- 2 days ago
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TVTranscript
00:01:27Bye-bye.
00:01:27Jack, what about dinner?
00:01:30What about dinner?
00:01:31My name is Jack.
00:01:33Well, my mother calls me Jack.
00:01:35Everybody that cares about me calls me Jack.
00:01:37That's my name.
00:01:38But I work under the name of Sabrina.
00:01:40And all the queens all call me Sabrina whenever I see them.
00:01:45I go up to this queen and I say, what's your name?
00:01:48The queen says, Monique.
00:01:50And you say, that's marvelous darling, but what was your name before?
00:01:54And the queen will look at you straight in the eye and say, there was no before.
00:02:00I don't try to compete with them.
00:02:03Look, I'm 24 years old, but in drag I come on like 110.
00:02:06And I do this whole bar mitzvah mother thing, you know, gaudy gowns and pushy.
00:02:12But it's a good relationship with them because they don't fear me as competition.
00:02:16They respect me and it's commercial.
00:02:20All drag queens want is love and they try to get that love by being sexy and beautiful.
00:02:26For some of them, baby, they sleep during the day and they do all their work at night.
00:02:32Because they're night people.
00:02:33Some of them are not experienced or have ever seen day people or work with day people or seen the
00:02:37outside world.
00:02:38A lot of them know their street corners and their bars.
00:02:43And their favorite YMCA and their favorite theater house.
00:03:03They're like in this fantasy bag, you know?
00:03:05But who's not in a fantasy bag?
00:03:37I can't help but feel a certain responsibility for Richard, although I certainly know I have no responsibility to him.
00:03:45I first met Richard at one of my promotional parties.
00:03:47I just came in in one of my Alcoa Presents gowns and went dancing around with it.
00:03:52All of a sudden there's this little kid sitting there who started asking me questions.
00:03:56And he wanted advice on drag and everything.
00:03:59Well, first of all, I'm not interested in getting any new recruits to the drag bag.
00:04:03All I want to do is sell tickets for people to come see them.
00:04:05So I said, look, go get yourself some barbells.
00:04:08But he wasn't about to take advice from anybody.
00:04:11I really don't think Richard ever needed any advice.
00:04:14He just sort of had it all mapped out in front of him.
00:04:35Hello.
00:04:36Hello.
00:04:36Hello.
00:04:36How are you?
00:04:37How are you?
00:04:38I'm going to take your coat off.
00:04:40Pardon.
00:04:41I've got a phone message for me this morning.
00:04:42Were you calling from Washington?
00:04:44No, I was here.
00:04:46You were here in New York?
00:04:47Mm-hmm.
00:04:47Oh, my God.
00:04:48We called Washington.
00:04:49We thought you were back there.
00:04:50I called Washington, thought you were back there.
00:04:51No, I don't think the woman ever understood what I was...
00:04:54Okay, now we've got to check you into the hotel.
00:04:57In Washington, you were Miss Universe, right?
00:04:59Well, in our concert, you won't be Miss Universe.
00:05:01You'll be a part of the...
00:05:02You'll be Miss Greater Washington.
00:05:04Okay?
00:05:05Did you fly all the way in, or did you take a train?
00:05:07Mary Alice Louise, may I please speak to a contestant?
00:05:09Let's go to Washington.
00:05:12Hi.
00:05:12Hi.
00:05:13Do you want to take your phone out here?
00:05:15We'll check in with Joey.
00:05:17It's been the same time for me yesterday.
00:05:21Joey.
00:05:23Joey.
00:05:24Yes, this is mine.
00:05:27Check in.
00:05:29Hi, girls.
00:05:31How are you?
00:05:32How are you?
00:05:33How are you?
00:05:34How are you?
00:05:34Hi, how are you?
00:05:35Hi, how are you?
00:05:36Hi, how are you?
00:05:39Hi.
00:05:39That's her.
00:05:41Who is this?
00:05:43Let her see it first.
00:05:45No, that's Nicole.
00:05:46I run these contests all over America, from Boston to the Ozarks.
00:05:50That's Nicole.
00:05:51And drag queens are all the same.
00:05:52You get them together, it's like a convention.
00:05:55As soon as you get out in the Midwest.
00:05:56And so when I got out of the cabin, he said, we were talking about the show, and he said
00:06:00to me, he said, he said to me, you are a woman, aren't you?
00:06:04And I, because that's why I told him it was a female impersonation contest.
00:06:06He said, you are a woman, aren't you?
00:06:07How?
00:06:08I said, no.
00:06:09I said, I'm one of the contestants in the contest.
00:06:10He goes, oh.
00:06:13He said, oh, you certainly are pretty.
00:06:15And he said, on the other hand, which is more, he said, I thought the other one who
00:06:18just got out of the car with a dyke.
00:06:22After recess.
00:06:25Hi.
00:06:26Hi, Jeremy.
00:06:28Joey.
00:06:29Get back here.
00:06:29Yeah.
00:06:30This is Jay under New York.
00:06:32Oh.
00:06:32This is, this is Joe Benuti.
00:06:35This is Joe Benuti.
00:06:37This is Joe Benuti.
00:06:37Hi, David.
00:06:37I was with you.
00:06:40Okay, great.
00:06:41I'd like to stay here now.
00:06:42We're going to check in.
00:06:42Oh, it looks.
00:06:44Wait.
00:06:44Who didn't watch this?
00:06:46I checked in.
00:06:55Richard, would you please get in here and everyone else?
00:06:58Joe is in charge of the entire East Coast contest.
00:07:01What Joey says is it.
00:07:04What color hair do you want?
00:07:06Shut up.
00:07:07Will everybody please be quiet for a minute?
00:07:09Yes, will everyone please be quiet.
00:07:12Kids, and have all of your attention, please.
00:07:20If you remove a garment, we must know about it, and we'll have a page there to take it away
00:07:26from you.
00:07:27At the front of the stage, right, you want to take off the duster.
00:07:30So instead of doing the age-old drag trick of taking off the duster and letting it fall, flop on
00:07:34the floor, as in would you believe Cupcake Cassidy has been doing that act at the Globe for 40 years.
00:07:39Instead of that, you take the duster off, hold the duster behind you if you want, or hold it out
00:07:44or something if you want, or just take it off, and you put your arm out.
00:07:47And it's our responsibility to make sure your page is there, and he will be.
00:07:50That instant, there's a page there to take your duster.
00:07:54It looks very much gayer for you, and it looks one million times better for the audience, and if you
00:08:00don't do it, the judges take points off.
00:08:02Number two, if you are difficult or uncooperative, in the opinion of all those people in charge of you, which
00:08:09I'm sure none of you will be, but I'm telling you this so you'll know about it, you may be
00:08:13dropped from the contest.
00:08:15For if you stay out on stage longer than the time allotted, and this you'll learn in rehearsal.
00:08:25And no cruising in front of town hall.
00:08:27Yes, and you may not bring numbers to the room, unless you share them with Nationals Academy.
00:08:32The National Academy is me. I promote and run the whole shtick.
00:08:35The point system again, five points for walk, five points for talk, five for bathing suit, five for gown, five
00:08:48for makeup and hairdo, and ten for beauty.
00:08:59Okay, we've got these three problems.
00:09:02Number one, finding a hotel with 28 empty rooms.
00:09:07Number two, finding a hotel hip enough to let our guys in there.
00:09:12And number three, keeping the guys in.
00:09:19Number two, finding a hotel in a bar.
00:09:20Oh, we're gonna turn around and move to this if I'd run the seats.
00:09:24Ah!
00:09:25That's all.
00:09:30Have you enjoyed the bed?
00:09:31No, I wonder if I should put my wig?
00:09:34And a present closet.
00:09:35Put it over there somewhere.
00:09:36Okay.
00:09:39What about this?
00:09:40Where is the bathroom?
00:09:41Oh, somebody left there, culam?
00:09:43Yes, you're in the Marty.
00:09:44What's this dress?
00:09:44Oh my gosh, this thing's a mess, don't even ask.
00:09:49Look at this, it's pulling upon it, I'm going to have to reset it.
00:09:52Do you like the color?
00:09:53It's very nice, Jimmy. Yeah, great.
00:09:55All the other way, put your keys up in the back.
00:09:56Thank you, Dad.
00:10:18Let's see a coat, let's see a cake.
00:10:21Two bottles of scotch, please.
00:10:23You're lucky if you get a taste.
00:10:25Thank you, we'll be down for it.
00:10:27Do you like it? I don't know.
00:10:31Let's see if it's wrinkled.
00:10:32Beautiful.
00:10:34I made it in one night.
00:10:36Do you like it?
00:10:37It's very nice.
00:10:38It's different.
00:10:39The color, with the black hair for change instead of the frost.
00:10:42Oh my god, it's all messed up.
00:10:44I don't know who I'm going to do this.
00:10:45You should leave me now.
00:10:56Can we try it on?
00:10:57Let's see if it fits all right.
00:10:59These are the earrings that we're debating to look.
00:11:02Aren't they pretty?
00:11:03I fixed them already.
00:11:04What's wrong with it?
00:11:05They were just loose.
00:11:05Where's the brush?
00:11:06You know?
00:11:07Do you have the brush?
00:11:08Yeah, I have a brush in here.
00:11:10Jimmy, remember that stuff for the beards.
00:11:12We need that stuff to cover our beards.
00:11:14Hey, I have to go get it.
00:11:15The stuff she told us to get to cover our beards
00:11:17so they're ready to throw our makeup.
00:11:19How much time is rehearsal tomorrow?
00:11:21Uh, rehearsals are at two.
00:11:22Jerry and Roy Studios.
00:11:24Are you going to be able to get this spuzz out?
00:11:25Yeah, well, did you put landline on it?
00:11:27No, I have to get that.
00:11:28That'd be cool.
00:11:30The thing is, you know, when you're made up,
00:11:31I want to get an idea of this beard.
00:11:34You're not bothered.
00:11:35Yeah.
00:11:36All right, but that's good.
00:11:38Hmm.
00:11:39Now wait, there's Eartha and Josephine Baker
00:11:41come in like this.
00:11:42You know the old 1920s teacup crossing
00:11:43that we've always carried on?
00:11:44Right.
00:11:45Am I well?
00:11:47Wait, then the pages come back over
00:11:49two buckets of rose petals, right?
00:11:51And while Minette's sitting up there,
00:11:52totally unbothered,
00:11:53doesn't even see the Queen's crossing in front of her.
00:11:55She's still singing.
00:11:57The two pages are throwing rose petals.
00:11:59Very much overdone.
00:12:00All right, next feel.
00:12:02You're not making dinner.
00:12:04Oh, it's...
00:12:04Sorry.
00:12:05My doll is as dainty as a sparrow.
00:12:11Her figure is something to applaud.
00:12:15Where she's narrow, she's as narrow as an arrow.
00:12:19And she's broad where a broad should be broad.
00:12:26A hundred and one pounds of bun.
00:12:28Ooh, that's my little honey bun.
00:12:30Get a load of honey bun tonight.
00:12:34I ain't speaking of my sweetie pie.
00:12:37Only sixty inches high.
00:12:40Every inch is packed with dynamite.
00:12:44My hair is sliding curly.
00:12:46My curls are hurly-burly.
00:12:48My lips are pips.
00:12:50I curl my hips.
00:12:51Twirly and whirlly.
00:12:53Oh, she's my baby.
00:12:54I'm her pap.
00:12:55I'm her boobie.
00:12:56She's my trap.
00:13:00I am caught.
00:13:01Cause I don't wanna run.
00:13:02Cause I'm having so much fun with honey bun.
00:13:05Believe me, Sonny.
00:13:07She's a cookie who can cook you till you're done.
00:13:10Ain't being funny.
00:13:12Honey, put your money on my honey bun.
00:13:19If there's a lot of rehearsals, I can do it for tonight.
00:13:23You've rehearsed, aren't we?
00:13:25There.
00:13:33It's too loud.
00:13:57You know, they say that most Negro boys get bumps on their face with shaving.
00:14:02Cause when I was working, they had a magazine Ebony, you know, for Negro people.
00:14:07And they have a special depilatory, especially for Negro boys.
00:14:10They take all their hair off.
00:14:13Boy, I was so tired of those rehearsals.
00:14:16Those heels aren't together.
00:14:17Oh, listen, I got a corn on my toe.
00:14:18You know, the kids did very well.
00:14:20Look at the powder coming out of my shoe now.
00:14:21The kids did well with that, I think.
00:14:23What?
00:14:24It went pretty smoothly, but tonight when we go to the town hall there'll be something.
00:14:28In the town hall, yeah.
00:14:30I'm anxious to see what it's like.
00:14:32Well, you know, when we get to the town hall, that's going to be our big blow up.
00:15:23Everybody!
00:15:25Three and five feathers
00:15:30They tear it into groom
00:15:32They look too much more than
00:15:36Take it down baggy
00:15:41Take it down baggy
00:15:45Take it down baggy
00:15:53Here we go, Miss Mulligal, Montana.
00:15:58Floating under Miss Burrell's power.
00:16:03Semi-finalist, number three.
00:16:06Floating by Blackburn.
00:16:13Semi-finalist, number five.
00:16:24Semi-finalist, number six.
00:16:27Wait until your numbers are caught. Wait until I see number.
00:16:33Semi-finalist, number seven.
00:16:40The queen of the 1967 nationals.
00:16:46That is the queen who will reign over America as our winner tonight.
00:16:56Here is New York.
00:17:00From New York, Miss Jackie Morrell, the queen of the 1967 nationals.
00:17:04This is our reigning, the queen of the 1967 nationals.
00:17:11That's what it's like on you. Five times the third.
00:17:14Five times the third.
00:17:16Five times the third.
00:17:19Five times the third.
00:17:21Five times the third.
00:17:22I don't need these.
00:17:24Come on. Come on.
00:17:25I'm a woman!
00:17:29Can't look anything bad.
00:17:30But why are the titties all the way down here?
00:17:33They're low.
00:17:35Because you're longer than a woman is.
00:17:38A woman is not as long, you know?
00:17:41Always a long, the back waist.
00:17:44Wide up.
00:17:45Different.
00:17:46All right, which one?
00:17:47Is that the other one?
00:17:49Oh, let me get it.
00:17:52Why can't you make them bikini?
00:17:54You can come in here, mister.
00:17:56What is the black?
00:17:57Oh, wait, don't make it.
00:17:59What's the black one for?
00:18:02Put your shoulder on.
00:18:03Don't put the brown.
00:18:04That's better, Christopher.
00:18:05Okay.
00:18:09Don't have to wear any brags with them.
00:18:11Don't put the brown.
00:18:12You have to leave it.
00:18:13You have to leave it.
00:18:13This little boy, right?
00:18:15I think he looks fantastic.
00:18:17It is.
00:18:19How many of these do you have?
00:18:21I have in ten.
00:18:22Ten?
00:18:23Where's the queen in the black?
00:18:25The national.
00:18:27This is the fabulous national.
00:18:33America's greatest beauty.
00:18:34And here they are.
00:18:41Here they are.
00:18:44Oh, oh.
00:18:47How many, what in the white?
00:18:54No, what are you going to face?
00:18:57But, maybe we go there but learn.
00:19:02What can I.
00:19:03Mad busy girl, it's still alive.
00:19:11Oh, my God.
00:19:36Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:19:41Here I come to earth, here we come to places,
00:19:46everyone who just might know it's in the heart.
00:19:51Hold the field, hold the field, here we come to places,
00:19:56here we come to Dallas.
00:20:12When it would be a hell of a mess if the draft board would call us right now to come
00:20:14down for a physical.
00:20:15This is what I'm wearing to the draft board.
00:20:21You've already been drafted now, haven't you?
00:20:23Of course not. I'm not old enough.
00:20:25Well, you know, this friend of mine went to the draft board.
00:20:27Well, I was just talking to him, and I said, why haven't you been drafted?
00:20:31And he said, well, I have been.
00:20:33And I said, well, did you tell them that you were homosexual?
00:20:37He said, no, they told me.
00:20:39Oh, my Lord.
00:20:40They do. They take him to it.
00:20:43And he asked me, he says, well, why are you homosexual?
00:20:46And I told him that, you know, my mother and father, I think, made me that way.
00:20:52And then he asked me about boys and so forth.
00:20:55And I said, you know, I like boys.
00:20:57So he said, next.
00:20:58I got a letter from the draft board.
00:21:00They say, now come down at 7 o'clock.
00:21:02I got to the draft board.
00:21:03They said, I had long red hair.
00:21:06So they said, you really should have been a girl.
00:21:08It's too much.
00:21:10You can go.
00:21:11We can't use you.
00:21:12I said, thank you.
00:21:12And I left.
00:21:13That was it.
00:21:14I went to Atlantic City, went back home.
00:21:16And I wrote a long letter to the president stating I wanted to go into the Army.
00:21:20I want to go not for, because I was a homosexual, because there were men there.
00:21:23I want to help protect our country.
00:21:25Simple as that.
00:21:27So I got a letter back and stated that they understood.
00:21:31And they couldn't have me in the Army as of yet.
00:21:34Maybe one day they'll see things right and I could get in.
00:21:37Well, my brother was drafted.
00:21:39And he's gay, too.
00:21:41He's gay.
00:21:43And he was running the family.
00:21:44Well, he went down, but he didn't pass his physical because of his nose.
00:21:50Nose?
00:21:50He can't breathe too properly.
00:21:52But I have a friend, and he's gay, his brother's gay, and his sister's gay.
00:21:57I'm proud of what I've got, and I certainly don't want it whacked off.
00:22:02Well, having it short, I don't want it short.
00:22:04I would have been a queen.
00:22:06I would have been a girl.
00:22:07Two inches more, it should be a king.
00:22:39Two inches more, it should be a king.
00:22:52Feminine.
00:22:53I know I probably don't look like a girl, but I may sometimes talk a little high,
00:22:58you know, a little feminine sometimes.
00:22:59I think you're all women.
00:23:03Well, my, really and truly, would you like to be a real girl if you had that sex change,
00:23:06if you had the money, or you would get it done free?
00:23:08Well, I have enough money to go through the sex change,
00:23:12and I live only 30 miles from John Hopkins.
00:23:16But it's the last thing I would want.
00:23:19I know that I'm a drag queen, I've been a drag queen for a long time,
00:23:22I've been gay for a long time.
00:23:24But I certainly do not want to become a girl, even if I could have a baby.
00:23:30Do you do both?
00:23:31Are you feminine in bed, or do you do both?
00:23:33Well, my husband is in the service, and he's in Japan then.
00:23:37And even if I could have a child, I wouldn't want to have the operation.
00:23:42But there's just one thing about being a sex change.
00:23:44If you're a homosexual in the first place, you want a man.
00:23:47You don't want, you're not interested in girls.
00:23:49So if you're a drag queen, they don't want to, another gay person's not going to go.
00:23:55Just like my lover, he doesn't like me going in drag for the simple reason that
00:23:58he doesn't want a girl, he wants a boy.
00:23:59He wants me to be more of a boy, and he wants me to be a girl.
00:24:01But yet I want to be a girl.
00:24:02I think it's my opinion of it.
00:24:03Not sexually, but...
00:24:04Although I like to go in drag and all that, and I don't go with girls,
00:24:07I don't have anything against girls.
00:24:09But, although...
00:24:10No, I don't.
00:24:10I really do.
00:24:11I think it's ridiculous for some gay boys that want to hurt girls, you know,
00:24:14and get jealous of them.
00:24:15But that's just ridiculous.
00:24:17I have respect for everybody.
00:24:19But even if I could have a sex change, I wouldn't have it anyhow.
00:24:22Not if it was good.
00:24:24No, my goodness gracious, no.
00:24:26They don't know anything about him, do they?
00:24:28What about your mother?
00:24:30Yeah, but my stepfather doesn't.
00:24:32My mother and daddy both know.
00:24:33Jerry, when did yours find out?
00:24:36Well, I got my second husband, I think.
00:24:39When I took him home.
00:24:40And he stayed on for the duration for about three years.
00:24:43They finally got, figured it out.
00:24:45No, my parents are very, very wonderful.
00:24:46They accepted it.
00:24:47My mother more so than my father.
00:24:49But, uh, mother said, well, I love you just what you are.
00:24:53I think it's funny because I come from a little small town of about 500 people.
00:24:57And everybody in that town knew I was gay from the time I was five years old on that.
00:25:00Oh, Lord.
00:25:01You're so damn awesome.
00:25:02Well, that was the truth.
00:25:04Everybody knew it.
00:25:04And everybody, every woman in that town says, I want my son to grow up like Jerry Cooley.
00:25:09Everybody does.
00:25:10And even the preachers and everybody thinks I'm just okay.
00:25:13I mean, I can go from house to house, knock on door to door.
00:25:16Your personality makes the difference.
00:25:17Come to think of it, knock on door to door, that's kind of silly because I've never knocked in my
00:25:20life.
00:25:20I just open up and go on in.
00:25:22Howdy!
00:25:23You did the, how did it, 500?
00:25:25About 500 people and 1,440 dogs, coon dogs.
00:25:29Well, you know, my mother, she doesn't really accept it.
00:25:33She just sort of said that she wouldn't talk about it anymore.
00:25:36She really doesn't understand.
00:25:43She really doesn't understand.
00:26:16Come on! Come on!
00:26:18Come on, come on!
00:26:37Don't forget you have to put the bolt nails on me.
00:26:43The metal gate towards the end, I'll show you tonight when I take you a little bit of a song.
00:26:46This girl is going to be standing in front of me.
00:26:48Oh, uh, Claire. Claire?
00:26:52You know what you do, put a few more here, and then criss-cross there.
00:26:56Here? Yep.
00:26:57Try to center your chorus line.
00:26:59Try to center your chorus line.
00:27:01Because your chorus line keeps getting over too far.
00:27:05You get a call?
00:27:06You get a call.
00:27:08Half hour, 15 minutes, 5 minutes on stage.
00:27:13Okay.
00:27:14It's got as many squeaks as my tits have wrinkles.
00:27:18And her tits have wrinkles.
00:27:19They do.
00:27:20Look at it.
00:27:21Look at the line I got in there.
00:27:22You got to shadow it, honey.
00:27:27Are you uncomfortable?
00:27:28No, I'm fine.
00:27:31Get the shoulder.
00:27:33Does that show?
00:27:34Yes, it does.
00:27:35This makeup is fantastic.
00:27:38The only thing is, I'm afraid it's going to be too red for me.
00:27:41I miss the color I always use, but it's very red.
00:27:46Do you think I should use that pan crow on Billy?
00:27:51Where is it, anyway?
00:27:52Don't do any experiments on me now, Jerry.
00:27:54You see all shit.
00:27:56All right.
00:27:58What's Harlow's problem?
00:27:59Come on.
00:27:59No wig?
00:28:01All right, see if Kathy can get this full for me.
00:28:03See, see if I can get it full for me, please.
00:28:06All right, look there.
00:28:07Everybody will give you a full, honey, until it's time to give you one.
00:28:09They give you a shit.
00:28:10All of them cleaners out of my room.
00:28:12They're all getting out right now.
00:28:13You just wait a minute.
00:28:15I tell her I'll get a rinse and put a rinse on her.
00:28:17I did it before to her.
00:28:17We just go and drag, it splits notice.
00:28:20In our own hair, like this.
00:28:22I used to comb it.
00:28:263-5-5-3-4-8-1.
00:28:30I'm in a spot and it's a matter of absolute life or death, Carol,
00:28:33that I get hold of a platinum blonde fall, and I mean life or death.
00:28:38For Richard to go out there tonight on that stage without a wig
00:28:41is like sending him out there without his head.
00:28:44And I'm desperate.
00:28:45I am absolutely desperate after what to do.
00:28:48I don't know what to do.
00:28:49I'm interested in myself right at this point.
00:28:51And I don't give a fuck about anybody to tell the truth.
00:28:54I'm very much interested in myself.
00:28:56And in BW, a natural beauty wonder,
00:28:59the first contest Richard ever entered,
00:29:01the first contest Richard ever entered, he won.
00:29:05A lot of these kids have worked their way up
00:29:07from what you believe last place to second, maybe third.
00:29:12So they worked for it.
00:29:14Richie never worked for it.
00:29:16Went into a contest, got on stage, was beautiful,
00:29:21the crowd cheered, the kid won.
00:29:24He never really experienced loss or anything happening to him.
00:29:29Good night.
00:29:32Richard.
00:29:32What?
00:29:35Just relax.
00:29:37All right.
00:29:37You know what I've been through today?
00:29:39Richard, just relax.
00:29:40Please.
00:29:41My stomach is about to box.
00:29:43Richard.
00:29:43Please relax.
00:29:45You're acting like a little kid.
00:29:47Well, that's exactly what I am.
00:29:48You're not that little, darling.
00:29:50You've been through worse than this.
00:29:52All right, it's a big night.
00:29:52He always wants it, but that doesn't mean anything.
00:29:57I'm dry.
00:29:59Can we get enough?
00:30:00What?
00:30:00This is giving up.
00:30:02We're all washed up, too.
00:30:05Remember.
00:30:06Remember.
00:30:07Remember.
00:31:26Well, that's how you're going to be on the stage.
00:31:27I can't see any beard or anything.
00:31:29And it doesn't look cakey.
00:31:31You think it looks cakey?
00:31:32I'm talking about my eyes, child.
00:31:33Those wings.
00:31:38I don't know about the eyes.
00:31:40I thought you were talking about your makeup.
00:31:41No, my eyes.
00:31:42They're terrible.
00:31:44I like them.
00:31:45You got it.
00:31:46Okay.
00:31:48Oh, God.
00:31:51Here goes Cal.
00:31:54Oh, boy.
00:31:55Isn't that good?
00:31:56Yeah.
00:31:58Then you take these.
00:32:02Oh, you got a shadow on my line, and don't forget.
00:32:06Yeah.
00:32:07Pull it in some of them.
00:32:15You got that double-tied again.
00:32:18It's the first time I've ever turned.
00:32:25I think I got three of them.
00:32:28It's extra points.
00:32:30You got three titties.
00:32:40Get over and over to me.
00:32:42I need you to go out right now.
00:32:43Get me Q-Tips and spirit gum.
00:32:45I need a fresh bottle of spirit gum.
00:32:47And I need it immediately.
00:32:49I have no idea, Jim.
00:32:50I have no idea if I can raise it from somebody else.
00:32:52I've got to go.
00:32:53I put it in here.
00:32:55I'm going to have them.
00:32:59Remember, girl.
00:33:00It's the girl with the boys who will get all the boys.
00:33:05You gorgeous darling.
00:33:07What time is it?
00:33:08Time.
00:33:09Thank you very much.
00:33:10You want to talk to Joe Vanutie or just have him give me the list?
00:33:13No, I want Joey.
00:33:14I want Joey.
00:33:15I can't operate without him.
00:33:21Can't you interweave it?
00:33:24Oh, I know how to interweave it.
00:33:25It's very easy.
00:33:26Just tease it up and mat it through.
00:33:30Is it that orange with her?
00:33:32Well, she wants it.
00:33:33She thinks it.
00:33:34It makes the thing look fuller.
00:33:36Fuller.
00:33:37That is all right.
00:33:37You won't really see it that much because when I brush it through, you don't notice it.
00:33:42It looks good, but I don't like it with bangs.
00:33:44It's not sophisticated enough.
00:33:46I don't think so.
00:33:49Really.
00:33:49I'm sorry.
00:33:50I think it looks better off her face.
00:33:57Everything's a dick.
00:33:57You should see what that looks like from the sign.
00:34:00The worst?
00:34:00The worst.
00:34:01You look like every other doggone drag queen.
00:34:04She thinks I'm kidding her.
00:34:06Looks like everybody else.
00:34:07Joey, shut up.
00:34:07Well, then take it off.
00:34:09Wear your hair straight back where you look like you got a little class.
00:34:11Where's the wig brace?
00:34:12Joey.
00:34:12You mean it.
00:34:14Wig brace.
00:34:15Joey's at 1140.
00:34:16Wig brace.
00:34:17Where's the wig brace?
00:34:17Yeah, great.
00:34:18Get Joe Venuti, get him over to town hall.
00:34:20If he's not there now, Mother, I won't remember one of those names.
00:34:22I can't read up there.
00:34:36Let's go spread it out and step up home.
00:34:41I was waiting for the snap.
00:34:43I know.
00:35:08Oh, I'm 32 and I'm proud of it.
00:35:11You're in the middle of this.
00:35:13What happened?
00:35:13Oh, no, get people cut out, girls.
00:35:15What happened?
00:35:16Oh, I just popped them up here.
00:35:18It's in the case.
00:35:19It's in the case.
00:35:19Where is it?
00:35:20What case?
00:35:21Why are you gonna get it?
00:35:23You ready and get a 15?
00:35:27Mom, I'll throw it back.
00:35:30I'm just talking to you.
00:35:50Oh, you don't ask. If you listen, you hear.
00:35:52Excuse me.
00:35:54Shall we?
00:35:57Shall we?
00:35:59Shall we?
00:36:07Oh, my mother.
00:36:10All right.
00:36:12Get off.
00:36:14Get off.
00:36:18In this order.
00:36:20It's hotter.
00:36:24Chicago, please get back so they can line up.
00:36:26Please.
00:36:29Fire on.
00:36:32Brooklyn, Brooklyn, Brooklyn.
00:36:35Not yet.
00:36:36Brooklyn, Brooklyn.
00:36:38Get here.
00:36:40Fill it up now.
00:36:41Get over there.
00:36:44Brooklyn.
00:36:46Oh, no.
00:36:52Get back on line again.
00:36:53This is a girl, right?
00:37:01Okay, ladies and gentlemen.
00:37:02Are you ready to see our contestants?
00:37:05Let's open up the curtain and take a look at our beauties.
00:37:07Let's hear it for them.
00:37:11Remember, every one of these contestants before they came here is a winner.
00:37:21I feel awfully sorry for the judges tonight.
00:37:24It's a hell of a responsibility having to pick out just one queen out of all of these brilliant contestants.
00:37:40Let's hear it for Mr. Mario Montez.
00:37:43Mario.
00:37:44There he is.
00:37:48Let's hear it for him.
00:37:49Come on.
00:37:54Thank you very much.
00:37:55You're a hell of a nice guy.
00:37:56You really are.
00:37:58Thank you very much.
00:38:00You had a great deal.
00:38:01Thank you very much.
00:38:04Thank you very much.
00:38:06There may come a time when a hard-boiled employer
00:38:19thinks you're awful nice, but get that ice or else no dice.
00:38:26He's your guy when stocks are high, but beware when they start to descend.
00:38:33It's then that those louses go back to their spouses.
00:38:40Diamonds are a girl's best friend.
00:38:45I've heard of affairs that are strictly plutonic, but diamonds are a girl's best friend.
00:38:56And I think of affairs that you must keep masonic, a bed of bets, if little pets get big baguettes.
00:39:09Time rolls on, and youth is gone, and you can't take off.
00:39:15Bathing suit competition is the toughest.
00:39:17It's right down to the nitty-gritty.
00:39:19No feathers, nothing, just them.
00:39:24You're crazy.
00:39:25I know it.
00:39:26What did you see?
00:39:27My scene?
00:39:28Yeah.
00:39:30Oh, it's only around the other star.
00:39:32Excuse me.
00:39:32I appreciate you so much.
00:39:35Good job.
00:39:37Well, my brother, he would love to have been in the contest, too.
00:39:40And my mother.
00:39:43They're all three.
00:39:44All of us would have loved to have been in the contest.
00:39:48Yes, you love it.
00:39:49Oh!
00:39:52I'm so sorry.
00:39:58All right, fair sale your first name.
00:40:01Ken, your name.
00:40:02Yeah.
00:40:02I'm so sorry.
00:40:03Yes.
00:40:03Yes.
00:40:04Stanford.
00:40:04Oh, yes.
00:40:06Chicago.
00:40:08Four.
00:40:09What?
00:40:09Your name, your name.
00:40:10I don't find it something.
00:40:11All right.
00:40:12Washington State, your name.
00:40:14Yes, sir.
00:40:15Baltimore.
00:40:16Whatever name you use in drag, baby.
00:40:20Erica.
00:40:22Okay.
00:40:24Hold it here, girls.
00:40:26And remember, these are your line to walk in.
00:40:28Okay? And back here.
00:40:29Stay here.
00:40:38I'm just a woman,
00:40:39a lonely
00:40:41woman, waiting
00:40:43on the weary shore.
00:40:49I'm just a woman,
00:40:51that's only human,
00:40:54one you should be
00:40:55sorry for.
00:40:59Woke up this morning
00:41:01along about
00:41:03down.
00:41:05Without a warning,
00:41:07I found he was
00:41:09gone.
00:41:10Why did he do it?
00:41:13How could he do it?
00:41:16He never
00:41:17done it before.
00:41:19How long
00:41:21am I
00:41:23blue?
00:41:28Am I blue?
00:41:33Am I blue?
00:41:36Am I blue?
00:41:37Am I blue?
00:41:44Am I blue?
00:41:50the bay
00:41:52Am I blue?
00:41:55Am I blue?
00:42:06Am I blue?
00:42:08Am I blue?
00:42:13Of my best
00:42:14of his life?
00:42:17At the
00:42:17But now I'm sad and lonely, once lonely, once I came till today, now he's gone and with me I'm
00:42:45a blue.
00:42:50Don't ask me I'm a blue, how come you ask me I'm a blue, ain't these tears in these eyes,
00:43:06tellin' a truth to you, how come you ask me I'm a blue.
00:43:16Why wouldn't you be too?
00:43:20Now here's one of the contestants that did not choose to go in the bathing suit, rather, this is very
00:43:28serious business, rather she chose only to go in the dress, gown, please forgive me.
00:43:37This is Miss Boston, Massachusetts. Miss Billie. Miss Boston, Massachusetts. Miss Billie. Let's have some music for her, Jimmy.
00:44:03Hi, darling.
00:44:32Thanks, guys.
00:44:45Bye.
00:44:45Bye.
00:44:47Bye.
00:44:48Bye.
00:44:50Bye.
00:46:05And now, it's up to the judges.
00:46:10Believe me, I'd hate to be a judge in this contest.
00:46:42From Chicago, Miss Alfonso.
00:46:46From Manhattan, Miss Bristol.
00:46:50From Philadelphia, Miss Harlow.
00:46:53And from Boston, Miss Sonia.
00:46:57You ready to see them?
00:46:59Let's open up the concert and take a look at our five finalists of the 1967 nationals.
00:47:04Let's hear it for them, ladies and gentlemen.
00:47:06These are our finalists.
00:47:22Okay, let's look at them one at a time.
00:47:24Our first finalists we're going to look at, from Boston, Miss Sonia.
00:47:29Let her have a good look at you, Miss Sonia.
00:47:37Our second finalist from Philadelphia, Miss Harlow.
00:47:51Our third finalist from New Jersey, Miss Emory.
00:48:07Our fourth finalist from Chicago, Miss Alfonso.
00:48:15And our fifth finalist from Manhattan, Miss Crystal.
00:48:22We're going to give you all, and the judges, a closer look at them.
00:48:27Okay, Crystal, you start it.
00:48:29Walk right down into the center aisle and pose halfway up the runway.
00:48:32I'm just a woman, a lonely woman, waiting on the wavy shore.
00:48:43I'm just a woman, that's only human, one you should be sorry for.
00:48:54I'm just a woman, I'm just a woman, and I'm just a woman, and I'm just a woman, and I'm
00:49:04just a woman.
00:49:09That's wonderful, darling. Come on back.
00:49:13She's a woman, and I'm just a woman, and I'm just a woman, and I'm just a woman.
00:49:39She's a woman, the women, and I'm just a woman, and I'm just a woman, and I'm just a woman.
00:50:06Oh, it's only one, but now one.
00:50:17I'm sad and lonely one.
00:50:22Lord, what's our day?
00:50:28Till today.
00:50:54This is the moment we've all been waiting for.
00:50:56It looks like Joey has the final judge's decision.
00:51:12Here's our fourth runner-up, Miss Alfonso from Chicago.
00:51:17Let's hear it for her, ladies and gentlemen.
00:51:20Our third runner-up in the 1967 Nationals from Manhattan.
00:51:27Miss Crystal, ladies and gentlemen. Let's hear it for her.
00:51:29The third runner-up in the 1967 Nationals.
00:51:34Okay, now we're down to the real nitty-gritty.
00:51:37And here are our three finalists.
00:51:41Come on, kids. Come all up here to the front of the stage
00:51:43and let the audience have a good look at you.
00:52:13Christa, where are you going?
00:52:14This is not the time to show temperament.
00:52:16Get back here and stay with the other finalists.
00:52:19Oh, well, you've got to expect losses.
00:52:22Okay, we've got to continue with the business at hand.
00:52:25Here it is, ladies and gentlemen, the name of the second runner-up for the 1967 Nationals.
00:52:30Miss Sonia from Boston, ladies and gentlemen, let's hear it for her.
00:52:33Miss Sonia, second runner-up for the 1967 Nationals.
00:52:42We're now at the point for which everyone has been waiting.
00:52:46Ladies and gentlemen, there can only be one queen, one reigning queen.
00:52:51That's unfortunate.
00:52:53Each one of these marvelous contestants was certainly a winner in his own right.
00:53:02But here is the only winner in the 1967 Nationals, that queen which will reign over America.
00:53:10Hello, ladies and gentlemen, the queen of the 1967 Nationals!
00:53:26Thank you very much!
00:53:28Thank you very much!
00:53:31Thank you very much!
00:53:35Here it is.
00:53:40Thank you very much!
00:53:46Congratulations.
00:54:18Congratulations.
00:54:45Congratulations.
00:55:10Congratulations.
00:55:45She is not beautiful, has no qualification and she's body's ass.
00:55:51Darling, she didn't deserve nothing.
00:55:52Answer me!
00:55:53You're not speaking from the damn camera.
00:55:55You have a mind.
00:55:55Do you think she deserved it?
00:55:57You know she didn't deserve it.
00:55:59All of them.
00:55:59The judges knew it too.
00:56:00But she was terrible.
00:56:02And her explanation for why she wanted the money,
00:56:05to put it in the bank.
00:56:07She's not getting any money because Sabrina's not going to pay her.
00:56:10They're good friends.
00:56:11It's only publicity and it's bad publicity for Holland and all the rest
00:56:14because I'm declared as one of the uglier people of the world.
00:56:17And next time she should drop her outfit off at the cleanest
00:56:21before she wears it on stage.
00:56:23She better get the hell back to Philadelphia
00:56:25because she's one of the worst.
00:56:27And where's Miss Sabrina?
00:56:29I'll sue the bitch.
00:56:30Did you start releasing?
00:56:31No, I didn't sign any release.
00:56:32And if she releases any bitch on me, I will sue the fool.
00:56:35She won't make money off of my name, darling.
00:56:37She can make it off of Harlow and all the rest of the fools that will flock to her.
00:56:41But not Crystal, darling.
00:56:43Anybody but her.
00:56:46You can take all the pictures you want of me, but I better not see them on the street
00:56:49because it's over.
00:56:50Get a picture with me and Harlow and see which is more beautiful, darling.
00:56:54The judges didn't have any taste.
00:56:55It was with you that the judges were with, darling.
00:56:59You were in it.
00:57:00It was all week.
00:57:01Two weeks.
00:57:02Monique told me not to come.
00:57:03That's why Monique is not here in dress because she is one of the...
00:57:05Monique, darling.
00:57:08Monique was not here as a friend of yours.
00:57:09She's a friend of mine, darling.
00:57:12Monique, would you tell her why you didn't come?
00:57:14Because she knew it's Victor Holler.
00:57:15She said, Crystal, darling, don't go.
00:57:17Because you're not going to get it.
00:57:19And that's why all the true beauties didn't come.
00:57:21It's in bad taste and you're showing your colors, Chef.
00:57:23I am doing it bad, but I have a right to show my color, darling.
00:57:28I am beautiful and I know I'm beautiful.
00:57:30Don't tell her how she's showing no color.
00:57:32May I say this to you?
00:57:35She's taking the wrong way.
00:57:35She's taking the wrong way.
00:57:36Shit, she looks bad.
00:57:38And no way or what you say can do about it.
00:57:41Look at Harlow's outfit.
00:57:42That is funny.
00:57:43Don't bother her.
00:57:44Don't bother her.
00:57:45It's not Harlow's fault.
00:57:46It's not her fault.
00:57:47I know it's not her fault.
00:57:49It's the green end.
00:57:49She can't help it because you're beautiful and you're young.
00:57:51You deserve to have the best in life.
00:57:53But you didn't deserve...
00:57:54See, I don't say she's not beautiful, but she wasn't looking beautiful tonight.
00:57:58She doesn't equal me.
00:57:58Look at her makeup.
00:58:00It's terrible.
00:58:03And...
00:58:03Wait a minute.
00:58:04Did you complain to the judges?
00:58:06No, I didn't.
00:58:07I wasn't thinking really.
00:58:08Why don't you show justice?
00:58:10Look at them.
00:58:10Look at them.
00:58:11But they told me, Sabrina, that you had it fixed for Harlow.
00:58:15Everyone knew about you having it fixed for Harlow for weeks and weeks to have.
00:58:18No, we listened to you.
00:58:19I listened to every word you had to say.
00:58:21Now, wait a second.
00:58:22Hold it.
00:58:24There's a party after here.
00:58:26Every one of the judges is going to be there.
00:58:28You may feel perfectly free.
00:58:30I'll clutch over myself and you can talk to each one of them.
00:58:33Most of those people I never saw before in my life.
00:58:35I don't know them.
00:58:36I went down to the Dom one...
00:58:37Wait a second, dear.
00:58:38You listen to me.
00:58:39I went down to the Dom one night, trying to influence Mr. Warhol to come up here as a judge.
00:58:43We sat down there for two hours and couldn't even get an audience with Andy Warhol.
00:58:46He's running around his factory making a movie or something.
00:58:49Everybody goes out.
00:58:51Good job, baby.
00:58:53What did you say?
00:58:54Everybody go out.
00:58:55Everybody go outside.
00:58:57Everybody go outside.
00:58:58Everybody go outside.
00:58:58Show us what it goes out there.
00:59:00We're going out right now.
00:59:02Everybody out.
00:59:03Let's go.
00:59:04Nothing.
00:59:06Nothing.
00:59:07Nothing.
00:59:08Nothing.
00:59:12Oh.
00:59:13I want to get out of here.
00:59:37You things like that.
00:59:43But what's going on?
00:59:45I want you to get out of here.
00:59:50I want to get out of here.
00:59:52What is that, dude?
00:59:54This one?
00:59:57How is that?
01:00:00How is that you?
01:00:01How is that a dude Meet Berkakri?
01:00:01There you go?
01:00:02How is that owner doing?