:00After my bachelor party, I slept more than the Basque man's mother.

00:11:04Let's celebrate, shall we?

00:11:06Come on.

00:11:06Some churros, Isabel.

00:11:07Bring some churritos from inside, go ahead.

00:11:08They're my little churritas.

00:11:09Yes, man.

00:11:10I have nothing better to do than act like a little bugger.

00:11:12I'm not taking the ball out, Rafi.

00:11:14He commands so much, he commands so much.

00:11:16Oh, how awful.

00:11:17My sister-in-law is having such a bad day, isn't she?

00:11:19Look, honey, it's been like this ever since Iñaki said he was changing our uniforms.

00:11:21What uniforms are they going to provide?

00:11:23It's not like they're going to dress you up in beachwear.

00:11:24Look, what I do know is that I'm going to ask Iñaki for a hazard pay bonus.

00:11:26Because here the lady is eating like a horse.

00:11:28Let's go.

00:11:34Sister-in-law, do you think I'm fat?

00:11:37How could I possibly believe that, sister-in-law, for God's sake?

00:11:39You're hot, huh?

00:11:42Effective.

00:11:43Not like me, who's a real wet sparrow.

00:11:47Well, maybe a kilo, yeah.

00:11:50I have no idea, but I'm doing great.

00:11:52I stopped weighing myself when I had the baby.

00:11:54So imagine how much I'm dying for them to come and take my measurements.

00:11:58Kids, that they were going to publish it in the BOE.

00:12:00I don't care, I don't want to know.

00:12:02Measure me only for the coffin.

00:12:03And if I don't get in, then they can bury me in an inflatable pool.

00:12:07You'll see how it will fit there.

00:12:08That's outrageous, dude.

00:12:09The Yuyu, right?

00:12:18Hey Dolores, have you seen Carmen?

00:12:19I just saw her at the tavern, then.

00:12:21She was exhausted from climbing Mount Higueldo with her bicycle on her back.

00:12:24Yes, you already know, right?

00:12:26I don't even know why I'm asking.

00:12:28Hey Dolores, look, I know it might sound a little strange, but I wanted to ask you a favor.

00:12:32No, I'll do you any favors you want, but come on, your mother woke up...

00:12:35comma, he hasn't fallen from a tree.

00:12:36I know, I know, I'll tell him.

00:12:38But look, I need you to control the shouting in the hallway a little.

00:12:43Okay? Because conversations often get in the way and you sound like a flamenco show.

00:12:46Okay, okay, whatever you want, whatever you want.

00:12:47I can also put some ferns here that coerce in you, no.

00:12:51And one more thing I'm going to ask you.

00:12:53That kind of humor has no place in the north.

00:12:55Come on, it doesn't even fit in the south of the north.

00:12:57Take note of what I'm telling you.

00:12:57Well, that's impossible.

00:12:59That's like asking a Basque man to charm you with his smooth talk.

00:13:02Well.

00:13:04No, leave it, leave it.

00:13:06Yes, I'll do you the favor, as a personal favor and because you asked my sister for the uniforms.

00:13:09Thank you, Dolores.

00:13:10Look, it's so my mother doesn't find out suddenly.

00:13:13Well, you'd better hurry up because José has Andalusia written all over his forehead.

00:13:17Shit.

00:13:25Jesus Mary.

00:13:26Is that how you get in the middle of things by building a hospital?

00:13:28Well, thank goodness I have no heart.

00:13:29Hey man, I see you know José Chu, the deaf.

00:13:33Yes, he is deaf and mute.

00:13:34He is here through an integration program.

00:13:37Ah, look.

00:13:38What's up, José Chu?

00:13:41Okay, how do you understand it?

00:13:43By signs.

00:13:44He is very expressive.

00:13:45Just by looking into your eyes, he already knows what you're thinking.

00:13:48Machine?

00:13:48Besides, you have to leave now.

00:13:51Yeah.

00:13:53Hey, you really do understand him well, huh?

00:13:55Yes, yes, perfectly.

00:14:00Hey, watch out, José Chu, you're great.

00:14:02Come on.

00:14:02Goodbye.

00:14:05José, to me, love, you are mute.

00:14:09Damn, Mecana, where were you?

00:14:11Marichu asked me for the Basque newspapers,

00:14:13who wants to find out everything that happened while she was asleep.

00:14:15Yes, I'm telling you, he doesn't want to know everything.

00:14:19So, love? Are you okay?

00:14:21Well, it's a real mess, son.

00:14:22I don't know what I'm doing here.

00:14:24But what has happened to me?

00:14:25I don't even know where to begin.

00:14:27Well, it starts with how I ended up in a coma.

00:14:28Well, well, there will be time to talk about that later, okay?

00:14:30The important thing is that you're okay, that you're home and alive.

00:14:33I knew that leaving the Basque Country wasn't going to bring me anything good.

00:14:37Look, next time I tell you I want to go somewhere,

00:14:39You throw me down the stairs.

00:14:43You're sure you don't remember anything, right, love?

00:14:46You are welcome?

00:14:47Oh, I don't even want to think about how you've been all this time.

00:14:51Alone in the hamlet, like a hermit.

00:14:54In Ekané?

00:14:55Hey?

00:14:55Yes, yes, yes.

00:14:57Yes, I've hardly even seen it.

00:14:58Well, look at that.

00:14:59I'm so eager to hear people talk that I'm going to go outside for a while.

00:15:02In Ekané, you watch, you love, eh?

00:15:04I need to talk to the nurses.

00:15:05What time are you going to go, auntie?

00:15:14Opa?

00:15:15No, cheers, Angela.

00:15:17It's not that difficult either.

00:15:18Aupa.

00:15:19Aupa.

00:15:20That's it, huh?

00:15:21When you enter, up you go.

00:15:22When you leave, up you go.

00:15:23And please cover up all those Hispanics you're wearing.

00:15:26Hey, damn it, with that vocabulary the kids will learn to speak soon, right?

00:15:30I can't believe it, girl.

00:15:31Haven't your mother told you we're in Seville yet?

00:15:33I just haven't found the right moment yet, Carmen.

00:15:34But hey Carmen, it's okay, because I'm a little bit dark.

00:15:37Yeah.

00:15:37Sure, I had a boyfriend from Bilbao.

00:15:39Pussy.

00:15:39And then I learned to say several things.

00:15:41What a great ass you have!

00:15:43Eat my whole trunk.

00:15:44Very good, Irene, that's the attitude, thank you.

00:15:46Okay, guys, this is crazy.

00:15:48If Trini finds out, I'll be using suppositories for the rest of my life.

00:15:51No, but that's not going to happen because Dolores told me she's at a conference and won't be back.

00:15:54see you tomorrow.

00:15:55Also, Carmen, it's until my mistress calms down.

00:15:57Or until I'm left, come on.

00:15:59It's not that hard to tell him, man.

00:16:02Tell your mistress, look, mistress, the rain in Seville is a pure wonder.

00:16:05I don't know.

00:16:07I really don't know what I'm doing asking for this crazy thing.

00:16:10But just the thought of losing her again...

00:16:16Okay, fine, but I'm not going to take sick leave, okay?

00:16:18No.

00:16:19And you, Leaderita, we have more patients, apart from Marichu.

00:16:23Angela, cheer up.

00:16:25Aupa.

00:16:25There.

00:16:29Iñaki, I wanted to...

00:16:31Yes, I wanted to talk to you too, Carmen.

00:16:34Ah.

00:16:40Well, for our first conversation, it's falling a little short, isn't it?

00:16:45No, you know, dear Pasto.

00:16:48Okay, Carmen, about last night.

00:16:52Last night...

00:16:53What a night, huh?

00:16:56Yes, it was night.

00:16:59Carmen, about what happened.

00:17:02I wanted to tell you that you and I...

00:17:04That Marichu wants to open the window to ventilate and breathe the breeze of the Cantabrian Sea.

00:17:07Let's see, you're...

00:17:09Carmen, we'll talk later.

00:17:13It's you, isn't it?

00:17:14I am nobody.

00:17:16Well, it's not like I'm his girlfriend.

00:17:18No, Marichu's nurse, I mean, it's you.

00:17:21Oh, sorry, I didn't understand you.

00:17:23Yes, yes, yes, yes.

00:17:24May we give you something to drink?

00:17:26He says he's thirsty.

00:17:26Yes, let him drink, let him drink.

00:17:28Necane.

00:17:29Does that have a bubble in it?

00:17:31Uh, no, my name is Necane.

00:17:32Oh, forgive me.

00:17:34Sometimes I'm a little faster, but not today.

00:17:53And the Girada, that most beautiful bell tower in Seville.

00:17:56What can I say about Seville?

00:17:57From all over the world.

00:17:58Neither the imperialist.

00:17:59Hey, nine o'clock, yo!

00:18:00And I won't even mention what you'll see when you see the Torre del Oro now.

00:18:02Yes, because we're already in the taxi at El Oro.

00:18:04That was when I arrived at Marichu's park.

00:18:05Sabina, wait a moment, son, because the man keeps talking.

00:18:07What does it say?

00:18:09When you see what Maria Luisa Park is like, that marvel of nature,

00:18:13From National Geographic, in person, that's a real marvel.

00:18:17But we are close to the clinic.

00:18:19Right there, just a couple of steps away.

00:18:21We're right there, right there, right there, right there.

00:18:22Well, then shut up.

00:18:23And leave me here because I'd rather walk than listen to you.

00:18:26But, they're moving at a different pace here.

00:18:29Okay, keep the change.

00:18:31Okay, that's great!

00:18:32Don't think I'm always so generous.

00:18:35Just like I die.

00:18:37Hey Sabino, son, I just landed and you're already calling me.

00:18:40What's wrong, aren't you counting the changes?

00:18:42I've left them in little piles on top of the dresser.

00:18:44No, no, it's these people who insisted I call you.

00:18:46It's because Coldo doesn't get hot.

00:18:48Bego, please go see Coldo.

00:18:50Hands-free.

00:18:51Who can I talk to you about?

00:18:52Hey?

00:18:53Oh.

00:18:54So what's going on?

00:18:55What, Coldo?

00:18:56Have you already shown mercy?

00:18:58Shut up, you freak, man.

00:18:59I just arrived.

00:19:00Besides, I don't plan to watch it.

00:19:01What did he think?

00:19:01You'd better, Coldo.

00:19:02So, are you Basque, damn it?

00:19:04Self-control.

00:19:04That's your second surname.

00:19:05Yes.

00:19:06Hey, Peyo, calm down, okay?

00:19:08Hey?

00:19:09I assure you that my energies are very well controlled.

00:19:11I am chained to a word because of lack of it.

00:19:14But thanks to God, I won't fall again.

00:19:15Hey?

00:19:16What are you saying?

00:19:17No, falling into the fine.

00:19:18It goes to your head.

00:19:20We are not prepared.

00:19:21Well, love.

00:19:23Let's see, Sabino.

00:19:24Hey, I'll leave you now because you'll have to tend to the tavern, right?

00:19:26Hey, you're not drinking, are you?

00:19:28Uh, no.

00:19:29Well, I'll just have a little something.

00:19:30Okay, fine, Hugo.

00:19:31I'll call you later.

00:19:32Come on, Begocho.

00:19:32A kiss.

00:19:34Well.

00:19:35And?

00:19:36When do you go down to see yours?

00:19:38Hey?

00:19:41What are you saying, Sabino?

00:19:42Look, it's been many years of seeing and remaining silent.

00:19:45What beautiful colors you had on your cheeks!

00:19:47Hey?

00:19:47Let's see, Sabino.

00:19:48I already have the blushes.

00:19:50Besides, I only played cards.

00:19:57You could have told us that it was a wild time, huh?

00:20:00What a joy to be alive, Sabino.

00:20:01What women.

00:20:02You should have been there.

00:20:04From day one you'll start with the horses going uphill,

00:20:06the horses down.

00:20:07Come on, get the ham out.

00:20:08And then some ranges.

00:20:09And there are people dancing.

00:20:10Everyone was dancing.

00:20:11And so much clapping, just like here.

00:20:13Hey, hey.

00:20:14Let it not be said that we don't know how to have a good time here.

00:20:16Hey?

00:20:19That?

00:20:20Or another breeder?

00:20:22With everything that's going on.

00:20:23Take it out!

00:20:24Take it out!

00:20:31Go for it!

00:20:33No no.

00:20:35Isn't that something?

00:20:36Go for it!

00:20:37Well, it's not that strange, is it?

00:20:38What do you say?

00:20:40Bah, we're always talking about pussy.

00:20:42As?

00:20:43Excuse me, what was your name again?

00:20:44Nekane.

00:20:45One thing I want to tell you.

00:20:46In your vocabulary there are many X's, many K's, many T's, C's, many K's.

00:20:53Well, there's a lot, but thinking about it, there isn't that much difference between you and me.

00:20:58Man, with everything you just said, I have enough to talk about for a week.

00:21:01Yeah, you guys talk less, don't you?

00:21:03We're more about gestures.

00:21:04What gestures?

00:21:05My soul, if you move your arms less than a click.

00:21:06I nod, yes.

00:21:08Ah, the head.

00:21:13I don't look very Basque, do I?

00:21:14No.

00:21:15What's more, I'm thinking of taking you as a souvenir from Seville in the glove compartment of my car.

00:21:20Do you really want to look Basque?

00:21:23It's just to do you a favor, Iñaki.

00:21:25Well, you have to use the three S's.

00:21:28Sobriety, separation, because we Basques keep the safety zone and subject-predicate, short sentences.

00:21:33You understand?

00:21:34Okay.

00:21:36I understand.

00:21:37Thank you.

00:21:38Well, there you have it.

00:21:42My God, I don't know why He gave him another language, with so little need for it.

00:21:45He does it to them.

00:21:51Forward.

00:21:54Hey Homer, are you okay?

00:21:56What are you?

00:21:57You want them to be my children, damn it.

00:21:59Come on, hurry up.

00:22:00Man, thick.

00:22:00Today we're focusing on muscle definition.

00:22:02Definimuscle?

00:22:03Are you going to say?

00:22:04First we have to create it, right?

00:22:05Bring it.

00:22:07My God, what a guy.

00:22:09Well, as you can see, I came to give you some news, but I don't know if...

00:22:12Tell me, tell me.

00:22:14Marichu.

00:22:15What has awakened?

00:22:17What are you telling me?

00:22:18That's going to be bigger than watching Yocomba move.

00:22:22What do I need, child?

00:22:23And I'm going to need you to bring me the damn electric hair clipper pencil too.

00:22:28Ah, yes, yes.

00:22:28Oh my God, this thing carrying the salted snack is so heavy!

00:22:32Well, you can't go in there, I don't know if I have a Basque passport.

00:22:35As?

00:22:35Iñaki, who doesn't let anyone into that room, I don't know if he's carrying a log under his arm.

00:22:39Well, we'll see about that.

00:22:42Oh, that...

00:22:42What is that, the Bis Van?

00:22:44That's in London.

00:22:45The Bis Ben, damn it.

00:22:47Is that from my granddaughter Sosena?

00:22:49But?

00:22:50Well, we're not having a good time with Britain's daughter.

00:22:53Read it, read it.

00:22:55Can?

00:22:55Okay.

00:22:57What beautiful handwriting.

00:22:58Dear Grandpa, London is amazing.

00:23:01I've tried to give your regards to the Duchess of York, but it's been impossible.

00:23:06That's a true topic.

00:23:08I hope you continue to do well in the clinic and don't get into trouble with your friend and the two of you.

00:23:13Juan.

00:23:16Damn, dude, did he remember that my name starts with J?

00:23:19That?

00:23:22You're fine, José.

00:23:24Yes, the star has produced some vapors and irritated my cornea.

00:23:29Coni?

00:23:30The vapors of love.

00:23:33Yeah?

00:23:35Excuse me, are you the girl listed as a soloist for the choir?

00:23:40Great.

00:23:40Look, I know what I'm about to ask isn't very normal, but we don't have much.

00:23:44time, really, to do tests.

00:23:46Would you mind singing me something over the phone?

00:23:49Go ahead, go ahead, I can hear you.

00:23:51I put my hand in, oh oh, I put my hand in.

00:23:54And you, you, you, you, you.

00:23:56God, what's going on there? Are they operating without anesthesia?

00:23:58This one, who says she's a solo artist, but come on, I think she's a solo artist because she's left alone every time she

00:24:03sings.

00:24:03Mother!

00:24:05Very good, huh? Very good, great.

00:24:07Well, speechless, yes, yes, just wait and we'll call you.

00:24:10See you later.

00:24:11Oh, José, do you know any girl who sings in a choir?

00:24:14Oh, well look, I have some friends who have a heavy metal band, it's called The Satan Troupe.

00:24:19Ah, well that won't work for me.

00:24:20Well, appropriate, what I really came to ask was if you could leave a mile tidy for me.

00:24:25Yes, it's for entering apuestas.com, forget about it.

00:24:27No, that was once when he jumped like that on an island.

00:24:30Yes, once.

00:24:30I want to find a ticket to London.

00:24:33A plane ticket?

00:24:34Yeah.

00:24:34Well, I'll take a look at it for you.

00:24:35Olé, thank you very much.

00:24:36Yes, yes.

00:24:36Let's see, where? Pa Jirro or pa Gagüí?

00:24:38No, to London, I just told you.

00:24:40Kids, those are airports.

00:24:42Ah, well, I don't know, whoever I catch will take me closer to here, right?

00:24:44Okay, I'll look into it for you at low cost.

00:24:45No, look at it here on the computer, it's already open, so why go anywhere else?

00:24:48You don't know a word of English, do you?

00:24:51With that level of English, where are you going, José?

00:24:54Well, that's also true.

00:24:55If I struggle with Spanish, imagine how bad my English is.

00:24:58Hey, don't leave like that, kid.

00:25:00I'll look at you once in Valencia, because everyone's there because of the heat.

00:25:09No, I knew that field was dodgy, but I had to call a handball on him, girl.

00:25:12What I do?

00:25:13Come on, the only thing he didn't do was hug the ball.

00:25:16Of course, this football thing, well, it's like gladiatorial combat.

00:25:19But instead of wearing espadrille sandals, you're wearing a bucket of tacos.

00:25:24Daughter, be careful, he's going to take your eyebrows.

00:25:26Well, it seems our patient is feeling much better, doesn't it?

00:25:29That said, I'm going to have to prescribe him a helmet for the next time he referees.

00:25:34What? How was your morning?

00:25:36Morning?

00:25:38Yes, no, it's not strange at all.

00:25:41Queer? No.

00:25:42Well, yes to you now, what happened I stole.

00:25:45The flower, my soul, the flower. A little bit of space for romance, damn it.

00:25:50The flower, yes. Very pretty, robe. Thank you.

00:25:54And the kiss?

00:25:54The kiss?

00:25:57Hey, you're more dangerous than a derby, Betty and Sevilla.

00:26:00Excuse me.

00:26:01Well, she'll give me the kiss when she's a little calmer.

00:26:04Yeah.

00:26:04Then.

00:26:05That's better, later.

00:26:08Sons of bitches.

00:26:10I'm sure you can even see the brand of the license plate, right?

00:26:12Yes, yes, yes.

00:26:14No, love, it won't open.

00:26:16With the cold weather and the rain coming down, it would have been two meters high.

00:26:19It's really hot here, it's like an oven.

00:26:21It's not like we're anywhere near Africa.

00:26:22Uh, near Africa, he says.

00:26:24No, it's these places that turn the heating up all the way.

00:26:27Well, here I am, locked up.

00:26:29And I want to see the sea for a bit.

00:26:30Well, you're in trouble, because it's right up against the mountain.

00:26:32Also, you have some really ugly views, because there's construction scaffolding like this.

00:26:35Let's go watch TV instead, everything's clearer that way.

00:26:38Look, mom, he broke the ball.

00:26:40Okay, stop messing around and call Aunt Begochu.

00:26:42So why isn't he coming?

00:26:43The rain, love.

00:26:45He's waiting for it to clear to come running.

00:26:46I saw Begochu in a swimsuit while it was hailing.

00:26:50I'll go, I'll go.

00:26:57Aupa, aupa.

00:26:59A nurse, at last.

00:27:00Can I have a glass of water?

00:27:03Aupa, aupa.

00:27:05Can I eat?

00:27:06Aupa, aupa.

00:27:07Aupa.

00:27:08Thank you very much for your guidance.

00:27:09Hey, wait, wait, wait.

00:27:10And what can I eat?

00:27:14Hey man, what are you going to eat?

00:27:15Bland diet, rice.

00:27:17Okay, okay, wait, listen, let her say it.

00:27:19I'll be able to eat something more cheerful than that, won't I?

00:27:22I don't know, maybe a ham sandwich, or a small skewer of bonito tuna with red peppers,

00:27:27The kind we only have here, right?

00:27:31Aupa.

00:27:32Okay, mom, stop with the nonsense, these people are overwhelmed, okay?

00:27:35With everything that's going on, well, there are cases of pneumonia.

00:27:38Aupa, aupa.

00:27:40The nurse comes down.

00:27:41Yeah.

00:27:42That it's from the interior.

00:27:43From the interior, yes, almost touching the Rioja region, love.

00:27:45Well, you've heard her, she said it very clearly.

00:27:47So you're already going to the tavern and bringing me that little kebab.

00:27:50But, my love, how am I going to go?

00:27:51Nice one, Juanchu, huh?

00:27:53We're in season.

00:27:55Is it possible or what?

00:27:59Is this prequina?

00:28:00Ignacio Urrutia, a merchant marine from Bermeo and owner of two tuna boats.

00:28:05At his feet.

00:28:07We're leaving this way, Marichu.

00:28:09And I'll tell you how to win the Beyuque lifting competition in Vizcaya.

00:28:13Can we find out what Don Benjumea does?

00:28:15Dolores.

00:28:16Dolores.

00:28:17What have you let slip, Don Benjumea?

00:28:20Ignacio Urrutia.

00:28:21Ah, what a charming woman, Dolores.

00:28:23She has a natural dignity, a certain wisdom, and a voice like a loaf of bread from Cádiz.

00:28:28Dry, but sweet.

00:28:29What a joy, but the truth is I have no idea, because they won't let me see it.

00:28:33like I have to be here like a guard dog.

00:28:35Yes, a guard dog that guards very little, Dolores, because I told you that the essential medical team will enter there.

00:28:40And that goes for you too.

00:28:41Well, wait a minute, I consider myself a bit of a wild child.

00:28:44Well, my mother's is perfectly fine, so from now on visits there are restricted.

00:28:48including those of merchant mariners.

00:28:50Merchant mariner?

00:28:52Is that what you said it is?

00:28:53Say.

00:28:54But it doesn't bother me if you get dizzy when the bathtub is too full.

00:28:59Where the heart rules, the head doesn't, Dolores.

00:29:01Well, come on, come on, because if we keep going like this, mine's going to have a fit.

00:29:05Dolores, please keep an eye on things because I have to get to the bar like a bat out of hell.

00:29:08Okay.

00:29:08I'll be right back.

00:29:09Dolores, keep watch.

00:29:14Oh, Chalito!

00:29:16Chalito!

00:29:18Oh, Chalito, for God's sake!

00:29:20He looks terrible!

00:29:21I really didn't expect you to be so unhappy, if I hadn't insisted so much.

00:29:25Look, we were so close to winning this year.

00:29:27And I was so excited to get to the Vatican and see how the Pope keeps his house.

00:29:31Well, if you're so keen, sing to your daughter; you know the songs by heart.

00:29:35What are you saying?

00:29:36Faster, damn it!

00:29:38If my appendix keeps growing, this is going to be more like childbirth than an operation.

00:29:43Good luck, Chalito!

00:29:44Did you say "alone"?

00:29:46Oh, Francisco, if we win, I swear I'll sing the chocolate paquito just for you!

00:29:56How much are you saying for some English lessons?

00:29:59But what did I do?

00:30:00What time is it?

00:30:01Who's coming to teach the classes?

00:30:02Queen Elizabeth?

00:30:03Lorea's mother?

00:30:04Or who?

00:30:05Wow, so angry.

00:30:06What's up, Oselito?

00:30:07Why do you want to learn English?

00:30:08Why did you sign me for Chelsea?

00:30:09Yes, because I want to travel a little.

00:30:12Did you know that I spent a couple of years serving drinks in Manchester?

00:30:15What's that? A little Hungarito on Kansas City Avenue?

00:30:17No, no, that's in Great Britain.

00:30:20I'm English, and I can help you.

00:30:22Yes or what?

00:30:22Sure, look, let me finish with the breakfasts and we'll get started on some minor injuries, okay?

00:30:26Well, more accurately, some lesions.

00:30:30Injuries?

00:30:31It's because my accent is from Manchester.

00:30:33You know? That's like in Spain, north, south, the accents vary.

00:30:36Damn! You really know a lot, huh?

00:30:38I'm going to get something to write down.

00:30:42Hey, Rafi, we have...

00:30:43Hey Iñaki, congratulations!

00:30:44Let's...

00:30:45Hey Isabel, do we have ciabatta?

00:30:47Are you implying that I ate them?

00:30:48I don't have time to hint at anything.

00:30:50Do we have ciabatta or not?

00:30:51No.

00:30:52Which one are you looking for?

00:30:53Bonito del norte.

00:30:54Is it there?

00:30:55No, it's tuna.

00:30:57But is it pretty?

00:30:58No, it's tuna.

00:30:59Are you going to tell me that tuna isn't beautiful?

00:31:00It's beautiful, but tuna is tuna and bonito is bonito.

00:31:03And that one is neither pretty nor from the north.

00:31:05No, finish me off.

00:31:06What's going on here?

00:31:07What a man, he's driving me crazy.

00:31:09It just so happens that my mom knows more about tuna than a monk seal.

00:31:11And if I don't bring him bonito from the north, he'll realize we're not in the Basque Country.

00:31:15Look, Iñaki, here, I haven't seen any of those really beautiful ones you're talking about, have I?

00:31:19What do you mean, no?

00:31:20You have it right in front of your eyes.

00:31:22When I was 16 years old they named me Mr. Ayamonte, I won't say more.

00:31:26What I'm missing, wow.

00:31:27Yes, that's why I'm here.

00:31:28To bring you the fabrics for the new uniforms.

00:31:30I chose them myself.

00:31:32We have this navy blue shade, which is very pretty.

00:31:35Then we have this slightly darker burgundy.

00:31:37And if we really want to go absolutely crazy, this magenta is leaking.

00:31:41I'm in trouble.

00:31:42Juan, honestly, I don't have time for this.

00:31:44Sorry, huh?

00:31:44Where is he going?

00:31:45Stay right there.

00:31:45And spread your legs.

00:31:47But don't get your hopes up, it's just to see what you're capable of.

00:31:49Juan, honestly, I don't have time.

00:31:50Rafi, you and I will go to the market later.

00:31:54Don't look at me, I've got a pot on.

00:31:57Oh, Rafi, or did you get it?

00:31:59No, no, no.

00:31:59What do you mean, no?

00:32:00Come here.

00:32:01Tati, stay still there.

00:32:01Stay still, you idiot.

00:32:02That.

00:32:03Arms up.

00:32:07And breathe, Escalata, you're going to burst.

00:32:09Well, we could also put some verses here on the sides.

00:32:11But it's much better if you relax the slab.

00:32:14That is.

00:32:15Go ahead, like that, yes.

00:32:17Oh, 69.

00:32:24Man, in the short time I've been away, how has this grown?

00:32:27All that's missing are some monkeys hanging around.

00:32:28Yes, yes, this is wild, Bego.

00:32:30Everything gets out of hand here if you're not careful.

00:32:33Iñaki!

00:32:34But where are you going in such a hurry, son?

00:32:35Aunt Bego.

00:32:37Son!

00:32:38Son!

00:32:39What a joy, son!

00:32:40Ama has woken up!

00:32:41I'm really looking forward to seeing it.

00:32:42Where is?

00:32:43Look, first of all there's something I have to tell you.

00:32:47What happened?

00:32:49Ama has woken up.

00:32:51You already know that.

00:32:52But the point is...

00:32:57Come on, cheer up.

00:32:59Honestly, son, I can't believe you're lying to your mother like that.

00:33:02If you had listened to me from the beginning,

00:33:03Now we wouldn't have to put on this whole charade.

00:33:05And how do you expect me to get to knitting here...?

00:33:08My glasses are even fogging up, holy shit.

00:33:10But it's not 40 degrees in the Basque Country.

00:33:11That's why.

00:33:12We need to take her to the Basque Country as soon as possible.

00:33:13No, it's not necessary because we're already in the Basque Country.

00:33:16Ah, suitcases out.

00:33:17Dolores.

00:33:18What happens now?

00:33:19Because I swear to you by the Virgin of Martyrdom that nobody has gone in there, okay?

00:33:22Hey, not the Basque Country!

00:33:23Fuck!

00:33:24Fu, mistress!

00:33:25What an aggressive style of play he has!

00:33:28No one, right, Dolores?

00:33:29This man needs to be brought on board because I haven't seen him.

00:33:32Okay, never mind, let's focus.

00:33:33I need you to take these suitcases.

00:33:35Oh, and pass me the robe too, please.

00:33:36The robe?

00:33:36Yeah.

00:33:37In size S?

00:33:38Never mind, come in.

00:33:39Let's see.

00:33:40And the suitcases, Dolores?

00:33:40Come on, the suitcases.

00:33:41Come on.

00:33:42Come on.

00:33:43Man, Dr. Inchostegui.

00:33:45Let's see.

00:33:45How long?

00:33:46The last time I saw him he was also in very good company.

00:33:48What does the doctor say, Coldo?

00:33:50Who has accompanied you?

00:33:51Nobody to me.

00:33:52Who will accompany me on the crew tour?

00:33:53We were together the whole time.

00:33:55We've been staring at each other's faces this whole time, bored, haven't we?

00:33:58Wow, it's damn hot.

00:34:00Well, I already have the results of the first tests and I'm going to tell Marichu about them.

00:34:04If you'd like, you can come with me.

00:34:05Hey Robert, one little thing.

00:34:07Any other little favors?

00:34:08Yes, a small detail.

00:34:09Would you mind if Coldo showed you the evidence?

00:34:12My mom will have more confidence in a Basque doctor.

00:34:14Iñagi, no, eh?

00:34:16And what about me while I'm clapping all the time?

00:34:17Robert, you said it yourself.

00:34:1848 hours.

00:34:20The longest of my life.

00:34:22Well, now we're all going to put on a cold face.

00:34:24Hey?

00:34:24Yes, because when your mother finds out, she's going to give you a piece of her mind.

00:34:27Come on, shoot.

00:34:33Okay, Tata, let's see the non-norduan.

00:34:35Ondo, bolache siete.

00:34:36Ondo, go comfortably.

00:34:37What about the one I give?

00:34:38Now, pick one.

00:34:40Oh, Marichu, my daughter, what a joy!

00:34:42Oh, how beautiful, I'm about to cry.

00:34:45And I haven't done that since I had conjunctivitis.

00:34:47What are you doing here?

00:34:48Well, as soon as I find out, I'll come down.

00:34:51Did you come on a space shuttle?

00:34:52I thought I was never going to see you again.

00:34:54I just thought you were so far away.

00:34:57So far away, emotionally.

00:34:59We're like a bunch of hamburgers.

00:35:00Every time you changed the track, my arm hurt.

00:35:03Listen, Rama.

00:35:04Coldo has already done all the tests and he's going to tell you how you're doing.

00:35:06Right, doctor?

00:35:07Yeah.

00:35:07Have I done this to you?

00:35:08Yeah.

00:35:10Yes, we've done a lot of testing.

00:35:14Hey, doctor.

00:35:15Doctor.

00:35:16Thank you.

00:35:18Well, yes, don't worry, everything went very well.

00:35:24Okay, we've done a blood test and it came back normal.

00:35:27And yesterday specifically we did an MRI scan and the result, the result is, well, was, is, has to

00:35:35be...

00:35:35The result is fantastic, isn't it, Marichu?

00:35:37We can even rule out any type of injury to the cortex.

00:35:39Who is this?

00:35:40A doctor who has come from down there, from Seville, from the Hispalis clinic.

00:35:45Ah, another one from the integration program.

00:35:47No, no, he is a very prestigious doctor who has come here on a cultural exchange, like Erasmus.

00:35:53Well, but there are also some excellent hospitals in Andalusia, right, Marichu?

00:35:57There are even professionals who have achieved great success in cases very similar to yours.

00:36:01I doubt it now.

00:36:02I'm going to be there and he wakes up before Walt Disney.

00:36:05Marichu, what things do you have, woman?

00:36:07There must be some good ones, huh?

00:36:08Well, if you'll excuse me, Marichu, I'm going to go and try out a state-of-the-art machine they have here,

00:36:13There isn't one in my country, you know?

00:36:14The Nespresso one.

00:36:17Goodbye.

00:36:18Goodbye, thank you.

00:36:20Well, since you're all here in the Basque Country, taking care of Ama, I'm going to run off, she must be...

00:36:26The fish supplier is about to arrive.

00:36:27Love, breathe some of the Cantabrian air, okay?

00:36:30Come on, cry for me.

00:36:33Oh, you poor thing.

00:36:35Without me, he must have been like a blind man without his vine.

00:36:40Cool today, isn't it?

00:36:45Come on, José, take notes. First injury.

00:36:47How are you?

00:36:48I don't know how he is, but you're lost, lost.

00:36:51Be careful of the brown spots it has.

00:36:52Something like that, the Virgin's pasture doesn't support you well here, I'm telling you.

00:36:55Let's see, Juanito, we're having a class.

00:36:56Can we have a little silence?

00:36:58No, sorry.

00:36:59Is that Manchesterian?

00:37:00No, no, don't worry, I know it's a little difficult at first, but just pay attention to how I say it.

00:37:03I.

00:37:04How are you?

00:37:06How are you?

00:37:07You, you.

00:37:08You, you.

00:37:09No, no, you nothing more, damn it.

00:37:10There you are, still, you seem to have focus.

00:37:12It's like taking measurements of a heifer.

00:37:15Rafi, I don't know if this is English, English doesn't sound familiar to me, eh?

00:37:17That's because you haven't gotten used to it yet, but if you listen to me, I'm sure you'll pick it up quickly.

00:37:21We already have How are you, right?

00:37:21What would come next?

00:37:23The answer, very well or very bad.

00:37:26That depends on your mood.

00:37:28There, there.

00:37:29Dears, dears.

00:37:29See?

00:37:30Without even realizing it, we're already having a conversation.

00:37:33I don't know if we're just having a conversation, but we must be doing something, I don't know.

00:37:37Well, I'm finished now.

00:37:38Now let me tell you something.

00:37:39If your uniform comes out with three sleeves, you'll just have to deal with it, because you haven't stopped moving.

00:37:44See you later.

00:37:45Goodbye.

00:37:45Goodbye, okay, okay, look, let's see if we can continue without interruptions.

00:37:49Rafi, to the market, hurry up, because in 15 minutes I have to be back with my mom.

00:37:5215 minutes to go to the market and back, no way.

00:37:54If you're in a hurry, I can lend you the donkey.

00:37:57This is unbelievable, come on, you're still riding donkeys.

00:37:59Yes, we go to the market on a donkey and to football on a horse.

00:38:01No scruffy motorcycle, damn it.

00:38:05Take care of her, she's the only thing I have in life, okay?

00:38:07I'm not asking you to do anything.

00:38:07Come on, now it's my turn to correct you, huh?

00:38:09I'll leave you here to study alone.

00:38:10Well, better than alone, lonely.

00:38:12Write, you're stuck, write, write.

00:38:13How do you spell lonely?

00:38:14How does lonely sound?

00:38:16Lonely.

00:38:18As it sounds, it's going to say, lonely, lonely, lonely, lonely.

00:38:23So, Rafi, is this really all José has in life?

00:38:26Well, it seems so.

00:38:27Damn, well, whatever God wills.

00:38:30Goodbye, we're going to need it, because there's a fresh little mess.

00:38:33Finding the one you're looking for here is going to be more complicated than seeing the northern hour on the beaches.

00:38:37from Cadiz.

00:38:37Come on, Rafi, come on, I don't think it's that complicated.

00:38:40What does he say he wants?

00:38:41No, look, I have turbot, I have mackerel, I have cod, I'm going to bring you a swordfish fillet, or some

00:38:46little squid, some fried squid, or some small squid.

00:38:49But I don't think it's Bonito del Norte, eh?

00:38:53Bonito del Norte?

00:38:54Yeah.

00:38:54I met a Bonito del Norte, and he left me with two twins, Mickey and Arancha.

00:38:59Then he left on the ship.

00:39:00The commitment was called.

00:39:02Oh, you son of a bitch.

00:39:05Bonito del Norte?

00:39:06Of course I have one, my soul.

00:39:08Do you want the can half a kilo or a quarter kilo?

00:39:11But it's possible you won't find a fresh Bonito anywhere in the market, cabelzot.

00:39:16Rafi, Rafi, look, look.

00:39:22Is that the last one?

00:39:23Yeah.

00:39:24I'm going to need that fish; it's a matter of life or death.

00:39:26A fish isn't a vaccine, the Basques are like that with your people, huh?

00:39:30How much does your fish give you?

00:39:3110 euros?

00:39:32I am 40.

00:39:33Hey, for 40 I'll get myself a piece of Cantabria, I'll bring it to you clean, boneless, and without bones.

00:39:36I'm sorry, Manolillo, but this is like Wall Street, it works with supply and demand.

00:39:40Wall Street says, but he's got gas beds on his forehead, the son of a bitch.

00:39:43Ah, he who is free of the fish that he has in the first verb, Manolillo.

00:39:47Here, come back soon.

00:39:50Rafi.

00:39:52Look, Iñaki, I didn't come here because of your mom, which, mind you, I'm happy about, okay?

00:39:57Glad to hear it.

00:39:57But what I really wanted to tell you is that, well, what I wanted to tell you is...

00:40:03that I put in the letter, that, that, damn, what a load of crap.

00:40:07Come on, Nekane, you're in Andalusia, have a little bit of grace, my dear.

00:40:11Okay, Iñaki, what the hell?

00:40:12Do I like you?

00:40:13Of course, little girl.

00:40:15If you don't tell yourself, who will?

00:40:17I put a sticky note on the bathroom mirror that says, you're not ugly, you don't pee.

00:40:21man.

00:40:24Take this, take this!

00:40:26Come on, Rafi, go on, go on, it's lunchtime.

00:40:29Oh, and I'm going to tell you one thing, okay?

00:40:31There are no red lights, huh?

00:40:33Consider the dark green ones.

00:40:35What's up, Rafi?

00:40:38What's happening?

00:40:39Joselito gave us this with an empty tank, so we can fill it up for him, because I know him.

00:40:42Damn, Joselito, let's walk and leave the motorcycle here, he'll come and pick it up.

00:40:46No, no, no, wait, I can call someone to bring us gasoline.

00:40:48No, man, if my mother finds out we're not in the Basque Country.

00:40:55And what are you going to do, kid?

00:40:56Choking on the drip?

00:40:57Do you just tell him that they saved his life in Seville, period?

00:40:59Yes, but she might also find out that I live with Carmen.

00:41:01Well, she tells him that you have a roommate.

00:41:03Look, we're not just colleagues, colleagues.

00:41:05We kissed, Rafi.

00:41:06What's wrong, Rafi, damn it?

00:41:09What did you do to offend me?

00:41:09Yes, he kissed me.

00:41:11That's normal.

00:41:13I mean, when an Andalusian woman kisses, she really kisses.

00:41:16Man, like the Catalan, the Canarian, the Madrileña.

00:41:18The old woman.

00:41:19Well, the old lady doesn't kiss anymore.

00:41:20No, no, that old woman, I almost bumped into her already, damn it.

00:41:23Well, he kissed you, and how are you?

00:41:25Good.

00:41:26Well, no, no, I'm not okay.

00:41:28I'm not okay, because when it seemed like your sister and I,

00:41:31Then suddenly Ama wakes up

00:41:33And I have to make him believe that we are in the Basque Country and that nothing is wrong.

00:41:36And it's not true, Rafi, it's not true.

00:41:37Because a lot of things are happening, come on.

00:41:39Not so many things had happened to me in my life.

00:41:41Look, Iñaki, I think you need to be honest with your mother.

00:41:44Facing things head-on, like bullfighters.

00:41:46Tell him everything that happens to you here.

00:41:47And you'll see how all your problems fall into place.

00:41:50Well, that would be a huge relief, wouldn't it?

00:41:52Clear.

00:41:54Rafi, you know what I say?

00:41:57He's going to listen to you.

00:41:58Look, that's enough, and I have to pretend.

00:42:08Hey, listen, so Iñaki didn't tell you when Nina was coming?

00:42:11No, daughter.

00:42:12Wow, you're really interested, aren't you?

00:42:13Me, you see, I'm here for his mother, in case you're wondering.

00:42:16Chocho, what are you saying around here?

00:42:18Are you the soloist?

00:42:19What a bitch.

00:42:20Lucy, for God's sake.

00:42:21Girl, call psychiatry and ask for a tranquilizer dart.

00:42:23Charito passed the baton to me.

00:42:25What is Charito going to say to you?

00:42:27If Charito is with the little brat and has lost her mind.

00:42:30I'm going to tell you something, okay?

00:42:31If you can sing, so can I, okay?

00:42:33I have a better voice than you.

00:42:35I'm dying of laughter.

00:42:36But you arrive sweating profusely.

00:42:37Hey girl, what's wrong with you guys?

00:42:39Since Dad can hear you, he won't let anyone sing, not even the wall.

00:42:43It's so hard to get them to agree.

00:42:45Well, the truth is, yes.

00:42:46It's taking a lot of work.

00:42:48That's why you're going to be the one to choose between the two of us.

00:42:50I?

00:42:50Because the little brat chose it, huh?

00:42:52But I'll warn you about one thing, okay?

00:42:53Don't forget that next month it's my turn to see Missé, the president of the

00:42:57community.

00:42:58Oh, what a mess!

00:42:59Come on, I'd just like to trade places with you to try on a size 36.

00:43:03Hi there.

00:43:04Hello.

00:43:04And it's not here, is it?

00:43:05No.

00:43:06And now there are two people who have asked about him.

00:43:08Well, since we're at it, give me one of these with pork loin, peppers and tortilla.

00:43:11Okay.

00:43:13Okay, give me two.

00:43:14You northerners, you have a great serve, don't you?

00:43:17I've been traveling all night and haven't eaten.

00:43:19And how did you get here, little girl? By doing squats?

00:43:24Who is this? Could it be the sister?

00:43:25That must be it, because she's just as bland as he is.

00:43:28Of course.

00:43:29And here we are trying to make ourselves look like the whole Basque world, but we're not even remotely alike.

00:43:32We are like night and day.

00:43:34I think they must even have a different blood type.

00:43:36Can I be blue?

00:43:37Because these people are like the Bourbons, they only associate with each other.

00:43:40How exaggerated!

00:43:41I suppose they'll mix with other provinces, right?

00:43:43And if it's not with the Navarrese women, I say it'll be in Asti de Plasti,

00:43:46Because they don't even consider us to be of the same species.

00:43:49Well, look, I'm going to tell you something.

00:43:51If I wanted to pass myself off as Basque, like that.

00:43:54Much better than that.

00:43:55Unless it's because of bad temper...

00:43:58As?

00:43:59Look, you see, you're a kitten.

00:44:00We have nothing to do with each other, girl.

00:44:02What I'm saying is, sardines should be with sardines and shrimp with shrimp.

00:44:10Wish me luck, Rafi.

00:44:11Yes, yes, yes, yes.

00:44:12Hey, hey, hey! Where are you going with the fish?

00:44:14Pussy.

00:44:14Hey, tell Isabel that first the bonito, then some gazpacho.

00:44:18Okay, okay.

00:44:18The helmet, the helmet, the helmet.

00:44:19Fuck.

00:44:20Oh, and tell José that we left the motorcycle at the market.

00:44:23Okay, but don't worry.

00:44:25Well, you're going to have a hard time, it's going to be quiet.

00:44:26Your mother is resurrected.

00:44:27My sister is overflowing with love.

00:44:29Damn, Rafi.

00:44:33Poor creature.

00:44:36Iñaki.

00:44:37Mom, I have to tell you something.

00:44:39Son, where were you?

00:44:40Your mom has had a spike in blood pressure.

00:44:42Well, man, nothing, man.

00:44:43I told him that he still couldn't go out and walk on the grass.

00:44:46and the woman has been disgusted.

00:44:48But she's doing very well now, isn't she, Marichu?

00:44:49Well, good, good.

00:44:50There have been a lot of emotions today, haven't there?

00:44:52See you all and...

00:44:54So, Maikia, what did you have to say to me?

00:44:57Nothing.

00:44:59I saw the priest, Don Julián,

00:45:01and that she has said a prayer for him.

00:45:02Well, less praying and more coming to see me.

00:45:03That I almost saw his boss.

00:45:05Come on, it's going to be here.

00:45:07It's very strange.

00:45:08You haven't spoken to him, have you?

00:45:09I haven't been able to, Bego.

00:45:10Look, I haven't been alone for a single minute.

00:45:12Nothing, you look great, Marichu.

00:45:14Look, they've brought you your food.

00:45:16Thank you, Irenchum, you can go now.

00:45:18Pig?

00:45:19Yes, yes, yes, yes, yes.

00:45:20Soft diet, right, Irenchum?

00:45:23Soft diet?

00:45:25He's quite an icon, isn't he?

00:45:26Not even a pretty skewer, laidec.

00:45:28I'm going to the bathroom, I'm going to the bathroom and ...

00:45:32Hey...

00:45:34And pur diedrra?

00:45:36What's she saying about my ass?

00:45:37What is he going to say to you?

00:45:38But since you're here so much,

00:45:40standing in bed,

00:45:41If you're going to start eating now,

00:45:42Well, you're going to go pigging.

00:45:43And let's see how we get you out the door later.

00:45:46Clear.

00:45:47Well, I don't know, Han, what's that for?

00:45:50Hey...

00:45:51Hey...

00:45:52Han Cacharra...

00:45:53Everything, love, everything.

00:45:54What do you want?

00:45:55Then have him bring you a menu.

00:45:56Thank you, Irenchum.

00:45:58Well, you've heard it now.

00:45:59Yes, more than I'd like.

00:46:00Okay, where's my nice skewer?

00:46:01That's all I want.

00:46:03Well, Sabino is finishing it.

00:46:04Sabine.

00:46:05Go on, go on, you can go help him now.

00:46:07May Sabino alone get lost

00:46:08A soccer star emerges.

00:46:09You're right.

00:46:10Hey, Necane, let's go.

00:46:11Come on.

00:46:12And you know, right?

00:46:12The skewer just the way my mom likes it.

00:46:14Come on, come on.

00:46:18What charro?

00:46:22And what about garlic?

00:46:23Should I give him a stick and make him suck them?

00:46:24And look at me, too, huh?

00:46:25I'm more of a meat person.

00:46:26Okay, okay, I'll take care of it.

00:46:27You go where the stitching is to get measured

00:46:29This is what I'm going to do

00:46:31Cut it into tiny pieces, okay?

00:46:32Better.

00:46:33Should I add some onion?

00:46:34And do I put it in a saucepan?

00:46:35Clear.

00:46:36Because nobody likes big things, right?

00:46:38Everyone finds it disgusting.

00:46:39Well, you know what I'm saying.

00:46:40that this pretty one was really pretty.

00:46:42And he was small too.

00:46:43And they looked amazing on her.

00:46:44skirts and bikinis.

00:46:46But look at him,

00:46:46They don't fit in a saucepan.

00:46:49Well, Isabelita,

00:46:49If you want, iron it.

00:46:52Thanks, man.

00:46:52I don't think he's referring to the bonito.

00:46:54I think that was a metaphor.

00:46:57Sorry.

00:46:58Is this Marichu's pretty one?

00:47:00Are you going to make it that big?

00:47:02Are you talking to me about the pretty pretty thing?

00:47:03Or is it a beautiful metaphor?

00:47:10Yes, it's done.

00:47:12Girl, give me more color.

00:47:13Besides being in a coma

00:47:14It seems to be something from an after-hours club.

00:47:15Well then,

00:47:16as if it turns you on a little more

00:47:17You're going to look like something you're not, huh, Marichu?

00:47:19But do that.

00:47:19About giving it to the chocolate,

00:47:20There, Auntie, between two walls.

00:47:21What's up, Coldo?

00:47:22Don't you have any other patients?

00:47:24No, well, I'm walking, calmly.

00:47:25Well, besides, there's you, right, Marichu?

00:47:27In other words, I'm trying to tell you that we'll have to be there.

00:47:29Don't think this is very common either, huh?

00:47:31When there is trust and that

00:47:32It's called continuous visual supervision.

00:47:36That's how...

00:47:36Wow, this power!

00:47:39Dad, Marichu!

00:47:41You look beautiful, then.

00:47:42Breeder.

00:47:43Like a mackerel in the sun.

00:47:45Oh, what things Inacio says.

00:47:47If I'm a mess

00:47:48lying here all day.

00:47:50She was also lying down

00:47:51The clothed maja, Marichu.

00:47:52It is considered

00:47:53a work of art.

00:47:55Well.

00:47:57Don Ben...

00:47:58Inacio.

00:48:00Namesake.

00:48:00What are you doing here?

00:48:02No, nothing.

00:48:02He was already leaving.

00:48:03Weren't you supposed to have some tests done or something?

00:48:05Sure?

00:48:05And so?

00:48:06But you're fine.

00:48:09The heart, Marichu,

00:48:10that lately

00:48:11I'm feeling it

00:48:12very quickly.

00:48:13Another thing,

00:48:14This one beats.

00:48:15Do that favor,

00:48:15Because those things

00:48:16We shouldn't leave them, man.

00:48:18Be beautiful, love.

00:48:19Oh, how awful.

00:48:20Look at that hair.

00:48:21Sure, two weeks without hollowing out.

00:48:23Iñaki,

00:48:23Don't even think about telling anyone to come.

00:48:25until I fix myself up a bit, okay?

00:48:26Her name is,

00:48:27No one, not even God, is going to enter here.

00:48:29I need to wash my hair, okay?

00:48:30I need my hairdryer

00:48:31and my metal bristle brush.

00:48:33Well, Iñaki,

00:48:34my aunt,

00:48:34I know you just came from the tavern,

00:48:36But why don't you just hop home?

00:48:37Hey?

00:48:37And you bring it to me.

00:48:39As?

00:48:39Yes, underneath where we keep

00:48:40Your wet wipes, there.

00:48:41But, woman,

00:48:42If your hair looks better this way,

00:48:44He shits in the air, right?

00:48:45Into the air,

00:48:46With this humidity, forget it.

00:48:47I need my tools.

00:48:49Let Iñaki go,

00:48:50which is also making me nervous

00:48:51all day here.

00:48:52Of course, love.

00:48:52Coldo!

00:48:53Will you come outside with me for a moment?

00:48:55Yes, it's good.

00:48:56Yeah.

00:48:57Hey,

00:48:58What about visual supervision?

00:49:01Bego,

00:49:02I'm leaving it in the care of...

00:49:03Bego,

00:49:03You're in charge.

00:49:04Anything strange that happens,

00:49:06Yeah, yeah...

00:49:07Ah, yes,

00:49:07Yes, yes, I know...

00:49:08Bego.

00:49:09Yes, yes,

00:49:10I do.

00:49:11Coldo,

00:49:11You have to go!

00:49:13To your house?

00:49:13Yeah,

00:49:14in a hurry,

00:49:14I'll go.

00:49:15No, impossible.

00:49:15that there is mercy,

00:49:16man,

00:49:16that you're trying to ruin me.

00:49:18No, look,

00:49:18We bought him a new one.

00:49:19And that's it.

00:49:20Yeah,

00:49:20You don't know the love

00:49:21that hairdryer has more to offer.

00:49:22It's also Fagor,

00:49:23Fagor,

00:49:24You can find about two in Seville.

00:49:25Well,

00:49:25Well, let Bego go.

00:49:26Yeah,

00:49:27and finds out that I live with Carmen.

00:49:28So, are you going?

00:49:28If I stepped out for a minute earlier

00:49:30and it gave him a spike in blood pressure,

00:49:31I can't risk leaving,

00:49:32bring her out

00:49:33and find out where he is.

00:49:34Hey, girl,

00:49:34that you are living a lie,

00:49:35uncle,

00:49:35I don't know how you put up with it.

00:49:36Ah,

00:49:37clear,

00:49:38I'm talking to the gigolo, or I'll tell you.

00:49:41Okay,

00:49:43I'll go.

00:49:45But I come and go like a ninja

00:49:47And if I don't see the hairdryer,

00:49:49Carran Dos,

00:49:50days,

00:49:50I swear you dry his hair

00:49:51with a fan.

00:49:55That?

00:49:56Is everything alright here?

00:49:57Like shit,

00:49:58goes.

00:49:58Is that water?

00:49:59Give me some.

00:50:03Oh.

00:50:05Thank you, Dolores.

00:50:07You are welcome.

00:50:13Jesus,

00:50:14Have you returned yet?

00:50:16What, return?

00:50:17One second outside

00:50:18And look at how I've gotten.

00:50:20It's pouring rain

00:50:21Holy shit.

00:50:23Opa, Marichu.

00:50:24What are you?

00:50:25What do you mean, who am I?

00:50:26Menchu.

00:50:27What event?

00:50:28Yeah.

00:50:30Oh!

00:50:32Come,

00:50:32Food at last.

00:50:34Come,

00:50:34that?

00:50:34That?

00:50:36That?

00:50:37That?

00:50:38Nekanecane has come by car

00:50:39And she's your nurse,

00:50:40She's the one who's been taking care of

00:50:41from you all this time.

00:50:42Menchu.

00:50:43Okay, okay,

00:50:43And how do I look to you?

00:50:46And wonderfully,

00:50:47Marichu,

00:50:48has the face

00:50:49good.

00:50:51Okay, okay.

00:50:5536 and a half,

00:50:56Marichu,

00:50:57eat a pincho

00:50:57without leaving a piece.

00:50:58Okay, okay.

00:51:01He's rich, then.

00:51:03It's so noticeable

00:51:03that comes directly

00:51:04from the Cantabrian Sea.

00:51:06Menchu, come down,

00:51:07Come with me to the bathroom,

00:51:07Go on.

00:51:10Yes, yes.

00:51:14I'm asking you now,

00:51:15Menchu.

00:51:17It's cartoonish,

00:51:18Iñaki,

00:51:18because he caught me

00:51:19one morning

00:51:19pretty weak,

00:51:20You know?

00:51:21I have eaten

00:51:22just two eggs

00:51:22and half a chicken from the farmyard.

00:51:25But this

00:51:25that has been put

00:51:26in the head

00:51:26It seems like it's going

00:51:27to a jota competition.

00:51:29Oh my God,

00:51:30Iñaki.

00:51:33Iñaki?

00:51:34Oh, love.

00:51:35Oh, Iñaki,

00:51:36For God's sake,

00:51:36come here

00:51:37And let me look at you.

00:51:37that body inch by inch.

00:51:40And who are these people?

00:51:41Oh, your companions

00:51:42of the quadriga

00:51:43that one you have

00:51:43In the north, right?

00:51:44No, no, it's called a crew

00:51:45and it's for men only

00:51:46to go to the mountains

00:51:46and eating and stuff.

00:51:47Oh, I like it

00:51:48a crew of men.

00:51:49What a pity

00:51:49that's not the custom here.

00:51:50Okay, listen to me,

00:51:51come here

00:51:51I'm going to take your measurements

00:51:52in that body

00:51:53If he sees you,

00:51:53Michelangelo,

00:51:54He gives you a reply

00:51:55at the base.

00:51:55Will you shut up?

00:51:56Please, Juan,

00:51:57who will listen to us,

00:51:57My mistress?

00:51:58This one doesn't pass for Basque

00:51:59not even if we rip off our heads.

00:52:01Look, I'm going to tell you something.

00:52:02If you want to cook

00:52:03wearing a toga,

00:52:04cooks wearing a toga.

00:52:05Now, if you want

00:52:05that I do to you

00:52:06Here's a uniform,

00:52:07I need to take your measurements.

00:52:08Tioqui, please,

00:52:08Get this man out of here.

00:52:09Here, use this as a pattern.

00:52:11As a boss?

00:52:12And for a pillow,

00:52:13if you let me.

00:52:14Oh!

00:52:15Goodbye!

00:52:20Oh, what?

00:52:21Have we had any luck?

00:52:21No way?

00:52:22Hey, what about you?

00:52:23when I take your measurements

00:52:24for the choir costume

00:52:25because I carry this

00:52:26Are you going to jump rope?

00:52:27It's beautiful.

00:52:27Beautiful, gorgeous.

00:52:29When the Pope sees you,

00:52:31He's going to give up his photo.

00:52:33For God's sake,

00:52:33How exaggerated.

00:52:34Seriously, huh?

00:52:35Listen to me,

00:52:36We're going to have the test

00:52:37than to do it at the bar.

00:52:38Because what I lack

00:52:39Trini caught me here

00:52:40in the middle of the fashion show.

00:52:41No, no, no, no.

00:52:42Shall we have a beer?

00:52:43With a lid.

00:52:44Of course.

00:52:50Hey?

00:52:51Do you see it?

00:52:51Now it loads

00:52:52that transformer.

00:52:53That's the boss.

00:52:54Who is it?

00:52:55That one, that one.

00:52:56What was his name?

00:52:57Optimus Pring, that one.

00:53:00But let's see,

00:53:01He hasn't quite finished snatching it.

00:53:02No way, man, no way.

00:53:03Try it again,

00:53:03You'll see what he tells you now.

00:53:09I just can't read it

00:53:10lips to the truck.

00:53:11That if I didn't do it

00:53:12Simultaneous translation, huh?

00:53:13But, kid,

00:53:14How are you doing...?

00:53:15But how is he going to do it?

00:53:16simultaneous translation

00:53:17to a pickup truck?

00:53:18Is he crazy?

00:53:18I see you're closed.

00:53:19To light it, Joselito.

00:53:20Come on, they're closing the band on you.

00:53:21That's not how you get there

00:53:21Your girl Gibraltar, come on.

00:53:22Hello!

00:53:24From Cineforum,

00:53:24What cults.

00:53:25Isabel, where is she?

00:53:26Because it looks like a ferret.

00:53:28Every time he sees me,

00:53:29He hides.

00:53:29That's what I wanted

00:53:30talk to you.

00:53:31You have to do it to me

00:53:31a favor, handsome.

00:53:35You were right,

00:53:35I just saved her.

00:53:37Do you see?

00:53:37Can you see how I'm not here?

00:53:38So closed off to learning?

00:53:39You can

00:53:40speak a lot of English,

00:53:41but it transmits cumulatively,

00:53:42daughter.

00:53:42It's not that it doesn't transmit,

00:53:43It's that it doesn't have

00:53:43I have no idea of English.

00:53:44Well, he wasn't in Manchester.

00:53:45But he was there

00:53:46night watchman

00:53:47and there wasn't a single weapon,

00:53:49How could he not speak?

00:53:50with Harry Potter?

00:53:51I shit on my father.

00:53:53He's going to hear you.

00:53:54You know what I'm saying?

00:53:55I want to go to London

00:53:56And I want to learn something more.

00:53:57What is OI?

00:53:58to Guardiú

00:53:58and the crap

00:53:59that he is teaching me

00:54:00your father.

00:54:01Rosita,

00:54:02Do not entertain Joseph,

00:54:03that we are doing the exercises,

00:54:04Hey?

00:54:05So finish eating,

00:54:07Come and eat,

00:54:07creature.

00:54:08Come on.

00:54:10If you want, I can teach you.

00:54:11But don't let him find out

00:54:12my father,

00:54:13that makes the poor man

00:54:13I'm very excited to be a teacher.

00:54:15Let's see,

00:54:15Then we arranged to meet, you and I.

00:54:16Okay.

00:54:19Let's go, this

00:54:19That's what I like.

00:54:20What are we up to?

00:54:21Here with the tractors.

00:54:22Ah, that's true,

00:54:23the flin.

00:54:24Flín?

00:54:25Come on,

00:54:26Press play.

00:55:03Let's go, this

00:55:13That's what it's going to do to us.

00:55:15Yeah.

00:55:17Coldo!

00:55:17Where are you?

00:55:19How are you, Marichu?

00:55:20Okay, okay.

00:55:21She looks great, doesn't she?

00:55:22That?

00:55:22And why are you speaking so softly?

00:55:23Well, because I'm

00:55:24at Carmen's house.

00:55:24As?

00:55:26She's at Carmen's house.

00:55:27says.

00:55:27That?

00:55:27The phone is quiet.

00:55:29Coldo!

00:55:29What the hell are you doing?

00:55:30Look,

00:55:30activates the red code

00:55:31and get out of there right now.

00:55:32Shut up, you rascal, damn it!

00:55:33I control the other one.

00:55:34I already know...

00:55:35I've come to get something

00:55:35And I'm leaving.

00:55:36Don't worry.

00:55:37I'll tell you about it later, okay?

00:55:38Goodbye.

00:55:51Holy shit, have mercy.

00:55:52What does my gun do?

00:55:54I'm leaving, huh?

00:55:55In other words, a hairdryer.

00:55:57The last time I came

00:55:58I forgot my hairdryer

00:55:59And I didn't have a hairdryer,

00:56:00In other words, I'm nothing.

00:56:00I am very...

00:56:01I need a hairdryer.

00:56:02I'm a big fan of using a hairdryer.

00:56:03Yes, the hairdryer.

00:56:04And?

00:56:05I thought you'd leave without saying anything.

00:56:12No.

00:56:16What a pleasure to be free

00:56:18and not have to be counting

00:56:19the words.

00:56:20Well, since you want to express yourself, go ahead and tell us what you've decided, woman.

00:56:24Well, what do I know?

00:56:25Now Rob is more attentive to me than ever.

00:56:27And then there's Iñaki, who I can't talk to after the kiss incident.

00:56:31But have you kissed Iñaki?

00:56:32I was asking if I had already chosen between Dolores or Lucy.

00:56:36But come on, I find this much more interesting.

00:56:40Good afternoon, ladies.

00:56:41Hello.

00:56:42Hello good.

00:56:43How are you?

00:56:44Well, here we are.

00:56:45Carmen was explaining her patient resuscitation techniques to us.

00:56:50Or family members.

00:56:52Thank you, girls.

00:56:53Hey, you girls haven't finished your break yet.

00:56:55No, we still have five minutes left.

00:56:58Do you fancy a coffee, or are you more of a kid person?

00:57:01Menchu.

00:57:02You've heard about it, haven't you?

00:57:04Just so you know, I only did it to avoid upsetting the patient, Maricho.

00:57:07Yes, because it has already upset the child.

00:57:09No, yes, that sounds great to me, right?

00:57:11I'm glad you're so in favor.

00:57:13That means you want Maricho to go north as soon as possible, right?

00:57:16Because that's what we all want.

00:57:26Hey, I don't know if so much attention is a good thing, you know?

00:57:28That's how my break flies by.

00:57:30Excellent.

00:57:32Come on, let's go right now.

00:57:33A tea here for the gentleman.

00:57:35Ole, ole, ole.

00:57:36Hey?

00:57:37A tea?

00:57:37Well, I asked you for a coffee, mate.

00:57:39Come on now, Joselito, you don't understand anything.

00:57:40If you want to learn a language, the first thing you have to do is immerse yourself in the culture of the country.

00:57:44And if necessary, I'll bring William Shakespeare himself here right now.

00:57:48Oh, huh?

00:57:49Okay, look, I'm going to the bathroom because I can't give anything, okay?

00:57:51Okay, sorry.

00:57:53Arbate.

00:57:53Hey?

00:57:53And when I get back, I'll see if I can have a coffee.

00:57:56Pli?

00:57:57Hey?

00:57:58Okay.

00:58:06This is the lyrics to my little roses.

00:58:09Hey, guys.

00:58:10Who else do I need to measure?

00:58:12Juan, Juan, Juan, please, a little discretion with Isabel, okay?

00:58:15He's terrible at measuring.

00:58:19Isabel, get that gorgeous body ready for me, because I'm going to measure you down to your eyelashes.

00:58:32Come on, let's get this over with as soon as possible.

00:58:34Oh, you wouldn't say that to Rafi on Saturday nights, would you? I mean, come on.

00:58:38Come here, I'm going to measure your waist.

00:58:42Come on.

00:58:44Wow, 65 cm waist.

00:58:47You look like a sylph.

00:58:49I'm terribly envious.

00:58:50Oh really?

00:58:51Oh really?

00:58:52Now the hip.

00:58:53Let's go to the hip.

00:58:55Oh, oh, oh, the hip.

00:58:56Come on, she has no hips.

00:58:58I'm going to have to return half of the fabric, you'll see.

00:59:00Come on now, Juanico, you've brought the meter in inches.

00:59:03In inches?

00:59:03No, because that stings a lot.

00:59:05Also, I'm going to tell you something so you know.

00:59:07The metric system is the most objective thing that has ever been invented.

00:59:10Oh, 110.

00:59:11110, 65 and 90.

00:59:15You look like a woman's secret angel.

00:59:17Well, the truth is that for my injury I'm not doing too badly.

00:59:20Well, you know what?

00:59:21I'm going to eat a small sandwich right now.

00:59:23Because you shouldn't go too far from my estuary and some other place.

00:59:25You have to grab my Rafa.

00:59:27Clear.

00:59:27Eat it, eat it.

00:59:40Eat it.

01:00:10Yes, look.

01:00:12Well, tomorrow is the only free time I have.

01:00:14If not, send me a model.

01:00:16Are you sure he hasn't taken off your Basque disguise?

01:00:18Because wow.

01:00:19By the way, have you seen the ñaqui?

01:00:21No.

01:00:22I'm looking for it.

01:00:23Wait.

01:00:24Look, give this to the favor when I see it.

01:00:26My brother brought it for him.

01:00:27Go ahead and do me a favor.

01:00:28Okay, I'll give it to him.

01:00:30Thank you so much.

01:00:32Thank you, Carmen.

01:00:35Thank you.

01:01:11Hey, Isabel, you...

01:01:12Relax, boss, I'm not eating the food.

01:01:14It's what's left over from midday.

01:01:15It doesn't matter, Isabel.

01:01:16Do you have a brush with metal bristles?

01:01:18No, is a fork okay?

01:01:22Where the hell have you been, Coldo?

01:01:24Fuck!

01:01:28No, Luis.

01:01:28Hey, no one's ever done this to me in my life, Pedro.

01:01:31I'd never seen anything like this before.

01:01:33Oh, I am dreaming.

01:01:37Wait, wait, wait, stop, stop.

01:01:39Please, I beg you.

01:01:40The phone is ringing.

01:01:42I'll take it.

01:01:43Maybe it's something urgent, isn't it?

01:01:44Urgent?

01:01:45Urgent?

01:01:46I think I have it in my hands.

01:01:47Oh, thank you.

01:01:48For.

01:01:48Oh, chubby.

01:01:50Oh, come here.

01:01:51Come here, tough guy.

01:01:52I'm going to get all the pil pil out of you.

01:01:54Oh, nonstop.

01:01:56In the head.

01:01:59Go on, eat something if you're feeling better.

01:02:01By the way, you have to order ham, cheese and breadsticks.

01:02:03Damn, Isabel, with you there's no need to separate the organic waste, huh?

01:02:06Hey, look, by the way, the morning snack was very good.

01:02:10Yes, that girl did it.

01:02:11What's it called?

01:02:12Nutella.

01:02:13Her name is Necane, Isabel.

01:02:14And what a strange habit you have of giving such weird names to the girls from the beach.

01:02:18It seems like you throw the lyrics in the air and put whatever comes out.

01:02:20And what was this all about?

01:02:21Oh, she did it.

01:02:22In a second.

01:02:23He's very competent.

01:02:24She is my employee.

01:02:26Well, and my friend, she works upstairs in my tavern.

01:02:28Oh, yes, I thought she was your sister.

01:02:30Necane, my sister.

01:02:31No, no, no, no, no.

01:02:32And how long has he been with you?

01:02:34Phew, well, we'll have been at it for five years, maybe a little more.

01:02:37Look, when I saw her, well, I didn't look any further, I stayed with her and I was right, huh?

01:02:40The girl looks short, doesn't she?

01:02:42I wouldn't know what to do without her.

01:02:44Come on, but hey, like Rafi and you, right?

01:02:46Well, more or less, some days more than others, but I understand you perfectly.

01:02:49Hey, so how has it been for you being alone up there?

01:02:51Ah, well, Isabel, you can do many things over the phone.

01:02:55Cuña, you look terrible, huh?

01:02:57Go on, eat something.

01:02:58No, no, thank you.

01:02:59If I came to bring you this, I wouldn't even be here.

01:03:01Oh, thank you, Menchu.

01:03:04And no, really, thank you, Carmen, for helping me with my mom.

01:03:07No, nothing, man, yeah...

01:03:08But let's see if he tells her soon, because that fringe doesn't suit him at all.

01:03:12No, the truth is that you're much better off this way.

01:03:15Thank you.

01:03:18Hey Carmen, I've been trying to talk to you all day,

01:03:22But today, with so many emotions, well...

01:03:25Yeah, it's because you're surrounded by so many women, what you have, that it's hard to concentrate.

01:03:30Yes, well, but I think we should talk about what happened.

01:03:34What happened? What happened?

01:03:38Well, you know, about our kiss.

01:03:41What about the kiss?

01:03:44It's just that we Andalusians kiss even where it's going to the middle of nowhere.

01:03:48Oh, and our kiss was one of those.

01:03:53More or less spark?

01:03:54Yeah.

01:03:57Cuñal, can I have a coffee, please?

01:03:59Yes, of course, my queen.

01:04:01What? How's your day going?

01:04:06Did my sister really tell you that, just like that?

01:04:09Well, that's telling you to go to hell, isn't it?

01:04:11And I thought that kiss was real.

01:04:13Look, I'll tell you something, Rafi, Basque women only kiss once in a lifetime, but with a lot of passion.

01:04:17love.

01:04:17Right when we are born.

01:04:19I don't know, man, maybe it's just that she's gotten tougher over the years.

01:04:23But look, that's one less thing you have to tell your mother.

01:04:25Okay, I'll cross him off the list, because I haven't told him anything yet.

01:04:29Girl, Kiki, it's so hard to be optimistic about you, damn it.

01:04:33Look, let's go downstairs and try the bonito, which Nikita has made exquisitely.

01:04:36Yeah, Nekane, right?

01:04:38It's pronounced Nekane.

01:04:39Ne-ka-ne.

01:05:00Given that?

01:05:01Given that?

01:05:05Holy shit, Sama.

01:05:07I can't get used to you being awake.

01:05:08Wow, yes, I would be scared too if he saw me.

01:05:10Look at that hair.

01:05:11Look, Iñaki, if it keeps raining, you'll have to put on your wetsuit.

01:05:13But bring me what I need, man, I can't go on looking like this.

01:05:17Good morning.

01:05:18Good morning.

01:05:19Hey, isn't the doctor with you?

01:05:20Are you here?

01:05:21Well no.

01:05:21Sometimes they even let me walk around the clinic alone, you know?

01:05:24I'm here now, okay?

01:05:25Come on, Kondo, finally.

01:05:27Dad.

01:05:27What are you doing with my hairdryer?

01:05:28Which hair dryer?

01:05:29Ah, the hairdryer.

01:05:30Well, it's powerful, isn't it?

01:05:31It dries very well.

01:05:32And do you use the diffuser?

01:05:33Sure, for the volume.

01:05:34Ah.

01:05:37Could you both come outside for a moment, please?

01:05:39Yes, yes, yes.

01:05:46So what's going on?

01:05:47This can't go on like this, can it?

01:05:49You have to tell Amarichu that I'm her doctor, that she's in Seville, and that there are 40 of us here.

01:05:52degrees.

01:05:53No, not anymore.

01:05:54If you're right, Robert, the thing is, you have to tell him very tactfully.

01:05:57He could say it in sign language, damn it.

01:05:59But it won't happen any later than today.

01:06:01And put on a short sleeve, damn it.

01:06:06Damn it, Kondo, where the hell were you?

01:06:10With mercy.

01:06:11Hey?

01:06:12I messed up, I fell for it again, damn it.

01:06:13That I'm a normal person.

01:06:14I just don't know what it is about that woman.

01:06:15I don't know what it is about Seville, it's like a spider web.

01:06:18And I am a fly.

01:06:19And he tells me, what to expect?

01:06:20Fuck.

01:06:21Kondo, Kondo, let yourself scream like a baboon and let's go, he's going to hear us.

01:06:24I don't know what it is, but it's something without any sexual vibration.

01:06:29We're in London, aren't we?

01:06:30I've already arrived there.

01:06:31And I said, oh, how nice this is, isn't it?

01:06:32Everything is great.

01:06:34There's a lot of fog, but oh well, right?

01:06:35And now I'm meeting a man, aren't I?

01:06:37And I say to him, hello.

01:06:39Excuse me, excuse me, excuse me.

01:06:42Where, where, where, where...

01:06:44I can't get it, man, Rosita, I just can't get this.

01:06:46Let's see.

01:06:47If you're lost, you tell someone, "Go to hell."

01:06:52What the hell do you say to him?

01:06:53In the end, the insults are the same everywhere.

01:06:55No, he was late for school.

01:06:57Okay, you review the grammar and then we'll see each other, alright?

01:06:59Okay.

01:07:00Goodbye, tiche.

01:07:02What kind of talent do you have?

01:07:03What's wrong, José?

01:07:05There you are, preparing the classes, aren't you?

01:07:07That's what I like to hear.

01:07:08Motivation.

01:07:08In two days they'll make you Sir Joselito of Buckingham.

01:07:12Look, Rafi, I was thinking that if the classes are taking too long for you, well, maybe...

01:07:15No, no, no, no, it suits me perfectly.

01:07:17The more vocabulary you have, the better.

01:07:19In addition, today we are going to learn new words and phrases.

01:07:22Let's start with when someone bumps themselves, okay?

01:07:26What is catapum.

01:07:28Tapum?

01:07:28The boom makes me more aware of it.

01:07:30Catapum.

01:07:31Catapum.

01:07:31Very good.

01:07:32And now we're going to construct a sentence that is "the car hits the cat," right?

01:07:35Aim there, damn it.

01:07:36Are you aiming?

01:07:37Very good.

01:07:38Barrún, barrún.

01:07:39Barrún, barrún.

01:07:41Catapum.

01:07:42Chimpum?

01:07:42No, that would be if the sentence was finished.

01:07:44We're with the cat.

01:07:44The cat.

01:07:45Meow, meow.

01:07:46Meow, meow, come down from your ways, my soul.

01:07:47Well, what do I know, kid, Rafael, he's got me 12 threads.

01:07:50I don't know what he's talking about, really, huh?

01:07:51Come on, Joselito, do you think I'm an idiot?

01:07:53Do you think I don't know Rosita is giving you lessons?

01:07:55What's wrong, am I not a good teacher?

01:07:57No, man, Rafi, really, that's not it.

01:07:59The girl knows English.

01:08:01More than you, I mean.

01:08:02Well, you're right about that.

01:08:03And I'm very proud of it.

01:08:04What bothers me about all this is that you think I'm stupid.

01:08:07No, man.

01:08:07If you want, I'll tell the girl not to give me any more lessons, and that's it.

01:08:09No, no, no.

01:08:10Are you going to continue giving classes?

01:08:12The thing is, now you're going to pay for them.

01:08:13And do you know why?

01:08:14Because Rosita's time is very valuable.

01:08:17In addition, she's saving up to buy some frosting skates.

01:08:20Go on, son, what a good representative you are.

01:08:21Hey?

01:08:22Well.

01:08:23Chin-poo.

01:08:24Look.

01:08:25Meow, meow.

01:08:29Isabel?

01:08:31Isabel?

01:08:35Dolores?

01:08:36Good morning.

01:08:39Good morning.

01:08:41What are you doing there, rabbits?

01:08:42Well, look, there was nobody there and I said, okay, I'll prepare the purge myself.

01:08:48Ah.

01:08:49So, you're not satisfied with your job, you also have to look for work here in the kitchen.

01:08:53Information, right?

01:08:55So, you see how things are?

01:08:58Come on, nobody here works, not even God.

01:09:02Come on, Manny, come on.

01:09:03Thank goodness you came to help me, otherwise I'd be in the competition in my tracksuit and my...

01:09:07heels.

01:09:07But this tiquita thing, please, I can't work like this.

01:09:10Put the stuff in here.

01:09:12Come on, let's see, the light is coming and it's right there.

01:09:15Good morning, Marichu.

01:09:16That?

01:09:17Has he already recovered?

01:09:18You have no idea how happy I am.

01:09:19Who are you?

01:09:20I am Trinidad, the director of the clinic.

01:09:22The director?

01:09:23I'm surprised.

01:09:24Where is Dr. Inchaustegui?

01:09:26Well, I don't know, I imagine up there.

01:09:28Ah, on another floor.

01:09:30No, look, it's normal for her to be a little disoriented, that's all, but don't worry, that will soon pass.

01:09:36It happens to him.

01:09:36Besides, what are you doing with the curtains drawn so high, on such a beautiful day, woman?

01:09:41Son of a Mary, what a blazing sun!

01:09:43Girl, and then they say there's no climate change.

01:09:45When you've enjoyed a little bit of sun, I'll be right back with Dr. Almenar.

01:09:49Welcome, Marichu!

01:09:53She has escaped from psychiatry.

01:10:02And this?

01:10:08Loli, what are you doing without still, my soul?

01:10:10Hurry up, come on.

01:10:12Listen, where is Carmen?

01:10:13What does he still have to choose?

01:10:14I don't know, he hasn't seen him all morning.

01:10:16Get ready, sweetie.

01:10:17There it is.

01:10:18But, but, but well, what is this nonsense?

01:10:21That's not how the clinic closes, huh?

01:10:23He doesn't close it.

01:10:24No, my daughter, choose now, my soul, I've been gargling with egg white all night.

01:10:28And so she sings like a broody hen.

01:10:30Bitch!

01:10:30But seriously, what's the point of this?

01:10:33And I was thinking of going to the day center.

01:10:36What is this?

01:10:37Wow, what artistry, what power, girl!

01:10:40Ole, ole!

01:10:40Okay, okay, okay, the art is ready!

01:10:44Firat!

01:10:45Chichik!

01:10:47Chichik!

01:10:47Ole, ole!

01:10:49Go!

01:10:56Felita, you're so fast!

01:10:58A little more joy!

01:10:59Go!

01:11:00Ole, ole!

01:11:01Ole, ole!

01:11:03Ole, ole!

01:11:04Ole, ole!

01:11:05Ole, ole!

01:11:07Ada!

01:11:14What are you doing here, Juanes?

01:11:19Josechu!

01:11:20Welcome!

01:11:21Come here, pal.

01:11:23Look, put me up there, I want to get out.

01:11:25Yes, yes, yes, maitía.

01:11:27Look, look, bring me the robe and the slippers.

01:11:31Hey?

01:11:31Oh, no!

01:11:32Okay, there we are.

01:11:34Erqui, Josechu.

01:11:35That's it.

01:11:36Very good.

01:11:37Wow!

01:11:37But I'm such an idiot.

01:11:39I've fallen again.

01:11:40But what could be the point of this?

01:11:41What is pollen, anyway?

01:11:42Shh!

01:11:44What's that?

01:11:44Well, sing, Jondo, because you're going to be singing all day long, damn it.

01:11:49Holy shit, Dad!

01:11:53So that's what you're doing, huh?

01:11:54Does that do you more good, Eva?

01:11:59Is there no other place where my soul passes?

01:12:01Sorry, screw you, ugly friend.

01:12:03Am I not finished?

01:12:03Bye, bye!

01:12:04What have you done?

01:12:05Take me out onto the balcony!

01:12:06And you, for brave love...

01:12:09Get off!

01:12:11How can it be made prettier?

01:12:16How can it be made prettier?

01:12:26How can it be made prettier?

01:12:36Take me to the bar.

01:12:38But it's not for drinking, man.

01:12:40I want to go there, there.

01:12:41Hey, what are you doing, man?

01:12:43Stay still, I want to go there, there.

01:12:44You can't go, damn it!

01:12:47But you are not mute.

01:12:50Look.

01:12:52Miracle, miracle!

01:12:53Let's go to the chapel to pray!

01:12:54Look, stay still there.

01:12:55Or you're taking me to the bar right now.

01:12:56or I'll slap you

01:12:58that leaves you speechless again.

01:12:59To the bar, to the bar.

01:12:59In short, that's what he pays me.

01:13:01No, aunt!

01:13:08And to top it all off, a flamenco show, listen.

01:13:10God!

01:13:11Why did I wake up?

01:13:19Come on, Carmen, who are you going to choose?

01:13:21For Lucy or for me?

01:13:22You think we don't play much, do you, Carmen?

01:13:24It's not worth pressuring Lucy.

01:13:26Well, the truth is, look...

01:13:29Lucy, I listen to you a lot.

01:13:32I liked it more...

01:13:33Dolores!

01:13:34Dolores!

01:13:35Dolores!

01:13:35Love!

01:13:36Love!

01:13:38Holy shit!

01:13:42Mom, I was going to explain everything to you!

01:13:44We are...

01:13:45Here!

01:13:46We are in...

01:13:46We're in hell!

01:13:51Let's go!

01:13:52And you...

01:13:54Your brave little hair

01:13:55Your brotherhood, the little donkey

01:13:57Whose shoulders he carries

01:13:59And to the most beautiful old lady

01:14:01Let's go!

01:14:02Let's go!

01:14:06The kiss

01:14:07Yes, we already agreed that you're silly, right?

01:14:09I don't want to spend even a minute more away from home

01:14:11I can't leave

01:14:13That?

01:14:13I bought the bar

01:14:14And she has no idea.

01:14:15She didn't take it well when she found out he was in Seville.

01:14:17I mean, there are worse places to wake up

01:14:19Malaga, for example

01:14:20We'll get through this, right?

01:14:21Lecane, you're going to be my daughter-in-law

01:14:23Does the Basque man have a girlfriend?

01:14:24What makes me angriest is that it pisses me off

01:14:25I didn't think I would like Basque so much

01:14:28Yes, this is going to become a Basque pintxo bar.

01:14:31Basque pintxo?

01:14:31In Seville?

01:14:32What are you doing here?

01:14:33What I do?

01:14:33Come and help this

01:14:34I noticed you were very overwhelmed.

01:14:35That?

01:14:36Are the neighbors there?

01:14:37Uh, to avoid them, I mean, huh?

01:14:39His son has spent his inheritance savings on buying this bar

01:14:43That?

01:14:43Did your Basque see you go?

01:14:45No way, daughter, in a tortilla!

01:14:46What are you doing?

01:14:47No, I finally see her smile

01:14:50If your mother finds out that I'm slowing down the transfer

01:14:52I'm going to get such a beating

01:14:54I assure you it won't be slowed down.

01:14:56Excuse me, it's just that I'm a nurse by profession.

01:14:59And a passionate hairdresser

01:15:00Haven't you noticed?

01:15:01Iñaki and Carmen

01:15:03They're there, there

01:15:04The thing is, you don't go there and take the easy way out and shove your tits in his face.

01:15:07Well, maybe I should

01:15:09But I have so few.

01:15:10I'm not going to say anything to you, nor am I going to ask you for anything.

01:15:13But I think if you want us to be together

01:15:15You have to do your part, right?

01:15:16Oh, look

01:15:17Here comes Necane

01:15:18Oh, look

Allí abajo - 1x09 - Agur Lehendakari - HD 1080

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