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00:00:00I'm going to buy the caia!
00:00:02What's wrong, Marichu?
00:00:03Nothing, they're just buying the bar.
00:00:04So Iñaki can buy the caia.
00:00:07That we are the owners.
00:00:09We want to buy the whole bar from Iñaki.
00:00:11What have you done? What?
00:00:13A nanny? What nonsense is that?
00:00:15Mama Marichu is here to take care of her treasure.
00:00:19Hey, where are you two going without suitcases?
00:00:21You go up from Seville and we go down.
00:00:23To Seville.
00:00:24For the fair.
00:00:24He's getting involved, he's getting involved, Don Behumé.
00:00:26Greetings, Mr. Behumé!
00:00:29You hired a nanny and didn't let me participate in the casting.
00:00:32You haven't sent me a single photo.
00:00:33I see your mother has gone and spread the gossip.
00:00:34Hey, Carmen, listen to me.
00:00:35I'm sorry, Iñaki, I can't talk.
00:00:37It was just a matter of time before you fired me, wasn't it?
00:00:39So the sooner the better.
00:00:41I have corrected myself and as far as I'm concerned, what's past is past.
00:00:45I need a representative.
00:00:46I have in mind a television program that is perfect for introducing you to the public.
00:00:50Is this a show to make fun of people?
00:00:52Yes, yes.
00:00:53Cut, cut!
00:00:54Thank you so much for sabotaging my entire dream, Dad. Thank you so much.
00:00:57This bar will be Rosita's legacy.
00:00:59And what about me?
00:00:59For you? What for?
00:01:02That's what I say. What's it to me?
00:01:04Do you know if Rafi is hiding something from me?
00:01:06Ever since I came back, I've noticed some whispering and some really strange looks.
00:01:09If we offered them quality prepared food in the office, we'd make a fortune.
00:01:14Here, here, here, here. I have enough to deal with here.
00:01:16Okay, okay.
00:01:17If you don't take advantage of it, someone else will.
00:01:19The gastro-tart is now open.
00:01:21You've been selling food behind my back.
00:01:23I thought you knew me much better.
00:01:26Gastro-tart container, what is it?
00:01:26Yes, look, we wanted to order some kebabs.
00:01:29Look, I really can't believe it.
00:01:30How did you come up with that?
00:01:32Five, five times five, I've called Rafi and he doesn't answer.
00:01:34I was busy.
00:01:35With who?
00:01:36Where are you going? Better than with us.
00:01:38Hey?
00:01:39Pichurri?
00:01:40Pichurri?
00:01:41Rafael, I am your wife!
00:01:42Do you want an explanation? Now!
00:01:44Juan is my son!
00:01:45Jabba!
00:01:46I want him to be my manager!
00:01:48Clear!
00:01:49I'm sorry, but I want you to know that there will always be a place for you in this kitchen.
00:02:13Juan is my son!
00:02:26Juan is my son!
00:02:28Oh, my love, oh well, oh well!
00:02:30What did he say?
00:02:33If it weren't for the view we have of Merche cutting her nails, this would be pure bliss.
00:02:38Daughter, with the light that comes into Seville at six in the morning, who's going to sleep?
00:02:42Yeah, but hey, this is an abuse, isn't it?
00:02:44Well, this isn't going to be popular at all.
00:02:46Carmen, sit down and eat because this one is going to eat even the wire from the sliced bread.
00:02:50Take note of what I'm telling you.
00:02:51Let him eat, let him eat, let him eat, I'm going to feed my baby.
00:02:55He has already eaten.
00:02:56Has she eaten yet? Well, then, I'll change her.
00:03:00She's already changed.
00:03:01Is she changed already?
00:03:03Okay, well then, I'm going to have breakfast.
00:03:07I had almost forgotten what chewing was.
00:03:18Carmen, don't hold her so much, you'll spoil her.
00:03:23But, oh, oh, oh, oh, oh, oh, if I haven't caught it, she told me, my love, that what
00:03:30My little girl wants it, if something has to happen to her, she's thirsty, she's thirsty.
00:03:34Give it to me, I'm going to give her some water.
00:03:35Oh, oh, oh, oh, oh, oh.
00:03:37Oh, oh, oh, oh, what?
00:03:38Well, honey, nothing, but don't worry, okay?
00:03:40But you're tilting the bottle too much, and no, no, you shouldn't do it like that, too much gets in.
00:03:44airs to the girl.
00:03:45Yeah, well, you know what?
00:03:46What are you greeting?
00:03:47No, he's going to get a scare, he's going to get a scare.
00:03:49Get out of here, man, you pig.
00:03:51Your whole hand is covered in butter.
00:04:01Carmen, good morning, what's up? How's my little girl?
00:04:04Good, exactly as good as when I sent you the WhatsApp 15 minutes ago.
00:04:08Yes, yes, it's just that I wasn't awake before, and now I am.
00:04:10I just wanted to know if he slept well.
00:04:12I don't know, should I ask him?
00:04:15Oh, sorry, Iñaki, but your mother is getting on my nerves and I have to vent.
00:04:19Look, you're going to have to be patient.
00:04:21Don't worry, I'll buy myself a ball to deal with this.
00:04:25Well, no, better two. Iñaki, I'll let you go. Bye.
00:04:27Goodbye.
00:04:29So, what's the problem?
00:04:33Oh, what a man!
00:04:36But what are you doing? What are you doing?
00:04:38Let's see, you're trying to prop up the table with the deck of cards.
00:04:40Hey, Eight, what!
00:04:41I don't play with those cards later, they're already marked.
00:04:43Ah, well, much better. From now on you'll go and play mus there, at Juguelado's home and
00:04:48below.
00:04:49Iñaki, I don't understand how you can have the head of the anti-Nazi brigade in this bar.
00:04:57How are you, my child?
00:04:58Iñaki.
00:05:00Iñaki.
00:05:01Look, that baby has a father, not all babies are yours, okay?
00:05:04I'm sorry, Coldo, it's just that I miss him and her.
00:05:08Iñaki, look, that's normal. What you need to do now is distract yourself with work.
00:05:12To distract myself?
00:05:13Yes, every time I fill the baby bottles with sauce, I get a knot in my neck, what?
00:05:18Damn, he's really feeling down, huh? He's doing badly, really badly.
00:05:22Look, what he needs to do is wipe the slate clean and start over.
00:05:24To get a girlfriend.
00:05:26Yes, take care of it, you stain.
00:05:31Come on, be careful, be careful, be careful.
00:05:32Come on, let's keep it mysterious, shall we?
00:05:34Go, go, go, go, go.
00:05:36Look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look,
00:05:38look, look, look, look, look, look.
00:05:40Look, Cristóbal, I know that inviting me to the theater is a big deal for you, but I could have saved you so much trouble.
00:05:45Pomp, son.
00:05:46No, it's something better.
00:05:47Something better, don't tell me you bought the course, because I'll pay you well, but not for that much.
00:05:52It reaches you.
00:05:53I'm going to invite you to my debut as a tenor in San Sebastian.
00:05:56As?
00:05:58But here, in there, on the stage?
00:06:00Man, yeah, yeah, it seems like it's on the corner, sing.
00:06:02No, what I'm saying is, if you start by demonstrating the Cursal to us now, what are you going to leave for later?
00:06:09The Sydney Opera House.
00:06:13Family, uncle!
00:06:14Well, Isabel, have you already gotten used to the idea that there's a new chick in the nest?
00:06:17Oh, be quiet, I'm still processing that. It's like eating toast on its side.
00:06:21Rafi, you can think of something to reward this saint, okay?
00:06:24Because not everyone can handle this.
00:06:26Let him ask for whatever he wants, whatever he wants, come on.
00:06:28Less gold, huh? This meme is about VAT and self-employment taxes.
00:06:31Well, if my four grown monsters had come to me, I wouldn't have done anything to them.
00:06:35Were there three? Four?
00:06:37That is, provided I was sure they were yours.
00:06:40This one's definitely mine, come on, but not mine, doubly mine, more than mine.
00:06:43Look, it's eleven o'clock and she still hasn't arrived at work, just like me when I was her age.
00:06:49It makes me really sick.
00:06:50Not crazy about the circus.
00:06:53Sure?
00:06:54Are you sure about what?
00:06:55That Juan is your son.
00:06:57Look here, a woman tells you, "This is your son, I was going to do this," and you believe her.
00:07:01Let's see why the woman would lie about something like that.
00:07:03I don't know, I don't have money, I don't know, I'm not Julio Iglesias either.
00:07:07I don't know, a scorned woman is capable of anything.
00:07:10What is she talking about, being scorned?
00:07:12Well, Isabelita, the time you've spent with your mother in the village hasn't done you any good.
00:07:15You've watched a lot of soap operas there, haven't you?
00:07:16You told me earlier that I could ask for whatever I wanted, right?
00:07:19Sure, take advantage, because the genie of the magic lamp is here.
00:07:23A paternity test.
00:07:35Hey, and what about your cousin from Zumbayaque?
00:07:37Perfect.
00:07:38He's also free.
00:07:39She became a widow a year ago.
00:07:40No wonder, phew!
00:07:42What a karate move!
00:07:43No heart can withstand a sergeant like that.
00:07:46No, Iñaki needs someone funnier, sweeter.
00:07:49Ah, look, look, there you are describing my aquarium companion, Elisa.
00:07:53The animal rights activist!
00:07:54No way.
00:07:55The day I get the first cod cheeks out, he'll throw them at his head.
00:07:57It's not good for Iñaki.
00:08:00What's wrong with Iñaki?
00:08:01Nothing.
00:08:02We're looking for a girlfriend for him.
00:08:05That?
00:08:05What do you think?
00:08:07Well, look, for the first time in my life I agree with you.
00:08:11Besides, you know what I'm saying?
00:08:13I think I have the perfect candidate.
00:08:20And what is it, Uriñé?
00:08:22What do you do next?
00:08:23Wash, cut and mark.
00:08:25No, woman, I mean later, when you close the hair salon.
00:08:27Yes, yes, wash, cut and mark.
00:08:29I have a Persian cat that sheds more hair.
00:08:31Oh, you have a cat!
00:08:32Yeah.
00:08:33So, you're...
00:08:34Single woman.
00:08:35I'm not getting any action, honey.
00:08:36Well, girl, is it because you don't want to?
00:08:38No, no, I would love to have a partner, but men just aren't my thing.
00:08:41Ah!
00:08:42Yeah, you're more of a...
00:08:44Yes, I'm a lesbian, you ask.
00:08:47Danas me dan.
00:08:47Let's see if I have better luck with women, because with men...
00:08:50Hey girl, isn't there anyone who catches your eye?
00:08:52Rather, I don't appeal to any of them.
00:08:54Well, it must be because you don't want to, because you're so good, beautiful...
00:08:57Oh!
00:08:57Sorry, sorry, sorry.
00:08:58Hey, and if you don't believe me, just ask someone I know.
00:09:01If you're referring to the homeless man at the port, even the sailors call him beautiful.
00:09:05Hush, hush!
00:09:06Yes, I've seen it.
00:09:07I'm talking about my nephew Iñaki.
00:09:09He has always told me that he finds you a very, very, very attractive woman.
00:09:14Iñaki, Iñaki.
00:09:14Iñaki.
00:09:16Already.
00:09:17Well, thanks, but I don't date married men.
00:09:20Separate.
00:09:21From Andalusia.
00:09:22Yes, the one who came to sit here.
00:09:23Yes, he is returning to his roots.
00:09:25Don't say that.
00:09:27And did he really tell you that he likes me?
00:09:30Further?
00:09:30Like her grandmother's custard.
00:09:32I won't say more, and he's a chef.
00:09:36Where is your little girl going?
00:09:37That ends there, no, okay, I have to get my bikini line done.
00:09:45Okay, the budget for the bandages has been approved.
00:09:47Two thousand euros.
00:09:48Please, that eration is not even if it enters the mummy.
00:09:54Okay, let's move on to the quadrant on duty.
00:09:57The quadrant of this thousand.
00:09:58Please pass it on.
00:10:00Thank you.
00:10:03Carmencita, this quadrant is coming this way to me.
00:10:05By?
00:10:05My little boy has taekwondo on Mondays and Wednesdays.
00:10:09And I have to carry it.
00:10:11Yes, but...
00:10:12Don't worry, Angela, I'll change it for you.
00:10:14I've signed up for biodanza.
00:10:15I recommend it to everyone.
00:10:17And Friday works really well for me, it leaves a little earlier.
00:10:20Yes, but this is a shift schedule, girls.
00:10:22Not a calendar of extracurricular activities.
00:10:25Oh, by the way, Carmencita, I won't be able to on Thursdays either.
00:10:28Although I have singing lessons.
00:10:29I'd trade everything for Wednesday.
00:10:31Solved.
00:10:32Look, girl, next time don't ask him.
00:10:34And we don't save time.
00:10:40Good morning.
00:10:42Good morning.
00:10:43I have news.
00:10:45Does Iñaki already have a date with his niñe?
00:10:47Good!
00:10:49Oh, well in the end it wasn't so difficult, was it?
00:10:52Okay, let's see, I've done my part.
00:10:54Now you have to convince Iñaki.
00:10:55That?
00:10:56Man, what do you think?
00:10:57Do I have to do everything myself?
00:10:59Well no.
00:11:00Come on, you better get a move on, because in an hour
00:11:02Iñaki has to be at the hairdresser's to pick up his child.
00:11:04So come on, hurry up.
00:11:06Come on, Sabino.
00:11:07Wake up.
00:11:13What's wrong, Titi?
00:11:16Hi, girls.
00:11:19Wow, what a serious face, isn't it?
00:11:22Yes, well, I really didn't like what I saw earlier in the office.
00:11:26Have you set up a chicken coop?
00:11:28Be careful!
00:11:29Girl, girl, come on, we haven't changed that quadrant.
00:11:31Come on, even you changed it.
00:11:32I don't mind if the shifts change.
00:11:34That's how it's been, girls.
00:11:36In a meeting, in front of your colleagues.
00:11:39No, no, no.
00:11:40It looked like a fish auction.
00:11:41Okay, relax, sweetie, we just wanted to help you.
00:11:44Of course, darling, if we don't do it with bad intentions.
00:11:46Yes, I know, I know.
00:11:48And that's why I wanted to ask you, please, to make sure it doesn't happen again.
00:11:52And I also wanted to ask you, please, not to call me Carmencita, little one, little pussy at the clinic, no, no, no.
00:11:59Okay, so what would you like us to call you?
00:12:01Your Majesty?
00:12:02I don't know, Carmen?
00:12:04Yeah.
00:12:04Carmen.
00:12:05See you later.
00:12:10Girl, finally.
00:12:10Carmen, if you don't mind.
00:12:12Okay, okay, Carmen, wait.
00:12:12I need to talk to you about something rather delicate.
00:12:14It turns out I have a friend who...
00:12:16Look, Rafi, I'm very busy.
00:12:18Perfect, because that way I get straight to the point.
00:12:20What do I need to do to get a paternity test?
00:12:23You?
00:12:24Rafi, please, at this point you're going to have doubts.
00:12:26With the craving he has in his thigh, just like dad.
00:12:28No, no, that's not it.
00:12:29It's because...
00:12:31It's because of Juanillo.
00:12:33I wouldn't do it myself, but Isabel asked me to.
00:12:36Okay?
00:12:36And since he's been so difficult with her, I can't refuse.
00:12:39Oh my God, yes, yes, I understand.
00:12:41But are you sure you want to do that?
00:12:42Just so you know, if you don't get the result you want, there's no going back.
00:12:47Yes, because I don't do it back then.
00:12:48Please, Rafi.
00:12:50Give me something of Juan's, I don't know, a hair, something you've sucked on.
00:12:53Man, the kid's not old enough to be a lollipop, that's for sure.
00:12:55Rafi, it doesn't have to be a lollipop, my love.
00:12:57It could be a piece of chewing gum, a glass, a can.
00:13:00You bring it to me, I'll take care of it.
00:13:01Perfect.
00:13:02What would I do without you, baby?
00:13:04Carmen, Carmen.
00:13:05Thank you.
00:13:08It is clear that individually we have the same power of persuasion as a mushroom.
00:13:13We have to do this together as the team we are.
00:13:17Doctone, I'm going to put the glass in the container.
00:13:20Very good, boss.
00:13:22We need to take care of the environment.
00:13:24Jackie.
00:13:25Hey, Coldo, he has something to tell you.
00:13:32Coldo, this is heavy.
00:13:35I wanted to encourage you because, well, after all, you're far away from your daughter and you're so alone.
00:13:42Well, now I'm going to tie myself to a cement block and throw myself into the port, Coldo.
00:13:44As?
00:13:45Really, what do you want? To cheer me up or to bring me down?
00:13:47Cheer up? Cheer up, huh?
00:13:48Cheer up, yes.
00:13:49The fact is that we've all thought about it, we've all thought about it.
00:13:52We thought it might be time for you to go outside, get some fresh air,
00:13:55I don't know, meeting people, maybe I'll meet some girl.
00:13:58These days you can meet someone where you least expect it.
00:14:03Walking around, in the museum, getting highlights done, going through cases.
00:14:10Nephew, nephew.
00:14:12I was just thinking about something, because then you go to the Post Office and the Post Office is next to the
00:14:17Bego's hair salon, then...
00:14:19You, Uncle Sabino, want to get out of going after Aunt Bego, don't you?
00:14:22Yeah.
00:14:26You're going to pull the wool over my eyes.
00:14:27Yes, you.
00:14:28Well, you're not smart.
00:14:32Marichu, no, put cream on the girl's rash, please don't put my dinner on her.
00:14:36We are in the 21st century, things evolve.
00:14:40As?
00:14:40No, no, old lady, I'm not calling you, Marichu.
00:14:44Marichu...
00:14:45No, he hung up on me, come on.
00:14:47Who was it? The hand that makes my cradle?
00:14:49Yes, he told me.
00:14:50Oh, it's out of spite, huh?
00:14:53Now, every time I think about the breakfast we had, I forgive him.
00:14:57It makes me feel pain and nervous.
00:14:58By the way, I'm not that nervous about knowing the results.
00:15:01Celia told me that she already has the results of the insurance tests.
00:15:04Ah, about the insurance.
00:15:06Didn't he say anything to you, Dolores?
00:15:07He hasn't told me anything.
00:15:08Queer?
00:15:09No, well it is strange, because Dolores knows that one is dragging it out like that.
00:15:13Okay, I'll ask him.
00:15:14Okay, bye.
00:15:17Thank God.
00:15:19Oh, Dolores.
00:15:21Dolores, Dolores.
00:15:22What's the matter?
00:15:23Oh, my father's dog, who is very sick.
00:15:25Crispy, but what happened to him?
00:15:28Well, he wasn't eating, so I took him to the vet and...
00:15:31Oh, Jesus, Mary, and Joseph.
00:15:35The tests came back terrible.
00:15:37Come on, he only has a month or two left to live.
00:15:40One or two months to live?
00:15:41Yeah.
00:15:42Oh, I really don't believe it.
00:15:44I saw it recently and it was great.
00:15:48And there you have it, life.
00:15:50So many years together.
00:15:51We're going to miss him a lot.
00:15:53A lot, a lot.
00:15:54The little blue eyes.
00:15:56Oh.
00:15:57Always messy hair.
00:16:00And that face he makes when people talk to him.
00:16:03It seems they understand you.
00:16:06What are we going to do?
00:16:08Nothing.
00:16:09Dolores, don't tell too many people, it's not a good idea to air things out there, okay?
00:16:13Oh, calm down, calm down.
00:16:14Don't worry.
00:16:16I'll go get you some chamomile tea and a bun, okay?
00:16:19I'll be right back.
00:16:24What's happening?
00:16:25Oh, José, forgive me.
00:16:28I was going to call you, but...
00:16:34No, yes, now I'm going to have to console her.
00:16:49Well, then...
00:16:50Hey, hey, hey, hey, where are you going like that?
00:16:52To find my aunt.
00:16:53Oh, really?
00:16:55Cabenzos, tidy yourself up a bit to go to the hairdresser.
00:16:58You also can't go around smelling like a monkey.
00:17:00And why not?
00:17:01Man, you're supposed to be going to a beauty salon.
00:17:03We'll have to dress a little nicely.
00:17:05Where to?
00:17:06Tuck your shirt in, put on a proper sweater, and we'll be all set.
00:17:10But I don't understand why I have to go and find my aunt as if I were going to get a coffee.
00:17:13with the lendakari.
00:17:14Of course, I took some strange old ones, you seem.
00:17:19By?
00:17:20Domingo Monreal.
00:17:21How are you?
00:17:22Here is the representative of Cristóbal Benjomea.
00:17:25Look, there's been a setback and we're going to have to cancel my son's performance.
00:17:30From my client.
00:17:32Hey?
00:17:33Yes, yes, I know, I know.
00:17:34I know that what I'm asking is a priceless favor, because...
00:17:38Oh yes, he does have it.
00:17:40Ah.
00:17:43Six thousand euros.
00:17:48Yes, yes.
00:17:49Well.
00:17:51Well, that settles it.
00:17:53Six thousand euros.
00:17:55Bye bye.
00:17:59Come on, let's go for a coffee, Rafi.
00:18:01Just the way he wants it.
00:18:03If it were the last time I was going to take you, how would I take it?
00:18:06What will coffee leave behind?
00:18:07No, man.
00:18:08They just released a study saying that it extends life.
00:18:11Well, since I didn't do it in all of Colombia.
00:18:13Why's that?
00:18:16I'm going to die, Rafi.
00:18:17Of course, like everyone else, Celito, come on, he's a genius.
00:18:20No, no, I'm going to die any minute now.
00:18:22I heard it from Dr. Celia.
00:18:25What are you talking about, Marieta?
00:18:26No way, man, how could you die?
00:18:27If you're a cheerful guy, a guy so young, so...
00:18:31Attractive, isn't it?
00:18:32It's always the best of us who leave.
00:18:33No, no, no, it can't be, man, you can't...
00:18:36How are you going to die?
00:18:37No, no, but I don't know whether to laugh, cry, give you advice...
00:18:40It's unfair to my sister, considering how much my sister loves you.
00:18:42Listen, don't say a word to anyone, okay?
00:18:44Don't say a word to anyone, I don't want my last day to be spent in tears.
00:18:48No, no, quite the opposite.
00:18:49You, you, you, just like in the movies, in abundance, everything, splurge, living each day as if
00:18:54There would be no tomorrow.
00:18:55Yes, me.
00:18:56Mom, well, sorry.
00:18:58No, but he's right, isn't he?
00:18:59He's right.
00:19:00What the hell?
00:19:01Of course.
00:19:02Look, I'm going to do everything I've always wanted to do but haven't been able to.
00:19:06Ah, uh, that's the attitude.
00:19:08Pay me, for example?
00:19:12Uh, uh...
00:19:13No, pee-er, pee-er, pee-er, pee-er.
00:19:15We're going to have a lavish, top-of-the-range banquet.
00:19:17Full-le-quilla, beer...
00:19:19No, no, that's what I think.
00:19:21Champagne, Catalan, French, everything there is, everything there is.
00:19:24Sausage and...
00:19:24No, no, sausage.
00:19:26Shrimp, shrimp, shrimp.
00:19:27Prawn, prawn, the kind with a broad back, the kind that...
00:19:30La, la, la, la...
00:19:31Yes, a big-headed one.
00:19:32La, la, la, la thing.
00:19:35And it fit, it fit perfectly, a little ball of false faith, nothing.
00:19:39Are you in charge of buying it?
00:19:40Yes, yes, yes, yes.
00:19:41No, no, no, how am I going to buy it? I just bought a bar, I can't trust you.
00:19:45Right now, not even peanuts.
00:19:46No, kid, I'll pay you back. I'm leaving this neighborhood with you on credit.
00:19:49Isn't that right...?
00:19:49Okay, okay, I'll make the list.
00:19:51Okay, I'll write it down.
00:19:52Clear.
00:19:53Prawn.
00:19:55Prawns, what were the prawns like?
00:19:56Broad-backed?
00:19:58That's it, that's it.
00:20:00The...
00:20:00And now, if you'll excuse me, I'm going to continue with my wish list.
00:20:20Champa.
00:20:22Irene.
00:20:30Come on, I'll be there!
00:20:33Oh!
00:20:36Good morning!
00:20:41What are you doing here?
00:20:42Good.
00:20:44We decided to get a touch-up.
00:20:47We had slightly split ends.
00:20:51Apañaki!
00:20:52Apañaki!
00:20:54I came looking for...
00:20:55Yes, I know who, and she's delighted that you've come.
00:20:57Well, I don't know, he sees me every day, right?
00:20:59Yes, yes, it is, it is.
00:21:01Will you wait here for a moment?
00:21:02I'll be right back and we'll go.
00:21:03Fancy a movie?
00:21:04Want something to drink?
00:21:07Did you see that?
00:21:09What does she think she's doing, going on a date with me?
00:21:13Did you really set this up so he'd meet up with his daughter?
00:21:16Hey, don't call it a trap, call it an opportunity.
00:21:19Oh.
00:21:20You deserve it, Iñaki.
00:21:22That's it.
00:21:23Hey, better give me your phone number, that way it'll be easier to arrange a meeting.
00:21:26So.
00:21:27Already.
00:21:29I'm super happy.
00:21:31I'm super happy.
00:21:32I'm super happy.
00:21:33I'm super happy.
00:21:33I'm super happy.
00:21:41Little girl, we're already lighting a candle to Saint Pancras because today there's an incredible jackpot in the lottery.
00:21:47No, no, no, no, I'm not going to play any lottery for you, you've already lost enough.
00:21:52And we'll leave the table now.
00:21:54Come on, girl.
00:21:55Look, Dolores, we never get anything.
00:21:57Well, just in case, I'm going to rub Archepudo's ticket from the 376th, eh.
00:22:02Do you have it?
00:22:02No, Irene.
00:22:04Hey?
00:22:04Yeah.
00:22:05No way, you have it, if you say no, no.
00:22:10Carmen.
00:22:10Oh, I'd rather do khara-kiri than ask him for it.
00:22:13Okay, so how do we know if we've been selected?
00:22:15Well, relax, there's no need to panic, I know a lot about numbers.
00:22:20I don't forget any of them.
00:22:23We put 6, 14, 32, 20.
00:22:27Dolores, that's my phone number.
00:22:38Juan, let me help you, man.
00:22:42Do you want some gum?
00:22:43No, no, no way, it's just that they give me gas.
00:22:45Look, Juan, if you think it's the best way to start a relationship with your mother, with the wife of
00:22:49Your father, you're in trouble, huh.
00:22:50Chewing gum, yes or no?
00:22:53Yes, yes, yes, it makes you like this, yes.
00:23:02Yes, Juan, how are you?
00:23:03What's he doing eating gum?
00:23:05You can't chew gum at work, man.
00:23:07That, that's rude, unhygienic.
00:23:09You can't eat chewing gum.
00:23:15You can't eat chewing gum.
00:23:38Hey, you're not mad about the food container, are you?
00:23:41I swear I did it for the good of Calla and my cousin.
00:23:45Me? No way?
00:23:47I'd completely forgotten about that, don't worry.
00:23:50This one's on the house.
00:23:53It's because it's so rich.
00:23:54Go ahead, this one is tastier.
00:24:04That?
00:24:05Pica?
00:24:07Oh, I must have gone too far.
00:24:10Daughter, look who I just ran into on the promenade and wanted to come and say hello.
00:24:14Come in, come in.
00:24:15No, man, where from? Easter? How long?
00:24:18Yes, how long? From the day of your confirmation.
00:24:20You took the gifts and haven't set foot in the church since.
00:24:25Man, father, with all that studying he didn't have time to be lighting candles here and there.
00:24:29My mother would put them on for me.
00:24:31And it worked, it worked.
00:24:32Because I've heard you've had a great time in Canada.
00:24:35And that was surely the work of God.
00:24:38Well, from God and a scholarship.
00:24:41And what about you? What are you up to?
00:24:42Well, you see, daughter, like every year around this time, we're looking for funds for our charity.
00:24:47I've been offered a theater in the city center, but I can't find anyone who wants to perform for free.
00:24:52It doesn't surprise me. That word triggers more allergies than pollen.
00:24:55Dad, if you think that bringing me a tavern will upset me like a chickpea and I'm going to be upset, I've
00:24:59I've been very wrong.
00:25:00Well, how are you, Don Pascual?
00:25:02But, Mr. Benjumea, there's so much good here.
00:25:04You've really taken a liking to these parts, haven't you?
00:25:07Okay, okay, okay, yes. But my Seville is my Seville, you know?
00:25:10No, I had some things to take care of.
00:25:12But I'm flying there this afternoon.
00:25:14And I mean literally.
00:25:17Well, what about you, my son?
00:25:18There is something God can do for you, what is troubling you so much?
00:25:21That clown Domingo Monrea, who cancelled my performance at the Cursa.
00:25:29You're kidding, right?
00:25:30That's what I'm going to think when he calls me. But no, I'm not joking, honey, I'm not joking.
00:25:34But were you going to sing at the Cursal?
00:25:36I was going, I was going.
00:25:37Oh, really? Why does everyone reject me?
00:25:40First Trini, now Domingo.
00:25:43I'm so unlucky, aren't I?
00:25:44It seems that Providence has brought us together.
00:25:47Here, a great opera singer is looking for a theater.
00:25:50Here, an altruist with a theater looking for a top-notch performance.
00:25:53And here, someone willing to organize everything.
00:25:56If this is not the work of God.
00:25:58Well, it's a theater with only 200 seats, but it is in the city center.
00:26:02200?
00:26:03Okay, fine, fine, fine.
00:26:04It's not Milan-level, but it's okay, right?
00:26:06My son, the children will thank you for it.
00:26:09Those children deserve everything, father.
00:26:12That's why I'm going to be impeccably dressed.
00:26:14Dad, cancel the trip to Seville, we're going to find the best tailor in Duzcadi.
00:26:17Come on.
00:26:18Honey, thank goodness you're here.
00:26:20I won't keep you long, okay?
00:26:21I know it's your day to meet up, I'll take care of the girls.
00:26:23No, don't worry.
00:26:24I'm not going.
00:26:25Oh, you're not going, why?
00:26:26But if that day is very important to you, then you won't forgive it.
00:26:28Well, because I'm very tired.
00:26:30Also, I'm really looking forward to seeing my little girl.
00:26:32Oh, how things change when she's not a mother, huh?
00:26:34Oh, and a director.
00:26:36Okay, so what?
00:26:37Tell me, what?
00:26:38The remains of Juan.
00:26:40Well, the remains, you see, saliva that has left a little bit here in the glass.
00:26:42This is good enough, right?
00:26:45Once.
00:26:52Dad, Dad, I know it was the most expensive one, but as soon as I put it on, I felt like the champion of
00:26:56elegance.
00:26:56Look, I'm imagining it.
00:26:57With the suit on, my voice, the applause of the audience.
00:27:00You won't regret postponing your trip to Seville, will you?
00:27:02Well, I hope so, man, I hope so.
00:27:08Oh!
00:27:11José, what's wrong?
00:27:12Hico, how are you?
00:27:14Here we are, Don Mejumea, just hanging around, huh?
00:27:16When does your flight arrive?
00:27:18No, but I haven't delayed it.
00:27:20I was just about to talk to Marichu.
00:27:21Well, I'm still here, struggling with my little Pavarotti.
00:27:24Not much, is it?
00:27:25How long will it delay it?
00:27:26Well, I hope as little as possible.
00:27:28Because?
00:27:28What's happening?
00:27:29Nothing.
00:27:30José, what's wrong?
00:27:31Nothing, I was just looking forward to seeing him and I've gotten a little down.
00:27:36Let's see, you only stay quiet when he's worried or when he's sleeping.
00:27:41Come on, just spit it out.
00:27:42It's nothing, Don Mejumea, I just have a little health issue that I've been told about and...
00:27:48I'm dying, Don Mejumea, a mile away.
00:27:50Well, absolutely, because I'm dying and I don't want to leave this world without seeing him.
00:27:56Look, I'm going to tell you something.
00:27:57Since I was making one of your jokes, I swear it's not funny at all, okay?
00:28:01I hope so, Don Mejumea, I hope so.
00:28:04I'm going to pitch it.
00:28:05Something can be done, something can be done.
00:28:07We need to get a second opinion, that's it.
00:28:10I'm not going to spend the rest of my life going from hospital to hospital just to be told the same thing.
00:28:13And one thing I'll tell you, please don't tell anyone, okay?
00:28:16I don't want to make anyone feel sorry for me.
00:28:18Of course, son, of course, I understand, I understand and I respect it.
00:28:23Thank you, Don Mejumea, thank you very much, eh? Thank you.
00:28:26One more thing, one more thing.
00:28:28Is there anything I can do for you?
00:28:29Whatever.
00:28:30No.
00:28:33Well, look, I've always been really excited about driving one of those cars that have
00:28:39Some little footballs and, I don't know, since you have a lot, well...
00:28:43My cars are at your disposal.
00:28:45Thank you very much.
00:28:47Son, I'll be there in a jiffy, okay?
00:28:50Come on, come on.
00:29:08And what about you?
00:29:11Are you going to miss your Uncle Jose?
00:29:13Hey?
00:29:14I'm going to miss you a lot.
00:29:17Those chubby cheeks and those little smiles.
00:29:21Very good.
00:29:22That's it.
00:29:22Hey, it's great, it's an excellent room.
00:29:25And, Don Pascual.
00:29:27Tell me.
00:29:27How much were you planning to put it on the payroll?
00:29:30Well, at 30 euros, I think it's a good price.
00:29:32Look, Father, you're being a little greedy, aren't you?
00:29:35We're not going to fill up like this.
00:29:37Look, I propose we set them at 20 euros.
00:29:40More affordable and we fill it safely.
00:29:42Well, it's up to you.
00:29:44Yes, it's true that last year they went half unsold, right?
00:29:47Look, I'm leaving it in your hands, okay?
00:29:48Very well, thank you very much.
00:29:52200 by 10.
00:29:53José, that mortar you made for me is going to change.
00:29:55Just think of it!
00:29:56That?
00:29:56Hey girl, leave it to me, I'm not going to get many opportunities.
00:30:00No, no, no, you out, okay?
00:30:01You're very clumsy, and with those claws too, no, no.
00:30:03What are you talking about, man?
00:30:05But Marichu, what are you still doing here?
00:30:07To save my granddaughter from disaster.
00:30:08Yes, you wouldn't believe it, I was just going to change his diaper.
00:30:11Exactly.
00:30:12Did you know?
00:30:13I'll take care of it, okay?
00:30:16Carmen, one little thing.
00:30:17When you put her in the crib, be careful with the pillow, okay?
00:30:19Don't cover his nose.
00:30:21And take away the phone with the little stars, it scares him.
00:30:24Look, Marichu, I know perfectly well what my daughter's needs are,
00:30:28Because, you know what happens?
00:30:28I'm the mother, okay?
00:30:31Very good.
00:30:33Gabon.
00:30:33Gabon.
00:30:36Gabon.
00:30:38Gabon, what was it?
00:30:38Good night.
00:30:39Ah, yes, yes.
00:30:40Do you think I...
00:30:41What happened to me a little?
00:30:43What is he talking about?
00:30:44You haven't said much, man.
00:30:44Nerozico almost hit you with a rolled-up newspaper.
00:30:47What are you doing here?
00:30:47Weren't you just joking?
00:30:49Okay, yes, let's go.
00:30:50Well, I finally decided whether or not to go.
00:30:53Oh, I don't know.
00:30:56Do you think I'm starting to look like Trini?
00:30:59What is he talking about?
00:31:00No, I'm serious, ah.
00:31:01Why not?
00:31:02Why does he say that?
00:31:03Oh, it's just that the girls have been acting a little strange with me lately, you know?
00:31:06And it's true that I've set them straight, but I don't think they understand that, that, that, well,
00:31:11that I am performing my duties.
00:31:13Carmen, life is short, I'm telling you.
00:31:15Don't get bogged down in nonsense, okay?
00:31:17Do you know what you have to do?
00:31:18Perhaps it's about asking for forgiveness.
00:31:21Screw her.
00:31:23We're going there, you and I, just having fun, okay?
00:31:25Like, my name is José, you don't miss your night of drinking.
00:31:27Look, I'll treat you.
00:31:28Why haven't I invited you?
00:31:30I don't know if you've ever invited me.
00:31:32I'm right.
00:31:33Yes, well look, I'm going to change it today.
00:31:34It's my treat today, okay?
00:31:35Go on.
00:31:35Come on, let's go there.
00:31:37Goodbye.
00:31:40Look at the boss, setting an example.
00:31:43Why are you shirking your responsibilities?
00:31:44There are still ten minutes left.
00:31:47So they're waiting for me.
00:31:50Yes, well these hake are waiting for you too.
00:31:53Perfect, then I'll come earlier tomorrow and do them, okay?
00:31:56But now I really have to go.
00:31:58Do you have a date?
00:31:59No, it's not a date.
00:32:00I've arranged to have dinner.
00:32:02Well, if you've arranged to meet a girl, it's a date.
00:32:04It's not a date.
00:32:05Why isn't it a date?
00:32:06Will you stop talking about my date?
00:32:07Ah, so yes, you do have a date.
00:32:11Does it matter to you?
00:32:12No, I don't care what you do with your love life.
00:32:15Perfect, thank you.
00:32:19Well, I'm here now.
00:32:29And I see you're here too.
00:32:31Since you're here, I'll go.
00:32:34I really like...
00:32:36Shall we go?
00:32:37Yes, better.
00:32:50Oh, oh, oh, come on, come on, come on.
00:32:52Hey, hey, hey.
00:32:53Why don't we go to a face?
00:32:54A face that we are...
00:32:55No, no, no, you early risers, with Carmen in such a state, you'd never be late.
00:32:59Well, wait, wait, maybe she's the one who's going to be late.
00:33:02Wow, what a fantastic restaurant!
00:33:06Hey, they should just keep being directors, right?
00:33:08Me keeping other people's money.
00:33:10What are you saying?
00:33:11Man, think about it.
00:33:11Why hasn't he mentioned any model of the primitive lottery?
00:33:14Just like this time it really happened.
00:33:16Look, I'd vouch for Carmen with my life.
00:33:18She wouldn't do that.
00:33:19Our Carmencita, no.
00:33:21But what about the new director of the Hispali clinic, aka Trini 2.0?
00:33:29Hey, when you see a guy with a girl and you get kind of jealous, that's because you like him.
00:33:35The boy, right?
00:33:46It takes a long time, doesn't it?
00:33:48Well, maybe that's a good sign.
00:33:49That means the night went on longer.
00:33:51Or maybe it went terribly wrong and he spent the night awake crying.
00:33:54Yes, crying.
00:33:56Ah, here it comes.
00:33:57Grab it here!
00:33:58Dad.
00:34:00Oh, well, I don't know, I don't...
00:34:02How do you think he got here?
00:34:03Well son, he came as always, like every day.
00:34:06How is he going to come?
00:34:07Ah.
00:34:08Ah.
00:34:10What's wrong? Is something happening?
00:34:12No, a good face behind you, right? Like you're rested.
00:34:15Yes, I slept well.
00:34:16Ah, so you slept.
00:34:18Ah, look, look, look.
00:34:19Already.
00:34:21Do you want to know about my date with Zuriñe?
00:34:26You guys are definitely less delicate than a wild boar picking truffles.
00:34:30Oh, come on.
00:34:31No, well it went well.
00:34:32Good!
00:34:33Good!
00:34:33Yeah, I don't know, I like that girl.
00:34:35Oh, what a joy, son! I knew you two were a perfect match.
00:34:38I just said I like it, okay?
00:34:39I like it.
00:34:39Or to go to the concert, the cinema, the pelota court, I don't know.
00:34:44I'm not ready for another relationship.
00:34:46Wait a minute, please, just a minute.
00:34:47Put aside your trivial conversations for a moment,
00:34:50I'm going to tell you something very important regarding my performance.
00:34:53First of all, I didn't want to invite you.
00:34:55That would be denying someone with good judgment a seat, but my father insisted.
00:34:59Very kind, Mr. Benjumea.
00:35:00It wasn't necessary, was it?
00:35:02Second, second, second.
00:35:03We have to dress up.
00:35:05Even if the money raised is for the poor, it doesn't mean the audience looks poor.
00:35:09The event has a dress code.
00:35:11With a dress, what?
00:35:12She shouldn't wear a lumberjack outfit.
00:35:14Black suit, tie and dress shoes.
00:35:16Ah, it's like a funeral.
00:35:17Well, that makes some sense.
00:35:19Well, excuse me, it's just that I have to do vocal exercises.
00:35:23Yes, yes.
00:35:26Okay, so how much is this little joke going to cost us?
00:35:2930 euros for admission.
00:35:30That?
00:35:3230 euros, but this is like going to the dentist, you pay a fortune and on top of that they hurt you.
00:35:36Well, well, don't worry about that, because it's on me.
00:35:39No, well, well, that's not necessary either, is it?
00:35:40How much money do we have?
00:35:41Anyway, I'm going to pay for them all.
00:35:43It's the only way to ensure that only close family and friends will attend.
00:35:51Promise me that whatever you hear this afternoon, I will applaud as if my life depended on it.
00:35:56Please, I'm begging you, please.
00:35:58What could your mother have forgotten now?
00:36:00It's as if she's had triplets instead of one.
00:36:05Oh, my dearest mother!
00:36:07How big the girl has gotten!
00:36:09Oh, she looks so much smaller from the window!
00:36:13But what are you doing here?
00:36:15Because we're going to do chores, help you with the girl, that's what we neighbors are for.
00:36:21I have enough to deal with from the rude things I hear in the yard every time I put a little dress on her.
00:36:25the girl.
00:36:25She listens to you and I love her.
00:36:27Of course, absolutely.
00:36:29You dress her in a stale way, looking at how the little girl is.
00:36:31Poor thing.
00:36:32The aunts are here to bring you a little bit of joy.
00:36:36Shall we take it shopping?
00:36:38That's like Betty and Goma.
00:36:39But this time he's not going to pay me, you're handsome.
00:36:41Marusti is going to pay me.
00:36:42Hey girl, do they have fishnet tights for babies at the Chinese store?
00:36:45And leopard print?
00:36:47Melon of glitter!
00:36:48Do you really think I'm going to leave my granddaughter with you like she's a chihuahua?
00:36:53Oh, oh, oh!
00:36:54Look at the girl, another one.
00:36:56Just like his son's spoiled brat.
00:36:58Of course, we just want to take care of her.
00:37:01We are like Sleeping Beauty's godmother.
00:37:03Yes, yes, yes, but to take care of a baby you need someone sensible, an adult, right?
00:37:08So, whatever, the day I want my granddaughter to be raised by three irresponsible gossips,
00:37:14I call you without fail.
00:37:16Allah, thank you very much.
00:37:18Enjoy.
00:37:19Bye bye.
00:37:21Thank you.
00:37:24Listen, we won't know if we're the godmother, okay?
00:37:26But we're absolutely certain you're the witch.
00:37:34No, the one from Dad isn't very suitable for me.
00:37:40I can't believe it.
00:37:42They look like Barbie and Ken.
00:37:43If you're right in the end, and this is a lottery win.
00:37:46Stay still, we have more classes.
00:37:49Let's go, let's go, I'm furious.
00:37:51How shameless.
00:37:52Go!
00:37:57But, girl, what power.
00:37:59But, Mom, are you the director of a clinic or the European Central Bank?
00:38:03No way, José, he's asked Don Bejumea for the car, you rascal, he told me, come on, let's live it up.
00:38:07which is two days.
00:38:08We almost didn't make it past the first one.
00:38:11Do you know what's wrong with him?
00:38:13Me, me, me.
00:38:14Not me, what do I know, why should I know something?
00:38:17I mean, I don't know, don't you see, it must be a midlife crisis.
00:38:20Rafi, but he's 34.
00:38:22If it arrives.
00:38:24I mean, if he manages to achieve it, uh, with what he is, uh, his vitality, his joy, his wisdom, his
00:38:29people skills, his going this way and that, that's it, that I'm going there.
00:38:33See you later.
00:38:34Together, we're all doing well, eh.
00:38:37But, Mom, José, and you thought, did you really think you were going to leave this world?
00:38:40Big, isn't it?
00:38:41I borrowed it in Bejumea.
00:38:44Yes, yes, yes, it looks old, but you should see how it buzzes, huh.
00:38:47That Zumba that takes you from a garden, come on.
00:38:49No, Magdalena is talking, I can't move from here, I'm waiting for Ardel Marisco, can't you see that
00:38:52Have you ordered an entire fishing ground?
00:38:53Yes, I, Dad, this has everything your son has, right?
00:38:55My son, that's another story.
00:38:58Come on.
00:39:00Come on, life's short.
00:39:07Hey, Cochone.
00:39:10Look, it might sound a little strange to you, but, uh,
00:39:13I'm a little nervous about my date with Zuriñe.
00:39:18Let's see, you know that I've been with Carmen lately.
00:39:23Yes, well, and they're both women, right?
00:39:27Yes, yes, yes, both of them, yes, yes, they are women, but you know what?
00:39:31Zuriñe is from here and Carmen, well, you know how Andalusians are.
00:39:38Well, they're overwhelming, tiresome, and a bunch of screamers.
00:39:42I was going to say intense.
00:39:43Also.
00:39:44Yes, yes.
00:39:46But since I too have been somewhat swayed by the affection, alas, of the Andalusian gentleman and all that,
00:39:51Well, I don't know if Zuriñe will find that a bit violent.
00:39:53Already.
00:39:54Well, Iñaki, what do you want me to say?
00:39:56Did I kiss her without tongue?
00:39:57Yeah?
00:39:59No.
00:40:01Hey, look, do you know what's going on?
00:40:03If I get too affectionate and mess up, well, that's it, I messed up.
00:40:08No, Iñaki, wait, wait, wait.
00:40:13How can it be bad if you're being overly affectionate, Iñaki?
00:40:15Yes, of course, but you know what?
00:40:16That the women here...
00:40:18What? What? What are we?
00:40:20Dry, dull.
00:40:21Those are stereotypes.
00:40:23You come here with inferiority complexes, Iñaki, with inferiority complexes.
00:40:25Yes, why do you think we're so rude?
00:40:28Because we lack passion.
00:40:31That's why, Iñaki.
00:40:32Yeah.
00:40:33Look, we like a man who, well, holds us, who kisses us,
00:40:37that it tears us apart, that it packs us into another closet.
00:40:43Yes, okay.
00:40:46Understood.
00:40:48Passion.
00:40:50Passion.
00:40:53Well, of course, how handsome.
00:40:55The thing is, he's kind of out of it, kind of spaced out, you know?
00:40:58Oh, Juan, for God's sake!
00:41:00Oh my, what a fright I got, Mom!
00:41:01Well, this isn't today, is it?
00:41:02No, man, that wasn't it.
00:41:04Restina?
00:41:05Snap.
00:41:06Look, wait a second, okay?
00:41:07The thing is, I dropped my phone on the floor and...
00:41:09Yes, yes, yes, wait, huh?
00:41:11Well, a serving of envelopes for a young lady.
00:41:14Thank you very much, Juan.
00:41:15Yes, I'm here, wait.
00:41:17No, no, that's not the one with the kiss, no way!
00:41:21No, no, it was someone else.
00:41:22Yes, yes, I'll tell you now.
00:41:24We're here, it's amazing.
00:41:31Okay, we've got the pot ready.
00:41:33And while the vegetable puree is cooking,
00:41:35My daughter and I are going to the park,
00:41:37It's cooler today, finally.
00:41:40Okay, so what are we taking with us?
00:41:41Let's see, the bunny, which my little girl likes,
00:41:45the baby bottle, the little flowers, and the little ball.
00:41:54I'll be right back, okay?
00:41:55Don't go into me.
00:42:12No, no, no, no, no, no.
00:42:16Beautiful ladies, it's me, Marichu.
00:42:21Hello, hello, hello, my favorite godmother wings are here.
00:42:26Where is Mom?
00:42:30The mother is in a real mess.
00:42:39Hey, is there a girl here?
00:42:41Ah, so in the end, going out with her daughter wasn't such a bad idea after all.
00:42:45Well, she's coming here with her.
00:42:47Well, well, then I'm the indecisive one.
00:42:50Look, that seems fine to me, okay?
00:42:51Okay, moving along, it's about to start.
00:42:54Look, here you are.
00:42:55Let's see.
00:42:57Armchair?
00:42:58If you don't have a chicken coop, the further away we are, the better.
00:43:00They are all in the stalls.
00:43:02Also, don't complain that you were invited.
00:43:03Come on, pull.
00:43:06Hey, you two, don't you have a license for this?
00:43:08Rosamari, who is my daughter.
00:43:09That's precisely why.
00:43:11You look very pretty too, Gochone.
00:43:13Thank you.
00:43:14Get your ticket.
00:43:15And thank you for coming.
00:43:17To you.
00:43:20What, what, what? How's everything going?
00:43:21Very good, very good, very good.
00:43:23I'm glad, I'm glad.
00:43:24Well, you know, just...
00:43:25Friends and family, yes, just like at civil weddings, don't worry.
00:43:29Exactly, don't let any strangers in, got it?
00:43:31Uh, no.
00:43:32Oh, daughter, forgive me, I'm very nervous, although the one who's worse is Cristóbal.
00:43:35Oh my god, if he keeps vomiting like this, he's going to fall off the stage.
00:43:39Oh, I'll give it another look and see how it goes.
00:43:41Yes, well, well.
00:43:42Come on.
00:43:43My daughter, my daughter, I just saw the sold-out sign.
00:43:47They've been snatched right out of our hands, Father.
00:43:49Poor children can now choose which university they want to attend.
00:43:52But, my daughter, what a good idea you've had.
00:43:54More young people like you, who are showing solidarity, are what we need.
00:43:57Thank you, Father, for always thinking of those most in need.
00:44:00Hey?
00:44:12Five little wolves...
00:44:14Marito, you've already given it, my weapon will pass.
00:44:19Oh my God.
00:44:20It's a good thing you're here.
00:44:22I can't believe it, Maruchi.
00:44:23You left the girl locked up.
00:44:25Just like the witch in the movie, but in a tower.
00:44:28Okay, enough with the jokes.
00:44:30You have to help me, please.
00:44:31Can I help you?
00:44:32A housewife like us?
00:44:34Or a sensible adult like you?
00:44:38Do you see it?
00:44:38You are crazy and irresponsible.
00:44:41There's a creature locked up in there.
00:44:43And you here, from Guasa.
00:44:44Don't worry, Grandma, I have a spare key.
00:44:46Oh, well, run.
00:44:47Give it to me, hurry.
00:44:49We're going to give it to you.
00:44:50But in return, she has to leave the girl with us three days a week.
00:44:53That?
00:44:53Not a chance.
00:44:54What do you want?
00:44:55Let the first word the girl speaks be...
00:44:57Sour!
00:44:58And the girl, who went to speak?
00:45:00Miss Rottermeyer.
00:45:01Why did I say no?
00:45:03Well, in two years the little girl will open the door.
00:45:07Come on.
00:45:07Wait.
00:45:08Go shopping one day and I'll pay.
00:45:15Okay.
00:45:16But Carmen, I give you my word.
00:45:18No.
00:45:18That includes hairdressing and manicures too.
00:45:23Made.
00:45:24Get out of the way.
00:45:30Marucci, has the girl eaten?
00:45:33Yeah?
00:45:34By?
00:45:35Because I gave my sister Carmen's key instead of the one to the plot.
00:45:42Hello, Marichu.
00:45:43Hey, you're not answering my phone.
00:45:45I'm going home to eat.
00:45:46I'll be there in ten minutes.
00:45:48We need to talk, you and I.
00:45:49Tell him you've grounded the girl.
00:46:02Mom, what's wrong?
00:46:03Hey?
00:46:04I've been wanting to contact you all day.
00:46:06If you hear this message, please call me.
00:46:09Whenever you can, okay?
00:46:10A lot.
00:46:13Oh, gotzone.
00:46:14Well, you're very...
00:46:18Come on, you gain a lot without the chef's jacket.
00:46:22Thank you.
00:46:23No no.
00:46:24You...
00:46:24Well, you're here too...
00:46:29Very...
00:46:30Only?
00:46:32Don't tell me that your friend has stood you up.
00:46:34No, no, no, not at all.
00:46:34I had a problem at the hairdresser's and we met here directly.
00:46:37It has to be ready to arrive.
00:46:38Yeah.
00:46:40Look, there it is.
00:46:46Hey, gotzone, are you sure about what you told me?
00:46:48About being launched and all that.
00:46:50Iñaki.
00:46:51If you give him a kiss on the cheek, you'll be glad you have a bar.
00:46:54Because you're going to be paying him a fortune for sodas.
00:46:56Already.
00:46:57Dale.
00:46:58Okay.
00:46:59Thank you.
00:47:02Hello.
00:47:03Hello.
00:47:03Sorry for the delay.
00:47:04No, no, no.
00:47:05The wait has been worth it.
00:47:07How beautiful.
00:47:13And it's obvious you're a hairdresser, huh?
00:47:15What cool hair.
00:47:27Damn, Iñaki, what have I thrown, right?
00:47:28But?
00:47:29Sorry, it's just that...
00:47:32Thank goodness there are more things like this.
00:47:33I thought it was an urban legend.
00:47:42This one's not from here.
00:47:45Epe.
00:47:46Epe.
00:48:01Epe.
00:48:03No, don't worry, Bozones.
00:48:04I'm a real firecracker.
00:48:06Look, it's done.
00:48:09But?
00:48:11Yes, yes.
00:48:20Your father hasn't arrived yet, has he?
00:48:22By my father, do you mean Rafi?
00:48:24No.
00:48:24I tell you, God the Father Almighty, Creator of heaven and earth?
00:48:27Of course.
00:48:29Are you OK?
00:48:32Cradle.
00:48:34Hello.
00:48:36Do you know what José is trying to tell me here?
00:48:39Surprise at the bar.
00:48:41Come.
00:48:42Their fences are fed up.
00:48:43Well, quickly, because Marichu is waiting for me, you know?
00:48:46Well, it will be as fast as it takes you to eat this seafood platter.
00:48:49Look, look.
00:48:52Are?
00:48:57What's wrong with this kid?
00:48:59He'll be happy.
00:49:01She is the mother.
00:49:02Yes, I'll tell you...
00:49:03Oh, look at the guts you have!
00:49:06Of course, not saying a word is awful, but to rub it in our faces is even worse.
00:49:12Come on, come on.
00:49:14Sorry?
00:49:15Don't play dumb.
00:49:16Hey?
00:49:17And what about what I bought you this morning?
00:49:18Okay, fine, yes.
00:49:20Isn't it a chocolate bar?
00:49:21Wow, what a car!
00:49:23Wow, what a car, what a car, come on.
00:49:25Look, I thought getting into a sedan and doing six Jerez hakas was the best thing ever, baby.
00:49:29But this...
00:49:30Go ahead, now, deny it, deny it if you have the guts.
00:49:35The fact that?
00:49:37I never thought I'd tell you what I'm about to tell you, but here goes.
00:49:41You're worse than Trini, worse.
00:49:43As?
00:49:44Look, I'm not willing to put up with any more foolishness.
00:49:47On top of that, put on all the little farruquita.
00:49:49Copper, it doesn't take away, it doesn't take away, it doesn't take away, it doesn't take away, it doesn't take away.
00:49:52Buddy!
00:49:53The Pacos, who jump off the roof!
00:49:56That?
00:49:57Follow me!
00:49:58Oh, oh, oh, oh, oh!
00:50:00Do you know what the advantage is of knowing that you're going to die at any moment?
00:50:04I don't know.
00:50:05You don't care if you have a father or not.
00:50:07What are you talking about, Mike Knight?
00:50:08No, what a shame.
00:50:10So you can die like a loser or like a superhero.
00:50:20Hey, since you're all in such good company, I'm going to take this opportunity to call my mom, because they're not answering.
00:50:24all day.
00:50:25And before we begin, you know what?
00:50:27And let's see if he can put me with him there for a while.
00:50:29Yes, don't worry.
00:50:37Well, Iñaki talks about you a lot.
00:50:40Oh, really?
00:50:40Yeah.
00:50:41What's it like having him as your boss?
00:50:42Wow, it's great!
00:50:44Yeah.
00:50:44Yes, yes.
00:50:45He's, look, almost as good a boss as he is a father.
00:50:48Well, you knew he has a daughter, right?
00:50:49Yes, yes, yes.
00:50:50I also love how attentive he always is to the little girl.
00:50:53And men with shopping carts are kind of super attractive, aren't they?
00:50:56Well, yes, yes.
00:50:57Yes, but hey, Iñaki, his daughter and the bar are everything to him, you know?
00:51:01Already.
00:51:01He doesn't have time for anything else, huh?
00:51:03It's better that way, because I need my space too, you know?
00:51:05Oh, look, that's great.
00:51:08Well, you two are a perfect match.
00:51:09Yeah, what a bargain.
00:51:11Yeah.
00:51:12Beginnings.
00:51:13No, we were just talking about it, we're too close.
00:51:15Now all that's left is for them to spit on us in addition to singing badly.
00:51:18No, no, no, Peyo, that's not it.
00:51:19I've been trying to contact Carmen and Ama all day and they're not answering.
00:51:22Something must have happened.
00:51:23Let's see, let's see.
00:51:24Ah, Coldo, do you still have the number for this stone thing?
00:51:29Of course, I have to...
00:51:32Let's see, let's see, I just have it because I have it.
00:51:35So, in cases like this, an emergency, you see how useful it is?
00:51:38Hey?
00:51:39Look, there in the agenda, in C.
00:51:42C?
00:51:43From Cari.
00:51:44My God.
00:51:49Maruchida del Carrefour, don't ruin me.
00:51:51That has a 30% discount on the Serrano ham shoulder, woman.
00:51:55Or go for it at the gym, don't miss out on anything, daughter.
00:51:58Here, take this.
00:52:01Let's see.
00:52:03The jerk.
00:52:07Oh, is that the lamb?
00:52:09Yes, man, the lamb.
00:52:11If you put "rastrero" there, "picha floja" (loose penis).
00:52:13That's it.
00:52:17Man, sane?
00:52:18What greater joy could there be than hanging yourself?
00:52:21No, please, wait, wait, it's me, Iñaki.
00:52:24Iñaki?
00:52:25Yes, look, I've called Carmen and Ama a thousand times and they don't answer, do you know if it has
00:52:29Did something happen?
00:52:29Uh, no, not at all, you parents are such drama queens, aren't you? Just calling.
00:52:36No, we're here with your mother, who's just come from taking the little girl for a walk.
00:52:39Ah, well, pass it to me.
00:52:42Yes, your son.
00:52:44Iñaki, what a joy!
00:52:46Ah, yes, yes, yes, yes, yes, very good, very good.
00:52:52Excuse me, what the heck? He left his phone at home.
00:52:54The mobile phone, you say.
00:52:55Love, I've called you a thousand times, huh?
00:52:57Okay, so, how are you? Are you feeling better, calmer?
00:53:01I'm completely calm.
00:53:02Ah, I'm going to be nervous here. Let's see, why? Why?
00:53:05I don't know, you were so upset last night that...
00:53:07Ah, no, no, no, I'm not upset anymore, not at all, not at all.
00:53:11Okay, I'm glad. Hey, Elaya's with you.
00:53:13Elaya, of course?
00:53:14I don't know what kind of crowd it will be, where it will be?
00:53:17Okay, I'll leave you now, you're covered in shit and I have to change it.
00:53:22Okay, bye, go and aunt. Bye.
00:53:25Listen, mistress, that...
00:53:31Okay, calm down. A little bit of organization.
00:53:35Does anyone have an X-ray?
00:53:37Yes, of course. I always carry one in my wallet along with a picture of my daughter, isn't that annoying?
00:53:41I have one, but they're from my breasts.
00:53:44Well, it doesn't matter, run!
00:53:45Sure, go ahead!
00:53:51Marichu, well, if the sun adjusted the tone a little, you wouldn't believe how loud it is, huh?
00:53:55Hey, Dad, I only have one, I don't carry one, okay?
00:53:58You're not wearing it, so I've slept, what is it?
00:54:05Oh my God!
00:54:08I left the pressure cooker on the stove.
00:54:13A galliolaga, yes.
00:54:22Paco! Please!
00:54:29Oh, how I frightened you, man of God!
00:54:31Back.
00:54:31If they take one more step, I'm jumping in.
00:54:33Hey!
00:54:35Hello, Mr. Paco, I'm Carmen, the director of the clinic.
00:54:39Calm down, please. Whatever it is, whatever happened to you, it will have a solution, right?
00:54:46I'm ruined, I've lost everything.
00:54:49I came up, up and now I'm going down.
00:54:52Down!
00:54:53I'm going down!
00:54:55Back off, I'm going to jump.
00:54:57Back, back, girl.
00:54:58Just a moment, perfect.
00:55:00No, no, no!
00:55:05I'm going backwards.
00:55:07I'm more inclined to be myself, huh?
00:55:08What do you have here?
00:55:09The exclusive right to throw things away is a real turn-off.
00:55:12I have my reasons, I'm broke.
00:55:15And me, huh?
00:55:16And I have no reason to, you know?
00:55:19We're both here now.
00:55:22Listen, I have enough on my plate without having to deal with your death on my shoulders.
00:55:26Yeah?
00:55:27Well, you'll see what you do, because I'm right behind you.
00:55:29Well, not behind, because it's going to leave the floor a complete mess.
00:55:33I'll jump in first.
00:55:36But what are you doing?
00:55:37He's going to kill you!
00:55:39Yeah?
00:55:39What a loss, right?
00:55:49Or do I have it under control?
00:55:50Hey?
00:55:58Oh, oh, oh!
00:55:59Forgive me, daughter!
00:56:00What a fright!
00:56:01A little more and I'm going to get the stromal union.
00:56:03Look, I'm going to give you something better, okay?
00:56:05I thought that since there are a lot of empty seats, the best thing we can do is fill them.
00:56:11The most important thing is to raise money for our little angels.
00:56:14So I have called my parishioners.
00:56:16Yes, father, but even though the seats are empty, they're sold.
00:56:20Imagine you show up at the last minute.
00:56:22Well, look, in that case we'll put them in the boxes and that's it.
00:56:25Our children are what's important.
00:56:29Well, you know what I'm saying, Father?
00:56:30That?
00:56:31You are absolutely right.
00:56:32The important thing is to raise funds for the cause.
00:56:35Go on, go on, I'll take care of it.
00:56:45Okay, Marucci, this isn't childbirth, honey.
00:56:52Pickaxe!
00:56:54Yes, you silly goose, I told you he's going to do it, daughter.
00:56:56Well, don't make a fuss about me, okay?
00:56:58You're the one who messed up here.
00:57:00And on top of that, I broke a nail.
00:57:01You owe me eight euros for a manicure.
00:57:03And my little girl inside.
00:57:05And if the nails explode, what do we do?
00:57:09Girls, the time has come to show that we are three powerful Andalusian women.
00:57:16So come on, don't let me down.
00:57:19There!
00:57:20Say yes!
00:57:21Go for it!
00:57:22As if there were a soapy paw on the other side of the door.
00:57:26Let's get into position!
00:57:28One, two, three!
00:57:34Oh, my child!
00:57:35Oh, my child!
00:57:36Oh, my child!
00:57:37Mom's here!
00:57:38Oh, my child!
00:57:38You stepped on me, you son of a bitch!
00:57:41Oh, oh!
00:57:42Thank goodness for the firefighters.
00:57:43Tell them to leave or I'll jump.
00:57:46No way, man, no way!
00:57:47Man!
00:57:48We agreed to come here, you and me first, right?
00:57:51She's really taken to it!
00:57:52I got here first!
00:57:53But I am more unfortunate.
00:57:55More unfortunate than abandoning your family before you were completely broke?
00:57:59I don't think so.
00:58:00No.
00:58:01At least she has one, huh?
00:58:03I am leaving this world without having a family.
00:58:07Well, yes.
00:58:09They are the ones that are there.
00:58:12Hey, I'm not wasting time.
00:58:15My little gypsy girls are missing, but...
00:58:18We're not going to call him so he can see how his godfather crashes and burns, are we?
00:58:23So come on, quickly.
00:58:25Porfuno, go to Cagobio, too!
00:58:27But, José, are you stupid?
00:58:29Will you stop messing around and get down from there?
00:58:32José, for God's sake, stop being so dramatic and listen to Carmen.
00:58:36And you, Don Paco, if the problem is money, don't worry.
00:58:40What's he doing to us with the lottery!
00:58:42Did you play the lottery without me?
00:58:45You see, I'm hopeless.
00:58:48Well, yes.
00:58:49Oh my God, oh my God, oh my God, oh my God!
00:58:52Don Paco, please.
00:58:53What I wanted to tell you is that my share of the prize is for you.
00:58:57For you.
00:58:58Well, if not, my friend Carmen has already spent it here.
00:59:02What are you saying, Dolores?
00:59:04Come on, Carmen, please, you're going to keep lying and spreading it around.
00:59:06Hey?
00:59:07A man's life is at stake.
00:59:08Well, what about José's?
00:59:09Look, I'm not lying.
00:59:11Oh, no?
00:59:12And what about the Cossack, the restaurant, and the seafood platters?
00:59:16José?
00:59:18Yes, man.
00:59:19Is it possible that José has spent all his money, considering how stingy he is?
00:59:21Hey, and don't you call José "ratujo," okay?
00:59:23Look, Carmen, I have my children to make fun of me.
00:59:26Hey, I'm not pulling your leg.
00:59:28Are you trying to marry me?
00:59:29I'm already married to myself!
00:59:33Hey!
00:59:34Hey!
00:59:34Hey!
00:59:34Hey!
00:59:35Hey!
00:59:36Hey!
00:59:36Hey!
00:59:36Hey!
00:59:37Hey!
00:59:37Hey!
00:59:38Hey!
00:59:38Hey!
00:59:39Hey!
00:59:41Hey!
00:59:43Hey!
00:59:43Hey!
00:59:48Hey!
01:00:06Hey!
01:00:07José, that's not it, it was for another reason!
01:00:09I was talking about my dog, José!
01:00:12From your dog?
01:00:15So, all those nice things she was saying weren't about me.
01:00:19Now I understand the dinner, the seafood platter, the...
01:00:22That's not true...
01:00:23As?
01:00:23What has José actually paid?
01:00:24Yeah.
01:00:25Of course, he hasn't paid yet.
01:00:27So, we didn't win the lottery?
01:00:30Us?
01:00:31Yeah.
01:00:32And did you really think I'd kept the prize?
01:00:35Well, people change a lot with money, don't they?
01:00:38Just a moment.
01:00:39Just a moment!
01:00:41You've heard it, haven't you?
01:00:42Yes, yes, yes.
01:00:43Have you heard it, Paco?
01:00:44One finger, really!
01:00:45I'm not going to die!
01:00:46Oh!
01:00:47Oh, but don't grab me, throw me!
01:00:50Help me, he's crazy, he's going to die!
01:00:52No, no, no!
01:00:54No, no, no!
01:00:55No, no, no!
01:00:55No, no, no!
01:00:56No, no, no!
01:00:57No, no, no!
01:01:03Dear audience, first of all, thank you for coming
01:01:05and collaborate in this charity concert in support of children in Africa.
01:01:15Just a second.
01:01:16Sorry, sorry.
01:01:18I'm going to leave later because the theater is half empty.
01:01:21Let's see, Christopher.
01:01:22I don't see a receipt.
01:01:23You've been waiting for an audience.
01:01:25Man, please, don't worry.
01:01:26Don't worry.
01:01:27When you start singing, huh?
01:01:29And may these people hear your voice,
01:01:31That's going to be the same, just like the Pied Piper of Jamelin for the mice.
01:01:36People are going to start coming out from under the rocks!
01:01:38Come on, come on, come on, come on, come on, come on, come on, come on, come on.
01:01:44Sorry.
01:01:44As I was saying, thank you for coming and collaborating in this charity concert in support of the children of Africa.
01:01:50And what better way to give them a voice than through a classical piece that I will perform, the result of much preparation.
01:01:57study, effort and sacrifice.
01:02:01Damn, it's going to be a sacrifice for us.
01:02:30Music
01:02:4030? Did Don Pascual tell us it was 20?
01:02:43The entrance fee. The remaining 10 euros were worth it for our children.
01:02:47Oh, my sun!
01:02:51This guy sings a bit strangely, doesn't he?
01:02:54Yes, that's right. It's contemporary. They sing to be unpleasant.
01:03:00So blunt!
01:03:06So cheeky!
01:03:07Through the camera before.
01:03:13Tosa marició!
01:03:15What's dripping down my neck is sweat or blood from my ear.
01:03:21Sorry.
01:03:25Another one! Another one!
01:03:27Did you really want me to sing something else?
01:03:29Yes, with the bi it ends and that's how you and I run away.
01:03:31No, no, no, no, I'm not.
01:03:32Nani, cut it out.
01:03:34Stop pretending, man, we already know you were practically forced to go out with her.
01:03:39That's true?
01:03:43No.
01:03:46Well, a little bit, yes.
01:03:47No, it was the crew.
01:03:49Take it away, take it away.
01:03:49Remove.
01:03:50No, really.
01:03:50Please, I'm sorry.
01:03:51Zuriñe!
01:03:52Wait, Zuriñe!
01:03:53Zuriñe!
01:03:55Zuriñe!
01:03:56What happened?
01:03:59They probably couldn't stand the screams from the normal school this way.
01:04:02Oh, that.
01:04:02They probably like sadomasochism and suffering.
01:04:05And they've become silly.
01:04:07This is still half empty.
01:04:08This is turning out to be a failure.
01:04:10This is a sample in my mind's career.
01:04:11What, Christopher?
01:04:13Many times quality is more important than quantity.
01:04:16No, Dad, no.
01:04:17Or more people arrive during this interlude.
01:04:18Aucho!
01:04:25They're coming, they're coming, they're coming.
01:04:26Look, look.
01:04:27How can this be?
01:04:30This sum is what it is, man.
01:04:31They didn't even put on ties to come see me, man.
01:04:33Well, if it's to see what we've been hearing from the hallway
01:04:36And what we should have brought is a rope to hang ourselves.
01:04:38What are you talking about, you hippie?
01:04:39Man, buy yourself some deodorant, that's what you need to do.
01:04:41Look, the cynical name is Insurre.
01:04:44Shut up, penguin!
01:04:45You wouldn't say that to me in the street, would you?
01:04:46Lots of hair gel, little talent.
01:04:48Pull it in.
01:05:04Okay, how's that going?
01:05:05Carmen is about to fall.
01:05:07Okay, my weapon.
01:05:08Don't worry about anything, okay?
01:05:09That's where the screws get tightened
01:05:10And you have one door left for another 20 years.
01:05:13Oh, look at the amazing engineers she's found for me!
01:05:15Marichu, don't go slipping, eh?
01:05:18We haven't left the girl inside yet.
01:05:21with a pot about to explode.
01:05:24Blow?
01:05:25Oh.
01:05:26The fact that?
01:05:26Hello.
01:05:27Hello.
01:05:28Hello my love.
01:05:29I.
01:05:29I.
01:05:30It's from gas, daughter.
01:05:32Cabbage doesn't just come from Brussels,
01:05:36It seems that the gases are coming from the south.
01:05:38And what are you all doing here together?
01:05:40Your mother-in-law.
01:05:42She's let us take the girl for a walk with her, right?
01:05:46And with Dita, we're going shopping for this, right?
01:05:50Yeah.
01:05:52Okay, Maruchi, we talked and made plans, okay?
01:05:55Thank you.
01:05:56You'll see how well the visa works, huh?
01:05:58There are a lot of new season items now.
01:06:01And there are some really great things.
01:06:09I'm so glad you're so happy.
01:06:12Because you and I, Marichu, need to talk.
01:06:15Look, Carmen, I can tell from your tone that you're going to tell me off.
01:06:19And whatever it is, I'm telling you, you're probably right.
01:06:23I'm sorry, I'm sorry, I'm sorry, I'm sorry.
01:06:26Even we all make mistakes.
01:06:28Marichu, have you spoken to your son?
01:06:30I didn't need to.
01:06:31Believe me.
01:06:33Let's see.
01:06:53Oh, I think he pooped his pants from the fright.
01:06:56Run, run, run.
01:07:03Marichu!
01:07:05I'm not going to throw in the towel.
01:07:06Go on, go on, go on.
01:07:08Look, look, go, look.
01:07:11A visual metaphor for my entire musical career.
01:07:15I'm so sorry for what happened.
01:07:16I have tried to avoid it by all means,
01:07:17But Don Pasquase was determined to raise more money
01:07:20And he let all those people in.
01:07:21But anyway, the important thing is that Christopher hasn't found out anything.
01:07:25Find out what?
01:07:28One moment.
01:07:29You're welcome, son.
01:07:30You are welcome.
01:07:30Dad, don't make me scream, after singing my bonus is for splurge.
01:07:34What's going on here?
01:07:36Well, let me preface this as your representative.
01:07:39that everything I've done has been for your own good.
01:07:42Dad!
01:07:44OK that's fine.
01:07:47Christopher, the audience was rigged.
01:07:50Ah, well, thank goodness.
01:07:52I already suspected that I was the one who brought that much chumba.
01:07:54No, no, no.
01:07:55That one, that one tricked us.
01:07:56I'll say the rest.
01:07:57The rest was rigged to get them to applaud.
01:07:59whatever they heard.
01:08:01Why is that?
01:08:03Well, look, son, it's because they've never told you the truth to your face.
01:08:06And it's getting late.
01:08:09Christopher, you sing badly.
01:08:11You sing very badly.
01:08:13And if I had allowed you to debut where you wanted,
01:08:16Right now you would be the laughingstock of all of San Sebastián.
01:08:19And then what?
01:08:20To wander like a lost soul?
01:08:24Do I sing that badly?
01:08:26You sing worse, son.
01:08:28Well, I'd better forget about watching singing.
01:08:32But this time, Dad,
01:08:34If you want to help me, let me fly alone.
01:08:37Well, I don't understand how that can help you.
01:08:40But if that's what you want,
01:08:41I will book the flight to Seville separately.
01:08:43No, no, no, I'm going to stay here in the north, Dad.
01:08:45I'm going to prove to you that I'm capable of taking care of myself.
01:08:48without having you by my side.
01:08:50Is that what you want, Christopher?
01:08:52Really?
01:08:54Okay, fine.
01:08:58First of all, give me the credit cards.
01:09:00Okay, let's take it one step at a time.
01:09:01It's not about causing me trauma, is it, Dad?
01:09:04You'll never change, son.
01:09:06Never.
01:09:07Dad, dad, dad.
01:09:11Do you know why singing isn't your thing?
01:09:14Because you have the face of a businessman.
01:09:16Oh, really?
01:09:18Well, I have my master's degree in business administration.
01:09:21It's not?
01:09:21Well, I've got it halfway done.
01:09:22because that year was a great season for a guide.
01:09:25He's going to go, he's definitely going to go.
01:09:28You and I are going to do great business together.
01:09:30Well, if you want, of course.
01:09:53Look, Juan, son.
01:09:54No, no, no, wait, wait, okay?
01:09:57Open the envelope first.
01:09:58Juan, three chicks for the room.
01:10:01What's happening?
01:10:04Oh, Juan, look,
01:10:07Forgive Rafa,
01:10:08Don't get angry with him,
01:10:09He didn't want to do any of this.
01:10:11He did it because I asked him to.
01:10:13But if nothing happens, Isabel,
01:10:14If I understand correctly, I am within your rights.
01:10:17The thing is, today, well...
01:10:21Well, we don't know yet.
01:10:22what it says in the report.
01:10:23Or is it?
01:10:24No, I don't know, I don't know, Dolores.
01:10:28Look, Rafa.
01:10:30I would never say that, 'I wish I had never met you.'
01:10:34I wish he hadn't put me through this.
01:10:36Because of everything I've been through with you
01:10:37It won't compensate me.
01:10:39And I'll put whatever I write on that paper,
01:10:42You will always be my father.
01:11:01Would you prefer that I do it?
01:11:03Yes, yes, I can't.
01:11:19Hurry, do you see what it's doing?
01:11:20Uh, I don't need to see it anymore...
01:11:22I've seen enough.
01:11:29Okay, fine.
01:11:30The spikes, come on, they don't stand alone.
01:11:32Come on, fly, blood, blood.
01:11:34Come on, packing, Eva.
01:11:49Hey crew!
01:11:50No, no, there's no need to pretend, Iñaki
01:11:52It's us, after letting it all out
01:11:55Iñaki, eh, start the discussion
01:11:58We didn't know anything, but Bochone told us
01:12:00Yes, well, I'm sorry.
01:12:04Iñaki, it wasn't my intention, but...
01:12:06No, no, no, Bochon
01:12:07You did me a favor in the end.
01:12:12We talked things through, we made things clear.
01:12:15AND...
01:12:17Did they reconcile?
01:12:18Ah, look, look!
01:12:21Hey, look, that's great, huh?
01:12:24I'm so glad
01:12:25Well, man, we too, God
01:12:28AND?
01:12:33Yes, yes, we did kiss twice in the doorway
01:12:37And we've agreed to have a drink, that's all.
01:12:43Iñaki, Iñaki
01:12:47Nothing, there's no way that Don Béjume
01:12:48I'm going to take my phone
01:12:50Up there with so many mountains and so many storms
01:12:52Come on, the coverage is bound to drop every other day.
01:12:54You're the one who hasn't gotten over the fright.
01:12:56Because it has a horrible zombie face
01:12:58I haven't slept a wink all night
01:13:00That girl is going to kill you
01:13:01Unless I change apartments soon
01:13:02Come on, be quiet, for once it wasn't your fault
01:13:05If only I wouldn't die
01:13:07They got me all mixed up, all by myself.
01:13:08What for?
01:13:09How am I supposed to pay for the seafood platter now?
01:13:10And how do I pay...?
01:13:11You wouldn't happen to have anything you could lend me, would you?
01:13:14Because of the disappointment I felt
01:13:16But, kid, you don't get it.
01:13:17We didn't win the lottery.
01:13:18Hey?
01:13:20Girls
01:13:20We've won the lottery!
01:13:22Yeah!
01:13:23I can't believe it!
01:13:24Oh, kick to the curb!
01:13:25Oh, kick to the curb!
01:13:26Oh, kick to the curb!
01:13:29Okay, kid, that's 12 euros and 32 cents
01:13:31It doesn't even give us enough for shrimp
01:13:33I can't believe it
01:13:35I could already picture myself there.
01:13:37With the bikini on the sneakers
01:13:38Oh!
01:13:39And you looked good, you look...
01:13:43Okay, what I want you to see clearly
01:13:45It's the shift quadrant
01:13:46What I've prepared for next week
01:13:48Shh!
01:13:48Don't worry, okay?
01:13:50Come on
01:13:50From now on
01:13:51Not a peep from us, we're all going to accept it.
01:13:53No jokes, nothing, not even two
01:13:54Nothing, nothing!
01:13:54Germans
01:13:55This doesn't...
01:13:56On Friday afternoon I...
01:14:00I love Friday afternoons
01:14:02I love starting the weekend here
01:14:04With your partner, right?
01:14:05On call
01:14:05One Friday afternoon
01:14:07Oh!
01:14:08Oh, finally I can talk to you on the phone
01:14:10Don Mejumea!
01:14:11What a joy!
01:14:12Oh, Joseph!
01:14:13I really want to give you a hug!
01:14:14Well, I have no idea, you know?
01:14:16But...
01:14:17Unless it's through an emoticon
01:14:19Well, give it to me live!
01:14:21Don Mejumea!
01:14:25Oh, what joy!
01:14:28How are you doing?
01:14:29So I sent him the messages
01:14:30That in the end...
01:14:31Well, I'm not dying
01:14:32Well, you understand me.
01:14:33Yeah, yeah, yeah
01:14:34What a joy!
01:14:35Hey, I'm so sorry I didn't come down earlier
01:14:37But I had to take care of Christopher
01:14:39I understand perfectly.
01:14:40His son and...
01:14:41And you
01:14:41As if you were
01:14:45Don't tell me
01:14:45I've had a really bad time, José
01:14:47Because I had enough.
01:14:49Having lost my wife so soon
01:14:50As if I had lost you too
01:14:52Shameless
01:14:53Come on, man
01:14:54Because...
01:14:55If I start crying
01:14:57You know I'm very candid
01:14:58Come on
01:14:58Come on
01:14:59Come on
01:15:01Come on
01:15:01Hello, Mr. Mejumea
01:15:03Do you mind if I steal a moment from José?
01:15:05Of course not, daughter, it's all yours
01:15:06I have all the time in the world
01:15:08To enjoy this rogue
01:15:11See you later
01:15:15Hey...
01:15:15What's wrong with you?
01:15:16Do I owe you money too, or something?
01:15:18No, but I think I owe you an answer.
01:15:21Although first I wanted to tell you that...
01:15:23Well, what you did on the rooftop was amazing.
01:15:25You were very brave
01:15:27Ah, yes, yes, yes
01:15:28Well, yes
01:15:29At first, yes.
01:15:30Then I have to acknowledge you
01:15:31I made a mile of poop
01:15:34It's a joke
01:15:36Yeah
01:15:36Yes, I got it done, for real.
01:15:37No, no...
01:15:40Yes, I do want to go out with you.
01:15:42Hey?
01:15:57Here I am, C. Gregorio
01:16:10Carmen, how did the meeting go?
01:16:11Fata
01:16:12Trini
01:16:12He beat us to it.
01:16:14I'm telling you, Dolores, there's a mole here.
01:16:16Mole?
01:16:17No, how could there be a mole here, please?
01:16:19They fumigated two months ago.
01:16:21What are you doing with your eyes?
01:16:23What eyes?
01:16:24Look at yourself
01:16:24You look like an owl!
01:16:26Okay, Trini is going to use whatever offer you give the mole, right?
01:16:30Then, make a different offer to each of your colleagues.
01:16:33Hey, you're clever, aren't you, Basque?
01:16:35Goodbye
01:16:36He hung up, did you? Is he okay?
01:16:38Hey?
01:16:38Don't you have them in your eyes?
01:16:39Hey, hey, hey, to cheer him up I told him to have a couple of beers
01:16:41I wonder if I'm leading him to alcoholism.
01:16:43I'd appreciate it if you could take a look at it, okay?
01:16:44Look, Mr. Marjumé, you know that Christopher and I
01:16:50I ate it
01:16:51Hey, Joséito, you like Irene, huh?
01:16:53Yes, then
01:16:54Well, I do like pork rinds, I'm not eating pork rinds all day long
01:16:58And sorry, sorry, I didn't know I had a visitor.
01:17:00Because Zulíñez, besides being my friend, is
01:17:03My hairdresser
01:17:06Zulíñez, I like you
01:17:08A lot
01:17:08Well, sir, one little thing
01:17:09Has she always been this good, or is she just that good?
01:17:11It's good.
01:17:12I am his father
01:17:13Irene is such a nice person.
01:17:16Iñaki, what did your cousin tell me?
01:17:18Look, you want me to compete with you?
01:17:20You pigs, you don't mind, do you?
01:17:22It's all yours, Zulíñez, huh?
01:17:24We're going to beat you in that Sea contest...
01:17:26From... Who's cooking?
01:17:28Mariaco!
01:17:29Attention
01:17:31Time begins...
01:17:34Already!
01:17:38Who is doing all of this?
01:17:41Iñaki
01:17:42Aunca vos tiones, aníno!
01:17:45Wow!
01:17:48Wow!
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