- 17 hours ago
Izvor (2026) - Epizoda 5 - Domaća serija
Serija Izvor prati sukob emocija i poslovnih interesa, tradicije i modernog doba, savremenog srpskog sela i grada, kroz priču o višestrukim sponama između dve porodice. A sve to na relaciji Ramaća – Beograd.
U malom šumadijskom selu Ramaća, postoji izvor koji se naziva Amidžinim. Glavno izvorište nalazi se na imanju domaćina Obrena Biorca, ali korišćenjem vode upravlja lokalna vodna zadruga "Izvor". Svake godine obližnje kragujevačke opštine pokušavaju da se dogovore sa zadrugom iz Ramaće o zajedničkom korišćenju njenog vodnog potencijala; svake godine, svi članovi zadruge jednoglasno odbiju njihove ponude, zadržavajući Amidžin izvor isključivo za sebe i svoje porodice.
Ali, situacija se menja kada u Ramaću dođe Goran Stanković, dobrostojeći poslovni čovek iz Beograda. Znajući da glavnu reč u vodnoj zadrugi "Izvor" vodi Obren Biorac, Goran sa njim ulazi u poslovne pregovore, nudeći "Izvoru" veliku investiciju koja bi kraj Amidžinog izvora napravila fabriku vode, ali i savremen, uređen i luksuzan banjski kompleks, od koje bi koristi imala i cela Ramaća, i njena šira okolina.
Obren odlučuje da započne pregovore sa Stankovićem, čemu doprinose i neki sasvim lični razlozi. Naime, Obrenov sin, Dragan i Goranova ćerka, Una, vole se i odlučuju da se venčaju.
Kako će razlike u gradskom i seoskom poreklu dvoje mladih, te poslovni interesi njihovih očeva, ali i brojne lokalne smicalice uticati na ovu čistu, mladalačku ljubav? A, kakva će sudbina biti izvora vode koji pripada svim meštanima malog šumadijskog mesta?
Serija Izvor prati sukob emocija i poslovnih interesa, tradicije i modernog doba, savremenog srpskog sela i grada, kroz priču o višestrukim sponama između dve porodice. A sve to na relaciji Ramaća – Beograd.
U malom šumadijskom selu Ramaća, postoji izvor koji se naziva Amidžinim. Glavno izvorište nalazi se na imanju domaćina Obrena Biorca, ali korišćenjem vode upravlja lokalna vodna zadruga "Izvor". Svake godine obližnje kragujevačke opštine pokušavaju da se dogovore sa zadrugom iz Ramaće o zajedničkom korišćenju njenog vodnog potencijala; svake godine, svi članovi zadruge jednoglasno odbiju njihove ponude, zadržavajući Amidžin izvor isključivo za sebe i svoje porodice.
Ali, situacija se menja kada u Ramaću dođe Goran Stanković, dobrostojeći poslovni čovek iz Beograda. Znajući da glavnu reč u vodnoj zadrugi "Izvor" vodi Obren Biorac, Goran sa njim ulazi u poslovne pregovore, nudeći "Izvoru" veliku investiciju koja bi kraj Amidžinog izvora napravila fabriku vode, ali i savremen, uređen i luksuzan banjski kompleks, od koje bi koristi imala i cela Ramaća, i njena šira okolina.
Obren odlučuje da započne pregovore sa Stankovićem, čemu doprinose i neki sasvim lični razlozi. Naime, Obrenov sin, Dragan i Goranova ćerka, Una, vole se i odlučuju da se venčaju.
Kako će razlike u gradskom i seoskom poreklu dvoje mladih, te poslovni interesi njihovih očeva, ali i brojne lokalne smicalice uticati na ovu čistu, mladalačku ljubav? A, kakva će sudbina biti izvora vode koji pripada svim meštanima malog šumadijskog mesta?
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Short filmTranscript
00:25BIRDS CHIRP
00:34Service of the food.
00:34and you can eat and eat the milk.
00:43If you like, take a chicken and eat the chicken and eat the meal.
00:45We take in the food and eat the water.
00:52Then, let's get started in a binge.
01:14I don't know.
01:28I don't know.
01:47I've come to ask you to forget everything you heard from Pavla.
01:54What? You don't have a trust in him.
01:56You're not your job.
01:58I'm not your job, but you don't have to do it only in your job or trust in him.
02:06Okay, I want you to hear it. Is that all?
02:09I'm going to ask you to be tactical with Obrenom Biorcem, that you don't have to do it only in
02:15the same way, and I'm going to ask you to do it with Milojević.
02:20I'm coming from the Direction for Infrastructure.
02:23Who knows about Milojević?
02:24I know that you've seen it recently. It's a good use of Pavla.
02:27Okay.
02:29So, I want to hear, to cooperate with Obrenom,
02:35to not cooperate with the public.
02:39And what do I have from that?
02:41I am in Obrenom and my job.
02:46You are looking for a lot, just a promise.
02:48And it's your name in Obrenom.
02:50No, no, no, I only give my own words.
02:53And I don't give her very easily,
02:56nor does it harm you.
02:59Our boss is big
03:00and I am sure that there is a place for someone like you.
03:08How am I, Gorane?
03:11As I see, beautiful, famous and beautiful.
03:18Are you sure that you are not for one cup of wine?
03:21I would love one cup of wine.
03:54I hope that you have a good one cup of wine,
03:55the natural یہ tapi tymands
05:59Super.
05:59Super, super.
06:59Good morning.
07:05Good morning.
07:07Good morning.
07:08Good morning.
07:10Good morning.
08:10Good morning.
08:11What is the situation?
08:13I'm hurt.
08:16I'm hurt.
08:17I'm hurt.
08:19I'm hurt.
08:22I'm hurt.
08:28I'm hurt.
08:28You're the same.
08:29I love the business team.
08:37I need to pay money.
08:46I'm hurt.
08:47I need a price.
08:50I'm hurt.
08:50Good morning.
08:51I'm hurt.
08:51I'm going to go back to action.
08:53Do you have money?
08:54Yes, I'm going to say to the group,
08:57and I'm going to eat it in Kragujevac.
08:59Let's go.
09:00We'll hear you later.
09:26What are you going to do from the disaster?
09:29I heard yesterday,
09:31some buyers are looking for a land here.
09:34It has to do with Biorc?
09:36It looks like it has.
09:37There's no time to lose Milojevic.
09:39If Biorac is planning something,
09:41he has to know that we won't sit here with his hands.
09:43Let's talk to him.
09:44I'm going to write a message.
09:47I didn't even say to him.
09:49Okay, go back to the door.
09:51He can't understand himself.
09:53I know he can't.
09:56But now,
09:57he's going to wait for me,
09:58I'm going to give him to him.
10:00Let's give him, Milojevic.
10:01I think it would be better
10:06to talk with him.
10:08Someone who knows better.
10:10It's true.
10:15Between me and Biorca
10:17it's never been anything.
10:20It's better to not spread the story
10:22until you're a girl.
10:24Why not spread anything?
10:26I'll tell you what you're talking about.
10:37I'll tell you what you're talking about.
10:46No, son, sit and eat.
10:54I want to tell you something.
10:58There's time for the faculty.
11:01I'm going to organize the rancas.
11:04Okay, son.
11:05Okay.
11:06Let's eat now.
11:07I pray for you.
11:07Don't forget what you're eating.
11:08Eat and eat.
11:09Listen,
11:11this year will be difficult.
11:13The days are all together.
11:15The staffs are all together.
11:16The staffs are all together.
11:17The staffs are all together.
11:18You need to deal with your master,
11:20and I'll finish them.
11:21Povrana,
11:22there's time for the master until September.
11:24I've already done it.
11:25I know the staffs are all good.
11:27There's no problem.
11:30If there's no problem,
11:32there's no problem.
11:33Who will know who he found,
11:34and you're going to be alone.
11:35I'll be right back.
11:37Mother,
11:39please,
11:39I'll be right back.
11:40You've already had to organize it.
11:43I didn't forget it, son.
11:46You don't have to remember me.
11:48I'll go to the family and dad's
11:51to bring the doctor's medicine.
11:52Then I'll be right back.
11:54Sit down and eat.
11:55You'll be right back.
11:56They'll be alive then.
12:05You're still alive.
12:07I'm not.
12:08I'm not.
12:09I'm not.
12:09I'm not.
12:10Come on and look.
12:13Do you know what someone's blocking?
12:22I know.
12:23Who would block you?
12:27And the other people,
12:28who is today?
12:29What are you talking about?
12:30Come on.
12:31Come on.
12:32Come on.
12:37Come on.
12:38Come on.
12:38Come on.
12:40Ask him,
12:40who is it today?
12:41Maša was driving to the village.
12:43And he was from Beograd.
12:46What are you, Valerciano?
12:48When you're in the village,
12:50you're going to the village.
12:51You're crazy.
12:52You're only here.
12:53You're here.
12:54You're here.
12:55You're here.
12:55You're here.
12:55You're here.
12:57Come on.
12:58Come on.
12:59Come on.
12:59Come on.
13:10Come on.
13:11You're on to the village of Miškovo.
13:12What else?
13:13He told me that he was driving to the village
13:15with some old Victorian würde.
13:17Where do I know?
13:18He told me when I ask him.
13:21But I ask him.
13:22I don't know.
13:23Let's go.
13:24Let's go!
13:37I didn't get to work.
13:40I waited for you.
13:44My son left. I don't know when you came back.
13:48I had to go for Jimmy and think about it.
13:53You understood me wrong.
13:56The land in Ramac is solely a business investment.
14:02You understand?
14:02The investment in the water department and the price of the land.
14:07I won't let it go.
14:10Do you want to live there?
14:11I won't let it go.
14:13Do you want to?
14:13I saw yesterday the package.
14:16It's only the business space.
14:17The architect of the council and the architect wanted to get it into the environment.
14:21I can tell him that he was going to hit a container.
14:24Do you understand?
14:25It's only a job for me.
14:27My life is here, in Beograd.
14:29Besides you, in this city.
14:31How could you just think that I would like to go home?
14:34I thought.
14:35I thought.
14:37I believe.
14:42I believe.
14:43Why are you constantly talking about the village?
14:46You are from the village.
14:48I pray.
14:49I really want you to pray.
14:52I think if it's a business in the question, then it's okay.
14:58I'm sure.
14:59I'm sure.
15:00I'm sure.
15:00I'm sure.
15:00Did you say that it's a business in the question?
15:03I see.
15:06I don't know.
15:09What?
15:09I don't know.
15:13What is it?
15:17I don't know.
15:20I'm sure I'm going to do the job.
15:22Bye.
15:23Bye.
15:26How good I was sleeping.
15:28You are?
15:29Yes.
15:30I'm sure.
15:32I'm telling you that I'm the best sleeping at home.
15:36But you didn't want me to be the dark, the quietness, the village.
15:42No.
15:44The birds, the birds, the birds.
15:47You're just with the birds.
15:49I don't.
15:49Mama, would you not have to support me?
15:55And when will you call me Gagina, Mom?
15:58You'll never be able to save her.
15:59You won't have a crown with your head if you call her first.
16:03You're a beautiful daughter you've been given, Leco.
16:07What will I say to you if I'm on the other side of you?
16:11Everything you're talking about.
16:13Everything.
16:14Why are we constantly on rap, Zorka?
16:17What?
16:18Why are we hearing all the last things from other people, not from other girls or from Zeta?
16:23Well, my love, it's so important that we are the first ones.
16:28We don't know when Gagina is a war.
16:33We're invited.
16:34We'll be invited, Mom.
16:38Even I don't know when he is.
16:40You don't know.
16:41What if you don't know?
16:45I don't know.
16:46I need to hear with Priyam.
16:48We'll talk to each other.
16:50Dragan, from tomorrow morning,
16:52I'll remind him to call him.
16:54I've seen an advertisement for me.
16:56He tells me that he's sending a child.
17:00What do you call me, Priyane?
17:02It's important who will be the first to call me.
17:06Listen, Blagoje.
17:08Don't move when you don't know.
17:09It's important, father.
17:11It's important.
17:12That woman, Priyalola,
17:16didn't come to our house.
17:17They saw us in the cafe.
17:19I'm going to tell you, I'm not calling you.
17:24They've been talking to us and called us.
17:26They thought that we'll call you.
17:28They'll call you.
17:28They'll call you,
17:29they'll call you.
17:29They're fucking a Belgian.
17:41Hey, Priyali.
17:43Hey, Priyam.
17:43Hey, Zork.
17:45Good.
17:47Good.
17:48Good.
17:48Good.
17:48Good.
17:50Good.
17:50Can we talk about the battle of the battle?
17:55Yes, it can.
17:56Let's find ourselves in the circle.
17:59That's the only one after that.
18:02Yes, I can.
18:05Yes, I can.
18:09Let's go, Travo.
18:11Before?
18:12Before.
18:14You can't see how you can.
18:29You're happy?
18:31Yes.
18:33Good, good, don't hurt me.
18:35Don't hurt me.
18:48Don't hurt me.
18:53How is Goran?
18:55I pray.
18:56When you heard of it, he was located?
19:00I don't know.
19:01He just told me that he'll be later.
19:04Pavlo, wait for me.
19:06I don't want to go.
19:08I want to go.
19:09I want to go.
19:15I want to go.
19:16I want to go.
19:17I want to go.
19:18I don't think anything bad.
19:19I want to go.
19:21I want to go.
19:22Don't do it, bro.
19:23You're a thousand euros.
19:25But the game is a small area.
19:27Now everyone knows where I'm asking for the price.
19:30Good, but Pašička wanted to help.
19:34Let's go.
19:35Let's go.
19:37Let's go.
19:38Let's go.
19:39I'm called you to see who she plays, and not to start with her.
19:44I understand.
19:45I'm wrong.
19:45Sorry.
19:48Pavlo, you are a children of the city.
19:51The family is special.
19:52They were willing to have experience and not to be able to.
19:57If you understand it as a lesson, you can pay for it.
20:02But, in any case, keep going away from the drama.
20:05What are we going to do with Bašić?
20:10Bašića?
20:12Bašića, let me go.
20:17Okay, how much do you have?
20:21It's important, let me go back to the hospital.
20:25I have to go.
20:30Mašo!
20:33Where are you?
20:35I'm going to go.
20:37Let me go.
20:39Where will you go?
20:41Where will you go?
20:42I don't know where will you go.
20:44I don't have the Beograd registration.
20:46Okay.
20:47Let's go.
20:48Let's talk a little bit.
20:50Let's talk.
20:52Let's go.
21:39Let's go.
21:42Let's go.
21:43Let's go.
21:43I'll come back.
21:45What did you say?
21:48We had an agreement, but I'll come back as a guest.
21:52This will mean something to my mother.
21:55I've given you a cup and a beer in my house.
21:59I'm a guest, but I'm also working here.
22:03Let's go and sit and talk.
22:11We can go.
22:13You won't get a beer.
22:18Let's go.
22:31Wait, Pavle is working on Stanković.
22:35Well, I'll tell you.
22:37Pavle was my mother's son.
22:41He's looking at all the places to sell here, but he won't know for it.
22:47That's it.
22:49I've told you all about Pavle and his director.
22:53Do you know anything else?
22:54I'm interested.
22:56I'm interested.
23:00I'm interested.
23:01What are you interested?
23:02I'm going to go to town if you want.
23:06What?
23:10You're always a little bit of a beer.
23:13And whatever.
23:15A little bit of a drink.
23:16And there's something else.
23:16Where is it?
23:19I'll go out and go out.
23:20I don't know where to go. I don't know exactly where to go, but somewhere in Kragujevac.
23:27There's a cafe there. I don't know how to call it. I'll show you.
23:36Can you see it now?
23:37Yes, yes.
23:40Look at this.
23:43Look at Gaga.
23:45What am I going to do with you?
23:46No, no. What would you say?
23:50That's okay.
23:51That's okay.
23:52Then it's Friday.
23:54I don't know if I can.
23:56But let's see for the weekend.
23:59Okay, we can do it now.
24:01I can't do it now. I have to do something to protect.
24:10Let me excuse you.
24:12I won't be able to take you.
24:14No, I won't be able to take you.
24:15I'm just in front of you.
24:17Okay.
24:18Nothing?
24:19Let's go.
24:21We hear you.
24:23I'll tell you.
24:24I'll tell you.
24:44No, no, no.
24:48No, no, no, no, no.
24:52Look, I'll see.
24:54There are a lot of fun and fun.
24:58I'm here to explain to you how things are.
25:02Rakev is strong, you need to drink a lot.
25:06See, for you, it's the best.
25:08You need water.
25:11You don't need water.
25:16Give the city what he needs,
25:18and the city will give you what you need.
25:20The city, roads and the canalization,
25:22the public savings and the subventions.
25:25I'm sorry.
25:26How much is my rakev?
25:28I wanted to buy a large one.
25:30That's your job.
25:31The rakev, the rakev, the dried rakev,
25:34the dried rakev, the dried rakev,
25:36the water industry,
25:39the end is all good.
25:41The story of the water factory,
25:45how many personal repairs will buy the place.
25:49I don't know what's going on.
25:51I don't know what's going on.
25:54You're not going to get me into trouble.
25:57You're not going to get me into trouble.
25:58Who's going to get me into trouble?
25:59I'm or you from the community?
26:01I'm not able to get you to do it.
26:03I'm not able to get you to do it.
26:04What? With this sweet glass?
26:08I'm not able to get you to do it.
26:11Why? Milojevic, why do you not get you to do it?
26:13We all know that our own ends are rich and rich.
26:16And the rich and rich.
26:19In the Roman era, there is a majdan in the head.
26:24And at that time, there is a precise elaborating plan of exploitation and regulation of the land.
26:30And now, a few years later, the community decided to remove the skin from the plan and to review it
26:35again.
26:36For all the people, I brought it with myself.
26:41I've heard you as a child.
26:42You want me to say that you are rich and rich and rich and rich and rich?
26:50I'm here to remind you of the first one.
26:54And you're not the first one to drink it because of this?
26:58I want you to be taken here because of the blood.
27:01I'm here because of the water.
27:06I want you to stop.
27:09Go until you push me down.
27:11Listen to me, I'm here alone. The next time I won't do it.
27:16Come on with me. I'll wait for you.
27:19If you want to get your own and not your own, you'll have a lot of trouble.
27:24You'll have to talk to me when you come back.
27:27Come on! Come on!
27:38Come on!
27:39This is from the municipality.
27:40Yes, Krpeć.
27:42What do you want?
27:44It's the water and the water.
27:48What are you doing here? What do you want to do here?
27:51I've found something.
27:51What I've heard...
27:57Let's go.
27:58Let's go.
28:21Let's go.
28:22Let's go.
28:39Let's go.
28:41Let's go.
28:42Let's go.
28:51Good morning, Priyo.
28:53Good morning, good morning.
28:54Just follow me, we are not far away.
29:15This town is a city of Kjell, the people of Kjell.
29:18The peace is behind them.
29:20I understand that.
29:22Everything you told me is to hold for yourself.
29:24We don't have to know.
29:25Yes, I will.
29:27You know how to go to the village.
29:28When I start...
29:29Go and find the land, the land.
29:32Okay, I will.
29:36Let's go.
29:40We are listening.
29:46You're still in Kragujevsa?
29:48No.
29:50Let's go to me.
29:51How much do I need?
29:53Half a minute.
29:55Let's go.
30:08Who are you doing? Who are you doing?
30:10For Miru Bašić?
30:11What do I have with her?
30:14I lost her because of her company.
30:17Who is doing with her?
30:18I don't know.
30:20I don't know.
30:20I don't know.
30:21I don't see her.
30:25I'm случайly.
30:26I don't know.
30:28I don't know.
30:32I don't know.
30:44I don't know.
30:54I don't know.
30:55Good morning, Priyo.
30:56We could go somewhere else, huh?
30:58What do you say, Priyo?
31:01I'm thinking of going somewhere else.
31:03Why are we here?
31:04The Obren says this is somewhere in the middle of the road.
31:07This?
31:08This is the end of the world.
31:10The Obren thought we would do this here.
31:13I'm thinking of going somewhere else.
31:14Let's go.
31:33Priyo, what do you want to drink?
31:34What happened?
31:37See, I really can't be here for a long time.
31:41What happened?
31:42The war, our agreement.
31:44Okay, okay.
31:45We will agree.
31:46Although, as I can see, we already have a problem.
31:49Because you are here to do a war.
31:52What is wrong here?
31:53We have a village.
31:55We can go on the road.
31:56We can go inside.
31:57We can go inside if the rain starts.
31:59Sorry.
32:00We can go inside.
32:01Where would you like to be?
32:03Where would you like to be?
32:03In Belgrade.
32:04Where do you think?
32:06I don't want to call them in Belgrade.
32:10I call them for fun.
32:11I don't want to risk their life in Belgrade.
32:15What are we going to do with my guests?
32:17I want to tell them to get to the only round.
32:20I'll put them on the ground, show them the ball,
32:23and say, first and right.
32:24Priyo.
32:25We won't do that, I'll pray for that.
32:26No, no.
32:29I don't know, Priyo.
32:31I don't know what did you call me tomorrow.
32:34What did you call me tomorrow?
32:37Just to tell you,
32:39Una opened my mind when I didn't speak to you.
32:43Una?
32:44Eh.
32:46And me, Dragan.
32:47From tomorrow.
32:48Call me and call me.
32:50Really?
32:51Do you see who is this child?
32:53They want to do that all you and me,
32:56we can do that.
32:57You and me, we don't do that.
32:58Even around the place.
32:59And I can do that when we get to the end.
33:03I don't know, I don't know,
33:04I think everything came up soon.
33:07I think we have to do that.
33:10We should do that,
33:12and not to lose.
33:14We should do that.
33:17We should do that.
33:18We should do that.
33:19We should do that.
33:20Is that right?
33:22Kjellner,
33:23give me two vishnjevače.
33:24Kjellner,
33:24give me two vishnjevače.
33:58Let's get on.
33:58I feel like you're a kid,
33:59I don't know how to do that.
34:03I didn't know what's going on.
34:05I didn't know how to do that.
34:05I didn't know how to do that.
34:06I'll make it happy.
34:07I'll be blessed.
34:09God will give a son to you.
34:11I'll give him.
34:12God.
34:13Is it that you're calling me?
34:16You're right.
34:17Come on.
34:21Please.
34:23But only one.
34:24That's so happy.
34:25Wait, Priyo.
34:26Don't let me tell you to look through my fingers.
34:29Oh, through the décollet.
34:30You look through my fingers.
34:32It's hard.
34:34So, we agreed.
34:35Two holidays.
34:37One in Beograd, one in Ramaći.
34:39Yes.
34:39I just have to ask Gorana.
34:41You know?
34:42Before we talk about the term.
34:44Okay, you're right.
34:46That's two things.
34:48But the main thing is that we don't eat.
34:50Yes.
34:50That's it.
34:51Let's go.
34:55Nothing is good when it's over the night.
34:59What did you do, Priyo?
35:01What did you do?
35:03I have to go quickly.
35:05I remember myself so much.
35:07We said that there's no reason for it.
35:09No, no, no.
35:09We've all agreed.
35:10I really have to go.
35:12See you.
35:15See you.
35:16See you.
35:17Yes.
35:19I think we've seen you the last time.
35:22Do you remember me?
35:24Sorry.
35:25I think you were confused with me.
35:27You were confused with me.
35:28You were confused with me.
35:29You were right now.
35:30You were right.
35:30You were right.
35:32We played the nomad.
35:35I don't know who this guy is.
35:38So, I have to say sorry.
35:39I'm sorry.
35:40I'm sorry.
35:42I'm sorry.
35:43I'm sorry.
35:45Wait, Priyo.
35:54Priyo.
35:59Priyo?
36:00Hmm?
36:00Is everything okay?
36:01Yes, yes, yes.
36:03Everything okay.
36:04Who would be this guy?
36:05Who?
36:05What a minute.
36:07What a minute.
36:07What a minute.
36:09I'm sorry.
36:10I'm sorry.
36:11I'm sorry.
36:12I'm in contact with you.
36:14Let's hear it.
36:15Let's go.
36:16Let's go.
36:16Let's go.
36:17Let's go.
36:17Let's go.
36:17Let's go.
37:03los.
37:04Let's go.
37:06Let's go.
37:07Ok.
37:17You, Dragan, son of a boy.
37:20Yes, I am.
37:22Okay. See, it's better to meet with you than with Veljko.
37:27He asks who to drink with him.
37:29Whatever you've met with Veljko, it's like you've met with me.
37:33We haven't met with him.
37:35And with you, we'll see.
37:39I'm Toza. I'm a syndicalist.
37:43You're from Marković.
37:46We're the owners, let's say.
37:49Last year, we worked for the owners' price.
37:52How much? Four thousand?
37:54That's right.
37:56This year, the owners won't be able to win this year.
38:00I've told you everything.
38:01I've told you,
38:04I've told you,
38:06Stanković wants to buy the price in our country.
38:10Do you think your country, Obrene?
38:12We've shared ourselves like you wanted.
38:16Yes, we are.
38:18It's the country of Biorad, so it's about you.
38:23I don't understand.
38:25What would you do?
38:28What would you do?
38:29What would you do?
38:29Well, Stanković and you will become friends.
38:33Gaga's wife and his daughter.
38:35What would you buy?
38:36That would be all for them.
38:39Maybe.
38:41I wouldn't buy these prices if he would take my land.
38:45What would he take over the last year?
38:51I'd like to put it in front of me.
38:52You should be putting me in front of me.
38:52Maybe I won't put me in front of me.
38:54Maybe he'll put me in front of me.
38:57Maybe he'll put me in front of me.
39:08I want big money.
39:10But this is not the reason why I'm in front of me.
39:13To look into my house, my house, and my work.
39:17To look into the jobs I'm doing.
39:22I'm a man.
39:23I'm a man.
39:24I'm a man.
39:24I'm a man.
39:26What do you say?
39:28What do you expect from me?
39:32I want to ask you.
39:36Who would sell everything and what price would he?
39:40What do you do?
39:45I'm not good at all.
39:48I'm a man.
39:49I'm a man.
39:49I threw water from the water facility.
39:52I threw the water for the water.
39:54I threw the water for the water.
39:55What?
39:56I want to sell the money.
39:58I'm using water from the water facility.
40:00I'm using a way through my house.
40:02I'm still looking at me.
40:04I want you to talk to them.
40:07To see who would sell and what price would be.
40:10And they know that we're the nomads.
40:14Do you want me to lie before them?
40:15I want you to lie before us.
40:18Well, I want you to lie before us.
40:21You're right.
40:21You're right.
40:21You're right.
40:21I'm asking you to pay for the price.
40:22Yes.
40:23You're right.
40:24I'm getting a good price.
40:27What if you want to sell only me?
40:30Not you?
40:32I want you to say.
40:33This is a million dollars.
40:34You'll be on your name.
40:36Not on Stanković.
40:37My brother, you want to be a business owner, you want to be a business owner of this time?
40:48I want you, I don't want to say it.
40:50And when we were divided, you were looking for the right of the old brother,
40:55when we were in the middle of the year.
40:58Milena, I'm going to talk to you as a brother.
41:02I don't care about anyone, especially not about you.
41:07Moment.
41:12Hey, Dragane, tell me.
41:16What?
41:17What do you call it?
41:19Syndicalist.
41:21That's how it is.
41:23Marković is here, but I didn't even manage to talk to them.
41:26And the syndicalist is looking for a new day and two weeks.
41:30Dragane, I'm coming back.
41:34And now I'm going to talk about the syndicalist.
41:38Who?
41:42I thought I didn't have any trouble in my life.
41:46And now the municipality is a business owner.
41:50A friend that needs a place.
41:53A syndicalist is two weeks.
41:55What kind of friend?
41:57A knight?
41:58A鬆?
41:58Čiče.
42:00You can do me for a blessing if you don't go over.
42:05I'm praying.
42:06I love all the place.
42:08I will talk with Milic and Vradovic and with Paručo.
42:18Live.
42:20Come on.
42:53Come on.
42:54Where is that?
42:55Sindicalist.
42:59Toza is a disaster.
43:04Where do you call it?
43:07How did you call it?
43:08I did not have a job.
43:10What did you do?
43:11I do not have a job.
43:1370 EUR for a day.
43:15EUR?
43:15I tell you that in EUR it's easier to get out.
43:18And 20 EUR for the garbage.
43:20And two bags.
43:21Because there is nothing to do with the job.
43:23Then there is nothing to do with the job.
43:25The blood is all in your blood.
43:27It will be used as you.
43:29You will be used as you.
43:30No no no no.
43:32You do not have an idea for a заключ, boss!
43:36Try to go!
43:41Come on!
43:43Try to go!
43:45Try to row up.
43:57What are we going to do now?
43:59All of them!
44:00All of them, friends, family,
44:03all of them come to buy them.
44:06All of them come to buy them.
44:07All of them come to buy them.
44:31All of them come to buy them.
44:32Do you need something else?
44:32No, no, no.
44:33We'll see you next time.
44:34See you next time.
44:35See you next time.
45:13Hey, good morning.
45:14Hey, good morning.
45:15I just wanted to see what you decided.
45:18I'm going to talk about our conversation about the son.
45:22Good morning, good morning.
45:23Let it be your story for now.
45:25I believe that this is not just a job.
45:28I mean, this is a lot more than a job.
45:31I believe that we'll be able to collaborate.
45:34That's why I'm so interested in the land in Ramac.
45:37Yes.
45:39Especially for places around Amidjin and Obrenobirca.
45:46The truth.
45:47What is the truth?
45:48The Zorkis doesn't care about Venchal.
45:50If our guests call him in Beograd,
45:52don't fall into memory.
45:53Who did you tell me?
45:55I don't know, Obrisic.
45:56What happened?
45:57Hey, what happened?
45:59You have to feed yourself from Samučić.
46:01Obrene! What's happening?
46:03What do you call me now?
46:05What do you call me now?
46:05What do you call me now?
46:06I bought my trees and I came to you to help me.
46:10In the name of our partnership, in the name of old time.
46:13Wait, why are you talking about your colleagues?
46:16What do you call me now?
46:19I'm thinking about your friends.
46:21What do you call me now?
46:22What do you call me now?
46:24What do you call me now?
46:25What do you call me now?
46:39What do you call me now?
46:40What do you call me now?
46:41What do you call me now?
46:41What do you call me now?
46:41What do you call me now?
46:41What do you call me now?
46:41What do you call me now?
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