- il y a 2 heures
Watch You and Everything Else Season 1 Episode 10 (2026) full episode online in HD quality. Stream the latest episode of You and Everything Else on Dailymotion now.
Catégorie
🎥
Court métrageTranscription
06:39C'est vrai. La CGI n'était pas très bien. Nous devions mettre un salt tout le temps.
06:44Exactement. Nous devions faire un 4 part-time P.A. juste pour ça.
06:47Une qui a brûlé le salt tellement, je l'ai introduit à la production company.
06:51Qu'est-ce qu'il y a de l'école?
06:53J'ai sorti. Je pense que vous connaissez. Pas de diplôme.
07:00Je n'avais pas de idée.
07:02Donc, en tout cas, le Produce Chun est naturel, hein?
07:08J'ai décidé que je vais rencontrer avec Kim Sung-hak.
07:13Je pense que vous avez décidé que vous allez rencontrer avec Im Joo-ho.
07:16Il est en train de faire chier chun-hun.
07:18Le Produce Chun est dit qu'il était très talentueux en l'école.
07:23Vous connaissez Kim Sung-hak?
07:26Oh, bien, un temps.
07:29Vous pensez que ça peut être un fait?
07:31C'est comme si le projet était proposé pour le gars.
07:33Pourquoi ?
07:33Hurry up et arrange a meeting avec lui, Produce Ryu,
07:36avant qu'il t'en a un projet.
07:39Oui, non plus.
07:52Je n'en ai pas de problème.
07:57J'ai fait un projet de déranger.
08:00Il semble qu'il veut travailler avec toi
08:02ou au moins, il veut qu'il veut rencontrer avec toi
08:06Excluding Mondays, il est open pour rencontrer un autre jour
08:08Juste me le savoir ce qui fonctionne
08:13Apparemment, il a force le produit à vous co-producer
08:16avec ce produit, Chen Sonnyoung
08:23Je ne pense pas que je peux prendre ce projet
08:26Je pense que je dois avoir besoin d'offre
08:29Quand vous avez une chance, s'il vous plaît, s'il vous plaît, s'il vous plaît
08:42All right, sure
08:44Je pense que nous pouvons travailler ensemble
08:46All right
08:49Je suis vraiment désolé
08:52de ce qui s'est passé avec ce projet
08:54Ah, non, ne s'il vous plaît
08:55S'il vous plaît, s'il vous plaît
09:00Je ne sais pas s'il vous plaît, mais vous pouvez être plus casual
09:02Comme des amis
09:05Je veux que les gens s'il vous plaît
09:07Comme des années
09:09En photo club
09:13Je ne sais pas si vous plaît, mais
09:16Sous-ci pour un autre
09:16Sous-ci pour un jeune
09:18Sous-ci pour un jeune
09:29C'est difficile d'obtenir.
09:31Je vais aller voir les autres options.
09:34Pas encore.
09:35Juste pour lui venir ici, au moins.
09:37Nous allons le Kyeongsong-joo deal avec lui.
09:40Si vous n'avez pas encore une rencontre,
09:42comment vous pensez-vous que j'ai regardé le directeur Kyeong?
09:46Je vais aller.
09:51Vous avez un moment ? Je veux discuter le budget.
09:54Ok, je vais vous voir. Je vais juste faire un appel.
10:14Je pense que Hyeong-tak veut le projet.
10:19Pourquoi ?
10:20Est-ce qu'il est encore une rencontre ?
10:23Il veut simplement prendre un break.
10:26Did he say that? Are you sure I'm not the reason?
10:42Do you really...
10:44...want him as our cinematographer?
10:49Mhm.
10:50He's good at it.
10:53You always let your personal feelings interfere with your work?
11:00You wanted to talk about the budget?
11:10Is this your first time doing budgeting, or...?
11:18Why? Is there a problem with it?
11:20More than just one.
11:21I get you haven't had time to apply the changes for the director switch, but there are other issues.
11:25For instance, did you investigate unit costs for equipment, labor, and VFX already?
11:33Not specifically for this project, but I did reference the budgets of The Rescue and The Strongest.
11:38The Rescue was last year, and The Strongest a year earlier.
11:40Do you have any clue how much unit cost has risen?
11:45Also, the cost for making the miniatures and voice actors weren't even in the budget.
12:02You're right.
12:07I've never worked with a budget this large.
12:12If there are more things I'm missing, let me know.
12:15Yeah, I've also noticed there are only two cars for the crash scene.
12:18I'll make sure we have three.
12:19No, four at least.
12:21Your error was thinking car explosions can be shot in just one take.
12:25A scene of that magnitude has too many variables, so we have to plan accordingly.
12:30The explosion alone will need three of the four cars.
12:32Also, your budget for VFX was based on partnering with Aspect, but we won't actually be able to...
12:50It's not like I just threw it together.
12:54It took me an entire week to create this budget plan.
13:01Even after all these years, I still don't think I'll ever be able to beat you.
13:19Hey, Sangha.
13:23Yeah.
13:27A meeting?
13:30Uh, yes.
13:31But just try to think of it as a casual outing instead.
13:35Don't feel like you have to take the project.
13:38And you'd look bad if I didn't go, huh?
13:43Well, um...
13:44Kinda.
13:47Let's do Tuesday.
13:49Okay, great, thanks.
13:50I'll shoot you a text once the location's been confirmed, okay?
13:53Okay.
13:54Oh, by the way, apparently Sung Young will be there as well.
13:59I just figured I should let you know.
14:00I know.
14:02I heard you two are co-producing.
14:05Director Ju already told me.
14:09Oh.
14:10Oh, I see.
14:14Okay, I'll see you at the meeting.
14:33Oh, he's here.
14:38Oh, I didn't realize you'd already be here.
14:40There was no traffic.
14:41I'm Kyung Seung Joo.
14:42Good to meet you.
14:42Nice to meet you, Kim Sangha.
14:46It's been ages, Sangha.
14:49Quite a while.
14:50Have a seat.
14:56So I hear you two are in the same photography club.
14:59Ah, yeah.
15:00Producer Ryu Eun Jung was as well.
15:03Really?
15:05So you all know each other.
15:11I wonder how Producer Ryu is doing in her meeting.
15:16If Kim Sanghaq turned down the position,
15:18why did Mr. Chung push them to do this meeting today?
15:21You don't want him to change his mind.
15:23Huh?
15:24You heard me.
15:25Oh, whatever.
15:28Go after her while you still can.
15:31Otherwise, you'll end up regretting it.
15:33Regret?
15:34Yeah, right.
15:42I loved what you did in Wasteland.
15:44Amazing camera work.
15:45Thank you, sir.
15:47I saw the storyboards, too.
15:49They said that you drew those?
15:50Ah.
15:51Well, I'm not really good at drawing,
15:53but it's just easier for me.
15:54I have so many questions for you,
15:56but let's start with that long car chase scene you shot.
15:58How did you do it?
16:00I must have watched that scene a dozen times
16:02and still couldn't figure out how it was accomplished.
16:05The storyboards were different.
16:06Yeah.
16:07Basically,
16:08the director wanted one continuous shot for the scene
16:10from the very beginning,
16:11and so did I.
16:12However,
16:13when it came to the storyboards,
16:14I just couldn't...
16:15I couldn't come up with a way to film the entire thing all at once.
16:19But...
16:20Well, it's just...
16:21Sangyeon's eyes were completely fixated on him.
16:24As if the conversation became white noise in the background.
16:28So it was then that I began exploring alternative approaches.
16:30But the issue was that there simply wasn't enough space to position the camera,
16:34given how compact the car interior was.
16:36So...
16:37So you got rid of the hardtop?
16:39Exactly.
16:42Looks like I found my guy.
16:44Yeah?
16:46Look forward to working with you.
16:51Director Kyung...
16:57So why'd you refuse the offer?
17:01I told you already.
17:03I just feel a little burnt out.
17:05That's really it.
17:07But you would've been okay with Director Ju?
17:12Yeah, because...
17:15Well...
17:15The script was way too good to turn down.
17:23Sanghak.
17:25Are you uncomfortable with Sangyeon?
17:30Well, it's not easy.
17:33But...
17:34It's not about Sangyeon.
17:36It's just a situation.
17:40Taking a taxi?
17:41Mm-hmm.
17:43And you?
17:44The bus.
17:45Well, alright.
17:46Let's head to the bus stop.
17:51I just don't understand.
17:56I think it's because Director Yi...
17:58But he agreed to work with Ju Donghyang.
18:02So what's the reason?
18:06If he didn't mention a reason, there isn't one.
18:12Oh, it's Yu-chan.
18:20Did you work late?
18:21Uh-huh.
18:24Uh...
18:25This is Kim Sanghak.
18:26He's a cinematographer.
18:27I'm Song Yu-chan.
18:29JD Entertainment.
18:31Nice to meet you.
18:32Kim Sanghak.
18:38That's an unusually long handshake.
18:41Do you have a ride?
18:44Taxi.
18:44Ah.
18:45Oh, how lucky.
18:46Taxi!
18:47Taxi!
18:51Enjoy your ride, then.
18:53Okay, thanks.
18:54Get home safe, alright?
18:56Oh, she will.
18:57I'm gonna take extra care of her.
19:10What was that?
19:11You heard me.
19:16Please, get in.
19:19Why are you acting so weird?
19:23Uh...
19:23Mok Dong Street.
19:30Yu-chan dropped you off at home?
19:33He's such a weirdo.
19:34He said he was just going for a drive.
19:37He said what?
19:38Did he even work late yesterday?
19:41There he is.
19:42Ask him yourself.
19:43See you later.
19:44Hi.
19:45I'm heading out.
19:46Where are you headed?
19:47I just got here.
19:48Budget planning.
19:49What, again?
19:50You're not taking a smoke break?
19:51Hey, I could use a smoke break.
19:53Yu-chan, come smoke and have a little chat.
19:56Let's go out.
19:57Okay.
19:57Only today, though.
20:03So basically, Director Kyung has expressed he really wants to work with you.
20:08Even more so ever since he met you the other day.
20:16And if you do work with him, you'll see he's a good director.
20:20Open-minded, too.
20:22I have a feeling you would connect artistically.
20:25I'm sorry.
20:26You came here for nothing.
20:35Well, is it because I'm working on it?
20:40Because you're uncomfortable with me?
20:44Why bother denying it?
20:45That's the only thing that changed.
20:48Anyway, if that is the reason, don't worry.
20:51I'll make myself scarce.
20:53And you can focus on shooting.
20:55Why would you have to do that?
20:58It's not like that.
20:59I'd appreciate it if you could tell Director Kyung that...
21:02I hope to work together in the future.
21:06Chang-hak.
21:07I have to excuse myself for another meeting.
21:12Good luck to you.
21:13...
21:19...
21:24...
21:25...
21:25Sous-titrage Société Radio-Canada
21:56Sous-titrage Société Radio-Canada
22:38Sous-titrage Société Radio-Canada
23:03Sous-titrage Société Radio-Canada
23:05Sous-titrage Société Radio-Canada
23:17Sous-titrage Société Radio-Canada
23:52Sous-titrage Société Radio-Canada
24:06Sous-titrage Société Radio-Canada
24:13Sous-titrage Société Radio-Canada
24:24Sous-titrage Société Radio-Canada
24:35Sous-titrage Société Radio-Canada
24:50Sous-titrage Société Radio-Canada
24:53Sous-titrage Société Radio-Canada
24:58Sous-titrage Société Radio-Canada
25:18Sous-titrage Société Radio-Canada
25:24Sous-titrage Société Radio-Canada
25:36Sous-titrage Société Radio-Canada
25:38Sous-titrage Société Radio-Canada
25:50Sous-titrage Société Radio-Canada
25:50Sous-titrage Société Radio-Canada
26:03Sous-titrage Société Radio-Canada
26:06Sous-titrage Société Radio-Canada
26:08Sous-titrage Société Radio-Canada
26:12Sous-titrage Société Radio-Canada
26:27Sous-titrage Société Radio-Canada
26:28Sous-titrage Société Radio-Canada
26:29Sous-titrage Société Radio-Canada
26:32Sous-titrage Société Radio-Canada
26:32Sous-titrage Société Radio-Canada
26:33Sous-titrage Société Radio-Canada
26:35Sous-titrage Société Radio-Canada
26:35Sous-titrage Société Radio-Canada
26:38Ce draft definitely feels more dynamic and fast-paced.
26:41Anything worth reviewing?
26:42Not at all.
26:43Producer, do you?
26:45I agree that the action scenes are much more engaging now.
26:48However, in reviewing the scenes you decided to delete,
26:51I do think we should perhaps consider putting back
26:53the latter part of the scenes, 45 and 72.
26:57They're important.
26:59Scene 45.
27:01Let's see, scene 45.
27:04I think it slows down the overall plot.
27:08I do too.
27:10But I feel like if we remove that scene,
27:12it's possible the audience won't be convinced
27:14as to why Soojin goes on to defy her superior and team up with Taeho.
27:20Why wouldn't it convince them?
27:22I think it's totally convincing.
27:24Then how will you clarify that Soojin is actually Kyung-eun,
27:27and that when she was growing up in the orphanage,
27:29she and Taeho depended on each other?
27:31None of that shit matters to anyone.
27:41Well, what's important to you then?
27:43The fact that they were acquainted in their childhood is irrelevant.
27:46All that matters is how they execute their revenge on K.
27:58I think that what stays with the audience in any film are the emotions that are evoked.
28:04Whether it be despair or happiness, fear or catharsis,
28:07the audience feels them vicariously through the characters.
28:10The audience will connect with the protagonist if the plot is plausible enough.
28:13No.
28:14Emotional connections need a proper build-up.
28:16For example, the scene in Titanic when Jack sacrifices his life for Rose.
28:20To your point, that moment would have been impactful even if they were strangers,
28:24as he demonstrates an act of selflessness.
28:26To my point, the reason the audience connects so empathetically to that scene
28:29is because they've witnessed the entire love story between the two characters unfold.
28:33Titanic's a romance, though.
28:34According to your terms, it's a disaster flick.
28:41And it's the same principle with this scene.
28:43I mean, think about the overwhelming sadness Soojin has when Taeho dies at the end.
28:50Can you still dismiss this scene as unimportant, knowing all this?
28:57Even if we shoot it, it'll probably still be cut in the end.
29:00Either way, it's just my opinion, and the final call is ultimately yours, Director.
29:07That's my cue to speak.
29:11Let's go with producer to you's suggestion.
29:13What was the other scene you mentioned?
29:16Uh, scene 72.
29:17Scene 72.
29:23Oh!
29:25I feel alive again.
29:28Hey!
29:29You're the best.
29:30I was so nervous, I thought I'd die.
29:33Sounds like it was brutal.
29:34But hey, your face says you won.
29:36We weren't boxing or anything, alright?
29:39There were no winners or losers, and Kyung Sung-ju's cool!
29:42Who knew?
29:43He's pretty fair and understanding.
29:45She's smart, that one.
29:47And that's why Mr. Jung wants to keep her on his team.
29:49Why did you do that?
29:51You clearly thought producer Du was raising good points.
29:55Well, I thought I made good sense too, sir.
29:57So what happened there?
29:58Did you have a falling out, or were you always rivals?
30:01Our script meeting's at one tomorrow.
30:09So, what's your asking price?
30:12Well, a lot would be great.
30:14Set your price.
30:16You go first.
30:20Okay, so yeah, apparently, according to your contract, you've done one low-budget feature and...
30:26Maybe I didn't read the room.
30:29You're not upset that I'm here, are you?
30:31Not at all.
30:32Don't worry about her.
30:34She's just messing with you because she knows we went to college together.
30:37So, are you single?
30:42I don't have a girlfriend.
30:43Hmm.
30:44I guess I'm the only one who's spoken for here.
30:51Oh, Mr. Kim, you're here early.
30:54Oh yeah, just going over my contract terms.
30:56Ah, line yourself a killer deal.
30:58Negotiation's my forte.
31:01See you after lunch.
31:02Yeah, enjoy, sir.
31:03Have a good lunch.
31:09So then, do you have a boyfriend, Producer O?
31:11Yep, he's a director.
31:13He's pretty big in the indie circuit.
31:14Okay.
31:15I'll have to go on your tongue.
31:16No, he's essentially an anonymous animator.
31:19The cinematographer is not the exception, though.
31:21They actually earn good money.
31:24I can't understand his need to be so experimental.
31:31Why are you sitting out here?
31:33You could have waited in my office.
31:34Oh, that's okay.
31:35Oh, allow me to introduce you two.
31:37Kim Sangak is our cinematographer.
31:39And this is Producer Song.
31:40He's one of our line producers.
31:42I look forward to working with you, Mr. Kim.
31:45Likewise, Producer Song.
31:46Me too.
31:48Let's head in.
32:00You finished the storyboard?
32:02Only the opening scene.
32:03I drew some of the moments that came to mind.
32:05Oh.
32:14I like this picture.
32:15Oh, really great.
32:16Thank you, Dad.
32:37I like this picture.
32:37Come up to the rooftop.
32:48I have a lot going on today, Yu-chan.
32:50Liu Eun-jung.
32:52I like you.
32:57Is this a joke?
32:59I mean, we're...
33:00We're at work.
33:01I don't care where we are.
33:02I'm serious.
33:04I've had feelings for you for a long time.
33:09I like you.
33:13You're insane.
33:20I think we should finalize everything before we share this.
33:23Okay.
33:25I think you're right on the plane with that.
33:27Okay.
33:28Okay.
33:28Yeah, Brady.
33:29Let's hear what you're saying about this action scene.
33:40Oh.
33:54Oh, hey.
33:55My crew got a solid contract.
33:57Thank you.
33:58Oh, please.
33:59It was a brutal negotiation.
34:04Wow, this director of photography.
34:07Is he not working out?
34:08This guy has fresh ideas every day.
34:10I bet most directors just lean on his expertise.
34:13Oh, wow.
34:13He's that good, huh?
34:14How far into the script did he get?
34:16He's finished a third of it, I believe.
34:18Yes.
34:19He's a machine.
34:22May I take a peek now?
34:23No.
34:24You can see it when we're done.
34:34Give it here.
34:36Where's the director?
34:37Is he going?
34:37He's out for dinner with the production designer.
34:42The director specifically told me not to show anyone.
34:44I'm your boss.
34:45Get out of here.
34:47I understand, dude.
34:48It's a secret.
34:50Secret for real, sir.
34:51Cool.
34:53Oh, wow.
34:57Talented.
35:02Could I just take a quick look at it, too?
35:07Top secret.
35:44Oh, you're still here?
35:46I just had a meeting with director Yi Tran Sok.
35:48Please get in. I'll give you a ride.
35:50Did you call the driver?
35:52Yes.
35:52He'll meet me at the parking lot.
35:55Hmm?
35:58Is that Mr. Kim in producer to you?
36:04Is there something going on?
36:09They used to date back in the day.
36:13They used to be together?
36:15Mm-hmm.
36:16College sweethearts.
36:18Did you feel left out?
36:20Yeah.
36:22And I had a crush on him.
36:25Really?
36:27Indeed.
36:29And you didn't say anything?
36:31I did.
36:33Ambiguously.
36:34And he rejected you?
36:36For someone like Ri Yun-jung?
36:40I mean, you don't know Ri Yun-jung.
36:44To this day, I haven't ever beaten her.
36:48Do you always leave work this late?
36:51Sometimes.
36:53I'm glad you weren't stubborn about taking a ride.
36:56Why would I be stubborn?
36:58I love a comfy ride.
37:02Why are you so stoked?
37:04Did something good happen?
37:06Yep.
37:07I'm doing great.
37:09What is it?
37:16I use my car.
37:18You are only broke into it.
37:24That's a real guy.
37:30Really lindo and delicious coffee.
37:30It's hard.
37:31To enjoy your cama in his outfit.
37:38Really love his coffee food.
37:39Idiot.
37:39When you cook dinner, it's somebody who gets verloren.
37:41That's what I wasエシート!!
37:44I eat.
37:44It's so strong.
37:45What I like...
37:45Mr. Kim also presents,
37:45You guess how this is.
37:46how to invite Chris Kim?
Commentaires