- hace 2 días
La madre de Lucía se siente un tanto apartada de sus amigas, quienes alardean de sus salidas y novios, mientras ella pasa gran parte del día en la casa de su hija. Para no parecer una vieja aburrida, Carmen asegura a sus amistades que está saliendo con un hombre y ante la insistencia de ellas en conocer a su pareja, decide pedir a Santiago que finja ser su novio temporalmente. El mayor de los Serrano se presta al juego y su primer encuentro con el círculo de amigas de Carmen resulta ser todo un éxito. Sin embargo, ellas insisten en que él las acompañe a una excursión a Cuenca. A pesar de los recelos de Carmen, él acepta ya que a dicho viaje también va Lourditas. Por otra parte, Marcos se ha trasladado a Londres, ciudad desde la que escribe a su familia informándoles de que ha hecho grandes amigos y ha conseguido un buen trabajo. Pero la realidad es muy distinta, Marcos no acaba de acostumbrarse a su nueva vida y la última visita que ha recibido ha sido la de sus amigos Chuki y Raúl. Chuki enseña a Eva y a África unas fotos del viaje londinense de los amigos y en una de ellas aparece Raúl con otra chica. Éste acaba confesando a África que le ha sido infiel y ella se enfada mucho.
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00:00:00Hi Marco! How's London? I suppose it's fine, everything's the same here.
00:00:26Well, Menorguille, ever since they nicknamed him Cantinflas at school,
00:00:30He spends all day shaving to see if he can grow more, but even that doesn't work.
00:00:34Tete is very tall and very pretty, she no longer wears padding in her bra.
00:00:38So now the toilet paper lasts longer, but my father says that's not a good sign.
00:00:43One thing, Tete, excuse me, let's see, that foul is very short, so come on, change it.
00:00:47That's what you say, blind man, that's how they get along.
00:00:49No, no, no, let me do one thing for a moment, no, what's stopping you, I'm not going to do anything to you, please, please.
00:00:54Look, no, twenty-five, this is twenty-five, that is, with less than forty you don't leave the house.
00:01:00Yes, man, forty.
00:01:01Change, change, change, Tete, it's ready.
00:01:03Barbie!
00:01:04Eva was very sad when you left; I get the impression that you are her favorite brother.
00:01:10But now he's much better, and he goes out a lot with his friends.
00:01:14Oh, and she dumped him with Alex, you know, the gunman.
00:01:17I think she doesn't have a boyfriend or anything right now.
00:01:20Mom, can you tell me what you're doing at home?
00:01:23It's a wonderful day, let's see, Mom.
00:01:25Lucía is a little worried about her grandmother; she says that she doesn't go out at all and that she doesn't come to see her friends anymore.
00:01:31But the one who remembers you the most is Dad, who is always talking about you with Uncle Santiago.
00:01:39And you should see how he gets when Santi calls you lazy.
00:01:42He says he only calls his children "lazy beings," because that's what being their father is all about.
00:01:47And he writes that every time we receive a letter, we all go crazy.
00:01:51Santi says it must be the immigrant syndrome.
00:01:54A kiss, I swear.
00:01:55Dear family, everything is fine in London.
00:02:03Don't take as much as they say.
00:02:05And the people are very, very nice.
00:02:08Nice, they say here.
00:02:15The house where I live is huge and very bright.
00:02:17And the best part is that it has incredible views.
00:02:20I spend hours and hours looking at London from my room.
00:02:24I've already landed a job at a major multinational company.
00:02:27At the moment I am very, very highly valued.
00:02:29Well, I've even been told there's a possibility of a quick promotion.
00:02:32English is fantastic, of course, I'm learning a lot.
00:02:34I spend all day listening to my flatmates speak English on TV.
00:02:37By the way, Chucky and Raúl came to see me this weekend.
00:02:46Since I have plenty of room, they stayed here to sleep at home.
00:02:50And well, I'm quite the expert in the kitchen.
00:02:55You wouldn't believe how many dishes you can prepare without using oil.
00:03:01Send me my flip-flops, because...
00:03:04I've started going to the pool every afternoon and I don't want to get a fungal infection.
00:03:07Anyway, don't worry, everything is going very well for me.
00:03:11And well, I miss you all a lot.
00:03:13Marcos loves you.
00:03:16Hey, see how your little boy is doing well?
00:03:19Yeah.
00:03:20Lucia, he's become a man.
00:03:22Look, here he was a singer-songwriter and you send him to London and...
00:03:26He becomes a useful man.
00:03:27What would it be worth?
00:03:27That's how it is.
00:03:29And here, the one who wants the size, gets it packaged up for a plot and that's it.
00:03:33You nailed it, Santi.
00:03:34You nailed it.
00:03:35Take note of what I'm telling you.
00:03:35Did you hear that, Guille?
00:03:36I'm a different guy now, aren't I?
00:03:37In other words, if you don't pass all your exams this year, I'll pack your suitcase and send you to London with your brother.
00:03:42Look.
00:03:42No supplements.
00:03:43And if all you have to do is start studying...
00:03:45The thing about my house is that even good news can quickly turn into bad news.
00:03:49And if you don't believe me, just ask my brother Díaz, who, without even realizing it, was already in a terrible mess.
00:03:55On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.
00:04:04Come soon to see the sea and send a postcard.
00:04:08I already knew that day was the end.
00:04:10Now I have much more.
00:04:14Red, black, stop and stop, finally luck brings an ace and a crystal to look at and a wall to hang on.
00:04:23Seven smiling faces in the ID photo.
00:04:26My stories were not about tales made by chance.
00:04:31Nobody told me that destiny was giving me this opportunity.
00:04:40One plus one equals seven.
00:04:43Who would have thought?
00:04:47That it was so easy to be happy.
00:04:51Guille, I just spoke with Fernando, the psychologist.
00:05:03And did he tell me anything about giving you something on Monday to give to your father?
00:05:08What did the psychologist give you for me, Guille?
00:05:10A report.
00:05:11No?
00:05:11Ah, ah, yes, man, the report.
00:05:14I'd forgotten about it, I must have it tucked away somewhere in here.
00:05:17I'm so busy studying math.
00:05:18Bring it, bring it home, bring it.
00:05:19What is this?
00:05:30Oops!
00:05:31But what is this?
00:05:32The gano, the chicharrón, but what is this, Guille?
00:05:34What is this?
00:05:35It looks like a comic book about a death trap.
00:05:37From a slaughterhouse?
00:05:37Look, Lucia, the boy encoded a comic book inside the math book.
00:05:40But what is a professional job, a professional job, that is a printing job?
00:05:43The child did this.
00:05:43You look for the report.
00:05:44It's in here, Guille, the report.
00:05:46But anyway, what do you think?
00:05:47We've just started and we're already having problems.
00:05:49Guillermo Serrano, Guillermo Serrano, Guillermo Serrano.
00:05:52A tendency towards dissociated behavior is observed.
00:05:57What is dissociative behavior?
00:05:59Disassociated, disassociated, son.
00:06:01I'm going to explain to you why you are my son.
00:06:03Dissociated behavior, as the word itself indicates, is behavior...
00:06:06It's not good.
00:06:08It's not good.
00:06:09And he also takes pleasure in poor academic results.
00:06:12Come on, come on, so not only do you fail, but you also enjoy failing.
00:06:16So, you're gloating, aren't you?
00:06:17But, Dad, how can I gloat if I haven't even taken a single test this term?
00:06:20How are you going to pass the first exam?
00:06:21So, are we reading the gano and the chicharrón or the mortadero?
00:06:23Okay, okay, okay, okay, Diego.
00:06:24Calm down a little, auntie.
00:06:26Okay?
00:06:26Yeah.
00:06:26The math exam hasn't happened yet, so we'll give you a chance.
00:06:29So, what's going on?
00:06:30Well, anyway, Diego, don't worry, there's definitely going to be a passing grade in this house.
00:06:34Oh yes, Diego, aunt, don't worry, because come on, I'm sure Barbie will pass her exams.
00:06:39of honor.
00:06:39Hey?
00:06:39Are you that much of a March person?
00:06:40No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:06:43You're laughing at your sister, no, it's just that I feel like...
00:06:45So, you laugh at your sister because she's smarter, I mean, you laugh because it's a given, that
00:06:49Fermín is right, you revel in the suspense.
00:06:53Look, I'm going to do one thing to you, if you don't try, if you don't try, I'm going to take drastic measures.
00:06:57Just like my father used to do, when the note arrived, he would take off his belt and whip it, of course.
00:07:02I haven't exactly made a career out of you guys.
00:07:05No way?
00:07:06Okay, let's leave it at that, Guille, listen to me, you're going to take this exam, no matter what.
00:07:12Let me tell you something, if private lessons are needed, then private lessons will be given.
00:07:15Whatever it takes, come on, you need to get some private lessons.
00:07:17Let's talk to the money, let's throw it away.
00:07:19Are you right? Okay, you're right, no, it's true, we don't have money to spare.
00:07:22But you've given me an idea, we're going to give you private lessons, your uncle Santi and I.
00:07:26Yes, no, don't say yes, because let's see, you and I control most of them.
00:07:34Jordi, you have no idea how much I've missed you.
00:07:36I'm not telling you more than that I haven't crossed the Manama Canal three times because I could have drowned.
00:07:41The English Channel is given.
00:07:42In the stain, the one from Panama and the one from Sweden, it is needed.
00:07:47I'm going to see.
00:07:49The Suez Canal, have you seen it?
00:07:51Just a week without seeing each other and look how everything turns out.
00:07:53It was already like that before he went to Africa.
00:07:56Cuckoo, photos of London.
00:07:58A week of the Hurmaetres, fifths.
00:08:01What happened to me?
00:08:04Is Marcos coming out?
00:08:05Yes, nothing, there with a fucking awesome aesthetic.
00:08:09There's the plaster, there for drinking in the street.
00:08:11How fun.
00:08:12Did you see?
00:08:17Bring it, bring it, bring it.
00:08:18Bring it, bring it.
00:08:19Yes, I'll give these back to you.
00:08:21Okay, and you and I are leaving.
00:08:31Churri.
00:08:31Auntie, I hadn't even started, I would do it, I was missing you.
00:08:36It would make me want to go back.
00:08:38No no.
00:08:39It couldn't have been that hard.
00:08:41You'd know someone, right?
00:08:42Nah, it's nothing much.
00:08:44You know how the English are.
00:08:45There are cold ones, they are icy ones, the walking icebergs.
00:08:48And the English ones?
00:08:51Nah, no, no idea, I haven't met any of those.
00:08:54Well, this one seems to have rhymed quite well.
00:08:56Hey?
00:08:56Come on, he gets a little closer and comes out through your back.
00:08:59No, no, but this one isn't English.
00:09:00Churri, this is an exchange one, it's a mega from Marcos.
00:09:04Hey?
00:09:04Not this one, I had nothing against her, okay?
00:09:06It's the same, it's the same even if there were, if it were for her...
00:09:10Yes, but I've saved your face there.
00:09:12Come on, everyone knows it.
00:09:15Raul.
00:09:16But it's okay, silly, if you can tell me.
00:09:19Or do you think I'm going to get angry because I know you hooked up with that foreign girl I know you'll never see again?
00:09:24Who do you take me for?
00:09:25But, but, but, but, I'm all about you, Churri, okay?
00:09:28That I in life...
00:09:29Come on, man, why would I be hanging around with a...?
00:09:32What are you saying, man? What are you saying?
00:09:33Raul, do you think I care about that?
00:09:36The only thing I couldn't stand is if you lied to me.
00:09:38But if you tell me the whole truth and are honest with me, I don't care about the rest.
00:09:44Come on, you idiot.
00:09:46You hooked up with her, yes.
00:09:50Tell me about it.
00:09:51Nothing, just a little bit.
00:09:54See?
00:09:55Far better.
00:09:56What was that all about? A fling at a club?
00:09:59Yes, yes, from a nightclub, yes.
00:10:02Well, nothing, what happened, you know?
00:10:04We ended up going to her house and me in line for Marcos's.
00:10:09Raul.
00:10:11Nothing, what did happen is, what a mess, what a mess, girl, that, that, that I lost the keys.
00:10:16Yeah.
00:10:16Know?
00:10:17And, well, in the end, I, I, I, I, I had to go to his house.
00:10:21Oh, and you had to sleep with her?
00:10:23Yes, no, well, no, but I did want to sleep on the floor, you know?
00:10:26And me, you see, it happens that my aunt, well, said no, that there's room here, that there was, you know?
00:10:30The ground is cold, it's true, it's cold here at night, and well, in the end I went inside.
00:10:33And, well, once I'm in, well, I don't know, girl, she knows me, I'm a man and you look for me and, well, in the end you find me, you know?
00:10:40And, come on, you've already done the same thing, honey.
00:10:45Ah!
00:10:46But, but, what did you tell me? That I could, that nothing would happen, that I could hook up with her and nothing would happen?
00:10:50What bothers me is not that you slept with someone else, Raúl, but that you lied to me.
00:10:55But I just told you the truth.
00:10:57Now you've finally told me the truth!
00:10:58Look, Raúl, you're a liar, a pig, and a jerk.
00:11:01And that teddy bear is crap, you can shove it wherever it fits.
00:11:13The cafes.
00:11:16Oh, how quiet they are!
00:11:18Come on, get lost.
00:11:19What evil are you discussing?
00:11:21Nothing.
00:11:22We are looking at the photos from the trip to Medinaceli.
00:11:25Look how handsome Goya's boyfriend is!
00:11:28Oh no, no, no, no.
00:11:29Boyfriend no.
00:11:31Friend.
00:11:32As my granddaughter says, friend, with benefits.
00:11:36Please, anyone who hears you.
00:11:38Daughter, if someone wants to touch us at our age, we're not going to be fussy about it.
00:11:44Do you think you're 15 years old?
00:11:45At your age.
00:11:47We need to have a little more dignity.
00:11:49Very dignified.
00:11:50The cemetery is full of dignified ones.
00:11:52Yeah.
00:11:52What we need to do is have a good time.
00:11:55And you should go out more, Carmen.
00:11:57You're very still.
00:11:59And very rich in food.
00:12:01I?
00:12:01No way?
00:12:02Not at all.
00:12:04The thing is, I don't have time for nonsense.
00:12:07Foolishness?
00:12:08Is it foolish to bury oneself alive?
00:12:10How long has it been since you treated yourself to something nice, huh?
00:12:12That's it, that's it.
00:12:13Yes, yes.
00:12:14You, from shopping to home and from home to shopping.
00:12:16Man, Tupac Amaru died a long time ago.
00:12:19Get over it, woman.
00:12:20It's sad to see you like this, so alone.
00:12:23Well, you're the ones who say I'm very lonely.
00:12:27Ah, but there is someone.
00:12:30And who?
00:12:32Who is it?
00:12:34Well, someone.
00:12:36One person.
00:12:37Let's see, let's see.
00:12:39Is he a friend?
00:12:40Yes, a friend.
00:12:42No no.
00:12:43A boyfriend.
00:12:46Something serious.
00:12:47But hey, you kept that quiet.
00:12:51But what is he like?
00:12:52Where did you meet him?
00:12:54Since when?
00:12:54Well, it was several months ago.
00:12:59Three.
00:13:00Look, we don't believe it.
00:13:03Well, I haven't said it before because he's younger.
00:13:08Come on, it's not the retirement home.
00:13:11Oh, and what does he look like when he's young?
00:13:13Tell us something.
00:13:15He's handsome.
00:13:16Well, he's not handsome, no.
00:13:18No.
00:13:19It's rather ugly.
00:13:21But it's very masculine, very virile.
00:13:25Ah.
00:13:26And the clothes, man, the truth is that they don't have much class.
00:13:33But I'm polishing it little by little.
00:13:35And what does he do?
00:13:36What do you do for a living?
00:13:37He owns a tavern.
00:13:40And what's its name?
00:13:42Santiago.
00:13:43Ah.
00:13:44Introduce me.
00:13:44Introduce me.
00:13:46Yes, whenever you want.
00:13:48Whenever you want.
00:13:49Madrid and Villarreal.
00:13:50All.
00:13:50What do you mean, two?
00:13:51What are you telling me?
00:13:52So why ask?
00:13:53Villarreal champion, Fiti.
00:13:55Champion.
00:13:56Hey, Raurito.
00:13:58Give me a hand with the lottery, man.
00:14:00Let's see if we can finally get out of poverty.
00:14:01What's the matter?
00:14:05Are you feeling down?
00:14:07Hey.
00:14:08Come on, here's your old man.
00:14:10Okay, tell me.
00:14:11What happened?
00:14:13That's it.
00:14:14Something about the little girl, huh.
00:14:17Come on, tell me.
00:14:17That?
00:14:17Any trouble?
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