- 17 hours ago
Alapače (2026) - Epizoda 6 - Domaća serija
'Alapače' su nova humoristička serija koja kroz živopisne likove i prepoznatljive situacije donosi osmeh gledaocima svih generacija. Radnja se odvija u stambenoj zgradi i lokalnom kafiću 'Ispod stola', gde se svakodnevni životi stanara i njihovih gostiju prepliću u lavirintu nesporazuma, humorističnih zapleta i dirljivih trenutaka. Likovi u seriji su raznovrsni i autentični. Stojanka je šarmantna majstorica, praktična i snalažljiva, žena na koju se svi oslanjaju, dok Žaklina, večito u potrazi za pažnjom i statusom, unosi neprestanu dinamiku i sukobe...
'Alapače' su nova humoristička serija koja kroz živopisne likove i prepoznatljive situacije donosi osmeh gledaocima svih generacija. Radnja se odvija u stambenoj zgradi i lokalnom kafiću 'Ispod stola', gde se svakodnevni životi stanara i njihovih gostiju prepliću u lavirintu nesporazuma, humorističnih zapleta i dirljivih trenutaka. Likovi u seriji su raznovrsni i autentični. Stojanka je šarmantna majstorica, praktična i snalažljiva, žena na koju se svi oslanjaju, dok Žaklina, večito u potrazi za pažnjom i statusom, unosi neprestanu dinamiku i sukobe...
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Short filmTranscript
00:00What do you know?
00:30Op, op, murija, bingo, lato, lutrija, šta je bilo sudija, bla, bla, bla.
00:34Op, op, murija, lova, vitiburgija, plastična hirurgija, bla, bla, bla.
00:50Op, op, loseru, dođi juče, nismo tu, žurka je na aftaru, bla, bla, bla.
00:55Op, op, horoskop, čobanica, voli pop, sakucao, photoshop, bla, bla, bla.
01:00Op, op, horoskop, čobanica, voli pop, sakucao, photoshop, bla, bla, bla, bla.
01:21Šta, kako, zašto, zašto, kako, zašto?
01:28Zašto, kako, kako, zašto?
01:54My dear friends,
01:58thank you for stopping
01:59I want to turn on this voice, because I will soon become known, and I will record a CD.
02:09You better go and record the song.
02:10That's right.
02:13Don't forget me, please. Don't forget me when I tell you.
02:17Leave me to speak.
02:19Stop, listen, listen.
02:20Listen to me now.
02:22While I'm going to keep talking, you're going to sing to me.
02:26Like on television.
02:28Allow me, I'm a gentleman, I'm going to sing.
02:30Okay, Djoko, sing.
02:34Djoko, don't you have to sing, sit here.
02:36I pray for God to shoot me.
02:39Sit.
02:40Come on, come on.
02:42How are you doing?
02:44Listen.
02:46Dear friends!
02:47Thank you very much for being here.
02:50As my beloved audience.
02:52I will never forget it.
02:55I will never forget it.
02:57I will always remember when I become known,
03:01that you were my beloved audience.
03:03Come on, start with more concrete things.
03:06What you were doing, you know?
03:07Mama, dad, dad.
03:08Come on.
03:10Can I ask you more, please?
03:12I pray for God.
03:13I pray for God.
03:16Dear old parents,
03:19So come on.
03:19Thank you for making me this way I am.
03:22Thank you, Mr. compression,
03:25Thank you for costing me for my brother.
03:30North Jesus.
03:32Thank you forlining me like this.
03:38Thank you for letting me give you Jesus' cost.
03:40I'm a drunk man who was a drunk man who was a drunk man every day
03:43and who was a drunk man.
03:47Give me something about sex, mother.
03:49You're crazy.
03:50You're crazy.
03:50You're crazy.
03:52You're crazy.
03:53You're crazy.
03:54You're crazy.
03:55Stop it, stop it.
03:57What's your mind?
04:00What's your mind?
04:01What's your mind?
04:02How are you doing at home?
04:04Wait a minute.
04:06When I become known,
04:07I'm going to donate my organs.
04:10You understand?
04:11What do we have to donate?
04:13You're crazy.
04:15What do we have to donate?
04:16We don't have organs.
04:18What do you mean?
04:19What do you mean?
04:19You don't have to tell me.
04:20You don't have to.
04:21You don't have to.
04:22Because she was a kid,
04:24her hands and legs fell off from the house,
04:26her heart hurt her,
04:27her heart hurt her,
04:28her heart hurt her,
04:28her heart hurt her,
04:31you understand?
04:32Come on,
04:33you don't have to donate.
04:33See you,
04:35you don't have to donate.
04:36I don't have to donate.
04:37You don't have to donate.
04:37That's why you did it to sex.
04:39It's interesting.
04:40So, you don't have to donate organ.
04:43I will tell you later,
04:48I will tell you later.
04:57Don't stop.
04:59Wait a minute.
04:59I wanted to tell you
05:00that I wanted to tell you
05:01that you're a lot of
05:04I'm so excited, especially when I was in a fight, they gave me a bar.
05:15What did you say?
05:16They gave me a bar.
05:18They brought me a bar.
05:21They thought they were like, how much is it?
05:26Barijaktarka.
05:27Barijaktarka.
05:30I don't want to say anything about the world.
05:33So let me also call a bar.
05:37They gave me a bar so I can get a bar.
05:40They showed me to walk in the street.
05:40But now they can be able to give me a peace.
05:45That's right, let me.
05:47I will call the bar in Africa.
05:49That's great.
05:50In front of our people, you will call them in Africa.
05:54I will call them in Africa.
05:57Hey, Jacqueline, now you're really serious!
05:59I don't have more time. Let's go, I have to prepare my hand.
06:03Let's go, let's go.
06:05No, no, no, please, wait a little, I love it when I'm busy.
06:08You know what? Let's help you to help you with the word that we use on the phone.
06:14We know that we do it.
06:15Because they don't say to God, they say to God, they say to God, they say to God.
06:20They say to God, they say to God, they say to God, they say to God, they say to God,
06:21they say to God.
06:21What do you say to God?
06:22You're a little bit of accent, there are 4 accent, short-term, long-term, long-term, short-term.
06:31And what is that long-term?
06:35Really, people, please stop.
06:37I have to, I have to, I have to, I have to.
06:40I have to, I have to, I have to.
06:41I mean, where do I say to God? Where do I say to God?
06:44Let me leave the nice space.
06:47See you.
06:48See you.
06:49I have to, I have to, I have to, I have to, I have to, I have to, I have
06:52to, I have to, I have to.
06:53Come on, see you.
06:55You are a thousand years old.
06:56You are nice to watch your press, I say, I have nothing to do.
07:00I have to, I have to hold him in the normal way.
07:03What do I hold him?
07:03I am on the press.
07:04Press?
07:05Let's march on the floor.
07:06Let's march on the floor.
07:08Everyone on the floor, in the mother's house.
07:10Thank you, Vesna, thank you very much.
07:11Let's go and prepare the hand.
07:13Let's see.
07:13Listen, govorti je.
07:14My lord, why have you fallen off the floor?
07:15Govorti je, crazy boy.
07:17Nothing.
07:18You should do it.
07:21What you do, you do?
07:22You should do it!
07:23I have to.
07:23Go up!
07:24Go up guys, everyone!
07:26Go up!
07:28Go up!
07:29Go up!
07:30Go up!
07:30Go up!
07:30Go up!
07:31Go up!
07:31Go up!
07:31Go up!
07:32Go up!
07:35Go up!
07:36Let's go.
07:54Good morning.
08:02Met me.
08:03Ha, ha, ha.
08:05Pa desiti, nemate dva sata, mešam ovde sama ko ludak.
08:09Jao, čula sam da je komša otvorio seksi shop.
08:12Ko?
08:12I ja odmah sratila dole da vidim. Znaš kako se zove?
08:15Kako?
08:16Žari, pali.
08:17Ma ko je otvorio seksi shop?
08:19Kako ko? Pa djoka.
08:20Moj djoka?
08:21Pa tvoj djoka.
08:24Šta ti je?
08:26Nemoj da me udaraš, boli me to. Šta ti je to?
08:29Mora, pratimo trendove, stojanka.
08:31Kako je taj stojanka? Beš to tamo.
08:35Gospodjice stojanka, neću sam razmišljao, vi ste žena bez posla.
08:39Pa sam ne znam kako da se izrazim, ali da li biste bili zainteresovani da radite kod mene na dnevnicu?
08:45Hoću ja, koliko ti dnevnica, džoko?
08:47Više sam zainteresovan za gospodjice stojanku.
08:50Pa možete i mene, mislim šta se mi sad odbacujete?
08:54Dobro, dobro, čekajte, onda ako ta ponudi dalje važne, onda ja moram da napravim casting.
08:58Da vidim koja mi se više dopada, pa pačite, hoće da budem pošten i ja prema vama.
09:01Ma što ti priđaš, kako te nije sremoto?
09:04Pa poznajmo se 25 godina za mene da praviš casting.
09:07Ti čuješ ovo što on kaže?
09:09Čujem.
09:09Gospodjice stojanka.
09:11Svaka vama čast, ali ja ne znam koje su vaše sposobnosti.
09:14Haaa, mora slušaj među oko da ti kažem.
09:17Mora da vidiš moje sposobnosti isto.
09:19Ajde, čuti, ti tebe ništa nije pitao.
09:21Imam i ja sposobnosti.
09:22Ja sam žena svetska, ja sam bila u Beču sa svojim pokojnim suprugom Milovanom.
09:28Bili smo u seksi šopu.
09:29Znate vi šta sve tamo ima?
09:31Kuglice za jelku.
09:33Ima delfini.
09:34Ima oni leptiri.
09:35Ima jedna lutka.
09:36Ona se izbeči u mene i ja je udari.
09:37Ona puče.
09:38O, ozbi.
09:39Kad iz pulta iskuči nešto.
09:41A ima i oni sve struči nazivi.
09:44Služite, znate kako se s ovu?
09:45Lelo fanfaktori.
09:47Web, vab, vab, vejba.
09:48Ahaa.
09:49Ima i oni...
09:50Oni, ahaa.
09:51Ima oni tori.
09:53Da.
09:54Joy light.
09:55Joy light stick.
09:55Joy light stick.
09:56Flash.
09:56Flash.
09:57To svetliš z Žaklina cela.
09:59To ovako.
10:00Sediš i svetliš.
10:02Razumeš?
10:02Iako se isprazniš.
10:04Imaš i punjač da se dopuniš.
10:06Imaš i USB kabel da se priključiš.
10:09I onda možda se gledaš preko kompjutera.
10:11Preko iPhonea.
10:12Preko iPoda.
10:13Ima se.
10:14Imaš i punjače.
10:14Uuuu.
10:15Ovako.
10:17Svet tako.
10:18Majke.
10:19Ja.
10:19O, Gospodesa, čuivaj.
10:22Ma Moređoko, bila sam i ja u Beču.
10:25Mislim, viđala sam i ja to.
10:27Ali nemojj da zaboraviš da sam ja živjela i u Švedskoj.
10:30Pa kad su pitanju akcije, kto će najbolje da zna akcije nego ja?
10:35You're welcome.
10:38Wait, wait, wait, don't worry.
10:39I think so.
10:41Well, after a long time, I decided for the lady Stojanko.
10:50Look, you're a sexy man.
10:52You're a sexy woman.
10:56I am. Let me give you one.
10:58I don't like a big game if we use a bitch.
11:01My idea is to...
11:03Uh, what is this?
11:04What is this?
11:05What's this?
11:06Why isn't you laughing?
11:06You are a sexy man.
11:08Come on, Dzugrej, one, go.
11:12Get to me, one, one, two!
11:13Shut up.
11:14He will tell me he will give me some work.
11:17He is a sexy man.
11:19If you took his joy, Stojanko,
11:20get to your family to do casting.
11:24If you took his joy,
11:25come I will see him and play cards.
11:28Come on, let me start.
11:30You can't do it.
11:50What are you doing?
11:52I measure the temperature.
11:54Do you have the temperature?
11:56No.
11:58I mean, I don't have temperature.
12:00I don't know if I have.
12:01I measure.
12:02I do my health.
12:07It's so important that you measure it and you don't have it.
12:09What a coward!
12:11What about you doing in the house?
12:13I'm not going to rest with you,
12:16but I know that something is going to happen.
12:19I've got a new toilet under the bag and you have the temperature.
12:22You're terrible!
12:23That's what you guys are doing in the house!
12:25Come on, let me stop, let me get nervous, let me get the pressure.
12:28Do you know who comes to us?
12:29Who?
12:30Weeca from the cafe.
12:32What's going on here?
12:34What's going on?
12:35What's going on?
12:35You're going to ask me now.
12:37What's going on, Weeca?
12:39Weeca is a queen.
12:40You know what?
12:41She's a beautiful woman.
12:43She has a talent.
12:45Don't ask me.
12:45What's going on?
12:47Come on, Weeca!
12:49Hello.
12:50Here is Weeca.
12:51Where are you, Weeca?
12:52Welcome.
12:53Good morning.
12:54Good morning.
12:55Good morning.
12:55Good morning.
12:56Where are you on, two days, at the cafe?
12:59Look, we got down for dead mother, she fibrom인이.
13:03But, what?
13:04I feel like you are almost as a loved familia.
13:04As a young tuberculosis.
13:05Seven days, I'm skinned on that bone.
13:06What are you claiming?
13:08Thecharge of Unit working isn't.
13:11Almost as a high reserve.
13:14I know, you.''
13:24How are you, Vecco? You are good, right?
13:26Ludo.
13:27Ludo.
13:28Hey, Vecco, listen to what I'm saying.
13:32I'm talking about something about you.
13:34You know how beautiful you are, how you are emancipated.
13:38We know how many years we know that you are getting rid of us.
13:43What do you know to do?
13:46I don't get rid of anything.
13:47I don't want to talk about what I'm trying to do.
13:51I don't want to talk about it.
13:53What do you do?
13:55I'm an expert for horoskop.
13:57Really?
13:57I'm going to talk about it.
14:00Can I ask you, I don't want water to go to the river.
14:04You're just kidding me.
14:07But I'm going to get rid of the water.
14:09I'm going to get rid of the water from the house and tap into 9 water.
14:12In 9 water?
14:13I'm going to get rid of the water from the house.
14:14Go down and get rid of the water from the house.
14:17You can get rid of the water from the house.
14:20Just to leave it, please.
14:22I can see you in the face that you are getting rid of the water.
14:25Mother of my mother.
14:27It's all you know about to be done.
14:30What do you do?
14:31Who's going to be the first talent to me?
14:33Give me the-
14:34Give me the-
14:34Which one?
14:36Give me the-
14:37Which one?
14:37king is the-
14:52What did you see?
14:52Listen to me, Jackie. I need to tell you something.
14:54Just tell me.
14:56You will live, Jackie, for...
14:58How many years?
15:00Of course, when it looks like 90 years old.
15:03Listen to me, I have to concentrate.
15:05Listen to me.
15:07Listen to me, Jackie.
15:10Listen to me.
15:12I see him clearly.
15:13What do you see?
15:15I see Pluton,
15:16he goes to Saturn
15:18and goes to the Venerian Bregu.
15:22What?
15:23What?
15:25What?
15:27Wait, wait, is this a success?
15:30What?
15:31If you go to the Venerian Bregu
15:34the sexual chakra is going to end up.
15:37It's going to end up in the head.
15:39It's going to end up in the head.
15:39It's going to end up in the head.
15:40It's going to end up in the head.
15:42It's going to end up in the head.
15:45It's going to end up in the head.
15:46What is going to end up in the head?
15:50It means that you are so much more fervent.
15:54That's what you say, Jackie.
15:55And we are so much fervent.
15:55Pretty fervent shit.
15:56You know how much fervent is.
15:57I know exactly what was doing
16:00my former mother's wife and wife.
16:02What did you do?
16:02What did she do? She was walking around the door, constantly looking for the door and saying,
16:10Here you go, and you're running with green, and you're running with green.
16:15One person, a woman, standing towards the door, three hours, just walking around the door,
16:21and when she couldn't find it, she said,
16:23Now you're running with some whoever.
16:25What did you do? I'm not a cold.
16:27Damn, that was a thing!
16:29Oh, I really need to stop!
16:30Because I can't complain!
16:31Stop and say that to my sister, I am not allowed to keep up!
16:33I'm sorry to be my sister, I'm saying I have to keep up.
16:36Sedi!
16:37I'm again, listen to PISMI!
16:39I'm going to get the obstacle!
16:42Don't you need to concentrate on me!
16:44It's not the same, because temperature is the same as you should come!
16:48I can't just say that, sorry!
16:53But I thought to myself when I was asleep.
16:55And he was a brother.
16:56I don't know.
16:59I don't know.
17:00This is very important to me.
17:02Let's talk about something concrete.
17:03You have a problem with gas.
17:06Yes, I know!
17:08That's my soul!
17:09Stop! Stop!
17:11Stop!
17:12I don't want to leave.
17:13I don't want to leave because of you!
17:17I don't want to leave.
17:18I don't want to leave because of you!
17:21Vesna, listen to me, sestra Rođena.
17:23I don't want to leave.
17:27I don't know.
17:28I see you.
17:29You are very, very, very...
17:32You see?
17:34I have to be very quickly...
17:39...and the flowers.
17:41And the flowers!
17:43What flowers?
17:43What flowers?
17:46I don't want to leave.
17:48I want to leave!
17:50Don't go to the flowers with water.
17:52Let's go to the flowers with water.
17:54No, Vesna, I can't have my legs.
17:56Stop!
17:56When you say to the woman to bring flowers with water!
17:59No!
18:00Stop!
18:01We have a temperature!
18:04Let's go!
18:05You said that you don't.
18:06My mother!
18:07I don't want to leave.
18:09I don't want to leave.
18:10I don't want to leave.
18:12I don't want to leave.
18:13You are the hyponchondar!
18:15I don't know what I'm saying.
18:16No!
18:16That's the one!
18:17I don't know what I'm saying!
18:19I'm hypertenzical!
18:21What?
18:22What?
18:22I'm saying!
18:24But listen, I'll tell you something.
18:26It's not good.
18:27When I'm coming home today,
18:28I'm going to the flowers with a lot of flowers,
18:30and I'm going to the flowers,
18:30and I'm going to the flowers.
18:32I'm going to the flowers.
18:32Something happened to me,
18:33and I'm going to the flowers.
18:35What?
18:35What?
18:37What?
18:38She's a big one!
18:39You're a big one!
18:41There's a way to bring her to you!
18:44Let's try it!
18:45Maybe she's the chakra that's written.
18:48And I think it's better than you.
18:50I think it's better than you.
18:51You know how to live with me?
18:54You know how to live with me?
18:55I don't want to think.
18:57STOJANKA!
18:58STOJANKA!
19:00DONESI LAVOROVAMO!
19:02She's got...
19:03What do you call it?
19:05Hypertensia!
19:06She has hypertension!
19:08Come here, quickly!
19:14Let's go again!
19:18Now she's on the floor!
19:21That's it!
19:25My Jacqueline!
19:27You're now filled with nine water.
19:30You're like you're again born!
19:32You're now filled with the chakra!
19:35We opened the chakra!
19:36We opened the third chakra!
19:37That's it!
19:38Now you can go to the battery!
19:40My goodness!
19:42I really see what other people don't see!
19:47There's a lamp!
19:50There's a lamp!
19:52There's a lamp!
19:54There's two lamps!
19:54I really want to stop!
19:57I'm really thank God!
19:59You stop!
20:00Let Very quickly!
20:02Let me go, love!
20:03Gozaeh!
20:06Now look, love!
20:07I will never hear you!
20:10Come on a street of the tangent!
20:14Let your stamina!
20:17Let's talk to you, ourinally!
20:17It's quite a bit of a-,
20:19Come on, I am a buff!
20:20Come here.
20:23For the psychiatrist later, for the poor.
20:27Come here.
20:29Come here, little boy.
20:32Many of you.
20:36I'm not going to put it in many of you.
20:37I'm not going to put it in many of you.
20:52Who is it?
20:55Who is it?
20:58My love, I'm Mikica.
21:03Here I am.
21:05Where are you from?
21:07Here you go, Jaki.
21:11Sit here.
21:13You just need to go.
21:15Where are you?
21:17A year of days, you don't have to go.
21:20You don't have to die.
21:22Where are you?
21:25I could die.
21:28You don't have to ask me.
21:30I don't have to ask you.
21:31I don't have to ask you.
21:31I don't have to call you.
21:35I have to call you.
21:37I have to call you.
21:39When I call you on the phone,
21:41they say, here, here.
21:42Here, here, here.
21:44Here, here.
21:45I couldn't get you.
21:48Where are you, Mikica?
21:50I was in the hospital.
21:53I was in the hospital.
21:55I could die.
21:56I could die.
21:56I could die.
21:57I could die.
21:57I could die.
22:00When I was in February,
22:02when I was in the middle of the night,
22:04I was in the village.
22:06On the river,
22:07I was in the village.
22:08I was in my south,
22:09I was in the south.
22:11I was still in the start of the night.
22:12You remember me.
22:13I was in the middle of the night?
22:16I was in the middle of the night.
22:19I was in the end of the night
22:33the police attorney tells me
22:35and you walk into and they walk into,
22:39and they walk into and they walk into,
22:41and the police attorney tells me
22:46and tells me and then says,
22:49take the instructions and tell me,
22:50and send me to the friend.
22:52You're already telling me to say,
22:53I must not forget.
22:55What did you do in your life ever?
22:59Yeah, why did you have not such a concern on me?
23:02You never did. You never did.
23:05You never did. You never did.
23:07Do you remember, little girl?
23:11I'm all so sorry.
23:13Do you remember what you said to my mother when she first left the plane?
23:19Do you remember what you said to the air?
23:21I remember what you said to me.
23:23Take me, God. I'm the closest to you.
23:28God, forgive me. Only you don't want to talk about my mother.
23:33What did you say to my mother when the wife asked me to buy my husband?
23:38What did you say to my father?
23:39What did you say to my mother?
23:42What did you say to my mother?
23:45I said to live truth.
23:47I don't remember.
23:49I said to Teta Daro,
23:51I said to buy a meter and a half of the plane,
23:56a square foot,
23:57a,
23:59a,
23:59a,
23:59a,
24:00a,
24:01a,
24:01a,
24:03a,
24:03a,
24:04a,
24:04a,
24:04a,
24:04a,
24:04a,
24:05a,
24:05a,
24:05a,
24:05a,
24:06a,
24:06a,
24:07a,
24:07a,
24:07a,
24:08a,
24:08When I was in the hospital, I was going to visit my mother.
24:11Be careful, my God.
24:13What did I do?
24:15Look at my hands, Mickie, who's going up.
24:18Look at how many of my mother was going up.
24:21What did I do every day?
24:24I didn't think about it.
24:26She was like a dirty word.
24:29It was difficult for me.
24:30It was hard for me.
24:34She's going to move.
24:35I'm going to make this move.
24:37She is going toед side of the house.
24:40I'm going to make this move.
24:43I'm going to leave, right?
24:47I'm going to make this move.
24:47So, you're normal?
24:48You are going to tell me about my mother.
24:52But we're going to cut the same way.
24:54I'm in front of her, she'll be back.
24:57One on the other side, she'll be back.
24:59You're not going to tell me about anything.
25:01You're not a means to settle down.
25:03Who am I?
25:04What?
25:06Who?
25:07My father, my son, Miloš Obrenović.
25:10I am the last example of the sort of autoktony,
25:13Serbian, organic and non-proskan.
25:16Do you know how I am?
25:16I am successful in every sense.
25:19Where are you from?
25:20No, don't hurt my mother.
25:23I don't want to talk to you.
25:25Do you know how you are, man?
25:27Do you see how you are, man?
25:29Do you see?
25:31I am a man, man.
25:32I am a man, man.
25:33Do you know God when he created a woman?
25:35I am very happy to say,
25:37why did I finish my job?
25:39I am a man.
25:40I am a man.
25:41I am a man.
25:42I am a man.
25:44I am a man.
25:46I am a man.
25:48You are again, man.
25:54I am a man.
25:56Do you see he is not in the corner?
25:57Come home.
25:59Come on for a day when it will be good.
26:02I will go, but I will go back.
26:04I have to do it.
26:05I am going to yoga, dehydration,
26:08with a psychologist, a psychologist.
26:10I have to do it.
26:12I will go again.
26:13Bye, Jackie.
26:15Bye, bye.
26:19Yes, very good.
26:20Why do you get nervous?
26:22You give me a situation.
26:23You don't want to get nervous.
26:25No, I don't know what to say.
26:27God sent you to my daughter.
26:29What is it called?
26:29Yes, how are you dancing?
26:32You remember when I was a little while I was dancing.
26:35When my dad was driving to the choir.
26:37and wanted to take a picture. Do you remember that?
26:39He said, that man is nice to sing,
26:42but his nephew only needs to take a picture.
26:46Do you remember when I was a guest in Beechu?
26:48I don't remember.
26:50Do you remember how you sang that song?
26:53I remember that yesterday. Let's go.
26:55Let's go.
26:57Let's go.
26:58Let's go.
27:00How was it?
27:02Let's go.
27:04Honce nuce, hojce, hajce hunce, hojce, hajce hunce.
27:11Opa!
27:12Lele muder, hajte, strange softe, hajte, strange softe.
27:18It's like you know.
27:21Gecen panklen, gonte suke cake, gontle suke cake.
27:26Bravo, hajde, dosta, dosta.
27:28I tebe!
27:29Ajte, dosta.
27:34Zvoni mobilni, čekaj.
27:36Stoj sad.
27:38Ja, čekaj. Čekaj, čekaj.
27:43Alo, ko je?
27:46Znam da se ti pitam onako usput.
27:48Mikica, što će?
27:50Gde si?
27:52Je se tišao?
27:53Kako bre, nis se tišao?
27:57Ha?
28:00Uvatila te kontrola?
28:03Jao, viđate, ni oni neće, bak suze, bak suzke.
28:08Gde si se izgubio, bre?
28:10Ja ne idem po njegor.
28:13Sačekaj tu, ne mrdaj!
28:15Stani tu!
28:16Evo sad stoj, kaj ja dolazimo po tebe.
28:19Ne pomeraj se!
28:20Ne pomeraj se!
28:21Ne pa da mi napomet, ja moram da idem po kvario se bojler.
28:24Moram da ga popravi.
28:25Ema, čekaj, čekaj, kažem.
28:27Koji, bre, bojler, nećem da se kupamo večeras?
28:30Kako da se ne kupam večeras, nećem da idem po njega.
28:32Ma ne, dolazi u obzir, pollazi iza mnom stojanka.
28:35On se pobogio.
28:35Svi normal?
28:36Pa ko će da ga nađe, bre?
28:37Pa ne mogu treći put, idem po njega.
28:39Pollazi mi, ja, moj, da bi se sad filozofiraš tukat i kažem.
28:42Izlazi napolje, odmah za mnom ovamo.
28:50Šta sad, uhvatila ga kontrola, uhvatila?
28:53Što nije platio kartu?
28:55Između ostalog, nek mu ovo bude lekcija.
29:03Jovi se.
29:05Alo, Mikice!
29:08Stani, stani, da te pustim na speakerfon.
29:10Stani, stojanka je tu.
29:13E, odi, odi stojanka.
29:16Halo, Mikice.
29:18Stojanka, je li dolaziš?
29:21Ma ja sam u autobusu, bre.
29:23Zatvorili su vrata i ne znam šta da radim, bre.
29:25Jeste, jeste, aha.
29:27Nemoj, bre, da se zajebavaš stojanka, bre.
29:30Stojanka, pa stvarno je jako loše.
29:33Molim te, molim te reci da si krenula.
29:35Pa, mi smo joj dolazili po tebe, ali te nismo našli i onda smo se vratili.
29:41Eme.
29:42Pa, Mikice.
29:43Prekinu se.
29:44Prekinu se.
29:45Gotovo.
29:46Joj, maja.
29:47Ja ne znam stojanka, da li plačem i da se smijem.
29:50Ja ne znam šta, evo.
29:51Ajde, idi stojanka, ko boga te moli kad je čovek u problemu tolikom.
29:54Ođe, ođe, aha.
29:57Eme, sad ću.
29:58Javi se, javi se.
30:02Halo, Mikice.
30:03Tojanka, pa gde jeste, bre?
30:06Samo molim te, kaži mi da dolazite.
30:08Ovde je chaos.
30:09Jao, Mikice, ti si uvek u nekom problemu.
30:12Pa nismo ti mi GPS i mapa, čoveč.
30:15Tojanka.
30:16Evo, evo, aha, sad ćemo, da.
30:18Ja spavamo autobusu.
30:19Kako da ne važi.
30:21Prekinuo.
30:23E sad je dosta stvarno.
30:33Idem sama.
30:35Idi.
30:40I ovaj čovek kasnije za autobus.
30:43Oooo.
30:44Izgubio si ono autobusu.
30:46Šta je s ovim muškarcima?
30:49Svi se samo gube.
30:57Op, op, murija, bingolotolutrija, šta je bilo sudija, bla, bla, bla.
31:02Op, op, murija, lova vertikurgija, klasična hirurgija, bla, bla, bla.
31:17Op, op, loseru, dođe juče, mi smo tu, žurka je na pteru, bla, bla, bla.
31:23Op, op, horoskop, čobanica voli pop, sakucao photoshop, bla, bla, bla.
31:28Zdra.
31:48Šta, kako, zašto, zašto, kako, zašto?
31:51Šta, kako, zašto, kako, i zašto da ne?
31:53Šta, kako, zašto, kako, zašto?
31:56Zašto, kako, kako, zašto?
31:58A lapače.
32:40Šta, kako, zašto, zašto, kako, zašto?
32:43Šta, kako, zašto, kako, zašto?
32:44Šta, kako, zašto, kako, i zašto da ne?
32:46Šta, kako, zašto, zašto, kako, zašto da ne?
32:49Šta, kako, zašto, kako, zašto?
32:49Šta, kako, zašto, kako, zašto, kako, zašto da ne?
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