24:14de leur maison comme Pinto
24:15ou ceux qui acceptent bribes
24:17et ont des cartes
24:18full de d'autres personnes
24:18comme Toren's.
24:21Et des politiciens anti-établissement
24:22de la politique
24:22de leur laisser se faire avec ça.
24:25Ils donnent des streets,
24:26des quartiers et des quartiers
24:28pour la raison de leurs besoins.
24:29C'est ça ?
24:30C'est toujours les mêmes personnes
24:31qui font tout le monde, non ?
24:32C'est une coincidence.
24:34N'importe quoi.
24:35Les mêmes vieux tirs
24:37prétendent à aider à tout le monde.
24:39Donc si ils gagnent,
24:40qu'est-ce que ça fait
24:41les restes de nous ?
24:42Les losers ?
24:43Non, pas encore.
24:46Nous sommes leur nightmare.
24:48Against l'institution de violence,
24:50nous répondons avec
24:51la résistance populaire.
24:52La résistance populaire ?
24:53Nous sommes beaucoup
24:54et nous nous voulons vite.
24:55Nous sommes la rébellion.
24:57Les rues de fire
24:58ne s'éloignent pas.
25:08Ce que tu fais
25:09fait que tu es un out-laws.
25:11C'est drôle parce que
25:13ce qui est un out-laws
25:13n'est toujours légal.
25:14Hein ?
25:15Et ce qui est un out-laws
25:16n'est toujours pas un out-laws.
25:19Thoreau, 1848.
25:19Oui, j'ai l'éloigné.
25:20Oui, j'ai l'éloigné aussi.
25:22Tu sais ce que le système est ?
25:28Est-ce que c'est-ce que c'est-ce que c'est ?
25:55Non, j'ai l'éloigné.
25:56J'ai l'éloigné.
26:02Oui, j'ai l'éloigné.
26:03C'est-ce que c'est-ce que c'est-ce que c'est-ce que c'est ?
26:08Tu n'as pas d'éloigné.
26:09damn proof do ya listen John I've gone through your file hmm I know damn well you could have
26:16done it and you had every reason to I get it but you wouldn't have done it like that you
26:22would
26:22have shot him in the head Malart that's enough now you don't have the brains for a plan like
26:26that who helped you where the fuck did you hide to rents where the fuck did you hide to rents
26:32John you were provoking him just so you know what in the world happened in there was that
26:37some sort of improvisation it hurts right he's guilty that's for sure why maybe John Grau is a
26:46manipulator able to put on a good app for us but he isn't someone who can put on a whole
26:51show
26:51he isn't able to wait for his victim to starve to death even less carefully edit videos or be able
26:58to hide his identity he's the exact opposite exhibitionist impatient impulsive he needs to
27:04shout threats and be seen he's a public danger but not the one we want well I wouldn't be so
27:09sure
27:10of that I didn't say that Grau is innocent actually he might even be the executor it's obvious Pinto's
27:17murder involved several people at least two but the brain is still out there and we'll strike again
27:26tomorrow will be the fifth day since Torrance's abduction and Pinto was killed on the fifth aren't
27:31we gonna do anything to stop that of course we're going to it's time we set up surveillance operation
27:37at Gowdy's main monuments all around town and I'm signing the order to send John Grau to prison
27:54you and I we need to talk I called headquarters I'm gonna keep working with Milo
28:04I want to see this case through tomorrow's an important day seriously having you here with us is a real
28:12privilege but you're working with a mad man Garrido thanks but I disagree with you
28:20and I think I'm qualified enough to know
28:32you
28:37you
28:41you
28:55J'ai mangé un diner.
28:58Singla est probablement payé vous bien pour être ma chanteur.
29:01C'est comme si vous êtes obsédé avec moi pour être ma chanteur.
29:04Je ne suis pas intéressé à prendre soin de les enfants.
29:08C'est comme ça.
29:12Vous savez, ils ont envoyé Gros à la prison ?
29:16Vous pensez que c'est parce que moi ?
29:18Parce que j'ai provoqué pour moi ?
29:21Vous payez-vous pour être pauvre votre vie.
29:24Je suis venu ici pour travailler.
29:26Je vous ai donné des pills de dormir.
29:27Peut-être qu'ils vous aideront.
29:34Hello ?
29:35Milo ?
29:36Oui.
29:36Est-ce que tu regardes TV ?
29:38Non, pourquoi ?
29:39Ils ont dit qu'ils vont montrer un vidéo qui concerne Félix Torrance's abduction.
29:43C'est quelque chose de énorme.
29:46Je vais tourner directement.
29:47Ok, je vais parler plus tard.
29:50Nous avons donné accès à des images très exclusives.
29:54Et elles sont aussi de valeur pour l'investissement de l'investissement.
29:57Nous espérons vraiment que elles vont aider à l'éclairage sur les événements.
30:01Alors, sans plus de mentionner, nous allons partager ces images exclusives avec vous.
30:06Once again, we'd like to warn you.
30:08These images may affecte sensitive viewers.
30:12Here they are.
30:21I need some water.
30:23Please, I need a bit of water.
30:31What do you think ?
30:33We're watching it.
30:34But how the hell did they get these ?
30:36I don't know what you want from me.
30:40If it's money, I can give you that.
30:42He's only talking to one person.
30:44In my car, I have a briefcase.
30:45It's full of money, and I can give you even more.
30:51It's full of money, and I can give you even more.
31:09Play it again.
31:13The money from the briefcase.
31:17Probably.
31:22What is that, a basement?
31:26Why are they showing this to us?
31:29So that we know Terence hasn't fled.
31:31That they've got him.
31:33Yes, but Pinto was never shown being held in a cage.
31:36They're getting stronger.
31:38They're upping the level of sadism.
31:40To reach the level of emotion that they experienced.
31:47Several patrol units will be deployed simultaneously across Gaudi's iconic buildings, which are considered potential targets.
31:54On Passage de Gracia, we'll maintain surveillance at Casa Mila, but also at Casa Bayou.
32:01Not far from there, Casa Calvet.
32:03Of course, we'll monitor the Sagrada Familia, especially the entrance on Carrera, Mallorca.
32:08We'll assign a patrol unit to Palo Guel on New de la Rambla, another one to Casa Vicente in Gracia,
32:17and another to Park Guel.
32:20Two more to San Gervasi, one covering Torrey Baliscard, and the other, the Teresian College.
32:27Understood?
32:28The sergeant will brief each unit on its specific assignment.
32:33Each patrol unit will arrive at dusk in front of their assigned building, and you'll stay there on high alert
32:38throughout the night.
32:39All right?
32:40Mallorca, Garrido, we've assigned you to Santa Coloma de Cervelo, the Colonia Guel.
32:45You'll need to leave half an hour earlier than the others.
32:47Bunt.
32:48Bunt.
32:50You're on Passage de Gracia.
32:52Punishment, I guess.
32:54Yes.
33:04In 1890, businessman Yusebi Guel moved his wool and velvet factories out of the Sands district to this little town,
33:11Santa Coloma de Cervelo.
33:13He quickly figured it would be easier to just settle the workers here, too, so that he could avoid the
33:17labor conflicts going on at the time.
33:19He created a whole town built around the factory, and he even had Gaudi design a church.
33:25But when Guel died, the project was abandoned.
33:28They only managed to finish the foundations.
33:30It was supposed to be huge.
33:34The crypt is open.
33:36We'll be in permanent contact.
33:38Singla will also have a wire.
33:40You have my number.
33:41We'll also be doing several patrols around the area.
33:43If you need anything, contact me.
33:45All right, thank you.
33:46Be careful.
33:47Thank you.
34:05Thank you.
34:06Thank you.
34:33Sous-titrage MFP.
34:36Want some?
34:39Is food always on your mind?
34:43Only three times a day.
34:46Thanks.
34:57Why are you back?
35:00You knew they wouldn't welcome you.
35:04I'm back for the money.
35:05It's that simple.
35:09The pay isn't very good.
35:11Well, it pays my rent.
35:13Can't you split it?
35:15You're back with your wife.
35:17No, I'm not...
35:22We still have a lot of things we share.
35:31And you?
35:33What made you want to invade Catalonia's police force?
35:42Well, there was this opportunity and nothing keeping me in Madrid.
35:56I came back from the United States because my mother was dying of cancer.
36:04Shit.
36:07I'm so sorry.
36:12I like Barcelona.
36:16I don't know anyone here.
36:18And nobody knows me.
36:41I came back because at this point in my life, I think that there's only one thing I know how
36:46to do.
36:51To work?
36:53Spaghetti carbonara.
36:54Oh my God.
37:00Oh boy.
37:08Oh man.
37:09Les unités ont appris juste à l'arrivée par Hyundai Mental Car.
37:16Joseph Roura est arrivée à l'Electric Darker Street.
37:39Milo ?
38:23Tout va bien ?
38:40C'est un sentiment d'effort.
38:43C'est le sentiment qu'il a abandonné après l'année dernière,
38:47led par l'investigation criminelle de la Mossos,
38:50pendant laquelle ils surveillent
38:51certains de Gaudi les plus iconiques.
38:53Le mystère s'étendent autour de l'abduction du businessman,
38:57Félix Torens.
38:58Qui a été vécu pour la dernière fois ici,
39:00à Palau-Guel, dans le cœur de Barcelone ?
39:03Pour les prochaines heures,
39:04nous serons sur le lookout pour plus de développement.
39:06Et si elles s'entendent,
39:08vous êtes les premiers à le savoir.
39:13OK, tout le monde, écoutez-vous.
39:16Nous devons être alertés.
39:18Le killer est encore là,
39:19en quelque sorte.
39:20Peut-être qu'ils nous ont vu et changé leurs plans.
39:22Nous devons nous concentrer sur ce qu'on a,
39:24le lead avec John Grau,
39:25et le anti-établissement.
39:27Il y a encore beaucoup,
39:27qui doit être fait.
39:28Nous devons vérifier tout seul d'alibi du detain.
39:31Reviser les affaires de l'arrivée
39:32pour voir si nous pouvons identifier
39:34quelqu'un qui était là.
39:35Il y a quelques d'autres habitants.
39:37Peut-être qu'ils possèdent un terrain
39:38dans un terrain.
39:39Nous cherchons une courante de la recherche.
39:41Bonne idée.
39:42Vox,
39:42il y a des affaires de la créature
39:43et des crimes de l'arrivée.
39:44Si vous avez des traces de l'argent
39:46qui disparaît l'année dernière,
39:47les terrains.
39:48Merci.
39:49C'est tout pour maintenant.
39:50Go à l'arrêt et vous a un rest.
40:00Je pense que c'est mieux que nous n'y trouvons pas encore, pour qu'ils s'occuper, à l
40:04'heure de l'heure.
40:05Tu as d'accord?
40:10Non.
40:12S'est-ce qu'on va?
41:19Elle a vu moi.
41:21Elle a vu moi.
41:51Elle a vu moi.
42:20Elle a vu moi.
42:51Elle a vu moi.
43:20Elle a vu moi.
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