- hace 1 día
Reparto: Simón Andreu, Marta del Val, Enriqueta Carballeira, Luisa Muñoz, Enrique Pelayo, Chiro Bermejo, Esmeralda Adam García, Wilfredo Casado, Juan Torres, Milagros Guijarro, Francisco Serrano, Dolores García Morales, Francisco Guijar
Dirección: Francisco Regueiro
Sinopsis: Una pareja de jóvenes universitarios deciden pasar el día en Toledo, con el fin de olvidarse un poco de la rutina en la que se encuentran. A las nueve de la mañana, José espera en la estación de Atocha a su novia, Mari Carmen. La pareja ha engañado a sus familias, a las que han contado que comerán en la Facultad. El viaje resulta eterno y la estancia en la ciudad más que sorprenderles como ellos esperan les sumerge, todavía más, en la monotonía en la que viven. Sin amigos, sin familiares y sin compañeros universitarios, los novios pasarán doce horas en Toledo, medio día de ternura bajo la lluvia y el sol de diciembre que les ayudarán a conocerse mejor a sí mismos.
Dirección: Francisco Regueiro
Sinopsis: Una pareja de jóvenes universitarios deciden pasar el día en Toledo, con el fin de olvidarse un poco de la rutina en la que se encuentran. A las nueve de la mañana, José espera en la estación de Atocha a su novia, Mari Carmen. La pareja ha engañado a sus familias, a las que han contado que comerán en la Facultad. El viaje resulta eterno y la estancia en la ciudad más que sorprenderles como ellos esperan les sumerge, todavía más, en la monotonía en la que viven. Sin amigos, sin familiares y sin compañeros universitarios, los novios pasarán doce horas en Toledo, medio día de ternura bajo la lluvia y el sol de diciembre que les ayudarán a conocerse mejor a sí mismos.
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CortometrajesTranscripción
00:00:27Thank you!
00:00:58Thank you!
00:01:26Thank you!
00:01:56Thank you!
00:02:17Thank you!
00:02:30Jer演.
00:02:31Thank you!
00:02:41Thank you!
00:02:44Thank you!
00:02:44Oh, son, I thought you weren't going to make it.
00:02:46Oh.
00:02:47Take that, Ciara!
00:02:48I would have loved to go with them in trousers.
00:02:50I had to tell the faculty that we had mass.
00:02:52Did you ask about the trains?
00:02:53There are two trains, the first one leaves Toledo at one o'clock and the other at ten minutes to seven.
00:03:01What did you say at home?
00:03:02She ate at the university because she had a Greek class at two o'clock.
00:03:04and that he would go to study it at some friends' house.
00:03:06Are you happy?
00:03:07No, José, no, not on the lips.
00:03:21Look, otherwise they're not going to leave us alone.
00:03:22Did you see the face the fat woman made?
00:03:23As if her husband hadn't hugged her on the lip.
00:03:25We should have come in better in second place.
00:03:27You sheep-faced girl, I haven't seen you for twelve hours!
00:03:30We're on our honeymoon.
00:03:31We need to hang a sign in the window so it doesn't bother anyone.
00:03:35Jose, maybe they'll come back in.
00:03:38Who?
00:03:39Others.
00:03:40Okay, let's call the inspector.
00:03:41You're a hooligan.
00:03:42And you're a hooligan.
00:03:44José.
00:03:45That?
00:03:45Don't you realize?
00:03:46Which?
00:03:46Well, the train is moving.
00:03:51Goodbye, Madrid.
00:03:52Until tonight.
00:03:53You'll run out of people.
00:03:56Look, my boarding house is over there.
00:04:00You're scared.
00:04:02Oh no, if they find out, we won't be able to go down to Toledo anymore.
00:04:06At the first station, mate.
00:04:08And then little by little, little by little until Madrid.
00:04:11Look at the mantares.
00:04:14Ugh, how dirty.
00:04:15And what black water.
00:04:16Maricarme.
00:04:16Tell me, Chato.
00:04:17You'll see what a great time we had in Toledo.
00:04:19It is the most beautiful city in the world.
00:04:22What I feel is about the pants.
00:04:23I would have liked to go looking filthy.
00:04:26This summer in France I plan to spend the whole time in trousers and a blouse.
00:04:30Are you listening to me?
00:04:31If you listen to me...
00:04:33Yes, yes.
00:04:33Yes, I don't.
00:04:35Last night I received a letter from home.
00:04:37My father is still obsessed with the idea of taking the bank exams as soon as I finish my degree.
00:04:53Lower Green Village.
00:04:55First station.
00:04:58Excuse me, how many kilometers is it from here to Madrid?
00:05:01Well, about eight.
00:05:04From seven to eight.
00:05:15The hill of Los Angeles.
00:05:19There was a lot of fighting in this area during the war.
00:05:22When I became pregnant, we went on an excursion with the nuns.
00:05:25And one of them got sunstroke and almost died.
00:05:27That was when I spent Sundays at home listening to Father Venancio Marcos.
00:05:36Hey you, we've been dating for almost exactly a year.
00:05:40All day together, just the two of us, without anyone seeing us.
00:05:43Neither family, nor employer, nor friends.
00:05:48Nobody, you realize, not even the boss.
00:05:51We'll eat whatever we want together.
00:05:52As if we were already married.
00:05:55José, no, I don't want it on my lips.
00:05:57But why?
00:05:58Why not?
00:05:58And why not?
00:06:00The longer we wait to kiss, the longer it will take to get to the point where we're more serious...
00:06:03We've been dating for a year.
00:06:05Yes, I know, I would like to, but it's not right.
00:06:08Well.
00:06:09Don't get angry.
00:06:10We don't have to get angry today.
00:06:12Come on, smile.
00:06:13Let's see, let's see what face you make.
00:06:35The land must belong to those who work it.
00:06:38Let's see when they dare to do that.
00:06:39In the north, where we're from, it's better distributed.
00:06:43This entire property is a three-hour journey away.
00:06:47Thousands and thousands of bushels.
00:06:49Two or three villages could live there.
00:06:51This was done during the conquest of the Moors.
00:06:52Large areas were being conquered.
00:06:56Come on!
00:06:59Come on!
00:07:01Come on!
00:07:06Come on!
00:07:07Da-da-da-da-da-da, da-da-da-da-da, ta-da-da-da-da
00:07:12Ah, memories, a beautiful one will find you, beautiful Spaniard, the...
00:07:18Don't fall in love...
00:07:20Saldadadalu!
00:07:50Gillettes?
00:07:51Is there a train back to Madrid at 7?
00:07:53Yes, it's daily, they leave at 6:50.
00:08:08No, I'm Catalan, but I'm not there now.
00:08:11We would have gone second, Ángel.
00:08:13No, no, miss.
00:08:18Oh, sorry. Friendship is difficult in Catalonia, it takes time, you know?
00:08:21But when you make a friend, you really have one.
00:08:25You don't recognize her face. Where does she live in Madrid?
00:08:29Julio, you bastard, my dear.
00:08:32But, man, Julio, I'm my mother.
00:08:34Overwhelming of mine, of yes.
00:08:37You have some things going on.
00:08:50Are you going to Toledo too?
00:08:51Yeah.
00:08:52Until recently, I had to have my father's permission to travel.
00:08:56It's up to age 21.
00:08:58You're a student, right?
00:08:59Yes, philosophy and lyrics.
00:09:01I did my teaching degree in Toledo.
00:09:03And it's the first time he's been to Toledo.
00:09:06We teachers have our first two years of common subjects validated and we want to do pedagogy.
00:09:15In Madrid, the idea that girls go to university to sing is very widespread.
00:09:20It must be acknowledged that this is the end for many girls.
00:09:22If you talk to them for a little while, you'll realize that it's their only real problem.
00:09:26Some are eager to find a boyfriend so they can drop out of school or so he'll pay for their movie outings.
00:09:31I have taken my competitive exams.
00:09:34I am independent.
00:09:35I have my position and, with the last bonus, I'm coming out on about three thousand.
00:09:39I'm a kindergarten teacher, after all.
00:09:42Have you seen the plundering of El Greco?
00:09:44No.
00:09:45It's in the sacristy of the cathedral.
00:09:51Plow.
00:09:53As?
00:09:53Plow.
00:09:54Well, no, I don't know.
00:10:00Aristocratic sport of four behind.
00:10:03Neither.
00:10:04You're always smoking.
00:10:05Uh-huh.
00:10:12Valdemoro!
00:10:15Lacará!
00:10:18Lacará!
00:10:18Lacará!
00:10:20Lacará!
00:10:25Lacará!
00:10:27Excuse me.
00:10:32Thank you.
00:11:04If you didn't smoke.
00:11:06Does it bother you?
00:11:07No, man, take it away.
00:11:09I say this because you've been hitting it with the box for two hours.
00:11:13It's the quail.
00:11:15The quail?
00:11:17I always buy it when I travel.
00:11:19It's to kill the loneliness of the trip, although these things don't affect me.
00:11:47You know you have me safe and you don't care about anything anymore.
00:11:50You've put me through quite a ordeal.
00:11:54Lazybones, look at him not shaving.
00:11:56She needs herself.
00:11:58Let's see the teeth.
00:11:59Oh, how ugly.
00:12:01Don't get like that, son.
00:12:02Have you seen the girl who's in our apartment?
00:12:05Wow, that's beautiful, isn't it?
00:12:07He works and everything.
00:12:08A real slab.
00:12:10Why don't you marry her?
00:12:13If you don't show up, I'll die.
00:12:44And what does your father say about that?
00:12:44And what does your father say about that?
00:12:58My father.
00:13:00The assumption in July is to go to the bank.
00:13:04I think it's Santander.
00:13:07Only two places.
00:13:10My father says that those with a degree have a good future.
00:13:16Is it much further to get there, Aranjuez?
00:13:20No.
00:13:21Two or three stations.
00:13:27Excuse me, miss.
00:13:34You never stop smoking.
00:13:36You never stop smoking.
00:13:36You never stop smoking.
00:13:38You never stop.
00:13:48You never stop smoking.
00:13:52Unhappy suns.
00:13:54I barely want to see you.
00:13:55I have right now...
00:14:10If you smoke, more nicotine and the cycle starts all over again.
00:14:35Can you give me April?
00:14:37Who is cold?
00:14:39No, I want to get the handkerchief.
00:14:52The weather is unsettled, but the heating is working well.
00:14:57If you're cold, we can close the window.
00:15:00No, never mind, don't bother.
00:15:03It's best to close the window.
00:15:09Thank you.
00:15:15The Parker 51, a global brand.
00:15:21It seems he didn't really want to sit down.
00:15:27But...
00:15:28Let's go outside.
00:15:33Let's go.
00:15:34Come on.
00:15:54During a spiritual exercise, a priest told us that defecating was not a sin.
00:15:59Even if it's outside, isn't it?
00:16:05He's not here.
00:16:06It's in April.
00:16:07Don't you have any tissues?
00:16:09It's very dirty.
00:16:17They will not be evicted from here.
00:16:19They will not be evicted from here.
00:16:19This is first.
00:16:21Okay, let's go, Verona.
00:16:25Oh, and look how you've dressed me in a sweater.
00:16:27Back.
00:16:30Back.
00:16:30A college girl got married in secret because her parents wouldn't let her.
00:16:35And now, the girl is going to get on.
00:16:39Come on.
00:16:39Sounds?
00:17:07Sounds?
00:17:09Sounds?
00:17:09Sounds?
00:17:10Sounds?
00:17:11Sounds?
00:17:11They are counterproductive, they excite your nerves and make your memory fail.
00:17:18I like that you're like this, natural and affectionate.
00:17:21Normally, you're a spin pig.
00:17:25I don't want you to have regrets.
00:17:28I want you to be calm.
00:17:31Kissing you is a way of showing you that I love you.
00:17:36You just don't know, Don Mañán.
00:17:38Already.
00:17:51You're slow.
00:17:53You thought I wouldn't dare.
00:17:57I've already punched your ticket, haven't I?
00:18:10José, it's raining.
00:18:22The cut.
00:18:28Ideally, José, you should have a boyfriend and still maintain your own personality.
00:18:34Now I am closer to you than ever before.
00:18:37Without meaning to, we had drifted apart.
00:19:07The priest was taken to Toledo by the militiamen.
00:19:09There won't be a war like this every day.
00:19:11The Spanish took the gold from America.
00:19:13And then the Reds took him to Russia.
00:19:19Maricarmen, look, look.
00:19:22Hey, be quiet, be quiet.
00:19:40Don't dye your hair.
00:20:00And get your calcium injections.
00:20:22Look, do you see, daughter?
00:20:24Look at the Tagus River.
00:20:25We've arrived in Toledo.
00:20:44What's up, beast?
00:20:46About a thousand are missing.
00:20:47Come on, sit down, come here.
00:20:58Have a good trip.
00:21:00Thank you.
00:21:02We are alone now.
00:21:04Oh, please, don't you realize anything when you do things?
00:21:07What's happening?
00:21:08He noticed that we wanted to be alone.
00:21:10Well, what difference does it make to us?
00:21:12You have no consideration for anyone, least of all me.
00:21:14But you're ashamed that we're left alone.
00:21:16Come on, don't get angry, no, don't get angry, no.
00:21:21In total, for the kilometer and a half that we still need.
00:21:24Besides, he could have left from the beginning, couldn't he?
00:21:27I ran away from home like a rascal, and don't thank me for it later.
00:21:30Absolutely not.
00:21:31Get out of here, you brute.
00:21:32Remove.
00:21:33Yeah, let's see if you shave as soon as you get here.
00:21:35Who loves you more than I do?
00:21:36Ugly, more than ugly.
00:21:37Rough.
00:21:37I'll bite you, José.
00:21:39Let go.
00:21:39Nothing, to be honest.
00:21:41Festia, let go!
00:21:42Close your eyes.
00:21:50Go ahead, slowpoke.
00:21:51Slow.
00:21:52Dale.
00:21:53Go ahead, weld, weld.
00:21:55Go ahead, you.
00:21:58Man, José.
00:21:59Hello.
00:21:59But you're not from Valladolid.
00:22:00Of course, I'm here as a tourist.
00:22:01Let's see, the Greek, kid.
00:22:03Are you still studying law?
00:22:03Let's see, what a life.
00:22:04Let's see if they get their way and I approve it.
00:22:06You're done, aren't you?
00:22:06I'm studying economics now.
00:22:08Already.
00:22:09I saw you with a girl on the train.
00:22:10Do you have a girlfriend?
00:22:11Oh, no, not at all.
00:22:11She's a girl from here, from Toledo.
00:22:12Hey, I don't have a girlfriend either, you know?
00:22:14Okay, if you want, we can meet for coffee.
00:22:16No, leave it, man.
00:22:17I'll see if I can get back on the one o'clock train.
00:22:18Okay, call me in Madrid, at the boarding house.
00:22:20You already know.
00:22:21Bye bye.
00:22:27Princess, just hold on a little longer.
00:22:28Do you know what my father says about France?
00:22:29That?
00:22:30We're going to see things we shouldn't.
00:22:31Son, we women are here to avenge ourselves on your queen.
00:22:35Are you sick?
00:22:36What, idiot?
00:22:37Okay, let's get started.
00:22:39Let's see that jacket.
00:22:40I need to pull up your lining, it's showing.
00:22:42Go get a shave at the first barbershop you find.
00:22:45Guess who said hello to me?
00:22:46José María, the one from Lop.
00:22:47Has that boy joined Opus Dei?
00:22:49You didn't know that a year or two ago.
00:22:50Those who get married or the others?
00:22:52Well, I haven't asked him, sweetheart.
00:22:54Well, be careful, he was handsome.
00:22:55Only the good-looking ones get in.
00:22:56Now he's studying economics, then journalism, and then whatever he wants.
00:22:58But let's wait a little while because I don't want to run into that one.
00:23:00People immediately jump to conclusions here.
00:23:01But that's really cool.
00:23:04I'm going for a bet.
00:23:05Bye, ugly.
00:23:06Excuse me, what time does the last train to Madrid leave?
00:23:10At 6:50.
00:23:11Oh, can I get the ticket now?
00:23:12No, no, not until one hour before departure.
00:23:14Okay, I'll do it for you.
00:23:20Do you know about El Greco?
00:23:22What about astigmatism?
00:23:23The same thing happens to me.
00:23:24I see all faces as elongated.
00:23:29Where can I dispose of this?
00:23:30Do you want to write something?
00:23:31It's for Madrid.
00:23:31We were able to get a round-trip ticket.
00:23:33It would have been cheaper for us.
00:23:35Shall we take a picture here in Toledo?
00:23:37Handsome, sweetheart, gorgeous.
00:23:38You're more handsome than everyone in Lopustein put together.
00:23:41Even with that beard.
00:23:42Aragan.
00:23:43Oh, look at this day.
00:23:45It has stopped raining.
00:23:46We're even lucky in that.
00:23:48Come on, run.
00:23:52Oh, and we have to smoke.
00:23:54Today we smoked a whole pack of cigarettes.
00:23:56How many times have you been to Toledo?
00:23:57Two.
00:23:58Look at the Alcázar.
00:24:00We need to see it.
00:24:05I hate Sundays.
00:24:10What a dreadful Sunday.
00:24:14Witch, I love that you're like this.
00:24:16What if we miss the train, are you afraid?
00:24:17We stayed here overnight.
00:24:19Sure?
00:24:21Beast, we're hitchhiking.
00:24:23If it is the Alcántara bridge from the 9th century.
00:24:26I read it last night in one of my father's books.
00:24:28Guess what time I went to bed?
00:24:31At two o'clock.
00:24:33This bridge was built by the Arabs in the year eight hundred and sixty-something.
00:24:40Or something like that.
00:24:42It is a national monument.
00:24:47The waters of the Tagus, following the apparent path of the sun,
00:24:51They surround the wonderful city in an eternal embrace of love.
00:24:56I read this to him.
00:24:58Something else I read last night.
00:25:00Ah.
00:25:03The Gate of the Twelve Fields.
00:25:06For.
00:25:07I knew nothing about the war.
00:25:09I was born in nineteen forty-two.
00:25:17Can't you see?
00:25:18The station.
00:25:20That's the way we came.
00:25:22It's beautiful.
00:25:24This city is sensational.
00:25:27I think I'm stupid.
00:25:29I was thinking of writing stories, but I decided on French instead.
00:25:37I wanted to write lyrics.
00:25:39It was what I liked the most.
00:25:41During the summers I would take my good volumes of art and spend the day looking at prints.
00:25:48Dude, we're going to get really bored.
00:25:52What do we do?
00:25:56This is disgusting.
00:25:58I'll end up taking the bank exams.
00:26:00At least I will fulfill my duty to my father.
00:26:03I'll have to go to Valladolid.
00:26:05This is the worst time of my life.
00:26:07I'm not happy with anything.
00:26:10I don't know if the same thing will happen to you.
00:26:12It will be a common thing.
00:26:14Is my student life coming to an end?
00:26:17Give me a bitch.
00:26:29Haven't I told you that I failed my bank entrance exams when I was fifteen?
00:26:33It was for buttons.
00:26:35In the writing they gave us, I wrote yesterday with an H.
00:26:37I made it huge in Gothic font.
00:26:40With decorations.
00:26:43My father tells me in the letter that he wants to retire him as a prisoner.
00:26:46At 62 years old.
00:26:49And they offer him 75,000 pesetas.
00:26:51Good things await us upon our return.
00:26:52So what do we do now?
00:26:54Well, we'll stay and live here in Toledo.
00:26:56Come on, give me your hand.
00:26:58Come on.
00:27:00Oh, the bag.
00:27:01Come on, run.
00:27:03Come on.
00:27:06There it goes, there it goes, there it goes, there it goes.
00:27:08What a man!
00:27:09What a man!
00:27:11I'm going to shave.
00:27:12Wait for me at the cathedral.
00:27:13Don't get a boyfriend, ugly!
00:27:21No, I'm from out of town.
00:27:23I'm from Valladolid.
00:27:25But I study in Madrid.
00:27:28The city of Piesuerga.
00:27:52Grab the electric one, man.
00:27:55Madrid was a cluster of one- and two-story houses, surrounded by orchards or vegetable gardens.
00:28:00cultivated lands, with constant mounds and uneven terrain, markets and small squares that had not been converted,
00:28:05but they were born by spontaneous generations, one house after another.
00:28:10and a third one closing the box.
00:28:12Nobody bothered to name the streets or squares; it was the people who did it.
00:28:16Instinctively, I would name them to distinguish them in some way.
00:28:20What's the atmosphere like here in Toledo today?
00:28:21As?
00:28:22What good can be done in this city?
00:28:25Apart from seeing monuments, of course.
00:28:28There's nothing like that here.
00:28:30Slight.
00:28:35Okay, so what about bringing a girl?
00:28:36Equal.
00:28:37Anyway, nothing.
00:28:49Should I hurry?
00:28:50No, never mind, it's just that I'm used to the electric one.
00:28:54That doesn't change the fact that I'm a barber and I can't recognize the convenience of electric razors.
00:28:58It's true, it makes you feel worse, but you do it sooner and it's not dangerous.
00:29:01Well, look at the Pisuerga River if they let it run.
00:29:03It is also a river that is already, already, starting to grow, to bring water and deny everything.
00:29:10These rivers are something to watch out for.
00:29:11I have bought from all their houses, since by lowering a bar and a half to the level of the road, still
00:29:16They are going to...
00:29:17Will you use this new one with Lairse?
00:29:23Hasn't it happened?
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00:34:17Ninety-eight, sixty-nine...
00:34:47...
00:35:21Look, the Alcázar again.
00:35:47Andresín, go up to the chapel, we have to eat.
00:36:10My stomach feels cold, my head hurts a little, maybe I'm going to die.
00:36:17When do we smoke? Do you have a cigarette?
00:36:22If I knew which convent my friend was in, I would pay her a visit.
00:36:30José, Cristi went through a horrible time, because her boyfriend, yes, was a very good guy, but he didn't know how to control himself.
00:36:36Then they had to stop.
00:37:00Have you been here before or is this your first time?
00:37:02Well, I'm going to explain a little bit so you know what you're seeing.
00:37:06From here you can see that all this is ancient, century after century.
00:37:10As you can see, these lanterns are the ones that were taken out in procession on the eve of the patron saint's day, August 14th.
00:37:17Now you will look at the eyes of this creature and see what you think.
00:37:21I have them now.
00:37:22Two Grespo pills, two colds, Grespo pills.
00:37:27Yeah.
00:37:37As you can see, I have no more dead bodies than the tip.
00:37:40The salary is my husband's.
00:37:43What did you like?
00:37:45This is the Tarasca they call Toledo.
00:37:50She doesn't earn more than the Afrofina.
00:37:53She doesn't earn more than the Afrofina.
00:37:55You sometimes, Mari Carmen, with your usual little Malwood touches
00:37:58Well, what have I ever done to you?
00:37:59Didn't you say you'd been to Toledo twice?
00:38:02Are you stupid?
00:38:06José, what you said is stupid.
00:38:08Well, yours are championship quality.
00:38:10Did I do something to you?
00:38:12Will you tell me and be done with it?
00:38:15Son, can't you take a joke?
00:38:17Do you want to get angry?
00:38:20The girl is embarrassed to kiss her own name
00:38:22But what have you come to Toledo for, please tell me.
00:38:24Didn't you just say we should talk?
00:38:26Come on, talk to me, answer me
00:38:28It wasn't either of our ideas to come to Toledo
00:38:30Please answer me, don't get like that
00:38:33But we weren't fed up with being watched.
00:38:35If you can't find a moment to relax
00:38:36To be completely alone for a day
00:38:38Without family, neighbors, or anyone
00:38:41This is not what we wanted, we are not alone now
00:38:43Come on, answer me, talk to me, please.
00:38:45Oh, Andrecín, how are you sweating?
00:38:46The one that will give you a mother
00:38:47Don't go, answer
00:39:15What time did Metron leave here?
00:39:16At one o'clock, but
00:39:19But you're stupid
00:39:42Let's eat
00:39:46Your head still hurts
00:39:48Are you very tired?
00:39:57That is weakness
00:39:58What's happening to us is that we're hungry
00:40:01If you want, we can go to a pharmacy and buy an aspirin.
00:40:08Because what happens to us is that we have to do
00:40:21And put your
00:40:26Warm
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00:44:34It's going to rain!
00:44:47Come on, Julito, bring some wine.
00:45:00Ah, yes.
00:45:09But you had agreed to hold the conference.
00:45:12Well, let's see if we're going to get into trouble.
00:45:14If they find out, at least we'll try to have a good time.
00:45:18Let him die, Anton.
00:45:29It feels like we're in Madrid.
00:45:36No.
00:45:45Don't you know that I ran into José María from Opus Dei again this morning?
00:45:49In Facodobers Square.
00:45:51He was with three boys.
00:45:53I would go about doing apostolic work.
00:46:06Look, José María and I were good friends.
00:46:08Then, after what happened, we drifted apart.
00:46:11No, kid.
00:46:13It's worth a lot.
00:46:19I think the competitive exams are in the middle of next year.
00:46:22I'll have to start preparing them now while I finish my degree.
00:46:27My father says that banks now give six extra payments.
00:46:32It's terrible to pursue a career just to earn two thousand pesetas a month.
00:46:37It's going to rain any minute now.
00:47:00Do you think they'll find out at my house?
00:47:02Because of the conference?
00:47:04Yeah.
00:47:04No, it's already done.
00:47:13Julito, a phenomenon of the atmosphere.
00:47:15Let's have another glass, it's making you sleepy.
00:47:18Hey, lion!
00:47:26Oh.
00:47:28Come on, tell me more about your family.
00:47:30I would really like to meet your mother.
00:47:35Look, look, he's soaked to the bone.
00:47:37Guys, that's great.
00:47:39How lucky you are.
00:47:40Those of you who are behind a bócalo.
00:47:50You're right.
00:47:51It looks like a typical day in Madrid.
00:47:53Kid, take the box, man.
00:47:55Leave him alone.
00:47:56That?
00:47:58That?
00:48:00That?
00:48:01That?
00:48:02That?
00:48:02That?
00:48:03That?
00:48:04That?
00:48:04That?
00:48:06That?
00:48:36Thanks for watching the video.
00:48:38Thanks for watching the video.
00:49:08If you've already seen them, if they're the usual ones, look. These are the blue pants I would have liked.
00:49:13Bring it. Okay, I'll start.
00:49:16I'm in Salamanca. I read, and since I hate going out on Sundays, I spend the afternoon listening to music, reading, and writing letters.
00:49:23Okay, I'll skip the straw.
00:49:25I'm not at all surprised by what you say about marriage and that you were left wide-eyed.
00:49:32And it doesn't surprise me that we're a little clueless about that.
00:49:35Just having an idea is enough. And you, with so many married sisters, should be more up-to-date, silly girl.
00:49:40Look, that's Maritere, the one in the white dress.
00:49:44If you want to gain weight, snack between meals. That works wonders.
00:49:48I wrote to her saying that I had become thin and that you were forcing me to eat.
00:49:52Okay, I think the novel you were talking about was Gran Hotel, not Shanghai Hotel. Both of them...
00:49:58Vicky Vaughn.
00:49:59But I think the first one is much stronger, more like dirty. Did you read it?
00:50:02No.
00:50:04I know. I picked it up at a time when everything made a big impression on me.
00:50:09Listen to this.
00:50:12Look, Maritere has a sister who is studying medicine.
00:50:15One of them, look closely, José, has two photographs.
00:50:21In the first one, there's a guy with a full beard and mustache, short hair, and a suit.
00:50:29man, etcetera, etcetera.
00:50:32And in the second photograph, after I don't know what operation, the same person, who is a very cute girl, with
00:50:40light eyes and all.
00:50:43I need to study it thoroughly.
00:50:49Oh boy, I'm getting so sleepy.
00:50:57Hey, you! Watch out! These are women's things, and besides, there are things you shouldn't see.
00:51:02Go on, handsome, go back where you were. Go on, good-looking, go on.
00:51:09Oh, look, the signs for the hostel in France.
00:51:13Aquil familiar de gente extranjera, 23 Rí, Chaché Midi, Paris, 6!
00:51:46It's just that you men don't notice anything.
00:51:50Women are more sensitive than you men, and you don't appreciate it.
00:52:19Look at the keys.
00:52:28I think we made a mistake coming alone.
00:52:35I have very dark circles under my eyes.
00:52:37Are they very noticeable?
00:52:38It's anemia. I'd like to find my friend's convent.
00:52:42He would give us sweets for a snack through the turnstile.
00:52:44Frosted pears, angel hair pasta, Toledo marzipan.
00:52:48Mari Carmen, Mari Carmen, do you hear?
00:52:50Did you hear that? Your stomach is growling.
00:52:52It's the wine I drank.
00:52:54No, quince jelly.
00:52:56It's the wine.
00:52:56The quince.
00:52:57Wine. I've drunk half a bottle today.
00:53:00Be careful, you're innocent.
00:53:01I washed my hair this morning and I can't do it today.
00:53:04How about now?
00:53:05I'm feeling better.
00:53:08But how many hours have you slept? Let's see.
00:53:10But how brutish you men are.
00:53:12You know us so little.
00:53:19I think they are the Poor Clares.
00:53:21The convent where my friend is.
00:53:27Bet you can't find El Greco in the painting!
00:53:30He is one of the gentlemen down here.
00:53:37It is called Flamingio because of the effect of the sores.
00:53:42It is the one that occupies the sixth place counting from left to right.
00:53:44Above the man who is holding the corpse by the feet.
00:53:47One, two, three, four, five, six.
00:53:52Is he the husband of the Tarasca of Toledo?
00:54:03I don't know if I have astigmatism or myopia.
00:54:07But now I see it all like El Greco, Dominico, Teotococlo.
00:54:13I see everything as if through clouds, as if through darkness.
00:54:18I can't see you. Where are you?
00:54:19Are you with me or with someone else?
00:54:22I don't know why I love you.
00:54:23Why do I love you? Tell me.
00:54:30Why do I like you?
00:54:33Why do I love you? Let's see.
00:54:34Yes, why do I like you?
00:54:41At first I thought all handsome boys were dumb.
00:54:46I think I love you because you're a braggart.
00:54:50Yes, and a pedant, who doesn't let people speak.
00:54:58And everything you do is the best.
00:55:01Are you carrying the missal?
00:55:04Come on, kiss me.
00:55:06I like it a lot.
00:55:11Sundays in Madrid are awful.
00:55:13I prefer weekdays too.
00:55:16I could stay like this for the rest of my life.
00:55:26What is this? Magnetic tape.
00:55:27Magnetic tape.
00:55:31Have you visited the rich man's room?
00:55:33Ah, no, no. Not yet.
00:55:36And the gray tones, as if reflecting an intimate sorrow.
00:55:40A deep melancholy.
00:55:43He was a friend of spiritualizing people.
00:55:45That's why she stretched them out like arrows towards the sky.
00:55:49Let's remember that he was labeled as crazy and a visionary.
00:55:51as had been the case a century earlier for the discoverer of America,
00:55:55the one who gave a world to his homeland.
00:55:59Listen.
00:56:04This is the apparition of Christ to the Virgin Mary.
00:56:06Look, sir, at the line of the hands.
00:56:26How do we do it?
00:56:29How do we do it?
00:56:29Oh, yes, yes!
00:56:31There is none here, there is none here.
00:56:32Yeah.
00:56:33Is it here?
00:56:36So you're making me a little room.
00:56:40Chieto!
00:56:40I don't know, it's not going to a little house, I can't bring tripe to the museum,
00:56:44I can't bring calluses to the museum, I can't bring calluses to the museum.
00:57:02Oh, the motherland.
00:57:05Okay, okay, thank you, thank you.
00:57:07You can enter the transit system with the same ticket.
00:57:11Okay, thanks.
00:57:17Have you seen the Venus at her Mirror on Velázquez's centenary?
00:57:46Thank you.
00:58:08Levite called the avaricious father of beautiful reason.
00:58:17Her 16 years filled the Jewish home with grace and joy,
00:58:21But one day the heart of the Gentile Hebrew woman throbbed with an unknown violence,
00:58:26with a stronger and more uneven rhythm, something like the wavering wings of a lovestruck dove.
00:58:31She felt a sweet and new emotion.
00:58:33It was the triumphant arrival of love, love for a Christian knight,
00:58:37full of gallantry and youth.
00:58:40Woman, it was a joke.
00:58:42Words I didn't say with the intention of offending.
00:58:44Did it hurt?
00:58:46Forgive me, Mari Carmen.
00:58:47We were so happy a moment ago that I lost my temper.
00:58:50It seems we can't go 15 minutes without getting angry.
00:58:53Once for me and once for you, huh?
00:58:56Man, don't get like that, woman.
00:58:57It wasn't that bad, I think.
00:58:59Well, you don't get angry about anything, daughter.
00:59:01Here one must always remain silent because otherwise the girl will be offended.
00:59:07Forgive me, I won't do it again, it was unintentional.
00:59:10My hand slipped.
00:59:11Okay, what do you want me to do?
00:59:12Tell me.
00:59:15Say.
00:59:16Look, Mari Carmen, nobody saw us.
00:59:17If you want to get angry, do whatever you want.
00:59:19But this seems like nonsense to me, just so you know.
00:59:21Let me.
00:59:22Besides, it bothers me.
00:59:23Besides, if everything is going to bother you, I'll tell myself.
00:59:26Excuse me, but you're a child.
00:59:27A silly girl.
00:59:29Seriously, don't you want to talk to me?
00:59:31Don't you want to talk to me?
00:59:35But you're stupid.
00:59:36What do you hope to achieve with this?
00:59:38Tell me, please.
00:59:39Let's spend the whole afternoon like this.
00:59:42We've already had four arguments with this guy.
00:59:44We continue up to ten.
00:59:46Is that what you want?
00:59:48Please.
00:59:51Answer me if you want.
00:59:52If you feel like it.
00:59:54If you feel like it, sweetie.
00:59:56Don't you want to talk to me?
00:59:58Don't you want to?
00:59:59I'll wait for you at seven at the station.
01:00:01If you want, you can go.
01:00:01Otherwise, you're stuck there, sweetheart.
01:00:03Well, go on, daughter, go to hell.
01:00:28Thank you.
01:00:29Thank you.
01:00:30Thank you.
01:00:40Thank you.
01:00:41Thank you.
01:00:41Thank you.
01:00:49Thank you.
01:00:50Thank you.
01:00:50Thank you.
01:00:50Thank you.
01:00:51Thank you.
01:00:51Thank you.
01:00:51Thank you.
01:00:58Thank you.
01:01:02Thank you.
01:01:16Thank you.
01:01:18Thank you.
01:01:19Thank you.
01:01:21Thank you.
01:01:21Thank you.
01:01:33Thank you.
01:01:35Thank you.
01:01:36Thank you.
01:01:40Thank you.
01:01:42Thank you.
01:01:42Thank you.
01:01:49Thank you.
01:01:50Thank you.
01:02:01Thank you.
01:02:17Thank you.
01:02:48Thank you.
01:02:49Two pesetas.
01:02:51Bye, lovelies.
01:02:52I'd marry all three of them together, me alone, champ.
01:02:58Hey, hey, sir, there's a movie theater that starts at four. It's probably already started.
01:03:04Thank you.
01:03:05It's a continuous cinema.
01:03:06It's very close.
01:03:07It's very close to here.
01:03:08Ask for the square, which is near the cathedral.
01:03:11You can't go wrong.
01:03:12Thank you, beautiful.
01:03:14Goodbye, Diana Durbin.
01:03:29Later it became a place of refuge for lost women.
01:03:36Who's coming to the movies with me?
01:03:38I'll poke you.
01:03:39Do not touch me.
01:03:40Do not touch me.
01:03:41Hi, Juani.
01:03:41Didn't you say he was very handsome?
01:03:43Then go with him.
01:03:44This one takes it away with the grape.
01:03:45Who dares?
01:03:46Who isn't afraid?
01:03:49You owe me this blood.
01:03:53That?
01:03:54Are you coming, Juani?
01:03:57Are you coming?
01:04:05Do you have any water?
01:04:07Yes, yes.
01:04:07Come closer.
01:04:13Don't be silly.
01:04:14He is very nice.
01:04:15If Mrs. Anuncia comes, we'll tell her that you were feeling unwell and went home.
01:04:19Go on.
01:04:22Come on.
01:04:24Come on.
01:04:25Don't worry, I'll return it to you safe and sound.
01:04:28Bye.
01:04:28Tomorrow it's your turn.
01:04:37Paul Newman.
01:04:38And what about them?
01:04:38Oh, it's not the same.
01:04:39Perhaps Conchita Velasco.
01:04:41Are you from Madrid?
01:04:42Oh, cold, cold, cold, cold.
01:04:44But he's Spanish.
01:04:45Study in Madrid.
01:04:46I came to live with my aunt at Christmas.
01:04:48Ambassadors live there.
01:05:11One of sunflower seeds.
01:05:14Come on.
01:05:31Not seeing you with me, that you had left.
01:05:35Were we punctual?
01:05:36Both.
01:05:39Give me your hand.
01:05:46Close by or do you prefer somewhere else?
01:05:48No, no, no.
01:05:48Okay, okay, right here.
01:05:49Thank you.
01:05:50I didn't want to be late.
01:05:51I wasn't referring to time.
01:05:55How nice it is to meet a man.
01:05:57No, no, no.
01:05:58Not until a while yet.
01:06:00That's what I like the most.
01:06:06Hong Kong.
01:06:07A Hong Kong thief's dream.
01:06:19You have a brother without trains.
01:06:20With the girls in you, no dancer.
01:06:22No.
01:06:24I've always been afraid of hands.
01:06:26Crazy ones.
01:06:28But not both.
01:06:30Do you know what time the trains leave?
01:06:32To Madrid?
01:06:34Ah, I don't know.
01:06:36Please don't die.
01:06:37You get angry and we'll leave.
01:06:39Stay here.
01:06:39Because?
01:06:40A butterfly.
01:06:41You can stay if you want.
01:06:42No way.
01:06:44No problem, stay if you want.
01:06:45No, leave it.
01:06:46Come on, I'll go with you.
01:06:47I'll accompany you.
01:06:48He was a good heavy.
01:06:50Are you really not angry?
01:06:51You can stay.
01:06:52No no.
01:06:52But are you superstitious?
01:06:54You, a doctor.
01:06:54You're still in time.
01:06:55I'm going to the station.
01:06:57No, I'll go with you.
01:06:58I have nothing left to do.
01:06:59A farmer has a son.
01:07:00I dressed her in little girl outfits.
01:07:02And he gives her a feminine name because he fears that the jealous gods will do it to him.
01:07:06You still have time, you know?
01:07:07No, I'll go with you.
01:07:08He doesn't care about me.
01:07:08If the harvest from the fields is abundant, it stands up.
01:07:11He shakes his head and starts to scream.
01:07:13Bad rice! Bad rice!
01:07:15He does it to trick evil spirits and drive them away.
01:07:23Are you really not angry?
01:07:24Don't worry.
01:07:25I don't care.
01:07:26I'll see her another day.
01:07:30And is your aunt who's an ambassador a blood aunt?
01:07:32Yes, my father's sister.
01:07:34He lives right next to the Embajadores metro station.
01:07:36Ah.
01:07:47Are you going to Madrid for Christmas?
01:07:48Yeah.
01:07:49She's sick.
01:07:50And that's why they're sending me to Madrid to help her.
01:07:59Excuse me, what's your name?
01:08:02José.
01:08:07Shall I get you a glass of milk?
01:08:09Do you want your honey?
01:08:11Yes, ma'am.
01:08:13That's the thing about shortbread cookies, they make you very thirsty.
01:08:16I could eat these pastries all afternoon.
01:08:30Do you want milk?
01:08:32Yeah.
01:08:35Do you like them?
01:08:36Do you want a few more?
01:08:37Another half dozen?
01:08:39Yes, ma'am.
01:08:40Put it on.
01:08:40He has an appetite.
01:08:42The good thing is having an appetite.
01:08:53Do you make them yourself?
01:08:54No no.
01:08:55The baker at home makes them.
01:08:58They are Easter buns.
01:09:00Made with butter, flour and egg.
01:09:02I thought they would have more ingredients.
01:09:04Of course, you have to get the hang of them.
01:09:07That's what's important.
01:09:09I prefer them to the marzipan of today.
01:09:11The thing is, nowadays marzipan is made from sweet potato.
01:09:14Naturally.
01:09:15You are right.
01:09:26Ma'am, do you want to charge me?
01:09:27Yes sir.
01:09:28Right now.
01:09:36In total, a dozen.
01:09:37And with milk, 26.50.
01:09:38And with milk, 26.50.
01:10:16That's where the closed ones used to go.
01:10:18Here you are, and that's it.
01:10:19It won't turn out bad.
01:10:21Soropita, there's no more for today.
01:10:24Yeah.
01:10:24The two little pads remain.
01:10:28Well, I want the silly girl, I don't want her to because...
01:10:31What is the fifth one? There are nine left for today.
01:10:34What was 170 doing today?
01:10:38And what about 122?
01:10:41What is the fifth one left?
01:10:44The fifth one is scheduled for today.
01:10:47The ten thousand little ones remain.
01:10:51The luck is for today.
01:11:03Subtitles by Juanfrance
01:11:29Yes, these.
01:11:30They are called damascenes.
01:11:32Look at this couple from Toledo, how funny.
01:11:34And this woman from Lagartera?
01:11:35How much is it worth?
01:11:37Two hundred and fifty pesetas.
01:11:42Thank you so much.
01:11:43You are welcome.
01:11:45Leave it, leave it, I'll put it there.
01:12:03Hey, ugly, what's up?
01:12:04Stay still, fierce, don't scratch, watch out.
01:12:06I said hello.
01:12:07Haven't you gotten over your anger?
01:12:09Stay still, the guard isn't here, it's forbidden, are you old enough?
01:12:13Article 211 of the Civil Code.
01:12:15The legitimate guardianship of unemancipated minors corresponds solely to
01:12:18First, to the paternal grandfather, or failing that, to the maternal grandfather.
01:12:20Second, to the grandmothers in the same order.
01:12:22Third, to the eldest of the brothers.
01:12:23And here I am everyone, even your grandfather.
01:12:25You don't amuse me at all if you believe that.
01:12:28Well, the mute one has spoken.
01:12:29Miracle, gentlemen, miracle.
01:12:31Look, José, you're a cheeky one.
01:12:33Besides, I don't need you to go to Toledo.
01:12:35The girl is here.
01:12:36Women are the good ones, the saints, the pure ones, and the sensitive ones.
01:12:40It's self-sufficient.
01:12:41We spent Sunday on the subway because it was cold.
01:12:44Because we were fed up with going to cinemas and cafes.
01:12:46And today, when we're alone, you do this to me.
01:12:49Look, José, I told you on the train.
01:12:50Well, the longer it takes to do certain things, the longer it takes to achieve more.
01:12:55But, a scourge, God.
01:12:57What a sin!
01:12:59Mother.
01:13:14But you think you're going to do your own holy will.
01:13:17I shouldn't have let you kiss me.
01:13:19You're a cheeky one.
01:13:21And on the same street.
01:13:26Maria Carmen, seriously, are you serious?
01:13:29That I shouldn't have kissed you.
01:13:41But who do you think you are?
01:13:42Let's see.
01:13:43The thing is, I won't be able to touch you.
01:13:44You're made of wax.
01:13:45You're afraid of everything, but do you know who I am?
01:13:48How were you raised?
01:13:49Let's see.
01:13:50What does your family tell you?
01:13:55Tell me, answer me, please.
01:13:57I'm your boyfriend, do you know what that means?
01:13:59But what does your family want?
01:14:00Doesn't she already have a boyfriend or her daughter?
01:14:02Who am I going to marry?
01:14:03With you or with your family?
01:14:05Why are you studying?
01:14:06Tell me.
01:14:07To France.
01:14:08If the same thing happens to you every summer.
01:14:10You're staying home.
01:14:11What if your aunts give their opinion.
01:14:12What if your mother...
01:14:14They're going to eat you alive in France.
01:14:16Or do they think you're going to come back with a child?
01:14:20What will become of you if you don't get a boyfriend?
01:14:25Forgive me, I don't know what I'm saying anymore.
01:14:28Forgive me.
01:14:30That's true, we've been like this for a year now.
01:14:32Then you get married and you have no idea about anything.
01:14:35If it works out, it's a miracle.
01:14:39Anyway, forgive me.
01:14:44I love you.
01:14:45I love you very much, truly, Mari Carmen.
01:14:46I love you very much.
01:14:47I would like to marry you.
01:14:50At first I will earn little money,
01:14:52But if you want to help me,
01:14:54I will continue studying.
01:14:56You will meet my mother.
01:14:57It's nothing extraordinary,
01:14:59But my father and she have worked very hard.
01:15:02Food for the perienda
01:15:03and always a delight for him or the date.
01:15:08The acid is removed for him.
01:15:09And this is because it's new.
01:15:10We wanted to do it for 25 tickets.
01:15:12The medium blue cloud, discount.
01:15:14Madam, uniform and spotless blue.
01:15:16The last novena for his clothes.
01:15:18Callao liquid bluing.
01:15:1924-hour mortgages.
01:15:22The last novena for his clothes.
01:15:29Salvatos 24 hours.
01:15:38The clothes.
01:16:06Thank you.
01:16:16Thank you.
01:16:38Thank you.
01:17:08And I could teach or get a job.
01:17:15Well.
01:17:17It hasn't been such a bad day.
01:17:19I will remember it well.
01:17:25Hey, Jose.
01:17:26What's up?
01:17:27Are we heading to Toledo again?
01:17:29Will we have enough time?
01:17:30Come on.
01:17:31Today I love you so much more.
01:17:38When we get to Madrid, you'll walk me home.
01:17:40I think I'm going to go up the stairs trembling.
01:17:43How are you now?
01:17:43Are you tired?
01:17:44I'm better.
01:17:45The whipping woke me up.
01:17:49Oh, it's very late.
01:17:50We don't have time to see anything.
01:17:51What do we do?
01:17:52Come back another day.
01:17:52We have barely half an hour left.
01:17:55Shall we stay for five more minutes?
01:17:57And the guard was there all day.
01:18:00I'm in over my head.
01:18:01You can pray now.
01:18:02I have to checkmate myself and I'll barely go to bed.
01:18:06Hey, blank.
01:18:07Do you know how to make pumpkin candy?
01:18:10Schools certainly don't prepare us well for university.
01:18:14If I tell you something, you'll get angry.
01:18:15Tell me.
01:18:16Are you sure you won't get angry?
01:18:17We've gotten angry enough for today.
01:18:20Oh, you're going to crush me, Barbarian.
01:18:23Was that what you were going to tell me?
01:18:25Yeah.
01:18:39Girl, to the train.
01:18:40No.
01:18:41You'll see, if there's no need to run.
01:18:43Go on, one minute.
01:18:44Here it goes.
01:18:45We didn't get to see the Alcázar.
01:18:47This part remained intact.
01:18:49I only remember the war, the ration books, and the black market for bread.
01:18:53And that's despite Valladolid having a reputation as the best in Spain.
01:18:57I would like to read a good book about the Spanish Civil War.
01:19:00I'm a little absentminded.
01:19:03Hey, fly.
01:19:05We have just enough time.
01:19:07No way.
01:19:08Mari Carmen, come back.
01:19:17I've got you now.
01:19:23First, I arrived first.
01:19:25I'm going to buy a postcard.
01:19:38Do you keep museum tickets?
01:19:39Yeah.
01:19:43Look at what these silly things collect.
01:19:45Here, Monín.
01:19:46Go on, have some fun with it.
01:19:47It's your turn, buddy.
01:19:49You sure do get tired quickly, honey.
01:20:08Come on, we're going to miss the train.
01:20:10He doesn't know how to write.
01:20:11Do one thing.
01:20:15Come on.
01:20:16Two thirds for Madrid.
01:20:19And the postcard?
01:20:20Where did she get it done?
01:20:21Will we have time to get out?
01:20:23Just imagine if we miss the train now.
01:20:25That would be good.
01:20:26Give me a peseta.
01:20:27Take.
01:20:28But there are no second-class tickets on this train.
01:20:30You're already flying.
01:20:32But what do I do with the postcard?
01:20:33Fly!
01:21:01Fly!
01:21:14Fly!
01:21:15Fly!
01:21:17Fly!
01:21:19Fly!
01:21:28Fly!
01:21:31Fly!
01:21:32Fly!
01:21:33Fly!
01:21:34Fly!
01:21:35Fly!
01:21:36Fly!
01:21:37Fly!
01:21:38Fly!
01:21:38Fly!
01:21:38Fly!
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