Los Serrano - 6x05 - Il bambino della strada - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Emilia recibe la invitación de boda de su ex-marido en Milán, evento al que debe acudir para mejorar las condiciones económicas de la pensión que percibe para la manutención de su hija. Fiti, por su parte, se ofrece a acompañar a su jefa y brindarle su apoyo moral, iniciativa que ella acaba aceptando. Al ver el interés que suscita el próximo encuentro del Real Madrid en Diego y Santiago, el ex-mecánico de Santa Justa sorprende a sus amigos regalándoles los billetes y entradas para ver el partido que disputarán el club blanco y el Milán en la capital lombarda. Raúl, por su parte, decide participar en un nuevo ensayo clínico que le produce nuevas pérdidas de memoria. Preocupada por el poco tiempo que pasa con su chico, África decide comentar el tema a Raúl, quien apenas le presta atención debido a los efectos de la medicación. Ante la desidia de él, la joven muestra un mayor acercamiento hacia Manu. Por otra parte, Su, la hija de Emilia, se incorpora a las clases en el instituto Garcilaso. Su actitud rebelde le ocasiona numerosos problemas tanto con los profesores como con los alumnos del centro. Para evitar la expulsión de la joven, Lucía pide a Teté que ayude a la recién llegada a integrarse en Santa Justa.

Transcript

00:00:25Subscribe to the channel!

00:00:35Football and friendship are very similar.

00:00:39In fact, my father says that Fiti, Uncle Santi and he are a team again.

00:00:51Subscribe to the channel!

00:01:12We can go to Milan.

00:01:14I'm going crazy.

00:01:16Don't think about it, don't think about it and look ahead.

00:01:20The problem is that this year the team has been relegated to the second division.

00:01:24And not only that, in addition to being relegated, they have changed their president.

00:01:28Water, water!

00:01:29They're going to listen to the game here! People are waiting outside!

00:01:33So what we need to do is put the fabric out there.

00:01:35and maybe we would make double the money or more.

00:01:37Let's see, Santiago, one thing. Let's see if we can understand each other.

00:01:40People like to have a drink in peace and quiet.

00:01:42They're not in a crowded bar watching the game.

00:01:44But Lucía says there is something more important than football or friendship.

00:01:48And it is love.

00:01:49Emilia, yes, forgive me, forgive me.

00:01:51It speaks for itself, huh.

00:01:52That this scraped thing doesn't owe me anything.

00:01:54Well, if he's like him, you're grateful that I let him continue working here...

00:01:57Look, let me tell you something.

00:01:58Emilia may be whatever she is, but she's a lady, you know. Let me tell you.

00:02:01Have you seen it? Have you seen it?

00:02:03How does the ball do it?

00:02:04I don't know if love is more important than friendship or football.

00:02:07What I do know is that if you put all three together you can get into a very, very big mess.

00:02:11And if you don't believe me, just ask Citi.

00:02:13I don't know if we have it on the street...

00:02:14Father, the worker left me first!

00:02:16On a station platform under the blazing sun

00:02:20You were talking about a skyscraper in the sky of New York

00:02:23Come soon to see the sea and send a postcard

00:02:27I already knew that day was the end

00:02:31Now I have much more

00:02:35Red, black, odd, finally luck brings an ace and a crystal to look through

00:02:40And a wall to hang it on.

00:02:42Seven smiling faces in one ID photo

00:02:46My stories weren't about tales made by chance.

00:02:53Nobody told me that fate would give me this opportunity.

00:02:59One plus one equals seven

00:03:03Who would have thought?

00:03:05That it was so easy to be happy

00:03:20Champions, champions, Joe, Joe, Joe

00:03:26Look at that little hat, huh, for your little pachacrats

00:03:28How are you all today? How did you wake up?

00:03:31Yes, I haven't had coffee yet.

00:03:32By the way, Diego, do you know what Emilia's daughter's first day of school is like?

00:03:36Ah, yes

00:03:38It's a thorny issue.

00:03:39Everything is closely related.

00:03:41It's all very mixed up.

00:03:42In other words, the tavern

00:03:44Yes, too much andogamy, yes.

00:03:47Yes, that includes what you said.

00:03:49Listen up, I don't want any jokes, nonsense, or hazing.

00:03:52Nothing, with her, nothing.

00:03:53I'm telling you both, okay?

00:03:54Both, yes

00:03:55Well, more this one, but both of them too, yes

00:03:57Let's see, Dad

00:03:57You know that there is already a code of conduct in the school.

00:04:00In other words, nothing normal.

00:04:01No, it's just that the normal thing isn't going to happen.

00:04:03No, no, I already know what normal is.

00:04:04This is like the mafia, see if you understand.

00:04:05In other words, if you insult her

00:04:06His mother is saying goodbye to me.

00:04:07And the family goes bankrupt.

00:04:09The family is ruined

00:04:10Capiche or not capiche?

00:04:11Okay, got it?

00:04:12Capiche, good

00:04:12Hello good morning

00:04:13Good morning

00:04:14Hello good morning

00:04:16Hello

00:04:17Hello

00:04:18Can I open the door, cousin?

00:04:19Yes, sorry.

00:04:21But I'm going to get caught there too.

00:04:23Already

00:04:23This?

00:04:26Hello

00:04:27Hello

00:04:28How are you?

00:04:28Hello

00:04:29Is Raúl there?

00:04:30Yeah

00:04:30Don't lie to Raúl.

00:04:32He's stupid.

00:04:34Don't mess with me

00:04:35He doesn't even consider me his son.

00:04:36He doesn't even like football anymore

00:04:38Don't mess with me

00:04:38Already

00:04:38But it is

00:04:39I need to talk to him

00:04:41Keep going, keep going, it's there

00:04:41He is sleeping

00:04:42It's not that we Martins are fond of rubbing things.

00:04:45But the thing is, he's got a vice.

00:04:46Look

00:04:47Look

00:04:48Okay, that's it.

00:04:48Hey, Churby

00:04:49How are you?

00:04:50How are you?

00:04:52That's bad

00:04:52Evil

00:04:53It's wrong.

00:04:54Because he gets up very early every day to get quotes.

00:04:57And you here is a mess

00:04:58Tell him what you were telling me

00:05:00Tell him/her

00:05:02I understand her

00:05:03I understand her

00:05:03Fuck

00:05:04Either you become independent

00:05:05Or do you contribute something to this house?

00:05:06We have plenty here.

00:05:07Hey?

00:05:08Start unloading trucks

00:05:09Or to hand out propaganda

00:05:10Or whatever you want

00:05:11Okay, fine, okay, Dad

00:05:11Yeah, damn it

00:05:12I just woke up

00:05:13Let me have breakfast, okay?

00:05:16I had told you

00:05:16You didn't earn it.

00:05:17I'm trying, Dad

00:05:18Damn, I can't find anything.

00:05:20But that's normal.

00:05:21Normal, Fiti

00:05:21It's normal

00:05:22He has no education

00:05:23Dude, you have no experience in anything

00:05:25And on top of that, it's a package deal.

00:05:26The poor man

00:05:26What does it say?

00:05:27But don't say that, man.

00:05:27Dad, but it's true

00:05:28I feel the same way.

00:05:29I'm going through the same thing

00:05:34Emilia

00:05:36Emilia

00:05:37Emilia

00:05:38All my life in the tavern

00:05:40And who remembers us?

00:05:42You know what I'm saying, Santi?

00:05:43Better

00:05:43Because almost everything is a bill

00:05:45Father lifted this

00:05:46With his own hands

00:05:48And what for?

00:05:49And then that witch shows up

00:05:51And keep everything

00:05:52And give it to him

00:05:53It's not his fault, damn it.

00:05:54Unclear

00:05:55It's not his fault

00:05:56It's your fault.

00:05:57Let's see

00:05:58Peace be with you, gentlemen

00:05:59Peace be with you

00:06:00Let's not back down

00:06:01We must look ahead

00:06:02Towards the future

00:06:03Involution

00:06:03Remember the word

00:06:04Involution

00:06:05Involution

00:06:06So, what does the near future hold?

00:06:08Tomorrow

00:06:09And what happens tomorrow?

00:06:11Game!

00:06:12What game tomorrow?

00:06:13Which match?

00:06:14Yes sir, there's a game on

00:06:15Which match?

00:06:16Which match?

00:06:16If the witch doesn't want a game

00:06:18He doesn't want anything

00:06:18He doesn't want to put on anything but opera.

00:06:20A news item

00:06:21No?

00:06:22You'll see

00:06:22What happens

00:06:23You have to know how to get it in, damn it

00:06:25Hello good morning

00:06:26Hello good morning

00:06:27Thank you

00:06:27The mail

00:06:28Thank you

00:06:30Emilia, a little issue

00:06:32Look

00:06:32You see, it's just that tomorrow

00:06:35Miami soccer

00:06:36Come on

00:06:38Madrid-Milan

00:06:38Big words

00:06:40And we had thought

00:06:41Here that

00:06:42Excellent

00:06:43That as an exception

00:06:44I could put it here in the tavern

00:06:46Not for us

00:06:46Mainly

00:06:47It's more for the people in the neighborhood.

00:06:48That he likes to make pineapples

00:06:49And so

00:06:49How many times

00:06:50I have to tell you

00:06:51I don't want football in the pub?

00:06:54Fuck

00:06:58So

00:06:59You have to know how to approach it

00:07:01Damn, he's probably having a bad day.

00:07:02Pussy

00:07:02A bad day

00:07:03This one has bad days every day.

00:07:04I think it's dried up.

00:07:06Otherwise, how was I?

00:07:07When Lurditas and I didn't

00:07:08And how was I?

00:07:08No, no, no, it's much better.

00:07:09Where will this end?

00:07:10Now you've made a mess of things.

00:07:11Come on, throw

00:07:13Yes, yes, yes

00:07:14Already

00:07:15Yeah, yeah, yeah

00:07:17Okay

00:07:18Bye, bye, bye

00:07:20What a goat

00:07:21What a goat

00:07:23Emilia

00:07:24That

00:07:25Maybe I can help you with something

00:07:27No, you can't, Fiti

00:07:29Unless you're willing

00:07:30To commit murder

00:07:32Man, that's already

00:07:34What's happening?

00:07:35Are you going on a trip?

00:07:36My ex-husband is getting married tomorrow.

00:07:38Fuck

00:07:39He certainly has been in a hurry.

00:07:40With a younger one

00:07:41What a bastard!

00:07:4315 years younger

00:07:45What a bastard!

00:07:48A model

00:07:50That?

00:07:53I'll get you a bowling pin, okay?

00:07:54Here you are

00:07:55And thank you very much.

00:07:56Thank you

00:07:56We would need more

00:08:00This is something I wanted to tell you.

00:08:02In other words, and

00:08:02I could do that now

00:08:04I'll get back on track right away

00:08:05In some other treatment

00:08:07Look

00:08:07That's the same

00:08:08Perhaps I have found my calling here.

00:08:09No, impossible.

00:08:10The rules prohibit it

00:08:11You cannot submit to another

00:08:12Until at least two months from now

00:08:14Your body needs to rest.

00:08:17Well

00:08:18What can we do?

00:08:20In the end

00:08:20If it can't be done

00:08:21Well, it can't be done

00:08:23Raúl Martínez

00:08:25Have you ever done this?

00:08:27No way?

00:08:28Not at all

00:08:29Good

00:08:31Have you taken any medication recently?

00:08:34No no

00:08:37You're sure?

00:08:39It is important

00:08:40The treatment is harmless

00:08:42But mixed with other components

00:08:44It could make you dizzy.

00:08:46Tachycardia

00:08:47Memory loss

00:08:49As long as it doesn't make me impotent

00:08:55As long as it doesn't make me impotent

00:08:55No

00:08:56It's a joke.

00:08:56That I, without further ado, some lettuce

00:09:05Take this hour

00:09:06And then every eight hours

00:09:07Avoid alcohol

00:09:09And try not to drive

00:09:10Nor operate dangerous machinery

00:09:12Okay guys

00:09:13Pay attention

00:09:14Guys

00:09:15Guys

00:09:16She is Susana

00:09:17And he joins us today.

00:09:19She has just arrived from Milan

00:09:21Well

00:09:21She introduces herself better.

00:09:23She's a little odd

00:09:24Well

00:09:26Will you please be quiet?

00:09:28Okay

00:09:29Far better

00:09:29Well

00:09:30The truth is that on the first day

00:09:31The presentation is a bit difficult

00:09:32Now

00:09:32Wait

00:09:33Make her feel at home

00:09:36Well, if you want him to feel at home

00:09:38Well, we can make him swallow the toilet brush.

00:09:40No?

00:09:41Yoli

00:09:41Please

00:09:42Can you sit in the back?

00:09:47Hey

00:09:47This

00:09:48Can we talk for a moment, teacher?

00:09:50Yeah

00:09:50Can

00:09:56Why are you doing this to me, Mommy?

00:10:00Open the book to page 23

00:10:01And in silence, please.

00:10:06Why do you have to separate me from Yoli?

00:10:08But my dear, my love.

00:10:09You haven't seen her, she can't even speak

00:10:11Please understand.

00:10:12He's lived his whole life outside

00:10:13And she doesn't have a single friend.

00:10:15And I also want one thing

00:10:16Help her to integrate

00:10:18Neither has anything

00:10:19Did you also get frustrated in New York once, or not?

00:10:20His mother is Diego's boss, right?

00:10:27Go on

00:10:30He told me

00:10:31If I want them to sign the child support papers

00:10:34I have to go to the wedding

00:10:35So that?

00:10:36To humiliate me

00:10:37Well, fuck

00:10:38Look at it from a positive perspective

00:10:39If he drives like that

00:10:41The menu is going to be amazing!

00:10:42You're going to get paid for nothing, and you won't believe it.

00:10:44And why don't you send me your ticket?

00:10:46Another ticket for whom?

00:10:47Well, for my partner

00:10:48Do you have a partner?

00:10:49No

00:10:49So?

00:10:50Well, but he assumes I don't have a partner.

00:10:52In other words, I'm not coming back.

00:10:53Oh, you know how excited I am to go to Milan tomorrow

00:10:57Milan? Tomorrow?

00:11:01Yeah

00:11:01There, I talked to you about the wedding.

00:11:03What do you say about his "going like a ton of bricks," Santi?

00:11:05Don't you know how it's going?

00:11:06This is all going downhill

00:11:07Despiar is very ugly

00:11:08The only thing that happens here is me.

00:11:09Me

00:11:10He's playing both sides.

00:11:12Which two bands, Santi?

00:11:14You're like a grandpa

00:11:15When the whole neighbor killed the donkey

00:11:17He spent his whole life ruminating and ruminating

00:11:18Devolution, Santi

00:11:20Be quiet!

00:11:20Don't let me hear

00:11:22And what does your daughter Susana think?

00:11:24My daughter Susana doesn't know.

00:11:25She wanted to go live with her father in Milan

00:11:28But of course, the girlfriend can't stand my daughter

00:11:29And my daughter can't stand her girlfriend

00:11:31In other words, he's going to take it terribly.

00:11:32He's going to take it terribly, Fiti

00:11:34But I don't know how to tell him, please.

00:11:37How do I tell him/her?

00:11:39Well, look, if he's going to take it terribly

00:11:41And it's going to hurt.

00:11:42At least tell him with a sense of humor.

00:11:44That

00:11:47Susana!

00:11:48Dad, the fettuccine, is going to marry a woman with a big ass.

00:11:50I can't, I can't

00:11:51Very good, very good

00:11:52See? See how culture isn't just in books?

00:11:55Susana!

00:11:56Are you giggling, brother? How are you giggling?

00:11:58Oh, how funny you are!

00:12:01Oh, how funny you are!

00:12:03Oh, how funny you are!

00:12:03Oh, how about that!

00:12:03Well, just so you know

00:12:04Hey?

00:12:04And so you know

00:12:05We are negotiating with her

00:12:07And you'll be able to watch the game

00:12:09Go?

00:12:10How are you?

00:12:11So, what's it like?

00:12:13Hey...

00:12:15Paparrr!

00:12:16Paparr!

00:12:17Paparr!

00:12:24What's up?

00:12:28Hey...

00:12:28250 euros

00:12:30Palo Serrano

00:12:35Hey, and don't smoke a joint in front of my girlfriend again, okay?

00:12:38I already have enough on my plate.

00:12:40Aren't you involved in something shady?

00:12:41No, no, no, no, it's all legal, okay?

00:12:43What have I gotten myself into...

00:12:45I have gotten involved with a chugui to distribute propaganda

00:12:49Know?

00:12:49The thing is, I'm dressed as Luni.

00:12:51And it's a stick

00:12:55What am I doing with my life!

00:12:55Come here

00:12:57Hey, I'm going to tell you something

00:12:58You should never be ashamed of what happens, okay?

00:13:00Yeah, yeah, yeah

00:13:01The thing is...

00:13:03I'm Lu Blu

00:13:05That?

00:13:05Lu Blu

00:13:06What is this Luni guy, kind of a fake?

00:13:09Know?

00:13:09And a crazy painting

00:13:10Damn, well, well, one works at what one works

00:13:13And that's it, look at me

00:13:13What was he going to tell me, huh?

00:13:15You, you need to focus, okay?

00:13:17Looking for something permanent

00:13:18Because, well, you tell me

00:13:19What do the girls want?

00:13:21Well, a normal guy

00:13:23Yes, you all say it

00:13:25But, let's see, what is normal?

00:13:26Well, that's normal, normal

00:13:27A dude, fuck

00:13:28An uncle who sleeps with me and not with his father

00:13:30I'm not asking for much, am I?

00:13:32A lot, a lot

00:13:33They always ask for a lot.

00:13:34But you have to be there.

00:13:35Because?

00:13:36Why?

00:13:37Because there are vultures, just like wolves.

00:13:38What do crises smell like?

00:13:40Well, I don't know, girl

00:13:41Equal

00:13:43You should reconsider that.

00:13:44I don't know

00:13:45I'm not saying I haven't thought about it.

00:13:47He's thinking about it.

00:13:48He's thinking about it.

00:13:49I am convinced

00:13:51He blurted out a...

00:13:53We need to talk

00:13:54Do we need to talk?

00:13:57God

00:13:58That's what your mother said

00:14:00And what have you done?

00:14:02He played dumb

00:14:04Good

00:14:04Okay, okay, there

00:14:05Buying time

00:14:06Good

00:14:07The worst part of all is that

00:14:09Fuck

00:14:09In a foolish way, like an idiot

00:14:10The worst part of all is that

00:14:12In a foolish way, like an idiot

00:14:13We haven't done it yet.

00:14:16Well, I don't mean to discourage you.

00:14:18But when that fails

00:14:20It's the beginning of the end

00:14:23And when is the end of the end?

00:14:31Africa

00:14:37Yeah

00:14:38Hello

00:14:40Yes, okay.

00:14:41Talk later

00:14:42Come on

00:14:44This afternoon at 7, okay

00:14:45Come on

00:14:46Bye

00:14:50The girl is quite something too.

00:14:52Because on the first day of class

00:14:53It's already pointing badly.

00:14:53To the drawing teacher

00:14:54He told him to put the Rotrim in.

00:14:55By...

00:14:56You know what I mean.

00:14:57At least he's opened his mouth

00:14:58Because my class

00:14:59He hasn't said anything

00:15:00It seems to have changed

00:15:01Several times from school

00:15:02In the last

00:15:03In the second

00:15:04Due to family matters

00:15:07Come on, they kicked her out.

00:15:08Because it might not fit well.

00:15:09At that school

00:15:10Not even in that

00:15:11Not in the next one

00:15:12Not in one

00:15:12If the young woman has a file

00:15:14Not even the mayor of Marbella

00:15:16And the notes are fine too.

00:15:18Yes, Lucia

00:15:18Hey, let's give it a try

00:15:19I mean, right?

00:15:20It's attracting attention

00:15:21She is not a criminal

00:15:22Come on, if we had to throw

00:15:23To each student

00:15:24That he has made a mistake

00:15:25In the end

00:15:25We were left alone

00:15:26Already

00:15:27If I weren't the boss

00:15:28From Santi and Diego

00:15:29You were going to think about it for so long

00:15:43Hey...

00:15:43Would you like a snack?

00:15:45That?

00:15:46That?

00:15:47That?

00:15:50This girl is a bit strange, isn't she?

00:15:51Because he's a bit of a jerk.

00:15:53Hey, dude.

00:15:54Look, I'm telling you

00:15:55I'll take him to Real Madrid.

00:15:56Okay?

00:15:56You can order if you want

00:15:56Look, the team isn't important.

00:15:58But who is in charge?

00:15:58Look, in this game

00:15:59It's football

00:16:00Look, the weird one

00:16:02Hey, what's up?

00:16:03What's happening?

00:16:03What, has the cat got your tongue or what?

00:16:05Yes, then you ate the cat, didn't you?

00:16:07Hey, little girl

00:16:08Don't mess with my sister.

00:16:11Hey, little redhead, come on

00:16:12We prefer you quiet, okay?

00:16:14One, give it a try and let's go to luck

00:16:15Hey, I'll get you a beer, okay?

00:16:16Otherwise, not even God could stand this.

00:16:19Hey, look pretty

00:16:22I find this just as fun as you do, okay?

00:16:25I just try to be nice.

00:16:26Okay, then leave it.

00:16:27Because I've been to three schools in two years.

00:16:29And the last thing I need is a friend

00:16:30What I'm going to stop seeing in three months

00:16:41Goal! Goal!

00:16:43Not good at all, huh!

00:16:44Not good at all!

00:16:46There we are

00:16:47No, no, no!

00:16:47It's tilted!

00:16:49This is foosball, it's tilted!

00:16:50I've told you!

00:16:51We have to take his shoes off!

00:16:51But that it is tilted

00:16:52I mean, he'll lose you like a man, for God's sake.

00:16:55Hey kids, what's up?

00:16:56I'll buy you a beer

00:16:56Now that they're free

00:16:58Free?

00:16:58It's always been free for you.

00:17:00Okay, that's it.

00:17:00But before that, hey, what was it?

00:17:02I didn't feel guilty, you know?

00:17:03Because I had a problem in the workshop

00:17:05But now

00:17:06Now I can be here all the time

00:17:07Because I feel like it.

00:17:08And it had been a long time!

00:17:09We weren't all three here.

00:17:10Playing football, oozer

00:17:12You're right, Fiti

00:17:13It's true

00:17:13Look, even if we don't have a penny

00:17:15I'm so glad!

00:17:16That we are like this

00:17:17Together again

00:17:18Hugs, Fiti

00:17:19Come on, fuck

00:17:21Yes, sir, you

00:17:21Santi, what's wrong?

00:17:22Aren't you happy about it?

00:17:23Yes, man

00:17:24Yes, in a way

00:17:24Of course

00:17:25We are a team

00:17:25Damn it, Santi!

00:17:26We are a team

00:17:27Damn, we've had quite a few bad experiences, haven't we?

00:17:28Because we've been through it, but frankly, it's been bad.

00:17:30Well, the truth is that we seem

00:17:31From Atlético Madrid, right?

00:17:32Like what...

00:17:36Good morning

00:17:38Good morning!

00:17:40Fiti, do you have a moment, please?

00:17:44Look, it was about time.

00:17:45Runs!

00:17:46Let's see if you can get outstanding.

00:17:48Runs!

00:17:50Tell me

00:17:51Fiti, look

00:17:52Let's see

00:17:53I've been talking to Susana

00:17:55And he's coming this way

00:17:55So I don't know how to tell him.

00:17:57Because I've been thinking

00:17:58What you told me

00:17:59This whole feeling thing and all this

00:18:00And the thing is, I can't do it.

00:18:01So, what do I do?

00:18:02Courage and to the bull

00:18:03Okay?

00:18:04If he comes this way

00:18:04Okay

00:18:06Since I'm here

00:18:07Emilia

00:18:08You'll see

00:18:08I want to tell you something

00:18:10I like that

00:18:11Well, let's get along.

00:18:13And so

00:18:13So, let's get that out of the way.

00:18:15But

00:18:16It's that we

00:18:17In other words, the

00:18:17The mountain people

00:18:18Me too

00:18:19In other words, we are

00:18:20We have always been

00:18:21Like two peas in a pod

00:18:22In three

00:18:23Like in three, right?

00:18:25And what I don't want now

00:18:26It's that they think that

00:18:29Well, I mostly have

00:18:30In other words, what is a

00:18:31Preferential treatment

00:18:32Yeah, yeah

00:18:32Yeah, sure, sure

00:18:34Sure, then

00:18:36Well, I think that

00:18:38Well, as long as we're here working and stuff

00:18:40Well

00:18:41That we should have more of a relationship

00:18:45Employee-boss

00:18:47And so

00:18:49Sure, sure

00:18:49Okay, very good.

00:18:51Mainly

00:18:53Okay, fine.

00:18:54Perfect

00:18:55Well, that was it

00:18:56Come on

00:18:56See you later

00:19:06That?

00:19:07You've already loaded up

00:19:08Yeah

00:19:08That?

00:19:09Yes, my salary has increased too.

00:19:10Look, don't mess with me.

00:19:12The eggs

00:19:14Something stretch

00:19:15Something stretch

00:19:16Come on, son, let's go

00:19:17I didn't want to work

00:19:18To the

00:19:21Listen to me, aunt

00:19:22Really

00:19:23Yes, I appreciate it.

00:19:24In the soul

00:19:24But I'm already looking for myself.

00:19:25My things are around there somewhere.

00:19:26Well, if you're looking for it

00:19:27You only tell your father

00:19:28That's what made me bring you here

00:19:29With a shoehorn

00:19:31Strip

00:19:32Tita, tita

00:19:33Fuck

00:19:33It's just that I

00:19:34I studied here.

00:19:35Know?

00:19:35People here know me

00:19:37That I have a reality

00:19:37And what are you telling me?

00:19:39Look, your avia is a mess

00:19:40Your girlfriend must be around here somewhere.

00:19:42Host

00:19:43What did I arrange with her?

00:19:44No

00:19:44Shit

00:19:45Oh

00:19:45Pasta

00:19:46And the mobile phone

00:19:47What the hell

00:19:48That he must have called me and everything

00:19:49The mother who gave birth to him

00:19:50If he now leaves me with Tolpercan

00:19:56Hey

00:19:56What's wrong, auntie?

00:19:58That idiot won't answer my calls

00:20:00That's what happens

00:20:01See what I was telling you?

00:20:02He doesn't even care

00:20:03Come on, calm down

00:20:04It's okay, right?

00:20:05Yes, Manu

00:20:05Damn it, I'm fed up.

00:20:07Hey

00:20:08Calm down, calm down

00:20:09No, but I don't deserve this

00:20:11No

00:20:13You deserve better.

00:20:16I'm late, but I have

00:20:33How are you, Mom?

00:20:34Yes, in the back room

00:20:35Hello darling

00:20:36How are you?

00:20:37Let's see

00:20:37What did you want?

00:20:39Let's see

00:20:40Well, nothing.

00:20:41I have to tell you something

00:20:43Let me try to explain it to you.

00:20:44Well

00:20:45What I had to tell you

00:20:46The thing is

00:20:50Do you know who the kid in the hunt is?

00:20:53The one I'm worried about is this girl.

00:20:55Lucía told Tete that they should become friends.

00:20:57The girl rides motorcycles

00:20:58Let's see Tim

00:20:58And the boss handles it.

00:20:59Already

00:21:00Too much polygamy

00:21:02The thing is

00:21:04The husband gets married

00:21:06And everyone goes to the wedding

00:21:08To Milan

00:21:09To Milan

00:21:10Tomorrow, to Milan

00:21:11See?

00:21:11First the tavern takes them away, then the illusion

00:21:14We should be the ones to go to Milan.

00:21:15Well

00:21:15He marries a hot 20-year-old guy.

00:21:18He's having a terrible time

00:21:20You're right, Fiti

00:21:21That's tough.

00:21:22That?

00:21:23Marry a hottie?

00:21:24No

00:21:25What is it?

00:21:26Tough for Emilia, damn it

00:21:27What is a stick?

00:21:28But he's going to Milan

00:21:29He's going to Milan

00:21:31Hey?

00:21:32Yorda Jamón

00:21:32He doesn't deserve it here.

00:21:33Well, look on the bright side, Santi.

00:21:35Pussy

00:21:35Look at it from a positive perspective

00:21:36What if he leaves tomorrow?

00:21:37Well, he can return to the game

00:21:38No?

00:21:41And if you think seeing Milan in Feliciteras Aguarra

00:21:43You're crazy!

00:21:47I'm going to do some calculations

00:21:53He'll stay anyway.

00:21:54And it doesn't ruin the game

00:21:57Hello good

00:21:58Hello

00:21:59So, how's it going?

00:22:00With Susana, Tete

00:22:03Look, Mom, I've tried.

00:22:04I really tried.

00:22:05But that girl is a...

00:22:06It's a...

00:22:08Mom, that girl is an idiot.

00:22:09Eh, eh, eh

00:22:10Oh well

00:22:10It's true, Mom, it really is.

00:22:12You're right, really.

00:22:13That aunt is super cool

00:22:14She's way cooler than me

00:22:15Nobody can stand her

00:22:15But for her

00:22:16Her parents have separated

00:22:18And he has lived his whole life in another country

00:22:21I've already said that, haven't I?

00:22:23Okay, give it a little time

00:22:24But Mom, I just don't understand.

00:22:26I really don't understand it

00:22:27Let's see

00:22:28Drink, smoke

00:22:28It's a bad influence

00:22:29I don't know, any other mother from your area.

00:22:30She would tell me not to go with her

00:22:31And then you go and ask me to be your friend

00:22:33I don't understand

00:22:39Hello

00:22:43I don't know anyone here

00:22:45I need to talk to someone

00:22:50Where does it pass?

00:22:59For a little while, a little while, a little while, a little while, a little while, a little while, I'll finish.

00:23:27Is something wrong?

00:23:28No.

00:23:29Don't add it.

00:23:30Fiti, didn't we agree on a boss-employee relationship?

00:23:34Yes, but we're already talking, okay?

00:23:36And now I'm technically no longer on duty.

00:23:39Yes, but I don't want to bother you anymore. That's it.

00:23:42Look, Emilia, there are two things in life that I can't stand.

00:23:44One is seeing a woman cry.

00:23:46And the other one?

00:23:47The other one is irrelevant. Let's see.

00:23:50What's happening?

00:23:52That I can't go to the wedding.

00:23:53My daughter isn't going and I don't have the strength to go alone.

00:23:56And the papers of the... of the... of the... of the...

00:23:59Regarding child support?

00:24:00That? What about that?

00:24:01Well, I'll talk to my lawyer.

00:24:03Just thinking about seeing him makes me feel sick.

00:24:05Already.

00:24:06It's normal. That's just how things are.

00:24:09It's a... it's a real bummer.

00:24:10Look, I'm going to Candela right now to go through that door.

00:24:12And I poop myself, huh?

00:24:14I'm pooping.

00:24:15But you have to face things, damn it.

00:24:17It's a matter of devolution, of... of involution.

00:24:21But going backwards is a step backwards, Fiti.

00:24:23Well... well, no, no. I mean, it's forwards.

00:24:25Onward.

00:24:25You have to go to that wedding and stand up to Fettuccini.

00:24:27But I can't go. I mean, I can't.

00:24:30And especially not alone.

00:24:33Well, then... well, don't go alone.

00:24:35Oh, yes, of course. And who am I going with?

00:24:38Man, I don't... I...

00:24:41I might not be what you thought.

00:24:43Okay? But I...

00:24:45But... you, I mean...

00:24:47Would you come with me to the wedding?

00:24:49What's happening?

00:24:51I mean, I...

00:24:52I look much better in a suit, you know? Let me explain.

00:25:07Excuse me, okay?

00:25:08What's wrong?

00:25:09If you're not going to ruin my fun or anything.

00:25:13Hey, what...

00:25:15Well...

00:25:16Look, you and I live together and I don't want any trouble, okay?

00:25:21No, man. Peace and love. There you go. Peace and love. No, bro.

00:25:28But what...

00:25:29I don't know, man. Maybe we should talk about it.

00:25:31Of course, man. Of course.

00:25:33Things... we have to talk about them, man.

00:25:35Whenever you want, we can talk, man. About whatever you want.

00:25:37But you're not angry.

00:25:39Why me?

00:25:40Because of what happened yesterday.

00:25:44Yesterday...

00:25:46Yesterday...

00:25:47I don't know, Bona. I don't know if you have any problems.

00:25:49No, not me, okay?

00:25:50No, not if you don't have it with me...

00:25:51I don't have any problem.

00:25:52Me neither.

00:25:53That's it, man. Great.

00:25:54Ah, okay.

00:25:54Okay.

00:25:55When I'm finished, I'll come back.

00:25:56Come on.

00:25:58See you later.

00:25:59I see myself. I see myself. I see myself. I see myself. I see myself.

00:26:03Hey, little worker.

00:26:06What happened yesterday?

00:26:09Are you staying, Raúl?

00:26:11No, that... that... that no, that...

00:26:14It's coming, it's going, it's...

00:26:18Hey, didn't you see me take a pill just now?

00:26:25Hey, sorry, sorry, sorry, sorry.

00:26:37No.

00:26:49Hello good.

00:26:51What is this?

00:26:52Do they warn you about everything now?

00:26:53Didn't you leave anything for your uncle?

00:26:55Santi, you could have brought some churros

00:26:58Because lately we're losing good habits

00:27:01Hello, is Tete there?

00:27:02I've brought some buns for us to have breakfast together

00:27:05Oh, darling, I'm sorry.

00:27:07She's gone to school; she came just for her.

00:27:09We'll leave it here, Tete will be here in a moment

00:27:12Okay, Santi, come here for yourself, for God's sake.

00:27:14Do yourself a favor

00:27:15Yes, for the little girl, so she can see the detail.

00:27:17Go on, go on, take the whole school

00:27:19And you take it during recess, that's unbelievable.

00:27:21We're going to school.

00:27:22Okay, see you later

00:27:25I found it in the attic

00:27:28Or if the witch stays

00:27:30Let's see, Santi

00:27:31Let's see, we're not in school.

00:27:33So, if the witch catches us, like you say

00:27:35He doesn't give us a ruler, no, he fires us

00:27:37And let's see how I feed the beasts.

00:27:38What are you saying, man? We'll hide this among the wolves.

00:27:41Without volume and we find out

00:27:47See you later, okay?

00:27:48See you later

00:27:48Hello good morning

00:27:51Hey, sorry, Raúl, son

00:27:53Can you tell me why you're wearing that little pink ribbon on your finger?

00:27:57The wing, the little bow, right?

00:27:59Why am I bringing it?

00:28:00Well, stop, stop, for...

00:28:02Careful, that's a good question, okay?

00:28:05Why the hell would I wear that little ribbon?

00:28:06Sometimes Lurdita makes us treat each other like little straits.

00:28:09To remind ourselves that we have some errands to run at home

00:28:12Pussy?

00:28:13Clear?

00:28:15Your son is so big, man, huh?

00:28:17If everyone were like you, dude

00:28:18Life would be much simpler.

00:28:21Already

00:28:22Now, let's go to the tavern; the token is already there.

00:28:24Come on, little donkey, let's go

00:28:25See you later

00:28:29Come on, I'll make your day.

00:28:36Pill, pill, pill, pill, pill

00:28:50Arrivederci, chi

00:28:52No, Arrivederci

00:28:54Arrivederci

00:28:55And it's spelled with a C

00:28:56It is said with Che, but it is written with C

00:28:58That is, it is said with Che, but it is written with C

00:29:00And when they want to write with Che

00:29:01They say it with a C

00:29:02Everything's backwards

00:29:03I mean, it's just being a pain in the ass, Choni

00:29:06Let's see, another one

00:29:08I will fly, I will sing, happy to stare from his

00:29:11Hey?

00:29:13Stuff!

00:29:14What thing?

00:29:16I told you that when you want someone to repeat something, you should say something.

00:29:19Stuff

00:29:20Okay, okay, okay

00:29:21But let's see

00:29:22You focus mostly on the verbs, Chiti

00:29:25I will fly, I will sing, happy to stare

00:29:31What does that suggest to you?

00:29:33The boys, the Calis

00:29:35No, those were the Jisiquins

00:29:37And they have nothing to do with what we're talking about.

00:29:39Focus

00:29:40The verbs are the same as in Spanish.

00:29:42Nothing more than conare

00:29:43Finished in the area

00:29:44We are?

00:29:46For example

00:29:47Congratulations to the gorgeous bride!

00:29:49Congratulations

00:29:51A bridal angel

00:29:52A bridal angel

00:30:07I've brought you the plane ticket to Milan

00:30:08I'd rather you have it

00:30:10Okay?

00:30:10I'll get it from school.

00:30:11See you later

00:30:11Wait, I'm coming with you.

00:30:14Good morning

00:30:15We are?

00:30:15Thing, thing

00:30:17Good morning

00:30:18See you later

00:30:22Man, Fiti

00:30:23So you're going to Milan

00:30:25Yeah

00:30:26But come on

00:30:27That's a round trip

00:30:29That's great, man.

00:30:30That's great!

00:30:33I mean

00:30:33While we're here working ourselves to the bone

00:30:36You're going to watch the Champions League

00:30:37I told you

00:30:38Or didn't I tell you?

00:30:39He was looking for preferential treatment

00:30:40You told me

00:30:41You told me

00:30:41You're right.

00:30:42Pussy

00:30:43Let's look at one thing

00:30:44Let's see if you finally get it.

00:30:44I'm not going to the Champions League

00:30:46Fuck

00:30:47Clear

00:30:47You're going to see the portraits.

00:30:49From the Sistine Chapel

00:30:50TRUE?

00:30:51Fiti

00:30:52In decisions like this

00:30:53That's when a man defines himself.

00:30:55When you have to decide

00:30:57Between his boss

00:30:57And his friends

00:30:58And you've already chosen.

00:31:00And give it to him

00:31:00Fuck

00:31:01Let's look at one thing

00:31:02Let's see

00:31:02I'm going to accompany her

00:31:04At his ex's wedding

00:31:05Okay?

00:31:06Because we make her go alone

00:31:07What's happening?

00:31:07No, no, no

00:31:08Don't tell us any more.

00:31:09That's where you come in.

00:31:10Of course

00:31:11Fuck

00:31:11Because he has it

00:31:13To sign some papers

00:31:14Del Fettuccini

00:31:15Of I don't know what

00:31:16From the daughter

00:31:16And that's it.

00:31:17Listen to us

00:31:18Listen to us

00:31:18We're serious.

00:31:19The bosses

00:31:20They do not travel with their employees

00:31:21And they certainly don't go to weddings.

00:31:23Hey?

00:31:23Can't you imagine taking Grogi with you?

00:31:25To accompany you to a wedding?

00:31:26It's strange.

00:31:27No matter how you look at it

00:31:29It's strange.

00:31:30It's strange.

00:31:31It's strange.

00:31:32It's strange.

00:31:33It's strange.

00:31:34It's strange.

00:31:34What's more

00:31:34I have to

00:31:35I'm leaving

00:31:35A traitor

00:31:40Okay

00:31:41Okay

00:31:41Very good

00:31:42If you don't want to come

00:31:42Don't come

00:31:43I can't force you

00:31:44But I have to go

00:31:45But the thing is

00:31:46That?

00:31:46I don't understand

00:31:46Let me rub the plan in your face

00:31:47Renovate for free

00:31:49Also, one other thing

00:31:49You're going to stay tonight

00:31:50Sleeping over at Lucia's house

00:31:52That?

00:31:52What are you on about?

00:31:53I mean

00:31:53Why do you have to

00:31:54To dump a baby at nobody's house, Mom?

00:31:58Night

00:31:58Because I have seen

00:31:59Because I've seen that you get along well

00:31:59Contete

00:32:00Okay

00:32:00But I'm already old

00:32:01I can stay home alone

00:32:03Perfectly

00:32:03You can't

00:32:04Staying home alone

00:32:05Perfectly

00:32:06I'm asking you

00:32:07Please

00:32:08Go to Lucia's house

00:32:09No

00:32:10Yeah

00:32:11You're going to do it, Susana

00:32:12Yeah

00:32:14And call your father

00:32:15To congratulate him

00:32:16Even if you don't go

00:32:17No?

00:32:18And change your shirt

00:32:19What people are going to think

00:32:20You only have one

00:32:24Well, look

00:32:25That I've been talking to her

00:32:27And that stays

00:32:28I'm truly delighted

00:32:29Thank you very much

00:32:30Because

00:32:31I don't know

00:32:32I think I'm leaving feeling more at ease.

00:32:34Well, look

00:32:34I don't know if I'm leaving feeling more at ease or not.

00:32:35But

00:32:36Calm down a little

00:32:37Don't worry

00:32:38And leave it in my hands.

00:32:39Is that clear?

00:32:40Thank you

00:32:41Have a good trip

00:32:42Enjoy

00:32:45You'll get a real gem!

00:32:46A real gem

00:32:48What would my Santi say?

00:33:04Good morning

00:33:07Good morning to you

00:33:09What a strange person you've been looking for.

00:33:11Who?

00:33:11I?

00:33:12Can someone tell me what the hell he came for?

00:33:14What about yesterday's kiss?

00:33:15What do you mean, what?

00:33:16Oh no no no

00:33:17What more can be said now?

00:33:18Didn't you want me to kiss you?

00:33:19Of course not

00:33:19Ah

00:33:20And all that stuff

00:33:21From a relationship crisis?

00:33:23I needed a friend

00:33:25Come on Apri please

00:33:26Look at all the girls

00:33:27They came to me with that nonsense.

00:33:28They wanted what they wanted

00:33:31But you will be believed

00:33:32Well, you

00:33:33You have a way of saying no

00:33:34Heavy hammer

00:33:35You confused me.

00:33:39If that's how you want to see it

00:33:44Hey, you have to tell him

00:33:45That I wasn't there

00:33:46Okay?

00:33:47It was you

00:33:48It was you

00:33:48You came in here

00:33:49You saw me and I gave you a hard-on

00:33:50And well, it happened

00:33:51But I

00:33:52Okay, okay.

00:33:52I'll tell him whatever you want.

00:33:53But he already spoke with him this morning.

00:33:54That?

00:33:55It didn't seem to bother him

00:33:56I don't know what kind of relationship I had with you.

00:33:58You've already spoken to him

00:34:01But let's see

00:34:01You didn't want him to do it with him

00:34:02Look

00:34:02Okay, great.

00:34:04Awesome

00:34:04Do nothing

00:34:05Okay?

00:34:05Don't help me

00:34:06And above all, please

00:34:07Don't comfort me next time.

00:34:15Already

00:34:15Here comes the tavern keeper Girol

00:34:18Calm down, Santi

00:34:19Sosega

00:34:19Fiti Pass By

00:34:20Let's see

00:34:21Take

00:34:22To shut you up

00:34:24Santi didn't see the plane

00:34:26The plane

00:34:27Hey?

00:34:28Where to?

00:34:29When will it be?

00:34:30For Milan

00:34:30And this?

00:34:32Football tickets

00:34:34To go see Real Madrid, the three of us

00:34:36But what are you saying, Fiti?

00:34:37But all the milk that's about to cry?

00:34:39Fiti, what are you telling me?

00:34:40Where did you get the money?

00:34:43She's already received a raise

00:34:44No, mate.

00:34:45No

00:34:45Fuck

00:34:46Because I was looking at my business class ticket

00:34:48Hey?

00:34:49And I said

00:34:49The three of them could go

00:34:50So they can see it alone?

00:34:51So I traded them for three tourist ones

00:34:53But is he attentive?

00:34:54And the tickets

00:34:55Say

00:34:56About the tickets?

00:34:57Ticket money

00:34:58Yesterday my boyfriend came to me with some money

00:34:59To help out at home

00:35:01And I said

00:35:01Well

00:35:01Who claims to collaborate

00:35:02It says to invite

00:35:03And who says house?

00:35:04Saint Syros says

00:35:06A hug

00:35:06Damn, what a joy!

00:35:07Damn that little boy

00:35:08Damn that little boy

00:35:09Damn that little boy

00:35:10I'm into flying

00:35:11You already know

00:35:12But for a Madrid-Milan match

00:35:13Well, nothing.

00:35:14Yes indeed

00:35:15The flight leaves in three hours.

00:35:16So we have to close up shop.

00:35:17But already

00:35:17Let's see

00:35:18Like what?

00:35:19Hang on a minute

00:35:19What do I say to Lucia?

00:35:20I don't know

00:35:21Look

00:35:21While we're in Milan

00:35:23That's two less mouths to feed

00:35:24That's something you save.

00:35:25No

00:35:25It's well done.

00:35:26And one more thing

00:35:27And Emilio knows something about this

00:35:29Leave it to me

00:35:29Don't be something in me

00:35:30I'm not the one calling.

00:35:32Lucia

00:35:32Yeah

00:35:33Lucia

00:35:33Waiting is one thing

00:35:34We're going to Milan!

00:35:38No

00:35:38You don't

00:35:39You don't

00:35:39I mean

00:35:40You and I don't

00:35:41Santi, Fiti and me

00:35:43Now

00:35:43Yeah

00:35:45No Emilia

00:35:45That I invited you

00:35:46For her wedding

00:35:48Forgive me

00:35:48That I'm a dirty-minded person

00:35:50I thought you were a coward.

00:35:51The thing is, you're smarter than me.

00:35:53I shit on

00:35:53And on top of that, you're taking a risk with the witch.

00:35:55For three friends

00:35:56To watch a live match for free

00:35:58From Milan to Madrid

00:35:58Damn that little boy

00:35:59He is confident

00:36:00You're a bastard

00:36:00We'll have to put something here.

00:36:02If they're not going to worry

00:36:09Come on!

00:36:10Come on!

00:36:11Let's go!

00:36:12Attention!

00:36:19Raúl

00:36:20Oh my God!

00:36:20Runs!

00:36:21Strip!

00:36:21Turn off the water supply valve!

00:36:22Runs!

00:36:23But I have to clean the classrooms

00:36:24Pussy!

00:36:25Raúl

00:36:25Look at the Titanic theme for the school uniform

00:36:27Strip!

00:36:27Close!

00:36:28Look at the water shut-off valve

00:36:29And this one has been a real mess for you.

00:36:29But already

00:36:30Already!

00:36:32This is not

00:36:33This doesn't have a bathroom

00:36:34It's a mop, that's for sure!

00:36:35Raúl, please

00:36:37Raúl

00:36:38Raúl

00:36:39Raúl

00:36:39Wait

00:36:40Don't run away

00:36:40Raúl

00:36:40We need to talk!

00:36:41Mop!

00:36:42Listen, it's better if we talk about what happened so we can get over it.

00:36:46Hey?

00:36:47Africa, let me go

00:36:48The thing is, I have something really important to do, I really do.

00:36:53I've already forgotten!

00:36:56I already have a mop and a handcart.

00:37:02And what was the mop for?

00:37:17I hope to return when they air it.

00:37:19I don't know

00:37:20Well, and we eat the roosters

00:37:22Yes, please, I hope you don't do well.

00:37:28Hang on a minute

00:37:33Are you OK?

00:37:36I'm just fed up with my parents

00:37:38Of the two, huh?

00:37:39They just don't give a shit.

00:37:40Man, don't say that

00:37:42I mean, my father hasn't even been able to invite me to his wedding, okay?

00:37:45My mother treats me like a child.

00:37:46All he cares about is that I change my shirt

00:37:48But...

00:37:48Okay, but don't worry.

00:37:49And it won't be either...

00:37:51But don't worry me

00:37:51You know what I'm saying?

00:37:52I don't give a shit about the shirt.

00:37:54I don't give a shit about the shirt.

00:38:12As if you've never seen a pair of boobs in your life

00:38:14Johnny, but all the children were watching

00:38:16Okay, okay, okay

00:38:16Okay, that's serious.

00:38:17Hey?

00:38:18But we shouldn't exaggerate.

00:38:19There's no need to exaggerate

00:38:20He's a teenager

00:38:21He wants to attract attention

00:38:22But what do you mean, "don't exaggerate," Fernando?

00:38:24Please, all the children were there watching.

00:38:25Like on that New Year's Eve

00:38:27With that singer who had a slip of the tongue...

00:38:29A mom

00:38:30So there they all were, mesmerized, staring

00:38:32Well, look, it's better this way, they'll go home having learned their lesson.

00:38:34You see?

00:38:35Johnny

00:38:35Lourdes, Lourdes

00:38:36Look, we've all been teenagers, right?

00:38:38Let's see, let's see, who?

00:38:39Who hasn't done something silly when they were his age?

00:38:44Who hasn't made a bet with friends to ride a motorcycle naked through the neighborhood?

00:38:53Okay, Lurditas

00:38:55What do you want us to do with the girl?

00:38:57Tell me

00:38:59Well, maybe it's better at the Ursuline school across the street, which is a semi-private school.

00:39:02Well, maybe our husbands are better off in the unemployment line, which is a public service.

00:39:06He gave it his all

00:39:07That's just how it is

00:39:08Well, let's see, we're educators, aren't we?

00:39:10And what are educators for?

00:39:12To help students with problems

00:39:13And not washing our hands as soon as we have a difficult student

00:39:17I don't know

00:39:17I don't know, Lucia

00:39:18I don't know what

00:39:19Maybe I could talk to her

00:39:21Well, I think so, you're the most suitable person.

00:39:23You have more in common

00:39:26That?

00:39:27Man, since you both have motorcycles

00:39:28And she likes to get naked too.

00:39:31This morning Capelo held a press conference after training, in which he appeared calm.

00:39:35and very confident

00:39:36Tese to the general impression that Milan are the favorites tonight

00:39:39He commented that throughout the week he has seen the team very motivated and eager to give their all.

00:39:42the dam in San Pedro

00:39:43A victory would represent a crucial step towards reaching the grand final

00:39:47Meanwhile, Milan also trained this morning

00:39:49Hello good

00:39:50Hello, hello

00:39:51Hello good

00:39:53Should we drop you off along the way?

00:39:54You leave us at San Siro

00:39:55You don't care

00:39:56Wait a minute, what about the tavern?

00:39:59You didn't say it.

00:40:00No, no, I was just looking at my business class ticket

00:40:04And I looked at the price and said, damn, at this price the three of us can travel

00:40:07Yes, of course, because business class is very expensive, it has such high prices

00:40:11And anyway, I have a small glass of champagne, but it's excessive.

00:40:13Sure, and if there's a choice, who's a palm tree eye?

00:40:16Damn, because of what's in front, that's proven, bad scientist

00:40:18Well, look, remember that movie about the cannibals?

00:40:21Tarzal is a little black boy

00:40:22No, no, Santi, no, not this one from the Andes

00:40:25A plane crashes and they end up eating each other.

00:40:27I nailed it, I nailed it

00:40:29And those who survive, who are always the ones in the back

00:40:31And where do the ones in front end up?

00:40:32In the gut of those at the bottom

00:40:33One question, are you also coming to my ex-husband's wedding?

00:40:37What wedding?

00:40:37What a wedding!

00:40:40Now, look

00:40:42Well, I haven't told you a classic, a classic.

00:40:45Milan, Real Madrid

00:40:47Wow, towel.

00:40:47This is Milan

00:40:48This gives me a headache

00:40:51No, no, no, I didn't know it had its own Gallardoni here too

00:40:53Arrive me a delay

00:40:55It's not whether he could family

00:40:57Well, listen

00:40:59We already bought you a pad for making ankle braces for the Milanese guys.

00:41:02No, no, no, calm down.

00:41:03Because, damn it, maybe I'll be a little late

00:41:05I don't know what to do anymore, leaving her alone at the wedding

00:41:06No, no, no, no, don't worry

00:41:08It's not that she forgives you everything because you're well-connected.

00:41:10Look

00:41:11The first thing I put on to snack

00:41:14Strange, your hand in the wind

00:41:15Rare to moan

00:41:17So

00:41:18And to Saint Syros

00:41:19Your city is very beautiful, Emilia.

00:41:20She's very pretty.

00:41:21And it looks historic

00:41:23Okay, let's see

00:41:24You're not going there

00:41:25Then it's my turn.

00:41:26In other words, you get comfortable

00:41:27You get the seats

00:41:28And we'll start calling each other now.

00:41:30Okay, okay, okay, okay

00:41:34Susana

00:41:35You seem to have made a strong entrance into the school, haven't you?

00:41:40Taking off the shirt

00:41:41It's hotter here than in Milan.

00:41:44No

00:41:45Oh, no

00:41:46It's actually a way to get attention

00:41:48Stemming from a feeling of lack of affection

00:41:51Typical act of teenage rebellion

00:41:54Ah, I see, I see

00:41:56But aren't you a little too old for that kind of behavior?

00:41:58Yes, but it's the absence of my parents and adult role models.

00:42:01It has prevented me from having normal emotional development

00:42:05Yes, I see you're an expert.

00:42:06Look, don't take offense.

00:42:08But I've already been to many psychologists.

00:42:11And they all earned more than you.

00:42:14Well

00:42:14Well, that doesn't change anything, does it?

00:42:16For a school or neighborhood psychologist

00:42:18You can try it, okay?

00:42:20Excuse me, I'm sorry

00:42:21But you can't smoke here, okay?

00:42:24I say that smoking is prohibited here.

00:42:29Banning is not the way, Fernando

00:42:34Look, look, look, look, look, Susana

00:42:37I've been doing this for a lot of years

00:42:39Working on this, you know?

00:42:40And neither you, nor anyone like you

00:42:42He's going to drive me crazy.

00:42:44Passed

00:42:45Sorry, it's over

00:42:47I can't stand her

00:42:48Oh, wow!

00:42:52Fernando, for God's sake, are you abandoning her?

00:42:54Look, she doesn't want me to help her.

00:42:56What she's asking for is to be expelled.

00:42:57That's not to say that I think it's a better idea

00:42:59Good heavens, he's only been at school for 22 days!

00:43:01Yes, she doesn't need therapy.

00:43:03What you need is an exorcist

00:43:05Fernando, do you have a second?

00:43:10Has?

00:43:11You'll see

00:43:12A friend of mine has a boyfriend, right?

00:43:14And she loves him very much.

00:43:15Lot

00:43:17But this friend has had a slip-up

00:43:19A donut shop

00:43:20Come on, nothing.

00:43:21Already

00:43:21AND?

00:43:23Well, it turns out he saw everything.

00:43:25But he denies it.

00:43:25And she's worried

00:43:27Because he's acting very strange.

00:43:27And maybe he thinks

00:43:28Well, it's their fault.

00:43:29It has caused her trauma

00:43:30Or something

00:43:31Well, tell Raul

00:43:32Who is coming to see me

00:43:33But tomorrow

00:43:34Tomorrow, yes

00:43:36Tomorrow

00:43:38See you later, teacher

00:43:39Until now

00:43:57Long live the newlyweds!

00:44:00It is said that he has a low profile.

00:44:01Low profile

00:44:02But oh well, then

00:44:03If it's the custom

00:44:04But isn't that right here?

00:44:05Not here

00:44:08So,

00:44:09Don't mess with me

00:44:10So you lived here

00:44:12Well yes

00:44:12I used to live here.

00:44:14And now I'm guest number 153, I think

00:44:18153, you will be

00:44:18Anything you want

00:44:19But you're the prettiest girl here in Milan

00:44:21Well, thank you very much.

00:44:22You don't look bad in the suit either.

00:44:24I already told you

00:44:26Yes, it looks great on you.

00:44:27What's coming this way?

00:44:29Coming?

00:44:30Okay, okay

00:44:31Who's here?

00:44:33I

00:44:34I thought you weren't coming

00:44:37But please, Fabio

00:44:38How could I not come to your wedding?

00:44:40Yes darling

00:44:43I'd like to introduce you to my wife, Sabina

00:44:45Hello

00:44:46Pechere

00:44:46Yes, Pechere

00:44:47We already know each other.

00:44:48Don't you embrace the day

00:44:49I know I got home early.

00:44:51Ah, yes

00:44:52Yes, yes, yes

00:44:53Hey, that suit looks great on you.

00:44:54You look very pretty

00:44:55You look great dressed up

00:44:58Fito

00:44:58This...

00:44:59Basket, kid?

00:45:00Won't you introduce us?

00:45:01Fiti

00:45:06Fiti, Sabine.

00:45:09Yes, bye.

00:45:11Tell me something, Fiti.

00:45:14What do you do for a living?

00:45:16I...

00:45:17I will be working at a...

00:45:21He is an artist.

00:45:22Artist.

00:45:24Artist.

00:45:26But what kind of artist?

00:45:29Made a...

00:45:30He is a sculptor, a sculptor.

00:45:33Sculptor.

00:45:35Sculptor.

00:45:36Interesting.

00:45:38Fiti, tell me more later when you're more relaxed.

00:45:42Bruno Balani!

00:45:44Okay, okay, my love.

00:45:46Bruno, let me introduce you.

00:45:48Sorry, Fiti, sorry about the "artists" thing, it's just the first thing that came to mind.

00:45:51But Fil Bajos, if she's an artist, go ahead.

00:45:54Well, this is your room.

00:45:57This one goes...

00:45:57Guille, would you please take your feet off the bed?

00:46:00This is going to be your bed.

00:46:01And now I'll give you the towels.

00:46:02Hey, why don't I sleep in the boys' room?

00:46:05I had a much better time, didn't I?

00:46:08Just a moment.

00:46:11Look.

00:46:13I'm going to be clear.

00:46:14You are 17 years old and no matter how much you protest, you are going to stay here in Santa Justa this year.

00:46:19And for now I'm the only one in the whole school who isn't looking forward to you going to Milan.

00:46:23So...

00:46:24Why don't we get along?

00:46:25You're like Michelle Pfeiffer in Dangerous Minds, huh?

00:46:29You fight against the system.

00:46:31Wow!

00:46:31I'm going to get the towels.

00:46:38Damn, what a pain in the ass that woman is.

00:46:41It's always the same, blah, blah, blah, blah, blah, blah.

00:46:43I don't know how you put up with it, huh?

00:46:44Hey, calm down, okay?

00:46:45Don't go too far, she's my mother.

00:46:46Well, because it's not my father's turn, otherwise you'll be eating the toilet brush, for sure.

00:46:50Oh, what?

00:46:51So, she lets Diego get himself into trouble and then she goes around like...

00:46:55Oh, Diego, you've gone way too far.

00:46:58This, his...

00:46:59I was thinking how is it possible that someone as smart as you would repeat yourself twice?

00:47:04Because I'm not interested in school.

00:47:06I like this girl.

00:47:09Uh, what he's saying...

00:47:10I like what he says.

00:47:12Well, you know what I think?

00:47:14I think you used to get good grades.

00:47:16But your parents started having problems and you decided to rebel against the world.

00:47:19Like, rebellious girl.

00:47:22I also know how to play and imagine that's what people are, you know?

00:47:24Hey, why don't we throw a party?

00:47:27I don't know, aunt, look, it's difficult to operate.

00:47:29One Tuesday, zero pasta.

00:47:31And I must have the flu, so it's impossible to be here.

00:47:33No, no, I was thinking of something much better.

00:47:40Five.

00:47:42Six.

00:47:44Seven.

00:47:45Eight.

00:47:46And three.

00:47:48Four.

00:47:50Five.

00:47:53Six.

00:47:55Seven.

00:47:57Eight.

00:47:58And a big fold.

00:47:59One.

00:48:00Two.

00:48:02Two.

00:48:11Four.

00:48:12And underneath in front.

00:48:13Five.

00:48:17Seven.

00:48:39Allora, Fiti, tell us, what is your work about?

00:48:44My work, my work, my sculptures.

00:48:48Yes, yes.

00:48:50A complicated trope, more...

00:48:53It's mostly about the mechanics.

00:48:56Plus the mechanics of the universe, of the universe.

00:49:02There is an exhibition; you can see it somewhere.

00:49:05Yes, yes, of course, you know the Prado.

00:49:07Yes, well next door, there's a gallery next to the Prado.

00:49:11Oh, yes.

00:49:12Fabio, save me a moment with you, please.

00:49:15I'll give it to you.

00:49:16Okay, please.

00:49:18I have the child support papers here.

00:49:21Why don't you bring them to me tomorrow so I can read them more calmly?

00:49:23No, it's just that you've already read them and I want you to read them to me now.

00:49:30The thing is...

00:49:32Hey, this interests me.

00:49:35I just don't...

00:49:46Diego, yes, hey, what's up?

00:49:48Are you already at San Siro?

00:49:50We'll take you in two hours at TAS.

00:49:52Two.

00:49:53How's the wedding going?

00:49:55Ah, Nacho, it's hell, man.

00:49:56This place is full of snobs.

00:49:58I don't know what the hell people are laughing at.

00:50:00because they all fall terribly

00:50:01And on top of that, the food was rubbish, man.

00:50:03As sweet and...

00:50:04As far as I know...

00:50:05Why the hell did I come here, damn it?

00:50:07Well, here you are, Fiti.

00:50:09You've come to football.

00:50:10Come on, head right over here, we're not going to make it.

00:50:13Well, the point is, let's see if we get there.

00:50:15Hey, you pesetas!

00:50:16Rapidini!

00:50:17Rapidini!

00:50:18Yes, since I'm going to do it.

00:50:19But I don't think it's going to be possible, you know?

00:50:22Tell me about it later?

00:50:23But, Fiti, how are we going to tell you?

00:50:24For God's sake, football doesn't count.

00:50:26Damn it.

00:50:27Hey, my battery's running out, huh?

00:50:29But look, I'm right here with you, okay?

00:50:32To the death, huh?

00:50:33In spirit.

00:50:34Come on!

00:50:34Fiti!

00:50:35Fiti!

00:50:36Fiti!

00:50:37You won't get away!

00:50:39Hey!

00:50:40Tell me about your art, about your sculpture, okay?

00:50:43How much is it for us here in Italy?

00:50:47Hey?

00:50:47Just like in Spain, Santi, just like in Spain.

00:50:49Also, to get here, to come and Fiti can't come to the football.

00:50:53Well, believe it or not.

00:50:54We sell your ticket and that's what we make.

00:50:57Hey, peseti!

00:50:59Do you like foosball?

00:51:00Bring it, bring it.

00:51:01We might even get one for the dead woman too.

00:51:03Which ticket do you win?

00:51:05What do you want?

00:51:07No, Juan!

00:51:08Yeah!

00:51:12Volty!

00:51:13Peseti, volti!

00:51:14Returni!

00:51:15Returni!

00:51:15Peseti!

00:51:16Returni!

00:51:17Volty!

00:51:18I really like Friulian for kids.

00:51:19And if it's a baby, it's Tela Marín.

00:51:21But don't take that from me, because I want them for my family and then my cousins too.

00:51:24No, don't worry, don't worry, Choño.

00:51:25And I really like them, they're very pretty.

00:51:27Hmm!

00:51:27Yeah.

00:51:27I love it.

00:51:28Okay, this is ready.

00:51:29Guys, dinner's ready!

00:51:31A salt!

00:51:31I think I'm doing very well.

00:51:33What a smell!

00:51:33Hmm!

00:51:34It smells so good!

00:51:35That looks delicious!

00:51:35And what about the others, buddy?

00:51:36I don't know, they've all left.

00:51:38Well, there's enough lasagna here for an army, huh?

00:51:40Well, don't worry, I'm sure they have some now, but they're starving.

00:51:43Sure!

00:51:43Who am I to you, man?

00:51:45Who am I?

00:51:46And Guillermo Serrano!

00:51:47I am Guillermo Serrano!

00:51:48And Guillermo Serrano!

00:51:49Yeah!

00:51:49And Guillermo Serrano!

00:51:49Cateria showed us the discounts.

00:51:50Now he's getting the people in the house drunk.

00:51:52She's a goddess, dude!

00:51:53She's a goddess!

00:51:54Look, do you think that if I approach her next time we meet and ask her, I don't know, to...

00:51:58Look...

00:51:58But what encouragement to...

00:51:59That!

00:52:00Ah!

00:52:00Hey!

00:52:01The painting, you idiot!

00:52:02Hey!

00:52:03Do you want to be a little more careful, this is a picture of a grandfather?

00:52:06Hey, look, the tavern doesn't belong to your father anymore.

00:52:08Change your mindset.

00:52:10Chip?

00:52:11Yes, the chip.

00:52:14What's happening?

00:52:16Well, the truth is that this chick doesn't exactly know how to play it cool, but she's not doing too badly, huh?

00:52:18I don't know.

00:52:19I'm not ending it here.

00:52:25Hi beautiful.

00:52:26Tell me, do you notice a little skew?

00:52:29Hey, the hands I've lent you.

00:52:31You know what? It's just that when you went to daycare, I used to wax.

00:52:42Look, she's having doubts, but in half an hour I'll have her eating out of my hand.

00:52:46Oh really?

00:52:46Uh-huh.

00:52:47Potato.

00:52:48See?

00:52:48Go?

00:52:49Yes, yes.

00:52:49Ah, okay.

00:52:50Jolly, see?

00:52:51Come.

00:52:52Wait, that's it.

00:52:52Come.

00:52:53Wait, hello.

00:52:53Jolly, see?

00:52:54No no.

00:52:55Hello.

00:53:02That?

00:53:03And what about the greenness of the peppermint?

00:53:06Like the eyes on my snout.

00:53:08Are they so?

00:53:09If they are brown.

00:53:11They are, it depends on how you look at it and it depends on the light that shines on it.

00:53:14That's like when you go to the beach and your hair gets all flat, for the same reason.

00:53:18It's an effect.

00:53:19Not even me?

00:53:20Yes, no, no.

00:53:21Hey, no.

00:53:26This is where the party's at, right?

00:53:27What party?

00:53:28See, I told you, it wasn't Casa Serrano.

00:53:30They said Serrano Tavern.

00:53:32Serrano Tavern?

00:53:50Raul, I was looking for you.

00:53:51What's happening?

00:53:55Raul, you're acting very strange.

00:53:56You need help.

00:53:57No, no, no, no, no, I'm not.

00:53:58No, you're not okay.

00:53:59How are you going to be okay?

00:54:00You're not okay.

00:54:00You're denying it.

00:54:01You have a block.

00:54:03Why don't you talk to Fernando?

00:54:05Leave me alone, leave me alone, leave me alone.

00:54:07Nor did I leave you.

00:54:09Raul, please, why don't you go to a doctor?

00:54:11No, no, not to a doctor.

00:54:12Raúl, Raúl, Raúl, Raúl.

00:54:16Raúl, please, no.

00:54:18Raul.

00:54:21Okay, let's see, I'm going to tell you, our friend is in there.

00:54:26Fiti, his name is Fiti.

00:54:29Fiti, Fiti.

00:54:30Fiti, well, yes.

00:54:31Invitations?

00:54:31Raúl, Raúl, Raúl, Raúl.

00:54:32Raúl, Raúl, Raúl.

00:54:33Fiti, Fiti, Fiti.

00:54:34No, let me, let me explain it to him.

00:54:35No, let me explain it to you.

00:54:36Our friend, Fiti, has our centurion to go to the Champions League.

00:54:40And that she's being capricious.

00:54:41He is one of our similarities.

00:54:42Then they talk about the Spanish.

00:54:44Already.

00:54:44Let's see.

00:54:45Yes, that's true.

00:54:46The list.

00:54:47Are you on the list?

00:54:48Are you?

00:54:49Go ahead, there's a list.

00:54:50Ah.

00:54:51These.

00:54:52This is us.

00:54:53These, this one's mine.

00:54:54These ones here.

00:54:56That?

00:55:02No, no, no, no, no, no, no, Lucía, Chorí and Lurditas.

00:55:05Water!

00:55:05Guys, guys, come here.

00:55:07Come here.

00:55:09Come on, let's hear the music.

00:55:11Can anyone tell us what's going on?

00:55:14Well, Lucia, I see it quite clearly.

00:55:16I'm not up for these kinds of unpleasant experiences.

00:55:18I'm not in the mood for...

00:55:18Let's see, let's see, let's see, let's see.

00:55:19I organized the party myself, you know?

00:55:20It's a celebration, because my father is getting married today...

00:55:23Oh, congratulations!

00:55:25Sorry.

00:55:28Tete, you were supposed to help me with this, weren't you?

00:55:31And instead of doing that, you leave home and make a scene here in the tavern.

00:55:35great care.

00:55:35But why are you so angry?

00:55:37The tavern is no longer yours.

00:55:41Okay, Lucia, we've put a bit of a strain on you, but it wasn't that big of a deal, okay?

00:55:44I'll talk to you later.

00:55:45Now be quiet.

00:55:49Well, honey, I thought you had a bit more personality.

00:55:52That you weren't going to let yourself be dragged down by the first stuck-up thug who came along.

00:55:56But, Mom, on top of everything, you told me to become her friend...

00:55:58Well, I take it back and I don't want you to go back to her, is that clear?

00:56:00That?

00:56:00What are you telling me...

00:56:01I'm telling you what you need to do and not to go back to her!

00:56:03Don't put it with her!

00:56:04Don't put it with her!

00:56:04You can't pay me back!

00:56:06And I'll talk to your mother later, sweetheart.

00:56:07Look, I know you perfectly well, you know?

00:56:10I had a thousand tutors like you and you're all the same.

00:56:12You focus so much on being a student that you forget your path is a drag.

00:56:16Is this child the Antichrist?

00:56:18Besides, it must be a bit tough, right?

00:56:20That your lout of a husband loses the tavern and you have to go to work after you've already worked.

00:56:24What's wrong, teacher?

00:56:26Are you afraid she's the daughter of your wife's boss?

00:56:29What's wrong, teacher?

00:56:39What's wrong, teacher?

00:56:40What's up, teacher? Don't worry!

00:56:41Come on.

00:56:43Very good, very good!

00:56:45Thank you, thank you.

00:56:47I've told you about the little boy from the road, about...

00:56:50Of...

00:56:51Of...

00:56:51Il bambino de la estrada.

00:56:52Hey...

00:56:53Momenti.

00:56:56Se peacho del ragacho

00:56:58who was born on the day of sorrows,

00:57:01that goes to that little trattoria

00:57:03And I said, I was hungrier.

00:57:05Emilia had eaten the wardrobe

00:57:07For the glory of your mother,

00:57:09Get me out of here.

00:57:10Sorry, sorry.

00:57:11What happiness!

00:57:15Look, please, I'll do it because I have resources.

00:57:18Forgive me, Fiti, truly.

00:57:19Coja, Fabio, sign the papers for me.

00:57:20And we left, I swear.

00:57:22Come on.

00:57:22Attention, attention.

00:57:25Aren't you up there, Vittorio Luchino?

00:57:26Who?

00:57:27Tell him, Sabina.

00:57:31Vittorio Luchino!

00:57:37Just kidding, come on, just kidding.

00:57:39I've left behind a little girl

00:57:40who has adjustment problems

00:57:42And what do I do?

00:57:43What I do?

00:57:43I'll slap him at the first opportunity.

00:57:45Well.

00:57:45What do you mean, "good"?

00:57:46Lurditas, please,

00:57:47I just don't know.

00:57:48How did I lose my mind like that?

00:57:50Pregada, her?

00:57:51You, Lucia?

00:57:52No, yes, I mean,

00:57:53Look, look, darling,

00:57:54come here.

00:57:55Yes, but that's not how it's done.

00:57:57No, because hitting is never done.

00:58:00It's awful, my love.

00:58:01That's terrible.

00:58:02Don't look at me like that, my love,

00:58:03I don't even know why it turned out this way.

00:58:06I've lost my mind.

00:58:07No, because I don't have one.

00:58:08I would have given him two every day.

00:58:09That baby needs two every day.

00:58:14Darling, my love,

00:58:15Go on, go to sleep, okay?

00:58:16It's okay, that's fine.

00:58:17Come on.

00:58:18Good night.

00:58:19Good night.

00:58:19Good night, sweetheart.

00:58:20Come on, the other one too.

00:58:21Let's see if we're not going to have any limits now.

00:58:23Well, that's from God too.

00:58:25From God?

00:58:25That girl is from the devil.

00:58:26But it has really gotten under Fernando's skin.

00:58:28To Fernando?

00:58:29To Fernando.

00:58:30But I haven't laid a hand on anyone.

00:58:33Never, never.

00:58:34I swear, I haven't laid a hand on him.

00:58:36Okay, Lucia, just drop it.

00:58:38A little slap on the cheek is never a bad thing once in a while.

00:58:40Here, have some chamomile tea.

00:58:44That's right, Mom.

00:58:45That?

00:58:46What about you raising children?

00:58:47Did you give me a hand when I was a kid?

00:58:48I?

00:58:49Well, no, it was in another time.

00:58:51And don't change the subject, we're talking about you, okay?

00:58:54Do you think that will affect the school, Lurditas?

00:58:57Well, if it doesn't reach the parents' association...

00:59:00I told you so, didn't I?

00:59:01She'd be better off with the Ursuline nuns, as a boarder.

00:59:04What time is it?

00:59:05Okay, what time is it?

00:59:06It's just so late.

00:59:07Hey, did something happen to them?

00:59:09But what's going to happen to them?

00:59:10You just stay calm, that one who's out there having a drink.

00:59:12Well, that makes me feel much more at ease, beautiful.

00:59:14But a little late, yes.

00:59:15What the hell are you doing here?

00:59:16Can you explain it to me?

00:59:17Yes, yes, yes.

00:59:18The taxi cost us two hundred euros.

00:59:20Two hundred.

00:59:21Emilia, let me explain.

00:59:22The problem is that it has become a bit of a fixture in our football tickets.

00:59:24And it might seem strange to you, but you can't enter the field without a ticket.

00:59:26What am I doing with my life?

00:59:27I think they're in the coat.

00:59:28Grab them, grab them!

00:59:30Please, give me the coat.

00:59:32Not fixed, huh?

00:59:33Without noting that it is a very valuable alejul.

00:59:36Santiago, please.

00:59:37No, no, don't move from here.

00:59:38Don't talk to anyone, please.

00:59:39Grab your tickets and go.

00:59:41Yes, yes, yes.

00:59:42My guests.

00:59:44My Madonna.

00:59:46Vittorio Luquín.

00:59:48Emilia.

00:59:49How did you tell me you're friends with Vittorio Luquin?

00:59:51Well, the truth is there are more...

00:59:54Those are more like Fiti's friends.

00:59:57Yes, Spain...

00:59:58A handkerchief, a handkerchief.

01:00:00We artists all know each other.

01:00:04And it's a great honor to finally meet them.

01:00:06Clear?

01:00:07Yes, really.

01:00:08Really?

01:00:08Come and say hello to Sabina.

01:00:10He'll be happy to see you again.

01:00:12We walk, we walk.

01:00:14Hey.

01:00:17No, the coat...

01:00:18It's not this coat.

01:00:19It's a longer, blacker coat.

01:00:21This is a chupi.

01:00:22Then he'll bring it to me.

01:00:24Then he'll bring it to me.

01:00:28But you were right.

01:00:30That the aunt pretends to be open to dialogue, but then she looks.

01:00:32Besides, who does he think he is to hit you?

01:00:34What's wrong with you? You stay overnight at my house and suddenly you think you have a right to it?

01:00:38Just wait until your mother finds out.

01:00:42Well, huh?

01:00:42That she is not entirely to blame either.

01:00:44I have my own issues too.

01:00:46Besides, if you leave me alone with Gandhi and Mother Teresa for a while, they'll definitely end up fighting.

01:00:54Hey, your mother has already called 14 times, huh?

01:00:56She must be worried about us.

01:00:58Well, look, he deserves it.

01:00:59Because do you know what we should do?

01:01:01We should just run away and show up tomorrow morning, but completely drunk.

01:01:05Look, I've already done that 100 times.

01:01:06Now he's two years older than the rest of my class.

01:01:08If I don't speak to my father, I treat my mother like a cowbell.

01:01:11Believe me, it's not worth it.

01:01:15I thought, Victor and Luquino aren't coming.

01:01:18Sabina was going to be very upset, wasn't she?

01:01:21Don't you see it with this ragachina?

01:01:22The fact that...

01:01:23Oh, wait a minute.

01:01:24Sorry.

01:01:25Sorry.

01:01:26Let's see.

01:01:28You need to get out of here now.

01:01:29The women who have come to watch the football will have to take their tickets with them.

01:01:32Well, you must be a real pain in the ass.

01:01:33Well, it was the ragachi who took the coat.

01:01:36From Miu-ti.

01:01:37From Miu-ti.

01:01:37Yes, yes.

01:01:39And do you know who Victor and Luquino are?

01:01:42Ah, yes.

01:01:43My Lulita has all the compatis.

01:01:44They're the ones who sing that thing about...

01:01:46The sun of love.

01:01:47Andy Lucas.

01:01:48And who are they?

01:01:48Those who sing are lovers.

01:01:49So who are the vicar and Luciano?

01:01:51Well, they are super famous fashion designers.

01:01:54What a name they've chosen!

01:01:55Thank goodness they're Italian.

01:01:56But they're not Italian, Santi.

01:01:57Oh, they're not Italian.

01:01:58No.

01:01:59Sevillano, from Seville.

01:02:00Ole, the one who was not missing.

01:02:03Are?

01:02:04Are?

01:02:05Here they are.

01:02:05Come on, let's go.

01:02:06It's already gone, we left a little bit.

01:02:07Yes, let's go.

01:02:08Come on, come on, come on.

01:02:09Come on, let's go, let's go.

01:02:12Victor?

01:02:13Yes, yes?

01:02:13Tuquino?

01:02:14Yes, yes.

01:02:14What a tragedy.

01:02:15What tragedy?

01:02:15Sabine's dress has ripped.

01:02:18Don't worry, it's the one time you're going to get it...

01:02:22You're going to help me, right?

01:02:24Help for what?

01:02:25Why are we...?

01:02:25Ah, about that...

01:02:27About...

01:02:29Yes, but more Luciano.

01:02:30Yes, yes.

01:02:30Andiamo.

01:02:31Luciano is the one from the...

01:02:32Andiamo.

01:02:36What you need to do is rest.

01:02:39Drink a little bit, go on, it'll do you good.

01:02:42Thank you.

01:02:46What do you have here?

01:02:49That?

01:02:49Where here?

01:02:50Here.

01:02:51Hey?

01:02:54Ah, it's...

01:02:55No, this...

01:02:56A...

01:02:57No, some vitamins.

01:02:59This is not normal medicine, Raúl.

01:03:02Well, no, it's just that...

01:03:03It's a mess.

01:03:05Experimental drug.

01:03:08What is this, Raúl?

01:03:09What are you drinking?

01:03:12It's not...

01:03:13Well, a...

01:03:16How can I explain it to you?

01:03:18It's a rehearsal...

01:03:20A new clinical study I'm doing.

01:03:25And that's why the dizziness and all that?

01:03:27I forget things before they've even finished happening, damn it.

01:03:29Why are you going with my grandmother?

01:03:30That?

01:03:31Are you stupid, Raúl, or what the hell is wrong with you?

01:03:34How did you come up with that?

01:03:35Damn, you're all there bothering me all day long.

01:03:38What about work, what about work...

01:03:40Damn, and nothing's coming out, for fuck's sake.

01:03:42And it seems like I'm stuck with the bowling pin hanging all day, and I'm not.

01:03:46And I know this isn't a job either, but between getting something and not getting anything, damn it, and

01:03:50about school...

01:03:51But, Raúl, why do you always have to do the stupidest things in the world, huh?

01:03:55Because?

01:03:55Damn, well...

01:03:56Well...

01:03:57Because I've been a jerk, huh?

01:03:58Well, you already know that.

01:03:59No, no, no, you're not a jerk, you're not a jerk.

01:04:02You're an idiot.

01:04:04AND...

01:04:06And I love you.

01:04:09But why are you so stupid?

01:04:20I'll come tomorrow and we'll talk, okay?

01:04:23Okay.

01:04:32Bye bye!

01:04:52Thank you, Mire.

01:04:53I'm sorry to make you work on your wedding day.

01:04:55Lucas, this looks promising.

01:04:57Sabina, Vittorio and Luquín.

01:04:58No!

01:04:58You don't move an inch.

01:05:02Well, if...

01:05:03If I move, the scratch will get bigger.

01:05:06Clear.

01:05:09Oh...

01:05:09This...

01:05:10Impossible.

01:05:11He's in a punkish state, neither forward nor backward.

01:05:14Impossible, Arriblani.

01:05:16Impossible, impossible.

01:05:18Vittorio.

01:05:19Cosi, cosi.

01:05:20No, no, no, no, no, no.

01:05:21No cosi, Lucino, no.

01:05:22Cosi tú.

01:05:22I am more of a concepti, a puntati, a Lucino.

01:05:24De puntati, de Lucino.

01:05:25Lucas...

01:05:26Ma...

01:05:27Ma...

01:05:27Ma tú no el sei, Vittorio.

01:05:29Did I say that?

01:05:29No, no, I am not Vittorio.

01:05:30Vittorio is him, that is, I am Lucas.

01:05:33Well, it's not Vittorio, Lucino.

01:05:34Of course they are not Vittorio, Lucino.

01:05:36Emilia, how embarrassing.

01:05:38Ma cosi, questo casino.

01:05:39Who are these people?

01:05:41Well, these are neither fashion designers, nor sculptors, nor anything of the sort.

01:05:44They are the three waiters.

01:05:48Oh, waiters.

01:05:49Are you telling me that this has all been a stunt?

01:05:52That this sculpture is not an artist, nor your partner, nor anything.

01:05:57Well no.

01:05:58Nothing.

01:05:59Absolutely nothing.

01:06:01But believe it or not, he's a really good person.

01:06:03A man from head to toe.

01:06:05And I should have married a man like him, a waiter, and not an idiot like you.

01:06:10And right now, will you sign the papers for me?

01:06:12Or I'll tell everyone, in perfect Italian, what a cheapskate you are.

01:06:16Let's go, let's go, let's go.

01:06:17Let's go, let's go.

01:06:18Oh, good.

01:06:19Atenzione, vi prego, atenzione.

01:06:22Yeah.

01:06:22I won't touch a hair here, eh.

01:06:24I make a piece.

01:06:25I make a piece, a piece.

01:06:26I make a piece.

01:06:27Va bene.

01:06:29That's it, kid.

01:06:30Exact.

01:06:31Sign them up for me now.

01:06:35Sabine.

01:06:37No, woman, so much aristocracy, so many millionaires.

01:06:40You are not capable of giving your daughter 200 euros a month.

01:06:42Love, don't mess with me.

01:06:45Okay, fine.

01:06:45Come on, we're still getting to the second part.

01:06:48Come on.

01:06:48Come on, it's done.

01:06:49Bye bye.

01:06:50He uses his chiso.

01:06:51Ah, you're not lying to me, they're the camerieri.

01:06:53How can you not lie to me, are they the camerieri?

01:06:57Did Guille say anything to you?

01:06:59Nothing, he hasn't said anything to me.

01:07:00I've called the girls and I'm not answering my phone.

01:07:02Neither.

01:07:04Hey girl, do you want some of the food I'm preparing in a little dish with detonator?

01:07:08Nija, you look so glum, huh?

01:07:11Nothing, I was just thinking...

01:07:13It doesn't matter, if it really doesn't matter, if...

01:07:14You think, therefore you are.

01:07:16Someone said that, I don't know who.

01:07:17That we also pay attention to people who become famous for the silly things they do.

01:07:20And here I am, anonymous.

01:07:34Are you going to tell me anything else?

01:07:35Or we can go up to my room.

01:07:40Don't worry, we'll clean the board tomorrow before they come back.

01:07:52That's great, Lucia, you've been so restrained and so well-behaved.

01:08:08Finally, finally.

01:08:10Ah, I don't know why I go out.

01:08:13There's no place like home.

01:08:16Come on, the Italians are scavenging the truck and their prostitute business is ruined, but that's how it is.

01:08:22If not, tell me, what do the Italians have that we don't?

01:08:26The pasta, Santi, is very good.

01:08:27Okay, fine, the money.

01:08:28And apart from pasta, what else do Italians have that we don't?

01:08:31The ice creams, remember how they were.

01:08:32Well, pasta and ice cream.

01:08:34And that's it, now there's nothing more to it.

01:08:36And fashion, fashion that has a presidency that is there.

01:08:38Yes it's true.

01:08:39Well, pasta, ice cream, and fashion.

01:08:40And besides, it's over.

01:08:42Uh, Monica Bellucci.

01:08:43Well, this is Monica Bellucci.

01:08:45Improving the present.

01:08:46Line, we're leaving.

01:08:47Thanks a lot.

01:08:48And football, right?

01:08:49Football.

01:08:50Hey!

01:08:50That's where it ended.

01:08:51Football!

01:08:53Just so you know, we won it.

01:08:54No, we won, Santi.

01:08:55No, no, we won.

01:08:56No, no, we ate it.

01:08:57We didn't eat it with potatoes.

01:08:58What a great game, what a mother.

01:09:00You're standing there very quietly, huh?

01:09:01Do you think we didn't notice how much fun you had?

01:09:04I?

01:09:04Well, I kind of liked the colors and the atmosphere, but that's about it.

01:09:07The atmosphere is colorful, isn't it?

01:09:08You got carried away and we almost came to blows with the whistles.

01:09:10It's true.

01:09:12To have killed him.

01:09:14Well, I suppose that now that he's seen it,

01:09:17He'll let us put the matches on at the tavern, I suppose.

01:09:20Santi, no way.

01:09:23Emilia, Emilia, yes, look.

01:09:24If it's going to be a short match, like once a week,

01:09:27In other words, mostly on Sundays.

01:09:28Go on, boss!

01:09:29No, no, no, no!

01:09:31No, no, no, no, no, no, no, no, no, no, no, no, no.

01:09:34Well, I don't know, I'll think about it.

01:09:36Come on, open up, we need to make some money, eh?

01:09:39Doe, doe, doe, doe, doe!

01:09:52Go.

01:10:00What are you doing here so early?

01:10:04Are you doing that today?

01:10:05No, well, yes, it's been a long time.

01:10:07I haven't slept much.

01:10:09And so?

01:10:13What's up, babe?

01:10:15Look, Raúl, at first I didn't want to tell you anything.

01:10:18Because it's nonsense.

01:10:21But then

01:10:22Then I thought it would be unfair if you didn't know.

01:10:25And in the end I've gotten myself all mixed up.

01:10:27Because I've thought too much.

01:10:28And I no longer knew what to do

01:10:34That?

01:10:38I don't know if you remember that the other day

01:10:40You saw Manu and me at school

01:10:46That you saw us kissing

01:10:50Nothing happened

01:10:52No, come on, I assure you that's not the case.

01:10:53I want to be with you

01:10:58You're angry, aren't you?

01:11:00No no

01:11:03I just wanted to be honest with you

01:11:06Because I think you need to know this

01:11:07And because I love you

01:11:10But you don't have to worry

01:11:12Are you staying for breakfast?

01:11:15Are you listening to me?

01:11:17Yes, but it's also my fault, honey.

01:11:19I've been neglecting you.

01:11:21Know?

01:11:21Let's see if...

01:11:22If I manage to find a decent job now

01:11:24And we can find something, you and I.

01:11:25With our account

01:11:28Come on, let's go

01:11:29Hey, I'm sure you've stopped taking the pills.

01:11:31Yes, yes

01:11:33Yes, come on

01:11:34No, no, I don't know if you understood.

01:11:35Africa, it's one thing that I don't get angry

01:11:37And another thing I'd like to keep talking about is this

01:11:39You say nothing happened, right?

01:11:41No

01:11:43Well, that's it

01:11:45There are some things that are better left forgotten.

01:11:51Come on

01:11:58Yes, damn it

01:11:59You guys look a bit like you're doing

01:12:01Okay, that's enough.

01:12:01With the vitorino and the funny look

01:12:03You're right, Santi.

01:12:04Let's see

01:12:04These things in Milan

01:12:05Well, they're very modern and all that.

01:12:06But here in Santa Justa they weigh

01:12:08Yes, family

01:12:09How are you, family?

01:12:11How are you?

01:12:12Wow, wow, success!

01:12:13Well, gentlemen

01:12:14Let's see, the gifts

01:12:15Fiti, Santi

01:12:16Let's get the gifts

01:12:17Come on

01:12:18Dear Sir

01:12:19Dear, yes

01:12:20But the wedding wasn't in Milan.

01:12:21Yes, it was...

01:12:21What did I tell you, Fiti?

01:12:23What did I tell you?

01:12:23No, we must have bought that prostitute.

01:12:25Which is more typical

01:12:26What will love leave you with?

01:12:27Well, I'm not telling you...

01:12:28Okay, fine, okay, okay

01:12:29It's fine for breakfast.

01:12:30Hey, do we have to leave something?

01:12:31Okay, come on, there are some shots at that table.

01:12:32And now it's one of the cutlery items

01:12:33Okay, yes, but don't eat it like that.

01:12:34Let me break it

01:12:37Lucia

01:12:38I will give you a gift.

01:12:39Thank you very much

01:12:41Has it given you a lot of trouble?

01:12:44No way?

01:12:45No

01:12:46And how are you?

01:12:47Hey?

01:12:47Did you have a good time?

01:12:49Very good

01:12:51He has given me everything I've asked for.

01:12:55Okay, then.

01:12:56Fiti, can I talk to you for a moment?

01:12:58Fiti

01:12:59Yeah

01:13:03I just don't have time to thank you yet.

01:13:06Ah, don't worry, woman

01:13:08If it was nothing

01:13:10Fiti, you have supported me a lot

01:13:11I couldn't have done it without you.

01:13:14Well, what are friends for?

01:13:16To lend a hand now and then?

01:13:18Well, thank you very much, okay?

01:13:22Bambino of the trailers

01:13:25Oops, sorry

01:13:38I'm a slave, don't mess with me.

01:13:39But I haven't gotten stuck.

01:13:40No, no, I can't see myself.

01:13:41I don't see myself

01:13:41You're going to get a little less wet

01:13:42But who are Cipriano and who are Vittorio?

01:13:44Who is Cipriano?

01:13:45Damn, it's Vittorio and Luquino

01:13:47Water

01:13:48What's going on here?

01:13:50But it is, no, we are seeing

01:13:55Ah, well, listen, the truth is that

01:13:58If you're okay with it, right?

01:13:59Yes, yes

01:14:00But above all, you, Lucas

01:14:02Lucas

01:14:04Who is Lucas?

01:14:04Yes, look at him

01:14:05Yes, yes

01:14:06Come on, let's get to work

01:14:07Yes, yes, right now, let's go

01:14:09Right now

01:14:14Let's be clear, without mincing words.

01:14:15Vittorio

01:14:17Here it is

01:14:19What are you saying?

01:14:19What are you saying, you animal, you man?

01:14:20What do you mean nobody would like that one?

01:14:23Think, think a little bit

01:14:24So, he accompanied Milana to a wedding

01:14:26In other words, he impersonated the sculptor.

01:14:27That's not done if there's no meaning and no purpose.

01:14:29I'm telling you, he feels something.

01:14:31You feel it, Vittorio

01:14:32Confess, do you have feelings for her?

01:14:36Well, and something.

01:14:36Let's not think you like the witch.

01:14:39Of course I don't like it

01:14:42No, I already called myself a witch, damn it.

01:14:47Yes

01:14:47Yes, he likes it

01:14:49What was I saying, Lucas?

01:14:50What was I saying?

01:14:51To taste the colors, Vittorio

01:14:55Let's go

01:14:58Diego, macho

01:14:59I owe everything to you

01:15:00Yes, yes, I left you stranded, Ramón

01:15:01That's exactly why.

01:15:02Well, I'd like to hear you sing

01:15:04The whispers

01:15:06The child will be traumatized by the trauma

01:15:08To make a fool of oneself

01:15:09If you could lend me a hand with the song thing

01:15:12From singing, that is, to clear the voice a little

01:15:14Damn, you have to give me a once-over.

01:15:16Can you go somewhere else?

01:15:17Raúl, Raúl

01:15:18Raúl

01:15:19Well, whenever you want, come and see it and all that.

01:15:21Nothing, we just left you a...

01:15:23One dedicates

01:15:26Damn, mimi, mimi, mimi

01:15:31Jaime

01:15:32Well, sir, the maestro when he gives me the solo for the zarzuela

01:15:35The one you already know

01:15:37I could take another small step

01:15:40Another step?

01:15:41I wanted to invite Emilia to dinner at a little museum tonight.

01:15:45Host

01:15:46What the hell are you doing?

01:15:48Hey man, this isn't what it looks like, huh?

01:15:51Tomi, we need to talk

01:15:54Not now, we have to evacuate, evacuate

01:15:56Evacuate, evacuate, evacuate, my brother, down the drain

01:15:58Not being from a daughter

01:15:59That's going to be from someone who has a vested interest, huh?

01:16:02That's right.

01:16:03Here, honor is respected.

01:16:04And if you want power, look at my tablet

01:16:06Hey, what's up?

01:16:09Sorry, but I'm going to the bathroom

01:16:11So, the child makes me sweat.

01:16:13We're feeling a bit unwell, we're having headaches

01:16:14Look, what you have is stage fright.

01:16:16Ladies and gentlemen, the whispers

01:16:19I'm devastated, Santi, devastated.

01:16:21Now I understand Perales' songs, damn it

01:16:22And me cleaning?

01:16:24Raúl has convinced him

01:16:26It's a matter of respect.

01:16:27So, you've humiliated me, okay?

01:16:29There are things, man, that...

01:16:31Someone can't pay

01:16:32Yes, yes, yes

01:16:33He's got me by the balls...

01:16:36Because of the potato

01:16:36Does it happen or not?

01:16:37So you shut up and that's it

01:16:51May happiness

01:16:54From poisoning...

01:16:55Thank you!

Los Serrano - 6x05 - Il bambino della strada - HD 1080

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