Allí abajo - 3x06 - El nuevo Kaia - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Allí abajo - 3x06 - El nuevo Kaia - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:00The clinic is for sale.

00:00:01Not at all.

00:00:02The clinic is not for sale.

00:00:04Are you going to let the business your husband built for me die?

00:00:06But this is also my husband's business.

00:00:08This friend of mine, the poor thing, is going through a rough time.

00:00:11If you find out about anyone who could give him a job, it would make me very happy.

00:00:16I'm going to try everything I can.

00:00:17There is no.

00:00:18Since all I've given him is this shitty clinic,

00:00:20I intend to take full advantage of you.

00:00:22Well, your father didn't leave it to you for that.

00:00:23He left me half of the clinic so that I could keep an eye on you.

00:00:27And that you were selfish and useless.

00:00:29What does that look like about me?

00:00:30Do you like Yasmin?

00:00:31Me?

00:00:32In love and in war.

00:00:33Anything goes.

00:00:34No, González, no.

00:00:36What I've learned is that you are inherently evil.

00:00:39Mamari was looking for a place in the port area to open the new business.

00:00:43And she wants you to take care of the cooking.

00:00:45We saved the city!

00:00:46I'm working.

00:00:47Are you leaving the money?

00:00:49Torresa!

00:00:51I was looking for a relationship strictly on the level of friendship.

00:00:55And do you think we can return to that plane?

00:00:57Strictly speaking, yes.

00:00:58What else do you like to do?

00:00:59I love salsa.

00:01:01I'm going to go salsa dancing.

00:01:03Let's dance, handsome!

00:01:06I've been thinking about alternative options to assisted reproduction.

00:01:11Practicing the ancient technique of making children.

00:01:13Just so you know, Trini has started budgeting for the beauty center and things seem to be moving forward.

00:01:18Marvelous.

00:01:18I don't know if it was a good idea to boost his morale so much.

00:01:21Calm down, Trini.

00:01:22They say that what goes up must come down.

00:01:24I spoke with Juan Mari and he told me that he's going to put someone here to supervise.

00:01:29That?

00:01:30Gozoni, my boss.

00:01:32My boss.

00:01:49Thank you!

00:02:10What are you doing?

00:02:16What? Can you see anything, Sabino?

00:02:18There's one thing I don't know if it's Anchón's head or an ice bucket.

00:02:22Take it away, take it away, take it away, let me look.

00:02:26That's a shame, isn't it? I find change really hard.

00:02:28Well, every time I come to change the bed sheets, I suffer.

00:02:31Not a single soup plate is in sight.

00:02:33Nothing, huh?

00:02:34Yes, we'll have to settle for looking at the sign.

00:02:39Well, modern, isn't it?

00:02:40Modern backs, size, looking at the poster.

00:02:43The truth is that you can get an idea of what's inside.

00:02:46Sure, if it opens tomorrow anyway, it's not a big deal if we wait a bit.

00:02:54There it goes, from there!

00:02:55Here it goes!

00:02:55Leave her alone, leave her alone, you don't know!

00:02:57There it goes, from there!

00:03:00There it goes, from there!

00:03:01Leave me alone, man!

00:03:03There it goes, from there!

00:03:04There it goes, from there!

00:03:04You're going to break the door!

00:03:09Man!

00:03:10Just like the sales.

00:03:12Come on, let's go inside.

00:03:13Ha ha!

00:03:13No, that's all, Iñaki.

00:03:15We were just passing by by chance.

00:03:18Oh, Iñaki.

00:03:20Bacato, eh, but this isn't a facelift.

00:03:23This is reconstructive surgery.

00:03:27To me, it looks like a posh bar.

00:03:29No, dude, not posh.

00:03:31Designer.

00:03:33Welcome to the new Calla.

00:03:35Hey, crew!

00:03:36Bye!

00:03:36That?

00:03:37What do you think of what you've seen?

00:03:40This...

00:03:41distinct.

00:03:42Look, Peyo, different doesn't necessarily mean bad.

00:03:46Look, I'll let you do your own thing for a bit.

00:03:49At least until González arrives.

00:03:50I'm going back to my stove.

00:03:52Padrilla!

00:03:52Mushroom!

00:03:59Well, we'll have to sit down, won't we?

00:04:01Yeah.

00:04:08Well, that's the first day.

00:04:10Yes, we'll get used to it.

00:04:12Come on, we survived the summer lull.

00:04:14Aren't you going to get over this?

00:04:15Of course.

00:04:16Come on, not me.

00:04:16Take out a couple of small ones.

00:04:18I?

00:04:18Ah, of course you...

00:04:20Sorry, sorry.

00:04:21Which?

00:04:22Time, time.

00:04:26Man!

00:04:28Mr. Duke?

00:04:29Marquis.

00:04:30Oh, Mr. Marquis.

00:04:31Well, I remind you that it was his injection this afternoon.

00:04:33Again?

00:04:34Is there no other way to administer the medication?

00:04:36Yes, in suppository form.

00:04:37But he was going to lose all his pedigree.

00:04:40Wow, I see you've taken studying marketing very seriously, haven't you?

00:04:44Yes, I am convinced that we can improve the clinic's image

00:04:47and expand our business opportunities.

00:04:51Very good, very good.

00:04:53And do you already know how you're going to do it?

00:04:54Yes, I'm doing a reset of myself to design a strategy

00:04:59in which our corporate image has many more possibilities.

00:05:03No, no, the truth is that I see you with a lot of enthusiasm.

00:05:06But I'm going to ask you one thing, please.

00:05:08Before making any decision,

00:05:10Don't forget to check it with me or Marichu.

00:05:13I don't have to explain anything to you.

00:05:15As co-owner of this clinic, I can do whatever I want.

00:05:18What am I telling you?

00:05:19The PR department hasn't arrived yet, has it?

00:05:22Which one?

00:05:26Public relations.

00:05:33Eh, eh, eh, eh.

00:05:34I would ask you, please, not to use that staircase.

00:05:37Gozón is obsessed with the idea that this looks like a commune.

00:05:40No, I'm sorry, darling, but we were going to have breakfast and there's nothing upstairs.

00:05:44Yes, remember to buy a muffin.

00:05:45Hey, Jose, are you sure you're not descended from the Cookie Monster?

00:05:48That's raw.

00:05:51Mmm, damn car kitchen.

00:05:53Hey, José, honey, I'm going to work.

00:05:56Can I give you a ride?

00:05:57Or maybe he wants me to take you to the library.

00:05:59I don't know, maybe to look at a gardening manual or something.

00:06:02I didn't make such a big deal out of it, girl.

00:06:04Please, if he told you to cut the nettle and you cut the hydrangea.

00:06:08Right?

00:06:09I just can't quite get the accent, you know?

00:06:11Anyway, I have to go to the courthouse and get an autograph.

00:06:14I hadn't practiced my signature this much since I used to forge my father's for my grades.

00:06:18Go on.

00:06:20Hey, honey, are you falling?

00:06:21Yeah.

00:06:22Listen to me.

00:06:23Yeah.

00:06:24So, hello?

00:06:28Honey, could you please stay still for a moment?

00:06:31I'm sorry, Maikia, but I still have a lot of chores to do.

00:06:33Okay, so the first thing you need to do right now is calm down.

00:06:36I want to make you a proposal.

00:06:38Tell me.

00:06:38So, what do you think?

00:06:39If I cook something tonight, well, I'll call and have food delivered and we'll have dinner together at [location].

00:06:44Little house, right?

00:06:45Oh, well that seems perfect to me.

00:06:47The truth is, it would be really, really good for me, because, look, I'm so tired that

00:06:50The other day I almost started peeling a light bulb.

00:06:52Well, that's it, I'll take away your stress, I'll take away your tiredness, and I'll let you come.

00:06:57There's your boss, huh?

00:06:58Come on.

00:07:00Here's the final list of dishes we have to prepare for tomorrow.

00:07:04But another thing, we've already had three final lists this week.

00:07:07Oh, by the way, they've already called the press for the opening, right?

00:07:10Tomorrow at two.

00:07:11Damn, I'm so nervous, so excited.

00:07:14Yeah, right?

00:07:16I'm going to soak the seaweed.

00:07:18Hey, Coltone, why did I see you crying while peeling onions?

00:07:20Otherwise, I'd think you were a cyborg.

00:07:28Hello, Horacio.

00:07:29Good morning, Carmen.

00:07:30Phew, it's cold, isn't it?

00:07:32I wanted to enjoy the scenery.

00:07:34We're going out together today.

00:07:36Yours?

00:07:37You and I?

00:07:38Yes, you and I, let's have lunch here in the garden.

00:07:41I say I've brought a Tupperware container.

00:07:43Ah, great, that's good.

00:07:45Well, don't think it's anything too elaborate.

00:07:48No, well, hopefully there will be something better.

00:07:49Please, here in the Basque Country it's difficult to eat something that takes less than five hours to digest.

00:07:52Oh, and that's because you haven't eaten my almorejos.

00:07:56Don't you like tomatoes?

00:07:58No no.

00:07:59Tomatoes are great.

00:08:00Well, vitamin B12, antioxidant, carotene, good.

00:08:03Well, you know what?

00:08:04I'll let you scrape it all the way down.

00:08:08Come on, Horacio, darling, are you really okay?

00:08:10Yes I'm fine.

00:08:12I'm fine, it's not allergies, you know?

00:08:14Ah.

00:08:15Hey, hey, hey, look at the ice bucket, huh?

00:08:18With its little reserve.

00:08:21Scorpion scrofa.

00:08:22Hey.

00:08:23The rock goat.

00:08:25It's well done, well painted.

00:08:26Yeah.

00:08:27Wow, Iñaki, what a level, huh?

00:08:29Instead of lunch, we're going to have to play at palace intrigue here, huh?

00:08:32Okay, okay.

00:08:33Look, look, look, look, look.

00:08:36Candied almonds for snacking.

00:08:38Well, well, well, Sabino, what enthusiasm from this one, who didn't like changes.

00:08:41Hey, Peyo, speaking of changes, who should I put you in for the next football match?

00:08:45With single people or with married people?

00:08:47Well, uh, Lase, Lase, I haven't had the chance to be alone with her again.

00:08:51I've been with my mom the whole time.

00:08:52I have also accompanied her to the doctor.

00:08:54Well, at some point she'll separate from your mother, won't she?

00:08:56I don't know, maybe when I go into the doctor's office...

00:08:59Ah, there you have it, Peyo.

00:09:00To buy a Basque person a drink, you don't need much more.

00:09:03Yeah.

00:09:03Well, I'm going to the room of...

00:09:07A bit cold, isn't it?

00:09:08How cold!

00:09:09Here's a living example, huh?

00:09:10Iñaki.

00:09:11How did he win Carmen's heart?

00:09:12How did he win her over?

00:09:13With her mother in a coma, there in front of her in the back.

00:09:15Okay, go ahead, go ahead.

00:09:16Yes, in front, in front.

00:09:20Well, goodbye.

00:09:21Nothing, the hospital, just a cyst...

00:09:24That which cannot be eradicated.

00:09:29Okay, Itasco, tell me, what's going on?

00:09:31Biology continues its course.

00:09:33I'm in the middle of my ovulation phase.

00:09:34Okay, great, well, that's it.

00:09:35And you and I?

00:09:36So, when do we have to...?

00:09:38How's it going...?

00:09:38Tomorrow I'm at my peak.

00:09:40I arrive from Singapore at 13:35.

00:09:42I'll be in San Sebastián until 3:35 pm, then I'm going to Oslo.

00:09:45Okay, Carmen, what kind of aim is that?

00:09:47I have the Calla opening tomorrow at noon.

00:09:50No problem, I'll pick you up at Calla, we'll go to my house and I'll take you back to the opening.

00:09:53Look, Itasco, I think it's premature.

00:09:55In other words, we're going to be very tight on time, I don't see much time coming.

00:09:57I think you have too high an opinion of your ability to stamina in bed, Coldo.

00:10:01Until tomorrow at 1:45 p.m.

00:10:03Goodbye.

00:10:07Ta-da!

00:10:08What do you think?

00:10:10I have enabled this area for you.

00:10:12What do we have to share?

00:10:13Well, you already share a clinic, right?

00:10:15I don't think it's that big of a deal.

00:10:17Besides, they now call it synergy, Christopher.

00:10:20Oh my God!

00:10:21The only thing I've ever had as an office has been the garden pergola.

00:10:25Well, I'll take this one, it has better Feng Shui.

00:10:29Is your table not bigger?

00:10:30Please, Christopher, they are identical.

00:10:34If you want, we can change.

00:10:35No, it's fine, it's fine, it's fine.

00:10:39Perfect, Triñi, perfect.

00:10:40No, no, perfect, perfect.

00:10:42This wall is practically begging for a portrait of me, isn't it?

00:10:46Hey, let's see how Antonio López has it.

00:10:47Given how long it takes, it's best to start now.

00:10:49Hey, Toni.

00:10:50Hey, yes, it's me.

00:10:51Listen to me, put down the paintbrushes, please.

00:10:53Put down the paintbrushes.

00:10:54I need a portrait.

00:10:56How is it?

00:10:56Marichu, now that we are finally alone and can talk, I am worried about Cristóbal.

00:11:03He's too focused on changing the clinic's image, and I don't know about that.

00:11:06Come on, I much preferred it when I was depressed.

00:11:08No, woman, don't say that.

00:11:10It's probably not that bad.

00:11:11Look, for Cristóbal, changing the image means putting towels with his initials in the bathrooms.

00:11:15I wouldn't be so sure, Marichu, because from the time I started helping her until she came up with the idea for the beauty salon...

00:11:20He's risen to such a level that, well, I see him as capable of anything.

00:11:23Okay, okay, don't worry. I'll talk to him as soon as I get back from San Sebastián. Anything else?

00:11:28Yes, it can't be when I come back from San Sebastián, it has to be now, today.

00:11:33Look, I don't want him to find out, Cristóbal, okay? But the author of the blog that compiles the ranking is coming tomorrow.

00:11:38clinics and I don't want interference.

00:11:40What's coming next, the one from the ranking?

00:11:43Well, yes, but it's not confirmed yet, Christopher.

00:11:46That's something I should warn you about with all the things I have to do, right, Trini?

00:11:53This was exactly what Loa wanted.

00:11:56Yes, Mom, but I can't right now.

00:11:58Okay, now I have Rafi, the little girl.

00:12:02Should I take the girl?

00:12:03And what do I do with Rafi?

00:12:06I'd rather not tell you that.

00:12:08Okay, Mom, come on, we'll talk later, okay?

00:12:10Look, take good care of yourself and take two pills, okay?

00:12:13Come on, a kiss, I love you.

00:12:15Damn, your mother.

00:12:16Come on, she may be very sick, but she won't have enough time to mess with me.

00:12:19Oh, Rafi, I don't know what to do, I feel awful.

00:12:23She is there all alone, with no one in the village.

00:12:26Well, but he has neighbors.

00:12:28Oh, you see, she doesn't talk to one of them and the other is ten years older than her.

00:12:32It would only be one season.

00:12:35Well, look, it's a decision you have to make for yourself.

00:12:38I will support you in everything you need.

00:12:43So I think I'll leave.

00:12:44That?

00:12:45And you're going to leave me here alone in the bar?

00:12:47What if I have to go to the kitchen to cook?

00:12:49Who here can help me with the orders?

00:12:50Are you more areta?

00:12:51Well, Rafael, don't worry, we can find a replacement for the bar.

00:12:53And what's it like at home, huh?

00:12:55Who's going to warm my bed?

00:12:57Well, you can come to the village on the weekend, since the local road isn't being repaired anymore.

00:13:03A short season, maybe half a season.

00:13:05Yeah, well, if it's something you have to do.

00:13:07If I would do it for my father, I would do it even for a small bottle.

00:13:09Oh, if only my mother knew how beautiful you are.

00:13:12Well, we'll have to call Ñaqui, huh?

00:13:15No, no, no.

00:13:15Rafael, you go to Ñaqui with the solution, not the problems.

00:13:19As soon as we find someone, we'll call them.

00:13:21You are absolutely right.

00:13:22Furthermore, he is having a wonderful time with his new, very cheerful colleagues.

00:13:25No, no, no, no.

00:13:26We have to let him enjoy it.

00:13:27You have to use a wooden mortar.

00:13:29The marble one is better.

00:13:30No, the marble one is slippery.

00:13:32And the wooden one sticks.

00:13:34Okay, then we'll call Arzac and let him decide.

00:13:36Look, please, González, we're not going to call Arzac to find out what mortar we used.

00:13:40Hey, what's up, Pimpinela?

00:13:43Xavi, you who have been a waiter at Arzac for years, what mortar does he use?

00:13:49Wooden?

00:13:50Or marble.

00:13:51Made of stainless steel.

00:13:54No, no, don't look at me.

00:13:56Do whatever you want.

00:13:57You're the boss, as always.

00:13:59That's it.

00:14:03Ugh, honey.

00:14:04What a character.

00:14:05But, son, haven't you even opened the door yet and you're already arguing?

00:14:09Well, what about Sabino?

00:14:10Wasn't he here?

00:14:11Yes, but...

00:14:13He has left with the crew.

00:14:15But what's going on, something's happening.

00:14:16So what's the matter? Your mother's coming tomorrow and she's all swollen from head to toe.

00:14:19Come on, don't exaggerate, girl, everything's under control.

00:14:21I'll go pick it up tomorrow.

00:14:22And what about the hamlet?

00:14:23We'll have to go turn on the heating, which will have those little cans.

00:14:26But come on, I'm not planning on going, okay?

00:14:28Okay, I'll tell Sabino to go and light it for him.

00:14:30Well, and tell him to get some blankets too, because it gets chilly at night.

00:14:33But hey, I don't care.

00:14:34Okay, I'll tell him.

00:14:35Okay.

00:14:36Oh, change the sheets, the beds are unmade.

00:14:39But anyway, I don't...

00:14:40Okay, yes, you're not going to do it.

00:14:42I know, aunt.

00:14:43Of course, son, stress is bad for you, son.

00:14:51Why the insistence on accompanying me to the gynecologist, if the last time he came he was carrying it inside him?

00:14:55Look, besides, I do care about you, okay?

00:14:58You're getting on in years and...

00:14:59But I don't know, I don't understand this interest in my cytology.

00:15:02Rosa Mare, hello.

00:15:04Hey, how's it going?

00:15:05Oh, but if you come with everything at court, she looks like the queen mother.

00:15:09Yes, yes.

00:15:10How are you, Peyu?

00:15:11Okay, okay, here I am, keeping Mom company.

00:15:13Hi, well I'm taking the mom inside.

00:15:15That's all for now, my beautiful one.

00:15:17Thank you, see you later.

00:15:24What a lovely afternoon it's turned out to be, huh?

00:15:27Yes, beautiful.

00:15:29Yeah.

00:15:30It's been the same for tomorrow as well.

00:15:31Well, I have the afternoon off tomorrow.

00:15:34Already.

00:15:38Look, Peyu, if you want to invite me to something, you have to do it now.

00:15:40Because your mother only came for some results.

00:15:43Ah, yes, yes, yes, yes, yes.

00:15:44So, I just wanted to tell you that there's an opening at the CAIA tomorrow.

00:15:49And you want me to come with you?

00:15:50No.

00:15:51Yes, but, well, you'll see.

00:15:53Come on, you probably have your own plans.

00:15:55Yes, Peyu, I'll go with you.

00:15:56Hello, Rosa Mare, and the results have turned out wonderfully.

00:15:59Well, I'm very happy about that.

00:16:00And if you don't mind, I'm going to take them home to read something.

00:16:02I'm really worried.

00:16:03And so?

00:16:05Hey, why don't you sign up for the CAIA opening tomorrow if it keeps you busy for a bit?

00:16:10What do you say?

00:16:11Man.

00:16:11No, no, but he can't go.

00:16:13Well.

00:16:13Let's see, it's there, in the chair.

00:16:15And it's full of people.

00:16:17And it's going to be there, right there in the middle, moving forward, taking it easy.

00:16:21Furthermore, I don't think they've even put in a ramp.

00:16:23But a ramp isn't necessary if there's a direct entrance.

00:16:26Already.

00:16:26Okay, but look, I'm going to be with the crew.

00:16:29I'm not going to be keeping an eye on...

00:16:30Come on, you're going to be alone and you're going to get bored.

00:16:32Okay, okay, okay, yes, you're right.

00:16:35Yasmin, what are your plans for tomorrow at noon?

00:16:38Well...

00:16:38None.

00:16:40You and I, we'll go together as a couple.

00:16:42You won't find a better plan.

00:16:44I'll pay you extra, okay?

00:16:45Hi, it's fixed.

00:16:46Hello, well, that's it.

00:16:49Hey, Shai, please.

00:16:50Tell me.

00:16:51I want the corks on the wine bottles to protrude one millimeter less.

00:16:55Very good observation, Gochones.

00:16:57Okay.

00:16:58And the tables, always parallel.

00:17:00Parallel.

00:17:01Among them, I want there to be one meter and two centimeters.

00:17:04Perfect.

00:17:05One meter and two centimeters.

00:17:09Marvelous.

00:17:11Do you think I don't notice?

00:17:13Are you constantly agreeing with me like I'm crazy?

00:17:15You're right.

00:17:17Look, you're off the hook for now, okay?

00:17:18Because Juan Mari still trusts you, but I'll tell him who you are soon.

00:17:22Of course, no problem.

00:17:23Look, you're insufferable, aren't you?

00:17:25Iñaki.

00:17:27Here.

00:17:28Gochones, try this fua with violet crisp.

00:17:43Alright.

00:17:45TRUE?

00:17:46But I would do it again.

00:17:47Because?

00:17:48Because I don't know if the crunch could be any crunchier or the violet any more violet.

00:17:53Good point.

00:17:54Xavi.

00:17:55Let's see, Gochones, it's perfect.

00:17:57You're the one who should calm down a bit.

00:17:59I?

00:17:59I'm very calm, okay?

00:18:01Let's repeat it.

00:18:02Look, Gochones, even Velázquez, when he painted Las Meninas, had to say enough is enough at some point.

00:18:06Well, look, maybe with another week it would have turned out much better.

00:18:15Carmen, I'm leaving in a hurry today, okay?

00:18:16Yes, me too.

00:18:17What's left for my boys?

00:18:18Well, my husband.

00:18:21Oh, with your husband?

00:18:22Yeah.

00:18:23Look, it seems we've had telepathy.

00:18:25The moment I mention his name, he calls me.

00:18:28Yeah.

00:18:28Hey, little one, how are you? How are you doing?

00:18:31Hi, my love, I'm at the doctor's office, just leaving, and you?

00:18:34Me, out here on the street, where am I going to be, daughter?

00:18:37Hey, in the end...

00:18:38So, you can't have dinner with me after all, right?

00:18:41No, no, no.

00:18:42Gochones will have me here repeating the skewers until they can be exhibited at the Guggenheim.

00:18:46But hey, I'll make it up to you somehow.

00:18:49You're going to have to make it up to me a lot, my love.

00:18:52Okay, a little kiss, bye.

00:18:54Come on, a lot.

00:18:55Goodbye.

00:18:57Well, well, well, well.

00:18:58They cancelled your dinner, didn't they?

00:19:00Yeah.

00:19:01So what are you going to do now?

00:19:02Well, I don't know, maybe I'll eat some cold cuts, lie down on the sofa, and hug the blanket.

00:19:07Ugh, what a bummer.

00:19:09I go to a club that, well, always has live music, some really great jazz bands.

00:19:14Yeah?

00:19:15Yes, it's cool.

00:19:15But isn't that wonderful?

00:19:16What a great plan!

00:19:17Yes, yes, yes, yes.

00:19:17Well, and they also have a craft beer that they make there, well, with double hops, spectacular, really.

00:19:22I love beer.

00:19:23Oh, really?

00:19:24Did you know?

00:19:25That?

00:19:25Have fun, have a great time.

00:19:29Bye.

00:19:35Double hops, double hops, I'll be.

00:19:36Ugh, easy.

00:19:38Double hops.

00:19:43Here, here.

00:19:45Look, look, look at this curtain, how beautiful, it looks like a waterfall, it's beautiful.

00:19:50The problem is that with so many sick people around, it looks...

00:19:53Look, Cristóbal, this is a clinic.

00:19:55Yes, but we don't have to keep reminding people, Marichu, man.

00:19:58Look, I understand you want to impress the girl from the blog, but please, I'm asking you.

00:20:03Whatever you do, do it in moderation, okay?

00:20:06With moderation, Marichu.

00:20:06With moderation.

00:20:07Okay, I'm going to pack my suitcase, okay?

00:20:10See you when we get back.

00:20:12Remember that, okay?

00:20:13With moderation.

00:20:16I've got it now.

00:20:17Looking for a full-time waiter with experience.

00:20:21What's wrong with my coffee?

00:20:22What is this?

00:20:22A Serbian being or what?

00:20:23Sorry, Cristóbal, we're really busy looking for a waiter.

00:20:26Ideally young and with a good appearance.

00:20:29Let's see, Rafi, we're looking for a waiter, not Mr. Huerva.

00:20:33Let's see, youth and a good appearance are essential for working with the public.

00:20:37If not, look at me.

00:20:39That's it, that's it.

00:20:40Do you see it?

00:20:41The man has realized.

00:20:42Do you know how much money I've brought home thanks to my blue, Mediterranean eyes?

00:20:47I'm not talking about you, Rafi.

00:20:48I just had an idea that's absolutely amazing.

00:20:50I could eat her face!

00:20:56Look, you finish this, I'll keep collecting and we'll have the message clear.

00:21:04Hi, Rafi.

00:21:08Sorry?

00:21:09Have you changed that much?

00:21:10Or have you already forgotten your past conquests?

00:21:14Maribel.

00:21:16Does it move while walking?

00:21:17But it's been at least 20 years since we last saw each other.

00:21:1919, to be more precise.

00:21:21But what are you doing here?

00:21:23I've come for my son.

00:21:24Oh, don't tell me it's bad.

00:21:26Unless it's from touching your balls with both hands.

00:21:29Oh, Rafi, you're driving me crazy.

00:21:31She is 19 years old, and neither studies nor works.

00:21:33The guy doesn't even go out to hunt Pokémon because he's not doing anything.

00:21:35Maribel, that age is really bad, isn't it?

00:21:37Now, let me tell you something.

00:21:39I already had my first bank account open at that age, you know?

00:21:41Man, please, that's why I thought of you.

00:21:44I've been told that things are going very well for you, that you're in charge of a bar.

00:21:47Almost the owner.

00:21:48Could you help him?

00:21:49Well, look, we're actually in the process of looking for a new waiter right now.

00:21:54Oh, don't tell me.

00:21:56But that's fantastic, my son, he's going to do very, very well, very well.

00:21:59Does it have a good appearance?

00:22:00Come on, seriously, with this mother, okay?

00:22:01Do you have experience?

00:22:03Do you put the chocolate milk in and then tell us about it?

00:22:05Oh, Rafi, please, please, I'm begging you, give him a chance.

00:22:07I assure you that you will learn very quickly.

00:22:10Yes indeed.

00:22:11Oh, he's going to be so happy.

00:22:12If I tell him that, I'll eat your face.

00:22:18This is not a yes.

00:22:20Oh yes.

00:22:26We'll bring you the news.

00:22:29Iñaki, darling.

00:22:30No, the salt crystals cannot be repositioned.

00:22:33Iñaki, wake up.

00:22:35Iñaki.

00:22:40Pussy.

00:22:41And so?

00:22:42That?

00:22:45Wow, it seems the new Calle is a reality, little one.

00:22:49As real as the remote control brand you have on your face.

00:22:52Okay, I'm going to take a shower.

00:22:53Dress up, today is a day to enjoy.

00:22:55Yeah.

00:22:56Come on.

00:22:57Iñaki.

00:22:58Cook.

00:22:59Look, they're awake.

00:23:00That will be if Mrs. Perfect lets me, of course, because the tuna tacos have to be cut to one centimeter.

00:23:05The salmon slices are two millimeters thick.

00:23:08Then the prawns.

00:23:10Honey, I was thinking that this seems like a milestone to Horacio at the inauguration.

00:23:15That's how you get to know each other.

00:23:17Five millimeters in perimeter.

00:23:19My love, are you listening to me?

00:23:22Yes, yes, of course, yes.

00:23:24Yeah?

00:23:25Well, I've also thought about inviting my father, Frasquito, and my thirty cousins from Antequera.

00:23:30But yes, yes, darling, whatever you want.

00:23:33That sounds good to you, right?

00:23:34Well, I'm also going to call the singers from Hispali.

00:23:37Well, yes, yes, a move, whatever you want.

00:23:39Well, that's great, anyway, darling, I'll leave you now and have a great day, okay?

00:23:44Yes, thanks.

00:23:45Thank you for listening to me.

00:23:47Come on.

00:23:49Au!

00:23:51Au!

00:24:02What don't you think Suárez is?

00:24:06Without this, it's not the same anymore.

00:24:08I'm uncomfortable, I feel out of place.

00:24:11These pastas are out of place.

00:24:13All that bright color is going to give me an epileptic seizure.

00:24:16Thank goodness the kayak is opening today.

00:24:18Finally the crew returns to their headquarters, inseparable.

00:24:21Yes, thank goodness.

00:24:23The only thing is that I'll arrive a little later.

00:24:25But you said you took the day off as soon as I told you the opening date.

00:24:29And did I get it?

00:24:30Sure, yes.

00:24:30Yes, but I have an unavoidable home visit.

00:24:34And you can't do it another day?

00:24:36No, Sabino.

00:24:38It's not easy, is it?

00:24:40Because my patient travels a lot and it's complicated to change the day, date, or time.

00:24:44But if he is sick, he will not be able to travel.

00:24:48Sabino, who is the doctor?

00:24:49You or me?

00:24:51Damn, damn, damn.

00:24:53And on top of that, my mother is also joining us for the opening.

00:24:55With my only date in 20 years.

00:24:58Come on guys, cheer up and everyone support Iñaki.

00:25:01I take care of putting out the fires of the Galarda sisters.

00:25:04And I see them angry and upset.

00:25:06That's crazy, this opening doesn't look good at all.

00:25:17Hello, what's up?

00:25:19Oh, how exciting, how beautiful they are to me.

00:25:21Uh, no, this is for my table.

00:25:24Your table?

00:25:24What do you mean, your table?

00:25:25And what are my things doing there?

00:25:28I am the new receptionist and this is my new job.

00:25:32Natascha wanted nothing more, she was delighted.

00:25:34Look, Natascha, darling.

00:25:35I am Dolores Ocaña, Loli to my friends.

00:25:37And you're already taking too long to take all your things.

00:25:40Well, all except the flowers that clash with my robe.

00:25:42I can't, this is my job.

00:25:44Ha!

00:25:45And I am Pablo Motto.

00:25:46Look, please don't force me to lose my diplomacy.

00:25:52Oh my God!

00:25:52You're going to get what's coming to you!

00:25:53Don't insult me, you Caucasian woman from the Urals!

00:25:56Hey, Dolores, Dolores, stop bothering the new receptionist.

00:25:59What are you saying?

00:26:00What nonsense are you spouting?

00:26:01You heard right, I've done a staff restructuring

00:26:03And I believe Natascha is the best qualified for this position.

00:26:06Furthermore, he has a profile better suited to working with the public.

00:26:08Does it define the most suitable profile?

00:26:10Well, I did a course at the CCC.

00:26:12Well, she's younger and prettier.

00:26:13Can't you see the look on his face?

00:26:14It's a matter of image.

00:26:16Image? Well, I'm going to Zumba too.

00:26:18Don't worry, I've found you the position that best suits your age.

00:26:20Hey?

00:26:21Head of service?

00:26:22Better yet, head of medication control.

00:26:25But that's a windowless hovel.

00:26:27If you're calmer, woman, because at a certain age stress is very bad.

00:26:30Come on, come on, go, go, come on, that's it.

00:26:34But, Rafi, are you sure?

00:26:35I don't know, an inexperienced boy, instead of helping you, is going to give you a lot more work.

00:26:40Well, Isabel, look, we lose nothing by having it for a trial day.

00:26:43Besides, if I see you're alert, you can go back to the village with your mother this afternoon.

00:26:47It's up to you, I'm just warning you.

00:26:52Hello, I'm looking for the manager.

00:26:54Juan?

00:26:54No, they told me about the Rafael issue.

00:26:56No, I mean that you are Juan.

00:26:58Yes, but the person in charge, do you know who that is?

00:27:00It's me, Rafi.

00:27:01Rafi, no, I'm Juan, my name is Juan.

00:27:03Mágame, creature, relax and breathe.

00:27:05You are Juan, I am Rafi, the manager.

00:27:08And your mother sent you for a job, right?

00:27:10Yes, yes, yes, yes, yes.

00:27:11And I come impressed and eager to motivate you.

00:27:13You'll come motivated and eager to impress me.

00:27:16Hey, sorry.

00:27:17My mother made it for me before I left, she kind of confused me.

00:27:20This looks worse.

00:27:21Look, let's start with something very simple, Juan.

00:27:24Take this tray and bring it to that mass.

00:27:26Where?

00:27:27He's exhausted, man.

00:27:30Juan, Juan.

00:27:31Keep the little things inside, son.

00:27:35Come, pass by.

00:27:53Ah, well, Xavi, very good.

00:27:54Hey, don't bring any more drinks.

00:27:55These are sufficient.

00:27:56Well, I don't think so.

00:27:58Gochone just asked me to bring another 20 in case we run out.

00:28:01My God, if we don't finish this soon, we're going to end up opening a psychiatric hospital.

00:28:05Let's see, Iñaki, clarify a doubt for us.

00:28:08Sabino says you're not going to pick up my sister?

00:28:10No, no, no, I didn't say that.

00:28:12I just said that he doesn't have time and that we should go and find her.

00:28:15Well, I don't plan on going to look for her, let's make that clear.

00:28:17Iñaki is the one who has to go.

00:28:18Come on, Abego.

00:28:19Marichu is your sister and sooner or later you'll have to deal with him.

00:28:21Oh, really?

00:28:22Well, let's see what I have to say.

00:28:23I hope it will be later rather than sooner.

00:28:24Let that be clear to both of you.

00:28:26Auntie, let's see.

00:28:28Look, that's settled.

00:28:29I'll go pick it up.

00:28:30Hey, what are you doing there, gossiping?

00:28:32Get out of here.

00:28:33Iñaki.

00:28:34The alveoli in the bread are not harmonious, are they?

00:28:36We'll have to repeat the dough.

00:28:38I'm going to pick it up now, nephew.

00:28:39Don't worry.

00:28:40Yes, thank you, Uncle Sabino.

00:28:41I will compensate you with a symphony of alveoli.

00:28:44Oh, that's what I say.

00:28:47Come in, what a day!

00:28:49He called me, old woman.

00:28:52And the worst part isn't that I got myself into that trap of medicine.

00:28:56The worst part is that you can't hear anything from there.

00:29:00And I don't know anything about people's lives.

00:29:03Well, Dolores, it's not that serious, honey.

00:29:09Look at this, Trini.

00:29:10It's not very strong.

00:29:12Was that Christopher's idea?

00:29:14No, I made a mistake.

00:29:15I put on my daughter's nurse Barbie outfit.

00:29:18No way, Trini.

00:29:19You have to put a stop to Christopher.

00:29:20Or next we'll be carrying our medicine in our cleavage.

00:29:23I'm sorry, but the only person who can stop him is useless.

00:29:27He is not in Seville.

00:29:38Trini.

00:29:40Daughter, you've given me so little time to disconnect from the clinic.

00:29:43Well, you should tell that to your stepson.

00:29:46It didn't even take half a day for him to start making a fuss about the image issue.

00:29:49The girl told me she would only do small things.

00:29:52And so small.

00:29:53He started with the gowns, which he cut in half.

00:29:55Woman, two centimeters, up or down, it's not going to ruin my trip, is it?

00:30:00But that's not all, Marichu.

00:30:02That she has replaced Dolores with a receptionist with no experience whatsoever.

00:30:05But yes, absolutely gorgeous.

00:30:06And she's put on the nurses, I mean, they all look like they're straight out of a porn movie.

00:30:10Look, Trini, every battle in its own time.

00:30:12And now it's time for a family gathering.

00:30:16Welcome, Marichu.

00:30:19And who hasn't it come to?

00:30:21No, he's very busy with the opening.

00:30:23And my sister? Is she involved too?

00:30:25Because he doesn't have a job now, as far as I know.

00:30:27Your sister has gone to turn on the heating in your house.

00:30:29To create a warm atmosphere.

00:30:32He's really looking forward to seeing you.

00:30:33Oh, Sabino, you lie so badly.

00:30:36Come on.

00:30:43Horace.

00:30:44May I come in?

00:30:46Uh, no.

00:30:47Just a second.

00:30:48Yes, yes.

00:30:49Just a second, please.

00:30:54Yeah, I'm coming, yeah, I'm coming.

00:30:59Forward.

00:31:02Well?

00:31:06Have you sat on Mrs. Zabaltegui's mushrooms?

00:31:09Yes, the results.

00:31:12Yeah.

00:31:12Hey, how was last night?

00:31:14The fact that?

00:31:14The concert.

00:31:15How was it?

00:31:16Ah, the concert.

00:31:18No, no, in the end, in the end I didn't go.

00:31:19Oh, and that's it, you and your girls don't feel like it.

00:31:22What do you mean, my girl?

00:31:24Your girlfriend.

00:31:25No, no, no, I don't have a girlfriend, eh.

00:31:26No, no, no.

00:31:27How odd.

00:31:28Why is that strange?

00:31:29Strange, I don't know, because I had it in my head that such a handsome, distinguished, elegant man would...

00:31:39I used to do it with my girlfriend.

00:31:42Horacio, I want you to make me yours.

00:31:47Horacio, what about Mrs. Zabaltegui's tests?

00:31:52Ah, ah, mushrooms, yes.

00:32:00I wanted to ask you one thing, do you have any plans for tonight?

00:32:05Did you just ask me what you just asked me?

00:32:07No no.

00:32:08Yes, if you have any plans for tonight.

00:32:13Oh, why?

00:32:14Let me tell you, I have the opening of the Calla.

00:32:16Uh-huh.

00:32:16And well, it's going to be fun.

00:32:18I was thinking, would you like to come with me?

00:32:21Mmm, okay.

00:32:24Great, because that way you also get to meet my husband.

00:32:26Iñaki, you're going to love it.

00:32:39Fuck.

00:32:42Hey.

00:32:42That's it, exercising, right?

00:32:45Oh, yes.

00:32:46What do you want?

00:32:47Well, I came to ask you for 20 bucks to pay for his health insurance, but if he's exercising, I don't want you...

00:32:51No, please, that's it.

00:32:52That's it, I'm ready.

00:32:53May God repay you with a blooming garden.

00:32:55Yes, yes, yes, yes.

00:32:57Is something wrong?

00:32:58Hey?

00:32:59Are you blushing?

00:33:01Uh, no, me blushing?

00:33:02No, oh, well, maybe from the exercise that...

00:33:05No, since you're always like that, doing yoga, you seem disturbed.

00:33:10Okay, José, if there's anything, alright?

00:33:15I have a moral dilemma.

00:33:16Uh, no moral dilemmas.

00:33:18I just don't know how to go the right way; I always end up going the opposite way.

00:33:21Look, I'm leaving because I have to pay Arde la Bono the 10 euros.

00:33:23What do you mean, 10?

00:33:24Hey, uh...

00:33:25It's the height of indignity, being cornered in this rat trap, sorting medications...

00:33:31Don't complain, okay?

00:33:32At least you have a couple of meters to move around.

00:33:34Look at me, I look like a Playmobil figure.

00:33:35Look, I can't even scratch my head, look.

00:33:38Well, I have to do something, huh?

00:33:39Because I just can't stand this anymore, I'm going to have a nervous breakdown.

00:33:42Let's see, Dolores.

00:33:43Now for positions of responsibility, huh?

00:33:46They are occupied by young people.

00:33:48We have to adapt to the new times.

00:33:50Angela, you're definitely one of a kind when it comes to giving encouragement, aren't you?

00:33:53Thanks to you, at my young age, I feel like an old woman.

00:33:56Well, I don't have that problem.

00:33:58This mountain fish preserves better than anchovies.

00:34:01I'm going to ham, no, we're not getting wet.

00:34:03And this is the bar, huh?

00:34:05Where you can come to eat every day, but don't overdo it, okay?

00:34:08That your uniforms are one size fits all.

00:34:11There they sat, the two of them, resting.

00:34:13We're going to take a little stroll around Seville afterwards, okay?

00:34:15Oh, buddy, they're calling me to see.

00:34:17Not because of your name, for God's sake.

00:34:20Yes, tell me.

00:34:21Yes, to order a carpet, in pearly tones.

00:34:25Not for a motel.

00:34:27For a clinic.

00:34:28Hello.

00:34:29Am I new?

00:34:31I'm Angela, okay?

00:34:32The head nurse.

00:34:34You?

00:34:34Sure, right?

00:34:35That he murdered me.

00:34:36Look.

00:34:36Angela, you don't know what.

00:34:38That Cristóbal has appointed me head nurse.

00:34:40As?

00:34:41Yes, he told me that I am highly qualified for the position.

00:34:43Oh, how mine!

00:34:44Here, take the plunge now for the new times.

00:34:47The mother who...

00:34:48This isn't going to stay like this, okay?

00:34:50Just so you know.

00:34:50No, of course, it can definitely get worse.

00:34:55Okay, I'll tell you.

00:34:57Be careful, it burns.

00:34:57Oh, please!

00:35:08Seriously, huh?

00:35:09That...

00:35:14Is this the most prepared generation in history?

00:35:17Oh no, I can't see!

00:35:19We're all useless!

00:35:20And you're all climbers, climbers wherever you are, wherever you are, whatever it is, I'm all climbers!

00:35:28Good morning, Celia.

00:35:30Hello, I'm donating.

00:35:39Did anyone record all of this?

00:35:45Okay, okay, Marichu.

00:35:46Did you know that Vego has signed up for macrame classes?

00:35:49No, I've already cancelled my membership because all that knotting is a pain.

00:35:52Well, I was just leaving and I want to look presentable for the opening.

00:35:56I have an appointment at the hairdresser's with your daughter.

00:35:58So, you're going?

00:35:59Sabino, didn't you tell me that she was going to perform there?

00:36:01Man, how could I not go?

00:36:02He's my nephew.

00:36:03Well, if you go, I'm not going.

00:36:05Marichu, can't you miss your son's opening?

00:36:08Well, if she goes, I'm not going either, okay?

00:36:09Well, that's it, none of us are going.

00:36:11Okay.

00:36:12That's great.

00:36:12That's very bad.

00:36:13The most important day, but in Iñaki's case, what do you expect?

00:36:15That he sees you like this, like two little girls?

00:36:17And what do you want me to do?

00:36:18I am not to blame for what happened.

00:36:19Oh, it's my fault Benito left you!

00:36:21Okay, let's not start this again, shall we?

00:36:23If you want to hate each other, do it like in families, behind closed doors.

00:36:26But don't spoil Iñaki's party.

00:36:27I would kill for my nephew.

00:36:29And I even more so, because he's my son.

00:36:31Okay, so what now?

00:36:33Are you going to pretend you get along during the opening?

00:36:36Hey?

00:36:40Just for that little while.

00:36:42And the journey through Cochalcaya doesn't count.

00:36:46Made.

00:37:00Oh!

00:37:01What's up, Efe? Shall we go in?

00:37:03Hey...

00:37:03No.

00:37:04No, no, no, that...

00:37:05Nothing, I just came to take a look.

00:37:06I'm leaving now.

00:37:07Well, we'll have to eat something, right?

00:37:09Hey?

00:37:09A bug?

00:37:10For one day they're free, I've been making room for them every day for five months.

00:37:13No, no, no, that...

00:37:13My stomach feels like it's closed up.

00:37:16Yeah, because of that dilemma, right?

00:37:19Yeah.

00:37:19I mean, no...

00:37:22What does it matter?

00:37:22Who is the girl?

00:37:23Okay?

00:37:28Is the dilemma because of an aunt?

00:37:30No, no, no, no, no, no, no.

00:37:31Why did you keep that quiet?

00:37:32Did he do it?

00:37:33No, no, no, no, no, no, no.

00:37:33Hey, come in with me!

00:37:50The thing is...

00:37:51What's that?

00:37:52Why did it make you blush?

00:37:54It looks like he's done an Iron Man, kid.

00:37:56Hey...

00:37:56No, well, the press makes him a little nervous, you know?

00:37:59No, that's not it.

00:38:05Oh, fatty!

00:38:08He does who you like.

00:38:11Oh really?

00:38:12Who is here?

00:38:13No, no, no.

00:38:14No, no, no.

00:38:15Wait, wait, wait.

00:38:18Sir, those are the dirty cups.

00:38:22That's gin.

00:38:25And that's a chili burrito with wasabi foam.

00:38:31Efe, relax with the catering, we came for the opening and we're going to end up at the funeral home.

00:38:34Yeah.

00:38:36José, José, don't tell anyone, okay?

00:38:39I'm already a tomb, man.

00:38:40This is just a friendly thing between you and me, okay?

00:38:43Of course, I didn't know you were going to notice her.

00:38:46I never thought that someone from outside would look for me either.

00:38:49And as far away as Brazil is...

00:38:51Brazil is very far away.

00:38:54Brazil.

00:38:56What do you mean, Brazil?

00:38:57Kid, because I'm Brazilian too.

00:39:01Well, dark-haired one, minkísil.

00:39:03It's her, her, I love Giselle.

00:39:06Jasmine.

00:39:08Ah, ah, what are you saying?

00:39:10Jasmine, Jasmine, what are you saying?

00:39:11When it's right there in front of me, I don't start, you're cool.

00:39:15What kind of eyes do you have, José?

00:39:16Which eye?

00:39:17I'm a machine at that.

00:39:19I am what a lynching of love is.

00:39:22Horace.

00:39:22Bye!

00:39:24Hey!

00:39:25But it looks so handsome on me.

00:39:28I'm glad you didn't regret it.

00:39:30Here it goes.

00:39:30How are you?

00:39:31What do you think?

00:39:33Well, spectacular.

00:39:34Spectacular.

00:39:35Nothing more than I'd never seen you so tight-fitting, so snug, always in your robe.

00:39:39Thank you so much.

00:39:40I was referring to the premises.

00:39:43Huh?

00:39:43Yeah.

00:39:44Hey?

00:39:45What a fool the local is.

00:39:47Sure, sure.

00:39:47Well, it's beautiful.

00:39:50I'm a little short of breath.

00:39:53Are you OK?

00:39:53Shall I get you something refreshing?

00:39:55No, leave me alone.

00:39:55Yes, it's very good.

00:39:57Well, uh...

00:40:02Elicho, darling!

00:40:03What a joy!

00:40:04How was that trip?

00:40:05How beautiful!

00:40:06Very good!

00:40:07You'll be happy to be here with the whole family, won't you?

00:40:10Yes, yes, yes.

00:40:11Especially with my sister.

00:40:12Oh, yes!

00:40:13Look!

00:40:14Oops!

00:40:15Love!

00:40:16Love!

00:40:17Oops!

00:40:18Oops!

00:40:20Congratulations, my aunt!

00:40:21It's great to have you here!

00:40:21That?

00:40:22What do you think of the place?

00:40:23I wish Father were here to see it.

00:40:25Precious!

00:40:26Look, Father would be very proud.

00:40:28See? Selling wasn't such a bad idea after all.

00:40:30Well, it's not quite that either, is it?

00:40:32Because if I were to...

00:40:32I'm so excited to see my two favorite girls, and here together too!

00:40:36Hmm!

00:40:37Thank goodness you've reconciled.

00:40:38How obvious it is that you can't live without each other?

00:40:41Yes, yes, nephew.

00:40:42These two are very stubborn, but then...

00:40:44Hey?

00:40:44They want to harass each other.

00:40:45Hey, Begochu?

00:40:46Yeah.

00:40:46Come on, your little boards.

00:40:47Well.

00:40:48Hey, stubborn.

00:40:49Is that okay with you?

00:40:49Sabine.

00:40:50Okay, let's see.

00:40:51Begochú isn't the only stubborn one here.

00:40:54Well, thank you, Marichu, my daughter.

00:40:56Come on.

00:40:57Wow!

00:40:58Give me a hug.

00:41:00Oh, I'm coming!

00:41:01Oh!

00:41:02Nichu!

00:41:03But how?

00:41:04Are you not angry anymore?

00:41:05Oh, really, Marichu, I admire you, you know?

00:41:08What a capacity for forgiveness!

00:41:09Because he's spoken ill of you.

00:41:12If your ears were ringing, it wasn't the altitude of Seville, you know?

00:41:15What a turn-on!

00:41:16Samari.

00:41:17Well, but that's all forgotten now.

00:41:19Yes, completely forgotten.

00:41:20Okay, okay.

00:41:20Come on, come on!

00:41:21A hug, a hug!

00:41:23How worn out!

00:41:25Ambitious!

00:41:30This can't be happening, right?

00:41:31I've said that a bunch of times.

00:41:33What about Iberian hams?

00:41:34Cristóbal, the new staff are too inexperienced for the responsibilities you have assigned them.

00:41:39That Natasya has been trying to pronounce "hispalí" all morning.

00:41:42Yes, but if you call a Russian, he'll understand perfectly.

00:41:44Look, you can't see the Russian ones, but one of the new ones is giving some fries to a hypertensive patient.

00:41:48And a little more and that's it.

00:41:50Ah, woman!

00:41:51We've all had our first day.

00:41:53Besides, if you're about to retire, what difference does it make to you?

00:41:55This is incredible, come on.

00:41:57This is a full-blown moving.

00:41:58What you want is to lower our morale, to erase us as people...

00:42:00Oh, darling, woman!

00:42:01As you can see, the change of ownership hasn't affected anything at all.

00:42:06to the proper functioning of the clinic, but rather quite the opposite.

00:42:09We've taken advantage of that to give the clinic a fresh new look.

00:42:13Hello, how are you? I am Cristóbal Benjumea, Marquis and owner of this clinic.

00:42:17Well, I suppose you're the illustrious author of the medical blog, right?

00:42:20The same.

00:42:22Okay, it's my turn now, Trini, okay, it's my turn now.

00:42:24No, no, no, Christopher, I'm already dealing with this, so if you don't mind...

00:42:27No, what will this young lady think if she shows the clinic to a simple director and not the owner?

00:42:32Well, I'd like to tell you that at the Hispali clinic we put all our effort into it.

00:42:35in fulfilling the rights of every human being.

00:42:37Good healthcare?

00:42:39No, a good image.

00:42:40And health?

00:42:41And for that purpose we have opened a beauty center for our patients

00:42:44live up to the standards of this hospital.

00:42:46And so that they are well cared for.

00:42:47Furthermore, we've thought of everything, from the decor to our staff,

00:42:52which is especially attractive.

00:42:55And efficient.

00:42:57Let me introduce you to some of our nurses.

00:43:00Cinnamon stick, huh?

00:43:02Hello, in can...

00:43:04Okay, we can continue and I'll keep showing you around the clinic, alright?

00:43:09Yes, yes, yes.

00:43:12The boy is useless.

00:43:14I'm so sorry for your friend.

00:43:15Daughter, but I've only been here one morning.

00:43:17A morning when the mop couldn't keep up.

00:43:19Rafi, they're going to make two coffees with semi-skimmed milk and a cold one over here.

00:43:23Oh no, it can't be a cold one.

00:43:25Coffee, cold coffee.

00:43:26No.

00:43:27No, not that either.

00:43:28The iced coffee, that's what he asked for.

00:43:30And they are...

00:43:30One two three...

00:43:32Two, three...

00:43:33No, it's just that one of them hasn't written it down.

00:43:34Okay, I'll take something with me.

00:43:36Ask again.

00:43:37I'm asking you, aren't I?

00:43:37Yeah.

00:43:37Okay, fine.

00:43:40As soon as the mother arrives, I'll tell her it's no good.

00:43:42That won't be it.

00:43:44Well, start rehearsing, because it's coming.

00:43:46That?

00:43:47What do you think of the child?

00:43:48Hey?

00:43:49The child is tall and healthy.

00:43:51Hey?

00:43:52Yes, he seems like a good boy.

00:43:54Come on, you're going to kick him out.

00:43:56A bit.

00:43:57He does it that badly.

00:43:58Does...

00:43:58I've had the chicken in the oven for an hour.

00:44:02Rafi, please.

00:44:03Look, Maribel, I...

00:44:04I...

00:44:05I don't see it.

00:44:05Already.

00:44:06I don't see it because the child is missing a nerve.

00:44:08The kid isn't even bald yet.

00:44:09I know, Rafi, please.

00:44:10I know that, right?

00:44:11But he wants too much.

00:44:13If I raised him all by myself, maybe...

00:44:15I've overprotected him.

00:44:17Already.

00:44:17At that age, a father... well...

00:44:19He's getting him on the right track.

00:44:20Already.

00:44:21That's why I brought it.

00:44:22Because?

00:44:23By the father.

00:44:24Oh, is it here?

00:44:25Well...

00:44:25What a scoundrel.

00:44:28Where?

00:44:31In front of me.

00:44:36Yeah.

00:44:36As?

00:44:38Yeah.

00:44:38No no.

00:44:39This is a very bad joke, Maribel.

00:44:41No, no, no.

00:44:41No, because you and I have known each other warmly.

00:44:44What do you mean, no?

00:44:45Don't you remember that time?

00:44:46Did you win a race against the neighborhood next door?

00:44:48Yes, of course I remember,

00:44:49But that was a night of passion,

00:44:51calf cramp.

00:44:52Wasn't that the only time?

00:44:53Did you cross the finish line first that night?

00:44:55No, no, no.

00:44:56That was a very long time ago, wasn't it?

00:44:58He'll do that for a while...

00:45:0019 years old, right?

00:45:01And Juan has...

00:45:0519 years old.

00:45:08I knew it, this kid.

00:45:09It reminded me of someone.

00:45:12I'm the same.

00:45:15Damn, what bad luck, Juan Mari.

00:45:17Yes, yes.

00:45:18Everyone is waiting here.

00:45:20Come on, calm down, calm down, calm down.

00:45:22Come on, I'll tell you.

00:45:24Goodbye, goodbye.

00:45:26What's happening?

00:45:27Juan Mari, who won't be ready for the opening.

00:45:29That?

00:45:30Okay, so what do we do now?

00:45:32Gozzone,

00:45:32You will be in charge of the media presentation.

00:45:36I?

00:45:36Cheer up!

00:45:40To the journalists, huh?

00:45:43Yes, man, relax, Gozzone.

00:45:45Look, journalists are people too.

00:45:48Well, although some of them drink like animals.

00:45:52Okay, there are already some, you'll leave a bottle, please.

00:45:58The bird is in the cage.

00:45:59What are you saying?

00:46:00Yasmin, what do you have there?

00:46:02Come on, attack.

00:46:03Yes of course.

00:46:04My mother was two centimeters away.

00:46:06It's making life miserable.

00:46:07Water, crew!

00:46:09Cheers to the crew.

00:46:10Come on, then.

00:46:11For the new silence,

00:46:13And so that nothing and no one stops this crew

00:46:16that it will stay together, no matter what.

00:46:18Come on, little goat!

00:46:19Sots!

00:46:19Look, Codo, if you didn't like the toast,

00:46:21You do it another day.

00:46:22No, that's not it.

00:46:23That's great, Ancho.

00:46:24I've arranged to meet Izaskun to...

00:46:25Codo, that woman is ruining your life.

00:46:29You're going to tell me.

00:46:32I'm going, I'm going, I'm going.

00:46:35My flight leaves in two hours.

00:46:36Well, I have everything ready.

00:46:38I even put on a CD of whales to encourage fertilization.

00:46:41Man, look, I know you're absolutely right.

00:46:42We had made plans, but you caught me at a very special time.

00:46:45Sorry.

00:46:45I'm the one going through a very special time.

00:46:48So, back to my house.

00:46:49Of course.

00:46:50Look, I love you so much...

00:46:51Good.

00:46:54Yeah?

00:46:56Past.

00:46:56A couple of crew members are missing from the crew, aren't they?

00:46:58From the crew, you.

00:47:00Hey, what you have to do is take advantage

00:47:02When your mother goes to check if the emergency exits are certified.

00:47:06No, Ancho, no.

00:47:07You know I can't do it like this.

00:47:08I need peace and quiet to...

00:47:11to talk to her.

00:47:15Oh, I don't laugh.

00:47:17I already know who you like too.

00:47:21Well, watch out, she has many suitors.

00:47:24What did you say?

00:47:25As?

00:47:27Goodbye.

00:47:28Shit.

00:47:29That?

00:47:29I've been scheduled for a conference call with Hong Kong in half an hour.

00:47:32Shit.

00:47:33We don't have time.

00:47:34Okay, okay, what?

00:47:35Let's make positives.

00:47:36I mean...

00:47:36Look, we'll leave it for next month because I'm also busy with the opening, okay?

00:47:40Do you know how many months of fertility I have left?

00:47:43I'm not that old.

00:47:44I have only a few months left.

00:47:45You need to insert me.

00:47:46That...

00:47:47Already!

00:47:48Is it like, please?

00:47:49This isn't shaking hands, is it?

00:47:50This requires preparation.

00:47:51It's a complex issue.

00:47:52Not here...

00:47:52Look, forget about all the nonsense.

00:47:54Isn't there somewhere nearby where we can conceive?

00:47:57Conceive?

00:47:58And what do I know?

00:47:59Everyone is here.

00:48:00Unless we go to the port...

00:48:01Ah, okay.

00:48:01Let the arranzas cheer us on.

00:48:02Just kidding.

00:48:04Iñaki lives upstairs, right?

00:48:11You won't pretend.

00:48:11You said that everyone is here.

00:48:13Strip.

00:48:17I'm not saying I don't like doing shibato, but he has a university degree.

00:48:21Shit!

00:48:22Fuck!

00:48:23Fuck!

00:48:24And now, on top of everything else, I have to court someone under this pressure.

00:48:27Me, me, me...

00:48:28I can't do anything like this.

00:48:30Could you distract my mother while I...?

00:48:32Uh, no.

00:48:33No.

00:48:33I have enough on my plate just keeping the prey entertained.

00:48:35Oh!

00:48:35I've already stolen all the jokes from the kid.

00:48:36And when?

00:48:38God.

00:48:40Hey, you...?

00:48:41I?

00:48:42With your mother, who hates me, man.

00:48:44Besides, how much do you think my time and physical integrity are worth?

00:48:4750 euros?

00:48:47Clear.

00:48:48Pello, your mother pays Yasmin to accompany her.

00:48:51You pay José to accompany your mother.

00:48:54Lack of communication in your family is very costly.

00:48:58Come on.

00:49:02Here comes Spain's sweetheart.

00:49:05Hello, Peyo.

00:49:06Yasmin.

00:49:08Short, huh?

00:49:08You know I get really sleepy.

00:49:09Your face is a watering can.

00:49:10Well, here it is.

00:49:11Two nice, chilled txakoli glasses.

00:49:13And what do you want?

00:49:14No, he was already leaving.

00:49:16Oh, am I leaving now?

00:49:16Yeah.

00:49:17Ah, I'll take your face, huh?

00:49:18Yes, yes.

00:49:19Better.

00:49:20Okay, Yasmin, would you like me to show you around the bar a little bit?

00:49:22I can teach you everything.

00:49:23Yes, I know everything.

00:49:24Look, come here.

00:49:26Don't let it go, baby, all at once, or it'll end up spinning.

00:49:29Be quiet.

00:49:30Insubstantial.

00:49:31Girl, if you don't want to in bed...

00:49:32Ah!

00:49:33Against the column.

00:49:33The kind of movie Michael Douglas does.

00:49:35I'll grab you there.

00:49:37No, no, no, no.

00:49:37It's made of wood and has chairs.

00:49:39Here, in the chair.

00:49:40Come here.

00:49:40In the chair.

00:49:41Come on.

00:49:42Come on.

00:49:44Come on.

00:49:46Come on.

00:49:48I can't stand the sheep staring.

00:49:50That one...

00:49:51On the sofa.

00:49:51It's more comfortable, isn't it?

00:49:52I don't know.

00:49:53Okay, wait.

00:49:53But we put down a blanket because we don't know who was there before.

00:49:56Chicken with porcini mushrooms, that's it.

00:49:58And now, hake with a green sauce reduction.

00:50:02Not here.

00:50:03Let's see.

00:50:04Can you tell me what our gynecologist is doing here?

00:50:06Sorry.

00:50:07No, who is my boss?

00:50:08I invited him.

00:50:09Barichu, you know.

00:50:11Basque commitments.

00:50:12Well, honey, I don't really feel like eating next to the person who prescribes my lubricant gel.

00:50:16What do I want?

00:50:16Wind, lubricant...

00:50:17Hey!

00:50:18Do you care?

00:50:19Hey girls, why don't we go talk to him?

00:50:21And what am I talking about?

00:50:22How am I coping with menopause?

00:50:24Well, for that it's better to go this one, since it happened a while ago.

00:50:27Oh, look how funny!

00:50:28I'll stay here with her, okay, my dear, we need to catch up.

00:50:31Oh, and a pepper!

00:50:32Okay, what pepper?

00:50:34Cones with peppers stuffed with hummus, which I have upstairs in the fridge and I need to have them here.

00:50:38Now!

00:50:38Already!

00:50:39Ah!

00:50:40What is he talking about?

00:50:41My God!

00:50:42Take off your shoes!

00:50:46Yepa!

00:50:47Yepa!

00:50:48Yepa!

00:51:20That?

00:51:22Okay, we're going down, okay.

00:51:26Oh!

00:51:27Oh!

00:51:28Oh!

00:51:28Sorry!

00:51:29Sorry!

00:51:30That it was not offered.

00:51:32Yeah?

00:51:34Wafer cones with piquillo peppers, filled with hummus and quince syrup.

00:51:38Ah!

00:51:39Take advantage.

00:51:40I'm just exhausted.

00:51:41I'm just exhausted.

00:51:46Millet wafer cones with crystal peppers, filled with hummus and quince syrup.

00:51:51This is a sample of the cuisine we are preparing.

00:51:54But is the teacher coming or not?

00:51:57Unfortunately, she won't be able to serve you, but our head chef, Gochone Avaroa, will.

00:52:01Hey, where's Gochone?

00:52:02I have no idea anymore.

00:52:03Well, go find her, because if I keep here with all these flashes, I'm going to get cataracts.

00:52:07Okay, I'm warning you.

00:52:12Xavi, hey, have you seen Gochone?

00:52:13Well no.

00:52:14It's been a while since I've had the pleasure of seeing her.

00:52:15Hey, could you take this for me? I have to give it to...

00:52:18And, Jacky?

00:52:18Honey, thank goodness I caught you, please.

00:52:20Hey, do you know my boss?

00:52:22Delighted too.

00:52:23Hey Carmen, have you seen Gochone?

00:52:24No, haven't you seen Gochone?

00:52:26Listen to me, you don't know the look on my face when you met.

00:52:28Did you know that Horacio has a macrobiotic garden with some leeks?

00:52:32Well, yes, they're not all that great.

00:52:33Okay, we'll talk about Navos later, you and I.

00:52:35No, not navos, no, leeks.

00:52:37Navos no, Navos no, Navos no, huh.

00:52:38No, leeks.

00:52:39Ah, leeks.

00:52:42What are you doing?

00:52:43To the street of a little pacer.

00:52:44Well, it's raining.

00:52:46It's not raining.

00:52:47This is chimichurri, this one you have here.

00:52:50Chimichurri.

00:52:50Chirimiri.

00:52:51Pobo.

00:52:54Have you seen the rock goat?

00:52:55Crazy goat?

00:52:56Not crazy, no.

00:52:57Rock, rock goat.

00:52:59Look.

00:53:00With a 2% interest rate.

00:53:02How does it turn me on when you whisper things in my ear?

00:53:04Shut up, I'm trying to concentrate on the conference with Hong Kong.

00:53:07Which Hong Kong?

00:53:08Damn, if only...

00:53:09Look, in vitro fertilization is much more passionate than this.

00:53:12And perhaps it still cannot be done.

00:53:14Come on.

00:53:18Damn, look...

00:53:18Why is it that people keep coming into this house?

00:53:20Why is it that people keep coming into this house?

00:53:22That?

00:53:27Damn, look.

00:53:31Look, González, I can't believe it.

00:53:34I mean, everyone there is waiting and you're here.

00:53:36Hmm?

00:53:36Having a glass of wine.

00:53:41What's happening?

00:53:44Iñaki, I can't do that presentation, I can't

00:53:49What do you mean you can't do the presentation, please?

00:53:51You can and you should

00:53:52Gozzone, there are twenty media outlets waiting there.

00:53:55Twenty songs!

00:53:58I see

00:53:58Are you scared?

00:54:01No

00:54:02And where is the Iron Lady now?

00:54:05Where is that woman?

00:54:06Decisive, intractable, unbearable

00:54:09Look, Iñaki, you put some prawns in front of me and I'll do anything for you, okay?

00:54:14But I can't face the journalists, it's impossible.

00:54:19No, no, it scares me, it terrifies me.

00:54:23Can't

00:54:23No, I can't.

00:54:26Oh, damn, they're calling me a mushroom expert.

00:54:28So, we're all here now.

00:54:29I really can't believe this amazing woman is scared of a handful of journalists.

00:54:37Also, if you had to talk about quantum physics, well, that's your passion.

00:54:42Imagine they are prawns

00:54:43That?

00:54:44Yes, langoustines

00:54:45Lasitas?

00:54:46So go down there

00:54:47And show those little prawns!

00:54:51Who is the lobster in charge here?

00:55:00Uh, is that okay?

00:55:02Can I help you with anything?

00:55:04Excuse me, I'm Dolores, from nursing control

00:55:06I'm Rafaela, nice to meet you

00:55:08Nice to meet you, nice to meet you

00:55:12Come and give her a questionnaire about the new clinic.

00:55:16A questionnaire?

00:55:17Okay, can we begin?

00:55:19Okay, excuse me, shall I?

00:55:20Uh, specialty

00:55:24Cosmetic surgery

00:55:25Yes, yes, and come on, cosmetic medicine, but that's very general

00:55:29Could you be a little more specific?

00:55:31Look, the most common thing is facial retouching.

00:55:33Ah, yes

00:55:34Well, let's see, if I, for example, just to give an example, wanted to rejuvenate myself a little

00:55:41What would you do to me?

00:55:43Already

00:55:47Perhaps

00:55:49To do something to you

00:55:52These little expression lines you have between your eyebrows

00:55:55Nothing, this is here

00:55:58Here, yes

00:56:00Well, I think that's enough, okay?

00:56:02We're leaving

00:56:02Where are you going?

00:56:03Will there be a presentation or not?

00:56:05Sabi? Sabi? Do you know Sabi?

00:56:08Well

00:56:08Sabi?

00:56:10Xavi has been with us since, well, when the master chef Arzac was deconstructing his baby bottles, and he has a lot of anecdotes.

00:56:16that we tell each other.

00:56:17Huh? Am I? Whoever?

00:56:20Well, yes. I started working with Arzac 20 years ago.

00:56:24Don't suck the camera, don't suck the camera, it's right there.

00:56:26Gozzone, let's give him a big round of applause, please.

00:56:28Gozzone is the new voice of Arzac, albeit with a slightly sweeter timbre.

00:56:33Gozzone, whenever you want.

00:56:47Hello, I'm Gozzone Avaroa and these are the kebabs.

00:57:04Of course they were going to be, right?

00:57:09Parcheesi pieces?

00:57:12What's happening to him right now?

00:57:16This tavern

00:57:19embodies

00:57:22a new concept of...

00:57:29of...

00:57:30of prawns.

00:57:33From the kitchen.

00:57:35Author's own work.

00:57:36At street level.

00:57:38Yes, because...

00:57:39Because if San Sebastián has proven anything

00:57:41It's because you can enjoy the best cuisine

00:57:44at any location.

00:57:45Well, except on a terrace.

00:57:51And now we're going to start with a selection...

00:57:53What's up? So much explanation for such small things.

00:57:56I only feel that way when I'm attending a birth.

00:58:01Are you salty?

00:58:02Every day of the year.

00:58:04Who would have thought it?

00:58:06I can still see him as a kid with his hat

00:58:08when you bought it and it fell apart.

00:58:09Hey?

00:58:10Don't remind me.

00:58:11He was so tiny.

00:58:12He told you to raise the barrel because the bar couldn't reach.

00:58:14Until it fell inside.

00:58:16It took us three hours to find him.

00:58:18My God, what a stench.

00:58:20I've been wearing the beaver all week.

00:58:22That?

00:58:22What am I seeing?

00:58:23Two Basque women softening up.

00:58:25All made with meat and mixed.

00:58:28I am no longer a sabino.

00:58:32It would lift the cheekbones

00:58:33and I would file down my chin a little.

00:58:36And of course, if we do all this

00:58:38The nasal cartilage would need to be reduced.

00:58:41All of that?

00:58:43Well, be careful with my nasal cartilage.

00:58:45that I have the true Greek profile.

00:58:47Do we want a symmetrical face?

00:58:48Or asymmetrical?

00:58:50Symmetrical?

00:58:51Clear.

00:58:52Look.

00:58:54Oh my God!

00:58:55What is this?

00:58:57If my face looks like the map of London.

00:59:00Look, it's just three tweaks.

00:59:02Now you see everything as very exaggerated.

00:59:03But as soon as we begin

00:59:04You're going to be delighted, you'll see.

00:59:06And well, here's the new consultation

00:59:08cosmetic surgery

00:59:09where we transform people

00:59:10so that they come out sculpted like models.

00:59:12TRUE?

00:59:13Hey, good morning.

00:59:16Excuse me.

00:59:18Good morning.

00:59:19Well, this has remained just a sketch.

00:59:21It's because Dolores

00:59:22has donated his face to science.

00:59:24As?

00:59:26Nothing.

00:59:27Mrs. Benjumea,

00:59:28Do you have an appointment with the nurse?

00:59:29Thank you.

00:59:30Okay, okay.

00:59:30Come.

00:59:32It's for the knee, right?

00:59:34Apart from the clinic,

00:59:35my father has left me an inheritance

00:59:36loose kneecaps.

00:59:42Dolores.

00:59:45Are we in the same boat?

00:59:47No, I've gone too far.

00:59:48with the tail of the...

00:59:49Already.

00:59:50Dolores, you don't need any touch-ups.

00:59:51If you are already attractive.

00:59:53Attractive?

00:59:53Well, it'll be good for mosquitoes in the summer.

00:59:55I'm older now.

00:59:56that the swivel, Celia.

00:59:57I'm very old.

00:59:58But what greater or greater?

00:59:59You look great.

01:00:00And besides, what difference does age make?

01:00:01Ah, well it seems that you

01:00:02Yes, you do care.

01:00:03Because you ran out of time

01:00:04to go talk to you

01:00:04with the recessionary

01:00:05young and window-shopping.

01:00:07Oh, don't tell me

01:00:08that you're jealous.

01:00:09I?

01:00:09You?

01:00:10You?

01:00:10No no.

01:00:11Are you leaving?

01:00:11About what?

01:00:12Do you know it?

01:00:13About what?

01:00:13What about me?

01:00:14I?

01:00:14Will you know?

01:00:15Come on?

01:00:15Are you going to be jealous?

01:00:17What about me, little girl?

01:00:18About what?

01:00:19With skin as smooth as a drum?

01:00:20From the radiant smile?

01:00:22And what about the practically Caucasian nose?

01:00:25Ha!

01:00:31Forward.

01:00:34No?

01:00:35Remember what we agreed on.

01:00:37Come on, quickly,

01:00:38The blog's waiting for me, huh?

01:00:39Do I have to do this?

01:00:40Come on, this is super big.

01:00:42Wait a minute, what's she doing with the syringe?

01:00:43If the doctor has given me an appointment with you.

01:00:45But look, look at that face,

01:00:46There is someone who heals him.

01:00:47But this is a big volume, isn't it?

01:00:48Take the syringe away from him

01:00:49Look at how she has her hand

01:00:50that looks like a woodpecker.

01:00:51Please, okay?

01:00:52Look, Christopher, man,

01:00:53that we've all had a first day.

01:00:55What is your first day like?

01:00:56But you haven't seen it on the resume.

01:00:57Of course, that's what happens when you only look at the photo.

01:00:59Come on, man,

01:01:00The girl is going to do very well, right?

01:01:02I've never given an injection, you know?

01:01:03What do you mean, never?

01:01:04Well, never anything that wasn't in front.

01:01:06I'm leaving right now, man.

01:01:07Still!

01:01:08He shouldn't have been given a chance.

01:01:09to the new generations, Christopher.

01:01:10Come on, come on, come on!

01:01:11I'm leaving right now, man!

01:01:11As?!

01:01:12Oh no!

01:01:12Let me go, let me go!

01:01:13Take the syringe away from him!

01:01:14Take the syringe away from him!

01:01:15Come on, go on!

01:01:24Oh, oh, oh, let them go already, man!

01:01:27Oh, what's wrong!

01:01:28Here I am giving a little bit of feedback

01:01:29to my employees.

01:01:31Excuse me, but I was thinking

01:01:32that its staff was highly qualified.

01:01:34And it is, man, it is, it is.

01:01:35Excuse me, Trini,

01:01:36But I think I've sent

01:01:37to a patient with pancreatitis in the delivery room.

01:01:39That?

01:01:40Well, that was definitely a mistake.

01:01:43Right, Natasha?

01:01:44Thank you very much, Trinidad,

01:01:45But I think I've already seen it.

01:01:46everything I had to do.

01:01:47No, no, no, one moment, please.

01:01:49Because this never happens.

01:01:50The thing is, it just so happened today

01:01:52We have some test ones.

01:01:53And, of course, you know how it is, right?

01:01:55Well, I would hurry.

01:01:56if you don't want them to end

01:01:56carrying a vesicle to the nest.

01:02:02You'll be happy, won't you?

01:02:05So much effort to improve

01:02:06the image of the clinic and...

01:02:08And you just left her for your dreams.

01:02:10What are you laughing at?

01:02:12This is what youth wanted.

01:02:15Hi Riso, I'm taking away a year's worth of your time.

01:02:18And you're not laughing that much, are you?

01:02:19Come on!

01:02:25Well, that's all for now.

01:02:27the presentation of this

01:02:28new season of tapas

01:02:30that we have.

01:02:30Thank you for your presence

01:02:32and let them taste whatever they want.

01:02:34Thank you.

01:02:35Come on, God!

01:02:36Come on!

01:02:37Congratulations, Gozone!

01:02:39We've won them over.

01:02:40No, no, no, no.

01:02:41Gozone seems to have a shell,

01:02:43But if you scratch the surface a little...

01:02:45Iñaki, look.

01:02:47If anyone finds out

01:02:49about what happened there this afternoon,

01:02:51you'll want

01:02:52having stayed in Seville

01:02:53frying baby squid.

01:02:55Understood?

01:03:02How do you say it in Brazil?

01:03:04dancing close?

01:03:06Danzar juntinho.

01:03:08Juntinho.

01:03:09How beautiful.

01:03:10Well, in the Basque Country

01:03:12dance close

01:03:13it is said

01:03:15Mission impossible.

01:03:17It's the whole mirror.

01:03:18Yes sir.

01:03:20Know?

01:03:20I do know one thing

01:03:21which is the same here

01:03:22than in Brazil.

01:03:23Oh, really?

01:03:27You have to see it

01:03:27that in a good while

01:03:28We've been looking at the fish, huh?

01:03:30What a pity

01:03:30that he didn't have with us

01:03:31Your son Pecho, huh?

01:03:32That there was a light

01:03:34who was a head taller than me.

01:03:36No, it would take out a brain.

01:03:38And leave me alone once and for all

01:03:39because I'm going to put you

01:03:39a complaint for harassment.

01:03:47Uh, it's cold and hot.

01:03:49This whole climate change thing, huh?

01:03:50This...

01:03:51Don't you think I'm stupid?

01:03:52You're doing it to him

01:03:53gestures to my son.

01:03:53No, no, no, no.

01:03:55Tell me right now

01:03:56What is this about?

01:03:57because otherwise

01:03:57You're going to stay in court.

01:03:58sticking together

01:03:59until you have a Basque accent.

01:04:01Your son

01:04:02that he has paid me

01:04:02so that I can be there

01:04:03I took a little while.

01:04:05Hey?

01:04:05To keep her entertained.

01:04:06You? Me?

01:04:07That's all I needed.

01:04:09Take me.

01:04:14Aren't you ashamed?

01:04:16Okay, Mom,

01:04:16you know that

01:04:17everyone

01:04:18She needs a little love, doesn't she?

01:04:20I don't need anything.

01:04:21Hey?

01:04:21And it takes guts.

01:04:23to pay a gigolo

01:04:24Not even your mother here.

01:04:25And on top of that,

01:04:26this.

01:04:28Respect.

01:04:29Please.

01:04:30Stop drinking now.

01:04:31Take me home,

01:04:32Take me home,

01:04:33I'm going to make you

01:04:33the alcohol test

01:04:34And I'm going to take you away

01:04:34colon.

01:04:39Ready?

01:04:39For me,

01:04:41We're doing well.

01:04:43Shameless.

01:04:52I don't buy.

01:04:54Oh, I'm here, I'm here, man.

01:04:55Buy me a little bit

01:04:56turkey for dinner.

01:04:57Yes, we have turkey, ma'am.

01:04:58Okay, then buy me

01:04:59some yogurts, women,

01:05:00really.

01:05:01I'd buy it just to take it with me...

01:05:04Hey,

01:05:05Do you know I'm not decorated?

01:05:06Hey?

01:05:07How sweet I am.

01:05:08Yes, yes.

01:05:09Oh, oh, oh.

01:05:09Polinqui.

01:05:16Hello,

01:05:21home.

01:05:22We're waiting for Yasmin, aren't we?

01:05:23Home.

01:05:24And how is she going to get there?

01:05:26How is he going to walk?

01:05:27With my menudo doing this.

01:05:32Get out of here!

01:05:34Pigs.

01:05:35This is what happens when you leave your car unlocked.

01:05:37But if I do

01:05:38so you can get on

01:05:39faster.

01:05:39Well, if they would set up

01:05:40It's wrong to assemble another one.

01:05:41Look, let's get it reupholstered.

01:05:43Let's see if they take it away.

01:05:44The smell of vice, huh?

01:05:47Honestly, it's just that...

01:05:48This suit was asleep standing up

01:05:50like horses.

01:05:50Girls, don't worry.

01:05:52Starting tomorrow

01:05:52You're wearing it again

01:05:53the old uniform.

01:05:54Really?

01:05:55Well, I was already

01:05:55accustomed to teaching

01:05:56the houses, Grini.

01:05:57Angela, please,

01:05:58Don't talk nonsense, okay?

01:05:59Come on, Juan, you can do it, you can do it.

01:06:00From table four

01:06:01This is tea with lemon,

01:06:02coffee with that...

01:06:02What are you still doing here?

01:06:04Look, Isabel,

01:06:05I have thought

01:06:05Give him another chance.

01:06:06The kid is really putting his heart into it.

01:06:11Well, he'll see him.

01:06:11with all my heart

01:06:12whatever you want,

01:06:12but the little boy

01:06:13has fewer neurons

01:06:14and our straw rope.

01:06:16I don't know, poor parents, huh?

01:06:17Can you imagine?

01:06:18that a child like that doesn't come out

01:06:19stupid?

01:06:19Oh, Isabel,

01:06:20Don't be too hard on him.

01:06:21The kid is a scatterbrain.

01:06:22But like everyone else

01:06:23It is due to his age.

01:06:24Look at it.

01:06:26No, Rafi,

01:06:27no,

01:06:27That's genetics.

01:06:28And if you say that the mother

01:06:29is on the list,

01:06:30Well, it must have come out.

01:06:31to the father.

01:06:31Well, or maybe

01:06:32He takes after a distant uncle,

01:06:33No?

01:06:33Because genetics

01:06:34can jump,

01:06:34I've seen that.

01:06:35in a documentary.

01:06:36Genetics is mathematics.

01:06:37Green pea

01:06:38and yellow pea.

01:06:39Well, the equation says

01:06:40that the child stays

01:06:41Whatever Delco it is,

01:06:42because I'm going to see a rooster with him,

01:06:43That's it,

01:06:43It shouldn't matter to you.

01:06:44Besides, you're going to the village,

01:06:45No?

01:06:45That's it, it's over.

01:06:46Okay, calm down, darling,

01:06:47Don't get angry, okay?

01:06:49I almost prefer

01:06:49May you be accompanied,

01:06:50Take note of what I'm telling you,

01:06:52even if it's just for this reason.

01:06:54Well, you can see me now because of the girl,

01:06:56Let's not lose it.

01:06:57So you're leaving now, Isabelita?

01:06:59Yeah.

01:06:59That's what I'm going to do to you.

01:07:00at least there

01:07:00the chatter at the bar.

01:07:02Well, Isabel,

01:07:03Have a great trip, okay?

01:07:09Thank you, Trini.

01:07:12Luck.

01:07:14Saying goodbye to the rest, huh?

01:07:15And thank you very much

01:07:16throughout.

01:07:17To you.

01:07:19Okay, honey,

01:07:20Well, see you soon.

01:07:24And Isabel?

01:07:26Yes, Rafi,

01:07:27I already know that,

01:07:28Don't tell me anything

01:07:29that you put on

01:07:30very silly

01:07:30With the farewell, huh?

01:07:31No, no,

01:07:32that you're leaving with your hat on.

01:07:34Come on, damn it.

01:07:37Go on.

01:07:39Well.

01:07:54Hey!

01:07:55Hey!

01:08:14Those little wrinkles you're noticing

01:08:16They leave with two Botox sessions.

01:08:20Dolores,

01:08:21You've left me a little worried.

01:08:22You have left the consultation

01:08:23like a soul being carried away by the devil.

01:08:24Well, there was a moment

01:08:25which I didn't know

01:08:26if I was talking

01:08:26of my face

01:08:27or a dish of offal,

01:08:28the truth.

01:08:30Let's see,

01:08:31It's normal at first

01:08:32be afraid,

01:08:33But don't worry.

01:08:34As soon as I take you away

01:08:36those little flaws you have,

01:08:38You're going to be delighted.

01:08:40Well, you know what I say, doctor?

01:08:43That there are people who like me

01:08:45just as I am.

01:08:46As?

01:08:48Is something wrong?

01:08:50Yes, it happens to me, it happens to me.

01:08:51And I'm going to fix it.

01:08:53right now.

01:08:53Excuse me,

01:08:54I have something very important

01:08:55to do.

01:09:03Dolores, what are you doing?

01:09:04Something that would have

01:09:05what should have been done before

01:09:06And I haven't done it

01:09:06due to shortness.

01:09:17Brilliant.

01:09:18But next time

01:09:19You could knock on the door.

01:09:25Let's see,

01:09:27acetone levels

01:09:28are acceptable.

01:09:30In a little while

01:09:30I've come to check the sugar.

01:09:31and we'll keep talking

01:09:34and seeing the progression.

01:09:36You know that

01:09:36always, always...

01:09:40See you later.

01:09:41See you later.

01:09:49Okay, son,

01:09:50your uncle and I

01:09:50We're leaving now.

01:09:51Everything was delicious.

01:09:53Awesome.

01:09:54Even the water,

01:09:54It tasted like heaven.

01:09:55Thank you, aunt.

01:09:57Well, that's it.

01:09:58It's been a lovely afternoon,

01:09:59Hey?

01:10:00Notice that I'm not going to have

01:10:00nor to cook

01:10:01with what we've eaten here.

01:10:03Well, then...

01:10:04Goodbye, huh?

01:10:05Come on.

01:10:05Talk tomorrow,

01:10:06Begochus.

01:10:06Come on.

01:10:07Okay, goodbye.

01:10:08Goodbye.

01:10:10Oh, my love,

01:10:11It's great to see you here

01:10:12and seeing you like this.

01:10:13How life has changed, hasn't it?

01:10:15Look, do you know what hasn't changed?

01:10:16I'm so proud of you.

01:10:17Oh.

01:10:18And I'm very happy about it.

01:10:19Seeing you so happy

01:10:20after everything you've been through.

01:10:21Yes, the truth is that

01:10:22Anchón and I

01:10:22We've put in a lot of effort.

01:10:24so that this can move forward.

01:10:25But what are you saying about Anchón?

01:10:26Anchón.

01:10:27But I'm talking about Carmen.

01:10:29Look, I'd never seen her before.

01:10:30so happy

01:10:30at less than 30 degrees.

01:10:31At last,

01:10:32It is adapting to the north.

01:10:33Carmen, Carmen, Carmen, Carmen.

01:10:36All afternoon

01:10:36I didn't pay any attention to it.

01:10:37He must be getting bored

01:10:38like an oyster.

01:10:39Oh really?

01:10:40I can't believe it, please.

01:10:42I swear.

01:10:42Hey, don't lift the stone.

01:10:44But yes,

01:10:45the second prize

01:10:45I took it myself.

01:10:46Clear,

01:10:46no one else had signed up,

01:10:48only the super champion

01:10:49me too...

01:10:51And I was thinking

01:10:53that I am one side

01:10:54for having a diploma

01:10:54from a course on castanets.

01:10:57Wow, red, wow, red.

01:10:59Hey, honey.

01:11:00I'm going to show

01:11:01the best cook in the world.

01:11:02Everything was delicious.

01:11:03very good.

01:11:04Thank you so much.

01:11:05From Horace.

01:11:06Yes, Horacio, yes.

01:11:07Hey,

01:11:08What had I thought?

01:11:09to celebrate it?

01:11:10Why don't we do

01:11:10Something together, you and me?

01:11:12Today?

01:11:13Oh, darling,

01:11:14the thing is...

01:11:15Let's see,

01:11:15Horacio has invited me

01:11:16to a jazz concert.

01:11:17And I don't know,

01:11:18Since you're so busy,

01:11:19well...

01:11:20Does it matter to you?

01:11:21Let's see,

01:11:21that I don't want to be

01:11:22a nuisance, me,

01:11:23really,

01:11:23that I can go alone

01:11:23No problem,

01:11:24which I'm used to.

01:11:25In fact,

01:11:25I mean that...

01:11:26that there is no discomfort,

01:11:27really,

01:11:27Yes, Mireña,

01:11:27How are you?

01:11:28Well,

01:11:29actually I

01:11:29I was already...

01:11:31Dear,

01:11:31You have no idea how much I want it

01:11:32that I have

01:11:33of listening to good music.

01:11:34Since I arrived

01:11:35north,

01:11:36The only thing I've heard

01:11:37They are in corners.

01:11:38Come on!

01:11:42In the end,

01:11:43No,

01:11:44go away

01:11:44and have a good time,

01:11:45Hey?

01:11:45Well, then,

01:11:46Come on, right?

01:11:47Yes, let's go, yes.

01:11:51You have no idea how proud I am of you

01:11:55Have a good time

01:12:01Cercasco, amor

01:12:02Okay, okay, okay

01:12:18I'm asking you about Yasmin, did you finish the deal or not?

01:12:21We'll have to wait for the extension.

01:12:23What? I don't know if you were giving each other looks that caramelized onions.

01:12:26Did you get padding or not?

01:12:27Subtlety doesn't work with Cristóbal.

01:12:30Oh yes, this is going to be the Yoko Ono of the Shareholders' Meeting

01:12:34That wasn't because of the dinner, that was because of the aunt you like.

01:12:37Hey?

01:12:37This one has more bats in its stomach than a butterfly.

01:12:40Do you like it? No, you haven't said anything to me.

01:12:42Who is the lucky one?

01:12:43Hello, Palomita, what are you doing here?

01:12:46I'm a nurse, aren't I?

01:12:47Can I be in Dr. Celia's office or not?

01:12:51Yeah, sure, sure

01:12:52And the doctor?

01:12:53What? Why didn't you tell us you were back with Isabel?

01:12:55She wanted to have a child and promised to help her

01:12:57That?

01:12:58Carmen, didn't you tell me she was coming?

01:13:00Or what?

01:13:00My husband is a box of surprises

01:13:02Is it your ass? Do I see it or do I want it?

01:13:03I've come to say goodbye

01:13:04Are you saying goodbye?

01:13:06Your mother's been arrested and well, she doesn't need me anymore.

01:13:08Have they stopped the mother?

01:13:10Look, that can't be, young man.

01:13:11What a bummer!

01:13:12Hey, what's that about?

01:13:14If you ever leave me stranded in the middle of a service again

01:13:16I'm going to make a tartare with your testicles.

01:13:18I'm talking about having something inside that you can't get out.

01:13:20Because the first person you want to tell

01:13:22He's the last person who should know.

01:13:24Juan is my son!

01:13:26I've already told you, Iñaki, that your jealousy over Horacio is upsetting you.

01:13:29You managed to anger both Carmen and your boss on the same day.

01:13:32I'm telling you, Horacio isn't as good as he seems.

01:13:34Isn't that Horacio?

01:13:35Oh, really? And those flowers?

01:13:36What if he bought them from Carmen?

01:13:38Well, let's not be pessimistic either.

01:13:39Maybe someone close to him will die, right?

01:13:41Well, you're all very happy about his death, or maybe Iñaki isn't so crazy after all.

01:13:44He escapes

01:13:44Get him, quick!

01:13:45Thank you!

01:13:46Thank you!

01:13:47Thank you!

Allí abajo - 3x06 - El nuevo Kaia - HD 1080

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