- 1 day ago
Category
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Short filmTranscript
00:28Transcribed by ESO, translated by —
00:30The Pornhub
00:30living a little bit.
00:37You said it's called the Pornhub?
00:38Well, it's called Pornhub.
00:40I don't know.
00:42What ?
00:43India has started from rural lands.
00:48What is there?
00:50Ok, I'm religious now,
00:53so please don't be to have a mind.
00:55Yes.
00:56I am a Christian.
00:58And it's on the ground.
01:00Well, it's not important. I think you were together at the same time.
01:05It's not important, I believe. I've been drinking so many of them,
01:08and you would have been drinking so many of them.
01:11Thank you, Lovey.
01:15People, I have to go back to Ramacu.
01:19What?
01:20Gagini have fallen soldiers, so they need help.
01:22You can protect them.
01:23Well, what?
01:28I'm sorry.
01:30I'm not happy.
01:45I'm sorry.
01:46I'm sorry.
01:49I'm sorry.
05:50Listen, I think we should go to that musician and talk to him, to tell us what he's doing.
11:26Someone will come back.
11:28I don't want you to keep the Zeta in the house.
11:32Oh my God, hear me.
11:35I'm surprised because it was later.
11:37It was later, but it was later.
11:40Leave us.
11:41I don't want you to be nervous.
11:44I pray for you to leave us.
11:51What happened?
11:52When you ask, he will come back.
11:54What did you say?
11:56You should meet my mom and talk about the term of revenge.
12:00Yes.
12:02What happened with that?
12:04Before, Lola didn't want to live.
12:07Yes.
12:08She said that for you.
12:11I think it's like you're together.
12:15To agree with what we've already agreed.
12:18What do you say, Una?
12:20What do you say?
12:21I'm like a mother.
12:23I'm still waiting for you to be angry.
12:25You know how?
12:26A angry thing is a serious thing.
12:29You don't have to worry about it.
12:30I want to say that we need to find a place and a time
12:34that everyone will answer.
12:36Yes, I agree.
12:37We'll be together.
12:40No, no, no.
12:40Prija, Lola, and me have promised that we'll do it.
12:44And that's how it will be.
12:46And now you have to leave.
12:49I mean, tomorrow I'm going to eat for all of you.
12:52It won't be easy for us.
12:54It won't be easy for us.
12:55I'm sure Dragan explained to you.
12:58It looks easy, but on the sun, on the ground,
13:02on the ground, on the ground.
13:03Not that it's not easy, but...
13:07I mean, bravo to tell you,
13:09maybe it's better than you didn't come.
13:11Aha, you think I'm going to be here for you?
13:13What?
13:13I don't know.
13:14What are you talking about?
13:15I'm just saying that everyone should sleep.
13:17I'm waiting to prepare this couch for me.
13:21Tomorrow we have a nice day.
13:23There's time for conversation.
13:28Good night.
13:29Good night.
13:32Good night, dear.
13:37Good night.
13:38Can I ask you where are you from now?
13:41No, no, don't ask me all day.
13:43I'm looking for a worker for a service.
13:46From Drago, to Desimirov,
13:48I couldn't find one worker.
13:50Do you believe me?
13:51No, no, no, no, no.
13:52You don't have to worry about my face.
13:56Why are you lying?
13:59I sit here and wait for your child,
14:02while you're in the village with someone else.
14:05Who's the child?
14:08The daughter of Mir Bašić.
14:11Ah, okay.
14:12She's not the child.
14:13She's not the child.
14:14She's not the child.
14:16What?
14:17She knows the whole village.
14:18Do you know what she is?
14:20All they are lying to you.
14:23The child of my mother,
14:24a dead girl,
14:26the willing woman with an suffering woman.
14:29Is that one that has helped you?
14:32She's just a light-hearted girl.
14:34She's just a light-hearted woman.
14:37I'm just a light-hearted woman.
14:42She's always a light-hearted woman.
14:48I, I just, I said that it...
15:09That is such a good one.
15:11Yeah.
15:12Cuff at the check.
15:14How many hours?
15:17Did you get me woke up?
15:19You couldn't sleep, son. I didn't want to wake up.
15:22I don't have time.
15:25I'm going to go.
15:26I'm going to go.
15:59Good evening everyone.
16:00Good evening, son.
16:03Good evening, son.
16:05Good evening.
16:13Why are you looking at me?
16:15Come on, don't go!
16:17Come on, come on!
16:19There are these guys and these guys.
16:24Where is Veljko?
16:25It looks like they are asleep.
16:27And I brought two guys.
16:29Hello.
16:31Maybe she's coming from Lydia?
16:34She wanted, but she doesn't reach me.
16:37That's it.
16:39Come on.
16:43The Blackwells
16:44The Blackwells
16:47The Blackwells
16:51The Blackwells
17:00The Blackwells
17:00Hey, the authorities, come this question.
17:03The letter comes after one.
17:07The letter they bring you to, because I'm going to the Blackwells.
17:10Listen to me, it's like Lolo and the musician and the stars.
17:14What are we going to do with you?
17:16I'm thinking about it, Zorka.
17:18I have to stay in the middle of peace.
17:20I'm going to hide myself in the whole life.
17:22Why would you do me like this?
17:25I don't know when I'm going to stay.
17:26I don't know if I'm waiting for you.
17:28When you come, you think I won't feel you on the couch.
17:41It's down to me and the stars.
17:51I don't know what that looks like.
17:51I don't know when you came in the middle of the woods.
17:52I don't know what that looks like.
17:57I'm going to go to the studio, a little tool.
18:00You don't know what that looks like.
18:09I'm going to eat the food.
18:10I'm going to eat it.
18:11I'm going to eat it.
18:12Thank God, I'm going to eat it.
18:13We're all in the corner.
18:15No, no, no, no.
18:19Here's the girl.
18:20Just go, people, what I'm going to do.
18:23I had chaos in the night.
18:25I went to the house and I got my little tree
18:26to get me out of my house.
18:28I just look at him in the house.
18:30Yes, okay.
18:32Let's go.
18:34We'll go to Zorka and then we'll bring you a hand.
18:37Let's go.
18:39Let's go.
18:41Let's go.
18:42Sit here.
18:44Let's go.
19:02Let's go.
19:37Let's go.
19:41Excuse me, I'm sorry.
19:43Excuse me.
19:44When music starts to play?
19:46It won't yet, you're listening.
19:48And Raša? Is he coming today?
19:51He's coming, but I don't know exactly when.
19:52Yes.
19:53What's your interest?
19:54I would like to hear him, but I don't have his number of phones.
19:57Can I have my phone?
19:59Yes.
20:05Hey, up.
20:07You're not a flower, you're a flower.
20:10You're a flower.
20:10What are you doing?
20:11You're going to be a fooling me.
20:13You're going to be a fooling me.
20:14Where are you?
20:15Let me go.
20:17Who told me that you're a woman and you're a woman?
20:20Who?
20:21Mira Basić?
20:23Why don't you ask me?
20:24Why do you ask me?
20:25Why don't you ask me?
20:28Why do you ask me?
20:28Because you're a little too old.
20:31Like I'm being a brother.
20:33You're a little too old.
20:33And you're going to go to me.
20:34You're a girl who's a girl who's a girl who's a girl who's a girl.
20:47How are you with health?
20:50I'm holding you, my defense. I can't do anything.
20:54One doctor and the other doctor.
20:56You go to this and that one.
20:58It will be better.
21:01It will be better.
21:05You're good.
21:28You can see how much you are going.
21:29You have to take me to take this.
21:33I took my wood and I came to help you.
21:37Is everything in your house all right?
21:39I wasn't going to do it.
21:42Everything has filled my sweet heart
21:43It's like I have something with Maša Bašić.
21:47A Maša is such a way to be together with each other?
21:49Why do you care for her?
21:51I have time for her, I have a hard wife.
21:54Yes, that's the best for everything.
22:02My love, we won't get to see you.
22:07We won't get to see you tomorrow.
22:11Well, everything will be together if he will stay on earth.
22:18Who are we?
22:22I'll go for a while.
22:24Where are you?
22:25I'll go soon.
22:26I'll go for help.
22:30Hey, kum.
22:33There are no others.
22:34If we don't find someone else, we'll never finish.
22:38I'll go for a while.
22:39I'll go for a while.
22:40I'll go for a while.
22:41I'll go for a while.
22:41Sorry, kum.
22:48So...
22:49Seja.
22:50Serbska Orhidea.
22:54It's been a long time.
22:56What do you call now?
22:58What do you call?
22:59I don't care, as I'm calling you.
23:02I don't have a connection with the ester.
23:05I think I heard Lola.
23:07It sounds like it's an ester.
23:10Okay.
23:12Sejo or Lolo.
23:15How can I help?
23:16How can I help?
23:17Listen, Rašo.
23:20I'm ready to pay for a lie.
23:23If you don't want to lie,
23:25I'll pay for a while.
23:27I'll pay for a while,
23:27so you won't talk more.
23:36I don't know what you say.
23:39I mean, you can go there.
23:40You can go to Kragujevac.
23:41You can go to Lapovo.
23:42You can go to Svrljig.
23:44I have a local i'm looking for musicians.
23:48So?
23:48That's right? Great.
23:51Do we have a agreement?
23:55No.
23:58I'll never see you here anymore.
24:01If I can say something,
24:05there's no reason to be ashamed of you.
24:07It was all a job.
24:10I'd be kidding and you didn't pay me.
24:14I paid so I'll never see you anymore.
24:19Good, God.
24:23Seo.
24:24Srpsko Orhideeo.
24:43Prio!
24:48Prio, Lola!
24:49Hey, friend!
24:52Where are you?
24:53Hello.
24:56I heard you want to do a joke here.
24:59I've been looking for a while.
25:02What do you mean?
25:04It's very good.
25:07The music is good.
25:08It's a catastrophe.
25:11Sorry, but it's a catastrophe.
25:13It's a catastrophe.
25:13It's a matter of my city.
25:16You understand?
25:18Yes.
25:22Let's go for Beograd.
25:24We'll be in contact with you.
25:25It's nice.
25:26It's nice.
25:26It's nice to be with you.
25:37Hi, friend.
25:38Hi, friend.
25:45I don't know how to change the reasons.
25:59Who are you?
26:00They were here, last year, with us.
26:02The program didn't have the chance to meet them with them.
26:04I don't know what to do.
26:05But I got a little bit.
26:07They got a little bit.
26:09But we are my friends.
26:34I'm sorry, I could be able to get you now.
26:40Okay, okay.
26:43How did we go from here?
26:45To the stars.
26:47Until then, let's talk like a stranger.
26:50Please, sit down.
26:57We were working well.
27:00I was there when I needed money for the campaign.
27:04I was there when I was looking at the camera.
27:07I wanted to show you how someone pays for the money and the money.
27:12For everything we got, the asphalt and new containers.
27:17I promised you much more.
27:19I promised you, but I didn't expect you to privatize the water facility.
27:25No, I didn't privatize it.
27:27That facility is always on the land that belongs to the people.
27:31The land is yours, but the water belongs to everyone.
27:35The water, the water and the water.
27:39Is it true that your son is married?
27:41It is true.
27:42Well, thank you.
27:44I heard that the future is the young girl, Gorana Stanković.
27:48And that is true.
27:49They say that Stanković will have enough money to put into the water facility in the water facility.
27:54It is true that the people are concerned.
27:56Yes?
27:57It is a little bit of need.
27:59Yesterday, Milojevic said that the community is renewing those plans in the water facility.
28:05Yes, I heard that.
28:06That's your idea.
28:08Well, you can't imagine plans.
28:09There are decades.
28:10Do you think that it will happen?
28:13Please.
28:14Do you think it will happen?
28:17Come on.
28:22How is't it fun?
28:33I will teach Ar��.
28:34Come on.
28:43Lately employees are late, and their hands are nem
28:44So, I really wanted to do that.
28:46Obrene, the Amidžen Izvor and the water supply are not only yours.
28:52We want to have a place for everything.
28:57We want to get ridges, get ridges for the ramans.
29:02We will need money for the land.
29:06Obrene, let's pray, I pray to work with Tim Stanković and work with the community.
29:12That man does not risk anything.
29:15He has enough capital in other places and in other jobs.
29:18You risk everything.
29:22Okay, Svečala.
29:24If that's all, I would have to say something.
29:33Think about it before everything goes far.
29:35In terms of our cooperation, in terms of old times.
29:41There is no water.
29:43There is no water.
29:51There is no water.
29:54Hello, Nedo.
29:56Hello, hello.
29:56Is Goran there?
29:57No, he came out.
29:58What did you go to the house?
30:00The Camber.
30:01Again?
30:03Again?
30:04I'm sorry.
30:05I'm sorry.
30:07I'm sorry.
30:08Help me.
30:09What is Goran doing in the house?
30:12You know I wouldn't be ashamed of it.
30:15No, I pray.
30:16You know how much I am in the house.
30:18Sorry for that.
30:19Sorry, sorry.
30:20I'm sorry.
30:20I was sorry.
30:21I was hurt.
30:22Whatever you can tell me, it would be a sign.
30:25I pray.
30:26I pray.
30:30Let's go.
30:32Come on, girls.
30:36Come on.
30:37Come on.
30:39Please.
30:45Let's go.
30:53Come on.
30:54Come on.
30:54In the back.
30:58Can I stop, Veliko?
31:01Let's go, let's go.
31:11Just hold on.
31:25I don't know what to do.
31:28I don't know what to do.
31:31We're all friends.
31:32We're all friends.
31:34We're all friends.
31:36We're all friends.
31:37Let's go.
31:38Give them to me.
31:52Stay.
31:53Stay.
31:54Stay.
31:55You're all right.
31:56You're all right.
31:57You're all right.
31:58You're all right.
31:59You're right.
32:00You're right.
32:00You're right.
32:00You're right.
32:01What do you do if I'm not alone?
32:03No.
32:03I'm going to take the ambulance.
32:04If you have a head in, you'll get a slew.
32:07That's terrible.
32:08I'll go every year and go to a park.
32:09You're right.
32:11You go every time to the ambulance?
32:13No.
32:13I'm just accepting it.
32:14Well, how do you take it?
32:17It's a bit strange.
32:18You can see how he went.
32:19Where he's head, where he's head, where he's head, and the same way to get him.
32:22If he's head, where he's head, where he's head, we'll get him.
32:25We'll get him.
32:26You know how I'm going?
32:28Yes.
32:29Yes.
32:45Okay, so you are familiar with the new surroundings
32:49regarding Mr. Stankovic and my client?
32:53I am familiar with you.
32:55Yes.
32:56So, we then propose that, in this agreement,
33:00to be passed by annex,
33:02in which it will be precisely
33:04that the future of investment
33:07will only be established
33:09in accordance with the agreement.
33:12Wait, why are you talking about your colleague?
33:15You want to buy my client
33:19to buy land around Amidjajnog Izvora
33:21where he wants to make a great benefit from the company?
33:25No, no, no, no, no.
33:27We don't want anyone to do anything,
33:29but we insist on the agreement.
33:33Mr. Stankovic,
33:35let's go ahead and leave me and my friend
33:38so we will talk about it in four eyes.
33:45Yes, of course.
33:47Listen to me, dear friends.
33:49Here we go.
33:53Hello, dear friends.
33:57Hello, dear friends.
33:59Now open the card.
34:03Do you know what I mean?
34:06Do you believe that you will take the parcel
34:10to my…
34:11I already have been sorry for that.
34:13Sorry.
34:14You are accepted.
34:15And you know what?
34:16I will help you to find the best parcel.
34:19I will also help you to take the parcel.
34:22But?
34:24But I don't want to be the first coach.
34:27I don't want to be my friend and my business partner
34:32every day look at my own and my job.
34:36I'd look at my own and my job.
34:46Anything else?
34:49I'll call you if it's needed. Thank you.
34:55It's nice to meet you as a business partner.
34:58An assistant.
34:59The senior education, a family with personal problems
35:04as well as for her every year.
35:07And you'll find yourself in everything.
35:10As well as me.
35:12Do you know that I'm still talking about you
35:16in the fourth community?
35:18Wait a minute, colleagues.
35:19Did you ask me about it?
35:21I didn't know that I'll have the opportunity
35:22to collaborate with the true lawyer.
35:27I've asked you about it.
35:29I had to go to a large company,
35:32a Jeep and a Lexus in parking.
35:35I really wanted to change it.
35:37three marriages from the last couple,
35:40with a colleague from the branch
35:42who has two positions.
35:45And it's known that it's the most dangerous
35:47to be with a colleague from the branch
35:49who has two positions.
35:51I'd say that my colleague
35:52is not done.
35:55If I'm wrong, at least I have a real expert
35:59who can I ask for help.
36:01Maybe you'll really be here
36:04where I am now.
36:06Developed,
36:07disappointed,
36:09without illusions,
36:11without work.
36:12I think that I don't know
36:15I don't know.
36:15I don't know what you're talking about.
36:16I'm doing it.
36:17No harm, colleague.
36:20I think you don't know
36:22what you're talking about.
36:24I understand you as a man.
36:28I am Biorac.
36:30We came from Bihor in the Black Hills,
36:33in the middle of the 18th century.
36:36We live here and we die here.
36:40When I came to Bihor,
36:42I thought the people would ask me
36:44what would you do here?
36:47Where are you from?
36:49We talked about it.
36:51What are you doing?
36:53You are a man named Banja Luke.
36:56You can see what you know.
36:57Yes, yes.
36:58Then we came here because of the studies,
37:02in Serbia,
37:04because of the faculty.
37:07He lost all the connections
37:08with his own grud.
37:10He stole his arms
37:12and put him here.
37:13Now he would put him there.
37:15But in Beograd,
37:16with the asphalt
37:18and with the asphalt.
37:20It would be difficult.
37:22I have never thought about it.
37:25This is only one investment.
37:27Of course,
37:28I have personal reasons.
37:29I want to be closer to the work,
37:31closer to the daughter.
37:32I will not be invited to her as a guest.
37:35Of course,
37:36I will not be invited to her as a tourist.
37:38I will not learn anything else.
37:39I believe.
37:46I think you came here
37:48to get a place to get a place.
37:51No, let's talk about it.
37:54I mean,
37:54it's a great poem.
37:55Before half a century,
37:59they came here
37:59the owners
38:00go to Kosovo.
38:02They went to theformation
38:04and they waited
38:04to find the instructions.
38:07I don't do anything about that.
38:10They left us here.
38:12But
38:13we came here
38:13and the house.
38:17What do you think?
38:18Did I come here
38:19to handle you?
38:20I don't think we had a son
38:22and we would never sign that agreement.
38:25We would be more balanced, right?
38:28Yes, yes.
38:30But in life it's different.
38:31In life there is always one who leads the job.
38:34One is always more balanced.
38:37And I really encourage you to be me.
38:40Because it's about Ramach,
38:42it's about water supply,
38:44and it's about Amish's.
38:47And I've been a man.
38:49I know I'm very good.
38:52But if I'm going to put capital
38:55into water supply and Amish's,
38:58I want land.
39:00I think if I succeed,
39:02it will be much more, you understand?
39:04Here it's not about new things.
39:06If it's about new things,
39:08it would be time to talk.
39:11Here is another thing in question.
39:13Here is the question,
39:14who is the main one?
39:15Be the main one if you want.
39:18As long as you want.
39:20I buy land.
39:22And we don't need to find ourselves
39:24and bring our lawyers to this.
39:26That's what I'm saying.
39:28You want to make a license,
39:31to pay your bills,
39:34and take them for yourself?
39:36No, no, no.
39:37I don't want to pay them as much as it costs.
39:40But I'm ready for that.
39:43I have money.
39:45If you want,
39:46then it will be like that.
39:48If you want,
39:49Then it will be like that.
39:53I think I have new young people.
39:55Where?
39:56Here, see.
39:59What?
40:01How is thatц contrat?
40:02You took his wallet,
40:02and you are out of my hospital.
40:03Bun reviews?
40:04Bro, what about you?
40:05You see you're drunk and occurred.
40:07lineup when we were in the stench.
40:08Okay, hole-workers.
40:10Why not to carry me to the squat.
40:10What?
40:10You get out of my mouth.
40:12You're a normal woman.
40:13If you have head or down,
40:14you'll probably be them up.
40:15I'm correct.
40:16You did it once.
40:17What the hell?
40:18I'm sorry.
40:19So I'm so sorry.
40:21I don't can so carry my finger.
40:22I'm not discussion.
40:24What?
40:24What?
40:25For you.
40:27I won't get sick.
40:29Okay, then I'll take him alone.
40:31Wait.
40:32Here he is his head, here he is his head.
40:33Here he is his head.
40:34Okay, let's go.
40:34Let's go.
40:41All right.
40:45Let's go.
40:48Let's go.
40:52Gago, I'm not a man nor a man.
40:55And I won't fly if the wind blows me.
40:58And you don't need to take responsibility for me.
41:01You need to take responsibility for us two.
41:04Your part of responsibility.
41:06You're a very good son.
41:08You're a very good son.
41:09You're a very good son of a child.
41:12You're a great son of a child.
41:14You're a great son of a man.
41:15What do you believe?
41:17You believe me that I'm not for you.
41:23You mean I don't believe.
41:24You don't want to go down there.
41:25We have an idea today!
41:27What a idea?
41:27You do what you say and be a good son.
41:30Believe me, I don't know where he is.
41:33Here you go, Velo.
41:34From me.
41:35No, no, no.
41:36Look, Velja, again, run away from Mila.
41:38I promise you that we won't be like him.
41:40Yes.
41:41Just look, Pavle doesn't know.
41:43He's flying in the head.
41:44I want to see a technology in the room today.
41:46I'm going to get back to you a lot easier than I'm going to get out.
41:50It's not so bad.
41:51You don't recognize how they move on to his side.
41:54Why did you call me?
41:56I can't give you this anymore.
41:58I hope.
41:59And she will be good.
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