- hace 17 horas
José Luis, Fiti y Santi sorprenderán a Diego con unas entradas para ver a su equipo, el Real Madrid, en los octavos de final de la Liga de Campeones. Sin embargo, existe un problema, el partido coincide con una cita que el tabernero tiene con Celia. La mexicana comprende las ganas de su pareja por asistir al encuentro y accede a posponer la cita. Pero cuando Celia ve por televisión a Diego besando a Ana tras la victoria del equipo merengue, se desencadena una discusión entre la pareja. Hacienda reclama a Fiti un pago de 2.000 euros que tenía que haber realizado su hijo. Este descuido acaba con la paciencia del padre que, harto de la inmadurez de su vástago, le recrimina su falta de implicación en el negocio familiar. Pero Raúl, convencido de haber realizado el ingreso, lamenta la escasa confianza que su padre deposita en él, hecho que provoca su abandono de “Fiti and son”. Teté continúa su particular boicot a la relación de Diego y Celia. En esta ocasión, las notas obtenidas en el colegio se convierten en el motivo de la discordia. La plaga de suspensos cosechados por la hija del tabernero provoca una nueva desilusión en la familia y propicia que la joven acabe revelando su malestar a Lourditas.
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TVTranscripción
00:00:05We continue, right? The defenders move forward, the forwards stay here.
00:00:08So he takes this striker and goes and if the guy keeps at it and shoots, that's a goal.
00:00:12But if it happens to either of these two, to this one for example, and he goes there and pulls and
00:00:15He scores a goal, that's not a goal anymore.
00:00:17But why not? Why can't the little creature who's standing here all by himself score a goal?
00:00:20Soni, damn it, he's more out of the game than the Pope in a session.
00:00:24Now there are new citizenship education classes,
00:00:27where they teach us that boys and girls are men.
00:00:30Although it seems that not everyone agrees.
00:00:32I don't like them and they don't understand them.
00:00:34Look at this genius, she has a washing machine at home and doesn't know how to use it, it only has four little buttons.
00:00:39I do believe that men and women have the same rights.
00:00:43But we're not exactly equal.
00:00:46Instead of passing to this one, who we've already said is out of play, this one passes to this one
00:00:49And he scores a goal.
00:00:50If he demands to go there, towards the ball, that's no longer a goal either.
00:00:54But why not? I don't understand. He's all alone and he comes tick-tapping, tick-tapping, without touching him.
00:00:58And here, he scores the goal.
00:01:00Let me explain, Choni. That's called positional offside.
00:01:03Ah, there are varieties.
00:01:05Yes, yes.
00:01:06Don't say any more, you've opened a can of worms, damn it.
00:01:08And the truth is that being different is cool, because otherwise everything would be very boring.
00:01:13Although, as Carmen says, you can't generalize about these things.
00:01:16And when you least expect it, it jumps out at you.
00:01:19Well, if there are already variations, things get more complicated.
00:01:22Defensive line. A striker up front here. Another one.
00:01:26If he gets the ball, he drops the ball, uneven.
00:01:28No, here, here.
00:01:29She throws it to this one, passes it to this one, what's going on?
00:01:32What's happening?
00:01:32What's happening?
00:01:33Hey?
00:01:33They are out of the game.
00:01:35But if he moves aside, then he avoids the offside position and is left alone to
00:01:40score a goal.
00:01:42No?
00:01:43Damn, I had to explain it in the end, otherwise nobody comes in here, damn it, otherwise nothing.
00:01:48Nothing, nothing, nothing.
00:01:49Well, keep practicing, keep practicing, and next time we'll tell you about the golden goal.
00:01:55Come on.
00:01:55Hey?
00:01:56Okay.
00:01:56Keep practicing, keep at it.
00:01:57Where are you going?
00:01:58Where are you going?
00:01:58Where are you going?
00:01:58Where do you handle the paperwork?
00:01:59But come on.
00:01:59Come on, let's see, Diego.
00:02:00Stay in good hands, dragons.
00:02:02Dragons, no, it's not from Colombia either.
00:02:04Ultimately, you should never think you're smarter than everyone else.
00:02:07Otherwise, it can happen to you like it does in football.
00:02:10You're left out of the game, and at the very least you'll get injured.
00:02:12In other words, the defense...
00:02:14A station platform, under the blazing sun.
00:02:18You were talking about a skyscraper in the sky of New York.
00:02:22Come soon to see the sea, and send a postcard.
00:02:25I already knew that day was the end.
00:02:30Now I have much more.
00:02:33Red, black, stop and even.
00:02:35Finally, luck brings an ace and a crystal to look through.
00:02:38And a wall to hang it on.
00:02:40Seven smiling faces in a passport photo.
00:02:44My stories were not about tales made by chance.
00:02:51Nobody told me that destiny was giving me this opportunity.
00:02:57One plus one equals seven.
00:03:00Who would have thought?
00:03:05That it was so easy to be happy.
00:03:18This is it.
00:03:19What do we do here?
00:03:21Inclusion of Lenin.
00:03:22Guille, what you don't know now, you're not going to learn now.
00:03:25So no.
00:03:26No, Dad, we have exams every day.
00:03:28You just can't do it like that.
00:03:28It's normal that you have exams.
00:03:30In my day there was something called...
00:03:31Irrevalidated exams, look.
00:03:32Of course, and then there was also something called the Inquisition.
00:03:35And that's not why we go around burning heretics at the stake.
00:03:36Very funny, very funny, well, I didn't find it funny at all.
00:03:38Do you know what you need to look for?
00:03:40On TT.
00:03:40Yes, because TT is also examined.
00:03:42Look at her, you're not cramming at the last minute.
00:03:44Because?
00:03:44Because it is organized.
00:03:45Right, TT?
00:03:46Grandma, pass me the cereal.
00:03:47Yes, daughter.
00:03:48I'm coming.
00:03:49Thank you, son.
00:03:50I wanted to take this opportunity to tell my family,
00:03:52to what is the family nucleus.
00:03:53Not tonight...
00:03:54No...
00:03:56I'm having dinner out, I'm not coming home for dinner.
00:03:58I mean.
00:03:58Ah.
00:03:59Okay.
00:04:01Hello, everyone!
00:04:02Good morning.
00:04:03What's happening?
00:04:04Trio.
00:04:05Brother?
00:04:05What's happening?
00:04:07Guess where we spent the night?
00:04:10Well, no, I don't know.
00:04:11Don't know.
00:04:12Don't know.
00:04:13Don't know.
00:04:13Don't know.
00:04:14Use your imagination, man.
00:04:15I give up, damn it.
00:04:16I give up, I give up.
00:04:17Don't know.
00:04:18Three men and the passage to the Castilian style.
00:04:22Please, there are children in front of us.
00:04:24My mother-in-law is here.
00:04:25Do the favor you mentioned at the house.
00:04:25No, no, no.
00:04:26Stop, stop.
00:04:26Calm down, calm down.
00:04:27That we've been to the Bernabéu.
00:04:29Ten hours of queuing.
00:04:30Tell him.
00:04:30Four tickets for tonight's game.
00:04:33We're in the Champions League against Mirage.
00:04:35The sumu!
00:04:36The sumu!
00:04:37But, my goodness, how lucky.
00:04:39So that's why you weren't coming for dinner tonight, Dad.
00:04:41And you just stood there silently.
00:04:41You rascals!
00:04:42No, no, no.
00:04:44No, no, no.
00:04:45No, no, no.
00:04:47And if I can speak.
00:04:47Okay, come on, everyone to the "quéso" (a slang term for a specific place or thing), please.
00:04:50Come with me.
00:04:50Come with me.
00:04:53Take it with you, I'll be careful.
00:04:54Listen to me, listen to me.
00:04:55See you later.
00:04:55You need to talk about their things.
00:04:58You'll see, brother, we're going to have a great time.
00:05:00I'd do anything for you.
00:05:01You and us, Fit and I have been there too, I remind you.
00:05:04Listen to me, listen to me for a moment.
00:05:05Listen to me, I really appreciate it.
00:05:07I really appreciate it, but...
00:05:09But I can't.
00:05:11I can't because I've arranged to have dinner with Celia.
00:05:13Well, and since we can have dinner just the two of us for once...
00:05:19Good morning.
00:05:22Didn't you have plans to meet the foodie at nine?
00:05:24Yeah.
00:05:25There it goes, yes.
00:05:26Shit, okay, okay, okay.
00:05:27I'll have my coffee and I'll be there in ten minutes.
00:05:29It's no longer necessary.
00:05:30No.
00:05:32He called me, he told me that he took the car to the shopping center garage.
00:05:34Let this be the last time, okay?
00:05:36Okay, fine, I'm sorry.
00:05:37There's no need to get so worked up.
00:05:38I get the way I get, Raúl.
00:05:40Damn, we've lost a customer, for crying out loud.
00:05:42What is this?
00:05:44The tax authorities inform you...
00:05:47Don't mess with me.
00:05:48Two thousand euros!
00:05:49Two thousand euros back!
00:05:51What are you saying?
00:05:52What are you saying?
00:05:53Come here for a moment, Raúl.
00:05:55Come here.
00:05:56Come here.
00:05:56What's happening?
00:05:57What do you mean, what's going on?
00:05:58Weren't you in charge of sending proof of payment to the Tax Office?
00:06:02Yeah.
00:06:03They were asking for some papers, weren't they?
00:06:05Yeah.
00:06:05I only sent it by fax.
00:06:07Yes, you sent it.
00:06:08I see you sent it.
00:06:09You sent it, you son of a bitch.
00:06:11Two thousand euros.
00:06:11Yes, I did send it, Dad.
00:06:13They must have made a mistake, I'm sure.
00:06:14Fuck.
00:06:15No, no, no.
00:06:16They were not wrong.
00:06:17The Treasury Department is not wrong.
00:06:18That the Treasury seizes.
00:06:19Raul.
00:06:20Let's see.
00:06:21You sent a fax, didn't you?
00:06:23The role of shipping.
00:06:24Come on.
00:06:25Yes, man?
00:06:26Yes, man?
00:06:26Yes, Dad, he'll be there.
00:06:28It will be there.
00:06:28Of course he'll be there.
00:06:29If it's not here, it's in the workshop.
00:06:31But come on, it has to be there.
00:06:33It has to be there.
00:06:34It has to be there.
00:06:34But you don't realize that, do you?
00:06:36We can't make it to the end of the month.
00:06:37We still owe your aunt money.
00:06:39Look at him, look at him.
00:06:40Oh no, no, no, no.
00:06:42You have to be responsible, damn it.
00:06:44You have a job and you have a child.
00:06:46You can't stay a kid forever.
00:06:47Fuck.
00:06:48I'm saying that I sent it.
00:06:49Raúl, come on, damn it.
00:06:51If you've screwed up, damn it, shut up.
00:06:55Wake up, damn it.
00:06:58At this rate, you're going to be useless for the rest of your life.
00:07:12Oh, looting, looting.
00:07:13You're climbing the fig tree on me.
00:07:14Come on, guys, I'll finish up soon, it's time.
00:07:16Exam submission.
00:07:17Just a moment, just a moment.
00:07:18Come on.
00:07:18Give me six o'clock, give me six o'clock, give me six o'clock.
00:07:20José María, I'm watching you.
00:07:22Well, I haven't done anything, Lordita.
00:07:23But he was the one who asked me.
00:07:24Well.
00:07:29Very good, mate.
00:07:40Martinez.
00:07:41Fruity oak.
00:07:46Fuck.
00:07:48Zero.
00:07:50Six.
00:07:51Nine.
00:07:52Six.
00:07:53Bingo.
00:07:54Yeah.
00:07:54To drink.
00:07:57I want to talk to someone.
00:08:00I want to talk to a person...
00:08:02My testicles have become stuck to the machine.
00:08:05We've been together, brother.
00:08:07What a tradition.
00:08:08I no longer know what tradition.
00:08:09Yes, man.
00:08:09But you hear me, Diego.
00:08:10Yeah.
00:08:11Do you hear me? I sound like Joaquín Sabina with pneumonia.
00:08:14And all this for you, damn it, to give you a surprise as a tribute.
00:08:21Please, José Luis, I appreciate the tribute, I appreciate it as many times as necessary, I am grateful
00:08:26300 times, but I'll say it again: Celia is really excited about this scene and I don't
00:08:31I can fail.
00:08:32But you're still on about that, Diego.
00:08:35Snap out of it a little, come on, snap out of it, okay?
00:08:37We've really gone all out, haven't we?
00:08:38That we have made an effort.
00:08:39Yes, very well, I'm sorry.
00:08:41I'll say it again, I'm sorry, I'm so, so sorry.
00:08:44I'll give you the money, damn it.
00:08:45But what money, damn it, it's not the money, for fuck's sake.
00:08:47Look at me, damn it, I'm stiffer than a knife sharpener's dog and yet here I am.
00:08:50Why am I there?
00:08:51Because there is a friendship and a bond.
00:08:53No, no, no, no, Fiti, let's not go that way, okay?
00:08:54No, no, let the laws of Fermín tremble.
00:08:56No, not emotional blackmail.
00:08:57Emotional blackmail?
00:08:58I had a falling out with Raúl, I'm telling you, okay?
00:09:01I had a major falling out with Raúl.
00:09:02And that little moment of football, for me, is an escape valve, damn it, that's the Champions League.
00:09:06I don't know about the Champions League, damn it, I really want it, I'm telling you.
00:09:09I mean, I'm tempted, I'm tempted, but what?
00:09:10How could you not want it, damn it, with friends, a ham sandwich, and discussing the game.
00:09:14The bezel, masculine.
00:09:15And I see that I have a commitment to Celia.
00:09:19Error, error.
00:09:21If they pull your pants down there, imagine what it'll be like at home.
00:09:24There, there you're right, damn it, having a partner is one thing and being a baby doll is quite another, for crying out loud.
00:09:30What do you mean, did you call me a baby doll? What did you say about a baby doll?
00:09:31Look, I'm going to have dinner with Celia, not a baby doll.
00:09:33If nobody tells you not to eat dinner, damn it.
00:09:35But dinner tomorrow, which is basically a lifelong postponement.
00:09:38And Celia won't mind.
00:09:40Come with us, brother.
00:09:42Let's remember the old days.
00:09:47Okay, fine.
00:09:48Okay, I'll call her and bring up the topic.
00:09:50Should I try it?
00:09:51Yes, yes, I'll try.
00:09:52Thank you, thank you, brother.
00:09:53No, what a joy.
00:10:01No, Africa, aunt, I'm telling you I sent it.
00:10:03Of course, because you also think I'm useless.
00:10:04Hey, I didn't say that, Raúl, don't get angry.
00:10:06Yes, I get angry, girl, I get angry because I'm absolutely fed up with everyone seeing me like that
00:10:10a zero on the right.
00:10:12To the left.
00:10:13Okay, anywhere, to the left, but I'm not a zero, okay?
00:10:16I work harder than anyone.
00:10:18Damn, I've changed so much, girl.
00:10:20Sorry?
00:10:21Yes, what do you want?
00:10:30My car has stalled and won't start.
00:10:33Yes, well, I'm sorry, but I can't help you right now.
00:10:36The mechanic has left and we're going to make it for lunch.
00:10:38Couldn't you take a look at it?
00:10:41No, really, not now.
00:10:43I'm sorry.
00:10:44Look, I have a very important appointment.
00:10:45You would be doing me a huge favor.
00:10:51Okay, okay, but I'm not promising anything, okay?
00:10:55Thank you.
00:10:55Don't worry, at Fiti al Sol the customer comes first.
00:11:00I'm leaving, I'm not wanted here, okay?
00:11:02Okay, goodbye.
00:11:11Okay, so, where's the car?
00:11:19That?
00:11:21Come on, José Luis, damn it, the fourth time the gender changed.
00:11:24Please go home, go, I'm telling you.
00:11:26You're not okay, you don't look good, man.
00:11:27I kept telling myself that this must be an allergy.
00:11:32And a horse fever.
00:11:34I'll stay put, I'll finish my workday and then I'll go to football.
00:11:41You're not going to the football match, can't you go in that state?
00:11:44Come on, listen to me, go home.
00:11:46You're in a terrible state, man.
00:11:47It happens to me because I'm out there all night without a coat.
00:11:50Come on, come on, come on, let's go, nothing's wrong, nothing's wrong.
00:11:53In football and...
00:12:00What's wrong with him?
00:12:01What's wrong with him?
00:12:03Damn, the call has been cancelled, it's really bad.
00:12:05What's wrong with you, Jiti? Look at that face.
00:12:07What's wrong with me?
00:12:08We'll all be going to the tax office, but when you get there, not even Perry Mason will help you.
00:12:12And now I have to pay two thousand euros.
00:12:14I had one with Raúl, I mean, a carnival.
00:12:17Well, I'm not watching it, cheer up, but frankly, if you want we can leave it for another day.
00:12:20What's this guy saying?
00:12:23Are you taking football away from me now, with everything I'm going through?
00:12:25Okay, okay, okay.
00:12:26No way.
00:12:27And, by the way, with your wife, since you've already mentioned the issue to her.
00:12:30Ah, Celia.
00:12:31But.
00:12:32Hey?
00:12:32Hey.
00:12:33Okay, let's see, I've spoken to her, but well, now when she comes, because she is coming,
00:12:38Well, I'm just explaining the situation to them as it is.
00:12:39I mean, I tell him, I'll explain to him that we're going to...
00:12:41Hello.
00:12:44Hi how are things?
00:12:45Hello.
00:12:46How are you, darling?
00:12:47Hello darling.
00:12:48Hey, one little thing.
00:12:49Yeah.
00:12:49Do you like Indian food?
00:12:51Uh, no, that's precisely what I wanted to talk to you about.
00:12:54The Indians don't like you, do they?
00:12:55No, the Indians did.
00:12:56I mean, the Indians, not me, come on, not the Indians.
00:12:58I prefer ribeye steak because of my upbringing...
00:13:00If you want, we can change places, it doesn't matter.
00:13:02No, no, what I wanted to suggest is that I can't today.
00:13:05And then I wanted to suggest postponing it until tomorrow.
00:13:07If it works for you.
00:13:09Okay, okay, tomorrow, tomorrow.
00:13:10Tomorrow.
00:13:11What's wrong? Not the children?
00:13:12Which children?
00:13:13Oh no, no, not the children.
00:13:14Not the children.
00:13:15No beating around the bush, Celia.
00:13:17I'm going to tell you.
00:13:19I have tickets to go to the football match.
00:13:22Oh, you're going to play football.
00:13:24Yeah.
00:13:26Oh ok.
00:13:27No, wait.
00:13:28If you want, you can come.
00:13:30So, that...
00:13:31What do you want? Should we go to a football match, you and me?
00:13:33Well, you and me and that's it.
00:13:35I mean, Fiti and Santi, my brother.
00:13:38People are also coming from...
00:13:40Diego, it's okay.
00:13:41Go with them to the football match.
00:13:42Well, you were going to get bored because it's more of a guys' thing, the fives thing.
00:13:47Of course, if he also knows about football, I don't like him.
00:13:49Well, maybe.
00:13:50Okay, I'm going to school.
00:13:52Come on.
00:13:53Goodbye, have a good time.
00:13:54See you later.
00:13:54Thank you.
00:13:56That?
00:13:56Hey?
00:13:57Good.
00:13:58Celia, good.
00:13:58Yeah.
00:13:59Come on, impeccable.
00:14:00But you're already doing well, damn it, you're invited to football matches.
00:14:02Well.
00:14:03Okay, so what?
00:14:04What do we do with the leftover ticket?
00:14:06Hey?
00:14:07Well, give it to Raúl.
00:14:11Damn it, give it to Raúl, man.
00:14:18Formula 1 would have been faster.
00:14:20In the end, there was only one battery cable left.
00:14:21He saved my life.
00:14:23Hey, what do I owe you?
00:14:25Uh, nothing, it's on the house.
00:14:27Or well, if you have any problems, you know where we are.
00:14:31Thank you.
00:14:33Hey, I'm looking for young people for my company.
00:14:35I don't know if you'd be interested.
00:14:37As a mechanic?
00:14:39No no.
00:14:40It's just not normal to find people so willing.
00:14:42Not as effective as you.
00:14:44I could hear that from my father.
00:14:48Well, pleased to meet you.
00:14:49Raul.
00:14:50Yes, Raúl Martínez.
00:14:51A pleasure.
00:14:51Look, Ricardo Barona.
00:14:54Very good.
00:14:54Don't forget the offer.
00:14:55I would love to return the favor.
00:14:57Okay.
00:14:58Import and export.
00:15:00Uh, we bring merchandise from abroad and sell it here.
00:15:04Ah, okay, okay.
00:15:05Yes, like the Chinese, right?
00:15:07And the ones that cost a hundred and all that.
00:15:09Yes, well.
00:15:11We also handle international patents, tariffs, customs...
00:15:15Ah, okay, okay, okay.
00:15:16Phew.
00:15:17I think a job like that would be a little too much for me.
00:15:19But I appreciate it.
00:15:21Well, don't lose the card.
00:15:22And don't address me formally.
00:15:25Hey, what do you know about this?
00:15:27Was Charles I of Spain and Charles V of Germany, or vice versa?
00:15:29Don't tell me, man, no, they were two different guys.
00:15:31The thing is, some were ruling Spain and others were ruling Germany.
00:15:33But wait, what are you saying, Guille?
00:15:34No, man, no, it was the same king.
00:15:36The thing is, the guy was so into this stuff that, well, his two sons were in charge.
00:15:39Guys, you're having a pointless debate.
00:15:40Don't they realize that there were no kings in Germany?
00:15:43Grandmother.
00:15:43That?
00:15:44What are you doing here?
00:15:46Well, daughter, I've come to see a friend who lives around here.
00:15:49Grandma, I'm fine, actually.
00:15:51Already.
00:15:53So, how are the exams going?
00:15:56Good.
00:15:58Either good or excellent?
00:16:02Good... really good, I don't know, good.
00:16:06Let's see if it's true.
00:16:09Take.
00:16:10So you can recharge your batteries and everything keeps going well, okay?
00:16:14Yes, see you later.
00:16:15See you later.
00:16:18Let's examine it again.
00:16:20This sounds like a great ballad, doesn't it?
00:16:21To be examined.
00:16:22No, no, no, it's because it's math.
00:16:23Hey, go on in, I'm going to the bathroom for a moment, okay?
00:16:26Okay, but don't take too long.
00:16:28Okay, okay.
00:16:29And inside.
00:16:43Fuck.
00:16:44Shit.
00:16:46What are you doing?
00:16:50What did you fix a customer's battery?
00:16:52I'd be useless, but I can still manage that.
00:16:56How did it go for you at the tax office?
00:16:59Evil.
00:17:01I was thinking, you told him I sent the FAS, right?
00:17:04Look, Raúl, please, let's not start this again, okay?
00:17:08What's that?
00:17:10A ticket for tonight's game.
00:17:15From the Champions League?
00:17:41What is an airplane?
00:17:46Whatever I tell you, you're not going to believe me, are you?
00:17:49No.
00:17:51That's fucking great, Dad.
00:17:53Fucking great.
00:17:56Excuse me, come in.
00:17:57Hello.
00:18:02What's wrong with him?
00:18:04Nothing.
00:18:06We had a fight.
00:18:07On top of that, I bring him a ticket for tonight's game to make peace, and look what happened.
00:18:12Well, it'll pass.
00:18:15Hey Fiti, what are you going to do with this ticket?
00:18:21I would love to go.
00:18:22To football?
00:18:23Fiti, please.
00:18:25The thing is...
00:18:26Let's see, no...
00:18:27I'll tell you, Santi bought them.
00:18:29Come on, all my friends, the usual ones and all that, I mean, it's like...
00:18:32Okay, fine, but I'll pay him whatever it takes.
00:18:34But no, no, that's not going to be possible...
00:18:36I mean, not because of me or anything like that, but because I can't.
00:18:39I mean, I can't, I can't.
00:18:45No?
00:18:47Four, Dad.
00:18:48We're going to add four of the spaghetti and stuff.
00:18:50Four?
00:18:50Four, okay.
00:18:51But one thing, as soon as you finish dinner, everyone to bed, okay?
00:18:54Well, you, Carmen, no.
00:18:55You can do something else if you want.
00:18:56I mean, you can do whatever you want.
00:18:58Ah, thank you very much, I mean, yes.
00:18:59That's a very thoughtful touch.
00:19:01Yeah.
00:19:02Celia, how are you, darling?
00:19:04Yeah.
00:19:05Good, very good.
00:19:06How are you?
00:19:07We're all doing very well.
00:19:09How are you?
00:19:10Are you well?
00:19:10We're all here, yes.
00:19:11Oh no, I was calling you about the Indian, for tomorrow.
00:19:14Oh, stop talking on the phone, your ear will grow, and focus on the game.
00:19:17Okay, okay, okay.
00:19:18Hello.
00:19:19See you later.
00:19:20Hey, come on, let's go, we're almost there.
00:19:22Where is Raúl?
00:19:23Yes, well, I'll tell you that there's been a small change of plans.
00:19:26In the end, the boy didn't want to come.
00:19:28Oh, well, it's no big deal.
00:19:29No, no, no, no.
00:19:31So, what's going on?
00:19:32He's still angry, isn't he?
00:19:33Well, that's his loss.
00:19:34We put it in the entrance and that's it.
00:19:35This can't be Santi either, because...
00:19:39Did I give the ticket to someone else?
00:19:42Whom?
00:19:43Whom?
00:19:44Fermín too.
00:19:45To Fermín?
00:19:45What's coming, Fermín?
00:19:46You're not stupid, damn it.
00:19:47No, man, no, no, damn it.
00:19:48I'm going to invite Fermín over.
00:19:49No, to...
00:19:53Fuck...
00:19:54TO...
00:19:57TO...
00:19:57Hello.
00:19:58Come on, guys, give me some of it, we're missing the anthem.
00:20:01That...
00:20:01I'll wait for you outside.
00:20:05What have you invited Ana to do?
00:20:06No, no, no.
00:20:07It was she who wanted to come.
00:20:09I didn't invite her.
00:20:10Damn, it was her.
00:20:12Well.
00:20:13What do you think?
00:20:14Okay, fine.
00:20:15More than good.
00:20:17So, do you accept?
00:20:20I don't know.
00:20:21There's a lot of change.
00:20:23Being there all day in the workshop...
00:20:26With my father.
00:20:30Now...
00:20:32Look, sometimes you have to change in life.
00:20:34I don't know, to evolve.
00:20:36It's easier than you think.
00:20:38It's about buying and selling, but all over the world.
00:20:41Look, we have offices from Japan to, I don't know, San Francisco, Los Angeles.
00:20:46Los Angeles?
00:20:47Yeah?
00:20:48Do you know him?
00:20:49No no.
00:20:50No way.
00:20:51Well.
00:20:53The thing is...
00:20:54Well, I have a son.
00:20:56And he lives there.
00:20:59Well, a child is the most important thing in life.
00:21:03Yeah.
00:21:04That's what I've always thought.
00:21:07Hey, if you're up for it, maybe you could come with me to Los Angeles on my next trip.
00:21:11What do you think?
00:21:15I just don't know if I'm good enough for this.
00:21:17And you'll never know if you don't try.
00:21:20Ready to start tomorrow?
00:21:22Tomorrow?
00:21:25Tomorrow... tomorrow?
00:21:26In other words, what is already happening today and, imminently, tomorrow.
00:21:30Yes, yes, yes.
00:21:30Tomorrow, tomorrow.
00:21:33You can, right?
00:21:37Yeah.
00:21:40Yeah.
00:21:41Yeah.
00:21:41Tomorrow.
00:21:48Caul!
00:21:50Caul, what are you ordering!
00:21:52What's happening?
00:21:53Yes, you, the one with the drums, no plane is going to land here, so much shaking, so much shaking.
00:21:58Let's get to the situation!
00:21:59It was a goal!
00:21:59It was a goal!
00:22:00Yes, yes, yes, the refereeing is slightly hurting us.
00:22:04Come on, the referee isn't treating both teams equally, you see.
00:22:07Damn, Diego, you talk like Valdano.
00:22:10Shit, I answered.
00:22:13Raúl, hey, look, it's me.
00:22:16Morgan will pick up the car first thing tomorrow, okay?
00:22:20And they've disallowed a goal of ours, son.
00:22:24Okay, fine.
00:22:25Well, a kiss, huh?
00:22:26See you later.
00:22:27I hope we have to go all in there, man.
00:22:29Do we look like charity nuns to you?
00:22:31Yes, yes, like that.
00:22:32Look, it seems the girl has finally integrated.
00:22:35I can't watch juice when there's a woman in front of me.
00:22:38Well, look, almost better.
00:22:39He's calmer now.
00:22:40But last time you almost shoved the horn up the referee's ass, if he hadn't held you back.
00:22:43Waiting!
00:22:44What a shame!
00:22:48You've lost your mind, man.
00:22:50But why does he put Raúl on the wing?
00:22:52The lines need to be joined.
00:22:53Yes, yes.
00:22:55What are you saying?
00:22:56Okay, fine, I'll go with you.
00:22:58We're going to replace the fluids.
00:23:00What I do?
00:23:01A straw.
00:23:02Make it double, okay?
00:23:03Okay, let it happen.
00:23:04Yes, yes, there, there, there, there, there, there, there, there, there, there, yes.
00:23:08Hey, hey, hey.
00:23:11What do you think, Ana?
00:23:13Should we take Guti out of the attacking midfield position or not?
00:23:15Man.
00:23:16Yes, let's go.
00:23:17Hold on!
00:23:18Bring Guti on, damn it!
00:23:21Oh, sustain!
00:23:24Where would we live together?
00:23:25Ugh, how corny.
00:23:28There, some guy tells me so much nonsense in a row and I run away terrified, imagine that.
00:23:32I'm not being cruel.
00:23:34I'm going to see what's up.
00:23:35In Pueblo I always dreamed of going back there.
00:23:38Well, we'll just play football.
00:23:40Go!
00:23:45Hello, sweetheart.
00:23:46Hello.
00:23:46Hey, one little thing.
00:23:47Don't you have a spark of honey?
00:23:48My son has a terrible cold.
00:23:50Honey?
00:23:50I don't know, is there any honey?
00:23:51Yes, yes, yes, in the closet.
00:23:52Hello, Celia.
00:23:54Weren't you having dinner with your boyfriend?
00:23:55What are you doing here?
00:23:56No, we changed the day because I had tickets for the football.
00:23:59Where do you tell me this and remain so nonchalant?
00:24:02No, but it's okay.
00:24:03It's a guys' night out and I think it's great that it suddenly takes off...
00:24:06No, it's okay.
00:24:07It's okay and you think it's fine.
00:24:09It's amazing how easily some women can be deceived.
00:24:12Ah, here you go.
00:24:13Look, men need to be kept on a short leash, very short.
00:24:16Look at my son, he used to take the table to football matches.
00:24:19Well, it's there in the house.
00:24:20What does it say is wrong?
00:24:21Isn't there a bad guy?
00:24:24Well...
00:24:24He hides it well, huh?
00:24:25A cold, a spark, a spark of a cold he has.
00:24:28Okay, take the honey to the little nose and relax, Chony, relax a little, it's not going to run out
00:24:32the world for going to football.
00:24:33But let's see, football is just the tip of the iceberg.
00:24:36They start by going to see...
00:24:37No way.
00:24:38Going to play football with friends and how it ends.
00:24:41With leisure time separated.
00:24:42Go on, take care of him, Chony, don't let him get worse.
00:24:45Nothing, just laugh.
00:24:46Laugh at the things I tell you, lots of teasing.
00:24:49But maybe I'm wrong about what I'm saying.
00:24:51And it seems that...
00:24:52But, listen to him.
00:24:55Hey, it's...
00:24:56No?
00:25:15Good morning!
00:25:16Hello!
00:25:16Oh, Dad, we saw you on TV yesterday.
00:25:18Yeah.
00:25:19Me?
00:25:19On TV?
00:25:20Yeah.
00:25:20What a shame, Diego!
00:25:22If you can't see yourself, I'll see.
00:25:23You came on in the game when they scored the goal with Ana.
00:25:26Yeah.
00:25:27Oh...
00:25:27And I was very noticeable, I mean...
00:25:29Yes, you were there.
00:25:30Well, you were less visible than Sergio Ramos, but he didn't score the goal.
00:25:33Ah.
00:25:34No, no, Dad, we could only see you out of the corner of our eye, you know?
00:25:36I know you, but...
00:25:37But I was there, I was there.
00:25:37No, you're just glancing at me, I was showing a little bit.
00:25:39In other words, if they were refining something imperceptible that day.
00:25:41And it was imperceptible.
00:25:44Famous!
00:25:44That?
00:25:44You're famous!
00:25:45Look!
00:25:46Look!
00:25:47What is this licho?
00:25:48Let's see...
00:25:49The symbol of godfatherhood!
00:25:51From the football pastry!
00:25:53God!
00:25:54Hey!
00:25:54He was really happy about the goal, wasn't he?
00:25:57Hey?
00:25:57Hey!
00:25:58But how cool, but you're on the front page here like Raúl, you badass.
00:26:01Well, I'm going to bring the colossal statue so everyone can see it.
00:26:03Yes, yes, yes.
00:26:04No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, you won't say it.
00:26:08Bring it, bring it, bring it, Guille, to Colístico, come on, go over there.
00:26:11And we put him on board, we put him on board and we put him in the tavern, next to his father.
00:26:16No, no, no, no, it's not a good idea, eh.
00:26:17It's not a good idea.
00:26:19Sorry.
00:26:20But what do you mean, no?
00:26:21Let's see if it comes out in here.
00:26:23Which I'm sure will also come out inside.
00:26:24Let's see.
00:26:27Aren't you going to get laid?
00:26:28At some point you'll have to talk to him, I think.
00:26:31But not here, Choni.
00:26:32It was supposed to be a guys' night out, right?
00:26:33And is she going? And who is she inviting?
00:26:35To Ana.
00:26:35But men have no spirit, no will, no temperament.
00:26:38And even more so the old one.
00:26:39What do you know about what it's like?
00:26:40That for not speaking up, for not getting upset, to back down.
00:26:44I'm just standing there.
00:26:45Every time I turn around, there she is.
00:26:47Always her.
00:26:48Because she's very netiquette-y, she's very much about being seen.
00:26:50He doesn't know her.
00:26:51And besides, it's not like she's single.
00:26:52She is desperate.
00:26:54Desperate?
00:26:54But I arrive there at three in the morning, stumbling around.
00:26:58Like at three in the morning?
00:26:59At three in the morning, Choni.
00:27:03Well, that seems like a lot for one game, doesn't it?
00:27:09What a night.
00:27:11I'm exhausted.
00:27:13Hello.
00:27:14Hi, sweetheart, how are you?
00:27:16Good.
00:27:18You don't get it.
00:27:23I'd better go.
00:27:25I'll go down with you too.
00:27:28Baby, leave this there in the sink.
00:27:36What complainers, huh?
00:27:38Fiti.
00:27:40Have you seen this?
00:27:43Yes, I've seen it, yes.
00:27:45Ana and Diego on the cover.
00:27:47I mean, Ana, with my ticket.
00:27:49No, I could have been the one to leave.
00:27:51Yes, it would be really nice to see you there with Diego, all proud and proud.
00:27:55Put the newspaper down already, go on.
00:27:57Good morning.
00:27:58Good morning.
00:27:59Hello, son.
00:28:00Where are you going?
00:28:02Aren't you going to the workshop?
00:28:03It looks like you're going to pass the Anzibeles.
00:28:05Okay, okay, okay.
00:28:06And how handsome my nephew has become.
00:28:09Handsome indeed.
00:28:09Of course, as it should be.
00:28:11Mom, we have to go to work.
00:28:12Clean, tidy, neat and well-groomed, huh?
00:28:18Did you hear the message I sent myself?
00:28:19No.
00:28:20I haven't seen it.
00:28:23Take.
00:28:24Well...
00:28:24Open.
00:28:25Well, you're going to have to head to the workshop.
00:28:26Because Morgan has to have the car delivered by nine o'clock.
00:28:28Come on, don't keep him waiting, son.
00:28:29Can't.
00:28:31Why can't you? Let's see.
00:28:33Well, the child hasn't finished breakfast, can't you see?
00:28:35No, because I'm leaving the workshop.
00:28:41Don't say anything foolish, it's nothing.
00:28:43Fuck.
00:28:44Raúl, the business belongs to both of us, damn it.
00:28:46City and Sun, if the word itself says it.
00:28:48You can start taking the sun away from him now.
00:28:50Goodbye.
00:28:53You're saying goodbye, huh?
00:28:55Yeah?
00:28:56So what are you going to do?
00:28:57Lying on the sofa all day again?
00:28:59Well, not at all.
00:28:59If you want a plate on the table, you have to earn it.
00:29:04That's what I'm getting at.
00:29:05I have to earn it.
00:29:06To my new job.
00:29:08Goodbye, aunt.
00:29:09Dear.
00:29:14What is that, Fiki?
00:29:17That's going to be...
00:29:2120 floors.
00:29:23A monster, dude.
00:29:24Your father's a monster, damn it.
00:29:25The first one from Santa Justa to appear on the front page.
00:29:28Well, bad or not, what do you mean, not?
00:29:29Jaime, your old man is the cause of hope, you understand?
00:29:33It teaches us that it doesn't matter if you're over 40, fat, losing your hair, or ugly,
00:29:38coarse...
00:29:38Of course, it's Celia, it's Ana...
00:29:41My father, your father is a champion.
00:29:43No, no, no, no!
00:29:44You're mistaken, aren't you?
00:29:45No, no, no.
00:29:46He's just celebrating a goal, but...
00:29:47My dad just puts on Celia and that's it.
00:29:49Look, whatever you say, but my father was drooling when he saw her with...
00:29:52This is Guille.
00:29:53That your father is a hero.
00:29:54A hero!
00:29:56The next student is María Teresa Capdevila.
00:30:00This tea, right?
00:30:01Yeah.
00:30:01Okay, let's get to your notes.
00:30:03Blank exam.
00:30:05Not submitted.
00:30:06Well, at least mine put his name on it.
00:30:08But mine doesn't even do that.
00:30:09But what's going on? Did he fail them all?
00:30:11Yes, indeed. And why weren't there more? Thank you.
00:30:14The truth is that this had never happened before because she has always been an exemplary student.
00:30:18But the poor thing has been going on for some time now...
00:30:24I haven't tried to talk to her, but...
00:30:26Relax. Look, at that age, when they're desperate for attention, no matter how much you talk to them, there's no way to get their attention.
00:30:35Okay, we'll continue after recess.
00:30:37Wait, wait, you're going to sign an autograph for me.
00:30:39Why me?
00:30:40Go on, daughter. Little celebrity.
00:30:58Hi, Choni.
00:30:59What's happening?
00:31:01What's wrong with you?
00:31:02At home, daughter, it is falling apart.
00:31:05And Raúl? Did he have an argument with his father? And did he quit the workshop?
00:31:09Is it because of the shock it has caused us?
00:31:11Yes, woman, but it's just an argument, it's nothing serious, right?
00:31:14Already.
00:31:15So, what about you?
00:31:17What a morning, and what we're taking too.
00:31:18Does he end up talking to Diego on the phone or something?
00:31:21No, no, no, there are things they won't see over the phone.
00:31:23Nothing, I'll go see him at the bar later.
00:31:25Better.
00:31:26It's better because Diego is a real man and as soon as he sees you walk through the door he'll tell you what he wants.
00:31:30I have to tell you.
00:31:31I'll tell you, I know him.
00:31:32You'll see, woman.
00:31:34We'll see, Choni.
00:31:36Okay, then.
00:31:37Oh, look, the creature is here too.
00:31:39Much better, isn't it?
00:31:40Yes I know.
00:31:41I don't know.
00:31:42Wait, and try on this blazer.
00:31:44Okay, try it on.
00:31:46So, how's it going?
00:31:47Perfect.
00:31:48Hey?
00:31:48Yeah?
00:31:50You look great.
00:31:51Well, my size is spot on.
00:31:53And now, if you combed your hair to the left...
00:31:56I have a whirlpool here that...
00:31:58But never mind, I'll do it.
00:32:01Sorry.
00:32:01Raul, your father is here.
00:32:03My father?
00:32:06Hello.
00:32:07How are you?
00:32:07I am Fructuoso Martínez, yes.
00:32:08I am Raúl's father.
00:32:09Delighted.
00:32:11She has a wonderful son.
00:32:12Yes, yes.
00:32:13I already have that certified.
00:32:17What I'm not entirely clear on is what he's doing here.
00:32:22It's very simple.
00:32:24I offered him the job as head of the international area and he accepted.
00:32:28Yes, yes, yes.
00:32:30Yeah.
00:32:31Well, if you'll excuse me, I'm in a bit of a bind.
00:32:34Come on.
00:32:36Thank you, Ricardo.
00:32:44Can I ask what you're doing here?
00:32:47Will I stay here?
00:32:49Oh, well, worry about you, son.
00:32:51Damn, when you get the jitters...
00:32:54You didn't sign anything, did you?
00:32:55Yes, I have signed the contract.
00:32:57It is indefinite.
00:32:58No, no.
00:32:59You can't do that, Raúl.
00:33:00You can't do that.
00:33:02Also, if you quit without giving the 15 days' notice.
00:33:07Of...
00:33:07Well.
00:33:11So you're telling me that Fiti Anson is leaving?
00:33:14That's what you're telling me, that you're leaving me alone.
00:33:19Let's see, if it's because of the tax office.
00:33:20Don't worry about the tax office, I'll pay for that.
00:33:22Although I sent the FAS.
00:33:23And so on.
00:33:24Damn it, quit FAS already.
00:33:25Damn, leave the cheese out of the water.
00:33:26Fuck.
00:33:28Raúl, I'm your father, damn it.
00:33:30That's why it hurts me more that you don't value me and that you don't trust me.
00:33:35Look, Dad, now if you don't mind...
00:33:38I'm already working.
00:34:04Go for it, go for it.
00:34:05Diego, who probably hasn't understood anything, man.
00:34:09Maybe he hasn't even watched TV.
00:34:10But José Luis, how could he not find out?
00:34:12How did it even get featured on YouTube?
00:34:14Because it's common knowledge that women don't watch football.
00:34:18That?
00:34:18Have you ever seen Celia reading a sports newspaper or watching a game?
00:34:24No, no, no.
00:34:25No, the truth is that I didn't see him, I haven't seen him.
00:34:26And it's true that he's more of a book person.
00:34:28So there you have it.
00:34:29There's a one in a million chance.
00:34:31Sure, brother.
00:34:32When they're little, when there's a game on, they lock themselves in their room to crochet or knit.
00:34:36Ah, but I don't know.
00:34:37I have doubts, Santi, I have doubts.
00:34:39Diego, Diego, listen to me.
00:34:41If he comes in through that door and doesn't say anything to you, keep quiet.
00:34:44Don't give any kind of explanation, that's all.
00:34:46Go ahead, woof, woof, woof.
00:34:50Hello.
00:34:51Hello, Celia.
00:34:54Can I have a coffee to go, please?
00:34:56Yes, with lukewarm milk.
00:34:58Santi, a shivering coffee.
00:35:02And how was the night?
00:35:04Good.
00:35:05And you?
00:35:06Very good, there at home, with Africa, you know, girl stuff.
00:35:10And how was the game?
00:35:12The game?
00:35:13Good.
00:35:14Well, it was a good game.
00:35:15There we were, playing and the game was fluid.
00:35:18In general, tiqui, taca, taca.
00:35:19Thank you.
00:35:20And we won.
00:35:22Well, I'm leaving.
00:35:24I brought you the newspaper in case you hadn't had time to buy it.
00:35:29By the way, you look very handsome.
00:35:33Celia, Celia, listen.
00:35:37No, no, no, yes.
00:35:39What did I say?
00:35:40That there was one, one possibility.
00:35:42Well, if a million comes in, then there you have it.
00:35:44One million unemployments.
00:35:45We're going to get you, okay?
00:35:47Dad, can I have another flan?
00:35:49No no.
00:35:50No, because you've gotten as tight as a pair of tongs.
00:35:52Which scholarships are they for?
00:35:53Come on.
00:35:53I have to build a kitchen.
00:35:54No, I'll take care of it, don't worry.
00:35:57Be careful because your dentures are going to get even more giggled.
00:36:00Come on, leave it, leave it, I'll pick it up.
00:36:03See you later, I'll...
00:36:04Come on, that must be Fermín.
00:36:09That's it.
00:36:10In other words, I set up a circus here and the trapeze artists get fat, because that's how it is.
00:36:13But the worst part is that it seems I'm being blamed for something I didn't do.
00:36:16So, for once I don't screw up, well, whatever.
00:36:19In other words, this is unbearable.
00:36:21It's a shame, Fermín.
00:36:22A sorrow.
00:36:23Does that happen to you?
00:36:24Well, don't be so direct, Diego.
00:36:26No, but the thing is, I don't know what to do.
00:36:30Well, what you have to do is very easy.
00:36:32Explain everything to him.
00:36:33A couple is the most important thing.
00:36:35Communication.
00:36:36Yes, yes, I know what communication is.
00:36:38But for communication to occur, a sender and a receiver are needed.
00:36:41And Celia is not receptive.
00:36:42Why isn't she receptive?
00:36:44And that's how it is.
00:36:45Well, surprise her.
00:36:47So, Celia likes opera, right?
00:36:49Yeah.
00:36:49Why don't you invite her?
00:36:51Opera, opera...
00:36:52Let me tell you something.
00:36:53I don't master bel canto.
00:36:54So, no, I'm also afraid of not measuring up, right?
00:36:57No, quite the opposite.
00:36:58That way she'll see that you're sacrificing yourself for her.
00:37:00Yeah.
00:37:02Okay, so you can think of something light like that to start with?
00:37:06In other words, a normal thing.
00:37:08A great one.
00:37:09La Bohème.
00:37:10La Bohème, that rings a bell.
00:37:11Two lovers.
00:37:12Yeah.
00:37:13A man in love.
00:37:15Well.
00:37:16And the woman with an incurable disease.
00:37:19Fuck.
00:37:19A love story cut short by death.
00:37:23Magnificent.
00:37:24That's awful.
00:37:25God.
00:37:25Yeah?
00:37:27Well.
00:37:29The party, dad.
00:37:30No, no, no.
00:37:31So office, computer, secretary...
00:37:34Excellent.
00:37:35Excellent.
00:37:36And an open-ended contract.
00:37:37No trial period or anything.
00:37:40And all this just for changing the battery cable.
00:37:44Imagine if he puts in a new spark plug.
00:37:47Or is he giving her an apartment?
00:37:49Give me a call.
00:37:50Don't pay any attention to them, Raúl, they're just jealous.
00:37:52So, managing the international area will mean a lot of travel, right?
00:37:56Yeah.
00:37:57Well, the thing is, the company also has a subsidiary in Los Angeles.
00:38:01Well.
00:38:01No.
00:38:03Yes, yes, come on, I want to take the first business flight I can get there, because, well,
00:38:07He has to put in a caladría.
00:38:08When I show up there, you'll be amazed...
00:38:10Hey, why don't you show me the office now?
00:38:12Now?
00:38:13Yeah.
00:38:13Okay, fine?
00:38:14Brilliant.
00:38:15Well.
00:38:15Come on, let's go.
00:38:16Bye.
00:38:17Hello, good.
00:38:17Thank you.
00:38:18No what?
00:38:19Are you going to bring me the box, wine?
00:38:20I also have to tell your nephew to import it.
00:38:23It will definitely take less time.
00:38:25Alright.
00:38:25Unfermo.
00:38:26Unfermo, enfermo.
00:38:27Come on, let's go.
00:38:28Well, that's great, isn't it?
00:38:29That he has found a job.
00:38:33This doesn't smell right to me, Ana.
00:38:35Oh, Citi.
00:38:36Sometimes it's about being in the right place or at the right time.
00:38:39But no, damn it.
00:38:40Nobody gives away money for nothing.
00:38:42Would you hire a young man in your company's international department who only has a basic understanding of catechism?
00:38:49Man.
00:38:51Well, then...
00:38:52My son is so innocent, damn it.
00:38:55It's very simple.
00:38:56They're going to scam you, that's for sure.
00:38:57And if I sign something I shouldn't, they end up in the mess.
00:39:00Or worse, in a prison somewhere in Thailand, I don't know.
00:39:03And watch out, because with the import and the contribution, they're using him like a mule.
00:39:08He probably thinks I'm carrying a box of screws, but he's carrying a stash of junk.
00:39:13Very good, little one.
00:39:14I'm cheering you on here, as always.
00:39:15What did I say now?
00:39:20Anita.
00:39:22You have to do me a favor.
00:39:24You've lived in New York, you're worldly, and all that.
00:39:28How can you investigate to see if this company is legal?
00:39:31Yes of course.
00:39:33Will that make you feel more at ease?
00:39:35Come on.
00:39:38If possible.
00:39:43I came to see how you were doing and to explain everything to you.
00:39:46Of course, like it was served in the tavern, right?
00:39:48Look, Diego, I really have a lot of work to do.
00:39:50No, but I wanted to tell you about football, which isn't what it seems, Celia.
00:39:56And to apologize for not telling you when you came to the tavern.
00:40:01Anything else?
00:40:03No.
00:40:05No.
00:40:08Yeah.
00:40:09Yes, I've bought some tickets for the opera, La Bohème, for tonight.
00:40:14Well, I'll go with your friends, right?
00:40:20Hello.
00:40:21Or with whomever you like.
00:40:28Okay, that's it, I'll call you later, I swear.
00:40:32See you later, Ana.
00:40:32See you later.
00:40:37Celia, we need to talk.
00:40:39Oh, look, not now, really.
00:40:47Okay, let's see.
00:40:49I went to the football match because Fiti invited me, not Diego.
00:40:52Okay, and Fiti and Santi went to get beers and Madrid scored a goal.
00:40:57Look, Celia, a goal is a goal.
00:41:00Well, if you don't like football you can't understand it.
00:41:04Anything else?
00:41:05Yes, if you lose Diego over something as silly as this, you're stupid.
00:41:18It's amazing, I love it.
00:41:20Well, it's spectacular on the tables, I've always wanted a series.
00:41:22Right?
00:41:23Well, as you can see, I don't lack anything.
00:41:25Look, look, look, look.
00:41:26I want to have a coffee or I'll make it myself.
00:41:32I want to watch a little movie.
00:41:35Look, look at this great plasma screen I have for watching movies.
00:41:38Come on, man.
00:41:39Fuck.
00:41:39Cool, huh?
00:41:40And what I want...
00:41:41Look, I want to send him a face or I'm sending it.
00:41:44Here it goes.
00:41:45Hey.
00:41:45No, no, no, no.
00:41:46What have I done to you?
00:41:47I don't know, shit, menu.
00:41:49No, not there.
00:41:51Everything is there.
00:41:52Good.
00:41:52Wait, wait, wait.
00:41:54Forgive me, forgive me.
00:41:55Wait.
00:41:56No, sorry, I didn't know you were here.
00:41:58Okay, I'll leave you now.
00:41:59Hey, I've brought you more clothes.
00:42:00I've left myself in this chair, haven't I?
00:42:01Ah, cool.
00:42:02Come on, and your hair looks much better like this, right?
00:42:04Yes, I'm starting to see it a bit more.
00:42:06Okay, see you later.
00:42:07Goodbye, Ricardo.
00:42:10What's happening?
00:42:13Fuck.
00:42:14What's happening?
00:42:16Well, if he's walking around with a duck and says, "What's it going to be, a duck?"
00:42:22What duck?
00:42:24Leave it.
00:42:25Okay, Raúl.
00:42:27That?
00:42:29If he buys you clothes, styles your hair, and looks at you the way he looks at you, he's going to be gay.
00:42:35What are you saying?
00:42:36No, no.
00:42:37Well, the other day he even asked me if she was my girlfriend.
00:42:39Oh, really?
00:42:40Yeah.
00:42:40And what did you say to him?
00:42:42Well, no.
00:42:44Well, that's why he treats you the way he does.
00:42:46You've practically handed it to him on a silver platter.
00:42:48Ah.
00:42:49What's happening?
00:42:50Does the fact that someone values me mean it has to be for something strange?
00:42:52In other words, neither you, nor my father, nor anyone else.
00:42:54Will you ever see that it's because of my qualities?
00:42:56No.
00:42:57I'm worth it, damn it.
00:42:59Look, Raúl, don't get like that, I didn't say that to you.
00:43:02Okay, so how do you want me to get, auntie?
00:43:03If all you do is doubt me, the whole world will.
00:43:05Damn, with friends like you, I'm almost better off alone.
00:43:09Fuck.
00:43:16See you later.
00:43:19See you later.
00:43:23Well, then I should already be here.
00:43:36Bright red, ladies.
00:43:37DVD has passed Guille, who has not failed any exams.
00:43:40And bowling, bowling.
00:43:41Just one.
00:43:43A.
00:43:43What did the kid expect?
00:43:45What is this?
00:43:46I'll give you a perfect score on the 15, kid.
00:43:49Everything, everything, crawled.
00:43:51Guys, we have winners.
00:43:53We have winners.
00:43:54She's fine, guys.
00:43:56But, but, but, you really messed up at recess, mate.
00:43:58Cheers, Rojo.
00:43:59Okay, fine, that's it, right?
00:44:02Tete, to my office.
00:44:09Already.
00:44:10Okay, Ana, well, well, if you find out anything, please call me, okay?
00:44:15Thank you so much.
00:44:17See you later.
00:44:18A cañita, Citi.
00:44:20No, no, I have to go to the workshop.
00:44:21Look, besides, I'm alone now and enough with all the joking around.
00:44:24What, what do I owe you?
00:44:25Nothing, man, no, I don't owe myself anything.
00:44:29Citi, when you're done, we'll have a beer, okay?
00:44:33No.
00:44:36You're not being honest, brother.
00:44:38How, how am I going to face him, Santi?
00:44:40If Celia...
00:44:41Don't answer my phone.
00:44:42So keep at it.
00:44:43You have apologized to yourself.
00:44:44Look, Santi, no.
00:44:45I mean, if I have to apologize, I apologize.
00:44:47Because by doing what you do, I haven't done anything wrong.
00:44:49But I blame myself.
00:44:51And if I have to sacrifice myself, I will.
00:44:52I'm going to blow myself up.
00:44:53I told you that, you should have said it from the beginning.
00:44:55José Luis, let's keep the peace, okay?
00:44:57Let's keep the peace, because I remind you that it was your idea.
00:44:58Saying you'll be at a million, let's see how that million actually turns out.
00:45:01Yes, you told him, yes.
00:45:02I told you, the little hand, I told you there was one,
00:45:04one chance in a million.
00:45:07Diego was unlucky.
00:45:08It's your fault for getting sick.
00:45:10But how could you have been unlucky?
00:45:11No, no, but I am...
00:45:12But Amanda, it's not a matter of bad luck.
00:45:14Did you have bad luck?
00:45:15Okay, fine.
00:45:16Of course, water, water, water, water, water, water, water.
00:45:17Fuck.
00:45:21Hello, Celia.
00:45:23That?
00:45:33I'll see you tonight at the opera.
00:45:35Ah.
00:45:37Bye bye.
00:45:39See you later.
00:45:45Hey...
00:45:46Clear.
00:45:47I know that...
00:45:48Let's see.
00:45:49What happened?
00:45:51Look, I've got you.
00:45:55I know that life is hard.
00:45:57But it is for everyone.
00:45:58And I know you're going through very difficult times.
00:46:02I really know that.
00:46:04But you have to change your attitude.
00:46:06If you have nothing more to say...
00:46:10Sit in that chair, right now.
00:46:23Look, we've given you lots of love.
00:46:25We've left the rope too long.
00:46:27But this is over, Tete.
00:46:29And I'm telling you this because I know Lucia would do the same.
00:46:33Finally someone who remembers my mother.
00:46:36We think about your mother every day.
00:46:40And not to name her in vain.
00:46:45Have you stopped to think what she would think?
00:46:47What are you doing?
00:46:51Have you stopped?
00:46:56Because if he sees you, and I have no doubt that he is,
00:46:59He must be very sad.
00:47:13Look, huh?
00:47:14And she looks like Freda Steyer.
00:47:16No, what have you had...
00:47:17She definitely looks like her, mark my words.
00:47:19From Ginger Rogers and Celia.
00:47:20Man, fuck.
00:47:21And I'm so glad you guys made up, you know?
00:47:23Thank you.
00:47:24What are you doing?
00:47:25Guys, I don't know what's wrong, I can't get it to work now.
00:47:27He says you're tying your shoe, damn it.
00:47:29With those fingers.
00:47:30Wait a minute.
00:47:32Okay, I'm going to make you a double Huichol that will make you shit yourself.
00:47:34Prince Charles's dog.
00:47:36Okay.
00:47:38And how's Raúl doing?
00:47:43Well, I don't know.
00:47:45I don't know, Diego.
00:47:47I get the feeling that...
00:47:49that I'm losing it completely.
00:47:51But what does it say?
00:47:52Nobody knows.
00:47:56Hello.
00:47:57Come on in, come on in.
00:47:58How handsome, Diego.
00:48:00Well, I'm going to the opera with Celia.
00:48:04Ah, that's great.
00:48:05Ana, Ana, for God's sake.
00:48:06Yeah.
00:48:06Do you know anything about this businessman?
00:48:07Yes, yes.
00:48:08Yes, you can rest assured.
00:48:09I've spoken with my friend, the one from New York,
00:48:11And he told me that the company is trustworthy, but that...
00:48:12But what?
00:48:13Now comes the bad part.
00:48:14But it's a leader in the sector and its shares are highly sought after on the stock exchange, Fiti.
00:48:17Damn, Fiti, that's good.
00:48:18No, no, no, it's not right because I don't understand it.
00:48:21It doesn't make sense to me.
00:48:21So, a businessman of this guy's caliber would take an interest in my son, come on, man.
00:48:25I love Raúl a lot, damn it, but he should know his worth and what he's not good for.
00:48:28Okay.
00:48:29Yeah, well, maybe you're wrong.
00:48:30And instead of worrying so much, you should start being happy for Raúl.
00:48:34Right, Diego?
00:48:35Of course.
00:48:35Ana is right, she is.
00:48:37Come on, come here.
00:48:37Have him tie a knot for you properly.
00:48:39What is this?
00:48:39Fiti did it, he wants to tell lies.
00:48:42No, no, no, no, no, no, no, I'm telling you, you're right, Ana, what's up?
00:48:45I'll stop you now.
00:48:46Yeah.
00:48:47Bring it here, I'll help you.
00:48:48Oh, Choni, I'm not going to make it.
00:48:49What do you mean you're not arriving?
00:48:50Well, you'll have to wait, like the big ones.
00:48:52But no, no, you're like Grace Kelly next to you, a Spiker.
00:48:56I look good, Choni.
00:48:58Beautiful, beautiful, but have you looked at yourself?
00:49:00But you're the Venus de Milo, with little arms and everything.
00:49:03I'm really going to swap places with you more often, okay?
00:49:05It lifts my spirits.
00:49:07Diego's morale will lift when he sees you.
00:49:10Let's see if you finally sing La Traviata tonight, daughter.
00:49:13My earring broke.
00:49:15Put them on, here.
00:49:16No, Choni, really, what do you think?
00:49:18Can't I accept it?
00:49:19What do you mean you can't accept it?
00:49:20Wear them where you would wear a cocktail dress without earrings.
00:49:24That's like Easter without drums, woman.
00:49:26You think?
00:49:26And they look beautiful on you.
00:49:28Don't you see what they're saying about you with that suit?
00:49:30They're gorgeous, with a lovely blue color.
00:49:33Look, you see, a touch of distinction and modernity.
00:49:36It's going to be great tonight, and there will be fireworks, I'm telling you.
00:49:40Why are you making me so nervous, man?
00:49:42No, good luck.
00:49:43Oh, see you later, Choni.
00:49:45Okay, I'll tell you later.
00:49:46You look very pretty, man, you'll tell me all about it.
00:49:48But in great detail.
00:50:01Tete, what's wrong?
00:50:04I asked for that shit.
00:50:06So what happens in the end?
00:50:08I got it for fifteen.
00:50:18When you receive one of these reports, you stamp it, photocopy it, and enter it in the registry.
00:50:23There, there.
00:50:24Here.
00:50:25There, strong.
00:50:26Not like that.
00:50:27There.
00:50:28Okay.
00:50:29Would you like to eat something?
00:50:31Eat.
00:50:31Eating is about nourishing oneself, right?
00:50:33Yes of course.
00:50:34Have dinner.
00:50:34We stayed for quite a while.
00:50:36Ah.
00:50:37Yes, yes, yes.
00:50:38Look, order us a family-size Hawaiian pizza.
00:50:41And go home, it's very late.
00:50:44Well, now I know we're left alone.
00:50:50That?
00:50:50That?
00:50:50Your wife?
00:50:53An old married man's shotgun?
00:50:54No way?
00:50:56Well, but you do have a girlfriend, right?
00:50:57A guy with your plant.
00:51:00Well, well, I mean, in business, a man like you, with...
00:51:06I don't have a partner.
00:51:07I'm like you, single and unattached.
00:51:11He's a friend from New York.
00:51:15New York?
00:51:15New York?
00:51:17New York is so cool, huh?
00:51:18Damn, I love it.
00:51:20Always...
00:51:20I've always wanted to go, because I imagine it as being full of women, right?
00:51:23Everywhere.
00:51:24Its streets there, packed with women everywhere.
00:51:29Their yellow taxis, which also have to be overflowing with women.
00:51:33Well, and the Statue of Liberty.
00:51:34The Statue of Liberty is hot, damn, man, I've been into her my whole life...
00:51:38That?
00:51:38Should I look at her?
00:51:40And speaking of important things, how are things with your father?
00:51:44Well, with my father, well, I don't know, neither good nor bad, to be honest.
00:51:50I see him as a little tense.
00:51:52I don't really want to see him, to be honest...
00:51:56I want to go inside.
00:51:58Well, I...
00:52:00Well, I don't know, if you want, I might be able to help you with that.
00:52:04I have an apartment in the city center, fully furnished, but there's nobody there, nobody lives there.
00:52:08It's near my house.
00:52:10We could even come to work together.
00:52:13An apartment?
00:52:16But, given the current state of the housing situation...
00:52:19Well, I don't know, think about it, if there's no rush.
00:52:25I'm going to call my friend.
00:52:30Damn, damn.
00:52:32Fuck.
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00:53:27Don't worry, Tete.
00:53:30No problem.
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01:00:50His dad! What are you doing here?
01:00:53No, I came to...
01:00:55Okay, see you later!
01:00:55See you later, yes!
01:00:57See you later!
01:00:58Hello, Diego.
01:01:00Hey, forgive me for being late last night, but Afri was feeling down and I didn't want to leave him alone.
01:01:07Already.
01:01:08But you forgive me, right?
01:01:09Yeah.
01:01:12Are you OK?
01:01:13Yes, very good, very good. And Africa is good too, of course.
01:01:18Yes, well, you know, girl stuff, and in the end it passed.
01:01:21Yes, it passed.
01:01:25And you?
01:01:27I.
01:01:28Well, I'm not well. I'm very unwell.
01:01:30And so?
01:01:32Because you're lying to me, Celia.
01:01:34You weren't with Africa last night.
01:01:38Look, I understand that you were upset about the football thing, because it bothered you.
01:01:42But nothing happened, but I don't understand.
01:01:43But Diego, is that really settled? It's not important anymore.
01:01:46So I need you to explain why you're lying to me.
01:01:55Celia, who were you with last night?
01:01:57Diego, honestly, I just can't tell you.
01:02:00But why can't you tell me?
01:02:02In other words, we're dating.
01:02:05Please.
01:02:07Who were you with last night?
01:02:10Believe me, Diego, I can't.
01:02:14Already.
01:02:19But if you can't, neither can I.
01:02:23See you later.
01:02:25Diego.
01:02:34Hello.
01:02:35Hi, Yoli.
01:02:38I wonder if he's found out about your grades yet?
01:02:53No.
01:02:54These are not my notes.
01:03:01Pure olives.
01:03:02That?
01:03:03Day off, right?
01:03:04Yeah.
01:03:05Yeah.
01:03:09Yeah.
01:03:13Fuck.
01:03:15What's happening?
01:03:15What's happening?
01:03:21Hello.
01:03:22Hello.
01:03:25You left the office without saying anything.
01:03:29I saw the tapes.
01:03:31Already.
01:03:34The boy you saw in the tapes is my son.
01:03:37Well, it was.
01:03:42He had an accident and I wasn't wearing a seatbelt.
01:03:46People say that life goes on.
01:03:48And it continues.
01:03:50But when you lose a child, it's a fucked-up child.
01:03:55Then I saw you.
01:03:59Man, that's the kind of air we give each other.
01:04:02I wanted to apologize.
01:04:05The truth is that it had never happened to me before.
01:04:09You reminded me so much of him.
01:04:11I saw you and...
01:04:13And it was him.
01:04:17Their same smiles.
01:04:18His gestures.
01:04:21His clumsiness.
01:04:23The fax machine was a disaster.
01:04:30I suppose you'll understand me.
01:04:31You are a father.
01:04:33Damn, I'm sorry.
01:04:34I really am an idiot.
01:04:36I thought that...
01:04:37It was me.
01:04:42Leave.
01:04:50Can I ask you a favor?
01:04:53Yeah.
01:04:55Can I give you a hug?
01:04:57Clear.
01:05:03Damn these bosses nowadays.
01:05:05Try to learn a little something, man.
01:05:07When have you ever given me a hug, Santiago?
01:05:09To you?
01:05:09Yes, a little bit of love.
01:05:11A little bit of love.
01:05:12Look, wait, wait.
01:05:12See?
01:05:13See?
01:05:14See?
01:05:14You're being so grumpy.
01:05:16A beer?
01:05:17Tito.
01:05:18Do you have a couple of beers, please?
01:05:20Yeah.
01:05:20Yeah.
01:05:22Thank you.
01:05:22How are you doing.
01:05:25Damn, man.
01:05:26All this for a tiny bit of money?
01:05:27If I'd known, I would have turned up the radio and saved myself some trouble.
01:05:30Damn, well I'll have to charge you so I can pay you back what I owe you, I guess.
01:05:33Look.
01:05:34You can say so later.
01:05:35I'm going to give you a little environmental pine tree.
01:05:37Excellent.
01:05:38Look at me.
01:05:39I mean, look, look how this had me, Raúl, damn it.
01:05:49Raúl, who was right, had sent the fax.
01:05:57Do you really think this is the right place to put it?
01:06:00Fuck.
01:06:01Yes, yes.
01:06:01Yes, it's not going to happen.
01:06:05I'm going to look for it.
01:06:07Come on.
01:06:07Come on.
01:06:10Come on, go away, I'll close up now.
01:06:11Oh, thank you very much, Anita? We'll talk later.
01:06:23Hello.
01:06:25Hello.
01:06:26Can I talk to you for a moment?
01:06:29Yes, of course. Tell me.
01:06:34It belongs to Celia.
01:06:36Okay, please, not that topic. Not today, really, let's not touch on it, okay?
01:06:45I just wanted to tell you that he wasn't with Africa yesterday.
01:06:50And how do you know that?
01:06:52Because he was with me.
01:06:55What was with you?
01:06:57I needed to talk and...
01:07:01And she was listening to me.
01:07:06Why hasn't Celia told me?
01:07:08Because I asked him not to tell you.
01:07:12Ah, yes, yes, yes.
01:07:14Are you okay?
01:07:16Yeah.
01:07:18Do you want to talk or...?
01:07:20No, don't worry.
01:07:25See you later.
01:07:27See you later.
01:07:31Were you listening?
01:07:32I?
01:07:33The least of it was... was...
01:07:35leaving the keys here.
01:07:37Already.
01:07:39No, Tete.
01:07:41Well, that...
01:07:42In other words, if I had listened...
01:07:45well...
01:07:45That's very well said.
01:07:49Thank you.
01:08:19No, no, no.
01:08:19No, no, no.
01:08:20I've already called work.
01:08:22I was told he wasn't there.
01:08:23No.
01:08:25Already.
01:08:26Well, if you see him or whatever, then...
01:08:28He lets me know.
01:08:29I don't know.
01:08:30No, I'm fine, I'm fine.
01:08:31Okay.
01:08:32See you later.
01:08:46Hi, Dad.
01:08:51Son.
01:08:56I found the paper.
01:08:58I already told you I had sent it.
01:09:03I wanted to apologize, you know?
01:09:05Because of everything I told you.
01:09:13Well...
01:09:15Me neither, I'm just very tidy.
01:09:19Go on.
01:09:20Strip.
01:09:21Go for it, you'll get to work.
01:09:23No.
01:09:23In fact, already...
01:09:25I no longer have a job.
01:09:32I wanted to show you that I was doing something for a reason, Dad, but...
01:09:35It's clear that...
01:09:37What has been seen?
01:09:37What has been seen?
01:09:38What has been seen?
01:09:38Of course you're worth it.
01:09:39Of course you're worth it.
01:09:41And I'm the one who made the mistake.
01:09:43Don't you want to know what happened?
01:09:44No.
01:09:45That's all I care about, you know?
01:09:47It's about you and me being together.
01:09:49And that's it.
01:10:03Right now, right now, okay?
01:10:05I'm going to the tax office.
01:10:06Well yes.
01:10:07And they're going to be in deep trouble.
01:10:08I'm going to raise hell about the mess they've made...
01:10:09They're awesome.
01:10:10And he's going to suffer damages and losses, huh?
01:10:12They're awesome.
01:10:13Give me the paper.
01:10:15What role?
01:10:16No, the paper, damn it.
01:10:17At the ranch.
01:10:19If you have it.
01:10:20No, I gave it to you, son, damn it.
01:10:22Fuck.
01:10:22That no dad keeps.
01:10:23That no dad gives you.
01:10:24That no dad gives you.
01:10:25That no dad gives you.
01:10:25That doesn't keep anything.
01:10:26But it hasn't been possible...
01:10:27Fuck.
01:10:28Wait, wait.
01:10:30He came today and he didn't bring...
01:10:32No, huh?
01:10:32No way, fuck it.
01:10:33I had it right here in my hand.
01:10:35It hasn't been possible to move here.
01:10:36I didn't have it in my hand, Dad.
01:10:37That it has been able to move.
01:10:41What's that sound?
01:10:42That?
01:10:42No?
01:10:43Mother!
01:10:44What are you doing here?
01:10:46The mother?
01:10:47Well, you do look like his sister, ma'am.
01:10:49But how can our processed meats be fake?
01:10:51The premises must remain closed until it has the license.
01:10:54Tomorrow there is a driving test.
01:10:56Okay, let's approve it and that's it.
01:10:57I have always followed the straight path.
01:10:59Diego, you don't have to lie to me.
01:11:01Listen, Dad, I'm going to follow your example.
01:11:02The straight path.
01:11:04What do you want us to do, cheat?
01:11:05Do you want us to cheat?
01:11:06You call it a trick, I call it a creative resource.
01:11:08You copied.
01:11:09Today marks exactly 731 days since I married my son.
01:11:14What do you want?
01:11:14They deceive the priest.
01:11:15Don't rule it out because the night promises to be good.
01:11:18So, how do I explain to my mother that we got married?
01:11:20It's very simple, you tell her that she's not losing a daughter, she's gaining a son.
01:11:23Well, in this case, he recovers it.
01:11:24Yes I want.
01:11:25That 1500 wasn't for a diamond.
01:11:28They were for a lover.
01:11:30What's wrong with you, uncle?
01:11:31The thing is...
01:11:31I have come, as the word itself says, a woman of ill repute.
01:11:35So what, am I not family or something?
01:11:36No.
01:11:37You guys are so funny.
01:11:50Diego, did you bring me here to spy on your son?
01:11:52No no.
01:11:53Not to spy.
01:11:53No no.
01:11:53It was very easy to steal the exam.
01:11:55A master is recognized because everything he does seems easy.
01:11:59What does he want us to get married for?
01:12:00I'll be waiting for you at the Hotel Esperanza cafeteria at 8.
01:12:03Signed Evelyn.
01:12:04Oh my God, I'm relieved by the fire.
01:12:26Subscribe to the channel!
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