- 5 hours ago
Izvor (2026) - Epizoda 6 - Domaća serija
Serija Izvor prati sukob emocija i poslovnih interesa, tradicije i modernog doba, savremenog srpskog sela i grada, kroz priču o višestrukim sponama između dve porodice. A sve to na relaciji Ramaća – Beograd.
U malom šumadijskom selu Ramaća, postoji izvor koji se naziva Amidžinim. Glavno izvorište nalazi se na imanju domaćina Obrena Biorca, ali korišćenjem vode upravlja lokalna vodna zadruga "Izvor". Svake godine obližnje kragujevačke opštine pokušavaju da se dogovore sa zadrugom iz Ramaće o zajedničkom korišćenju njenog vodnog potencijala; svake godine, svi članovi zadruge jednoglasno odbiju njihove ponude, zadržavajući Amidžin izvor isključivo za sebe i svoje porodice.
Ali, situacija se menja kada u Ramaću dođe Goran Stanković, dobrostojeći poslovni čovek iz Beograda. Znajući da glavnu reč u vodnoj zadrugi "Izvor" vodi Obren Biorac, Goran sa njim ulazi u poslovne pregovore, nudeći "Izvoru" veliku investiciju koja bi kraj Amidžinog izvora napravila fabriku vode, ali i savremen, uređen i luksuzan banjski kompleks, od koje bi koristi imala i cela Ramaća, i njena šira okolina.
Obren odlučuje da započne pregovore sa Stankovićem, čemu doprinose i neki sasvim lični razlozi. Naime, Obrenov sin, Dragan i Goranova ćerka, Una, vole se i odlučuju da se venčaju.
Kako će razlike u gradskom i seoskom poreklu dvoje mladih, te poslovni interesi njihovih očeva, ali i brojne lokalne smicalice uticati na ovu čistu, mladalačku ljubav? A, kakva će sudbina biti izvora vode koji pripada svim meštanima malog šumadijskog mesta?
Serija Izvor prati sukob emocija i poslovnih interesa, tradicije i modernog doba, savremenog srpskog sela i grada, kroz priču o višestrukim sponama između dve porodice. A sve to na relaciji Ramaća – Beograd.
U malom šumadijskom selu Ramaća, postoji izvor koji se naziva Amidžinim. Glavno izvorište nalazi se na imanju domaćina Obrena Biorca, ali korišćenjem vode upravlja lokalna vodna zadruga "Izvor". Svake godine obližnje kragujevačke opštine pokušavaju da se dogovore sa zadrugom iz Ramaće o zajedničkom korišćenju njenog vodnog potencijala; svake godine, svi članovi zadruge jednoglasno odbiju njihove ponude, zadržavajući Amidžin izvor isključivo za sebe i svoje porodice.
Ali, situacija se menja kada u Ramaću dođe Goran Stanković, dobrostojeći poslovni čovek iz Beograda. Znajući da glavnu reč u vodnoj zadrugi "Izvor" vodi Obren Biorac, Goran sa njim ulazi u poslovne pregovore, nudeći "Izvoru" veliku investiciju koja bi kraj Amidžinog izvora napravila fabriku vode, ali i savremen, uređen i luksuzan banjski kompleks, od koje bi koristi imala i cela Ramaća, i njena šira okolina.
Obren odlučuje da započne pregovore sa Stankovićem, čemu doprinose i neki sasvim lični razlozi. Naime, Obrenov sin, Dragan i Goranova ćerka, Una, vole se i odlučuju da se venčaju.
Kako će razlike u gradskom i seoskom poreklu dvoje mladih, te poslovni interesi njihovih očeva, ali i brojne lokalne smicalice uticati na ovu čistu, mladalačku ljubav? A, kakva će sudbina biti izvora vode koji pripada svim meštanima malog šumadijskog mesta?
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Short filmTranscript
00:28The
00:37What do you mean by the name of the woman?
00:38Well, the name of the woman.
00:40But it's not important.
00:42How?
00:44Did Lydia come from rural areas?
00:48So, what do you have there?
00:50Okay, I'm a Christian.
00:53So, please stay at peace.
00:56Really.
00:56Well, I'm a Christian.
00:58And that's on the street.
01:01Well...
01:02It's not important.
01:03I think you've been together at the same time.
01:05It's not important.
01:06I think I've been drinking a lot of water,
01:08and you would have been drinking a lot of water.
01:09It's good, love.
01:13People, I have to go back to Ramacu.
01:19What?
01:20Well, Gagini and Fale Beraci,
01:22they need help.
01:22I have no way to escape.
01:23I don't know.
01:25I don't know.
01:26You're no way to do that.
01:31You're welcome.
01:32You're welcome.
01:32I'll wait to see you soon.
01:32You won't, but don't you.
01:32Don't get free, sis.
01:32You're welcome.
01:33Here?
01:33No...
01:41Give us a closer look at my dinner.
02:52Thank you, Ranko.
02:53Did you talk to Mirić, Obradović and Baruđom?
02:57Yes, it's true.
03:00What is it?
03:01I think it's about selling, but not for you.
03:05It looks like we found another buyer.
03:09My friend has decided to become a friend.
03:26I really don't understand why you have to go so fast.
03:29It's because they need my help.
03:32They're going to collect them.
03:34Yes.
03:35Great.
03:36And I saw you with Zorka?
03:38I think it's true that Zorka doesn't want to be with Venčan.
03:44What do you think?
03:46Really?
03:47What?
03:48I mean, I was even proposed to be in that restaurant near the village.
03:53In the stars?
03:55Just a little bit. We have friends.
03:57You want to make them a little bit, I don't know,
03:59I don't know, I don't know, I don't know.
04:01Mama, okay. Mama, I'll talk to Zorka.
04:05Just don't go too far.
04:07I mean, I mean, I'm at the end of the end of the day
04:09I don't know where it will be.
04:13Even if I want to be in the stars.
04:21What are you talking about? What are you talking about?
04:26What are you talking about?
04:30What do you want to be?
04:32Do you see that I have to finish everything?
04:35Do you see what you want to be?
04:38Do you want me to take you together?
04:42Do you want me to take the leaves?
04:44Do you want me to finish the leaves?
04:49Do you listen to me, Bronwyn?
04:52Or I'm talking about the wind?
04:53I'm listening to the wind.
04:55I'm listening to the wind.
04:56I'm listening to the wind and I didn't say anything.
04:57We didn't say anything.
04:59We didn't say anything.
05:00We didn't say anything.
05:00Because it was not the wind.
05:04And because he wanted to make a battle in Beograd.
05:08I, to call our guests in Beograd, don't forget it.
05:12I'm telling you something else.
05:14What else?
05:16Lola has a secret.
05:18He's connected to the musician and the stars.
05:22You didn't say anything to me?
05:25I didn't say anything to me.
05:28I didn't say anything to me.
05:40Not something.
05:41Yey...
05:43No...
05:43Ve...
05:44Ve...
05:44Ve...
05:44Ve...
05:45Leila.
05:45I don't know.
05:46I don't know if I haven't said Lola.
05:50Listen.
05:50Listen, I think we should go to that musician and talk to him, to tell us what he's doing.
06:01Maybe, but I have a job with things.
06:07Hello, friend.
06:10Is this what you're talking about in Ramac, that you're looking for a purchase?
06:16Sorry, I should ask you for advice and advice.
06:21But there wasn't a chance.
06:24Well, the best thing is to go to the Camber.
06:27And the advocates will solve all this.
06:29Okay, friend. If you think we need to consult an advocate, we'll be fine.
06:35We'll see you tomorrow.
06:38You know what, Obrene? I think we could call him in a hand.
06:43Who?
06:45Well, musician. Do you listen to me?
06:54Hello.
06:57Hello.
06:58Hello.
06:59Hey.
07:00You really live in the right village.
07:05Here, Obrene.
07:06I already know that I'm looking for a purchase.
07:11Yes.
07:13Yes, yes, yes.
07:15You're right, yes.
07:16You shouldn't have to talk on the phone.
07:23You're right, Obrene.
07:23Yes, yes.
07:23So, the best thing is to see you again.
07:26I think I think, Obrene.
07:28Yes, yes.
07:28Then, I'll wait to see you in Ramac.
07:31Nice.
07:31There are so many people.
07:40I don't know you're right.
07:40Who did you tell Stanković is looking for money by Ramac?
07:42What?
07:43Who did you tell Stanković in Ramac?
07:46No.
07:47I don't know the way I'll be looking for you.
08:01M works for the insurance, M has a woman who has a job.
08:04I don't remember what they could talk about in the village.
08:06I don't care what they could talk about in the village.
08:11I just need you. I have a job for you.
08:27There's nothing more. That's it.
08:32You could be a little more comfortable with Stanković.
08:36What do you mean?
08:38Well, comfortable.
08:39You're comfortable with him.
08:41You don't have to buy all the parts.
08:44You don't have to do the contract that is already done.
08:50I don't have to do the contract.
08:54You don't have to do the contract.
08:55And what?
08:56How to say anex, mother?
08:58The sides agree that they won't be a couple of people.
09:01No.
09:03I'm sorry.
09:07I know.
09:07I don't remember.
09:12I'll go to Beograd tomorrow.
09:13Then it's better to see each other before.
09:16To try to solve everything,
09:18even though it's still possible.
09:19It's possible.
09:21I'm sorry.
09:26I'm sorry.
09:30I'm sorry.
09:31Listen, I'm coming to you right now. I'm going to be for Beograd. I have to be ready for you.
09:39I'll be, brother. I'll be and you.
09:42What?
09:43Be ready for you to be in Beograd. It won't be as long as you planned.
09:47We're going to see it.
09:48Wait, wait.
09:50There's no free workers.
09:52It looks like the syndicalist is going to talk about how we pay a bad day.
09:57I'll be the only person who's going to pay the bills.
09:59Now, take care of me.
10:01Hope you do it, buddy.
10:03Can I see you?
10:06Good job.
10:06You can do it for me.
10:07Oh, my God.
10:08Take care of me.
10:09I'll be and I'll be and I'll be.
10:10Is it for you?
10:11What is it for me?
10:11No, no, no, no, no, no.
10:11No, no, no.
10:11No, no, no, no.
10:13No, no, no, no.
10:15No, no, no, no, no.
10:18No.
10:19No, no.
10:19No, no.
10:35Come on.
10:36Keep it.
10:43Time to sleep.
10:45The trees take off before sun comes.
10:46After everything will be wet.
10:47I am like a Vuk.
10:49Ideal. You know what to do with Zorka.
11:00It's really nice to see you, Una, that you encouraged from Beograd to help Dragan.
11:05Okay, it wasn't hard for me.
11:07If it's hard, you'll see it tomorrow.
11:11Hey, come on.
11:12Come on.
11:14Zvorka, I just wanted to ask you something.
11:18Hey, don't sleep anymore.
11:26Did someone come back?
11:28I don't want you to keep the Zeta in the house.
11:32Oh my God, hear me.
11:35It was a surprise because it was later.
11:37It was later, but it was also to you.
11:40Mama, leave us.
11:41Mila, I don't want you to be nervous.
11:44Mama, I ask you to leave us.
11:51What did you say?
11:52What did you say?
11:53When you're asking, everyone is invited.
11:55Who?
11:56Did you have to meet my mom and meet you for the term of revenge?
12:00Yes.
12:02What happened with you?
12:04Before, Lola didn't want to wait.
12:09What did you say?
12:09She said that for you.
12:11I think it's like you're going to agree with us together to agree with what we've already agreed.
12:18What do you say, Una?
12:20What do you say?
12:22I'm like a mother.
12:23I'm waiting for you to be angry with us.
12:25You know what?
12:26You're angry with us.
12:28It's a serious thing.
12:29You don't have to worry about it.
12:30I want to say that we need to find a place and a time that everyone will answer.
12:36Yes.
12:37I agree with you.
12:38Then we'll have three together to decide.
12:40No.
12:40Before, Lola and I have promised that we will finish it.
12:44That's how it will be.
12:46And now you need to rest.
12:49I mean, tomorrow I'm going to cook for all of you.
12:52It won't be easy for you in the trunk.
12:55I mean, maybe Dragan explained to you.
12:58It looks easy,
12:59but on the sun, on the grass,
13:02on the ground,
13:04not that it's not easy,
13:07but...
13:07I mean, you're right to tell me.
13:09Maybe it was better if you didn't come.
13:11I don't think I'm going to be here.
13:13What do you mean?
13:13No, no.
13:14What do you mean?
13:15I'm just saying that everyone should sleep.
13:17I'm just waiting for this couch for me.
13:21Tomorrow we have a great day.
13:23There's time for conversation.
13:26Okay.
13:28Have a nice night.
13:29Have a nice night.
13:32Have a nice night, son.
13:38Can I ask where are you from now?
13:41No, no.
13:42No, no.
13:43Don't ask me all day.
13:43I'm looking for a worker.
13:46I'm looking for a worker.
13:46From Drago Brac,
13:48to Desimirov,
13:48I didn't know one worker.
13:51Do you believe me?
13:52Do you think that?
13:53You don't want to lie to me in the face.
13:56What do you lie to me?
13:59I sit here,
14:01and I'm waiting for your child,
14:03while you're in the village
14:04with someone else's son.
14:05Who is the child?
14:06Who is the child?
14:07Who?
14:08My daughter, Mir Bašić.
14:11Ah,
14:12but no,
14:13she's not the child.
14:13It's not the child.
14:14It's not the child.
14:15It's not the child.
14:16What?
14:17The whole village knows.
14:20And everyone will laugh.
14:23My mother,
14:24a young man,
14:26with a hard wife,
14:27who's in a hard way.
14:29Hey,
14:29is that the flower
14:29who's in the head?
14:31And she's a little bit,
14:32you know?
14:33She's a little bit.
14:35And she's a little bit.
14:36Hey.
14:37Because I know who you are.
14:38My mother,
14:39please.
14:39And they're laughing me.
14:41And I'm sitting here
14:42in four walls.
14:44Please,
14:44I won't go anymore.
14:46I won't go.
14:47Stop.
14:47please.
14:48Please,
14:48please.
14:49Please,
14:50Please,
14:52please.
14:54Please,
14:57please.
14:57Please,
14:57please,
14:58please.
15:09Why were you eating?
15:11Yes.
15:12Your coffee is waiting for you.
15:15For a minute.
15:17Did you not wake up?
15:19I couldn't sleep,
15:21son,
15:21I didn't want you to sleep.
15:23I didn't want you to sleep.
15:23I didn't want you to sleep.
15:24I have no time.
15:25I will leave you.
15:25These are already undone.
15:26but I'm not a bit.
15:59Good morning everyone!
16:01Good morning!
16:02Good morning!
16:04I'm sorry, I'm sorry.
16:05I'm not going to stop this morning.
16:08No, I'm not.
16:10All the bad habits you got on the faculty.
16:13Let's go!
16:15Let's go!
16:16Let's go!
16:18Let's go!
16:20There's an ankant and these gajbice.
16:24Where's Veljko?
16:26I'm not going to sleep.
16:27And I've got two other guys.
16:32Maybe she's coming to Malidija?
16:34She wanted, but she doesn't reach.
16:38Okay.
16:39Let's go!
16:40Let's go!
17:01Let's go!
17:02Let's go!
17:03Let's take a hand.
17:03A hand is coming to the next one.
17:06No!
17:08You can take a hand because I'm going to go for a little bit.
17:10Listen to me, it was the Lolo and the music and the stars that I told you.
17:15What are we going to do with that?
17:16I'm just thinking about that, Zorka.
17:18I have to stay with me in peace.
17:20I have to stay with me in my life.
17:22What would you do with me?
17:25I don't know when I'm going to stay.
17:27I don't want to wait for you.
17:29When you come, you think I'm not going to hear you on the couch.
17:45Please come and run to the beach.
17:46I know when I'm going to arrive.
17:51I'm going to leave a little bit more.
17:54Let's get us.
17:54Let's go.
17:57Let's go.
18:09I'll try to get you back.
18:11Thank God, I got your back.
18:13All of us are both.
18:15There's no one to do it.
18:18Here we go, Veljko.
18:21Stop it, people.
18:23I've had chaos every night.
18:25The flower got caught on me.
18:27I'm going to let him go.
18:29I'll just see him in Davić.
18:30That flower is okay.
18:33Let's go.
18:35I'll come back to Zorka.
18:36I'll give you a hand.
18:38Let's go.
18:41Sit here.
18:44Let's go.
18:55Sit.
18:57Sit.
19:08Sit.
19:14Sit.
19:17Sit.
19:18Sit.
19:21Sit.
19:41I'm sorry.
19:42I'm sorry.
19:43I'm sorry.
19:44When music starts playing?
19:46No, you're listening.
19:48Yes.
19:48And Raša?
19:49Is he coming today?
19:51Yes.
19:51But I don't know exactly when.
19:53What's your interest?
19:55I'd like to hear him, but I don't have his number of phones.
19:58Do you want me to give it to him?
20:00Yes.
20:01Thank you, thank you.
20:08You're not a flower.
20:09You're a girl.
20:10You're a girl.
20:11You're a girl.
20:11You're a girl.
20:11You're a girl.
20:12You're a girl.
20:13You're a girl.
20:15You're a girl.
20:16Why are you calling me?
20:16Let you know, what's going on?
20:17Who told me?
20:20If I had no idea of a woman, what?
20:21Who?
20:21Myra Basić.
20:23What are you asking?
20:25You're not asking me?
20:28Why?
20:29Why are you saying it from me, my brother?
20:33You're talking to me.
20:35Why are you asking me?
20:35You're talking to me, right?
20:37You're asking me.
20:38I'm telling you now.
20:39Quack.
20:39What's happening?
20:41Wait.
20:42You change the health, right?
20:44I have to, I have the health in your mouth.
20:47But how do you do this with the health?
20:50I'm holding you, I'm holding you. I can't do anything.
20:54One doctor, the other doctor, go to the doctor.
20:57Go to the doctor, go to the doctor.
20:59It will be better, it will be better.
21:01The other way, you have to eat yourself.
21:06Eat it.
21:07Go to the doctor.
21:10Cvetko, you are good.
21:28You can see how bad you are. You have to take this one.
21:33I bought my wood and I came to help you.
21:37Do you have everything at home, Veljko?
21:39I'm not at home.
21:42Cvetko has filled my sweet heart
21:44when I have something with Maša.
21:47Maša is such a way to meet each other.
21:50Why do you care for her?
21:51I have a difficult woman at home.
21:54Yes, that's the best for everything.
22:02semua love.
22:05That's the beauty of輪, thank you.
22:06Dore Ikse.
22:07No jubica.
22:08We will they dare to meet each other.
22:11No one will dare to meet each other.
22:14We should have to meet each other.
22:14We should have to meet each other's royalidamente.
22:15When each other is seen as Ciara is onYourni.
22:18How are we?
22:22I'm going for a moment.
22:24Where are you going?
22:25I'm going for help.
22:31Hey, come.
22:33We are another one.
22:35If we don't find any one, we will not finish.
22:39Okay, I'm going for you.
22:40I'm going for you.
22:40I'm going for you.
22:47I'm going for you.
22:48So, Seja, the Serbian Orchidea.
22:54It's been a long time.
22:57What do you call now?
22:59I don't care what I call you.
23:02I don't have a connection with Estrada.
23:05I've heard Lola.
23:08It sounds like Estrada.
23:10Okay, Seja or Lola.
23:15How can I help you?
23:18Listen to me, Rašo.
23:20I'm ready to pay for you.
23:24If you don't want to pay for you, I'll pay for you so much.
23:27I don't want to talk anymore.
23:36I mean, go somewhere, I don't know.
23:39You can work.
23:40You have Kragujevac.
23:41You have Lapovo.
23:42You have Svrljig.
23:45You have Lapovo.
23:46I'm in Batuće, a local.
23:47They are watching musicians.
23:49Is that right?
23:49Yes.
23:52Do we have a agreement?
23:55Yes.
23:58I'll watch you again.
24:01I'm thinking if I can tell you something, there's no reason to be ashamed.
24:07You see, it was all a job.
24:10I'd be confused, but you didn't pay me.
24:15I paid so I don't see you anymore.
24:21Okay, because...
24:24...seo...
24:26...Srpsko Orhideeo.
24:44Priyo!
24:48Priyo, Lola!
24:50Eh, eh, eh, prijatelju!
24:52Otko ti?
24:53Ja, ovaj, zdravo.
24:56Pa, čula sam da hoćeš ovde da pravi švenčanje, pa sam...
25:00...došao malo pogledam da vidim još jednom, da...
25:03I šta kažeš?
25:04Mislim, pristojno, veoma pristojno.
25:07Muzika je dobra, a?
25:09Katastrofa!
25:10Mislim, izvini, molim te stvarno, izvini, ali je ovaj katastrofa...
25:14...to amateri svome gradu, stvarno.
25:16Mislim, ti se razumeš, pa...
25:19...da.
25:21Ajde, ja žurim sad za Beograd, pa čujemo se, kontaktu s...
25:25E, prijatno, prijatno.
25:26Ajde, prijatno.
25:34Ajde, prijatno, prijatno.
25:51Ajde, prijatno.
25:52Ajde, ajde, ajde.
25:57Ajde.
25:59Ko su ti ovi?
26:00Da, oni su radili prošle godine kod nas.
26:03Obre nije baš uspio se dogovori sa njima.
26:05Ali ja sam malo popustio, malo su popustili oni i etak.
26:09Ipak smo mi komšije.
26:15Ipak smo mi komšije.
26:33Neka s njima.
26:35Srepsala, po tebe bi čovjek mogao sada navija.
26:40Dobro, dobro.
26:43Pa kako uopšte dogura smo od ovde obrene?
26:46Dobro, do zvezde.
26:48Pa do toga da pričamo kao neprijatelj.
26:50Izvoli, sedim.
26:57A...
26:58Saradživali smo dobro.
27:01Bio sam tu kad ti je trebao novac za kampanju.
27:04Bio sam tu i kad si on opozirala pred kamerama.
27:08Htjela si pokažeš kako je ovde neko plaća za plata i doprinosa.
27:12A za sve to smo dobili krpljeni asfalt i nove kontejnere za smeće.
27:18Obećavala se mnogo više.
27:20A jesam, obećavala sam, ali Niko u opštini nije očekivao da ćeš privatizovati vodnu zadrugu.
27:25Ništa ja nisam privatizovala.
27:28Ta zadruga je od uvek na zemlji koja pripada biorcima.
27:32Zemlja je tvoja, ali voda pripada svima.
27:35Čija livada toga i goveda.
27:39A je li istina da ti se sin ženi?
27:42Istina je.
27:43Pa čestitam.
27:45Čujem da je buduća mlada čirka Gorana Stanković.
27:48I to je istina.
27:50Pa pričaju da će Stanković ozbiljan novac da uloži u Amidžini izvori vodnu zadrugu.
27:55Zva što je narod priča.
27:56Jel?
27:57Ej, malo mu treba.
27:59Juče mi Milojić reče da opština obnavlja one planove u Rudniku.
28:05Dobro si čuo.
28:07To tvoja ideja.
28:08Pa nacrti planovi postoje decenije.
28:10Ti misli da će vam to proći?
28:14Izvolite.
28:44Tako je to sve mi stvarno morao do krenemo.
28:46Obrene.
28:48Amidžini izvor i vodna zadruga nisu samo tvoji.
28:52A mi hoćemo da u ovoj opštini ima posla i prihode za sve.
28:57Vi hoćete da prekopate bočnjake.
29:00Da tražite rudu po ramačkim visojima.
29:03Ponudit ćemo novac za otkop zemlje.
29:06Obrene, ajde prestani molim te da sarađuješ sa tim Stankovićem i sarađuj sa opštinom.
29:12Taj čovjek ne rizikuje ništa.
29:15On ima dovoljno kapitala i na drugim mesima i u drugim poslovem.
29:19Ti rizikuješ sve.
29:22Dobro švatila.
29:24Ako je to sve, ja bi sad stvarno morao da krenemo.
29:33Razmisli pre nego što sve ode predaleko.
29:36U ime naše saradnje ili starih vremena.
29:42Protekla voda, mline ne okreće.
29:55Čao, Nedo.
29:56Čao, čao.
29:57Je Goran tu?
29:58Ne, izašao je.
29:58Šta otiš u kući već?
30:00Kod Kambera je.
30:01Opet.
30:03I opet se radi o Ramaći, jel?
30:05Pa valjda, da.
30:06Nedo, Nedo.
30:08Ajde pomozi mi malo.
30:09Šta Goran radi u Ramaći?
30:13Znaš da ja ne bih smela o tome?
30:15Nedo, molim te.
30:16Ti znaš koliko sam ja najeba u toj Ramaći.
30:18Izvini sad što se tako izražava.
30:20Stvarno, izvini, ali ja sam najebao sam.
30:22Šta god možeš da mi kažeš, meni bi značilo.
30:25Molim ti.
30:26Maketa.
30:31Ajmo, devojke.
30:32Ajde.
30:36Ajde.
30:37Ajde.
30:38Ajde.
30:47Ajde.
30:47Tebijio zadi.
30:51Ajde pojato.
30:54Ajo.
30:54Triиксu ali.
30:59Ajde.
30:59Ajde.
30:59Emo, alla tob, ajde.
31:01Ajde.
31:05Ajde.
31:06Ajde.
31:08Ajde možda 안o inopaplima answerzom.
31:08Uذem, zal grande, speedu odsa mi je si sredanico.
31:11You can't stop it.
31:25You don't need to know what to do.
31:28You don't need to be a syndicalist.
31:32We're all here.
31:34We're all here.
31:35Let's go.
31:50Let's go.
31:52Stop it. Stop it.
31:54You don't need to be a blind eye.
31:55A blind eye is a black eye.
31:57What a black eye?
31:58What are we going to do?
32:01No, I'm going to take you to the ambulance.
32:04If you have a head in your head, you'll get a slams disease.
32:07Oh, that's terrible.
32:08I'm going to go every year.
32:11And what's the time you go to the ambulance?
32:13No, I'm just kidding.
32:14Well, how do you just kidding?
32:17It's nice to see how he came.
32:19Where he's the head, where he's the head, where he's the head.
32:21And where he's the head, where he's the head.
32:22And where he's the head, where he's the head.
32:24And we're going to get him.
32:25You're going to get it all right.
32:27And you'll get him.
32:29You know who's the head?
32:29Yes.
32:45Okay, so you are familiar with the new circumstances regarding Mr. Stanković and my client?
32:53We are familiar.
32:54Yes.
32:56We then propose that, in this case, the agreement will be passed by annex,
33:03in which it will be precisely that the current investments will be done only with the agreement.
33:13Wait, why are we talking about your colleagues?
33:15You want the annex to protect my client to buy land around Amidžin,
33:22where he wants to take a big investment from the company.
33:25No, no, no, we don't want anything to protect anyone.
33:29But we insist on the agreement.
33:33Mr. Stanković,
33:35you will leave me and my friend,
33:39and we will talk to him in four hours.
33:45Yes, of course.
33:47Follow me, dear friends.
33:49Here we go.
33:54Hello, dear friend.
33:59Now we open the card.
34:03You know what I mean?
34:07You will call me,
34:08and you will call me to take the parcel under my behalf.
34:12I'm sorry for that.
34:14I'm sorry for that.
34:16And you know what?
34:17I will help you find the best parcel.
34:20I will help you find the best parcel.
34:21Even water and water to help you find it.
34:24But?
34:24I won't be the first owner.
34:29I won't be the first owner.
34:31I won't be my friend
34:31and my business partner
34:33every day looking at my interests
34:36and my tasks.
34:37I would look at my interests
34:39and my tasks.
34:41I would look at my interests
34:48Anything else?
34:50I'll call you if it's needed.
34:56It's nice that you are a lawyer.
34:59A lawyer.
35:01A lawyer.
35:01A senior education.
35:02A family.
35:04With personal problems
35:05as well as for every year.
35:08And you will find yourself in everything.
35:11As well as me.
35:13And you know
35:14that you are still talking about
35:17in the 4th municipality.
35:19Wait a minute,
35:20colleagues.
35:21Have you asked me?
35:22I didn't know
35:23that I will have the opportunity
35:24to cooperate with the true
35:26advocate's lawyer.
35:27My colleagues.
35:28I asked you all about it.
35:30I had to have a big company.
35:33A Lexus Jeep.
35:35I was in the parking.
35:36I really wanted to change it.
35:38I had three marriages.
35:40The last one.
35:41With a colleague from the branch
35:43who has two positions.
35:46It is known that it is the most dangerous
35:48to be with a colleague from the branch
35:50who has two positions.
35:52I would say,
35:52I would say,
35:53my colleague,
35:53our story of the war
35:55is not done.
35:56If I will be honest,
35:58I have a real expert
36:00who can I need help?
36:02Maybe you will really be
36:04where I am right now.
36:07I am tired,
36:08disappointed,
36:10without illusions,
36:12without work.
36:14I don't have to pay attention to this day.
36:15I don't have to pay attention.
36:17I do not pay attention to this.
36:18I do not pay attention to this.
36:18Without a doubt,
36:19colleague.
36:21I think
36:22that you do not know
36:23what you are talking about.
36:26I understand you as a man.
36:29I am a Biora.
36:31We came from Bihor,
36:34in the Black Hills,
36:34in the Middle East,
36:35somewhere in the 18th century.
36:38We live here,
36:39we die here,
36:40and die here.
36:41And I am,
36:42when I went to Bihor,
36:43the people would ask me
36:45what will you do here?
36:48And where are you?
36:51We talked about it.
36:54You are a man.
36:56You are a man.
36:56You are a man.
36:57You see what you know.
36:59Yes, yes.
37:00And then,
37:01we came here
37:02because of the studies,
37:04in Serbia,
37:06from the faculty.
37:08He lost all the connections
37:10with the family.
37:10And he was a man.
37:12He was a man.
37:13And he took his feet
37:13and he took his feet.
37:15And he took his feet.
37:17And in Beograd,
37:18in addition to asphalt
37:19and too much of
37:21asparagus,
37:22it would be difficult.
37:23It would be difficult.
37:23I did not think about it
37:25so quietly.
37:26I think,
37:27this is only one investment.
37:28Of course,
37:29I have personal reasons.
37:31I want to be closer to the work,
37:32closer to the children.
37:33I will not be a guest.
37:36and of course,
37:37I will not be a tourist.
37:40I will not be a tourist.
37:40I mean,
37:40I will not be anything else.
37:41Believe me.
37:48I think you came here
37:50somewhere.
37:51somewhere,
37:51you can be a tourist.
37:52No,
37:53let's talk about it.
37:55I mean,
37:56just a damn
37:56poem.
37:57Before some half of a century,
38:01the residents came here
38:03from Kosovo.
38:04They had a holiday
38:05and they had a village
38:07and have been a blessing.
38:09For first,
38:10I don't have anything against it.
38:11But when they came here,
38:14We're in the house.
38:18What do you think?
38:20I've come to Ramac to protect you?
38:22I don't think so.
38:23I've never been married.
38:24I've never been signed by that letter.
38:26That letter, that letter,
38:27we're in the same way, right?
38:30Yes, that's right.
38:31But in life it's different.
38:33There's always one who leads the job.
38:36One who's always a little more balanced.
38:38And I personally encourage you to be myself.
38:41I know you're in the house.
38:44You're in the house.
38:45You're in the house.
38:48You're in the house.
38:49And I'm a biorec.
38:51I know you're very good.
38:54But if I'm going to put capital
38:56into the house.
38:58I want to go on land.
39:02I think if you're able to do it,
39:03you'll be able to do it.
39:06Don't do it on the house and the house.
39:08You'll be able to do it on the house.
39:12There's another thing.
39:14There's another thing.
39:15There's another thing.
39:16Who's the main one?
39:17Be the main one, if you want.
39:20As much as you want.
39:22I buy this land.
39:23And we don't need to find ourselves
39:25and bring our lawyers to this.
39:28That's what I'm saying.
39:29You want to make a licitation.
39:33You want to pay the bills.
39:36And you want to take them for yourself.
39:38No, no, no.
39:39I don't want to pay them more than it is worth it.
39:42But I'll pay for it.
39:44I have money.
39:46If you want,
39:47if you want,
39:48if you want,
39:48if you want.
39:49If you want.
39:51If you want.
39:54I have new kids.
39:57Where?
39:57Here.
40:00Let's go.
40:01What?
40:02Let him take you,
40:03let's go to the office.
40:04Let him take us from the office.
40:05Let him take you from the office.
40:06Let him take the office to the office?
40:10Let him take you.
40:11What?
40:12Let him take you.
40:13Let him take me.
40:13That's a normal woman.
40:14If your head is left, you can get a disease.
40:17Well, you said that you've lost yourself 100 times.
40:19I'm sorry.
40:20Why am I?
40:21Because I'm from here. The skulls are used to me and I'm from the skulls.
40:24I can't take responsibility.
40:26Why?
40:27For you.
40:28I won't get sick.
40:31Okay, I'll take him alone.
40:32Wait.
40:33Here he is head, here he is.
40:35Here he is.
40:35See where he went.
40:36Stop it.
40:42It's all.
40:44It's all.
40:47Let's take a look.
40:53Gago, I'm not a horseman nor a horseman.
40:57I won't let go out like the wind blows me.
41:00I don't need to take responsibility for me.
41:03You need to take responsibility for us.
41:05Your part of responsibility.
41:08You're a very good son.
41:10You're doing something familiar.
41:11Well, I mean, you're talking to me.
41:12If I can't believe it, you're being a Vijay.
41:15You're lying to your parents, you're lying to yourself.
41:16What's your fault?
41:18You're lying to yourself.
41:19You're lying to yourself that I'm not for you.
41:24You're lying to me.
41:26You're lying to him.
41:27No, you're lying to me.
41:27We have a decision today.
41:28What a decision?
41:29You're lying to yourself and being a Listener.
41:31Believe me, I don't know where he is.
41:34Excuse me, Veljko.
41:36He's from me.
41:38He's from Velja, he's from Mila.
41:39He's promised me that we won't be like him.
41:42Yes.
41:43Just look at that Pavla doesn't know.
41:44He's flying his head.
41:45I want to see a technology today in Ramac.
41:48I'm going to get back to you much easier than I'm going to get out.
41:51It's not so bad.
41:53You don't notice how they move on to his side.
41:56Why did you call me?
41:57I can't give you this anymore.
41:59I can't give you this anymore.
42:00I can't give you this anymore.
42:01And she will be good.
42:30I can't give you this anymore.
42:32arrm
42:32do