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Dream Sweet
  • 3 hours ago
Izvor 1. epizoda
Transcript
00:03I
00:58BIRDS CHIRP
01:02BIRDS CHIRP
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07:08J eso es
07:18Unil a ₴
07:24Thank you very much.
07:54Yeah, kume.
07:55Yeah, kume.
07:57Spremi se.
07:58Izgore ti kjesa.
08:00Bava.
08:13Ej, ej, ej, bjurac.
08:17Alo, obrene.
08:19Ja sam.
08:22Kakve su vezite?
08:28Cekaj, brej.
08:29Tri opštine nude saradnju, a seljaci iz rama čistu.
08:39Dobro.
08:42Dobro, obrene.
08:43Ako je to vaša odluka, dobro.
08:46Samo da znaš, budem li ja zbog tebe izgubio posao?
08:50Radješ u opštini.
08:51Na budžet koji si sisi, nećeš ostati gledan.
08:54A to što ćeš ostati bez posao, pa to nije moja briga.
08:58Odluka je jednoglasna, jel ti jasno?
09:01Prijatno.
09:02E, prijatno i tebi.
09:06Milojevic iz opštine naviko da se kod njega u kancelari ulazi na kolenima, pa malo nervozan.
09:12Čujem da ste opet odbili opštinare.
09:14I opet ćemo.
09:15Kad god pokušaju da nam prodaju vode za bubrege, a ne znam ni šta su očekivali.
09:20I nije neka novost.
09:21Zato će, ali ja imam novosti.
09:23E.
09:25Ti će su nimen.
09:28Pa čestitam, šine moi.
09:32Pa čestitam
09:33Pa čestitam, šine moi.
09:35Pa čestitam, šine i gledali ulazi na korlebi.
09:43Zamora, ko biu.
09:44To će su njihovla hvala.
09:44Pa čestitam, šine i gledali ulazi na terori ulazi na korlebi.
09:45Pa Ču pa čestitam, šine i gledali ulazi.
09:49Roza šine i gledali ulazi na korlebi.
10:00Thank you very much.
10:02Okay, this is a complete calculation.
10:04Yes, it is.
10:05The documentation, the architectural plan and the project for the water factory.
10:11This is only for paper?
10:13Yes, only for paper.
10:14The next thing we need is to calculate how much it costs
10:18when the paper is transferred into the coal.
10:21Please stay calm.
10:25Where are you?
10:26Look at how our daughter asks us to make a message.
10:32Pavle, come to see how my daughter asks me about my life plans.
10:38It's clear. I'm proud.
10:40What do you mean? I don't know what happens.
10:42Pavle, can I ask you to finish the process?
10:44I know.
10:46We expected this.
10:47Who expected this?
10:48I didn't expect it.
10:49I didn't expect it.
10:50I didn't expect it.
10:51Why are you looking at me?
10:52Let me call her.
10:54I am.
10:54And?
10:55I didn't call her.
10:56Let me call her.
10:57Let me call her.
11:00Let me call her.
11:00Lovey.
11:01Hello.
11:03My father.
11:04There is.
11:05There is.
11:05There is.
11:06Wait for me to turn on the speakerphone.
11:07Wait.
11:09Wait.
11:10You got your message and you wonder you won't call her.
11:14Let me call her.
11:15I knew where she will come to you.
11:16I was waiting for her.
11:18I was waiting for her.
11:19It's true.
11:19Father, I'm proud of you.
11:21I'm proud of you.
11:24I'm proud of you.
11:26I'm proud of you.
11:28I'm proud of you.
11:28I'm proud of you.
11:29We want to organize a partnership with Gagini's parents of the day.
11:32Of course.
11:33Of course.
11:34We'll call her and we'll see everyone together.
11:36Let's go.
11:37Let's go.
11:38Let's go.
11:40You're welcome.
11:42You are welcome.
11:43She's a bride.
11:43And that's all?
11:45Okay.
11:46We need to look at her family.
11:50We can see her.
11:50We can see her.
11:52We can see her.
11:52They're rich.
11:54They are rich.
11:55They are rich.
11:56They're rich.
11:56They are rich.
11:57What do you need?
11:57We'll be fine with them.
12:01Why did you get to her?
12:03Why did you get to her with Paul and others?
12:05What is it now?
12:06There's no connection now.
12:07There's no connection.
12:08If you didn't get to Ramac, she'd never known Dragan.
12:11What's wrong with Dragan?
12:12It's a part of your project.
12:15I know you.
12:17You're a very ambitious man.
12:19I know you're a good person.
12:21You're not going to die until you don't lose everything you've lost.
12:24I really don't have anything against her.
12:28But to get up this early,
12:30I really don't know.
12:32Where will she live?
12:34I'll see you in Beograd.
12:36Don't ask me that she'll live in Ramac.
12:38Don't ask me that she'll live in Ramac.
12:40I'm here, I'm here, I'm here, I'm here.
12:43They have to go where they want.
12:45Do you understand?
12:47She's a daughter.
12:48Are you happy?
12:54Yes.
13:10Yes.
13:13I'm here, I'm here.
13:14Dr.
13:14Stoji.
13:16My kitchen, floorboards.
13:18I mean, there's to live here, right?
13:21There's some great money, right?
13:25I don't know.
13:26Most people have.
13:26The house is just a Vetras.
13:26You can't stay.
13:27It's a great day.
13:28I'm here.
13:29I'm here.
13:30I'm here.
13:38Good morning, good morning, maestro.
13:42Let's go, let's go.
13:46What did you say, maestro?
13:47I didn't. I just said to you.
13:50What did you say?
13:51Horatio.
13:53Are you doing something from me?
13:55No, no. I didn't want to tell you now.
13:57I wanted to tell you at the house for a table.
13:59Let's go, what is it?
14:02I'm going to tell you tomorrow for me.
14:05It's time for me.
14:07I'm married.
14:16I'm happy, son.
14:19Good morning, let's go.
14:20Let's go.
14:22Let's go.
14:22If I'm crying, I'm crying.
14:24I'm happy.
14:27My mother wanted to ask you
14:29if you and she are living here together.
14:36No, we didn't talk about that.
14:40But I don't see what could be a problem.
14:43We have a new house.
14:46That's it.
14:46You said you're here on your own.
14:48That's why I'm going to look at the meeting.
14:49I said you'll be able to meet.
14:50I said it's going to be a little bit.
14:51I'm fine.
14:51I don't see the reason why you're going to be a burden.
14:53I can only hear you with your parents.
14:56They want everyone to sit and meet us.
14:59I'm going to wait for them.
15:00I'm waiting for them to come to meet us,
15:02to meet us, to meet us, to talk to us,
15:04to talk to us, to talk to us.
15:05How many evening I call them?
15:13I'm leaving before and before and before and before then...
15:14I'm not going to leave now.
15:17I'm so tired.
15:18Please don't stop.
15:22Please be with me.
15:24Please be with me.
15:26Please be with me.
15:27Please be with me.
15:28Please be with me.
15:28Maybe I'll leave my auntie and let it go.
15:44Good boy! What are you doing?
15:48Stop!
15:52Where are you?
15:53Where are you?
15:58Hey, tell me. What do you do?
16:01What do you do?
16:03What do you do?
16:03I'm going to throw you home.
16:05Why are you not satisfied?
16:06It's a strange thing when you drive me to the last time.
16:11The other lady is going to give you.
16:14Who is going to give you?
16:16Who?
16:17Una.
16:18Una, really?
16:20I'm with her now.
16:22I can tell you that Lola is truly happy.
16:26You're a little lovey, huh?
16:28No, I pray. Una is like a sister.
16:31I'm your sister, but you're something else.
16:33I pray that you will keep you in the future of such comments.
17:05What do you do, Mira?
17:07I don't have time for a strange story, Svetko.
17:09I know that the family has lost the community.
17:12Did you talk to someone?
17:14I haven't talked to anyone.
17:16I know that Obre won't allow the water to go to the village.
17:19I know that the family has lost the community.
17:21I know that the family has lost them.
17:25But there is something else.
17:29A young girl.
17:34Dragan.
17:35Dragan, Dragan, Dragan, Bjorac.
17:38Who is that?
17:39With the daughter of Gorana Stanković, from Beograd.
17:43It's the only one who comes to the village and keeps holding on.
17:48I see her.
17:51She's a little bit.
17:52She's a little bit.
17:53She's not a good girl.
17:56I don't see her.
17:57Do you know what she's talking about?
18:01I don't know exactly what she's doing.
18:04I don't know exactly what she's doing.
18:06You didn't see her, Svetko.
18:09You know that I'm here and I want to help.
18:13You better ask yourself what the Stanković and Obren plan is.
18:17I want to throw this.
18:22And you can throw some euro.
18:24Go, go.
18:24Go, go.
18:25Go, go.
18:36I just don't know if it's a weird thing.
18:39Or what?
18:40I don't know.
18:41She was a little strange in the past.
18:43How strange?
18:45I don't know.
18:45We didn't see it so much.
18:46When we see her, she's all so quiet and laughing.
18:50Maybe it's because of her face.
18:52That face is a police son.
18:54She lives in the village somewhere behind her.
18:57Do you really think she will be able to get her?
19:01I don't know.
19:02Maybe after all that was with Vukov, she wants to leave from Beograd.
19:07I don't know.
19:08I'll see you in the evening with her and Sara.
19:10I'll see you.
19:11Okay.
19:11Just tell me.
19:12I'll tell you what the situation is.
19:14I'll tell you if you know you're a little bit of love.
19:19What are you doing?
19:21Are you normal?
19:22Yes.
19:22Yes.
19:23Okay.
19:38Mašo, Aman, get out of here.
19:43I hear you.
19:51Come on, get out of here.
20:01Aman, get out of here.
20:02Come on, get out of here.
20:07Come on, get out of here.
20:22What is it?
20:26Dragan was a woman.
20:31Fern?
20:32The truth.
20:34The truth.
20:34What are you saying about it?
20:36Nothing.
20:37I'm happy.
20:40That's it.
20:41You've got to get out of here.
20:42I didn't have anything to get out of here,
20:44because I left him,
20:46and not him for me.
20:47I know.
20:48What did I have done a great job?
20:51I don't know how to get out of here.
20:54Is that all, ma'am?
20:56All, all.
20:57Let's go.
20:58Let's go.
21:02Let's go.
21:23The restaurant is called Zvezda,
21:25that is half the time between us and you.
21:27It's a beautiful place.
21:31It's a beautiful place.
21:31What do you want to do with us?
21:33I'm going to meet you with Veljko and Jaret.
21:36Is it okay?
21:38I am, I am.
21:39How would I have to be?
21:41They have food for those who don't eat meat.
21:44They have food for those who don't eat anything.
21:47It's a good one.
21:49Zvezda in three.
21:51They have live music.
21:53I mean, if we get to sing a song,
21:55it's a good one.
21:56Do you sign up, friend?
22:00Sign up.
22:02We'll see you.
22:04Welcome.
22:07The cafe is at the end of the day.
22:10We're going to go to an excursion.
22:12You're good to tell me that I'm going to go.
22:14Where are you?
22:16I'm going to sleep.
22:17I'm tired.
22:18I can't go.
22:19Where are you?
22:20Where are you?
22:26You're gonna meet the dad and his dad.
22:30I haven't met.
22:31I don't yet.
22:31I'll show you.
22:32How could he meet?
22:37When you get out to the pastor,
22:41I haven't already.
22:41What happened, I don't know what happened.
22:42What happened,يع..
22:44What happened?
22:45In the evening?
22:48What happened?
22:49How did you eat?
22:49How did you get out of it?
22:50How do I look at you?
22:54Let me ask you what the problem is.
22:59Why are we going to the restaurant?
23:04The friend is looking for half a day.
23:07And the news is even closer to us than them.
23:11I haven't known them before.
23:13She would have been sleeping with her head
23:15where she came to our house for my stove.
23:20Let me ask you what the problem is.
23:23There is no problem.
23:25There is no problem.
23:26I don't want anyone to claim my son
23:29because he is from the village
23:30and because he wants to stay here.
23:38Dragan, Iuna is sick.
23:40We've already confirmed that.
23:42How do they know?
23:44Three months.
23:45I would say three months.
23:47They know three months.
23:50They've already taken care of.
23:52When do we know each other?
23:54From the time.
23:55We're together.
23:57Is he willing to do that?
23:59No.
24:00It's all about it.
24:01I knew who I am.
24:04I knew who I am.
24:05You knew who I am.
24:06You knew who I am.
24:07Do you know Dragan?
24:08Dragan is a good child.
24:13Your husband is a huge man.
24:14I can.
24:15Oh, he is not a good child.
24:17Your son grew up and I would not move his hands.
24:23I can now get in the evening.
24:28I can.
24:29I can.
24:30Come on.
24:31I can.
24:32I can.
24:32Welcome to my house.
24:37Well, when I was at Calvary,
24:38you look back and get in my house.
24:39I can smartly,
24:40you know.
24:40The house is a good kid.
24:46Let me give you a quick word for my brother, friend, friends, for us here and for Unu.
24:58You didn't even have to do that.
25:00Okay, let me give you a quick word.
25:02We lived and were great friends.
25:05Thank you, Gago, brother. You're married when you need it.
25:11What's your life?
25:14I'm just a bitch.
25:16What are you doing?
25:18I'd change it now.
25:20What's your fault?
25:22It's a woman's fault, but where do I know?
25:24When I came to Beograd and I was very good for Kragujevac, it was just a child.
25:32What's your fault, brother?
25:32Okay, you try it. What's your fault?
25:35No.
25:35But Luna, there are other people in Beograd.
25:38How many?
25:39I'll come here.
25:40What are you doing?
25:43What are you doing?
25:44And you, Beogradians?
25:45No.
25:46Well, I'm counting on the advantage of the home field.
25:49I've been asking for a lot.
25:51I'm going to write a lot.
25:53What a lot, brother, on the home field?
25:54Three balls, go to the home field.
25:57Who wants it?
26:00Let's go.
26:00Let's go.
26:01Some other girl.
26:02He's working to come out.
26:07Where is this gold?
26:09Zlatu!
26:09Give it this one.
26:11Here!
26:11Here!
26:13What are you doing, brother?
26:16No one ask me.
26:17I need to go back and go back.
26:18My son is back later.
26:20I'm begging you, Mila.
26:21Come on.
26:21Please, please, please,
26:24Bajadera from the heat.
26:26Good luck.
26:4924 years old.
26:51No, no, no.
26:55She doesn't have a clue.
26:55She doesn't have a clue.
26:57She doesn't have a clue.
26:59What are we going to do?
27:00Let's explain.
27:02What are we going to do?
27:03What are we going to do if she thinks about it for five years?
27:07What are we going to do?
27:10Let's explain.
27:11Let's explain.
27:12Wait.
27:13I think you're worth your daughter.
27:16I'm worth it.
27:17Do you remember what she said first?
27:20Mother.
27:21Or maybe her father?
27:23No.
27:24She said no.
27:26She said no.
27:27She said no.
27:29She's a traitor for me and friends.
27:33She said yes.
27:34She said yes.
27:36She said no.
27:37She said no.
27:38She said no.
27:39I don't know what's wrong.
27:41What are you talking about?
27:43They are a little bit fun.
27:45How do we know that he is a person who will live to do something?
27:47She said no.
27:51She said no.
27:53I think when I saw you before.
27:59How are you?
28:02How did I feel?
28:07How did you feel?
28:09How did I feel?
28:12Yes, you were an experience, right? I was not the first to you.
28:19No, I wasn't the first to me, but you were the last one.
28:24Well, you would have been better.
28:26Yes, yes.
28:34Well, Una, you've always been something special,
28:37but this is now your daughter.
28:40You're in the village whose name we can't speak.
28:45Ramacar, Ramacar. It's easy to remind you.
28:48Ramacar? Is that something that means?
28:52Yes, the village is located between two ramacars.
28:55They are tied as a rope on a caput.
28:59That part on the back was called Ramac.
29:02From there Ramac, it means Ramacar.
29:05Do you hear her when she started to live in the village?
29:08When did you learn that? Ramac, skin?
29:11Dragan told me.
29:13Dragan told you.
29:14What do we know about Dragan?
29:16Even if he is healthy, healthy, living in warm air.
29:21Every time.
29:21When you talk to him, you go to the pantomimum.
29:25Yes!
29:25Yes!
29:27It's like a pain in the mouth, but on mute.
29:30If you want to know him, you have to go to Ramacar.
29:34Yes!
29:36Maybe we could get rid of these degeneracies.
29:40Yes!
29:41Yes!
29:42Thank you!
29:42This is for me.
29:44Excuse me.
29:45What do I hear?
29:46You are loved friends, right?
29:48Yes!
29:51But Dragan, there is certainly not a company.
29:53I don't know.
29:54A local team.
29:56Yes!
29:59Hello!
30:00Do you hear me?
30:02And I am with you.
30:06And they want to know them.
30:11Let's go.
30:12Let's hear it.
30:14Where are you going?
30:16Yes!
30:17That's a shame.
30:18I met him.
30:19I met him.
30:20I met him.
30:21I met him.
30:21Okay.
30:22Okay.
30:23Nothing.
30:24It looks like he's a little bit worse.
30:26Let's go.
30:27It's important.
30:27We'll hear it.
30:44Listen.
30:45I'm maybe a little bit worse.
30:47It's a level of smoke.
30:52I'm doing it.
30:52I'm sorry.
30:53I'm sorry.
30:55I'm looking for a match.
30:56I'm playing with a game on my own.
31:17I'm playing with a game on my own ground.
31:18Let's see you again.
31:40You're standing!
31:41Come on.
31:42Come on.
31:45Come on.
31:47Come on.
31:48Are you normal?
31:49Come on.
31:52Come on.
31:55Come on.
31:58The forest.
32:01The forest.
32:03The peace.
32:03The peace.
32:05You know this is a mistake.
32:06I don't know where to go.
32:09What are we doing now?
32:11We're standing on the sun and we're standing here.
32:14You know Stanković and Samanja.
32:17You see?
32:19Shumadija was always like a mother.
32:24Like a protector.
32:27Like a shelter.
32:30Did you come here because of the UN?
32:33Or because of you in Shumadija?
32:36Maybe because of the two lollies.
32:40Let's go.
32:41Let's go.
32:44Wait, wait, wait.
32:46Stand like that to show you.
32:47Listen.
32:47We have to talk a lot.
32:50Okay.
32:50We'll talk a lot.
32:53It's crazy when you're a liar.
32:55It's supposed to be funny.
32:56Yes.
32:57I'll show you.
32:58I'll show you.
32:59Just give me a hand.
33:09I don't know.
33:12I don't know.
33:13I don't know.
33:24I really don't know.
33:27We can buy them in the house.
33:29Here they are.
33:31I'm going to wait for them.
33:33Oh my son.
33:35What kind of thing is, he could have a red carpet.
33:38Only if he can.
33:39Let's go.
33:42Let's go.
33:43Let's go.
33:44Let's go.
33:45Let's go.
33:47Let's go.
33:50Let's go.
33:50This is a good thing.
33:51What?
33:52I don't know if it's going to be fine.
33:53I don't know if it will be fine.
33:54I don't know if it will be fine.
33:55Lolo, Gorane.
33:57Good day.
33:57Good day.
34:01Good day.
34:03Good morning, friends.
34:05Good to see you.
34:07Good to see you.
34:07Good to see you.
34:09Good to see you.
34:10Good to be here, friend.
34:11My little급.
34:12Oh, it's good.
34:13Zorka.
34:15Friends.
34:17Friends.
34:18Just to clarify.
34:20Zorka.
34:23So, this restaurant with the Zvezda has not received a name
34:27neither by Titu nor by Komunist, but by Karanđorđevoj Zvezdi.
34:31He served in the army in the First World War, and he received that Zvezda.
34:38Okay, you're right, from Kulina Bana.
34:41From Kulina Bana, but from Petra I. Karanđorđevića, Zorka.
34:45Just so you know.
34:46Let's go, let's go.
34:48Let's go, let's go, let's go.
34:51Let's go.
34:51You're here, friend.
34:54You're here.
34:55I'm here.
34:57Sit here.
34:58Sit, Zorka.
35:00Mali!
35:02Give it to me.
35:03I don't know if she tried my rakiju before.
35:08She was 10 years old.
35:11It's called the first plast of Kulina I mean, it's because hard.
35:13It's calledctive to me.
35:16That's from Aamijin.
35:18Exactly.
35:20He تードures only itself.
35:22First, Sr вызовanje and all of the other languages.
35:25and the water is from the entrance to the name of Simi Paštarancu Amiđi,
35:33the owner of the captain of Miloša Velikov.
35:37He thought he had a great gold,
35:40and he thought he would put him into Vramanć or Bukovic.
35:46At the end he made a Bukovic's house,
35:49and he left Amiđi's entrance.
35:51The water is healthy, he heals all the diseases,
35:56and they say it's the best for the heart.
35:58The people talk about who drink water from the Amiđi's entrance,
36:04and he has a voice like Simi Paštarancu.
36:08You look like you drank a lot.
36:11And nothing but me.
36:13There were also Tozovac, Cune Gojnković, Miroslav Ilić.
36:17Many people came here to drink water from the Amiđi's entrance.
36:22That's how I heard about him.
36:25How?
36:26Lola told me that her colleagues came here to the Amiđi's entrance.
36:33Lola has a school voice.
36:36She was professionally playing playing.
36:38Is it?
36:39Yes, yes, yes.
36:41But it's been a long time.
36:43So let's talk about the current and the past.
36:46Yes, the current.
36:49Let's go further.
36:50I'll give you everything.
36:56Yes, it's not.
36:56Any year, they don't need water from the Amiđi's entrance to the Amiđi's entrance to the Amiđi's entrance.
37:00We don't give them a lot.
37:03Is it going up this year?
37:06While I'm the president of the Amiđi's entrance, it will be a lot.
37:08Is it true, Draga?
37:10Yes.
37:11Yes.
37:12It was really the same.
37:14Okay, I will not talk about the job.
37:17We could talk about children.
37:19You don't have to talk about us, you can talk about us with us.
37:22Yes, my own is very precise with words.
37:29Okay, what would you like from your life?
37:32What can we help you?
37:34It's not obvious.
37:35Mother wants to know what you plan.
37:39When, where, how...
37:41I didn't say that. I was very precise.
37:45There is no time to talk about it.
37:48We would have to ask you.
37:50As long as you want, we will be fine.
37:54Yes.
37:54You are sure?
37:55It's not a small thing.
37:57Friends, if you are children, we will be like you.
38:00Okay, let it be.
38:03No, it's not a problem.
38:05No, it's not a problem.
38:07We are like we are, as God says.
38:11It's not easy, friends.
38:12We will be fine.
38:15But I wanted to ask you, where are you going to live?
38:18It's the most logical thing to do in Beograd.
38:20I mean, we have prepared the state.
38:23And we will be in the center of Beograd.
38:26Wait, Prijo.
38:27We understand what you have prepared.
38:29We are talking about it.
38:31We are talking about it.
38:31We are talking about it.
38:33We are talking about it.
38:34We are talking about the music.
38:35You see?
38:36Yes.
38:36That's it.
38:37We are here to celebrate.
38:39We have time for plans.
38:40Yes.
38:41What do you think?
38:41People are talking about it.
38:43We are talking about it.
38:44We are talking about it.
38:45Now, when we drink water from the American patent,
38:49we will get to go with your fist.
38:52Yes, it's a terrific idea.
38:54No, I won't sing.
38:56Who do not sing before you?
38:58Right now, I don't sing before you.
38:59I have 26 years.
39:00Jim, I have not been singing.
39:01So, I don't remember.
39:03You can sing that.
39:04Now I will sing to sing to tiếng,
39:05and stay at the knees.
39:05Lola, I will sing.
39:06I will sing.
39:07I will sing to chant.
39:08I can't sing now!
39:13Okay. I can't sing something before Zorka.
39:17I don't even have a voice.
39:19I can't sing in the kitchen, in the kitchen, but...
39:22Oh, my God!
39:25Let's sing.
39:38I can't sing.
39:40Thank you very much.
40:14Thank you very much.
40:44Thank you very much.
41:16Thank you very much.
41:43Thank you very much.
41:46Thank you very much.
42:17Thank you very much.
42:48Thank you very much.
43:16Thank you very much.