00:30You're obviously aware and it's clear you're enjoying this
00:40You know
00:42You're being really pathetic
00:47If you're in love with Sanghak, you should go tell him that
00:50Instead of confronting me
00:52I intend to
00:56I just thought you should know about that
01:02Can I go now?
01:24You're obviously aware and it's clear you're enjoying this
01:56If you're in love with Sanghak
01:57Sous-titrage Société Radio-Canada
02:27Sous-titrage Société Radio-Canada
02:58Sous-titrage Société Radio-Canada
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03:41But I just can't stop.
03:45I keep falling for you.
03:47You told me you were okay with just being friends.
03:50Honor that.
03:52I'll pretend I didn't hear this.
04:18The only thing I can see through myself.
04:32I'll show you now.
04:37The only thing I can see through myself.
04:41I mean, this is the best we've seen so far.
04:53It's not great.
04:55The interior and exterior are a bit...
04:57Finding the right location is tricky, hmm?
05:01There is one more option, but it's slated for demolition around late July.
05:05As long as we have the right location.
05:07We can complete the shoot by then.
05:10Of course.
05:10Where is it?
05:22I like this one.
05:25We definitely should have been brought here first.
05:28Right, Director Kyong?
05:29You're right.
05:30I didn't know they still existed.
05:34This is great for the escape scene.
05:36Let's go.
05:37It's empty, so we should be fine.
05:39Third floor up.
05:40Okay, great.
06:02This is exactly what you described, isn't it?
06:04You mentioned wanting a space where the character feels suppressed.
06:07Director Kyong, come and look at this.
06:10Wow, look at the windowsill.
06:12This place is great.
06:14I really love this place.
06:17It has a prison-like feel to it, right?
06:20Seeing Ms. Yoon's place after almost a decade
06:22felt even more eerie than I anticipated.
06:27I prefer the one we saw earlier.
06:32Why?
06:36I love this location.
06:39The other one's great for outdoor shooting.
06:41Plus,
06:43three floors up is a challenge to haul the lights up here.
06:48I agree with that.
06:50It would be better to shoot the indoor scenes on a set we can control.
06:53Our timeline is tight here because the location will be demolished in July.
07:00For the lighting, well, we can use a crane for this space.
07:06Exactly.
07:09Let's go with this one.
07:14I think that this one is great.
07:23Great.
07:24Let's go with this one.
07:27Mr. Kim?
07:28You good with this?
07:31Yeah.
07:37By the way, don't you think that place was incredible?
07:42If you can get us the film permit right away, I can set a few things up before we develop
07:46the expansion plan.
07:47I'll try to get that quickly.
07:49Great.
07:51By the way, why didn't you want to ride in the other car?
07:57I felt like being with you.
07:59I appreciate the ride.
08:02I was just curious if you were feeling uncomfortable around Mr. Kim.
08:07You don't really seem to like him very much.
08:10Of course not.
08:12I was speaking nonsense to go along with everyone.
08:17Well, that's a shame, huh?
08:21I didn't know there was such a large hospital here.
08:34Nice job.
08:35Good work, sir.
08:35You all worked hard today.
08:37Great work today, sir.
08:38Great work, everyone.
08:38Nice job today.
08:44Josh, let's go home.
08:45Great job.
08:46Get home safely.
08:53Wait.
08:54Is that producer to you?
08:56Should we give her a ride?
08:57She lives close to us.
09:01She'd probably say no.
09:04I thought you went to college together.
09:11She's the one.
09:14That I dated.
09:17Seriously?
09:24Oh, wait.
09:24So that's why you...
09:26Pretend you don't know.
09:27Of course.
09:28I'll pretend I know nothing.
09:31Well, everything makes sense now.
09:33So that's why you were unsure about this project.
09:43It has a prison-like feel to it, right?
09:46Yeah.
09:50I prefer the one we saw earlier.
10:10Who's going to save me from leaving in blue?
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