- hace 23 minutos
Celia necesitará reflexionar tranquila. Con este fin, realizará un viaje junto a Choni para ver las procesiones de su pueblo. Por su parte, Diego, acompañado de Fiti y su hermano Santiago, partirán hacia Finisterre en busca de la novia del tabernero. Pero, tras la confusión inicial, rectificarán su destino y se dirigirán a Totana, donde verán algo que les llevará a la conclusión de que Celia se encuentra embarazada. Una plaga de cucarachas invadirá la casa de África y Ana, una situación que las obligará a trasladarse temporalmente a la casa de Raúl. Las nuevas huéspedes de la casa de los Martínez incomodarán a José Luis, que temerá la reacción de Choni a su regreso de Totana. Las preocupaciones de Josico aumentarán cuando de manera fortuita vea a Ana desnuda en el baño, una imagen que, pese a sus esfuerzos, no logrará borrarse de la cabeza. Valdano anunciará a sus amigos que se traslada a Argentina. Como regalo de despedida pedirá a Teté un beso en los labios, algo a lo que la joven accederá. Pero justo cuando se dirige a Valdano aparecerá Yoli, enamorada hace años del argentino. Por su parte, el resto del grupo de los “malotes” presionará al padrastro de Valdano para que se queden en España. Pero tanta insistencia desbordará a Simón, que caerá desplomado a sus pies.
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00:00:09Celia, Celia, wait!
00:00:11Why? Why do you want me to wait, Diego?
00:00:13So I can see you celebrate your birthday with everyone but me?
00:00:16Okay, let's see.
00:00:16Can you tell me what I am to you?
00:00:22Leave him alone, Diego.
00:00:23No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:00:24Wait, wait, wait, please.
00:00:25My brother Guilla says that relationships are like video games.
00:00:28Some levels you get through easily, and others that you get stuck on.
00:00:31No, no, no, Celia, please, no, no, wait a moment
00:00:35No, it was my fault, I should have been the one to call you.
00:00:38I'm losing my mind, Celia.
00:00:40Luckily, there's always a friend who's played more than you and can give you a hand.
00:00:45Hey Fiti, don't blame yourself, it's my fault, Diego
00:00:48We're together in class every day, damn it
00:00:50I must also be looking at the state of mind I have for not having warned her.
00:00:52Any time we pass each other in the hallway
00:00:54Please, this is my own doing, I mean, no, Chonía
00:00:56Sorry, sorry, sorry, I'm the one who found her and I didn't leave her a post.
00:00:59or anything
00:00:59No, it's not my fault.
00:01:00I didn't have your number
00:01:02Saint Saint, please, let me
00:01:03But what's really criminal is what I did, damn it, my best friend's girlfriend, and I forgot to call her
00:01:07Hey, and my brother-in-law's girlfriend, look at this
00:01:09She's my best friend
00:01:10The problem is that if your friends help you, it doesn't count; everyone has to play their own game.
00:01:15I made the first call, forgive me, daughter, forgive me
00:01:18No, no, wait, wait, wait, it's everyone's fault
00:01:20No, no, no, no, no, no
00:01:22We can't blame it on me, let's see
00:01:24That's not what it's about, no, no, let's see
00:01:26Listen to me for a moment
00:01:27That's it, please.
00:01:29Nobody is to blame, the only one to blame is me.
00:01:33Celia, forgive me, please do me a favor
00:01:35Come in and forgive me
00:01:37Yes, come on in, dear, and let's have a slice of cake.
00:01:40We sang "Happy Birthday," "Happy Birthday, woman," and "Little Hairs to the Mother."
00:01:43And just when you think you've finally leveled up
00:01:46Diego
00:01:46Yeah
00:01:48I don't think I've ever asked you for anything, and I've been incredibly patient until now.
00:01:51I'm only going to ask you for one thing
00:01:54Tell me what you want.
00:01:55What, you're giving me time to think?
00:02:05Hey!
00:02:05Now that we're all here
00:02:07Does anyone not have someone's phone number?
00:02:09You, you
00:02:09No, no, no, someone doesn't have someone's phone number
00:02:25Come soon to see the sea
00:02:26And you send a postcard
00:02:28I already knew that day was the end
00:02:33Now I have much more
00:02:36Red, black, for a pair
00:02:38Finally, luck brings an ace and a crystal to look through.
00:02:41And a wall to hang it on.
00:02:43Seven smiling faces in one ID photo
00:02:47My stories weren't about tales made by chance.
00:02:54Nobody told me that fate would give me this opportunity.
00:03:00One plus one equals seven, who would have thought?
00:03:08That it was so easy to be happy
00:03:21Well, let's see, to say what you would call saying something like that with a short subject and predicate, well, I didn't say it.
00:03:25nothing.
00:03:26Nothing?
00:03:26Nothing.
00:03:27Well then, it is your fault, Diego.
00:03:29It's normal that Celia got angry, damn it.
00:03:31He's going to visit you thinking you're in a really bad way and he finds himself at a festival.
00:03:35It was Etela who asked him to do it, and that is a mitigating factor.
00:03:38Besides, Celia had no reason to have found out.
00:03:40Well, Santi, we were all there, all of us, and that's an aggravating factor, isn't it?
00:03:43Of course, and she's his girlfriend, too, right?
00:03:45And to make matters worse, there was pretense without a river, and that is indeed an aggravating factor, isn't that it?
00:03:48Let's leave it at that, I mean, mitigating and aggravating circumstances, okay?
00:03:51Yes, yes, it's my fault.
00:03:54I'm a wretch, I'm a wretch.
00:03:56But anyway, I promised Celia that I would let her think and I'm going to let her think.
00:04:00Boo! Well, that's great, that's great.
00:04:02No, no, you can't let a woman think, okay?
00:04:04If Celia thinks, what conclusions do you think she will draw?
00:04:07It leaves you feeling safe.
00:04:09My brother will have some cons, but he also has many pros.
00:04:13Diego, thought, more time to think, double the screwing, that's a mathematical formula.
00:04:19I can vouch for that; Michoni has a Nobel Prize for that.
00:04:22Don't let Celia think, Diego.
00:04:24Please, can you leave me alone?
00:04:26What is necessary here, what must be done here, is the classic flowerpot effect.
00:04:30What act?
00:04:31Yes, yes, for example, you, I'll give you an example, you're walking down the street with a Chinese woman in
00:04:35the shoe.
00:04:36And you're screwed, it's hurting, right? But then a flowerpot falls on your head and what happens?
00:04:39But a pot with a plant or without a plant.
00:04:41But what can I say? About flowerpots and plants? But please, look.
00:04:44The pain, the pain, Diego, the pain, your head hurts so much you forget about the pain in your foot, this
00:04:49It's the same, exactly the same.
00:04:50Celia is the one with the thorn in her side, and you're the pot, so go ahead and take it.
00:04:54Celia on top like a flowerpot.
00:04:56But have you begged, boy?
00:04:57I stopped drinking you and I'll eat it, but let's see, but he's saying, look, something silly that you don't
00:05:02It adds more.
00:05:03What metaphor? Let's see, listen to me, I mean, I have respect for Celia, and I have her in
00:05:09an altar, because I love Celia.
00:05:11I think so, because if what I'm telling you is that you don't understand the metaphor, it's that you have to
00:05:15Go there first thing in the morning, even before he gets up, and do something spectacular for him.
00:05:19Something to eclipse today's bad vibes.
00:05:22Something, something that will stop Celia from thinking.
00:05:26I'm going to Finisterre to think.
00:05:29To Finisterre.
00:05:30Something to think about?
00:05:32Thinking is expensive, isn't it?
00:05:34I had booked a bathroom to celebrate Diego's birthday, but since that wasn't possible, I'm going myself.
00:05:40alone.
00:05:42Well, you know what? I'm coming with you.
00:05:45Man, I'm going to leave you alone.
00:05:47It is in these moments that a woman needs a friend the most.
00:05:50In fact, it's not even necessary, really.
00:05:51Yes, yes, yes, yes, it's decided.
00:05:54We'll take a day off and go off together to think.
00:05:57What's more, look.
00:06:01Ana, I'm taking some personal time off.
00:06:06And Celia too.
00:06:07Thank you.
00:06:09Take.
00:06:10Take it if you give it to Anita tomorrow.
00:06:12And if he says anything to you, tell him we're under an agreement.
00:06:15Do I have to give it to him?
00:06:16Man.
00:06:18Well.
00:06:19Well, I'm going to bed.
00:06:21Unless you want me to accompany you to think, which I doubt.
00:06:24Tomorrow I have the girls' performance.
00:06:25Well, darling, I hope everything goes well.
00:06:27Thank you.
00:06:28Take a rest.
00:06:29Cheer up.
00:06:29Thank you.
00:06:33But I'm going to tell you something.
00:06:36A spa with so much water jets going up and down doesn't seem like much to think about.
00:06:41Let's go to my town, it's Easter week.
00:06:44Similar?
00:06:45Similar.
00:06:46It's always been said.
00:06:46Similarity is the best place to think.
00:06:49Besides, this way she can accompany me to do a little thing I have pending.
00:07:06What are you?
00:07:10Yes, it's me.
00:07:13Already.
00:07:14AND...
00:07:15And you just took a shower, of course.
00:07:19Yes, I just took a shower.
00:07:23Well...
00:07:24I'm leaving now.
00:07:26Okay, leave it open, go on, let it air out.
00:07:29Guille.
00:07:31Guille, listen to me for something.
00:07:32We need to talk about alcohol first.
00:07:34It's a minute.
00:07:35It's impressive.
00:07:36It's because, like me, she gets more beautiful every day.
00:07:39Yes, she looks beautiful as always.
00:07:43But listen, I need to talk to you.
00:07:46I was at home talking...
00:07:47Yes, Valdano, yes, yes, yes.
00:07:49I know I have to give you back your notes, don't be a pain, man.
00:07:52But look, it won't go beyond this afternoon.
00:07:55What's not happening?
00:07:57Dude, just tell him.
00:07:59I want to tell you everything I feel, man, that I can't take it anymore.
00:08:01If I tell him, I'll explode.
00:08:06Well, congratulations.
00:08:08Unclear.
00:08:08Congratulations when you get it, which will happen in a moment...
00:08:15So, what's going on?
00:08:16Are we selling tickets to friends now or what?
00:08:21I might be a little late, don't you think?
00:08:24Did you get it, bro?
00:08:25No, don't you see I'm not talking, no.
00:08:27Answering machine.
00:08:29Celia, it's me, Diego again.
00:08:30Please, I've left you more than 22 messages.
00:08:32Call me when you hear them, please.
00:08:35I start to worry, to think...
00:08:37I haven't been able to reconcile my work and my head is pounding.
00:08:40I can't feel her head.
00:08:42Now I notice it, now I notice it, now I notice my head.
00:08:44Yes, thank you, Carmen.
00:08:46Currito, son, my head is all messed up...
00:08:48You can't stop playing the little flute.
00:08:50Well, Dad, I'm rehearsing for music class.
00:08:52So you rehearse in silence.
00:08:55Diego.
00:08:56That?
00:08:56I feel much more.
00:08:59Don't let it happen to you, woman.
00:09:01Don't blame yourself.
00:09:02In other words, if I had done what I was supposed to do, then nothing would have happened.
00:09:05But okay.
00:09:06Dad, when Cris gets mad at me, I let her win at the video game console.
00:09:10That's very good, son.
00:09:11That's great.
00:09:12Don't worry, Diego.
00:09:13That your father is going to be natural...
00:09:14As for talking to her, we sorted that out.
00:09:17Good morning.
00:09:18Hello.
00:09:19Diego, I have the solution.
00:09:21What's happening?
00:09:21You will rise from your ashes, like Felix the cat.
00:09:23Look, look.
00:09:25I got up really early to hire them.
00:09:26But, Fiti, you think I'm going...
00:09:28But you're crazy, what's wrong with you?
00:09:30I find them very splendid.
00:09:35I don't see it, Fiti, I don't see it.
00:09:37We're going to scare them.
00:09:37Don't you realize we're coming in like a gang of egg-laying albarokers?
00:09:40As it was before, damn it.
00:09:41Well, damn it, we're family.
00:09:42Yeah, damn it, yeah, but go ahead, guys.
00:09:45Silence.
00:09:47Come on, come on.
00:09:48Very good, very good.
00:09:49Furthermore, I have already informed them of everything so that they can be inspired.
00:09:51Come on, but don't tell these gentlemen anything.
00:09:53who have no reason to know these things, for unequals.
00:09:55Well, if these mariachis are highly tested, damn,
00:09:57I sent them to Candela...
00:09:58See how it can affect you.
00:09:59Well, shut up and try to focus a little.
00:10:02Let's see, Pancho, shall we?
00:10:04One, two, three, and...
00:10:17How could I compensate you for the thousands of snubs?
00:10:23Because I didn't know how to love you?
00:10:30It may be too late now, but I don't care.
00:10:37Giving up is not my thing.
00:10:42He's not here!
00:10:42There's nobody there.
00:10:43Neither Celia, nor Ana, nor anyone else.
00:10:45Nothing.
00:10:46This is because they didn't give us notice, damn it.
00:10:47We've been in the house for half an hour.
00:10:49Whether María Chis yes, or whether María Chis no.
00:10:50And we'll let you know if it's not a surprise, as it is.
00:10:53But where is it?
00:10:54Because, damn it, maybe Celia has gone to school.
00:10:57That?
00:10:57Clear.
00:10:58Phew!
00:10:59Phew!
00:10:59Phew!
00:10:59Phew!
00:11:00But no, they don't have it in the revenue, damn it!
00:11:04Well, that's it, it's over.
00:11:06Okay, okay, okay, okay, okay, okay.
00:11:08Now, now, now, now, now, now, for God's sake.
00:11:09Not anymore.
00:11:10Wait a moment, leave me alone, wait, wait.
00:11:11Just a moment.
00:11:12Let me think.
00:11:13Leave it to me.
00:11:15Pancho, good.
00:11:16Good.
00:11:17In other words, as a test it has been subliminal.
00:11:19One very good thing.
00:11:20Now we're going to do the same thing, but in a different setting.
00:11:23Come on.
00:11:23To school.
00:11:24On tour, on tour.
00:11:25Come on!
00:11:26How to do this at school?
00:11:26I think this needs some privacy, some guidance, man, for God's sake, no, no.
00:11:29Damn, the boys, the boys, the boys, the boys are
00:11:31They made a personalized song, damn it, Diego, we have to take advantage of this, come on.
00:11:34This, gentlemen, no, I'm not going to clarify this, sir, because I don't feel like it, damn it.
00:11:38Let's see, the Freysals.
00:11:41Virgin of beautiful love, the Freysal family.
00:11:44Look, Celia told me you need to practice, so let's have a practical lesson, okay?
00:11:49Come on, you chatterboxes in the back, Guille, Guille, Matías, come here.
00:11:53That's awesome, man, finally!
00:11:55And when are you going to tell Tete?
00:11:56I don't know, man, I think it'll be this afternoon.
00:11:59All those interesting things you're talking about, you're going to talk about them, but in English.
00:12:05Well, uh, good, I mean, well, well, right?
00:12:10Well, then, we, we, we, we speak of the, of the mortalization, of the mortalization,
00:12:22And that's it, yes, yes, yes.
00:12:25Okay, Matías, how?
00:12:26In English, eh?
00:12:32Excuse me, but I have four years of English, sweetie.
00:12:34Okay, let's not be cheeky or we might get a zero, okay?
00:12:37And this is noteworthy.
00:12:38Don't think I can't be tough.
00:12:40Give them titles!
00:12:41That's enough, VD, okay?
00:12:43The madman came in, I heard you.
00:12:46Well, Matías, well, Matías, it's not like it's worth a damn.
00:12:50What's wrong with you, son?
00:12:51What's the matter?
00:12:53My daughter, my daughter, her boyfriend is going to live in Buenos Aires.
00:12:56And I'm with them.
00:12:59Virgin of the dry road.
00:13:01Would you like some water?
00:13:02What are you saying, man?
00:13:03But they can't do that if you don't want them to, they can't take you.
00:13:06But when?
00:13:07Tomorrow.
00:13:08I go from school to the airport.
00:13:10But no, man, they can't just kick you out of a course like that.
00:13:12Come on, that's doing a...
00:13:13That's a...
00:13:14Mariachi.
00:13:15Good, very good.
00:13:16I appreciate it, but it was necessary for us all to come together.
00:13:19I mean, because let's see...
00:13:19So, the mariachi musicians have to be gentlemen from the school, right?
00:13:22If you don't want him to be a collector.
00:13:23No, that's not it.
00:13:24So, we're at my son's school.
00:13:26I mean, the good stuff, from my children.
00:13:27What's with all these mariachis?
00:13:28Can't you see?
00:13:29What is this?
00:13:29What is this?
00:13:30A personalized song.
00:13:31A romantic little gesture from Diego.
00:13:33Well, that's a relief.
00:13:35Listen to me very carefully, everyone.
00:13:36I'm going to go to the door now and...
00:13:49How could I ever compensate you for the countless slights?
00:13:54Because I didn't know how to love you?
00:14:01It may be too late now, but I don't care.
00:14:07My goal is not to surrender to him.
00:14:13Celia, little Celia, my love, who arrived there among the seas.
00:14:20I'm not going to allow anything anymore...
00:14:24Cut it out, cut it out, Pancho.
00:14:26For.
00:14:28Esana, this has an explanation that I'm going to give you right now.
00:14:32You don't happen to know where Celia is, do you?
00:14:37No, but you do this for me.
00:14:38You have me for life.
00:14:39Well, it was really my idea, Axel, nothing happened.
00:14:44But what I was saying before, Ana, what I was asking you, I know that...
00:14:46Do you know where Celia is?
00:14:47No, he hasn't come today.
00:14:48He's traveling, isn't he?
00:14:49Travel?
00:14:49What do you mean he's traveling?
00:14:50But how?
00:14:51Travel?
00:14:52Yeah, what do I know?
00:14:52I don't know where...
00:14:53I don't know.
00:14:53He's traveling, yes.
00:14:54But what I'm asking of you, please, is that you remember a little bit of what I've told you.
00:14:57saying.
00:14:57It's a long trip, a short trip...
00:14:58I don't know, Diego.
00:14:58I don't know where I've gone.
00:14:59I'm sorry.
00:15:01Sorry, Ana.
00:15:02Excuse me for...
00:15:08Where did this woman come from?
00:15:11Well...
00:15:11Chic, Chic, Chic, Chic.
00:15:12Come on, come on, come on.
00:15:15You're not taking in any more, daughter, Diego.
00:15:17Besides...
00:15:25The lentils are ready.
00:15:27I've already put them in...
00:15:29Come on, they're right there in the pot, steaming hot, huh?
00:15:33But how am I supposed to put them in the microwave, woman?
00:15:35You've already told me 50 times that it loses all its flavor.
00:15:37No?
00:15:37Don't I do that to you?
00:15:39No, shhh, I'm starving.
00:15:41Yeah.
00:15:42No, Raúl, because...
00:15:44Fuck.
00:15:46Choni.
00:15:48Choni.
00:15:48I have to let you...
00:15:50Please, please.
00:15:50I have to go, Raúl has arrived, okay?
00:15:53No, I want it now!
00:15:54Yes, come on, let's talk, let's talk.
00:15:56What's happening?
00:15:57What's happening?
00:15:57What's happening?
00:15:58What's happening?
00:15:59It's disgusting, really, our house is full of cockroaches.
00:16:01Do you have a... insect killer, or something similar?
00:16:04Okay, no, no.
00:16:05Oh, calm down, calm down, chatungas, calm down.
00:16:07If you need someone to fumigate you, here I am.
00:16:10Well, there's no problem here in the meantime.
00:16:13Okay, okay.
00:16:14Okay, sure.
00:16:14No, no, no, no, no, we're going to a hotel.
00:16:17But, woman...
00:16:18You're staying here, period.
00:16:19Let's see, we shouldn't force it.
00:16:21If they're more comfortable in a hotel, then they'll go to a hotel.
00:16:23So, are they going to go to a hotel when they have room here?
00:16:25Please, Choni isn't even there or anything.
00:16:28They're not two Choni girls, that's for sure...
00:16:29Well, there are more beds, there aren't two Choni and more beds, there's more space and there's no problem.
00:16:32Of course, I see it very...
00:16:33Well, I'd be delighted if I could.
00:16:35The other thing is that we don't want to bother anyone.
00:16:37What are you going to bother us about?
00:16:38What are you going to bother us about?
00:16:39Come on, don't bother me...
00:16:40No, tell him, Tito, tell him, no, tell him, tell him, you don't mind, you don't mind.
00:16:43You don't bother.
00:16:44What the hell, are you staying?
00:16:45You're staying, that's what family is for, right?
00:16:47Yes or no?
00:16:48Well, thank you very much.
00:16:49No problem, no problem, you'll see how much fun we're going to have.
00:16:51Hey, sit down, smell, smell, homemade food, some lentil stew that I've prepared.
00:16:57I'll go up there and fumigate later.
00:17:00Come on, nothing, just put...
00:17:01Help me, help me.
00:17:02Yes, man, yes.
00:17:05Well, we're already at the house.
00:17:06Leave that there.
00:17:06Look, look, let's see, see if there's any space here.
00:17:09Not like in Madrid, my goodness, where we live in a dungeon.
00:17:12Look, look, look, look, look.
00:17:14Could it be because of the location?
00:17:15Have you seen my town, kid, the balconies full of flowers?
00:17:18What a pleasure it is, my daughter.
00:17:19I'm having a really tough time in Madrid trying to keep my cacti alive.
00:17:22That's awful.
00:17:23Do you want something to eat, Celia?
00:17:25Uh, no, thanks.
00:17:25Damn, I'll go over there to the garden and pick three or four things from some broth that I don't...
00:17:30have tasted in your life.
00:17:30Or something to drink.
00:17:32No, no, no.
00:17:32Here we have a little liqueur that's the envy of the region.
00:17:35No, no, no, really.
00:17:36Oh, no.
00:17:37Well.
00:17:38I'll take this from you.
00:17:38Hey, Choni.
00:17:39Yeah.
00:17:41Do you think I'm important to Diego?
00:17:44What do you mean, are you important?
00:17:46You will cease to be important, come here.
00:17:49You will cease to be important.
00:17:50Diego, you are extremely important, but what you two have is written in the sky in fire.
00:17:56The thing is, he comes from the same black background as the creature, and things get complicated.
00:18:02And the truth is, I'm not sure anymore.
00:18:05They say the first few months are the best and...
00:18:08If these are the best months, what awaits us?
00:18:12Woman, it hasn't been a bed of roses, why would I deny it?
00:18:16But damn it, since you're here, take advantage of the fact that it's Holy Week and ask the Virgin for your blessing.
00:18:22I'm not really into that kind of thing.
00:18:24Hey, the Virgin here is very decisive.
00:18:27Look at my cousin.
00:18:27My cousin had been separated from her husband for a long time, a year.
00:18:31So she prayed to the Virgin Mary and everything was alright.
00:18:34Really?
00:18:35Well, with someone else, but it all worked out.
00:18:37Like I said, I'm going to ask for what's mine.
00:18:40Are you having problems with José Luis?
00:18:41No, darling, no.
00:18:42Mine is more...
00:18:45one-person show.
00:18:47I don't understand.
00:18:48It's because I had a fault.
00:18:50Really?
00:18:53Congratulations, Choni.
00:18:54Hey, that's wonderful.
00:18:57And what's with that face?
00:19:00It's just that Celia has already given me hope so many times, and then...
00:19:04then it never came out.
00:19:06So this time I told myself, I'll pray to the Virgin Mary before taking the test.
00:19:09You know how happy a little snout would make me.
00:19:13Because a marriage of two is great, but...
00:19:16having a kid around the house...
00:19:20Life is funny, isn't it?
00:19:23Damn, very damn.
00:19:25But you'll see how the Virgin of Aparecida puts us both in our place.
00:19:27The fact that you and I are here is a sign.
00:19:29Come on, give it to me.
00:19:32What's that?
00:19:33That's the procession that leaves in the afternoon.
00:19:35Now you'll see it, it's worth seeing.
00:19:37It's one thing to say it, and another thing to see it.
00:19:38And what size is it?
00:19:39She has a small, petite size, but she's really pretty.
00:19:43And the cloak he wears.
00:19:45Well, the cloak has a...
00:19:45I'll tell you the story of the cloak.
00:19:47Look, come inside.
00:19:48Trezca to my mother's room.
00:19:50Oh, and she came into the room and it seems like I can see her.
00:19:52Here we shroud her.
00:19:53Damn, so Celia has gone to Mexico.
00:19:55Of course, since she's from there, she went.
00:19:56Okay, let's see.
00:19:57I'm not saying no, if it was possible to go to Mexico.
00:19:59And if it's necessary to go to Mexico, we'll go.
00:20:01But, damn it, make a call first.
00:20:03Don't you have a phone number lying around?
00:20:04No, I don't have...
00:20:05Well, yes, I have the parents' phone number, but it's a "phone number" in quotes, just in case.
00:20:09Just in case, he's gone to Mexico.
00:20:12Let's see, think for a moment.
00:20:13Damn, how am I supposed to call my parents when I don't know them at all?
00:20:15I don't talk to them in my life.
00:20:16And I'll tell you something else.
00:20:17If Celia is there with them, well, they'll hate me, they'll be furious with me.
00:20:21Diego, Diego, Diego, there's one little thing that I don't quite understand.
00:20:24So, your plan is to sit back and wait for Celia to call you.
00:20:29No, frankly, Fiti, my plan isn't a plan because I don't have a plan, do you understand?
00:20:32Diego, you can't lose the woman of your life because you didn't want to make a call to her parents.
00:20:37That's not reasonable, Mom, that's not reasonable.
00:20:39Yes, maybe you're right, yes, maybe you're right.
00:20:42Well, more than just in case, because there's nothing more just in case.
00:20:46I'm going to call, I'm going to call.
00:20:58Yes, are you Celia's father?
00:21:03I am your...
00:21:05Susú?
00:21:06Susu's boyfriend?
00:21:07I'm her boyfriend, I'm her boyfriend.
00:21:10How are you? How are you? How are you? How are you?
00:21:12And how are you? Well, I'm very happy to talk to you.
00:21:15And what about Mexico?
00:21:16Andrano, damn, what a conference!
00:21:19No, no, no, no, no, no, no, no, no, no, no, no, no, he will be surprised, yes, but no, no, no,
00:21:22No, no, nothing's wrong, what's going to happen?
00:21:23I just wanted to know if, if Celio, I mean, his daughter is there with you in Mexico, come on, nothing.
00:21:30Nothing, no, no, no, you see, I'm telling you, no, if he's not there, if he's not there with you in Mexico,
00:21:35Well, it seems that, it seems that he goes down to the supermarket, to the supermarket and I don't get it,
00:21:40Yeah.
00:21:43A pleasure, equally, a pleasure, yes.
00:21:45Okay, let's see if we can get to know each other, shall we? Let's see, come on, thanks.
00:21:55Who is from Mexico? Where is this woman, for God's sake?
00:21:58To the supermarket, right? It's been great there, really great, it's been spot on.
00:22:02Hello.
00:22:02Hello.
00:22:02Hello, beautiful.
00:22:04Can I have a coffee, please?
00:22:07How are you?
00:22:09Good.
00:22:11One little thing, Afri, if you had to go on a trip, I mean, but not a trip, I mean, from
00:22:17A trip to think, where would you go?
00:22:20To think? No, not while traveling, I'm more of a retreat kind of person.
00:22:25Already.
00:22:25Yeah.
00:22:26We're trying to reconstruct Celia's thinking, you know? Because we're trying to figure out where she...
00:22:33she could have gone to think.
00:22:34Yeah.
00:22:35Yes, in that case Finisterre.
00:22:38Finisterre, Finisterre, Finisterre, Finisterre, Finisterre, Finisterre, that is, Finisterre of, Finisterre capital.
00:22:43Let's see, Finisterre, La Coruña, Galicia.
00:22:46Yeah.
00:22:47Well.
00:22:48Okay, I'm going to look for Celia.
00:22:50See you later.
00:22:52Of course, Diego, really, I'll take care of the house, okay? Don't worry about anything, go ahead.
00:22:55don't worry.
00:22:56I'll call you if anything comes up, I'll take responsibility... Okay, bye for a kiss.
00:23:03Damn, man. So we're living off our parents, did I tell you that?
00:23:06But what are you saying about half, man? No, no, we're not going to allow it, period.
00:23:09Ah, look, Guille, he says he's done everything he could.
00:23:11Yeah, he's not playing anymore, I haven't heard from him, huh? But he's evil, man, can't we...
00:23:15Will it stay like this?
00:23:17Hey, hey, that's it, that's it, man. Why don't we kidnap the boyfriend? We'll make him jealous, take his papers, and
00:23:22for abroad.
00:23:23Or, we make the mother believe that he has been unfaithful to her.
00:23:26That's better! That's the best!
00:23:27That's great! Look, as a plan it's all well and good, but that's not a plan, ah, guys. That's
00:23:32a plan B, D, K or Z.
00:23:35We need to come up with a plan, ah, let's see. What we have to do is the following.
00:23:37Okay, so what you need to do is rehearse a lot. Because this afternoon I'm going to record the choreography for you.
00:23:42But all in all.
00:23:42With dresses, hairstyles, with everything. Okay?
00:23:46Are you nervous?
00:23:47No, no, no.
00:23:48Well, don't worry, because I'm going to do it.
00:23:52Yoli! Guess what?
00:23:54My house will be free and we can throw a party for Valdano.
00:23:57Here it comes! That way we can have a proper send-off.
00:23:59Yeah!
00:24:00Take!
00:24:01Please take care of me, because the girl's bathroom is broken, okay?
00:24:05Oh, sorry!
00:24:06Sorry, the girl's bathroom was broken.
00:24:09Everything's fine. Come in, come in, come in.
00:24:10Sure, sure, sure.
00:24:11Okay, thanks.
00:24:14Tea?
00:24:16Stop, uh...
00:24:16Could we talk for a minute, please?
00:24:19Yes, of course, man, of course.
00:24:21Tell me.
00:24:22Hey...
00:24:22Look.
00:24:24You know how there are things in life that you don't say because...
00:24:27Why does she think she has her whole life to say them?
00:24:30Honestly, I don't know if it's because I can't tell you, man.
00:24:32There really has to be a way for me to say it.
00:24:34No, there isn't. There isn't, seriously. That's final.
00:24:37I am leaving tomorrow.
00:24:38But anyway, I wanted to tell you that when you arrived at school,
00:24:45I thought...
00:24:46as soon as I saw you.
00:24:49No...
00:24:50I thought...
00:24:50how beautiful you were.
00:24:53But, Aldana, you only think about everyone.
00:24:55No, no, but I'm serious.
00:24:56You were like the first one who gave it to me here,
00:24:59in the heart, you understand?
00:25:02AND...
00:25:03And well, in fact, I thought...
00:25:06One day this mine will be mine.
00:25:08But of course, you were always inaccessible to me, you understand?
00:25:12But that's why...
00:25:14I would like to ask you, if you don't mind,
00:25:17the most beautiful memory I could take with me to Argentina.
00:25:21Of course.
00:25:22Whatever you want.
00:25:23Whatever you want?
00:25:24Sure, whatever you want.
00:25:35You said whatever you wanted.
00:25:38You've got some nerve, man.
00:25:40Honestly, it's just that...
00:25:41Pull, pull.
00:25:43Okay.
00:25:44What a melon.
00:25:45Thank you.
00:25:46You are welcome.
00:25:52This Finisterre Express thing is the hell out of me.
00:25:55Let's go, three of us, like marquesses.
00:25:56Do you want potatoes?
00:25:57No, no, I don't want potatoes.
00:25:58And don't touch me with your little hand, it's covered in grease, please.
00:26:01Okay, one thing.
00:26:02Was it necessary for the three of us to come together?
00:26:04Of course, that's what we're here for, brother.
00:26:06You'll see how happy they are, the cell will be up when it's seen.
00:26:08Yes, Santi, she'll be happy.
00:26:09But he'll have had plenty of time to think.
00:26:11And that's what Fiti already said, that he's bad, bad, bad.
00:26:13It's true, it's true.
00:26:14Pensar will have time to think.
00:26:16And precisely for that reason, we cannot go empty-handed.
00:26:19As soon as we get to Galicia, we'll hire someone local.
00:26:23As something native?
00:26:25The bagpipers.
00:26:26The bagpipers.
00:26:28Go, go, go, go.
00:26:29Well.
00:26:31Let's see, José Luis.
00:26:32Tell me, José Luis, tell me.
00:26:34How do you want me to give you the pickle phone number?
00:26:37Where do I get them?
00:26:37I don't know where it is.
00:26:38On the agenda.
00:26:39Let it be antique in the agenda, let me have it in the agenda.
00:26:41Yes, that you...
00:26:42It's Fiti.
00:26:44I'll tell you now, what?
00:26:46Yeah.
00:26:48Okay.
00:26:49Okay, see you later.
00:26:50What are you saying?
00:26:51Come on, the girls have been to your aunt's in the village and your aunt said that...
00:26:58Do you have a family, Finisterre?
00:27:00That's what it's like in Galicia, right?
00:27:05José Luis, which girl were you talking about?
00:27:09From Celi and Choni.
00:27:11In the similar way.
00:27:12Damn it, we're on our way to Finisterre.
00:27:14Don't get nervous, brother.
00:27:15You don't turn off nervously.
00:27:16Don't get nervous, Santi.
00:27:17Don't you realize that there are five hours left until this stops, that it's an express bus?
00:27:20Fuck.
00:27:49Calm down, calm down, it's over.
00:27:50We're going to have to turn around, keep turning around and go back to Madrid again, huh?
00:28:12No, they're fumigating the house now, but we can't go in for forty-eight hours.
00:28:17Damn, because that's toxic, it's enough to make you die.
00:28:21In what?
00:28:22Oh, no, yes.
00:28:24Yes, yes, yes, yes.
00:28:24Did I take your camera?
00:28:25Yes, I have it here.
00:28:27Okay.
00:28:29Hey, why don't you pick up this movie?
00:28:33The one from...
00:28:34The one from...
00:28:36This house is a ruin.
00:28:38Yes, come on, that way we'll take the drama out of it a bit.
00:28:40A little kiss.
00:28:42Bye.
00:28:48Disgusting!
00:29:19José Luis?
00:29:24The towel?
00:29:25Yes, sorry, what for?
00:29:28The towel?
00:29:29From you, yes.
00:29:31Come on, I thought that...
00:29:37Hey?
00:29:38Yeah.
00:29:40Come on, I thought I needed to buy a latch.
00:29:45Okay, go away.
00:29:47Yes, sorry.
00:29:48I've brought some pests...
00:29:50Some pasta.
00:29:53But let's see, Simon.
00:29:55You can't take Valdano with you.
00:29:57His whole life is here.
00:29:58His school and his friends are here.
00:29:59Come on, you're not going to uproot the poor kid.
00:30:02Look, I'm glad Valdano has such good friends.
00:30:05Really.
00:30:07But don't worry about him.
00:30:08It will adapt.
00:30:09It's going to be fantastic in Argentina.
00:30:11Yes, but he doesn't want to look great in Argentina.
00:30:13He wants to be having a great time in Spain, here with his friends, man.
00:30:15Okay guys, there's no point in continuing this discussion.
00:30:19You explained it to me and I understood perfectly.
00:30:22But it really isn't my decision.
00:30:23Oh, no, of course not.
00:30:24It's Valdano's decision, isn't it?
00:30:25Well, I mean, it's okay.
00:30:26Is there nothing more to talk about?
00:30:28Clear.
00:30:29But it's not you they're deporting.
00:30:30No?
00:30:31Please.
00:30:32No, no, please, you.
00:30:33Let's see what right you have to take it.
00:30:35That's it, you're not even his father.
00:30:36They already know what kind of stepfather you are, huh?
00:30:38You know what...
00:30:51Simon.
00:30:54Simon.
00:30:56Simon.
00:31:01Simon, wake up.
00:31:03Simon, wake up.
00:31:04That?
00:31:05Simon.
00:31:07Simon.
00:31:08Simon, wake up, men.
00:31:16He is dead.
00:31:18What do you mean, dead?
00:31:21We've killed Valdano's future stepfather, we've given him a heart attack, damn it.
00:31:27Hey.
00:31:29Guys, open up, we've got a lot on us.
00:31:31What is all this crap?
00:31:33Shut up, shut up, think.
00:31:34Very good, Fiti, very good.
00:31:36Melendi's plan is brilliant, come on.
00:31:38But hey, what's my fault if they haven't sent us back to our place of origin like they did Melendi, damn it.
00:31:43Also, positive thinking, damn it, at least we've kept moving forward.
00:31:47But Fiti, don't be a fool, we're in the middle of nowhere, we don't know where the hell we are.
00:31:51way back there, there's a milestone.
00:31:53The 103rd, I think, I think.
00:31:55The 103rd, but...
00:31:56Fekete, Santi, I knew it, I knew it, but why am I listening to you, for God's sake?
00:32:00Diego, Diego, positive thinking, damn it.
00:32:03Fiti, please listen to me, listen to me for one thing.
00:32:05I'm going to ask you a favor.
00:32:06Shut up already.
00:32:08And if you have any ideas, please don't tell me.
00:32:10Because we always end up in the worst place.
00:32:11I mean, brothers, I mean, I think we're inside the country and we have a garrison.
00:32:16Two lines, two lines.
00:32:18Shut up, shut up, shut up.
00:32:19That?
00:32:20What, what, what?
00:32:20Signal, the signal, the signal.
00:32:22Bring it, bring it, bring it, bring it, bring it, bring it, bring it, bring it, bring it, bring it, now, I'm not moving, bring it.
00:32:25Yes, yes, yes, miss, roadside assistance.
00:32:29Yeah.
00:32:30No, what, what, what, where are we?
00:32:34At marker 103, at marker 103, yes.
00:32:37No, no, vehicle, no, what do you mean...?
00:32:38No, no, no, we are pedestrians.
00:32:41But how come...?
00:32:41Does roadside assistance not cover pedestrians?
00:32:43Fuck!
00:32:44Okay, let's see, let's see.
00:32:45No, no, no, I mean, we go and we go by bus.
00:32:47But why does he mention the bus?
00:32:49He doesn't know how to lie, he doesn't know how to lie.
00:32:50Gentlemen, damn it!
00:32:51No, no, no, I don't know you, miss, no, no.
00:32:53No, for the road to Finisterre, a bus that goes to Finisterre, yes.
00:32:55That.
00:32:55No, the problem is us.
00:32:57This is the...
00:32:57But, but, tell him about the airplanes, about the airplanes...
00:32:59You can hear planes next door.
00:33:00Yes, you can hear planes.
00:33:01The boundary marker is next to the...
00:33:02Exact.
00:33:02No, listen to me, miss, because what I want is for you to send me a taxi, a car, a tow truck,
00:33:06a train...
00:33:07A crane, what?
00:33:07A crane?
00:33:08No, no, a train and a...
00:33:09No, not a train and a crane.
00:33:19José Luis makes us food.
00:33:20Well, don't think that the lentils took me a couple of hours, and for me that's not
00:33:24It's nothing.
00:33:26It's nothing like...
00:33:32Hello?
00:33:33What's the matter?
00:33:35Nothing.
00:33:36Let's see.
00:33:40Wow! So much food!
00:33:42Wow, I've never seen so many people together.
00:33:44She always dresses like this, because she loves dressing up in her clothes and accessories.
00:33:49Why can't I get this image out of my head?
00:33:51Don't tell me you bought avocados.
00:33:53Great, why don't we make guacamole?
00:33:55Are they staring at my breasts?
00:33:58No, auntie, don't stress about it.
00:34:00Don't worry, she'll be looking at your pendant.
00:34:02Damn, I regret the day I started having to wear this necklace.
00:34:04Okay, so what?
00:34:05Should we make a Mexican dinner or not?
00:34:08Okay.
00:34:10Okay.
00:34:11Look, nudity is something natural.
00:34:15Damn it, José Luis, delete that picture, you're a grown man with experience.
00:34:18Haven't you seen your aunts naked?
00:34:20Well, never that good.
00:34:22Who wants to cut the avocados?
00:34:23I.
00:34:24You? Great.
00:34:26Come, look at her and end the tension.
00:34:29To my face, damn it.
00:34:31Fuck.
00:34:32Come on, Casillas, Raúl, magnista, the king, Robiño, Guti.
00:34:39Degree, baby, I'm going to open it and let God's will be done, now!
00:34:42For!
00:34:43But, Borinche, do you want to be careful, man?
00:34:45Let it weigh like a dead man, dude.
00:34:50Well, why are you taking so long to open?
00:34:52Hey?
00:34:53Uh, washing up.
00:34:53We were washing glasses.
00:34:55Come on, guys, let's go in.
00:34:56Maria, here, take me to this exit, please.
00:34:59Let's go to the pantry.
00:35:01In the pantry?
00:35:02In the pantry?
00:35:03In the pantry?
00:35:03In the pantry?
00:35:03In the pantry?
00:35:03In the pantry?
00:35:03No, no, there isn't...
00:35:05There are no soft drinks in the pantry!
00:35:06I'm not deaf, okay?
00:35:07How come there are no soft drinks, really?
00:35:09Also!
00:35:13Hey...
00:35:13Soft drinks?
00:35:14Yeah.
00:35:15Well, we should head over there now because everyone is about to finish arriving and we'll be there
00:35:19There's plenty of time, huh?
00:35:20Come on.
00:35:21Oh, yes, girls.
00:35:22Do you see how many soft drinks there are?
00:35:23Come on.
00:35:25See you later.
00:35:29Damn, damn, they almost caught us, man.
00:35:31Let's see, this isn't a prank.
00:35:32Did we kill an Argentinian, damn it?
00:35:33Hey, we didn't read anything, huh?
00:35:34I haven't killed anyone.
00:35:35Uh, neither do I.
00:35:36Okay, what's this?
00:35:36Okay, will you all shut up now?
00:35:39Look, if we don't think of something, we're going to rot in jail.
00:35:41Damn, in jail, oh my God.
00:35:44My mother was so upset she died.
00:35:45Shh!
00:35:49Yeah?
00:35:50Hello.
00:35:51Hi, Dad.
00:35:53What do we do?
00:35:54Well, nothing much here, just getting bored, okay?
00:35:58Stop!
00:35:59That?
00:36:00But don't close.
00:36:01Open!
00:36:02And what do you want now?
00:36:03Well Panchito, if that's alright with you, Mom.
00:36:06Panchito!
00:36:07What do you want, Panchito?
00:36:10What did I hear you say, Panchito?
00:36:12And here are the Panchitos.
00:36:15Thank you.
00:36:17I forget.
00:36:25Okay, now it's our turn, right?
00:36:28Until now.
00:36:30Now?
00:36:32Fuck.
00:36:34But what the hell are we going to do?
00:36:37That?
00:36:39And I will also pray to you, Saint Anne, for being the patron saint of pregnant women.
00:36:44Imagine calling yourself Ana, what a name!
00:36:48See if I can do anything, queen, so that I can have a baby.
00:36:51Look.
00:36:52No, don't say how it is.
00:36:54I'm going to light your little candle and everything.
00:36:59One for you.
00:37:01That.
00:37:02And another one for Mary of Bethlehem.
00:37:04Come on, let's see if...
00:37:06Look.
00:37:07I'm going to put the pregnancy test here, in case it helps.
00:37:11Okay?
00:37:12And amen.
00:37:14I saw Celia, darling, cheer up.
00:37:17Look, come here.
00:37:19This photo is from that day when we went to the ballet afterwards.
00:37:22Do you remember?
00:37:23Of course I remember.
00:37:24Oh, he even fell asleep.
00:37:26Angelica, because the child would be exhausted from working so much.
00:37:28No, but it was all very romantic.
00:37:31It was raining when we left, and he lent me his jacket so I wouldn't get wet.
00:37:34He has always been very chivalrous, always.
00:37:36But I still got wet.
00:37:38A taxi came by, it put me...
00:37:42Look, what I'm telling you is, this little photo is going there.
00:37:50Come here.
00:37:53You put it here.
00:37:54That.
00:37:55And you pray to this one.
00:37:57No to this one.
00:37:58To this one.
00:37:58To the native of my town.
00:37:59To Mary of Bethlehem.
00:38:00You'll see if things improve or not.
00:38:02It would take a miracle for this to work.
00:38:05Damn it, just leave it there.
00:38:06If I pray to him in Benesté.
00:38:08Barbarity.
00:38:09Come here, I'm going to give you something.
00:38:10We ended up arriving late to the procession.
00:38:13The crossing must already be in the middle of the town.
00:38:15Come.
00:38:16Come here so I can put this on you.
00:38:17I don't even go barefoot.
00:38:18Well, damn it, how do you want me to go?
00:38:20Well, I don't want to discourage you, but if you're pregnant I don't think it's a very good idea.
00:38:25Let's see.
00:38:26Alma Cántaro, why do you think they call it a promise?
00:38:30Ah, okay.
00:38:33You're going to represent my grandmother right now.
00:38:39Clavaica, clavaica, clavaica.
00:38:41She was blonde like you.
00:38:44I'll tell you one day why my grandmother was blonde.
00:38:46I'll put this on myself, so put something on yourself.
00:38:48Put something on, don't go out naked, because here the saints get killed.
00:39:01I always have to call twice.
00:39:05Sony!
00:39:09Ann?
00:39:15Well, here I am preparing breakfast for the kids, since Catherine let us down.
00:39:19Clear.
00:39:20And you, why are you dressed like that?
00:39:22I?
00:39:25Well, because...
00:39:27Because I'm the postman and this is my dream.
00:39:30Regarding the postman, I've always called twice.
00:39:34Oh, José Luis.
00:39:36But there's no postman in that movie.
00:39:38Oh, no?
00:39:40No.
00:39:40It's because you haven't seen it, I've only heard about it, well...
00:39:44Oh, well you would have loved it.
00:39:50Do you know what's happening?
00:39:51That I have...
00:39:52I have a lot of correspondence because...
00:39:55To be divided.
00:39:56Sorry.
00:39:58Sorry.
00:39:59No, no, no.
00:40:00What a fool!
00:40:07Long live Spain!
00:40:08Long live Correa!
00:40:12Joselico!
00:40:13Joselico!
00:40:14Joselico!
00:40:14Joselico!
00:40:14Joselico!
00:40:14Joselico!
00:40:16For once you're left alone to read the menu...
00:40:19What's the matter?
00:40:20Hey, he's sweating.
00:40:21Come here.
00:40:22Come here so I can take your...
00:40:23Come here so I can take your temperature.
00:40:25If you have a fever.
00:40:26I'm fine.
00:40:26What an adventure you have ahead of you.
00:40:27I'm fine, please.
00:40:28I'm fine.
00:40:29I'm fine, leave me alone.
00:40:30Let me.
00:40:31I don't know, I don't know.
00:40:32What's wrong, dude?
00:40:33Let's see.
00:40:34Okay, get me a beer, go on.
00:40:36Hello good!
00:40:37Hello.
00:40:37Hey, hello, Africa.
00:40:38How are you?
00:40:39How was the dancing with the girls?
00:40:40A little tiring.
00:40:42Some more.
00:40:43But anyway, I think it turned out pretty well.
00:40:45We were monkeys.
00:40:46Man, if you even have a hand here...
00:40:47Raúl, Raúl, Raúl, Raúl.
00:40:51No, I loved you.
00:40:52They would then put it in my mouth.
00:40:54No, those little clams...
00:40:55The chatugas should leave the house, Raúl.
00:40:57But how do you leave home?
00:40:59What do you mean, how?
00:41:00Well, they should go to a hotel.
00:41:03A small hotel with its colorful soaps,
00:41:05his bathing cap, that sort of thing...
00:41:07That?
00:41:07Ana is my aunt.
00:41:08That Africa has been my girlfriend for half my life.
00:41:12Well, then let Africa stay.
00:41:13Nothing else.
00:41:14Africa.
00:41:15Well, another one like Choni.
00:41:16What's your problem with Ana, dude?
00:41:18Me?
00:41:18Do you dislike him?
00:41:19Do you dislike him?
00:41:20Did they inoculate you?
00:41:20How could I dislike him, kid?
00:41:22As...
00:41:22Well, then it stays.
00:41:24Let's see, Raúl.
00:41:24Let's see, Raúl.
00:41:26That Ana has seen her naked.
00:41:28He saw her naked.
00:41:29With...
00:41:29With...
00:41:29Let's see, pure nothingness.
00:41:31Have you seen it?
00:41:31Of all of them?
00:41:31Have you seen Ana naked?
00:41:32But I love you...
00:41:33That's disgusting, dude!
00:41:34I want to keep quiet about...
00:41:35My sister is there and...
00:41:36And all that's missing is for it to be legal.
00:41:38You don't even want to shut up.
00:41:40Raul, listen to me.
00:41:41Listen to me.
00:41:43Don't you see that every time I look at Ana...
00:41:45I see what I see.
00:41:46I see her there...
00:41:47It's stuck here, fixed.
00:41:49Look here.
00:41:50As if it were an identical photograph.
00:41:52Exactly the same.
00:41:52Which amounts to an obsession.
00:41:53An obsession.
00:41:54Exactly.
00:41:54An obsession.
00:41:55Come on, I just had a steamy dream about her.
00:41:57I won't say any more.
00:41:59Well, it's not a big deal.
00:42:01Well, it doesn't mean anything.
00:42:02Dreams are just dreams.
00:42:03Tito.
00:42:04Fuck.
00:42:05We've all dreamed at some point about sleeping with Marina Castaño.
00:42:07And it doesn't mean anything either.
00:42:08What do you dream about?
00:42:10Leave it.
00:42:10Let's see.
00:42:11What I want to tell you is that...
00:42:12Choni is in Murcia.
00:42:15It's many hours.
00:42:16Without seeing you, you know?
00:42:17And hey, well, after many hours without seeing each other...
00:42:20What could that be, dude?
00:42:21Could that be it?
00:42:22So, that...
00:42:24I'm going to have to go to a hotel.
00:42:27Well, what we can't do is leave it there forever waiting for it to dry out like
00:42:30a ham.
00:42:30Yes, very good, beautiful.
00:42:31That's what we can't do.
00:42:32Now you tell me what we can do, okay?
00:42:35What if you tell Teté?
00:42:37Are you stupid?
00:42:38What's the matter?
00:42:39Do you think I've given you this much time to declare my feelings or what?
00:42:41No, Guille, no.
00:42:42I'm referring to what happened with Simon.
00:42:44Since she's smarter, maybe she'll come up with something.
00:42:46Yes, of course.
00:42:46No, we should tell Valdana.
00:42:49No, he was like a son to her, wasn't he?
00:42:51Okay, so how do we tell them?
00:42:53Look, Valdano, your mother is going to Argentina by plane, but if not, she'll go in a box.
00:42:56pine.
00:42:56But you're all stupid.
00:42:57In other words, to Valdano, but not a word.
00:42:59But not a word gets out of our mouths and we end up rotting in the coffin, man.
00:43:02Okay, that's enough.
00:43:02He doesn't care anymore whether he ends up in the pampas or in Argentina.
00:43:04God, God, the police.
00:43:05There, there.
00:43:06What does it say?
00:43:09Fuck.
00:43:14Hello good.
00:43:16Hello, officers.
00:43:17Can we come in?
00:43:20Is there a problem?
00:43:21Are we making too much noise or something?
00:43:23It's good that we lowered the music or turned it off, or not.
00:43:26No, don't worry, the music is the last thing to be turned off.
00:43:41Slippers!
00:43:42But you are not pigs.
00:43:45Okay, it's my turn.
00:43:46I ordered the basic farewell package and they asked me if you were the full package.
00:43:51Damn, Yoli, it was obvious, wasn't it?
00:43:53Yes, it's always clear to you.
00:43:55It's okay, Yoli.
00:43:56In fact, it's actually the best thing that's happened to him in a long time.
00:43:59Well, the second best.
00:44:09Well, well, and for me, eh?
00:44:11The best.
00:44:17Johnny.
00:44:18Celia.
00:44:19Johnny.
00:44:20Celia, are you here?
00:44:21Celia.
00:44:22Johnny.
00:44:23Celia.
00:44:27There's nobody here.
00:44:28Well, this woman could have gone to Mexico, the Congo, or Alaska.
00:44:32I've lost her, Santi.
00:44:33I lost her because I didn't have time to ask for her forgiveness.
00:44:35I've lost it.
00:44:36Santi, Fiti, yes, I lost her because I didn't have time to ask for her forgiveness.
00:44:38I've lost it.
00:44:39Fuck.
00:44:39They're here!
00:44:40Look!
00:44:40Look at the suitcases!
00:44:41Are...
00:44:43If the suitcases fit, it means they're...
00:44:44Let's go find them, come on, they're right here.
00:44:45Wait, wait a moment, wait a moment.
00:44:46What's happening?
00:44:47Damn, well, I was getting nervous and I couldn't get used to the airplane bathroom.
00:44:50Damn, I've been peeing myself ever since we left Santa Rosa.
00:44:52Let's see, let's see.
00:44:53It's not that way, it's here.
00:44:54Ah, you...
00:44:55Clear.
00:44:56Don't worry, brother, knowing they're in town, we'll find them for sure.
00:45:01Okay, okay.
00:45:09Oh, mother.
00:45:19Uh, what is it?
00:45:22That...
00:45:23What's that?
00:45:24What's that?
00:45:24A pregnancy test, which is nothing...
00:45:25Throw that away, go on, you'll see who put it on and where they went...
00:45:29He was there at the altar with me.
00:45:30There, there, there.
00:45:32Damn, oh my God.
00:45:36I say that everything fits together.
00:45:37The escape, the anger, the altar.
00:45:41That Celia is...
00:45:42No, no, no, no, Citi, no, no, no, no, no.
00:45:44It can't be that we're taking measures, damn it, it can't be.
00:45:46Measures?
00:45:46Measures?
00:45:47Measures, yes.
00:45:47Damn, remember that I took precautions too.
00:45:49The measurements are called Raúl and Calzo a size 43.
00:45:51Oh my God.
00:45:51But then, wow, you're so fertile too, damn it, you guys aren't either.
00:45:55be there.
00:45:55Neither you nor anyone else, I mean, come on, no, she's pregnant, come on, yes, Celia
00:45:59She is pregnant.
00:45:59Meanwhile, I was celebrating my birthday with my family, with everyone, and she was pregnant.
00:46:03There, with her in her condition, with the family, with the family inside.
00:46:05Don't worry, brother, we'll fix that right now.
00:46:09How many inhabitants does this town have?
00:46:11Eight.
00:46:13Or ten thousand, come on.
00:46:14And now during Holy Week it doubles.
00:46:20Well, it's one bar of soap and two barley juices, huh?
00:46:27What, what, what's going on?
00:46:28You didn't tell him anything about this, did you?
00:46:29No, not because you're going to tell him.
00:46:31Me, yes, you, come, come.
00:46:33Hey, look, if you don't want to say anything, neither do I.
00:46:36No, well, what's mostly been happening is that he's seen my aunt naked and he's...
00:46:39they have
00:46:39stew in the retina.
00:46:40To whom, Ana?
00:46:41Well, and another aunt is his wife, Fernando, focus, mate.
00:46:44Will you shut up, Raúl?
00:46:45Will you shut up?
00:46:46I'll be quiet.
00:46:47Let's see, let's see.
00:46:48No, the worst part is that the guy is obsessed because, damn it, are you climbing with
00:46:52she?
00:46:53Sorry, that's great.
00:46:54Have you told anyone else?
00:46:55I'm mostly interested in knowing.
00:46:57He hasn't told anyone, Tito, he hasn't told anyone.
00:46:59Hey, hey, hey, if we're going to talk about robotics there, damn it, let's sit down calmly.
00:47:02We're not going anywhere to talk because I have a lot of work to do here.
00:47:05Well, tell him here, mate.
00:47:07Dude, listen to him, damn, this guy is a genius, I've given him half the therapy.
00:47:10neighborhood.
00:47:11Let's see.
00:47:12Come on, come here.
00:47:18What's happening?
00:47:18What, what?
00:47:19Okay, what?
00:47:19What's happening?
00:47:20Look, José Luis, first of all, you don't have to be ashamed of having seen her naked.
00:47:24Not even in my wildest dreams, that's why.
00:47:25No, not even in my wildest dreams, I don't know what the case is.
00:47:28I'm the one who makes the little mess, okay?
00:47:29Shut up.
00:47:32Well, what matters is what you do, not what you dream about.
00:47:35Besides, you don't feel anything special for Ana, do you?
00:47:37What are you going to feel?
00:47:38What are you going to feel?
00:47:39Of course not, of course not.
00:47:40I'm from Choni.
00:47:42My heart and I belong to Choni, full-time.
00:47:44The thing is, the problem is that, well, my head's a little out of whack.
00:47:48nothing else.
00:47:48Okay, okay, okay.
00:47:49That's it.
00:47:49Look, don't worry, that's very normal, it's very normal.
00:47:51You've seen her naked, she doesn't seem vulnerable to you and all that, and it's created a kind of imbalance
00:47:55Between the two of us, okay?
00:47:57Imbalance.
00:47:58Yeah.
00:47:58But is there a solution to that, or...?
00:48:02Look, what you have to do is try to balance the situation that has happened between
00:48:06both.
00:48:10Balance?
00:48:13Look, Fer, don't feel bad, but all this Freud stuff, about dreams, about the
00:48:19Therapies, like the sodomy they talk about, are not for me at all, absolutely not.
00:48:25So if you'll excuse me, I have a clientele to attend to, a business to run, and like Freud
00:48:32He didn't come to work today, that's why.
00:48:34Hey?
00:48:35Thank you.
00:48:40Cover, cover.
00:48:41Good aunt!
00:48:42Come back soon!
00:48:43To the slate!
00:48:44Comes back!
00:48:45We had no idea you were minors?
00:48:46Don't worry, relax.
00:48:49Okay, see you later.
00:48:52Well, at least we had to pay for it.
00:48:55Land Nano's mouth.
00:48:56Is something wrong with you?
00:48:57You're acting a little strange, it can't be because of the strippers, because I really know that
00:49:00It was unintentional, it's okay.
00:49:02No, no, no.
00:49:03Sure?
00:49:03Is it just because of Valdano?
00:49:05Yes, it's just because of Valdano.
00:49:07Grandma, grandma, grandma!
00:49:09It's out there!
00:49:10Damn, I forgot to tell her not to come!
00:49:13But seriously, who's behind all this fuss?
00:49:16I'm hearing it from my house.
00:49:20That...
00:49:20So, that...
00:49:23Are you coming to the party?
00:49:25No, well, it's just a small party.
00:49:27Valdano returns to Argentina and...
00:49:28And to say goodbye.
00:49:30As?
00:49:31As?
00:49:31Yeah, I don't know.
00:49:34Hello.
00:49:35The thing is...
00:49:36Hello.
00:49:37We may never see her again.
00:49:40Never.
00:49:44Could be.
00:49:47Oh, really...
00:49:50That I let myself be seduced by a child.
00:49:54Okay, but not until twelve, right?
00:49:56And tomorrow you will tell your father everything.
00:49:58Okay.
00:49:59OK?
00:49:59Thanks a lot.
00:50:02Well.
00:50:03I'm going to see what's in the pantry.
00:50:05I'll make you some sandwiches.
00:50:06Because panchitos don't provide any nutrition.
00:50:08No no.
00:50:09No.
00:50:09That?
00:50:10No no.
00:50:11That...
00:50:11Don't be offended, Carmen.
00:50:13But what a grandma's party, well no.
00:50:16Yeah.
00:50:17Yes, of course, son.
00:50:18Well.
00:50:18This is like the parties from my time.
00:50:23Well.
00:50:24Well, I'm leaving, okay?
00:50:27Currito.
00:50:29You'll be bored among so many older people.
00:50:31Do you want to come with me?
00:50:32No no.
00:50:33Yeah.
00:50:33I was about to go to bed.
00:50:37Well, that's it.
00:50:38I'm leaving you now, okay?
00:50:40Okay.
00:50:40We'll be with you.
00:50:41Until twelve, okay?
00:50:42Only.
00:50:42Okay, okay.
00:50:42Until twelve o'clock.
00:50:43Don't worry, really.
00:50:47Damn, damn.
00:50:47They'd have to get him out of here, but I know my grandmother and she's capable of coming back.
00:50:50twelve o'clock.
00:50:52Fuck.
00:50:53Grab the bottle of whiskey, which is on top of the mother.
00:50:55Runs.
00:51:00Bonicha, help me, damn it.
00:51:03Okay, that's it.
00:51:04That's it.
00:51:04We sprayed each other with whiskey and said goodbye to Spain.
00:51:06A crazy night.
00:51:07Don't read to see what happened, okay?
00:51:08Okay.
00:51:14Okay, come on, guys.
00:51:15Let's go to the living room, you'll do it since it's right there, okay?
00:51:17Maybe we have another little surprise in store for you now.
00:51:19Come on.
00:51:20Hey, how are you guys doing?
00:51:22Good, right?
00:51:22Cool, cool, okay.
00:51:24Fuck.
00:51:26Come on, come on, come on, come on.
00:51:29Come on.
00:51:29Hey, you're a terrible drinker, Simon.
00:51:33Simon, don't drink, no, no.
00:51:35Don't drink too much.
00:51:37Fuck.
00:51:38Come on, come on.
00:51:40Okay, now.
00:51:41Come on.
00:51:44Come on.
00:52:04Holy Mary, Mother of God.
00:52:07Does it hurt a lot?
00:52:09No.
00:52:10A promise is a promise.
00:52:12See you later, Tony.
00:52:13Goodbye, Camilo.
00:52:15And that one?
00:52:15He tried to seduce me.
00:52:18It's not that I didn't pay any attention to him.
00:52:19He's from here, from the village, from the horses.
00:52:21Horses?
00:52:22The horses.
00:52:23Here, each of us has our own nickname.
00:52:24They are the horses, we are the salty ones.
00:52:26Imagine the creatures, they would have been salty horses.
00:52:29Too much saltiness.
00:52:30Too much.
00:52:31Goodbye, Angustia.
00:52:32Saint Mary.
00:52:33Let's see, this way, this way.
00:52:35Celia is pregnant.
00:52:36Six children, can you see that now?
00:52:39I want it synchronized, brother.
00:52:40I felt sorry that my Santiago didn't have a little cousin to play with.
00:52:43Yes, Diego.
00:52:44If children are the joy of life, it doesn't matter how old you are.
00:52:47Children, brother, are the flowers of life.
00:52:49But yes, I say you'll see what joy it is when you hold the little dwarf in your arms.
00:52:53No, the little dwarf, the little dwarf.
00:52:54Yes, sorry.
00:52:56I don't.
00:52:57Man, I'm really excited, I'm being honest, to have a baby girl.
00:53:01A mountain woman with Mayan or Aztec blood.
00:53:04Because Celia is so beautiful.
00:53:05Yes, yes, yes.
00:53:05It would be best if Celia's genres win.
00:53:08What do you say, man?
00:53:08My brother has an impeccable plant.
00:53:10Now, the difficult part will be making sure it's a girl.
00:53:11Because we mountain folk have always produced males.
00:53:14That's true.
00:53:15And what are you going to do?
00:53:16About what?
00:53:17I mean, if you're going to continue living in what is essentially your house and she's going to live in the
00:53:20his.
00:53:21Guys, no, frankly, because it's not the one that weighs yet.
00:53:23Diego, you have to do things right.
00:53:26My brother always does things right.
00:53:28You know what I'm saying?
00:53:30I'm going to ask her to marry me.
00:53:32What do you see?
00:53:32How does he do things right?
00:53:33Good, good, man.
00:53:34Very good.
00:53:34Well, I know, damn it, but the thing is, we have to give your brother a little push.
00:53:37that it gives a reaction on such a day.
00:53:39Let's see if it's too late, because it might be too late.
00:53:41There it is, there it is.
00:53:43She's crouching down, there, yes, yes, yes, yes.
00:53:44Celia, Celia.
00:53:46Celia, it's me, Diego.
00:53:47Celia, Celia, Celia.
00:53:48Pussy!
00:53:48Here it goes.
00:53:49No, no, excuse me.
00:53:50Excuse me, sir.
00:53:51Sorry, sorry, sorry, sorry, sorry.
00:53:55Sorry, sorry, sorry.
00:53:56Sorry, sorry, sorry.
00:53:56Poor man.
00:53:57Pull, pull, pull.
00:53:58Sorry, sorry, apologies.
00:54:00That's his thing.
00:54:01It's impossible, we can't find it, damn it.
00:54:02Yeah, damn, but Marco found his mother in Argentina...
00:54:05What, Marco?
00:54:06Marco, damn it.
00:54:07Look, these are my domain, follow me.
00:54:09I've raced my share of times around here with the Diablo derby.
00:54:11Go that way.
00:54:20We are marked.
00:54:21We are murderers.
00:54:24I feel like I've lost my innocence.
00:54:27Because my childhood is gone, yes, for sure.
00:54:31We have to accept it, guys.
00:54:33This has changed us.
00:54:35We're going to live with this secret for the rest of our lives.
00:54:39Guys, sorry, I have to go in a minute.
00:54:41My mom just called me, she says it's urgent.
00:54:43What, what?
00:54:45Urgent, urgent, let's see, urgent in a good way or in a bad way.
00:54:47How does that sound to you?
00:54:48I don't know, I don't know, I'll come back and tell you.
00:54:49What do you mean you don't know?
00:54:49Valdaro, please, I say.
00:54:50I don't know, I don't know.
00:54:53Damn, his mother's looking for him, man, she's looking for him.
00:54:56They're going to start pulling at the thread and they're going to find out it was us.
00:54:58And it's going to stop being a secret.
00:55:05Do you know what pisses me off the most about going to jail?
00:55:11That I didn't dare to go all in with T.T.
00:55:15Damn, we're going to jail as virgins.
00:55:18Well yes.
00:55:20And when we're 40 tacos old,
00:55:23We'll see who's going to want to sleep with a...
00:55:26forty-something, prisoner, and virgin.
00:55:29Nobody can.
00:55:30Nobody will want it.
00:55:44Are you going to a hotel?
00:55:45Come on, have a cold fight and stop with the nonsense already, man.
00:55:48She's already given it to me, I'm frozen.
00:55:49Raúl, but nothing more.
00:55:51Ice cream, but nothing else.
00:55:51But let's see, I mean, what if you don't go crazy?
00:55:54You just need to make it a little more natural.
00:55:56But he lives up here, you understand?
00:55:58You can't be running away from her your whole life.
00:55:59Not so easy.
00:55:59She's my aunt now, too, dude.
00:56:01Not so easy.
00:56:01Not so easy.
00:56:02Well, look, do whatever you want.
00:56:04I'm leaving, there's still time to fine-tune.
00:56:05See you later.
00:56:07That's it, see you later.
00:56:09What the hell?
00:56:10If you could handle Laurín's showers, you can handle this.
00:56:13Every little moment.
00:56:16I'll balance this out.
00:56:17Okay, I'll tell you.
00:56:21The peculiarities of this Holy Week in León.
00:56:24We kept the habit of going out to drink in the wet district...
00:56:28What great packages, how delicious, right?
00:56:30Want?
00:56:30Is there more in the microwave?
00:56:32Yes, yes, I'm going to...
00:56:34For a small plate, yes.
00:56:37Tradition tells that the authorities of the time
00:56:41They invented this custom
00:56:42to prevent the people from going out into the streets these days
00:56:45to the house of the Jews.
00:56:51And so?
00:56:52What are you doing, José Luis?
00:56:54Cover yourself up!
00:56:54No, Ana, I've seen you naked, so look at me.
00:56:57No, yes, yes, look at me.
00:56:58Honestly, it's not necessary.
00:56:59Ana, look at me.
00:56:59Yes, yes, yes, it's very much needed because there's a huge imbalance.
00:57:02So look at me, please.
00:57:03No, you...
00:57:03No, and look at me.
00:57:04And when I tell you to look at me, look at everything, absolutely everything.
00:57:07Because I want it to stay etched in your memory...
00:57:09Yeah, yeah, get a grip.
00:57:11Get a castration, please.
00:57:11Are you sure you've seen everything?
00:57:12I've seen it all.
00:57:14Well, that's all.
00:57:15You're happy now.
00:57:16Well, that's it, thanks.
00:57:18Ah!
00:57:18What, what, what, what!
00:57:19Cover yourself up!
00:57:19Yes, what?
00:57:20Ah!
00:57:21That's it.
00:57:22The sleeve is not here.
00:57:25Already.
00:57:27That?
00:57:28Already.
00:57:29What do they wear...
00:57:30What kind of apaghetti do they carry?
00:57:32What are they wearing?
00:57:32That?
00:57:34That?
00:57:37Santi!
00:57:38Santi!
00:57:40Sorry, sorry, sorry.
00:57:41Sorry, sorry, sorry.
00:57:42What do the apaghetis contain?
00:57:43Guys, what?
00:57:44That's it, relax.
00:57:45I am lucky.
00:57:45It is possible to know where the void is,
00:57:46that half the procession has passed.
00:57:48I see nothing but...
00:57:48Campas and mantillas!
00:57:49Campas and mantillas!
00:57:50Hush, hush!
00:57:50Follow me, Santi, follow me.
00:57:51Where?
00:57:52Where are you going?
00:57:53Where are you going?
00:57:53Where are you going?
00:57:54Where are you going?
00:57:55Where are you going?
00:57:55Where are you going?
00:57:57Where are you going?
00:58:03Where are you going?
00:58:04Get off that right now.
00:58:05Get off that, Diego.
00:58:07Damn, you need to change the concept.
00:58:09It's not about you seeing,
00:58:10but so that they see you.
00:58:11No, Fiti, no.
00:58:12You're doing me a favor.
00:58:13Well, this is show business.
00:58:14Damn, the more deployment,
00:58:16more success.
00:58:17Oh, Fiti, I'm watching the deployment,
00:58:18But I don't see success anywhere.
00:58:19This isn't going to work.
00:58:20Do you think the Rollins
00:58:21they have arrived where they have arrived
00:58:22by a single light cannon?
00:58:24No?
00:58:24Damn it, shoot, let's see it...
00:58:25At the center of the Rollins,
00:58:26Don't you realize we're in a small town?
00:58:27that there are some traditions here
00:58:28Are we going to offend these gentlemen?
00:58:30Sorry, it'll only take a minute.
00:58:32That getting married is also a tradition.
00:58:34Shut up.
00:58:36Oh, Celia, I'm sorry.
00:58:37Sorry.
00:58:38Oh, the miracle has happened.
00:58:39Sorry.
00:58:40That a miracle has occurred.
00:58:41But what?
00:58:41What are you taking about?
00:58:42Damn, look.
00:58:45Look.
00:58:46There it is.
00:58:47There it is.
00:58:53Honey, I don't mean to steal the spotlight from you,
00:58:55But come on,
00:58:56that it worked for you
00:58:57I can already see myself getting pregnant.
00:59:05No, woman.
00:59:33Luismi,
00:59:34The mantle of Christ has been revealed to us.
00:59:36Fuck.
00:59:43No, because I saw it folded up there
00:59:45And so old and all, well...
00:59:47Cover, cover, Fifi, cover.
00:59:49For God's sake, cover it up.
00:59:50Strip.
00:59:59Damn, man.
01:00:01I'll get over this, okay?
01:00:04Guys, we have to try to get through this
01:00:05as best as possible.
01:00:07Life goes on.
01:00:09Well, he's right, what the hell, griche?
01:00:12Hey, Tete.
01:00:14Tell me.
01:00:14Can I talk to you for a moment, please?
01:00:16Yeah.
01:00:18Alone.
01:00:24Let's see, there.
01:00:26Happens.
01:00:27To Tete's.
01:00:28Yes, yes, yes.
01:00:30Okay.
01:00:35Tell me.
01:00:35Okay, you can go now.
01:00:40Damn, and on top of that, he's not even alive!
01:00:41Ah, yes, of course!
01:00:43Ah!
01:00:43Ah!
01:00:43Ah!
01:00:44Oh, you nasty bastard!
01:00:44Come, come, come, come!
01:00:46That's why you're acting so strange.
01:00:47Why are you here?
01:00:49What is this?
01:00:50Oh, really.
01:00:50Hey guys!
01:00:51Hey, come here, come here!
01:00:52Come in, come in, come in, come in.
01:00:54What are you doing here, Simon?
01:00:55I don't know.
01:00:56Well.
01:00:57I think I had another attack.
01:00:58I don't remember anything.
01:00:59Let's go to the bathroom, Unip.
01:01:00Sorry guys, he's cataleptic.
01:01:01He has a seizure if he doesn't remember anything.
01:01:03But, oh, what a stench.
01:01:07Poor thing, isn't he?
01:01:07Listen to this, listen to this.
01:01:08Did they upload it here and not tell me anything so they wouldn't ruin my party?
01:01:11Yeah.
01:01:12Yes, that's it.
01:01:13Okay, listen to me, listen to me, listen to me, listen to me.
01:01:15What I have to tell you.
01:01:16Forget about everything because there's no goodbye or anything.
01:01:19My mom and Simón are going to live in Argentina, but I'm staying with Perla, my great-aunt.
01:01:22As?
01:01:22You know?
01:01:23Yes, I'll have to change his diapers, but I'm staying.
01:01:25That's great!
01:01:25I'm staying!
01:01:27I'm staying, guys!
01:01:29I'm staying!
01:01:29You're staying!
01:01:31The fool stays!
01:01:33The fool stays!
01:01:39Go ahead, come in.
01:01:41Happens.
01:01:41Sit there, cheer up.
01:01:43May it heal you.
01:01:50Careful.
01:01:52Absolutely, wow.
01:01:54What a joy, huh?
01:01:56The Diego and Celia thing.
01:01:57It's great to see people in love, damn it.
01:01:59Yes, much joy.
01:02:03Okay, come on, let me give you a little bandage there.
01:02:06God, how is that?
01:02:09What a beast, really, huh?
01:02:11I've done something to you, so it's nothing.
01:02:16You remember when you were little, huh?
01:02:18That there was no one to cure you.
01:02:20You looked like the girl from The Exorcist.
01:02:22Well, Mom did, Mom could.
01:02:26Because I had to invent stories, tell you stories so you wouldn't cry.
01:02:30The one with the little hen.
01:02:33The one from...
01:02:36Chony.
01:02:38Chony, damn it.
01:02:40What's the matter?
01:02:43Do you remember Mom?
01:02:46No, that's it.
01:02:48What's the matter?
01:02:52Now I won't have anyone to tell the story of the little hen to.
01:02:56As?
01:02:59No way, man.
01:03:03I thought I was pregnant, Fiti.
01:03:06And my period has come down.
01:03:08And so, foolishly, on the bus for Mayri.
01:03:11No, I didn't know anything.
01:03:14Carina, what did I know?
01:03:16I don't know what to tell you.
01:03:20Nothing.
01:03:23Now, then...
01:03:27Keep trying.
01:03:28Sure, sure.
01:03:30And that's it.
01:03:31That's it.
01:03:32Next time I'll take the tea to Saint Jude Thaddeus, who is the patron saint of impossible causes.
01:03:36Let's see if that works...
01:03:37Tea.
01:03:38Did you say tea?
01:03:40Pregnancy tea?
01:03:43No, the intelligence one.
01:03:45Fiti, the pregnancy tea, Fiti.
01:03:47Tea, tea.
01:03:48Wait a moment, Choni, wait.
01:03:50My love.
01:03:51My love, if I tell you that I've missed you a lot, that's an understatement, damn it.
01:03:56Hey, you, darling.
01:03:57José Luis, there's no hot water.
01:04:01That wasn't it.
01:04:02Hey?
01:04:04That?
01:04:04Well, son, tell me that wasn't Anita.
01:04:08Queen.
01:04:09Everything in this life has an explanation.
01:04:12And I'm going to give it to you.
01:04:13What explanation?
01:04:14But what explanation?
01:04:15Well, let's assume there was no privacy on the bus, that's why...
01:04:18And I don't want to pressure you.
01:04:20But Celia, you haven't answered me.
01:04:26Isn't the sunrise beautiful?
01:04:30Yes, yes, yes, it's very beautiful.
01:04:34But then, does that mean no?
01:04:37Diego, it's not that I don't...
01:04:38Forgive me, forgive me, forgive me.
01:04:41How can there be privacy here?
01:04:42Fiti is such a pain, we said goodbye two minutes ago.
01:04:45Excuse me, where were we?
01:04:47Ah, yes.
01:04:48In other words, it's not a no.
01:04:50It's not that I don't.
01:04:50That's a no, Ana.
01:04:51No.
01:04:53Diego, what you've done has been beautiful, but...
01:04:56I don't know, don't you think we're rushing things?
01:04:59No.
01:04:59No, no, Celia, I don't believe it at all.
01:05:01Come on, no, no, no.
01:05:04I don't know, Diego.
01:05:07I...
01:05:08If I left, it was to think, because I wasn't sure what I meant to you.
01:05:11Yes, no, very bad, Celia, for God's sake.
01:05:13But how can you not be sure, please?
01:05:15But, if you are for me, really...
01:05:17I don't know how to explain it, because the words won't come to me right now, but you, for me...
01:05:22Well, you're like the epicenter of my earthquake.
01:05:25I know they weren't coming out right, I already told you that the words weren't coming out right, but no.
01:05:27But it's like that, it's like, really...
01:05:32Celia, I love you.
01:05:36You love me, don't you?
01:05:39Of course I love you, Diego.
01:05:41Okay, so what then?
01:05:43What else can I do?
01:05:45Do we need to bring out the banner again?
01:05:46No, no, no.
01:05:47No, no, no, no, you're right.
01:05:48No, no, no, no, I can think of a more classic way to ask you.
01:05:51I'm going to get down on my knees, aren't I?
01:05:52No, no, no, but Diego, you don't need to get on your knees, really...
01:05:58Yes.
01:06:00Yes, I do want to marry you.
01:06:13Okay, well, that's it.
01:06:15So, what do we do now?
01:06:17What do we do?
01:06:18I don't know, you'll want to see your children.
01:06:22Yes, to my children.
01:06:24Yes, yes, yes I want to see my children, do you know why?
01:06:26Because?
01:06:27What is more important in this life than a child?
01:06:30What's up?
01:06:30So, no?
01:06:31Well, very few things.
01:06:33Yes, I want to see my children, yes.
01:06:35Dad, you've arrived.
01:06:36How are you, son?
01:06:37How are you?
01:06:37Good morning.
01:06:40How are you?
01:06:41Okay, so, make him have breakfast, okay?
01:06:45But we have to...
01:06:47See you.
01:06:49See you.
01:06:53Mr. Celia.
01:06:57Do you know why he arrived?
01:06:58Do you know why?
01:06:59Yeah.
01:06:59It's because family is the most important thing in life, my son.
01:07:02Family, how can I explain it so you understand?
01:07:04The family is the one she sought in perfection.
01:07:05He sought it in perfection.
01:07:07He sought it in perfection.
01:07:07That's it, son, that's it.
01:07:08You see it that way too, don't you?
01:07:10I think it's very worn out, Dad.
01:07:12I'm very tired.
01:07:12Are you very tired?
01:07:13Pull, pull.
01:07:13I'm going to prepare something for you.
01:07:16Hello.
01:07:17Good morning.
01:07:18Good morning.
01:07:24Look, I know what you did that night.
01:07:27Yeah.
01:07:30The fact that?
01:07:31The fact that?
01:07:32I know that perfectly well.
01:07:34We spent the whole night playing mystery games, like little marfians.
01:07:36Until late.
01:07:37Yes or no?
01:07:38Yeah.
01:07:38Yeah.
01:07:40Yes, well, I ended up playing it too, and so did everyone else.
01:07:43No, no, no.
01:07:44It's not a big deal, but this can't be.
01:07:47That can't be because, let's see, younger siblings have to take care of older siblings.
01:07:51No, older siblings have to take care of younger siblings.
01:07:53And that's it.
01:07:53And above all, that is, the older brother takes care of the younger brother.
01:07:56This is very important.
01:07:57Because children need to be cared for.
01:07:58So, there will always be a little one in this house.
01:08:00Always, please.
01:08:01But, Mom, yes, yes, yes.
01:08:02I'm not that small.
01:08:03No, not you.
01:08:04I mean, like, just remember this.
01:08:06The brothers take care of each other.
01:08:08Especially the older ones towards the younger ones.
01:08:09Yes indeed.
01:08:10That?
01:08:10And how are things with you and Celia?
01:08:13Do I forgive you?
01:08:15Well yes.
01:08:16Well, you could say he forgave me.
01:08:18Yes, you can say that.
01:08:19Yes, sorry.
01:08:19Forgive, please forgive.
01:08:22Fuck.
01:08:23Fiti, listen to me.
01:08:24No, no, listen to me.
01:08:25And forgive me for saying so.
01:08:26I forget that affection.
01:08:27What you have is more than friendship, it's obsession.
01:08:30Hey, ever since...
01:08:31I don't think he wanted to talk to you.
01:08:32I'll take it.
01:08:33Okay.
01:08:34I'll take it.
01:08:34I'm in the tavern with my family and now...
01:08:36See you later.
01:08:36Bye bye.
01:08:37Hello good morning.
01:08:39Carmen, how are you?
01:08:40Lot size, at last.
01:08:41Celia has forgiven her.
01:08:43Ah, that's great, Diego, isn't it?
01:08:46Well, and on top of that, you come back and the house is cleaner than when you left, huh?
01:08:51Yes, no, no, no, no.
01:08:52That's what they're going to tell me, Carmen.
01:08:53And you're right.
01:08:54I complain for the sake of complaining.
01:08:55That's true, yes.
01:08:56I have doubted you.
01:08:58Forgive me, but I had my doubts...
01:08:59Yeah.
01:08:59But I've realized...
01:09:00No, no, but I've realized that I can trust now.
01:09:02Because?
01:09:04You've grown up now.
01:09:06You have made me very happy.
01:09:07Truly, son of God.
01:09:08No, no, no, no.
01:09:09No, for God's sake, don't bother, son.
01:09:10I'll be right there.
01:09:11Thank you, children.
01:09:11Thank you.
01:09:13Thank you.
01:09:15God, huh?
01:09:16Yes, tell me.
01:09:17Hi there.
01:09:18Hi how are things?
01:09:18Look, sorry, it's just that we did a service here last night.
01:09:20I think I left my wallet behind.
01:09:21As?
01:09:22A service?
01:09:23Yeah.
01:09:24A...
01:09:26A service.
01:09:27A service.
01:09:27A service.
01:09:28Here.
01:09:35Hi, girls.
01:09:36Hello.
01:09:37Okay, okay, get ready, you already have all the parents sitting there in the classroom and me
01:09:40a little nervous.
01:09:42A little nervous.
01:09:42No, it's the first time.
01:09:44Calm down, woman.
01:09:45Valeria, Valeria, let Alejandro start, okay?
01:09:47She is madly in love with Alejandro, he won't let her live, he bites her, he pulls her hair.
01:09:50I think monkeys.
01:09:51Yeah, well, you'll see, okay?
01:09:52You'll see in Teguín, eh?
01:09:53Soon he'll be conquering girls.
01:09:54Or children.
01:09:56That?
01:09:58Little shoulder pads?
01:09:58Little shoulder pads?
01:10:00My file.
01:10:01Should I stay?
01:10:02Should I stay?
01:10:03But what?
01:10:03But what joy, Matías!
01:10:05Well, you have no idea how much I've prayed for you.
01:10:09Listen, what was I going to say?
01:10:10Let's save.
01:10:11Yeah.
01:10:12Do you know of any free centers where they keep the elderly entertained?
01:10:15around here in the neighborhood?
01:10:16You are my best friend.
01:10:18Okay, I understand that she seemed strange before because she was going to Valdano, but now
01:10:20He's not leaving, what's going on?
01:10:22Well, look, if it's because of Valdano, I saw you kissing in the bathroom.
01:10:35You're a bastard!
01:10:36No!
01:10:37It's not that sad, you son of a bitch!
01:10:39William!
01:10:40William!
01:10:41Guillermo, to my office!
01:10:42To my office!
01:10:43Are you dead to me?
01:10:44Yes, no, huh?
01:10:46Violence is not tolerated at this school!
01:10:57You are, Diego, from yesterday you were coming in a minute and look at the time now.
01:11:00Well, it hasn't been weighed.
01:11:01Look, I'm really having a bad day today, aren't I?
01:11:03Damn, I have other lives besides yours, don't I?
01:11:05Well, Santi, Guille, one day he died of a shock.
01:11:08I just got a call from the school and they told me he hit the Argentinian.
01:11:11But shaken, but old.
01:11:12That's today, from yesterday.
01:11:13Behold.
01:11:16What is it?
01:11:18My son is a pervert, damn it.
01:11:20A pervert and a perverter.
01:11:21Yes, this is tragic, Diego.
01:11:24I'm not saying no, nor am I downplaying its importance.
01:11:27But...
01:11:27That?
01:11:28But I wanted...
01:11:29That?
01:11:30I wanted to tell you something else.
01:11:32Sit down, sit down.
01:11:33Celia.
01:11:35There's something I wanted to tell you that I just found out.
01:11:38You've already been told that, haven't you?
01:11:40You know we're getting married.
01:11:41Choni, I wanted to tell you, but the truth is I hadn't been able to find you.
01:11:44Yes, darling, but listen, it's something else entirely.
01:11:49Look, sit down.
01:11:50Let's see.
01:11:51As for the date, the specific dates, we haven't discussed that.
01:11:54We haven't talked about that yet.
01:11:55But hey, I'll get married when I want to.
01:11:57It gives me the impression...
01:12:00What's wrong with you?
01:12:00Can you tell me why you're not congratulating me?
01:12:02Congratulations, Diego.
01:12:04Congratulations.
01:12:04Thank you, thank you.
01:12:05Yes, thank you, brother.
01:12:06Wait, Diego, what I wanted to talk to you about, you know, about what's coming.
01:12:11being the pregnancy.
01:12:14Oh, what?
01:12:16Hey...
01:12:16There is no pregnancy.
01:12:19What do you mean there's no pregnancy?
01:12:22Has something happened to Celia?
01:12:22No, no, no, no, no, no, calm down, that's not it, calm down, calm down.
01:12:26What has happened, mostly...
01:12:29A misunderstanding.
01:12:30So it's a misunderstanding, a misunderstanding, that they saw your photos there, the pregnancy test, and they...
01:12:35They're not very bright...
01:12:39So, Diego thought I was pregnant.
01:12:43Of course, that's why he asked me to marry him.
01:12:45Yes, but woman, he was going to ask you anyway.
01:12:48He was sure he was going to ask you to marry him because you two, damn, it's so obvious, it's so obvious.
01:12:52It's clear that you two are perfect for each other.
01:12:55That...
01:12:55Yeah, so...
01:12:58What, what, what, there's no daughter anymore, come on, what...
01:12:59No, no, I mean, there isn't, there isn't, but, but there will be, there will be.
01:13:03Damn it, Diego, don't fool yourself, what you really needed was a little push, huh?
01:13:08Because you either had the idea of getting married, or you were going to have it, or you didn't.
01:13:11Yes, yes, and besides, I'm a man of my word, so this is going to go ahead.
01:13:15As if nothing had happened.
01:13:16Good, good, good, good.
01:13:19That's it?
01:13:21Good morning.
01:13:23Well, you already know that we're going to see the choreography that the girls have prepared in ballet.
01:13:26And all this thanks to... to this favor...
01:13:29Well, to this amazing teacher we have.
01:13:31Africa.
01:13:36Thank you, thank you.
01:13:38Well, I hope you like it.
01:13:39And then, if you're interested in having a copy, just let me know and I'll make them, okay?
01:13:45I'm going to...
01:13:50Oh, please.
01:13:53Oh, how beautiful.
01:13:56Africa, how did you make the headdresses?
01:13:59Oh, how funny.
01:14:00Look, look, look, look, look, Sara.
01:14:02Oh, how funny.
01:14:05How beautiful, please.
01:14:08What a beautiful innocence.
01:14:10Now that I haven't seen you naked, it's your turn to see me like this.
01:14:13Come here, look at me.
01:14:15Ana, look at me, please, look at me.
01:14:17You can see its tail.
01:14:20Excuse this...
01:14:21Because it is a computer virus, we apologize for the inconvenience.
01:14:24Are you...
01:14:25Are you...
01:14:26Look, I'm not telling you what you are because what you are has a name.
01:14:30It has a name and I'm not going to turn it on here.
01:14:32Of course, Ana, of course.
01:14:34It doesn't surprise me, daughter, it doesn't surprise me that you're alone.
01:14:37And you will find yourself more alone than filthy.
01:14:39You're a vigora!
01:14:40Ana, wait, wait.
01:14:49Hello.
01:14:50How are you, Celia?
01:14:52I want to talk to you.
01:14:53Ah, yes, yes.
01:14:55Would you like something to drink?
01:14:56Uh, no, nothing, thanks.
01:14:57Okay.
01:14:59At least he came.
01:15:01And that, with my brother, is very important.
01:15:04I don't know, my brother with his pickaxe, I mean, for the cat.
01:15:06Let's see.
01:15:07Tell me.
01:15:08That...
01:15:08Choni told me everything.
01:15:11What Choni?
01:15:13Ah, Choni, now...
01:15:14Yes, yes.
01:15:14And well, now I know why you asked me to marry you.
01:15:19And that says a lot about you, Diego, but...
01:15:22I believe that the circumstances are different now.
01:15:26So we left it at that.
01:15:29Let's see if I can at least read his lips.
01:15:30Come on, Celia, let's see, it's not that either.
01:15:33No, no, no.
01:15:34So, yes, I did tell you that if we get married, well, let's go, partly for the children.
01:15:39I mean, but also because I love you.
01:15:40So, that...
01:15:41What I mean is, if you want, then we can get married, right?
01:15:49Yes, yes.
01:15:51Actually, that's true, but your brother is stupid.
01:15:53Honestly, Diego, don't worry.
01:15:55That's fine.
01:15:57Well, if that's what you want, I don't know, well...
01:16:00Yes, yes, that's what I want.
01:16:02Good.
01:16:03Let's continue like this, being boyfriend and girlfriend.
01:16:06It's the best.
01:16:08Okay.
01:16:11I'll call you later.
01:16:12Okay, we'll talk later.
01:16:14See you later.
01:16:20He's taken a dump, hasn't he?
01:16:22That's a shame, brother.
01:16:23It's a shame.
01:16:24Pussy.
01:16:25Diego.
01:16:25If that's the case.
01:16:26If that's the case.
01:16:27If that's the case.
01:16:28I said if that's the case, damn it.
01:16:32AND...
01:16:32Celia isn't coming.
01:16:34Well, the same.
01:16:34Well, I don't know.
01:16:35I don't know why it has...
01:16:36If you have time, yes.
01:16:37But what I don't know is how he talks to you.
01:16:40If that's the case, we'll get married.
01:16:42But how could you even think that, Diego, that we should get married?
01:16:44They cannot be in the same sentence.
01:16:46I know, Fiti, I know, but don't give me a hard time
01:16:47because I've already frozen myself.
01:16:48Okay, I'm going to throw.
01:16:49Six times.
01:16:50I've called him six times.
01:16:52She must be furious, because what's the point, Ana?
01:16:53Don't answer my phone.
01:16:54That?
01:16:55How could you even think of getting all dolled up in front of Ana?
01:16:57Hey?
01:16:58What a mess he's gotten us all into.
01:16:59But did you get drunk in front of Ana?
01:17:02But you haven't noticed.
01:17:03But Salas is on the Internet.
01:17:05How on the internet, you wretch?
01:17:07Showing everything online like they did to the people in the cabins?
01:17:09I've told you a thousand times, chatunga.
01:17:10Fernando recommended it to me.
01:17:11I've told you two thousand times.
01:17:12But what is he going to recommend?
01:17:13Fernando told you to undress.
01:17:15Yes, ma'am, yes.
01:17:15Yes, since I saw her naked, I had to balance things out.
01:17:18Let's see, let's see, let's see, you had seen her.
01:17:20But let's see, when?
01:17:21Where?
01:17:22And at what point?
01:17:23And for how long?
01:17:23Look, next time you don't quite understand what Fernando is saying,
01:17:26First you ask him.
01:17:27Oh, poor man.
01:17:28It won't be able to handle it.
01:17:30One thing, Guille.
01:17:31Speaking of nudity, you and I have an unfinished topic.
01:17:34I hope it's not posted on the internet.
01:17:35I hope he's not...
01:17:36You know what I'm talking about, right?
01:17:37Yes, Dad, but then...
01:17:38Okay.
01:17:39I, Dad, was asleep.
01:17:40I didn't know anything.
01:17:41Very good, son.
01:17:42Let me see, my son, the little shame you have.
01:17:44When my shame finally broke...
01:17:45Can you what?
01:17:46Are you going to explain to me why you acted like that with Maldano?
01:17:48Well, no.
01:17:53It's not because...
01:17:57Why did it bother you that we kissed?
01:18:06And if I had liked it, I would have been very pleased.
01:18:09That's it, chatunga, that's it.
01:18:10That's it, don't torture me anymore, man.
01:18:12No, no, no.
01:18:14They're quite embarrassing, hanging there on the internet.
01:18:16Thank goodness I'm well-endowed, otherwise...
01:18:18What are you saying, ghost?
01:18:19What are you saying?
01:18:20What are you talking about?
01:18:21No, no, no.
01:18:22What are you going to do now?
01:18:23Well, I don't know, Santi, I don't know.
01:18:25Well, yes, I do know.
01:18:26In other words, do what you should have done a couple of days ago.
01:18:29Just leave it to weigh down and that's it.
01:18:31Let me tell you something, because...
01:18:33Call the mariachis again?
01:18:36No no.
01:18:36Okay.
01:18:38Okay, okay, okay, I don't want any cliques.
01:18:40A little beer for me and one without for Feliciano.
01:18:42The city council's financial hardship is over.
01:18:45that will tear up the street of the faverna.
01:18:46Well, there's a windbag.
01:18:48With the tubes or hammer.
01:18:49Pedestrian street, mostly no.
01:18:51She bought these socks to wear on that swimming course in Santiago.
01:18:54Listen, he has muscles I didn't even know existed.
01:18:57How are you?
01:18:58Christopher.
01:18:59Sonia, delighted.
01:19:00Your bread against my bread.
01:19:01The mechanic candidate is speaking.
01:19:02Which?
01:19:02Is it a banknote?
01:19:03It's a banknote.
01:19:04Well, I eat a lot of pasta and there are four of us.
01:19:06There are six of us.
01:19:07What we can do is save it until the end of the day
01:19:09And if nobody claims it, we'll keep it.
01:19:11Are you not going to flirt with that man anymore?
01:19:12Was there a very good time in the afternoon?
01:19:14I've lost 500 euros from the end-of-year trip.
01:19:16If you see them, please let me know.
01:19:17What's missing?
01:19:18Take out your ticket, because I'm going to return it here.
01:19:21Give it to me.
01:19:22What can I give you?
01:19:23Give me a little smile.
01:19:24Come here, great one, brother!
01:19:26You are opposing me.
01:19:27I challenge you to a face-to-face like Mariano and José Luis, and I hope you win.
01:19:30Raúl, I'm a textbook cuckold, damn it.
01:19:33You spend more days in the ER than Dr. House, believe me.
01:19:35No, no, no, no, no, if it's going to start from there.
01:19:37No, no, no, no.
01:19:37That's where we'll start.
01:19:38No, no, no.
01:19:40Has anyone seen Ana?
01:19:41He is with Diego, who was going to help him prepare for the debate.
01:19:43I know it was just a few kisses, but for me it was something more.
01:19:46And to top it all off, I made a huge mistake last night.
01:19:49It was great.
01:19:50I've finished it.
01:19:51I want to quit, Diego.
01:19:52What has it left me with?
01:20:01Thanks for watching the video.
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